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Speaker 1: Welcome back to Beardless Dick lists me.

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Speaker 2: I'm host Kevin Smith and I'm Harley Quinn Smith.

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Speaker 1: Look. Podcasting something I've been doing since two thousand and

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Speaker 1: seventh Theater of the Mind they called this. Origins for

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Speaker 1: my podcasting casting can be traced back to LaserDisc commentary

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Speaker 1: threats on movies back used to be an audio medium

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Speaker 1: and a lot of people listen to us on Spotify

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Speaker 1: stuff like that. That's just audio, and I've met a

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Speaker 1: lot of them. For the weekend, it's dropping beardless stick.

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Speaker 1: What's me.

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Speaker 2: That's wow, that's crazy.

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Speaker 1: But I say all this just to also acknowledge that

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Speaker 1: in the age of podcasting, video has become an important

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Speaker 1: love that and if one were to be able to

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Speaker 1: see the video for this, you would see only the

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Speaker 1: Gotten Daughters had.

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Speaker 2: Quite frankly, I was I was, honestly was wondering when

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Speaker 2: you were going to say anything. But I thought it

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Speaker 2: was just so.

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Speaker 1: Like said kid regular, it was on the wire, everything

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Speaker 1: just waiting. You think I'm gonna have a conversation off

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Speaker 1: camera about the whole fucking Joe. What's the story there?

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Speaker 2: It's a mannequin pussy the band that I like and

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Speaker 2: that you like them too.

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Speaker 1: There's a song that wound up in my playlist.

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Speaker 2: Yeah to I think it's sounds Drunk two or something.

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Speaker 1: Not to say Will Wilkins, but fuck Will, whoa whoa.

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Speaker 1: Sometimes when I played the show back, like when I'm

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Speaker 1: uploading the things to Will, and you know we love Will,

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Speaker 1: and Will's a genius. I adn't take nothing away. But

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Speaker 1: he told me to keep my volume at a certain point.

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Speaker 1: And I don't see my green bar doing much climate.

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Speaker 1: And when I listen to the playback, you're so much

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Speaker 1: loud to me, like talk right now, Oh God, jumping

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Speaker 1: the charts and ship. So I'm making an executive decision here,

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Speaker 1: man oo, Who's Will Wilkins? Tell me what I can

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Speaker 1: fucking do with my volume? Not I didn't work thirty

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Speaker 1: years in this business, so I can have Will Wilkins

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Speaker 1: tell me keep it at two three, between two and three,

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Speaker 1: going to fucking four. Maybe we go to five in

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Speaker 1: this bitch. You know why, because if you can wear

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Speaker 1: a pussy hat, I can tear my volume. There are

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Speaker 1: no rules here. We start putting pussy all over your head.

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Speaker 1: Speaking of pussy all over the head, that's the name

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Speaker 1: of the band.

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Speaker 2: I was like speaking of what that's what you call it?

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Speaker 3: Like what that other bands called mannequin pussy?

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Speaker 1: Yeah, why don't you call your band pussy all over

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Speaker 1: your head? Bro? People will chat.

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Speaker 2: We have a name, it's Wench.

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Speaker 1: I don't got a chat about that. So much pussy

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Speaker 1: all over your head? Oh my god, that gets covered everywhere.

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Speaker 2: Pussy all over? That is insane.

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Speaker 1: Is it too late?

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Speaker 2: I think it's it's a little late.

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Speaker 1: Never too Let me talk to who else is in

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Speaker 1: the band, Nick and Luke, Wick and Nuke.

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Speaker 2: Yes, let me.

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Speaker 1: Talk to fucking Igano. Man, I'm gonna I'm gonna put

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Speaker 1: them on in front of you boys. None of us

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Speaker 1: are getting younger. We don't have time to see if

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Speaker 1: Wench works out. But you know what's instantly going to

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Speaker 1: fucking earn the green that you all need. God, I

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Speaker 1: already forgot the name of it, which is so weird

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Speaker 1: becase you would imagine it was memorable. Pussy all over. Yes,

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Speaker 1: it's the all over part. There's the middle part. I

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Speaker 1: know it started with the pussy in in with head.

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Speaker 1: Maybe we just fucking cut the middle man. I just

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Speaker 1: called pussy head pussy heads pretty sweet.

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Speaker 2: That is a good that's a good one.

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Speaker 1: Pussy head. You can buy a few of those hashes,

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Speaker 1: put right head under it, and you're there. You got

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Speaker 1: mercher already.

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Speaker 2: I'm gonna leave. I'm gonna leave pussy.

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Speaker 1: You know what as well, you're gonna leave what.

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Speaker 2: I'm gonna leave pussy to mannequin pussy and stick with Wench.

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Speaker 1: If I had left fucking rats to the New York subway,

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Speaker 1: there wouldn't be mall rats.

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Speaker 2: You're really you have like an attitude today. I'm feisty.

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Speaker 2: That is exactly what I was looking for. You are

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Speaker 2: feisty as fuck today.

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Speaker 1: I'm not the one that entered the room with a

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Speaker 1: pussy on my head. Pussy all over your head coming soon?

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Speaker 1: You could. Back in the day when I was a

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Speaker 1: kid buying music like record old Sam goodies, you know,

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Speaker 1: you step go to store to buy music. Ship.

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Speaker 2: Yeah, and then.

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Speaker 1: Those stories about albums about forty fives, about cassette tapes,

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Speaker 1: about eight tracks. Then we moved down to compact. This

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Speaker 1: that was the end of the rainbow.

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Speaker 4: Yeah.

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Speaker 1: Never got any more physical than that with music, did it?

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Speaker 2: I think you covered it.

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Speaker 1: Yeah, he's really going.

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Speaker 2: Forty, he's really looking really hard. Please don't make that noise.

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Speaker 3: Lucky's not making love, She's just cleaning.

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Speaker 2: She's just going crazy.

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Speaker 1: Luck, he's like dancing dancing. Yeh. Do you guys have

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Speaker 1: a masturbatory tune in your repertoire yet?

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Speaker 2: Anyways, So Cyndy.

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Speaker 1: Lauper had a masturbatory song. It was very popular.

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Speaker 2: I don't know.

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Speaker 1: It's called she Bop. You know that song? Yeah, Okay,

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Speaker 1: that's a song about jerking off whole song and that's

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Speaker 1: not a theory now she talks about it all the time.

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Speaker 2: That's cool.

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Speaker 3: It's about female masturbation.

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Speaker 2: Bro, that's that's great.

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Speaker 1: I'm not saying be Cyndi Lauper, but like, ain't nobody

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Speaker 1: done that track since then?

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Speaker 2: I have some other inspirations at the moment, but I'll

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Speaker 2: keep it in mind.

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Speaker 1: What is it?

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Speaker 3: What are your sonic inspirations?

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Speaker 2: Just the relationships I've had?

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Speaker 3: There's some you're writing about.

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Speaker 2: Yeah, a lot of songs are about specific people. Anyways,

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Speaker 2: there's one of them about me.

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Speaker 1: Well, I should be happy.

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Speaker 2: I should be happy. They're not. They're not.

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Speaker 3: This is where you're working your ship out, Yeah, this.

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Speaker 2: Is where I'm trying to work my feelings out, all right,

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Speaker 2: speaking of feelings, would you like to say why we

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Speaker 2: weren't here last week?

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Speaker 1: No? You know, I don't want to, you know, I

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Speaker 1: think I think we can continue apace until we know

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Speaker 1: we're coming in for a landing, so that we can

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Speaker 1: get some content going before all right, things fall apart.

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Speaker 1: The center cannot hold things.

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Speaker 2: I'm okay, may I No, I'm not.

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Speaker 1: I How about this, kiddo, Let's do something fucking classy. Okay,

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Speaker 1: we are gonna read some fucking Yates Yates.

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Speaker 3: Yeah, bro, yes, are you familiar with No?

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Speaker 2: What's Yates?

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Speaker 1: Goddamn poet? Oh my god, Well, goddamn poet man. I'll

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Speaker 1: give you some info on that so that you're not

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Speaker 1: in the dark and ship. Okay, here we go. Check

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Speaker 1: out my leg because I'm blind, old and blind. I

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Speaker 1: don't I don't need William Butler Yates. He needs classes

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Speaker 1: because he died a long time ago. He was a poet,

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Speaker 1: let's see former Senator of the Irish Free State. He

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Speaker 1: was an Irish poet, dramatist and writer. One of the

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Speaker 1: foremost figures of twentieth century Lisa. He wrote shit like

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Speaker 1: You and I just the same time. He's most known

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Speaker 1: for the poem Pussy all over your Head Let's see

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Speaker 1: classic William A. Butler Yates works Let's See. Yates poetry

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Speaker 1: often explores Irish history and mythologysh and includes themes of

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Speaker 1: art versus life, masks, and cyclical theories of life. Some

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Speaker 1: of his most well known poems include The Lake, Isle

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Speaker 1: of Industry, To the Rose upon the Road of Time,

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Speaker 1: and to Ireland in the Coming Times. He wrote plays,

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Speaker 1: often based uh He plays are often based on Irish legends.

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Speaker 1: They are full of mysticism and spiritualism. Some of his

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Speaker 1: plays include Ego Dominus Tuus, Sorry at the Hawks, Well,

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Speaker 1: Wheels and Butterflies, and The Words upon the Window Pane.

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Speaker 1: He wrote some prose as well, includes his autobiography called Autobiography,

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Speaker 1: which includes reveries over childhood and youth, the Trembling of

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Speaker 1: the Veil, dramatist personae, and the death of Singe. So

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Speaker 1: I tell you all that because I'm going to read something.

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Speaker 2: I'm like, Okay, you.

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Speaker 1: Know everyone when I when I died, They're like, yeah,

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Speaker 1: he did a bunch of shit, but he bo did clerks.

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Speaker 1: I'm gonna I'm gonna read you Yates's Clerks, which is

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Speaker 1: not to say it's the first thing he ever did.

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Speaker 3: But it's the thing I feel he'll always be remembered for.

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Speaker 1: You know what, This is all personal biased. I feel

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Speaker 1: he'll be remembered for it. And there are other people

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Speaker 1: who are like who might be like, bro, you don't

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Speaker 1: even know the work of Yates. He did this, this, this,

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Speaker 1: and fucking this one is like, you know, fucking fringe

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Speaker 1: and shit at best. But I think it's fun. I

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Speaker 1: think in a world where you're.

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Speaker 4: About to record your album, yeah tomorrow and the day

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Speaker 4: after correct, and you're gonna go into the studio tonight

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Speaker 4: to as the musicians say, jam correct, there's a chance

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Speaker 4: there's still a chance this could still make the cut.

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Speaker 4: Oh okay, you know what I'm saying.

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Speaker 1: My challenge to you as an artist, ready, yes, is

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Speaker 1: to take this work, this public domain work, because it's

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Speaker 1: like hundreds of years old, fucking sing it. I have homeboy,

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Speaker 1: have lick and nuke. Put some fucking under this ship

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Speaker 1: and nuke it and lick it. Oh my god, lick it.

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Speaker 1: But you know, like fucking remember, you know, Janet Jackson

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Speaker 1: had Jimmy jam and Terry Lewis and ship what asked

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Speaker 1: their names? Lick and nuke. That's their production, the producer

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Speaker 1: exactly their babyface names. This is a poem by Yates

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Speaker 1: called The Second Coming. Okay you ever heard it?

