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Speaker 1: Welcome by to deardless, deardless, bickless me.

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Speaker 2: You have one job.

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Speaker 1: I know I sucked it up. I'm Kevin Smith and

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Speaker 1: I'm Harley Quinn Smith three four. Wherever we go, whatever

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Speaker 1: we do, we're gonna go through it to gether what's happening.

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Speaker 1: I don't know that song. No, the generation skip that. No,

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Speaker 1: it's like a TV staple when I was kids. I'm

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Speaker 1: not gonna say the Brady sang it, but a lot

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Speaker 1: of a lot of like family shows. Eventually they would

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Speaker 1: do that in some sort of pageant or something like that,

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Speaker 1: or not just or a couple because like it's a

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Speaker 1: two hander. Ok, wherever I go, I know she goes.

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Speaker 1: Wherever I go, I know he goes. Or you can

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Speaker 1: you know, throw on any product they go, she goes,

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Speaker 1: Lucky goes. My proposition to you is when you go

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Speaker 1: out on tour with Cinnamon, midway through the show, you

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Speaker 1: bring me out. We do that two hander, a little

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Speaker 1: soft shoe routine. No, no, really complex dance, but just

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Speaker 1: something that people would be like, oh, well, something a

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Speaker 1: little I'm not trying to win TikTok per se.

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Speaker 2: But but something impressive.

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Speaker 1: Yeah, and we'll keep it basic because you're not coordinated

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Speaker 1: and I'm not either, so yeah, but like they're like, look,

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Speaker 1: they're trying to they're trying. It'll be like you know,

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Speaker 1: you know, did you ever see Stop Making Sense to

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Speaker 1: Talking Heads movie? So you know, how okay, it's doing

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Speaker 1: it again. I'm not seeing any Hello, Hello, Hello, Hey,

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Speaker 1: you're talking to yours? What the Why can I see

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Speaker 1: any volume? There? You go? All right? Yeah? I think

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Speaker 1: Will Wilkins is coming in here and turning turn it down,

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Speaker 1: turn down a bit. Maybe I wasn't close enough to

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Speaker 1: the mic, but Wilkins, like I'm looking at the video,

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Speaker 1: You're not close enough to the mic. We need those

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Speaker 1: fucking microphones that they got they got See I see

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Speaker 1: yours is pointed at the bottom of your mouth. Talk

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Speaker 1: Hi there?

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Speaker 2: Hello?

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Speaker 1: Why hello? Still here? Fuck? Man? Why can't I just

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Speaker 1: comes chat on one? I gotta do everything. I went

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Speaker 1: to do an interview on the Woody Show. What what

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Speaker 1: what's the do you listen to the radio? I don't alternative?

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Speaker 1: What's all ninety eight? So that's what they're uh, but

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Speaker 1: it's the all yeah and uh. While he's interviewing, it's

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Speaker 1: cutting and uploading like at the same time, and I

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Speaker 1: was like, are things that bad in radio that you

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Speaker 1: got to do everything and ship? But his thing is

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Speaker 1: like he's like, you know how you do like multiple

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Speaker 1: jobs on the movie. He's like, why do you do that?

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Speaker 1: Because I, you know, I just I like to I like,

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Speaker 1: those are the things I like doing exact same. It's

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Speaker 1: like I could have somebody else do this, but.

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Speaker 2: That's nice he does it.

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Speaker 1: Yes, he's multitasking. That's my point because I'm multitasking as well. Impressive, right,

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Speaker 1: you impressed me? Thank you? We are You know, the

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Speaker 1: past is the present and the president is the past.

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Speaker 1: In the future, in the future is the present. Presiant.

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Speaker 1: We are on Easter Sunday in real time, but you

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Speaker 1: guys are listening to this the first Easter with your

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Speaker 1: new bunny. What did you get up and wake him up?

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Speaker 2: And I was like, it's Easter?

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Speaker 1: What's Easter? What does one do for a bunny on Easter?

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Speaker 1: Normally the bunny does for us.

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Speaker 2: It's so true, but I believe you flips should be

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Speaker 2: about celebrating rabbits and catering to them.

