Speaker 1: Welcome back to Beardless Dick lists me.
Speaker 2: I'm host Kevin Smith and I'm Harley Quinn Smith.
Speaker 1: Look. Podcasting something I've been doing since two thousand and
Speaker 1: seventh Theater of the Mind they called this. Origins for
Speaker 1: my podcasting casting can be traced back to LaserDisc commentary
Speaker 1: threats on movies back used to be an audio medium
Speaker 1: and a lot of people listen to us on Spotify
Speaker 1: stuff like that. That's just audio, and I've met a
Speaker 1: lot of them. For the weekend, it's dropping beardless stick.
Speaker 1: What's me.
Speaker 2: That's wow, that's crazy.
Speaker 1: But I say all this just to also acknowledge that
Speaker 1: in the age of podcasting, video has become an important
Speaker 1: love that and if one were to be able to
Speaker 1: see the video for this, you would see only the
Speaker 1: Gotten Daughters had.
Speaker 2: Quite frankly, I was I was, honestly was wondering when
Speaker 2: you were going to say anything. But I thought it
Speaker 2: was just so.
Speaker 1: Like said kid regular, it was on the wire, everything
Speaker 1: just waiting. You think I'm gonna have a conversation off
Speaker 1: camera about the whole fucking Joe. What's the story there?
Speaker 2: It's a mannequin pussy the band that I like and
Speaker 2: that you like them too.
Speaker 1: There's a song that wound up in my playlist.
Speaker 2: Yeah to I think it's sounds Drunk two or something.
Speaker 1: Not to say Will Wilkins, but fuck Will, whoa whoa.
Speaker 1: Sometimes when I played the show back, like when I'm
Speaker 1: uploading the things to Will, and you know we love Will,
Speaker 1: and Will's a genius. I adn't take nothing away. But
Speaker 1: he told me to keep my volume at a certain point.
Speaker 1: And I don't see my green bar doing much climate.
Speaker 1: And when I listen to the playback, you're so much
Speaker 1: loud to me, like talk right now, Oh God, jumping
Speaker 1: the charts and ship. So I'm making an executive decision here,
Speaker 1: man oo, Who's Will Wilkins? Tell me what I can
Speaker 1: fucking do with my volume? Not I didn't work thirty
Speaker 1: years in this business, so I can have Will Wilkins
Speaker 1: tell me keep it at two three, between two and three,
Speaker 1: going to fucking four. Maybe we go to five in
Speaker 1: this bitch. You know why, because if you can wear
Speaker 1: a pussy hat, I can tear my volume. There are
Speaker 1: no rules here. We start putting pussy all over your head.
Speaker 1: Speaking of pussy all over the head, that's the name
Speaker 1: of the band.
Speaker 2: I was like speaking of what that's what you call it?
Speaker 3: Like what that other bands called mannequin pussy?
Speaker 1: Yeah, why don't you call your band pussy all over
Speaker 1: your head? Bro? People will chat.
Speaker 2: We have a name, it's Wench.
Speaker 1: I don't got a chat about that. So much pussy
Speaker 1: all over your head? Oh my god, that gets covered everywhere.
Speaker 2: Pussy all over? That is insane.
Speaker 1: Is it too late?
Speaker 2: I think it's it's a little late.
Speaker 1: Never too Let me talk to who else is in
Speaker 1: the band, Nick and Luke, Wick and Nuke.
Speaker 2: Yes, let me.
Speaker 1: Talk to fucking Igano. Man, I'm gonna I'm gonna put
Speaker 1: them on in front of you boys. None of us
Speaker 1: are getting younger. We don't have time to see if
Speaker 1: Wench works out. But you know what's instantly going to
Speaker 1: fucking earn the green that you all need. God, I
Speaker 1: already forgot the name of it, which is so weird
Speaker 1: becase you would imagine it was memorable. Pussy all over. Yes,
Speaker 1: it's the all over part. There's the middle part. I
Speaker 1: know it started with the pussy in in with head.
Speaker 1: Maybe we just fucking cut the middle man. I just
Speaker 1: called pussy head pussy heads pretty sweet.
Speaker 2: That is a good that's a good one.
Speaker 1: Pussy head. You can buy a few of those hashes,
Speaker 1: put right head under it, and you're there. You got
Speaker 1: mercher already.
Speaker 2: I'm gonna leave. I'm gonna leave pussy.
Speaker 1: You know what as well, you're gonna leave what.
Speaker 2: I'm gonna leave pussy to mannequin pussy and stick with Wench.
Speaker 1: If I had left fucking rats to the New York subway,
Speaker 1: there wouldn't be mall rats.
Speaker 2: You're really you have like an attitude today. I'm feisty.
Speaker 2: That is exactly what I was looking for. You are
Speaker 2: feisty as fuck today.
Speaker 1: I'm not the one that entered the room with a
Speaker 1: pussy on my head. Pussy all over your head coming soon?
Speaker 1: You could. Back in the day when I was a
Speaker 1: kid buying music like record old Sam goodies, you know,
Speaker 1: you step go to store to buy music. Ship.
Speaker 2: Yeah, and then.
Speaker 1: Those stories about albums about forty fives, about cassette tapes,
Speaker 1: about eight tracks. Then we moved down to compact. This
Speaker 1: that was the end of the rainbow.
Speaker 4: Yeah.
Speaker 1: Never got any more physical than that with music, did it?
Speaker 2: I think you covered it.
Speaker 1: Yeah, he's really going.
Speaker 2: Forty, he's really looking really hard. Please don't make that noise.
Speaker 3: Lucky's not making love, She's just cleaning.
Speaker 2: She's just going crazy.
Speaker 1: Luck, he's like dancing dancing. Yeh. Do you guys have
Speaker 1: a masturbatory tune in your repertoire yet?
Speaker 2: Anyways, So Cyndy.
Speaker 1: Lauper had a masturbatory song. It was very popular.
Speaker 2: I don't know.
Speaker 1: It's called she Bop. You know that song? Yeah, Okay,
Speaker 1: that's a song about jerking off whole song and that's
Speaker 1: not a theory now she talks about it all the time.
Speaker 2: That's cool.
Speaker 3: It's about female masturbation.
Speaker 2: Bro, that's that's great.
Speaker 1: I'm not saying be Cyndi Lauper, but like, ain't nobody
Speaker 1: done that track since then?
Speaker 2: I have some other inspirations at the moment, but I'll
Speaker 2: keep it in mind.
Speaker 1: What is it?
Speaker 3: What are your sonic inspirations?
Speaker 2: Just the relationships I've had?
Speaker 3: There's some you're writing about.
Speaker 2: Yeah, a lot of songs are about specific people. Anyways,
Speaker 2: there's one of them about me.
Speaker 1: Well, I should be happy.
Speaker 2: I should be happy. They're not. They're not.
Speaker 3: This is where you're working your ship out, Yeah, this.
Speaker 2: Is where I'm trying to work my feelings out, all right,
Speaker 2: speaking of feelings, would you like to say why we
Speaker 2: weren't here last week?