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Speaker 2: Should? I should? I have probably.

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Speaker 1: There are definitely parts of this that may ring bells,

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Speaker 1: all right, because they've entered common not so much common vernacular,

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Speaker 1: but areas of the world that you would fuck with

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Speaker 1: drama and so forth and such like. But one of

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Speaker 1: my favorite pieces of literature, well my favorite poem, and

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Speaker 1: you'll see it's not it's beautifull, but it's horrible. It's

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Speaker 1: not beautiful, like, oh, this is fucking scary.

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Speaker 2: Okay, I'm ready.

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Speaker 1: You ready to receive this?

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Speaker 2: I'm ready? Should I close my eyes?

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Speaker 1: Oh fucking look at me. Let's make it awkward. Look

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Speaker 1: me right, hold on, I'm gonna go fuck it. Wet

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Speaker 1: my whistle.

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Speaker 2: You need glasses so bad.

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Speaker 1: I need some manners.

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Speaker 2: You used to wear glasses. I did and now, and

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Speaker 2: then one day you were like, fuck it.

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Speaker 1: Would you like to hear the story? Because I just

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Speaker 1: I will get to the Second Coming? Okay, I just

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Speaker 1: told it to somebody recently. I forget who it was,

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Speaker 1: but I wore glasses forever. If you look back at

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Speaker 1: photos of me, you know, lots of them. The cover

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Speaker 1: of my book Tough Ship, I'm wearing glasses.

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Speaker 2: You're wearing glasses right there.

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Speaker 1: Glasses everywhere I go make cop out and New York,

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Speaker 1: and I work with Meghan Quinland, who's my assistant there,

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Speaker 1: and then her chief job was to get me from

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Speaker 1: Queen's Battery Park because, as somebody who was very familiar

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Speaker 1: with the isle of Manhattan and getting into Manhattan and

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Speaker 1: out of Manhattan by way of Jersey, Queen's a bit

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Speaker 1: of a mystery. So in the beginning, I was like,

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Speaker 1: you know, rather than me assume that I know what

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Speaker 1: I'm doing with a local who will get me there back?

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Speaker 1: So I was like, the office can drive me. So

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Speaker 1: the line producer of the movie, production manager line producer

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Speaker 1: was Mike. The production manager was Ray Ray Quentland. Mike

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Speaker 1: and Ray we call them zusnapollocks. They both had like

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Speaker 1: white hair. They're older than fuck man. They've been in

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Speaker 1: New York film forever. Ray, Meghan's father, what used to

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Speaker 1: be in the lighting. There's a joke about Quinland's in

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Speaker 1: the film business. Meghan's last name, Ray's last name, Quinland,

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Speaker 1: Meghan's brother, Ryan Quinland, Megan's cousins also fucking Quinland's and

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Speaker 1: they all work in the film business. So the joke

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Speaker 1: in the New York film and particularly on the set

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Speaker 1: of cop Out was Mikey Tadrose, Mike Tadrose, not Mikey

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Speaker 1: young Mikey, but big Mike Tadros would be like, fucking

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Speaker 1: say Quillin on to set one hundred thousand people turning around.

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Speaker 1: That guy is great. Him and him and Mike and

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Speaker 1: right were just like true New York film ship.

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Speaker 3: So, uh, Ray is just like U.

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Speaker 1: I' me and my daughter drive you back. We were

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Speaker 1: in Queens and whatnot, and I was like smoking weed,

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Speaker 1: and I remember like I didn't know what to do

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Speaker 1: about it because I was in an office that had

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Speaker 1: like some open windows. But I was so brazen. I

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Speaker 1: was like we were at Kaufnastoria Studios, and I was

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Speaker 1: just like, well, I guess they should just know who

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Speaker 1: I am. Just start smoking at the office. But periodically

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Speaker 1: they would all come on the door and act like

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Speaker 1: I wasn't smoking enough to be like, if you want

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Speaker 1: to meet the production and I was like, hey, yeah,

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Speaker 1: let's go on up, let's go on over you know,

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Speaker 1: and so you know behind my bag, and particularly Raight

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Speaker 1: was just like, we can't let this. We can't let

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Speaker 1: the fucking director drive around New York. Ston't if he's

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Speaker 1: gonna sit there and smoke. We we can't let him

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Speaker 1: fucking drive. I know the boys very well, and when

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Speaker 1: I say boys, they're fucking eighty year old men and ship.

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Speaker 1: So Ray is just like, uh, my daughter, Megan, Megan's

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Speaker 1: going to bring you home. And I was like all right.

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Speaker 1: So Meghan starts driving, and Meghan, you know, while we're driving.

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Speaker 3: At one point, I'm like, how are you?

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Speaker 1: She's like good. I was like, this is your first

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Speaker 1: job in film because his Gray's daughter, right, and she's

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Speaker 1: like yeah, yeah, but everyone in my family works in film,

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Speaker 1: and she's trying to be very formal black. And I

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Speaker 1: was like, Megan, how long until we get to Battery Port?

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Speaker 1: And She's like, probably be about like a half an hour.

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Speaker 1: And I was like, all right, I'm gonna smoke weed.

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Speaker 1: Is that okay? Like I'll open the window. She was

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Speaker 1: like yeah right then and there I was like I

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Speaker 1: like this fucking So I was smoking weed with Megan

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Speaker 1: driving when we came to a crowded intersection at which

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Speaker 1: there was a cop. And this is two thousand and eight,

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Speaker 1: so we ain't even legal in New York and this

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Speaker 1: wouldn't even be cool if it was, because you're not

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Speaker 1: supposed to smoking cars.

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Speaker 2: Oh my god.

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Speaker 1: I just remember, like fucking I was like, Megan, move, move, move,

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Speaker 1: move move, because the cop was coming right over to

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Speaker 1: the car. Ship. I rolled up my window, but her

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Speaker 1: window was down, and he was like, move this fucking

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Speaker 1: car right in Megan's face. And she was like all right,

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Speaker 1: right back in his face. And once again I was

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Speaker 1: like I like this girl. And the car smelled like weed.

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Speaker 1: She had no temerity, like she was in the position

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Speaker 1: to be like yes, officer and like roll her window

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Speaker 1: up or just roll the window up in like non

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Speaker 1: and Ship.

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Speaker 3: But she gave as good as she got right back

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Speaker 3: to the car.

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Speaker 2: I love New Yorkers.

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Speaker 1: She's a long Island kid, and Ship you still wore

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Speaker 1: the attitude our sleep. So we would drive like you know,

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00:17:04,080 --> 00:17:05,840
Speaker 1: to and from work. She would get picked me up.

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Speaker 1: We'd go on the FDR, the FDR and the West

295
00:17:09,520 --> 00:17:11,879
Speaker 1: Side Highway and whatnot. And I would always like grab

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Speaker 1: a smoke before work and then grab smoke like afterwork.

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Speaker 1: So our relationship wasn't the car, and that's how we

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Speaker 1: got to know each other and stuff. And by the

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Speaker 1: end of the movie, I was like, you know, do

300
00:17:22,080 --> 00:17:23,560
Speaker 1: you want to like, do you ever want to get

301
00:17:23,560 --> 00:17:25,280
Speaker 1: out of here? And she was in an age where

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00:17:25,280 --> 00:17:26,480
Speaker 1: she's like, I want to get out of here? And

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00:17:26,520 --> 00:17:28,000
Speaker 1: I was like, if you want to get back, if

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00:17:28,000 --> 00:17:29,760
Speaker 1: you ever wanted to go to the West Coast, you

305
00:17:29,920 --> 00:17:32,120
Speaker 1: totally come work for me and ship and she did

306
00:17:32,320 --> 00:17:37,440
Speaker 1: so her and her boyfriend at the time moved out

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Speaker 1: here and Megan worked with us for like five years.

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Speaker 1: During that entire time, just like on cop Out, I

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00:17:45,119 --> 00:17:48,159
Speaker 1: kind of surrendered driving like I just gave the wheel

310
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Speaker 1: to Megan, and Meghan drove literally everywhere, and.

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Speaker 2: So I wish somebody else had the wheel. Now, my god,

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Speaker 2: drive like.

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Speaker 1: A fucking now, I drive like it. Now, I drive

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Speaker 1: like a vengeance, like you won't give me Meghan, and

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Speaker 1: then I'm gonna drive myself to death.

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Speaker 2: It's so fat.

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00:18:05,920 --> 00:18:09,080
Speaker 1: After Meghan Ashley. But after Ashley, that's when I was like, well,

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00:18:09,119 --> 00:18:11,159
Speaker 1: I guess I'm gonna drive myself again and stuff. But

319
00:18:11,240 --> 00:18:14,120
Speaker 1: so while I was driving with Meghan, there's no need

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00:18:14,119 --> 00:18:16,480
Speaker 1: to wear glasses. The only reason I needed glasses was

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00:18:16,520 --> 00:18:20,400
Speaker 1: for distance seeing. I'm near sighted, which means I could

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00:18:20,400 --> 00:18:24,080
Speaker 1: see everything real clearly in the in the foreground, deep distance.

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Speaker 1: That was the only time I need glasses and the

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00:18:26,520 --> 00:18:28,480
Speaker 1: only reason I needed to see. Like lights at night,

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00:18:28,560 --> 00:18:30,760
Speaker 1: signs during the day totally fine, but at night I

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00:18:30,760 --> 00:18:33,720
Speaker 1: would have to squinch it. Since I wasn't driving, that

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00:18:33,840 --> 00:18:38,239
Speaker 1: was no longer a factor. And then after Meghan like

328
00:18:38,400 --> 00:18:42,680
Speaker 1: and Ashley were gone like and I started driving again,

329
00:18:42,880 --> 00:18:44,399
Speaker 1: I didn't need my glasses.

330
00:18:44,760 --> 00:18:46,680
Speaker 3: Like. I'm not saying my eyes fixed themselves.

331
00:18:46,720 --> 00:18:50,440
Speaker 2: You just said that you could that you couldn't see

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00:18:50,440 --> 00:18:53,000
Speaker 2: far away, but you could see up close. But yet

333
00:18:53,080 --> 00:19:01,439
Speaker 2: you could not. The print on the phone was very constantly.

334
00:19:01,600 --> 00:19:04,679
Speaker 2: You have to take a picture of something and zoom

335
00:19:04,760 --> 00:19:08,199
Speaker 2: in to just fucking see it. Actually that is that

336
00:19:08,240 --> 00:19:11,080
Speaker 2: does not mean that you can see crystal clear.

337
00:19:11,040 --> 00:19:13,000
Speaker 1: When the writing is very small. I don't.

338
00:19:13,160 --> 00:19:15,520
Speaker 2: I bet you have a really bad vision. To be

339
00:19:15,640 --> 00:19:22,320
Speaker 2: honest and give me some I'm gonna look at it, okay,

340
00:19:22,760 --> 00:19:24,440
Speaker 2: Well you know everything in here?

341
00:19:28,720 --> 00:19:32,000
Speaker 1: Read read that which one with a song in my heart,

342
00:19:32,000 --> 00:19:35,080
Speaker 1: Father Dave, Oh come all you faithful, Holy night, silent night,

343
00:19:37,560 --> 00:19:40,159
Speaker 1: you can take it back, but just stop waving it

344
00:19:40,240 --> 00:19:42,119
Speaker 1: so I can. And now tilted in because you've tilted

345
00:19:42,119 --> 00:19:45,680
Speaker 1: it towards the door. Now look at it. What I need,

346
00:19:45,720 --> 00:19:48,520
Speaker 1: what you need to do. You're like holding the back here.

