The Next Reel Film Podcast

Is Kathryn Bigelow’s solo directorial debut worth checking out? Is there enough ‘western’ in this vampire western? Is it weird that Bigelow ported over three of the acting team from Aliens? And are some vampires weirdly more susceptible to catching fire than others? Tune in to this week’s show to get these answers and more!

Show Notes

"Normal folks, they don’t spit out bullets when you shoot ‘em, no sir!"

When trying to figure out a way to stand out for her first solo directorial project, Kathryn Bigelow and her co-writer Eric Red decided to add elements of the vampire genre to the western they were developing. And thus, Near Dark was born. Unfortunately, her film came out a few months after the big vampire film of the year, The Lost Boys, and hers was lost in the shuffle. Despite that, her film still left enough of a mark that enabled her to get her career off the ground. Join us – Pete Wright and Andy Nelson – as we kick off the second part of our Kathryn Bigelow series with her 1987 film Near Dark.

We talk about our expectations of a film marketed as a vampire western, and how well the movie actually meets them. We look at the trio of actors ported over from James Cameron’s Aliens — Bill Paxton, Lance Henriksen, and Jenette Goldstein — and discuss how well they do here paired with the other actors. We debate the strengths of the film and the weaknesses, finding plenty of both, and argue about which outweigh the other. We chat about the vampire tropes introduced here and ponder if this film does anything new with the genre that we hadn’t seen before. We discuss how Bigelow handles the camera, the lighting, the action and more throughout the film, seeing a clear line to some of her later films. And we ponder the penchant Hollywood writers seem to have with the way romance works so quickly in movies (it’s shorthand, we get it, but seriously? Sometimes, it’s too much.)

It’s a film that has problems that certainly weigh Pete’s opinion of it down while Andy still finds it enjoyable despite its issues. Coming at the film from these two positions allows for a fantastic conversation, so check the movie out then tune in! The Next Reel — when the movie ends, our conversation begins.

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Creators and Guests

Host
Andy Nelson
With over 25 years of experience in film, television, and commercial production, Andy has cultivated an enduring passion for storytelling in all its forms. His enthusiasm for the craft began in his youth when he and his friends started making their own movies in grade school. After studying film at the University of Colorado Boulder, Andy wrote, directed, and produced several short films while also producing indie features like Netherbeast Incorporated and Ambush at Dark Canyon. Andy has been on the production team for award-winning documentaries such as The Imposter and The Joe Show, as well as TV shows like Investigation Discovery’s Deadly Dentists and Nat Geo’s Inside the Hunt for the Boston Bombers. Over a decade ago, he started podcasting with Pete and immediately embraced the medium. Now, as a partner at TruStory FM, Andy looks forward to more storytelling through their wide variety of shows. Throughout his career, Andy has passed on his knowledge by teaching young minds the crafts of screenwriting, producing, editing, and podcasting. Outside of work, Andy is a family man who enjoys a good martini, a cold beer, a nice cup o’ joe. And always, of course, a great movie.
Host
Pete Wright
#Movies, #ADHD, & #Podcasting • Co-founder @trustory.fm🎥 The Next Reel Family of #Film Podcasts @thenextreel.com🎙️ Taking Control: The ADHD Podcast @takecontroladhd.com📖 Co-author of Unapologetically ADHD • https://unapologeticallyadhdbook.com

What is The Next Reel Film Podcast?

A show about movies and how they connect.
We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too.
When the movie ends, our conversation begins.