Speaker 1: No? You know, I don't want to, you know, I
Speaker 1: think I think we can continue apace until we know
Speaker 1: we're coming in for a landing, so that we can
Speaker 1: get some content going before all right, things fall apart.
Speaker 1: The center cannot hold things.
Speaker 2: I'm okay, may I No, I'm not.
Speaker 1: I How about this, kiddo, Let's do something fucking classy. Okay,
Speaker 1: we are gonna read some fucking Yates Yates.
Speaker 3: Yeah, bro, yes, are you familiar with No?
Speaker 2: What's Yates?
Speaker 1: Goddamn poet? Oh my god, Well, goddamn poet man. I'll
Speaker 1: give you some info on that so that you're not
Speaker 1: in the dark and ship. Okay, here we go. Check
Speaker 1: out my leg because I'm blind, old and blind. I
Speaker 1: don't I don't need William Butler Yates. He needs classes
Speaker 1: because he died a long time ago. He was a poet,
Speaker 1: let's see former Senator of the Irish Free State. He
Speaker 1: was an Irish poet, dramatist and writer. One of the
Speaker 1: foremost figures of twentieth century Lisa. He wrote shit like
Speaker 1: You and I just the same time. He's most known
Speaker 1: for the poem Pussy all over your Head Let's see
Speaker 1: classic William A. Butler Yates works Let's See. Yates poetry
Speaker 1: often explores Irish history and mythologysh and includes themes of
Speaker 1: art versus life, masks, and cyclical theories of life. Some
Speaker 1: of his most well known poems include The Lake, Isle
Speaker 1: of Industry, To the Rose upon the Road of Time,
Speaker 1: and to Ireland in the Coming Times. He wrote plays,
Speaker 1: often based uh He plays are often based on Irish legends.
Speaker 1: They are full of mysticism and spiritualism. Some of his
Speaker 1: plays include Ego Dominus Tuus, Sorry at the Hawks, Well,
Speaker 1: Wheels and Butterflies, and The Words upon the Window Pane.
Speaker 1: He wrote some prose as well, includes his autobiography called Autobiography,
Speaker 1: which includes reveries over childhood and youth, the Trembling of
Speaker 1: the Veil, dramatist personae, and the death of Singe. So
Speaker 1: I tell you all that because I'm going to read something.
Speaker 2: I'm like, Okay, you.
Speaker 1: Know everyone when I when I died, They're like, yeah,
Speaker 1: he did a bunch of shit, but he bo did clerks.
Speaker 1: I'm gonna I'm gonna read you Yates's Clerks, which is
Speaker 1: not to say it's the first thing he ever did.
Speaker 3: But it's the thing I feel he'll always be remembered for.
Speaker 1: You know what, This is all personal biased. I feel
Speaker 1: he'll be remembered for it. And there are other people
Speaker 1: who are like who might be like, bro, you don't
Speaker 1: even know the work of Yates. He did this, this, this,
Speaker 1: and fucking this one is like, you know, fucking fringe
Speaker 1: and shit at best. But I think it's fun. I
Speaker 1: think in a world where you're.
Speaker 4: About to record your album, yeah tomorrow and the day
Speaker 4: after correct, and you're gonna go into the studio tonight
Speaker 4: to as the musicians say, jam correct, there's a chance
Speaker 4: there's still a chance this could still make the cut.
Speaker 4: Oh okay, you know what I'm saying.
Speaker 1: My challenge to you as an artist, ready, yes, is
Speaker 1: to take this work, this public domain work, because it's
Speaker 1: like hundreds of years old, fucking sing it. I have homeboy,
Speaker 1: have lick and nuke. Put some fucking under this ship
Speaker 1: and nuke it and lick it. Oh my god, lick it.
Speaker 1: But you know, like fucking remember, you know, Janet Jackson
Speaker 1: had Jimmy jam and Terry Lewis and ship what asked
Speaker 1: their names? Lick and nuke. That's their production, the producer
Speaker 1: exactly their babyface names. This is a poem by Yates
Speaker 1: called The Second Coming. Okay you ever heard it?
Speaker 2: Should? I should? I have probably.
Speaker 1: There are definitely parts of this that may ring bells,
Speaker 1: all right, because they've entered common not so much common vernacular,
Speaker 1: but areas of the world that you would fuck with
Speaker 1: drama and so forth and such like. But one of
Speaker 1: my favorite pieces of literature, well my favorite poem, and
Speaker 1: you'll see it's not it's beautifull, but it's horrible. It's
Speaker 1: not beautiful, like, oh, this is fucking scary.
Speaker 2: Okay, I'm ready.
Speaker 1: You ready to receive this?
Speaker 2: I'm ready? Should I close my eyes?
Speaker 1: Oh fucking look at me. Let's make it awkward. Look
Speaker 1: me right, hold on, I'm gonna go fuck it. Wet
Speaker 1: my whistle.
Speaker 2: You need glasses so bad.
Speaker 1: I need some manners.
Speaker 2: You used to wear glasses. I did and now, and
Speaker 2: then one day you were like, fuck it.
Speaker 1: Would you like to hear the story? Because I just
Speaker 1: I will get to the Second Coming? Okay, I just
Speaker 1: told it to somebody recently. I forget who it was,
Speaker 1: but I wore glasses forever. If you look back at
Speaker 1: photos of me, you know, lots of them. The cover
Speaker 1: of my book Tough Ship, I'm wearing glasses.
Speaker 2: You're wearing glasses right there.
Speaker 1: Glasses everywhere I go make cop out and New York,
Speaker 1: and I work with Meghan Quinland, who's my assistant there,
Speaker 1: and then her chief job was to get me from
Speaker 1: Queen's Battery Park because, as somebody who was very familiar
Speaker 1: with the isle of Manhattan and getting into Manhattan and
Speaker 1: out of Manhattan by way of Jersey, Queen's a bit
Speaker 1: of a mystery. So in the beginning, I was like,
Speaker 1: you know, rather than me assume that I know what
Speaker 1: I'm doing with a local who will get me there back?
Speaker 1: So I was like, the office can drive me. So
Speaker 1: the line producer of the movie, production manager line producer
Speaker 1: was Mike. The production manager was Ray Ray Quentland. Mike
Speaker 1: and Ray we call them zusnapollocks. They both had like
Speaker 1: white hair. They're older than fuck man. They've been in
Speaker 1: New York film forever. Ray, Meghan's father, what used to
Speaker 1: be in the lighting. There's a joke about Quinland's in
Speaker 1: the film business. Meghan's last name, Ray's last name, Quinland,
Speaker 1: Meghan's brother, Ryan Quinland, Megan's cousins also fucking Quinland's and
Speaker 1: they all work in the film business. So the joke
Speaker 1: in the New York film and particularly on the set
Speaker 1: of cop Out was Mikey Tadrose, Mike Tadrose, not Mikey
Speaker 1: young Mikey, but big Mike Tadros would be like, fucking
Speaker 1: say Quillin on to set one hundred thousand people turning around.
Speaker 1: That guy is great. Him and him and Mike and
Speaker 1: right were just like true New York film ship.