347
00:19:49,800 --> 00:19:56,680
Speaker 1: I'm like, okay, So anyway, that's why I don't work glasses.

348
00:19:57,320 --> 00:19:59,720
Speaker 2: I don't need the man, but you need to go

349
00:19:59,800 --> 00:20:01,560
Speaker 2: see the eye doctors up.

350
00:20:02,000 --> 00:20:04,600
Speaker 1: I have to turn this up at all, maybe, but

351
00:20:04,640 --> 00:20:07,440
Speaker 1: I don't think I'm have to open this up. Here

352
00:20:07,440 --> 00:20:09,880
Speaker 1: we go, man, remember Yates.

353
00:20:10,320 --> 00:20:14,720
Speaker 2: Yeah, going back to that Oirish. Don't read it in

354
00:20:14,720 --> 00:20:19,800
Speaker 2: an Irish accent. Please, don't always.

355
00:20:22,080 --> 00:20:24,920
Speaker 1: No, please, the Second.

356
00:20:24,680 --> 00:20:27,879
Speaker 2: Coming you can read it in your New York accent,

357
00:20:27,920 --> 00:20:28,680
Speaker 2: though I like it.

358
00:20:28,840 --> 00:20:33,720
Speaker 3: It's funny, turning and turning in the widening gyre. The

359
00:20:33,760 --> 00:20:39,159
Speaker 3: falcon cannot hear the falconer. Things fall apart, the center

360
00:20:39,280 --> 00:20:43,280
Speaker 3: cannot hold mere. Anarchy is loosed upon the world. The

361
00:20:43,320 --> 00:20:47,840
Speaker 3: blood did and tide is loosed, and everywhere the ceremony

362
00:20:47,880 --> 00:20:52,760
Speaker 3: of innocence is drowned. The best lack all conviction, while

363
00:20:52,800 --> 00:20:57,920
Speaker 3: the worst are full of passionate intensity. Surely some revelation

364
00:20:58,119 --> 00:21:01,520
Speaker 3: is at hand. Surely the Second Coming as it had

365
00:21:02,080 --> 00:21:05,879
Speaker 3: the second coming hardly of those words out when a

366
00:21:05,960 --> 00:21:11,480
Speaker 3: vast image out of spiritus mundy troubles my sight. Somewhere

367
00:21:11,520 --> 00:21:14,920
Speaker 3: in the sands of the desert, a shape with lyon

368
00:21:15,040 --> 00:21:18,040
Speaker 3: body and the head of a man, a gaze blank

369
00:21:18,119 --> 00:21:22,600
Speaker 3: and pitiless as the sun is moving its slow thighs,

370
00:21:22,800 --> 00:21:27,640
Speaker 3: while all about it real shadows of the indignant desert birds.

371
00:21:28,520 --> 00:21:32,240
Speaker 3: The darkness drops again. But now I know that twenty

372
00:21:32,320 --> 00:21:36,840
Speaker 3: centuries of stony sleep were vexed to nightmare by a

373
00:21:36,960 --> 00:21:42,080
Speaker 3: rocking cradle. And what rough beast its hour come round

374
00:21:42,119 --> 00:21:45,760
Speaker 3: at last slouches towards Bethlehem to be.

375
00:21:45,800 --> 00:22:03,000
Speaker 2: Born God there that sounds like fucking can't follow be

376
00:22:03,080 --> 00:22:05,080
Speaker 2: thy name by iron maiden bush?

377
00:22:05,680 --> 00:22:09,840
Speaker 1: Could they? Man? Why not have fucking looking nuke? Fucking

378
00:22:09,920 --> 00:22:15,679
Speaker 1: Oh my God, produce the ship such a good when the.

379
00:22:17,800 --> 00:22:18,000
Speaker 2: Dark?

380
00:22:18,040 --> 00:22:21,480
Speaker 1: When I don't think so. But here's a recitation. Let's

381
00:22:21,480 --> 00:22:25,879
Speaker 1: see what it sounds like turning in the wide Ji.

382
00:22:26,400 --> 00:22:33,000
Speaker 2: I mean no one, I was not even.

383
00:22:34,320 --> 00:22:37,440
Speaker 1: Somewhere. The dude who did it is like the hell

384
00:22:38,000 --> 00:22:42,000
Speaker 1: I can read as good as the next guy. What

385
00:22:42,040 --> 00:22:42,880
Speaker 1: the fuck? Man?

386
00:22:43,080 --> 00:22:47,520
Speaker 2: That's that's metal? If I've ever heard do you know

387
00:22:47,560 --> 00:22:52,280
Speaker 2: what it's about you said some folklore, right.

388
00:22:52,480 --> 00:22:54,200
Speaker 1: Well, I mean just didn't listening to it. What was

389
00:22:54,240 --> 00:22:56,880
Speaker 1: it about to you? I mean.

390
00:22:58,960 --> 00:23:01,119
Speaker 2: I would need another reading.

391
00:23:01,359 --> 00:23:04,760
Speaker 1: I'm happy to do it, happy to give it. Everyone's like,

392
00:23:04,800 --> 00:23:05,920
Speaker 1: are they they just.

393
00:23:06,680 --> 00:23:08,080
Speaker 2: Doing it two times?

394
00:23:08,119 --> 00:23:11,520
Speaker 1: Are you know? They just read poetry on the fucking show.

395
00:23:11,920 --> 00:23:14,560
Speaker 1: It's unbelievable this one.

396
00:23:14,600 --> 00:23:16,280
Speaker 2: Can you do it in a New York accent?

397
00:23:16,320 --> 00:23:18,040
Speaker 1: Though? Let me see.

398
00:23:19,320 --> 00:23:19,800
Speaker 2: Channel ra.

399
00:23:22,320 --> 00:23:30,240
Speaker 5: Ting hey turning around, towing around, Hey, Hey, turn around,

400
00:23:31,160 --> 00:23:34,240
Speaker 5: turning and turning in the widening giant of Falcon.

401
00:23:34,320 --> 00:23:40,760
Speaker 6: Can I here the falcon okay, tings fall apart in center?

402
00:23:40,840 --> 00:23:44,560
Speaker 6: Can I hold mircas loose upon in the world, and

403
00:23:44,600 --> 00:23:48,359
Speaker 6: the blood dem tide is loosed, and everywhere the ceremony

404
00:23:48,359 --> 00:23:52,920
Speaker 6: of instance is drowned. The best black wall conviction, water

405
00:23:53,000 --> 00:23:59,199
Speaker 6: worst are full of passionate intensity. Surely some revelations at

406
00:23:59,240 --> 00:24:04,360
Speaker 6: a hand, Shirley, the second comings at hand, the second

407
00:24:04,480 --> 00:24:08,400
Speaker 6: coming Hardly are those words out When a vast image,

408
00:24:08,400 --> 00:24:12,000
Speaker 6: out of spirit this Monday troubles my sight. Somewhere in

409
00:24:12,040 --> 00:24:14,919
Speaker 6: the sands and a desert, a shape with a lion

410
00:24:15,160 --> 00:24:18,760
Speaker 6: party and the head of a man, a gaze blanking

411
00:24:18,880 --> 00:24:23,520
Speaker 6: pitiles is the sun is moving its slow ties, while

412
00:24:23,560 --> 00:24:26,520
Speaker 6: all about it real shadows.

413
00:24:26,000 --> 00:24:33,520
Speaker 1: Of the indignant desert boyds. Almost done for you. The

414
00:24:33,720 --> 00:24:39,360
Speaker 1: darkness drops again. But now I know that twenty centuries

415
00:24:39,400 --> 00:24:44,200
Speaker 1: a stony sleep were vexed to nightmare by a rocking cradle.

416
00:24:45,320 --> 00:24:50,479
Speaker 6: And what rough beast, it's our come round and last

417
00:24:51,520 --> 00:24:54,520
Speaker 6: slouches towards Bethlehem to be born.

418
00:24:56,920 --> 00:24:59,879
Speaker 1: God damn William button.

419
00:25:00,119 --> 00:25:07,679
Speaker 2: Uh, it's infinitely more powerful the second time. Oh my god, Wow,

420
00:25:08,119 --> 00:25:11,359
Speaker 2: that was what what a treat that was?

421
00:25:11,480 --> 00:25:12,960
Speaker 3: Why are you talking about my performance?

422
00:25:13,080 --> 00:25:14,320
Speaker 2: Your performance?

423
00:25:15,240 --> 00:25:17,400
Speaker 1: All right? Well, you know, thank you?

424
00:25:17,600 --> 00:25:20,880
Speaker 2: That was that was everything I needed. Thank you?

425
00:25:21,240 --> 00:25:23,840
Speaker 1: So what is it to you?

426
00:25:24,480 --> 00:25:28,200
Speaker 2: What a good question? I mean that was a little

427
00:25:28,240 --> 00:25:29,840
Speaker 2: distracted in the second.

428
00:25:30,200 --> 00:25:35,440
Speaker 1: What you didn't parse that all out through that thick accent?

429
00:25:36,280 --> 00:25:39,800
Speaker 1: You know, I couldn't boids desert boids.

430
00:25:40,880 --> 00:25:43,080
Speaker 2: Do you know that? I actually have a really hard

431
00:25:43,119 --> 00:25:48,160
Speaker 2: time understanding accents, non American accents that way.

432
00:25:48,160 --> 00:25:50,919
Speaker 1: Stare people what I've seen your own accents? You do this,

433
00:25:52,800 --> 00:25:54,120
Speaker 1: You're looking at their lips and you're like.

434
00:25:54,600 --> 00:26:01,480
Speaker 2: That is not but trains Boddy me trying to watch.

435
00:26:02,240 --> 00:26:06,080
Speaker 2: To be fair, I can't all watch it without captions.

436
00:26:05,560 --> 00:26:08,399
Speaker 1: Aren't el a fan of the band Kneecap.

437
00:26:08,680 --> 00:26:09,480
Speaker 2: I love Me Cap.

438
00:26:09,600 --> 00:26:10,880
Speaker 1: Have you seen the movie?

439
00:26:11,240 --> 00:26:13,840
Speaker 2: I have not seen the movie night. Did you watch it?

440
00:26:14,960 --> 00:26:15,680
Speaker 2: How was it?

441
00:26:15,840 --> 00:26:16,719
Speaker 1: Your mother loved it?

442
00:26:16,760 --> 00:26:18,480
Speaker 2: Oh my god, I need to fucking watch it.

443
00:26:19,440 --> 00:26:23,280
Speaker 1: She got very like, like suspicious, how do you know

444
00:26:23,320 --> 00:26:28,800
Speaker 1: this movie? That was like, I don't know, but she

445
00:26:28,960 --> 00:26:31,359
Speaker 1: was like, where'd you because I was like, ohne Kap.

446
00:26:31,960 --> 00:26:35,560
Speaker 1: I was like, this is fantastic. So we're watching it

447
00:26:35,720 --> 00:26:39,280
Speaker 1: like twenty minutes because it's got like, you know, politics, Yeah.

448
00:26:39,119 --> 00:26:41,000
Speaker 2: It's all about politics about Orel.

449
00:26:41,040 --> 00:26:44,919
Speaker 1: And she had thoughts and oh, yeah, no wonder she Oh.

450
00:26:44,800 --> 00:26:47,840
Speaker 2: My gosh, so they're so political.

451
00:26:48,200 --> 00:26:51,159
Speaker 1: Very so she was like, how did you hear about this?

452
00:26:53,080 --> 00:26:55,560
Speaker 1: I said? Scott Scott Moser said this was his favorite

453
00:26:55,560 --> 00:26:57,720
Speaker 1: movie the year. He loved Me Kap the movie, talk

454
00:26:57,760 --> 00:27:10,159
Speaker 1: about the movie. But then I said, I was I

455
00:27:10,320 --> 00:27:14,080
Speaker 1: callowed that up. She knows her song? She knows that's the.

456
00:27:14,200 --> 00:27:16,399
Speaker 2: Dog's new song, paws.

457
00:27:20,880 --> 00:27:21,080
Speaker 1: Wait.

458
00:27:21,119 --> 00:27:22,320
Speaker 2: Can I say one side thing?

459
00:27:23,560 --> 00:27:23,840
Speaker 1: Yeah?

460
00:27:24,000 --> 00:27:27,800
Speaker 2: Today, Mom said that you could wear one of Wacky's

461
00:27:27,840 --> 00:27:33,560
Speaker 2: ears after she passes as a hat. I could somebody

462
00:27:33,760 --> 00:27:38,200
Speaker 2: could want that. I don't know, but that was a

463
00:27:38,200 --> 00:27:40,359
Speaker 2: conversation that was today.

464
00:27:40,640 --> 00:27:42,800
Speaker 1: That's not what I When I think of Waki and

465
00:27:42,880 --> 00:27:46,600
Speaker 1: I think about Wacky passing, the first thought that inches

466
00:27:46,640 --> 00:27:52,000
Speaker 1: my head is not like her A very jaunty chappe.

467
00:27:53,160 --> 00:27:53,840
Speaker 1: How you feeling?

468
00:27:56,640 --> 00:27:59,200
Speaker 2: Oh my god, Mom would love that, shooking.

469
00:27:58,920 --> 00:28:04,760
Speaker 1: Her temperature holes every day.

470
00:28:02,880 --> 00:28:05,240
Speaker 3: Because I can't wait to where the hat lucky.

471
00:28:05,800 --> 00:28:11,040
Speaker 2: Anyways, that's a little look into how fucking weird I

472
00:28:11,080 --> 00:28:12,359
Speaker 2: am my mom.

473
00:28:13,720 --> 00:28:17,240
Speaker 1: Anyways, what was the question for.

474
00:28:19,080 --> 00:28:23,479
Speaker 3: Nap knee Cap? Then I told her Harley likes this

475
00:28:23,560 --> 00:28:24,280
Speaker 3: band very much.

476
00:28:24,320 --> 00:28:27,639
Speaker 2: Thank you. So you were part of the narrative, including.

477
00:28:27,560 --> 00:28:30,480
Speaker 1: That's where we see you as the daughter of Jennifer Schwabach.

478
00:28:30,720 --> 00:28:32,720
Speaker 1: Like most of the time, it's always me like a

479
00:28:32,720 --> 00:28:35,600
Speaker 1: big you're a big billboard for like, yeah, I'm Kevin

480
00:28:35,680 --> 00:28:38,600
Speaker 1: Smith's daughter, and whether you you don't even try and

481
00:28:38,680 --> 00:28:42,200
Speaker 1: you just are. But every once in a while, like

482
00:28:42,280 --> 00:28:44,720
Speaker 1: it's a billboard at night and the lights come on

483
00:28:44,960 --> 00:28:52,080
Speaker 1: and the lights are like and Jennifer, oh.

484
00:28:51,920 --> 00:28:54,240
Speaker 2: My god, it's like no, it's like in the corner

485
00:28:54,560 --> 00:28:58,600
Speaker 2: of my Kevin Smith is my dad billboard and there's

486
00:28:58,680 --> 00:29:02,200
Speaker 2: a little dark section that lights up well only on

487
00:29:02,240 --> 00:29:03,280
Speaker 2: the every hour.

488
00:29:04,680 --> 00:29:06,120
Speaker 1: At night when things go.

489
00:29:06,240 --> 00:29:11,080
Speaker 2: Dark, Yes, like five nights after Freddy's.

490
00:29:13,040 --> 00:29:17,400
Speaker 1: It's the fucking picture remember the picture from last Christmas?

491
00:29:18,080 --> 00:29:21,160
Speaker 2: Oh my god, she never knew about that, Shue.

492
00:29:21,200 --> 00:29:22,280
Speaker 1: I still never figure that out.

493
00:29:22,800 --> 00:29:27,920
Speaker 2: It's a picture we make fun of a mom anyways.

494
00:29:27,320 --> 00:29:32,960
Speaker 1: So wait, what was what was the kneecap? So she

495
00:29:33,600 --> 00:29:37,760
Speaker 1: loved the flick and how you were with the little

496
00:29:37,880 --> 00:29:40,000
Speaker 1: neon on the billboard that lit up in that moment?

497
00:29:40,000 --> 00:29:43,320
Speaker 2: Oh yeah, because I wanted to be included. Your pomo

498
00:29:43,400 --> 00:29:45,200
Speaker 2: show was showing.

499
00:29:45,320 --> 00:29:47,080
Speaker 1: And that does not come for me. I don't feel

500
00:29:47,120 --> 00:29:49,880
Speaker 1: fomo for anything. I don't think. I don't think I

501
00:29:49,880 --> 00:29:51,600
Speaker 1: every one people tell me about a good time like

502
00:29:51,640 --> 00:29:53,720
Speaker 1: I used to when I was a kid, Like you know,

503
00:29:53,840 --> 00:29:55,400
Speaker 1: my friends would be like, we're going to do a thing.

504
00:29:55,440 --> 00:29:59,480
Speaker 1: I just found an old dass journal entry. I gotta

505
00:29:59,520 --> 00:30:01,560
Speaker 1: find it and where was it?

506
00:30:01,640 --> 00:30:02,240
Speaker 2: Is a emo?

507
00:30:02,920 --> 00:30:09,400
Speaker 1: Oh I'm so proud of myself because like I, I

508
00:30:09,920 --> 00:30:15,959
Speaker 1: want to watch The Hunt for Red October on laser

509
00:30:16,000 --> 00:30:19,360
Speaker 1: disc with Brian Johnson, but Brian wants to go do

510
00:30:19,520 --> 00:30:23,400
Speaker 1: something way more fun instead with Ed and I have

511
00:30:23,440 --> 00:30:28,240
Speaker 1: to write a whole diary entry about you know, I felt.

512
00:30:28,360 --> 00:30:30,680
Speaker 2: Oh my god, I.

513
00:30:30,600 --> 00:30:32,960
Speaker 1: Wrote this was me. I was so when I read it,

514
00:30:33,000 --> 00:30:35,560
Speaker 1: I was cringing because I was like, Jesus, he's trying

515
00:30:35,600 --> 00:30:38,720
Speaker 1: so hard. He wants to matter so bad, he wants

516
00:30:38,760 --> 00:30:42,520
Speaker 1: to be relevant. He's creating his own language, he's trying

517
00:30:42,560 --> 00:30:45,280
Speaker 1: to create words. Thank God I met Jason Muse so

518
00:30:45,400 --> 00:30:48,719
Speaker 1: that I can steal snoogans the movies, because here's what

519
00:30:48,760 --> 00:30:55,960
Speaker 1: I wrote. I'm feeling kind of moky, moky, no idea,

520
00:30:57,600 --> 00:31:01,960
Speaker 1: no idea in the course of this, in the course

521
00:31:02,000 --> 00:31:06,880
Speaker 1: of this thing that's your song, I'm feeling kind of mokey.

522
00:31:07,840 --> 00:31:09,200
Speaker 1: It's gotta be sadder, it's.

523
00:31:11,920 --> 00:31:15,560
Speaker 2: But but I'm feeling moy mokey.

524
00:31:15,680 --> 00:31:17,360
Speaker 1: Those well, we don't want to steal their song. You

525
00:31:17,440 --> 00:31:19,680
Speaker 1: gotta get a new composition, man, have a bunch of

526
00:31:19,680 --> 00:31:20,480
Speaker 1: different tracks.

527
00:31:20,760 --> 00:31:23,400
Speaker 2: Can't what I'm feeling kind.

528
00:31:23,120 --> 00:31:32,520
Speaker 1: Of It's gonna be like, it's gotta be this, but

529
00:31:32,600 --> 00:31:40,880
Speaker 1: I'm feeling mokey. But I'm feeling mokey. Living life in

530
00:31:41,040 --> 00:31:49,360
Speaker 1: low key, but I'm feeling mokey. I talk about how

531
00:31:49,480 --> 00:31:53,000
Speaker 1: I'm basically the whole piece is me realizing that normally

532
00:31:53,080 --> 00:31:55,440
Speaker 1: I would be saddened by this sort of thing, but

533
00:31:56,080 --> 00:31:59,600
Speaker 1: I'm not because I've channeled it into more creative thinking.

534
00:32:00,120 --> 00:32:01,840
Speaker 2: Yeah for me, Good for you.

535
00:32:03,000 --> 00:32:06,880
Speaker 1: So I don't feel I don't. I don't feel like fomo.

536
00:32:07,480 --> 00:32:11,600
Speaker 1: Like I like, sometimes I'll see I don't. Somebody's doing

537
00:32:11,600 --> 00:32:13,400
Speaker 1: a thing and I'm like, oh, I want to be

538
00:32:13,480 --> 00:32:15,040
Speaker 1: doing that, and then I just go to work.

539
00:32:15,600 --> 00:32:16,960
Speaker 2: Oh that's what I was going to say.

540
00:32:17,000 --> 00:32:20,320
Speaker 1: I was like, makes me go to work. But rather

541
00:32:20,400 --> 00:32:23,120
Speaker 1: than feel fomo, which is like a complete waste of time,

542
00:32:23,240 --> 00:32:25,400
Speaker 1: I put that into I'm gonna.

543
00:32:26,120 --> 00:32:27,600
Speaker 2: About knee cap for one second.

544
00:32:28,120 --> 00:32:30,080
Speaker 1: You did? You were like that whole story didn't even

545
00:32:30,120 --> 00:32:34,960
Speaker 1: have me any where. I got knee caps too, but

546
00:32:35,080 --> 00:32:36,720
Speaker 1: I did. I told her. She was like, and this

547
00:32:36,800 --> 00:32:41,280
Speaker 1: is what she said this morning about the move. She's like,

548
00:32:41,320 --> 00:32:43,840
Speaker 1: I'm still thinking about bless you. I'm still thinking about

549
00:32:43,840 --> 00:32:46,720
Speaker 1: that move as I yeats. That's a true story. Those

550
00:32:46,760 --> 00:32:48,680
Speaker 1: dudes are real, Like, those are the real dudes. Those

551
00:32:48,680 --> 00:32:52,080
Speaker 1: are real rappers. She's like, they're very good. Oh yeah,

552
00:32:52,240 --> 00:32:54,600
Speaker 1: she's I gonna say that about many people, especially white people,

553
00:32:54,600 --> 00:32:55,720
Speaker 1: should go. But they're very good.

554
00:32:55,880 --> 00:32:57,480
Speaker 2: Aren't they really really good?