Speaker 3: So, uh, Ray is just like U.
Speaker 1: I' me and my daughter drive you back. We were
Speaker 1: in Queens and whatnot, and I was like smoking weed,
Speaker 1: and I remember like I didn't know what to do
Speaker 1: about it because I was in an office that had
Speaker 1: like some open windows. But I was so brazen. I
Speaker 1: was like we were at Kaufnastoria Studios, and I was
Speaker 1: just like, well, I guess they should just know who
Speaker 1: I am. Just start smoking at the office. But periodically
Speaker 1: they would all come on the door and act like
Speaker 1: I wasn't smoking enough to be like, if you want
Speaker 1: to meet the production and I was like, hey, yeah,
Speaker 1: let's go on up, let's go on over you know,
Speaker 1: and so you know behind my bag, and particularly Raight
Speaker 1: was just like, we can't let this. We can't let
Speaker 1: the fucking director drive around New York. Ston't if he's
Speaker 1: gonna sit there and smoke. We we can't let him
Speaker 1: fucking drive. I know the boys very well, and when
Speaker 1: I say boys, they're fucking eighty year old men and ship.
Speaker 1: So Ray is just like, uh, my daughter, Megan, Megan's
Speaker 1: going to bring you home. And I was like all right.
Speaker 1: So Meghan starts driving, and Meghan, you know, while we're driving.
Speaker 3: At one point, I'm like, how are you?
Speaker 1: She's like good. I was like, this is your first
Speaker 1: job in film because his Gray's daughter, right, and she's
Speaker 1: like yeah, yeah, but everyone in my family works in film,
Speaker 1: and she's trying to be very formal black. And I
Speaker 1: was like, Megan, how long until we get to Battery Port?
Speaker 1: And She's like, probably be about like a half an hour.
Speaker 1: And I was like, all right, I'm gonna smoke weed.
Speaker 1: Is that okay? Like I'll open the window. She was
Speaker 1: like yeah right then and there I was like I
Speaker 1: like this fucking So I was smoking weed with Megan
Speaker 1: driving when we came to a crowded intersection at which
Speaker 1: there was a cop. And this is two thousand and eight,
Speaker 1: so we ain't even legal in New York and this
Speaker 1: wouldn't even be cool if it was, because you're not
Speaker 1: supposed to smoking cars.
Speaker 2: Oh my god.
Speaker 1: I just remember, like fucking I was like, Megan, move, move, move,
Speaker 1: move move, because the cop was coming right over to
Speaker 1: the car. Ship. I rolled up my window, but her
Speaker 1: window was down, and he was like, move this fucking
Speaker 1: car right in Megan's face. And she was like all right,
Speaker 1: right back in his face. And once again I was
Speaker 1: like I like this girl. And the car smelled like weed.
Speaker 1: She had no temerity, like she was in the position
Speaker 1: to be like yes, officer and like roll her window
Speaker 1: up or just roll the window up in like non
Speaker 1: and Ship.
Speaker 3: But she gave as good as she got right back
Speaker 3: to the car.
Speaker 2: I love New Yorkers.
Speaker 1: She's a long Island kid, and Ship you still wore
Speaker 1: the attitude our sleep. So we would drive like you know,
Speaker 1: to and from work. She would get picked me up.
Speaker 1: We'd go on the FDR, the FDR and the West
Speaker 1: Side Highway and whatnot. And I would always like grab
Speaker 1: a smoke before work and then grab smoke like afterwork.
Speaker 1: So our relationship wasn't the car, and that's how we
Speaker 1: got to know each other and stuff. And by the
Speaker 1: end of the movie, I was like, you know, do
Speaker 1: you want to like, do you ever want to get
Speaker 1: out of here? And she was in an age where
Speaker 1: she's like, I want to get out of here? And
Speaker 1: I was like, if you want to get back, if
Speaker 1: you ever wanted to go to the West Coast, you
Speaker 1: totally come work for me and ship and she did
Speaker 1: so her and her boyfriend at the time moved out
Speaker 1: here and Megan worked with us for like five years.
Speaker 1: During that entire time, just like on cop Out, I
Speaker 1: kind of surrendered driving like I just gave the wheel
Speaker 1: to Megan, and Meghan drove literally everywhere, and.
Speaker 2: So I wish somebody else had the wheel. Now, my god,
Speaker 2: drive like.
Speaker 1: A fucking now, I drive like it. Now, I drive
Speaker 1: like a vengeance, like you won't give me Meghan, and
Speaker 1: then I'm gonna drive myself to death.
Speaker 2: It's so fat.
Speaker 1: After Meghan Ashley. But after Ashley, that's when I was like, well,
Speaker 1: I guess I'm gonna drive myself again and stuff. But
Speaker 1: so while I was driving with Meghan, there's no need
Speaker 1: to wear glasses. The only reason I needed glasses was
Speaker 1: for distance seeing. I'm near sighted, which means I could
Speaker 1: see everything real clearly in the in the foreground, deep distance.
Speaker 1: That was the only time I need glasses and the
Speaker 1: only reason I needed to see. Like lights at night,
Speaker 1: signs during the day totally fine, but at night I
Speaker 1: would have to squinch it. Since I wasn't driving, that
Speaker 1: was no longer a factor. And then after Meghan like
Speaker 1: and Ashley were gone like and I started driving again,
Speaker 1: I didn't need my glasses.
Speaker 3: Like. I'm not saying my eyes fixed themselves.
Speaker 2: You just said that you could that you couldn't see
Speaker 2: far away, but you could see up close. But yet
Speaker 2: you could not. The print on the phone was very constantly.
Speaker 2: You have to take a picture of something and zoom
Speaker 2: in to just fucking see it. Actually that is that
Speaker 2: does not mean that you can see crystal clear.
Speaker 1: When the writing is very small. I don't.
Speaker 2: I bet you have a really bad vision. To be
Speaker 2: honest and give me some I'm gonna look at it, okay,
Speaker 2: Well you know everything in here?
Speaker 1: Read read that which one with a song in my heart,
Speaker 1: Father Dave, Oh come all you faithful, Holy night, silent night,
Speaker 1: you can take it back, but just stop waving it
Speaker 1: so I can. And now tilted in because you've tilted
Speaker 1: it towards the door. Now look at it. What I need,
Speaker 1: what you need to do. You're like holding the back here.
Speaker 1: I'm like, okay, So anyway, that's why I don't work glasses.
Speaker 2: I don't need the man, but you need to go
Speaker 2: see the eye doctors up.
Speaker 1: I have to turn this up at all, maybe, but
Speaker 1: I don't think I'm have to open this up. Here
Speaker 1: we go, man, remember Yates.
Speaker 2: Yeah, going back to that Oirish. Don't read it in
Speaker 2: an Irish accent. Please, don't always.
Speaker 1: No, please, the Second.
Speaker 2: Coming you can read it in your New York accent,
Speaker 2: though I like it.
Speaker 3: It's funny, turning and turning in the widening gyre. The
Speaker 3: falcon cannot hear the falconer. Things fall apart, the center
Speaker 3: cannot hold mere. Anarchy is loosed upon the world. The
Speaker 3: blood did and tide is loosed, and everywhere the ceremony
Speaker 3: of innocence is drowned. The best lack all conviction, while
Speaker 3: the worst are full of passionate intensity. Surely some revelation
Speaker 3: is at hand. Surely the Second Coming as it had
Speaker 3: the second coming hardly of those words out when a
Speaker 3: vast image out of spiritus mundy troubles my sight. Somewhere
Speaker 3: in the sands of the desert, a shape with lyon
Speaker 3: body and the head of a man, a gaze blank
Speaker 3: and pitiless as the sun is moving its slow thighs,
Speaker 3: while all about it real shadows of the indignant desert birds.
Speaker 3: The darkness drops again. But now I know that twenty
Speaker 3: centuries of stony sleep were vexed to nightmare by a
Speaker 3: rocking cradle. And what rough beast its hour come round
Speaker 3: at last slouches towards Bethlehem to be.
Speaker 2: Born God there that sounds like fucking can't follow be
Speaker 2: thy name by iron maiden bush?
Speaker 1: Could they? Man? Why not have fucking looking nuke? Fucking
Speaker 1: Oh my God, produce the ship such a good when the.
Speaker 2: Dark?
Speaker 1: When I don't think so. But here's a recitation. Let's
Speaker 1: see what it sounds like turning in the wide Ji.
Speaker 2: I mean no one, I was not even.
Speaker 1: Somewhere. The dude who did it is like the hell
Speaker 1: I can read as good as the next guy. What
Speaker 1: the fuck? Man?
Speaker 2: That's that's metal? If I've ever heard do you know
Speaker 2: what it's about you said some folklore, right.
Speaker 1: Well, I mean just didn't listening to it. What was
Speaker 1: it about to you? I mean.
Speaker 2: I would need another reading.
Speaker 1: I'm happy to do it, happy to give it. Everyone's like,
Speaker 1: are they they just.
Speaker 2: Doing it two times?
Speaker 1: Are you know? They just read poetry on the fucking show.
Speaker 1: It's unbelievable this one.
Speaker 2: Can you do it in a New York accent?
Speaker 1: Though? Let me see.
Speaker 2: Channel ra.
Speaker 5: Ting hey turning around, towing around, Hey, Hey, turn around,
Speaker 5: turning and turning in the widening giant of Falcon.
Speaker 6: Can I here the falcon okay, tings fall apart in center?
Speaker 6: Can I hold mircas loose upon in the world, and
Speaker 6: the blood dem tide is loosed, and everywhere the ceremony
Speaker 6: of instance is drowned. The best black wall conviction, water
Speaker 6: worst are full of passionate intensity. Surely some revelations at
Speaker 6: a hand, Shirley, the second comings at hand, the second
Speaker 6: coming Hardly are those words out When a vast image,
Speaker 6: out of spirit this Monday troubles my sight. Somewhere in
Speaker 6: the sands and a desert, a shape with a lion
Speaker 6: party and the head of a man, a gaze blanking
Speaker 6: pitiles is the sun is moving its slow ties, while
Speaker 6: all about it real shadows.
Speaker 1: Of the indignant desert boyds. Almost done for you. The
Speaker 1: darkness drops again. But now I know that twenty centuries
Speaker 1: a stony sleep were vexed to nightmare by a rocking cradle.
Speaker 6: And what rough beast, it's our come round and last
Speaker 6: slouches towards Bethlehem to be born.
Speaker 1: God damn William button.
Speaker 2: Uh, it's infinitely more powerful the second time. Oh my god, Wow,
Speaker 2: that was what what a treat that was?
Speaker 3: Why are you talking about my performance?
Speaker 2: Your performance?
Speaker 1: All right? Well, you know, thank you?
Speaker 2: That was that was everything I needed. Thank you?
Speaker 1: So what is it to you?
Speaker 2: What a good question? I mean that was a little
Speaker 2: distracted in the second.
Speaker 1: What you didn't parse that all out through that thick accent?
Speaker 1: You know, I couldn't boids desert boids.
Speaker 2: Do you know that? I actually have a really hard
Speaker 2: time understanding accents, non American accents that way.
Speaker 1: Stare people what I've seen your own accents? You do this,
Speaker 1: You're looking at their lips and you're like.
Speaker 2: That is not but trains Boddy me trying to watch.
Speaker 2: To be fair, I can't all watch it without captions.
Speaker 1: Aren't el a fan of the band Kneecap.
Speaker 2: I love Me Cap.
Speaker 1: Have you seen the movie?
Speaker 2: I have not seen the movie night. Did you watch it?
Speaker 2: How was it?
Speaker 1: Your mother loved it?
Speaker 2: Oh my god, I need to fucking watch it.
Speaker 1: She got very like, like suspicious, how do you know
Speaker 1: this movie? That was like, I don't know, but she
Speaker 1: was like, where'd you because I was like, ohne Kap.
Speaker 1: I was like, this is fantastic. So we're watching it
Speaker 1: like twenty minutes because it's got like, you know, politics, Yeah.
Speaker 2: It's all about politics about Orel.
Speaker 1: And she had thoughts and oh, yeah, no wonder she Oh.
Speaker 2: My gosh, so they're so political.
Speaker 1: Very so she was like, how did you hear about this?
Speaker 1: I said? Scott Scott Moser said this was his favorite
Speaker 1: movie the year. He loved Me Kap the movie, talk
Speaker 1: about the movie. But then I said, I was I
Speaker 1: callowed that up. She knows her song? She knows that's the.
Speaker 2: Dog's new song, paws.
Speaker 1: Wait.
Speaker 2: Can I say one side thing?
Speaker 1: Yeah?
Speaker 2: Today, Mom said that you could wear one of Wacky's
Speaker 2: ears after she passes as a hat. I could somebody
Speaker 2: could want that. I don't know, but that was a
Speaker 2: conversation that was today.
Speaker 1: That's not what I When I think of Waki and
Speaker 1: I think about Wacky passing, the first thought that inches
Speaker 1: my head is not like her A very jaunty chappe.
Speaker 1: How you feeling?
Speaker 2: Oh my god, Mom would love that, shooking.
Speaker 1: Her temperature holes every day.
Speaker 3: Because I can't wait to where the hat lucky.
Speaker 2: Anyways, that's a little look into how fucking weird I
Speaker 2: am my mom.
Speaker 1: Anyways, what was the question for.
Speaker 3: Nap knee Cap? Then I told her Harley likes this
Speaker 3: band very much.
Speaker 2: Thank you. So you were part of the narrative, including.
Speaker 1: That's where we see you as the daughter of Jennifer Schwabach.
Speaker 1: Like most of the time, it's always me like a
Speaker 1: big you're a big billboard for like, yeah, I'm Kevin
Speaker 1: Smith's daughter, and whether you you don't even try and
Speaker 1: you just are. But every once in a while, like
Speaker 1: it's a billboard at night and the lights come on
Speaker 1: and the lights are like and Jennifer, oh.