555
00:32:57,760 --> 00:33:01,560
Speaker 1: That's what she said. But aren't they I've been around

556
00:33:01,560 --> 00:33:03,040
Speaker 1: the world, so I knew they were.

557
00:33:02,880 --> 00:33:05,120
Speaker 2: Good, but I've been around.

558
00:33:05,360 --> 00:33:08,600
Speaker 1: She was like, Oh, who knew that white people could

559
00:33:08,600 --> 00:33:11,360
Speaker 1: wrap as well? I mean, it's one day she'll discover

560
00:33:11,400 --> 00:33:13,920
Speaker 1: eminem as well. But she was very But they do

561
00:33:14,000 --> 00:33:17,040
Speaker 1: they fucking they could drop a hot fucking sixty rap.

562
00:33:16,880 --> 00:33:19,840
Speaker 2: Is like all about like the best stories, and they

563
00:33:19,960 --> 00:33:21,959
Speaker 2: just have so much to say politically.

564
00:33:22,240 --> 00:33:25,440
Speaker 1: She was crying this morning as she spoke about it.

565
00:33:25,520 --> 00:33:29,280
Speaker 1: She got emotional really talking about their like, wow, to

566
00:33:29,360 --> 00:33:30,400
Speaker 1: save their language.

567
00:33:30,560 --> 00:33:34,280
Speaker 2: Yeah, that's wow, mom. All that makes me.

568
00:33:34,280 --> 00:33:37,080
Speaker 1: Proud that she I gotta admit she was feeling a

569
00:33:37,080 --> 00:33:37,640
Speaker 1: little mooky.

570
00:33:38,040 --> 00:33:41,600
Speaker 2: She's feeling that's really beautiful.

571
00:33:43,320 --> 00:33:48,640
Speaker 1: But yes, uh, the movie is beyond I feel.

572
00:33:48,440 --> 00:33:51,280
Speaker 2: Like a fake ass fan right now for not having

573
00:33:51,600 --> 00:33:52,200
Speaker 2: in the movie.

574
00:33:52,320 --> 00:33:54,840
Speaker 1: There's a fifty three year old lady who's like, boys

575
00:33:54,840 --> 00:33:57,080
Speaker 1: are nice. I saw the movie.

576
00:33:57,720 --> 00:34:01,280
Speaker 2: I really really am behind. I just saw Wicked, like

577
00:34:01,400 --> 00:34:02,360
Speaker 2: two weeks late.

578
00:34:02,720 --> 00:34:03,360
Speaker 1: You see Wicked?

579
00:34:03,520 --> 00:34:09,080
Speaker 2: Yeah, I saw Wicked. It was great, very long. Yeah.

580
00:34:09,800 --> 00:34:13,879
Speaker 2: I do exist in the belief system of movies being

581
00:34:14,000 --> 00:34:15,000
Speaker 2: under two hours.

582
00:34:15,120 --> 00:34:19,160
Speaker 1: You're talking to mister ninety minutes or less. I make

583
00:34:19,239 --> 00:34:21,760
Speaker 1: movies like I fucknutes or less.

584
00:34:22,680 --> 00:34:25,520
Speaker 2: God, please please.

585
00:34:26,360 --> 00:34:27,960
Speaker 1: Yes, I'm with you.

586
00:34:28,040 --> 00:34:31,960
Speaker 3: But that being said, you know, wait, did you see it?

587
00:34:32,480 --> 00:34:32,760
Speaker 1: No?

588
00:34:32,920 --> 00:34:34,280
Speaker 3: I saw it play.

589
00:34:34,280 --> 00:34:38,239
Speaker 1: Well yeah, but here's what we have. It plays. You know.

590
00:34:38,239 --> 00:34:41,080
Speaker 1: I own a movie theater and it's just back. So

591
00:34:41,400 --> 00:34:43,960
Speaker 1: I was like, let's watch Wicked. But then we never

592
00:34:44,000 --> 00:34:47,080
Speaker 1: got a chance because fucking activity activity.

593
00:34:47,440 --> 00:34:51,760
Speaker 3: So I am buying tickets.

594
00:34:52,560 --> 00:34:54,479
Speaker 2: To see Wicked and watching it.

595
00:34:56,880 --> 00:34:59,719
Speaker 3: Because I've got me screw screen.

596
00:35:00,080 --> 00:35:04,719
Speaker 7: Oh wow, wow, wow, you were.

597
00:35:04,520 --> 00:35:07,560
Speaker 3: All just there ain't even more screeners.

598
00:35:07,600 --> 00:35:10,640
Speaker 1: There's a whole oscar app so you click on it

599
00:35:10,680 --> 00:35:11,920
Speaker 1: and all the movies are there.

600
00:35:11,960 --> 00:35:14,480
Speaker 2: The thing is that everybody's like, you have to see

601
00:35:14,480 --> 00:35:15,279
Speaker 2: it in imax.

602
00:35:16,040 --> 00:35:19,080
Speaker 3: There you don't, I don't, you don't.

603
00:35:19,160 --> 00:35:22,399
Speaker 1: I guess nobody. Nobody tells me what to do. Point

604
00:35:22,440 --> 00:35:25,319
Speaker 1: in the last thirty years of my life, independence, independent artists,

605
00:35:25,360 --> 00:35:25,680
Speaker 1: I'll do it.

606
00:35:26,239 --> 00:35:27,600
Speaker 2: Keeps telling me IMAX.

607
00:35:27,719 --> 00:35:29,680
Speaker 1: I in a movie theater. I'm doing my part for

608
00:35:29,800 --> 00:35:31,520
Speaker 1: exhibition and IMAX.

609
00:35:31,840 --> 00:35:33,520
Speaker 3: We ain't got that at my movie theater. And we

610
00:35:33,560 --> 00:35:34,560
Speaker 3: have uncomfortable seats.

611
00:35:34,600 --> 00:35:38,080
Speaker 1: That's what we offer. I was just back there, back

612
00:35:38,160 --> 00:35:41,680
Speaker 1: East Forst Podcastle Cinemas event. But I wasn't just back

613
00:35:41,719 --> 00:35:45,040
Speaker 1: there for that. Lara, who did our costumes on the

614
00:35:45,040 --> 00:35:49,359
Speaker 1: four thirty movie Lovely Laura. She who like, I ain't

615
00:35:49,360 --> 00:35:53,600
Speaker 1: take anything away from Laura. The costume job is hard.

616
00:35:54,560 --> 00:35:59,640
Speaker 1: Costume job in a chem Smith movie, well there it was.

617
00:36:00,640 --> 00:36:03,000
Speaker 1: It was think about most of my movies.

618
00:36:04,400 --> 00:36:08,760
Speaker 2: I guess it's all like one outfit. Yeah, that's so funny.

619
00:36:08,920 --> 00:36:10,880
Speaker 1: It's kind of their action figures. I put them in

620
00:36:10,920 --> 00:36:13,239
Speaker 1: one outfit. Believe in that. So that way, when I

621
00:36:13,280 --> 00:36:15,560
Speaker 1: make a figure later on, people know what movie I'm

622
00:36:15,600 --> 00:36:19,040
Speaker 1: talking about a lot of wardrobe changes.

623
00:36:18,800 --> 00:36:21,360
Speaker 2: But then that means that the outfits have to be fine.

624
00:36:21,360 --> 00:36:25,239
Speaker 3: Exactly, But you know, it's like you're you'll, you'll be done.

625
00:36:25,680 --> 00:36:32,040
Speaker 1: Colleen, Colleen, you had more wardrobe changes in Yoga Hoss

626
00:36:32,840 --> 00:36:36,200
Speaker 1: than most people have in Kevin Smith movies. Because you

627
00:36:36,280 --> 00:36:39,920
Speaker 1: guys were teenage girls, so you were a gym class outfits,

628
00:36:40,320 --> 00:36:43,720
Speaker 1: your school uniforms, your ada AD's, and then you had

629
00:36:44,480 --> 00:36:47,000
Speaker 1: since most of the adventure takes place over the course

630
00:36:47,000 --> 00:36:49,680
Speaker 1: of one night, you were in one outfit for most

631
00:36:49,680 --> 00:36:52,880
Speaker 1: of the movie, including the poster. Then that outfit changes

632
00:36:52,920 --> 00:36:53,400
Speaker 1: as well.

633
00:36:54,040 --> 00:36:54,960
Speaker 2: That's so wild.

634
00:36:55,320 --> 00:36:58,720
Speaker 1: Yeah. So anyway, large did some great job of the movie.

635
00:36:59,040 --> 00:37:00,640
Speaker 1: I was like, hey, man, can you do a Santa

636
00:37:00,640 --> 00:37:02,880
Speaker 1: Bob outfit for me, and so she pure, that's.

637
00:37:02,680 --> 00:37:03,800
Speaker 2: What you did this weekend?

638
00:37:04,360 --> 00:37:06,280
Speaker 3: You did you not see my outfit?

639
00:37:06,360 --> 00:37:07,880
Speaker 2: I hear that you love your outfit.

640
00:37:08,680 --> 00:37:10,080
Speaker 1: I brought it home. I just wear it now.

641
00:37:10,440 --> 00:37:12,120
Speaker 2: I hear that you love it.

642
00:37:12,120 --> 00:37:14,120
Speaker 1: It is lovely. She did such a great job.

643
00:37:14,239 --> 00:37:16,680
Speaker 2: I saw a picture. I think I saw a picture.

644
00:37:17,080 --> 00:37:21,000
Speaker 1: I'm sure you a hilarious picture of me. So, because

645
00:37:21,040 --> 00:37:23,320
Speaker 1: you know, I did, I played Santa at Jane Soundbob

646
00:37:23,400 --> 00:37:25,759
Speaker 1: Secret Stash and we had the chair and people sat

647
00:37:25,800 --> 00:37:28,120
Speaker 1: on my lap and we took pictures and ship. But

648
00:37:28,600 --> 00:37:37,400
Speaker 1: this we got three legit children, including a baby.

649
00:37:37,800 --> 00:37:39,279
Speaker 2: But you love babies.

650
00:37:39,960 --> 00:37:45,680
Speaker 1: Look at that kid. He's like, this is the worst idea.

651
00:37:46,120 --> 00:37:47,080
Speaker 1: Why did I do this?

652
00:37:47,239 --> 00:37:51,520
Speaker 2: What the fuck's so funny? Oh my god, you babies

653
00:37:51,520 --> 00:37:52,600
Speaker 2: make you uncomfortable.

654
00:37:52,680 --> 00:37:54,799
Speaker 1: I really, I'm not a baby's guy.

655
00:37:55,120 --> 00:37:56,880
Speaker 2: You're really not a baby's guy.

656
00:37:57,560 --> 00:37:59,600
Speaker 1: And they and the dude had zero problem. He's like,

657
00:37:59,640 --> 00:38:01,160
Speaker 1: here you go. And I was like, oh, we're doing

658
00:38:01,200 --> 00:38:02,719
Speaker 1: this now. I thought he was gonna be sitting with

659
00:38:02,800 --> 00:38:04,560
Speaker 1: me holding the baby.

660
00:38:04,800 --> 00:38:09,640
Speaker 2: That's so oh my gosh, you're spread eagle in that photo.

661
00:38:09,880 --> 00:38:11,640
Speaker 1: That's that's my Santa spread.