Speaker 2: My god, it's like no, it's like in the corner
Speaker 2: of my Kevin Smith is my dad billboard and there's
Speaker 2: a little dark section that lights up well only on
Speaker 2: the every hour.
Speaker 1: At night when things go.
Speaker 2: Dark, Yes, like five nights after Freddy's.
Speaker 1: It's the fucking picture remember the picture from last Christmas?
Speaker 2: Oh my god, she never knew about that, Shue.
Speaker 1: I still never figure that out.
Speaker 2: It's a picture we make fun of a mom anyways.
Speaker 1: So wait, what was what was the kneecap? So she
Speaker 1: loved the flick and how you were with the little
Speaker 1: neon on the billboard that lit up in that moment?
Speaker 2: Oh yeah, because I wanted to be included. Your pomo
Speaker 2: show was showing.
Speaker 1: And that does not come for me. I don't feel
Speaker 1: fomo for anything. I don't think. I don't think I
Speaker 1: every one people tell me about a good time like
Speaker 1: I used to when I was a kid, Like you know,
Speaker 1: my friends would be like, we're going to do a thing.
Speaker 1: I just found an old dass journal entry. I gotta
Speaker 1: find it and where was it?
Speaker 2: Is a emo?
Speaker 1: Oh I'm so proud of myself because like I, I
Speaker 1: want to watch The Hunt for Red October on laser
Speaker 1: disc with Brian Johnson, but Brian wants to go do
Speaker 1: something way more fun instead with Ed and I have
Speaker 1: to write a whole diary entry about you know, I felt.
Speaker 2: Oh my god, I.
Speaker 1: Wrote this was me. I was so when I read it,
Speaker 1: I was cringing because I was like, Jesus, he's trying
Speaker 1: so hard. He wants to matter so bad, he wants
Speaker 1: to be relevant. He's creating his own language, he's trying
Speaker 1: to create words. Thank God I met Jason Muse so
Speaker 1: that I can steal snoogans the movies, because here's what
Speaker 1: I wrote. I'm feeling kind of moky, moky, no idea,
Speaker 1: no idea in the course of this, in the course
Speaker 1: of this thing that's your song, I'm feeling kind of mokey.
Speaker 1: It's gotta be sadder, it's.
Speaker 2: But but I'm feeling moy mokey.
Speaker 1: Those well, we don't want to steal their song. You
Speaker 1: gotta get a new composition, man, have a bunch of
Speaker 1: different tracks.
Speaker 2: Can't what I'm feeling kind.
Speaker 1: Of It's gonna be like, it's gotta be this, but
Speaker 1: I'm feeling mokey. But I'm feeling mokey. Living life in
Speaker 1: low key, but I'm feeling mokey. I talk about how
Speaker 1: I'm basically the whole piece is me realizing that normally
Speaker 1: I would be saddened by this sort of thing, but
Speaker 1: I'm not because I've channeled it into more creative thinking.
Speaker 2: Yeah for me, Good for you.
Speaker 1: So I don't feel I don't. I don't feel like fomo.
Speaker 1: Like I like, sometimes I'll see I don't. Somebody's doing
Speaker 1: a thing and I'm like, oh, I want to be
Speaker 1: doing that, and then I just go to work.
Speaker 2: Oh that's what I was going to say.
Speaker 1: I was like, makes me go to work. But rather
Speaker 1: than feel fomo, which is like a complete waste of time,
Speaker 1: I put that into I'm gonna.
Speaker 2: About knee cap for one second.
Speaker 1: You did? You were like that whole story didn't even
Speaker 1: have me any where. I got knee caps too, but
Speaker 1: I did. I told her. She was like, and this
Speaker 1: is what she said this morning about the move. She's like,
Speaker 1: I'm still thinking about bless you. I'm still thinking about
Speaker 1: that move as I yeats. That's a true story. Those
Speaker 1: dudes are real, Like, those are the real dudes. Those
Speaker 1: are real rappers. She's like, they're very good. Oh yeah,
Speaker 1: she's I gonna say that about many people, especially white people,
Speaker 1: should go. But they're very good.
Speaker 2: Aren't they really really good?
Speaker 1: That's what she said. But aren't they I've been around
Speaker 1: the world, so I knew they were.
Speaker 2: Good, but I've been around.
Speaker 1: She was like, Oh, who knew that white people could
Speaker 1: wrap as well? I mean, it's one day she'll discover
Speaker 1: eminem as well. But she was very But they do
Speaker 1: they fucking they could drop a hot fucking sixty rap.
Speaker 2: Is like all about like the best stories, and they
Speaker 2: just have so much to say politically.
Speaker 1: She was crying this morning as she spoke about it.
Speaker 1: She got emotional really talking about their like, wow, to
Speaker 1: save their language.
Speaker 2: Yeah, that's wow, mom. All that makes me.
Speaker 1: Proud that she I gotta admit she was feeling a
Speaker 1: little mooky.
Speaker 2: She's feeling that's really beautiful.
Speaker 1: But yes, uh, the movie is beyond I feel.
Speaker 2: Like a fake ass fan right now for not having
Speaker 2: in the movie.
Speaker 1: There's a fifty three year old lady who's like, boys
Speaker 1: are nice. I saw the movie.
Speaker 2: I really really am behind. I just saw Wicked, like
Speaker 2: two weeks late.
Speaker 1: You see Wicked?
Speaker 2: Yeah, I saw Wicked. It was great, very long. Yeah.
Speaker 2: I do exist in the belief system of movies being
Speaker 2: under two hours.
Speaker 1: You're talking to mister ninety minutes or less. I make
Speaker 1: movies like I fucknutes or less.
Speaker 2: God, please please.
Speaker 1: Yes, I'm with you.
Speaker 3: But that being said, you know, wait, did you see it?
Speaker 1: No?
Speaker 3: I saw it play.
Speaker 1: Well yeah, but here's what we have. It plays. You know.
Speaker 1: I own a movie theater and it's just back. So
Speaker 1: I was like, let's watch Wicked. But then we never
Speaker 1: got a chance because fucking activity activity.
Speaker 3: So I am buying tickets.
Speaker 2: To see Wicked and watching it.
Speaker 3: Because I've got me screw screen.
Speaker 7: Oh wow, wow, wow, you were.
Speaker 3: All just there ain't even more screeners.
Speaker 1: There's a whole oscar app so you click on it
Speaker 1: and all the movies are there.
Speaker 2: The thing is that everybody's like, you have to see
Speaker 2: it in imax.
Speaker 3: There you don't, I don't, you don't.
Speaker 1: I guess nobody. Nobody tells me what to do. Point
Speaker 1: in the last thirty years of my life, independence, independent artists,
Speaker 1: I'll do it.
Speaker 2: Keeps telling me IMAX.
Speaker 1: I in a movie theater. I'm doing my part for
Speaker 1: exhibition and IMAX.
Speaker 3: We ain't got that at my movie theater. And we
Speaker 3: have uncomfortable seats.