662
00:38:13,640 --> 00:38:19,480
Speaker 2: Snow there's a video of a fan handing Ariana Grande

663
00:38:19,640 --> 00:38:23,600
Speaker 2: their dog like outside of like a wicked press event,

664
00:38:23,640 --> 00:38:28,160
Speaker 2: and she's like, oh, you're getting meet your dog. Like

665
00:38:28,280 --> 00:38:31,600
Speaker 2: she's like what. And that's you with the baby.

666
00:38:30,800 --> 00:38:33,600
Speaker 1: Around Grounde like everyone loves her, Like you're you could

667
00:38:33,640 --> 00:38:37,040
Speaker 1: do nothing wrong. Right now, you're Calinda, some man's made

668
00:38:37,040 --> 00:38:37,359
Speaker 1: a dog.

669
00:38:37,400 --> 00:38:43,320
Speaker 2: I'm biting the dog, the remanding me a dog.

670
00:38:44,880 --> 00:38:49,360
Speaker 1: That movie is doing very well. Yeah, I look forward

671
00:38:49,400 --> 00:38:53,080
Speaker 1: to to uh seeing the flick itself. But I love that.

672
00:38:53,200 --> 00:38:57,160
Speaker 2: It's cool, it's fucking it's just amazing.

673
00:38:57,200 --> 00:39:01,960
Speaker 1: I was trying to sell Ernie s Podcastle Keeper Ernie

674
00:39:01,960 --> 00:39:04,520
Speaker 1: o'donald It's like, fucked out. I am watching that shit.

675
00:39:04,760 --> 00:39:07,279
Speaker 1: I was like, bro, you don't get it. This is

676
00:39:07,320 --> 00:39:11,000
Speaker 1: like I said, we were raised on Wizard of Oz

677
00:39:11,040 --> 00:39:13,279
Speaker 1: because we didn't have anything like you had, you know,

678
00:39:13,360 --> 00:39:17,640
Speaker 1: Disney Channel and DVDs and vhs. We didn't have kids

679
00:39:17,680 --> 00:39:22,480
Speaker 1: programming really aimed at us very much. So you know,

680
00:39:22,520 --> 00:39:24,719
Speaker 1: once a year they showed me. Twice a year they

681
00:39:24,760 --> 00:39:27,080
Speaker 1: showed Wizard of Oz. And again, we had no video

682
00:39:27,120 --> 00:39:29,520
Speaker 1: stores who couldn't just go rent Wizard of Us. So

683
00:39:29,600 --> 00:39:31,240
Speaker 1: every time they put it on TV. It was a big,

684
00:39:31,360 --> 00:39:33,320
Speaker 1: like fucking deal and kid World where it was like,

685
00:39:33,360 --> 00:39:35,040
Speaker 1: oh my god, they're gonna show Wizard of Oz again.

686
00:39:35,080 --> 00:39:37,760
Speaker 1: Even if you weren't a fan, it was like something

687
00:39:37,800 --> 00:39:42,160
Speaker 1: for us at night on television. So we fucked with

688
00:39:42,280 --> 00:39:44,680
Speaker 1: that movie all throughout our childhood. Whether we liked it

689
00:39:44,840 --> 00:39:47,320
Speaker 1: or not, it was just something that did. So I

690
00:39:47,360 --> 00:39:51,520
Speaker 1: was like, on that level alone, this is like the

691
00:39:51,600 --> 00:39:55,360
Speaker 1: secret Origin of Wizard of Oz. And it's got Easter

692
00:39:55,480 --> 00:39:59,719
Speaker 1: eggs galore and the fucking cowardly Lion's tail shows up.

693
00:40:00,239 --> 00:40:03,160
Speaker 1: Ten Man's in it, Scarecrow's in it, and ship and

694
00:40:03,200 --> 00:40:05,600
Speaker 1: it's all about like, I think this is how I

695
00:40:05,640 --> 00:40:07,200
Speaker 1: define it. Because he's like, well, I don't give a

696
00:40:07,239 --> 00:40:09,320
Speaker 1: ship is they're all singing. I said, yeah, he was

697
00:40:09,400 --> 00:40:10,880
Speaker 1: going to like that. I was like, you were in Greece.

698
00:40:10,960 --> 00:40:14,799
Speaker 1: You played fucking Danny Zeco. He's like, that's different. I said,

699
00:40:14,880 --> 00:40:18,400
Speaker 1: let me tell you, dude. I said, this is like

700
00:40:19,360 --> 00:40:24,600
Speaker 1: Cobra Kai. Remember how Cobra Kai reframes Johnny as the hero.

701
00:40:26,719 --> 00:40:28,799
Speaker 2: I haven't watched, but okay.

702
00:40:28,640 --> 00:40:29,520
Speaker 1: This is what I said to him.

703
00:40:32,080 --> 00:40:36,560
Speaker 2: I actually haven't seen the show, so fucking rude to me.

704
00:40:37,040 --> 00:40:39,239
Speaker 1: He was like, yeah, I was like, that's what this is.

705
00:40:39,560 --> 00:40:41,200
Speaker 1: This is all about how the wicked witch at the

706
00:40:41,239 --> 00:40:45,000
Speaker 1: West wasn't so wicked. It's true she was fired.

707
00:40:45,080 --> 00:40:46,160
Speaker 2: What's your favorite.

708
00:40:45,800 --> 00:40:46,960
Speaker 1: Song in in?

709
00:40:47,160 --> 00:40:47,279
Speaker 2: Uh?

710
00:40:47,719 --> 00:40:48,560
Speaker 1: Define gravity?

711
00:40:49,280 --> 00:40:54,440
Speaker 2: But yeah, I mean, I mean, I mean yeah.

712
00:40:53,320 --> 00:40:58,640
Speaker 8: And nobody in all of us, no wizard that there

713
00:40:59,000 --> 00:41:03,239
Speaker 8: is or us is ever gone up?

714
00:41:03,440 --> 00:41:12,839
Speaker 1: Bring me jump in with help you happy?

715
00:41:14,360 --> 00:41:16,440
Speaker 2: Oh my god, that was really good.

716
00:41:16,960 --> 00:41:22,960
Speaker 1: So good. I like that popular is also great to happy.

717
00:41:24,280 --> 00:41:26,440
Speaker 1: I hope you're happy.

718
00:41:27,840 --> 00:41:31,520
Speaker 2: Oh my god, so good? So figh what is it?

719
00:41:31,520 --> 00:41:36,919
Speaker 1: What's the other line where she's like, oh, that don't

720
00:41:36,960 --> 00:41:41,160
Speaker 1: make me. I don't want to cry. So if you so,

721
00:41:41,520 --> 00:41:46,000
Speaker 1: and you want to find me, look to the Western skies.

722
00:41:46,560 --> 00:41:52,799
Speaker 9: As someone told me lately, everyone deserves a chance to fly.

723
00:41:53,440 --> 00:41:57,000
Speaker 9: And if I'm flying so low, at least.

724
00:41:56,760 --> 00:41:59,200
Speaker 1: I'm flying free. Come on.

725
00:42:00,480 --> 00:42:07,360
Speaker 4: All that is popular is also great?

726
00:42:07,520 --> 00:42:09,920
Speaker 2: Is insane to be you?

727
00:42:09,920 --> 00:42:10,000
Speaker 1: You?

728
00:42:10,480 --> 00:42:11,880
Speaker 2: I don't want to be pop you?

729
00:42:13,880 --> 00:42:20,399
Speaker 1: And also I love if I define gravity? But what's

730
00:42:20,440 --> 00:42:30,279
Speaker 1: the song is there that is? Was is ever? Well?

731
00:42:30,600 --> 00:42:33,040
Speaker 1: It's just so awesome because she gets so fucked over

732
00:42:33,080 --> 00:42:34,120
Speaker 1: by the system and then she.

733
00:42:34,080 --> 00:42:37,799
Speaker 2: Figures out she really it's so and.

734
00:42:37,760 --> 00:42:39,759
Speaker 1: It's also like I don't want to. I don't want to,

735
00:42:39,800 --> 00:42:43,680
Speaker 1: Oh my god, but the notion of like that, that

736
00:42:43,760 --> 00:42:46,359
Speaker 1: whole that's the end of the first act in the show,

737
00:42:46,480 --> 00:42:48,160
Speaker 1: and that's the end of the first half of the

738
00:42:48,200 --> 00:42:48,520
Speaker 1: movie and.

739
00:42:48,560 --> 00:42:52,000
Speaker 2: Ship they yeah, the first movie.

740
00:42:51,320 --> 00:42:53,480
Speaker 1: They stretched it to two hours forty five minutes, which

741
00:42:53,480 --> 00:42:57,320
Speaker 1: when you see the musical, all of it is two hours.

742
00:42:57,560 --> 00:43:01,960
Speaker 1: But to end on that fucking brilliant, so good.

743
00:43:02,320 --> 00:43:05,120
Speaker 3: Also, that'll make motherfuckers come back next year.

744
00:43:05,440 --> 00:43:07,800
Speaker 2: You're gonna be crying.

745
00:43:07,400 --> 00:43:09,799
Speaker 3: Up a storm during the dance.

746
00:43:09,719 --> 00:43:16,000
Speaker 2: During everything during it's there's an animal rights like underlying

747
00:43:16,120 --> 00:43:16,879
Speaker 2: story too.

748
00:43:17,200 --> 00:43:18,600
Speaker 1: There wasn't the music as well.

749
00:43:18,760 --> 00:43:20,040
Speaker 2: Fucking nuts.

750
00:43:20,840 --> 00:43:24,600
Speaker 1: Mark Bernard and who had seen the show, but he's like,

751
00:43:24,640 --> 00:43:28,200
Speaker 1: I didn't remember it, Like was balling at the dance

752
00:43:28,239 --> 00:43:30,960
Speaker 1: scene while she's dancing no music. He was just like,

753
00:43:31,040 --> 00:43:33,480
Speaker 1: it's one of the saddest, most heartbreaking things I ever seen.

754
00:43:33,520 --> 00:43:36,200
Speaker 2: Oh my god, it's so it's wow, wow.

755
00:43:37,200 --> 00:43:38,880
Speaker 1: Yeah, it's a fucking fire show.

756
00:43:39,520 --> 00:43:40,200
Speaker 5: It's so good.

757
00:43:41,360 --> 00:43:43,200
Speaker 1: What's the song again where they're like.

758
00:43:47,280 --> 00:43:53,759
Speaker 2: For good, for good, Oh, he crying crying such a

759
00:43:53,800 --> 00:43:54,200
Speaker 2: good song.

760
00:43:54,840 --> 00:43:56,600
Speaker 1: Did you have any interesting I wanted to?

761
00:43:57,280 --> 00:44:02,960
Speaker 2: He's so theory right now, so beautiful. Yes, I do

762
00:44:03,040 --> 00:44:05,080
Speaker 2: want to see my Wanta too. I haven't yet, though I.

763
00:44:05,200 --> 00:44:06,640
Speaker 1: Have yet to see my on a one.

764
00:44:07,680 --> 00:44:08,200
Speaker 2: You haven't.

765
00:44:09,800 --> 00:44:11,840
Speaker 1: I'm sure you got to a certain age. Like I

766
00:44:12,000 --> 00:44:12,840
Speaker 1: stopped watching the.

767
00:44:12,840 --> 00:44:16,280
Speaker 2: Disney's so good, It's so beautiful. I love Malana.

768
00:44:16,320 --> 00:44:17,040
Speaker 1: I saw the opening.