Speaker 1: That's what we offer. I was just back there, back
Speaker 1: East Forst Podcastle Cinemas event. But I wasn't just back
Speaker 1: there for that. Lara, who did our costumes on the
Speaker 1: four thirty movie Lovely Laura. She who like, I ain't
Speaker 1: take anything away from Laura. The costume job is hard.
Speaker 1: Costume job in a chem Smith movie, well there it was.
Speaker 1: It was think about most of my movies.
Speaker 2: I guess it's all like one outfit. Yeah, that's so funny.
Speaker 1: It's kind of their action figures. I put them in
Speaker 1: one outfit. Believe in that. So that way, when I
Speaker 1: make a figure later on, people know what movie I'm
Speaker 1: talking about a lot of wardrobe changes.
Speaker 2: But then that means that the outfits have to be fine.
Speaker 3: Exactly, But you know, it's like you're you'll, you'll be done.
Speaker 1: Colleen, Colleen, you had more wardrobe changes in Yoga Hoss
Speaker 1: than most people have in Kevin Smith movies. Because you
Speaker 1: guys were teenage girls, so you were a gym class outfits,
Speaker 1: your school uniforms, your ada AD's, and then you had
Speaker 1: since most of the adventure takes place over the course
Speaker 1: of one night, you were in one outfit for most
Speaker 1: of the movie, including the poster. Then that outfit changes
Speaker 1: as well.
Speaker 2: That's so wild.
Speaker 1: Yeah. So anyway, large did some great job of the movie.
Speaker 1: I was like, hey, man, can you do a Santa
Speaker 1: Bob outfit for me, and so she pure, that's.
Speaker 2: What you did this weekend?
Speaker 3: You did you not see my outfit?
Speaker 2: I hear that you love your outfit.
Speaker 1: I brought it home. I just wear it now.
Speaker 2: I hear that you love it.
Speaker 1: It is lovely. She did such a great job.
Speaker 2: I saw a picture. I think I saw a picture.
Speaker 1: I'm sure you a hilarious picture of me. So, because
Speaker 1: you know, I did, I played Santa at Jane Soundbob
Speaker 1: Secret Stash and we had the chair and people sat
Speaker 1: on my lap and we took pictures and ship. But
Speaker 1: this we got three legit children, including a baby.
Speaker 2: But you love babies.
Speaker 1: Look at that kid. He's like, this is the worst idea.
Speaker 1: Why did I do this?
Speaker 2: What the fuck's so funny? Oh my god, you babies
Speaker 2: make you uncomfortable.
Speaker 1: I really, I'm not a baby's guy.
Speaker 2: You're really not a baby's guy.
Speaker 1: And they and the dude had zero problem. He's like,
Speaker 1: here you go. And I was like, oh, we're doing
Speaker 1: this now. I thought he was gonna be sitting with
Speaker 1: me holding the baby.
Speaker 2: That's so oh my gosh, you're spread eagle in that photo.
Speaker 1: That's that's my Santa spread.
Speaker 2: Snow there's a video of a fan handing Ariana Grande
Speaker 2: their dog like outside of like a wicked press event,
Speaker 2: and she's like, oh, you're getting meet your dog. Like
Speaker 2: she's like what. And that's you with the baby.
Speaker 1: Around Grounde like everyone loves her, Like you're you could
Speaker 1: do nothing wrong. Right now, you're Calinda, some man's made
Speaker 1: a dog.
Speaker 2: I'm biting the dog, the remanding me a dog.
Speaker 1: That movie is doing very well. Yeah, I look forward
Speaker 1: to to uh seeing the flick itself. But I love that.
Speaker 2: It's cool, it's fucking it's just amazing.
Speaker 1: I was trying to sell Ernie s Podcastle Keeper Ernie
Speaker 1: o'donald It's like, fucked out. I am watching that shit.
Speaker 1: I was like, bro, you don't get it. This is
Speaker 1: like I said, we were raised on Wizard of Oz
Speaker 1: because we didn't have anything like you had, you know,
Speaker 1: Disney Channel and DVDs and vhs. We didn't have kids
Speaker 1: programming really aimed at us very much. So you know,
Speaker 1: once a year they showed me. Twice a year they
Speaker 1: showed Wizard of Oz. And again, we had no video
Speaker 1: stores who couldn't just go rent Wizard of Us. So
Speaker 1: every time they put it on TV. It was a big,
Speaker 1: like fucking deal and kid World where it was like,
Speaker 1: oh my god, they're gonna show Wizard of Oz again.
Speaker 1: Even if you weren't a fan, it was like something
Speaker 1: for us at night on television. So we fucked with
Speaker 1: that movie all throughout our childhood. Whether we liked it
Speaker 1: or not, it was just something that did. So I
Speaker 1: was like, on that level alone, this is like the
Speaker 1: secret Origin of Wizard of Oz. And it's got Easter
Speaker 1: eggs galore and the fucking cowardly Lion's tail shows up.
Speaker 1: Ten Man's in it, Scarecrow's in it, and ship and
Speaker 1: it's all about like, I think this is how I
Speaker 1: define it. Because he's like, well, I don't give a
Speaker 1: ship is they're all singing. I said, yeah, he was
Speaker 1: going to like that. I was like, you were in Greece.
Speaker 1: You played fucking Danny Zeco. He's like, that's different. I said,
Speaker 1: let me tell you, dude. I said, this is like
Speaker 1: Cobra Kai. Remember how Cobra Kai reframes Johnny as the hero.
Speaker 2: I haven't watched, but okay.
Speaker 1: This is what I said to him.
Speaker 2: I actually haven't seen the show, so fucking rude to me.
Speaker 1: He was like, yeah, I was like, that's what this is.
Speaker 1: This is all about how the wicked witch at the
Speaker 1: West wasn't so wicked. It's true she was fired.
Speaker 2: What's your favorite.
Speaker 1: Song in in?
Speaker 2: Uh?
Speaker 1: Define gravity?
Speaker 2: But yeah, I mean, I mean, I mean yeah.
Speaker 8: And nobody in all of us, no wizard that there
Speaker 8: is or us is ever gone up?
Speaker 1: Bring me jump in with help you happy?
Speaker 2: Oh my god, that was really good.
Speaker 1: So good. I like that popular is also great to happy.
Speaker 1: I hope you're happy.
Speaker 2: Oh my god, so good? So figh what is it?
Speaker 1: What's the other line where she's like, oh, that don't
Speaker 1: make me. I don't want to cry. So if you so,
Speaker 1: and you want to find me, look to the Western skies.
Speaker 9: As someone told me lately, everyone deserves a chance to fly.
Speaker 9: And if I'm flying so low, at least.
Speaker 1: I'm flying free. Come on.
Speaker 4: All that is popular is also great?
Speaker 2: Is insane to be you?
Speaker 1: You?
Speaker 2: I don't want to be pop you?
Speaker 1: And also I love if I define gravity? But what's
Speaker 1: the song is there that is? Was is ever? Well?
Speaker 1: It's just so awesome because she gets so fucked over
Speaker 1: by the system and then she.
Speaker 2: Figures out she really it's so and.
Speaker 1: It's also like I don't want to. I don't want to,
Speaker 1: Oh my god, but the notion of like that, that
Speaker 1: whole that's the end of the first act in the show,
Speaker 1: and that's the end of the first half of the
Speaker 1: movie and.
Speaker 2: Ship they yeah, the first movie.
Speaker 1: They stretched it to two hours forty five minutes, which
Speaker 1: when you see the musical, all of it is two hours.
Speaker 1: But to end on that fucking brilliant, so good.
Speaker 3: Also, that'll make motherfuckers come back next year.
Speaker 2: You're gonna be crying.
Speaker 3: Up a storm during the dance.
Speaker 2: During everything during it's there's an animal rights like underlying
Speaker 2: story too.
Speaker 1: There wasn't the music as well.
Speaker 2: Fucking nuts.
Speaker 1: Mark Bernard and who had seen the show, but he's like,
Speaker 1: I didn't remember it, Like was balling at the dance
Speaker 1: scene while she's dancing no music. He was just like,
Speaker 1: it's one of the saddest, most heartbreaking things I ever seen.
Speaker 2: Oh my god, it's so it's wow, wow.
Speaker 1: Yeah, it's a fucking fire show.
Speaker 5: It's so good.
Speaker 1: What's the song again where they're like.
Speaker 2: For good, for good, Oh, he crying crying such a
Speaker 2: good song.
Speaker 1: Did you have any interesting I wanted to?
Speaker 2: He's so theory right now, so beautiful. Yes, I do
Speaker 2: want to see my Wanta too. I haven't yet, though I.
Speaker 1: Have yet to see my on a one.
Speaker 2: You haven't.
Speaker 1: I'm sure you got to a certain age. Like I
Speaker 1: stopped watching the.
Speaker 2: Disney's so good, It's so beautiful. I love Malana.
Speaker 1: I saw the opening.
Speaker 2: I knew what you were talking about, though.
Speaker 1: What is the name of that song? I'm taking a
Speaker 1: boat out on.
Speaker 2: Those are the lyrics, but good filling, filler lyrics.
Speaker 1: What's happening in the scene.
Speaker 2: Yeah, that's kind of just music description.
Speaker 3: My musical would be a series of action, if you will.
Speaker 1: I'm standing behind a counter. I quick stop selling smoke
Speaker 1: feeling bokekie. Oh my god?
Speaker 2: That you also sing that at the same performance.
Speaker 1: Where are you.
Speaker 2: Do your performance? From the School of Rock. You're an impersonation.
Speaker 2: So after that, then you sing that song?
Speaker 1: What is her? What was hers again? This?
Speaker 2: Oh wait, no, no, that's Lawrence. I was about to
Speaker 2: do Lawrence's yeah, And he's like pointing.
Speaker 10: Yeah, yeah, oh so good. Yeah, And she's like, oh,
Speaker 10: oh my god, that's so good.
Speaker 1: Cuts you Like twenty years later, they're doing it their wedding.
Speaker 2: They should have hired you.
Speaker 3: I think if anything, maybe they could reach out to
Speaker 3: Jack Black.
Speaker 11: No, no, no, and now standing in for Jack Black.
Speaker 11: Not nearly as good, but we got a discount. Salad
Speaker 11: bout himself. Kevin James Smith, you ass all Smith.
Speaker 1: Sorry, this is my one man show in honor of you.
Speaker 1: Two kids get married. Love is a beautiful thing, and
Speaker 1: I celebrate that. Uh school of rock, nay, school of love.
Speaker 1: Oh my god, I just do it wordlessly, no.
Speaker 2: Music as she walks down the aisle.
Speaker 1: No, they're all seated. This is at the same reception. Shit,
Speaker 1: I wouldn't fuck up their wedding, but I would totally
Speaker 1: fuck up the reception.
Speaker 2: Yeah, that's fair.
Speaker 1: And after like twenty minutes of me doing that, like,
Speaker 1: I don't think I get for good minutes before somebody's like,
Speaker 1: and that was Kevin James Smith, You asshole, I'm not done.
Speaker 1: Hold on one more time.
Speaker 2: Oh god, so good, so good, for real, so good.
Speaker 3: Why did you think he was not done?
Speaker 1: Like, is there a number in his head that he's counting?
Speaker 2: Like they stopped him in the middle of one rotation
Speaker 2: and he was gonna malfunction. He had to finish me
Speaker 2: as fine, me as FuG Oh my god.
Speaker 1: All right, let's get out of here. But I will
Speaker 1: say this, it's good to laugh.
Speaker 2: It's good to laugh.
Speaker 1: Tough week last week. We had off last week because
Speaker 1: it was Thanksgiving number one, well not at all. We
Speaker 1: lost a dear friend, kids, a family member and all
Speaker 1: hands are on deck. Uh that that that whole week
Speaker 1: and especially that day. Sinny Cinnemon, Harley's bestest friend, and
Speaker 1: money in that order shuffled loose this great mortal coil
Speaker 1: of ours, and it was, as you could imagine, one
Speaker 1: fuck up a bummer. So there was a thought of
Speaker 1: like do we address it? And I was like this,
Speaker 1: hold on. I want to mention her for sure, to
Speaker 1: mark the moment, but we're not going to do a
Speaker 1: deep dive because both of us will fall to pieces. One.
Speaker 2: I'm barely holding on right now, but just want to
Speaker 2: honor her and just say her name and that I
Speaker 2: love Cinnamon so much.
Speaker 1: Then we will give her the beardless, dickless send off.
Speaker 8: All right, I release the beardless send off.
Speaker 1: When we lose someone greater or small legend, they go out,
Speaker 1: we give them the dance.
Speaker 2: The School of Rock impressions no music, absolutely silent, like.
Speaker 3: Why do you smile during the death Dance because we're honoring.
Speaker 1: Did you ever see fucking School of Rock? Yeah?
Speaker 2: Come on, we're trying to do it justice.
Speaker 1: That's the two kids in School of Rock, like the
Speaker 1: kick from My Carly no backup singer? You want? Who
Speaker 1: belts it out? Now? Does? Obviously the one who does this?
Speaker 1: Then who's the other one who's holding their arms? And ship? Why? Who?
Speaker 1: What's with the b boys? Stand? That's the boy who
Speaker 1: works the graphics? Like? Who are these? Are you sure?
Speaker 1: Did you see School of Rock? These kids are in
Speaker 1: School Rock? Are we talking about the same movie? Are
Speaker 1: you sure this isn't half Baked Rock?
Speaker 2: I fucking care.
Speaker 1: It's so accurate.
Speaker 2: The girl that belts it out, she belts it out
Speaker 2: so good?
Speaker 1: What little drummer boy? Your guitar hat? What again?
Speaker 2: Lawrence?
Speaker 3: It was tough to learn their names, but you could
Speaker 3: learn what they did in the movie.
Speaker 2: Yeah, we just know Lawrence because Lawrence is good at piano.