769
00:44:25,760 --> 00:44:27,200
Speaker 2: I knew what you were talking about, though.

770
00:44:28,719 --> 00:44:33,120
Speaker 1: What is the name of that song? I'm taking a

771
00:44:33,200 --> 00:44:33,880
Speaker 1: boat out on.

772
00:44:36,400 --> 00:44:39,560
Speaker 2: Those are the lyrics, but good filling, filler lyrics.

773
00:44:39,640 --> 00:44:40,720
Speaker 1: What's happening in the scene.

774
00:44:40,960 --> 00:44:43,320
Speaker 2: Yeah, that's kind of just music description.

775
00:44:43,800 --> 00:44:46,480
Speaker 3: My musical would be a series of action, if you will.

776
00:44:46,920 --> 00:44:53,960
Speaker 1: I'm standing behind a counter. I quick stop selling smoke

777
00:44:54,960 --> 00:44:59,640
Speaker 1: feeling bokekie. Oh my god?

778
00:45:03,200 --> 00:45:06,880
Speaker 2: That you also sing that at the same performance.

779
00:45:07,000 --> 00:45:07,440
Speaker 1: Where are you.

780
00:45:09,040 --> 00:45:14,120
Speaker 2: Do your performance? From the School of Rock. You're an impersonation.

781
00:45:17,080 --> 00:45:19,399
Speaker 2: So after that, then you sing that song?

782
00:45:20,000 --> 00:45:23,239
Speaker 1: What is her? What was hers again? This?

783
00:45:24,440 --> 00:45:27,200
Speaker 2: Oh wait, no, no, that's Lawrence. I was about to

784
00:45:27,280 --> 00:45:31,640
Speaker 2: do Lawrence's yeah, And he's like pointing.

785
00:45:31,400 --> 00:45:38,440
Speaker 10: Yeah, yeah, oh so good. Yeah, And she's like, oh,

786
00:45:44,120 --> 00:45:45,480
Speaker 10: oh my god, that's so good.

787
00:45:46,080 --> 00:45:48,880
Speaker 1: Cuts you Like twenty years later, they're doing it their wedding.

788
00:45:51,960 --> 00:45:53,880
Speaker 2: They should have hired you.

789
00:45:55,480 --> 00:45:57,520
Speaker 3: I think if anything, maybe they could reach out to

790
00:45:57,600 --> 00:45:58,120
Speaker 3: Jack Black.

791
00:45:59,400 --> 00:46:03,400
Speaker 11: No, no, no, and now standing in for Jack Black.

792
00:46:04,520 --> 00:46:08,320
Speaker 11: Not nearly as good, but we got a discount. Salad

793
00:46:08,360 --> 00:46:11,960
Speaker 11: bout himself. Kevin James Smith, you ass all Smith.

794
00:46:12,120 --> 00:46:18,160
Speaker 1: Sorry, this is my one man show in honor of you.

795
00:46:18,280 --> 00:46:22,040
Speaker 1: Two kids get married. Love is a beautiful thing, and

796
00:46:22,200 --> 00:46:27,000
Speaker 1: I celebrate that. Uh school of rock, nay, school of love.

797
00:46:27,600 --> 00:46:32,640
Speaker 1: Oh my god, I just do it wordlessly, no.

798
00:46:32,760 --> 00:46:36,120
Speaker 2: Music as she walks down the aisle.

799
00:46:37,000 --> 00:46:39,600
Speaker 1: No, they're all seated. This is at the same reception. Shit,

800
00:46:39,640 --> 00:46:41,399
Speaker 1: I wouldn't fuck up their wedding, but I would totally

801
00:46:41,480 --> 00:46:42,280
Speaker 1: fuck up the reception.

802
00:46:42,480 --> 00:46:43,080
Speaker 2: Yeah, that's fair.

803
00:46:43,360 --> 00:46:46,120
Speaker 1: And after like twenty minutes of me doing that, like,

804
00:46:47,640 --> 00:46:52,560
Speaker 1: I don't think I get for good minutes before somebody's like,

805
00:46:53,160 --> 00:46:56,759
Speaker 1: and that was Kevin James Smith, You asshole, I'm not done.

806
00:46:56,800 --> 00:46:58,480
Speaker 1: Hold on one more time.

807
00:47:02,280 --> 00:47:06,479
Speaker 2: Oh god, so good, so good, for real, so good.

808
00:47:12,560 --> 00:47:14,480
Speaker 3: Why did you think he was not done?

809
00:47:14,960 --> 00:47:17,920
Speaker 1: Like, is there a number in his head that he's counting?

810
00:47:18,320 --> 00:47:22,440
Speaker 2: Like they stopped him in the middle of one rotation

811
00:47:22,719 --> 00:47:31,800
Speaker 2: and he was gonna malfunction. He had to finish me

812
00:47:31,960 --> 00:47:36,480
Speaker 2: as fine, me as FuG Oh my god.

813
00:47:39,600 --> 00:47:41,520
Speaker 1: All right, let's get out of here. But I will

814
00:47:41,600 --> 00:47:44,040
Speaker 1: say this, it's good to laugh.

815
00:47:44,640 --> 00:47:45,520
Speaker 2: It's good to laugh.

816
00:47:45,840 --> 00:47:48,880
Speaker 1: Tough week last week. We had off last week because

817
00:47:48,920 --> 00:47:54,759
Speaker 1: it was Thanksgiving number one, well not at all. We

818
00:47:54,920 --> 00:47:59,040
Speaker 1: lost a dear friend, kids, a family member and all

819
00:47:59,120 --> 00:48:02,160
Speaker 1: hands are on deck. Uh that that that whole week

820
00:48:02,239 --> 00:48:09,440
Speaker 1: and especially that day. Sinny Cinnemon, Harley's bestest friend, and

821
00:48:09,560 --> 00:48:15,800
Speaker 1: money in that order shuffled loose this great mortal coil

822
00:48:15,920 --> 00:48:19,319
Speaker 1: of ours, and it was, as you could imagine, one

823
00:48:19,600 --> 00:48:22,800
Speaker 1: fuck up a bummer. So there was a thought of

824
00:48:22,880 --> 00:48:25,040
Speaker 1: like do we address it? And I was like this,

825
00:48:25,200 --> 00:48:28,520
Speaker 1: hold on. I want to mention her for sure, to

826
00:48:28,640 --> 00:48:30,360
Speaker 1: mark the moment, but we're not going to do a

827
00:48:30,440 --> 00:48:34,120
Speaker 1: deep dive because both of us will fall to pieces. One.

828
00:48:34,800 --> 00:48:38,160
Speaker 2: I'm barely holding on right now, but just want to

829
00:48:38,280 --> 00:48:42,960
Speaker 2: honor her and just say her name and that I

830
00:48:43,120 --> 00:48:44,439
Speaker 2: love Cinnamon so much.

831
00:48:45,160 --> 00:48:48,759
Speaker 1: Then we will give her the beardless, dickless send off.

832
00:48:49,000 --> 00:48:55,520
Speaker 8: All right, I release the beardless send off.

833
00:48:56,040 --> 00:49:01,239
Speaker 1: When we lose someone greater or small legend, they go out,

834
00:49:01,440 --> 00:49:02,560
Speaker 1: we give them the dance.

835
00:49:02,920 --> 00:49:10,239
Speaker 2: The School of Rock impressions no music, absolutely silent, like.

836
00:49:10,280 --> 00:49:13,880
Speaker 3: Why do you smile during the death Dance because we're honoring.

837
00:49:14,760 --> 00:49:16,480
Speaker 1: Did you ever see fucking School of Rock? Yeah?

838
00:49:16,560 --> 00:49:19,120
Speaker 2: Come on, we're trying to do it justice.

839
00:49:19,320 --> 00:49:21,560
Speaker 1: That's the two kids in School of Rock, like the

840
00:49:21,840 --> 00:49:26,239
Speaker 1: kick from My Carly no backup singer? You want? Who

841
00:49:26,280 --> 00:49:29,719
Speaker 1: belts it out? Now? Does? Obviously the one who does this?

842
00:49:30,800 --> 00:49:33,400
Speaker 1: Then who's the other one who's holding their arms? And ship? Why? Who?

843
00:49:33,440 --> 00:49:35,799
Speaker 1: What's with the b boys? Stand? That's the boy who

844
00:49:35,880 --> 00:49:39,680
Speaker 1: works the graphics? Like? Who are these? Are you sure?

845
00:49:39,840 --> 00:49:41,680
Speaker 1: Did you see School of Rock? These kids are in

846
00:49:41,719 --> 00:49:44,600
Speaker 1: School Rock? Are we talking about the same movie? Are

847
00:49:44,640 --> 00:49:46,839
Speaker 1: you sure this isn't half Baked Rock?

848
00:49:47,200 --> 00:49:48,239
Speaker 2: I fucking care.

849
00:49:49,320 --> 00:49:50,520
Speaker 1: It's so accurate.

850
00:49:50,719 --> 00:49:54,920
Speaker 2: The girl that belts it out, she belts it out

851
00:49:55,120 --> 00:49:55,640
Speaker 2: so good?

852
00:49:55,760 --> 00:50:00,279
Speaker 1: What little drummer boy? Your guitar hat? What again?

853
00:50:00,640 --> 00:50:01,040
Speaker 2: Lawrence?

854
00:50:05,040 --> 00:50:06,759
Speaker 3: It was tough to learn their names, but you could

855
00:50:06,880 --> 00:50:08,080
Speaker 3: learn what they did in the movie.

856
00:50:09,080 --> 00:50:13,160
Speaker 2: Yeah, we just know Lawrence because Lawrence is good at piano.

857
00:50:14,960 --> 00:50:17,040
Speaker 1: I don't. I only know Lawrence because you said his name.

858
00:50:17,239 --> 00:50:20,120
Speaker 1: But if you would have been because of what is

859
00:50:20,239 --> 00:50:22,759
Speaker 1: the dude? If you would have been like the dude

860
00:50:22,800 --> 00:50:24,800
Speaker 1: on keyboards, I wouldn't have known Lawrence, but I would.

861
00:50:24,560 --> 00:50:26,880
Speaker 2: Have been like, yeah, you would have you would have know.

862
00:50:27,000 --> 00:50:29,880
Speaker 1: I love how he pointed the audience, your son is

863
00:50:30,000 --> 00:50:30,520
Speaker 1: very scaled.

864
00:50:31,200 --> 00:50:31,439
Speaker 4: Wow.

865
00:50:32,440 --> 00:50:36,040
Speaker 1: Yeah, he's like thanks or something. So's yours.

866
00:50:36,239 --> 00:50:42,400
Speaker 2: Yeah, that's it. That's it, Lawrence. I.

867
00:50:43,000 --> 00:50:44,960
Speaker 1: I was just talking about that movie with somebody recently

868
00:50:44,960 --> 00:50:46,960
Speaker 1: where I was like, you jumping down in the aisles

869
00:50:46,960 --> 00:50:48,520
Speaker 1: when you were a kid? Answered during the movie.

870
00:50:48,560 --> 00:50:49,759
Speaker 2: I was like, I think it was me.

871
00:50:50,120 --> 00:50:51,200
Speaker 3: You're somebody else?