Speaker 1: I don't. I only know Lawrence because you said his name.
Speaker 1: But if you would have been because of what is
Speaker 1: the dude? If you would have been like the dude
Speaker 1: on keyboards, I wouldn't have known Lawrence, but I would.
Speaker 2: Have been like, yeah, you would have you would have know.
Speaker 1: I love how he pointed the audience, your son is
Speaker 1: very scaled.
Speaker 4: Wow.
Speaker 1: Yeah, he's like thanks or something. So's yours.
Speaker 2: Yeah, that's it. That's it, Lawrence. I.
Speaker 1: I was just talking about that movie with somebody recently
Speaker 1: where I was like, you jumping down in the aisles
Speaker 1: when you were a kid? Answered during the movie.
Speaker 2: I was like, I think it was me.
Speaker 3: You're somebody else?
Speaker 1: Yeah, I mean I have sometimes I have similar conversations
Speaker 1: with people that aren't you. Really, I don't want that
Speaker 1: to trigger your bum but I was talking about you
Speaker 1: in your absence, but they, oh, you know who it was.
Speaker 1: This is so fucked up.
Speaker 3: So I was back East, as previously mentioned.
Speaker 1: Mister Black himself. I was back East as previously mentioned.
Speaker 1: But when I first landed on Thursday morning, I went
Speaker 1: to Philly instead of Jersey, and I went to w MMR,
Speaker 1: the radio station there there, to food drive and they
Speaker 1: were doing the parking lot of where the Eagles play,
Speaker 1: and they've been doing their food drive for like twenty
Speaker 1: seven years. Massive, So they pulled in two million pounds
Speaker 1: of food and a million dollars in donations of.
Speaker 2: The like four days that's amazing and.
Speaker 1: Goes to full abundance and they'll feed you know, hungry
Speaker 1: people in Pennsylvania like all winter and shit like that.
Speaker 1: So while I was there, they were like hey, man,
Speaker 1: Like I was backstage, they were like, the girls from
Speaker 1: Froggy are here. And Froggy was the band that does
Speaker 1: the song seven to eleven nachos on the Clerks three Central.
Speaker 2: That's awesome.
Speaker 1: It's like a power trio. They were like fourteen years
Speaker 1: old when they were recorded seven eleven.
Speaker 2: A cuteness.
Speaker 1: So the songs in the movie and like WMMR the
Speaker 1: President Steve their show, that's they were the first ones.
Speaker 1: They're like you got to hear the song by these
Speaker 1: like kids, these three girls, man, And so it wound
Speaker 1: up and that's how got New Clerk three. I never
Speaker 1: met them until backstage at MMOM, and you know they're
Speaker 1: all their kids. They're you know, probably their first or
Speaker 1: second year in college. They're like eighteen or Max nineteen
Speaker 1: or something. But one of them, I was like, how
Speaker 1: did you guys get started? And one of them was
Speaker 1: just like I was in school rock. I was like
Speaker 1: this girl, she was like, no in a.
Speaker 2: School, Oh my god, were you this girl.
Speaker 1: This okay, where's them? Where's the no? They were absolutely
Speaker 1: lovely ones like an art school student. I mean, and
Speaker 1: they're all they all do jobs, but they're also still
Speaker 1: in band. They had their own soda. Somebody made a
Speaker 1: froggy soda lemonade flavor. Those That's where I was talking
Speaker 1: about you in school. I see, I'm glad I remember that. Kids,
Speaker 1: You're like, that's how you're going to end the show.
Speaker 2: You got an extra little anecdote.
Speaker 1: Then some stories don't go yeah. And also we had
Speaker 1: to quickly pivot away from Cinnamon.
Speaker 2: Before Mary hard.
Speaker 3: And we had a little fucking wicked of our own
Speaker 3: mention it and then quickly move on.
Speaker 1: The poor one out the lake. Great yeah, man, the
Speaker 1: original Sin, the greatest, Sweetest, give me sweeties taboo.
Speaker 2: All right, let's cinnamon.
Speaker 1: Little shot? Is it a cram? Let's have a fucking
Speaker 1: funeral ceremony for Cinnamon here at the house. And I
Speaker 1: will just do shot a coup perfect. We'll have a
Speaker 1: picture of sitting, that picture of her like laying on
Speaker 1: the face down the air, put two candles next to it,
Speaker 1: and I'll be like, is it crame? All songs have
Speaker 1: nothing to do with rabbits kind of sexy, soulful songs.
Speaker 2: That's really what I wanted for cinnamon.
Speaker 1: It will be a dry eye in the house, true,
Speaker 1: because people will be laughing so hysterically, be like, just.
Speaker 2: Be crying because I'm like, why is he doing so beautiful?
Speaker 1: There it is, my friends, there's your beardless dickless moir
Speaker 1: for this week. That's the French version. Wah beardless more?
Speaker 1: Don't they just catch on this? And now? When uh?
Speaker 1: What's her name? Fucking Bratt Charlie. She was the host
Speaker 1: and they did a Montreal morning talk show called There
Speaker 1: it is My Friends. There's your beardless dick list for
Speaker 1: this week. Uh. If you want to continue the conversation,
Speaker 1: come over to that Kevin Smith club where Beardless dickless
Speaker 1: plus begins momentarily where you can see us do this, man,
Speaker 1: you can see me fucking get you were worried that
Speaker 1: you were gonna cry. Meanwhile, I'm like.
Speaker 2: Wicked, Yeah you cried.
Speaker 1: At the end. Are still fucking fred?
Speaker 2: I love you crying over Wicked.
Speaker 1: It makes me soft, you know what it makes me?
Speaker 1: It makes me baby dom. There was a couple that
Speaker 1: came to the Santa signing or the Santa sign, the
Speaker 1: Santa pop for the photo, and the one boy they
Speaker 1: made their own T shirts, and the boy's shirt said
Speaker 1: Tusk is Cinema and the girl's shirt said Kevin Smith
Speaker 1: is baby doll. And so I had to say. I
Speaker 1: was like, look, I'm totally flattered, but spare me the
Speaker 1: humiliation of having to asked my daughter what that means,
Speaker 1: like what exactly baby doll. She's like, baby doll is
Speaker 1: like an older man who's like completely safe and harmless
Speaker 1: and stuff, and you just want to be around him.
Speaker 1: And she's like kind of like Pedro. I was like,
Speaker 1: I thought Pedro was Zaddy. She's like, well he's also
Speaker 1: Zaddy as well, and she's like, you're not Zaddy, but
Speaker 1: you are a very baby doll. Oh, thank you. Time
Speaker 1: to go there is for baby doll, Kevin Smith Smith
Speaker 1: go have a beardless, dickless day, you baby dolls.
Speaker 7: This has been a podcast production podcast podcast using our
Speaker 7: mouths on you since two thousand and seven. Hey kids,
Speaker 7: did you like what you just heard?
Speaker 1: Well guess what.
Speaker 7: We've got tons more man thousands of hours of podcasts
Speaker 7: waiting for you at that kevinsmithclub dot com.
Speaker 1: Go sign up now.