872
00:50:51,400 --> 00:50:54,719
Speaker 1: Yeah, I mean I have sometimes I have similar conversations

873
00:50:54,920 --> 00:50:57,040
Speaker 1: with people that aren't you. Really, I don't want that

874
00:50:57,120 --> 00:50:59,640
Speaker 1: to trigger your bum but I was talking about you

875
00:51:01,000 --> 00:51:06,680
Speaker 1: in your absence, but they, oh, you know who it was.

876
00:51:07,640 --> 00:51:08,560
Speaker 1: This is so fucked up.

877
00:51:09,040 --> 00:51:11,280
Speaker 3: So I was back East, as previously mentioned.

878
00:51:12,200 --> 00:51:16,080
Speaker 1: Mister Black himself. I was back East as previously mentioned.

879
00:51:16,120 --> 00:51:19,000
Speaker 1: But when I first landed on Thursday morning, I went

880
00:51:19,040 --> 00:51:22,600
Speaker 1: to Philly instead of Jersey, and I went to w MMR,

881
00:51:23,440 --> 00:51:25,319
Speaker 1: the radio station there there, to food drive and they

882
00:51:25,360 --> 00:51:29,000
Speaker 1: were doing the parking lot of where the Eagles play,

883
00:51:29,160 --> 00:51:30,839
Speaker 1: and they've been doing their food drive for like twenty

884
00:51:30,880 --> 00:51:35,800
Speaker 1: seven years. Massive, So they pulled in two million pounds

885
00:51:35,840 --> 00:51:38,080
Speaker 1: of food and a million dollars in donations of.

886
00:51:38,160 --> 00:51:40,160
Speaker 2: The like four days that's amazing and.

887
00:51:40,200 --> 00:51:43,320
Speaker 1: Goes to full abundance and they'll feed you know, hungry

888
00:51:43,360 --> 00:51:45,759
Speaker 1: people in Pennsylvania like all winter and shit like that.

889
00:51:46,239 --> 00:51:52,040
Speaker 1: So while I was there, they were like hey, man,

890
00:51:52,200 --> 00:51:54,160
Speaker 1: Like I was backstage, they were like, the girls from

891
00:51:54,280 --> 00:51:58,000
Speaker 1: Froggy are here. And Froggy was the band that does

892
00:51:58,120 --> 00:52:01,440
Speaker 1: the song seven to eleven nachos on the Clerks three Central.

893
00:52:01,719 --> 00:52:02,360
Speaker 2: That's awesome.

894
00:52:02,400 --> 00:52:04,759
Speaker 1: It's like a power trio. They were like fourteen years

895
00:52:04,800 --> 00:52:07,480
Speaker 1: old when they were recorded seven eleven.

896
00:52:09,960 --> 00:52:10,520
Speaker 2: A cuteness.

897
00:52:10,640 --> 00:52:13,840
Speaker 1: So the songs in the movie and like WMMR the

898
00:52:13,920 --> 00:52:16,960
Speaker 1: President Steve their show, that's they were the first ones.

899
00:52:16,960 --> 00:52:18,759
Speaker 1: They're like you got to hear the song by these

900
00:52:18,840 --> 00:52:21,720
Speaker 1: like kids, these three girls, man, And so it wound

901
00:52:21,800 --> 00:52:23,879
Speaker 1: up and that's how got New Clerk three. I never

902
00:52:23,960 --> 00:52:28,560
Speaker 1: met them until backstage at MMOM, and you know they're

903
00:52:28,840 --> 00:52:32,120
Speaker 1: all their kids. They're you know, probably their first or

904
00:52:32,160 --> 00:52:34,920
Speaker 1: second year in college. They're like eighteen or Max nineteen

905
00:52:35,000 --> 00:52:38,160
Speaker 1: or something. But one of them, I was like, how

906
00:52:38,160 --> 00:52:40,320
Speaker 1: did you guys get started? And one of them was

907
00:52:40,360 --> 00:52:42,080
Speaker 1: just like I was in school rock. I was like

908
00:52:43,040 --> 00:52:45,080
Speaker 1: this girl, she was like, no in a.

909
00:52:45,160 --> 00:52:50,040
Speaker 2: School, Oh my god, were you this girl.

910
00:52:51,840 --> 00:52:56,719
Speaker 1: This okay, where's them? Where's the no? They were absolutely

911
00:52:56,800 --> 00:53:00,279
Speaker 1: lovely ones like an art school student. I mean, and

912
00:53:00,440 --> 00:53:02,919
Speaker 1: they're all they all do jobs, but they're also still

913
00:53:02,920 --> 00:53:09,520
Speaker 1: in band. They had their own soda. Somebody made a

914
00:53:09,600 --> 00:53:14,520
Speaker 1: froggy soda lemonade flavor. Those That's where I was talking

915
00:53:14,560 --> 00:53:20,480
Speaker 1: about you in school. I see, I'm glad I remember that. Kids,

916
00:53:21,360 --> 00:53:22,919
Speaker 1: You're like, that's how you're going to end the show.

917
00:53:27,000 --> 00:53:28,719
Speaker 2: You got an extra little anecdote.

918
00:53:29,520 --> 00:53:34,279
Speaker 1: Then some stories don't go yeah. And also we had

919
00:53:34,320 --> 00:53:36,080
Speaker 1: to quickly pivot away from Cinnamon.

920
00:53:36,120 --> 00:53:40,640
Speaker 2: Before Mary hard.

921
00:53:42,280 --> 00:53:45,000
Speaker 3: And we had a little fucking wicked of our own

922
00:53:45,560 --> 00:53:46,960
Speaker 3: mention it and then quickly move on.

923
00:53:48,440 --> 00:53:52,560
Speaker 1: The poor one out the lake. Great yeah, man, the

924
00:53:52,640 --> 00:54:01,640
Speaker 1: original Sin, the greatest, Sweetest, give me sweeties taboo.

925
00:54:03,120 --> 00:54:05,920
Speaker 2: All right, let's cinnamon.

926
00:54:06,880 --> 00:54:17,000
Speaker 1: Little shot? Is it a cram? Let's have a fucking

927
00:54:17,080 --> 00:54:21,080
Speaker 1: funeral ceremony for Cinnamon here at the house. And I

928
00:54:21,200 --> 00:54:24,040
Speaker 1: will just do shot a coup perfect. We'll have a

929
00:54:24,120 --> 00:54:26,120
Speaker 1: picture of sitting, that picture of her like laying on

930
00:54:26,160 --> 00:54:29,360
Speaker 1: the face down the air, put two candles next to it,

931
00:54:29,400 --> 00:54:33,600
Speaker 1: and I'll be like, is it crame? All songs have

932
00:54:33,719 --> 00:54:36,440
Speaker 1: nothing to do with rabbits kind of sexy, soulful songs.

933
00:54:36,560 --> 00:54:38,360
Speaker 2: That's really what I wanted for cinnamon.

934
00:54:39,160 --> 00:54:41,120
Speaker 1: It will be a dry eye in the house, true,

935
00:54:41,120 --> 00:54:44,319
Speaker 1: because people will be laughing so hysterically, be like, just.

936
00:54:44,400 --> 00:54:48,480
Speaker 2: Be crying because I'm like, why is he doing so beautiful?

937
00:54:50,760 --> 00:54:54,080
Speaker 1: There it is, my friends, there's your beardless dickless moir

938
00:54:55,320 --> 00:54:59,359
Speaker 1: for this week. That's the French version. Wah beardless more?

939
00:55:03,440 --> 00:55:07,200
Speaker 1: Don't they just catch on this? And now? When uh?

940
00:55:07,760 --> 00:55:11,640
Speaker 1: What's her name? Fucking Bratt Charlie. She was the host

941
00:55:12,000 --> 00:55:17,279
Speaker 1: and they did a Montreal morning talk show called There

942
00:55:17,320 --> 00:55:20,480
Speaker 1: it is My Friends. There's your beardless dick list for

943
00:55:20,600 --> 00:55:23,680
Speaker 1: this week. Uh. If you want to continue the conversation,

944
00:55:25,080 --> 00:55:28,320
Speaker 1: come over to that Kevin Smith club where Beardless dickless

945
00:55:28,360 --> 00:55:32,520
Speaker 1: plus begins momentarily where you can see us do this, man,

946
00:55:32,640 --> 00:55:34,960
Speaker 1: you can see me fucking get you were worried that

947
00:55:35,080 --> 00:55:36,719
Speaker 1: you were gonna cry. Meanwhile, I'm like.

948
00:55:37,520 --> 00:55:39,600
Speaker 2: Wicked, Yeah you cried.

949
00:55:40,840 --> 00:55:43,240
Speaker 1: At the end. Are still fucking fred?

950
00:55:43,560 --> 00:55:45,000
Speaker 2: I love you crying over Wicked.

951
00:55:45,880 --> 00:55:47,840
Speaker 1: It makes me soft, you know what it makes me?

952
00:55:48,880 --> 00:55:53,960
Speaker 1: It makes me baby dom. There was a couple that

953
00:55:54,080 --> 00:55:56,719
Speaker 1: came to the Santa signing or the Santa sign, the

954
00:55:56,800 --> 00:56:00,440
Speaker 1: Santa pop for the photo, and the one boy they

955
00:56:00,520 --> 00:56:03,080
Speaker 1: made their own T shirts, and the boy's shirt said

956
00:56:03,280 --> 00:56:06,920
Speaker 1: Tusk is Cinema and the girl's shirt said Kevin Smith

957
00:56:07,040 --> 00:56:10,360
Speaker 1: is baby doll. And so I had to say. I

958
00:56:10,480 --> 00:56:12,840
Speaker 1: was like, look, I'm totally flattered, but spare me the

959
00:56:12,920 --> 00:56:14,960
Speaker 1: humiliation of having to asked my daughter what that means,

960
00:56:15,040 --> 00:56:18,080
Speaker 1: like what exactly baby doll. She's like, baby doll is

961
00:56:18,239 --> 00:56:21,760
Speaker 1: like an older man who's like completely safe and harmless

962
00:56:21,840 --> 00:56:23,279
Speaker 1: and stuff, and you just want to be around him.

963
00:56:23,280 --> 00:56:24,960
Speaker 1: And she's like kind of like Pedro. I was like,

964
00:56:25,000 --> 00:56:26,879
Speaker 1: I thought Pedro was Zaddy. She's like, well he's also

965
00:56:27,000 --> 00:56:29,520
Speaker 1: Zaddy as well, and she's like, you're not Zaddy, but

966
00:56:29,560 --> 00:56:36,319
Speaker 1: you are a very baby doll. Oh, thank you. Time

967
00:56:36,400 --> 00:56:41,960
Speaker 1: to go there is for baby doll, Kevin Smith Smith

968
00:56:42,360 --> 00:56:45,360
Speaker 1: go have a beardless, dickless day, you baby dolls.

969
00:56:56,840 --> 00:57:01,520
Speaker 7: This has been a podcast production podcast podcast using our

970
00:57:01,600 --> 00:57:08,480
Speaker 7: mouths on you since two thousand and seven. Hey kids,

971
00:57:08,560 --> 00:57:09,759
Speaker 7: did you like what you just heard?

972
00:57:09,840 --> 00:57:10,320
Speaker 1: Well guess what.

973
00:57:10,520 --> 00:57:14,000
Speaker 7: We've got tons more man thousands of hours of podcasts

974
00:57:14,080 --> 00:57:17,160
Speaker 7: waiting for you at that kevinsmithclub dot com.

975
00:57:17,440 --> 00:57:18,440
Speaker 1: Go sign up now.