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Speaker 1: So the one day that the bunny is supposed to work,

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Speaker 1: you're like, take a load of take a load off.

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Speaker 2: What so hyper over built today. I've been hyper all

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Speaker 2: day because it's Buele's day.

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Speaker 1: Has he seemed to have noticed a difference? Is he like,

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Speaker 1: I'm feeling it is my day finally I'm being treated

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Speaker 1: the Did you get him a basket?

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Speaker 2: I got them some carrots, chocolate carrots. That was a

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Speaker 2: long pause.

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Speaker 1: I'm judging it. I'm like, well, how well they know

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Speaker 1: it's Easter for him? It might just be like, oh,

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Speaker 1: it's a day with a wire in it because I'm

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Speaker 1: getting carrots. That is.

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Speaker 2: You remember when Nana made cinnamon a whole bunny cake

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Speaker 2: made out.

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Speaker 1: Of still in my Instagram if you scroll away the

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Speaker 1: fuck down? Yes that was Sinnmon came over and was

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Speaker 1: like eating the the bunny cake made of vegetables.

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Speaker 2: That is the sweetest thing in the world.

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Speaker 1: I'm super sweet.

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Speaker 2: Hey, where's where's bules vegetable cake?

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Speaker 1: Yes, Nana, where's Nana taking care Pole? Yeah? Pa had

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Speaker 1: a bad back week, man, like a tremendously bad back week.

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Speaker 1: Because PA's a pretty strong individual, but man, it took

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Speaker 1: him down. So him and Nana were supposed to be

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Speaker 1: coming to since it is Easter Sunday in our real time,

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Speaker 1: but the past for you, because the past is the president,

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Speaker 1: and the president the past. We uh, they were going

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Speaker 1: to be coming to the Dogma premiere premiere tonight. Dogmataur

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Speaker 1: is happening right now as you're listening to the show.

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Speaker 1: Tickets at dogmamovie dot com. Uh, and Dogma is coming

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Speaker 1: out on screens everywhere June six. But where I am

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Speaker 1: on four twenty, the Dogmator is just about to begin.

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Speaker 1: How exciting it is, like less than an two less

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Speaker 1: than two hours until my departure time.

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Speaker 2: We're really cutting it close with.

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Speaker 1: Recording, we really are. I think that was the point

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Speaker 1: I was trying to make, because the kid was like,

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Speaker 1: do you I record today? I was like, well, I

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Speaker 1: mean I don't want to say no, but okay, yeah,

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Speaker 1: come over. But yeah, it's a it's going to be

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Speaker 1: a race against time. But honestly, I prefer that to

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Speaker 1: having a lot of time to sit around and overthink

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Speaker 1: or something like that, or you and wind up getting

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Speaker 1: in a fight with your mom and then like no

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Speaker 1: thing to avoid that night's ruined. No, just the idea

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Speaker 1: of like well why not this, you know, like this

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Speaker 1: is fun for me and also takes my mind off

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Speaker 1: of what I gotta do. I got to keep it

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Speaker 1: in perspective tonight. Once again, I never just do one thing,

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Speaker 1: so I should have just been like, Hey, I'm having

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Speaker 1: these screenings and then we're doing the Q and A's,

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Speaker 1: just like I am at every other stop, but this

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Speaker 1: is the one. We're all agreed, Oh, we'll shoot this

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Speaker 1: and then include it on the June fifth release. So

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Speaker 1: we're shooting the Q and as tonight and I'm like,

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Speaker 1: oh man, and it's too late to do anything about it,

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Speaker 1: and of course we need it anyway for June fifth,

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Speaker 1: But you know, in retrospect, it's like, we are going

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Speaker 1: to be in Burbank at the end of the tour,

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Speaker 1: and you know it means I'll get another bite at

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Speaker 1: the Apple. Who knows what Tonight's two Q and a's

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Speaker 1: are going to be like, right, me doing it for

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Speaker 1: the first fucking time time we got to those Burbank

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Speaker 1: shows at the end of the tour, I'd had a

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Speaker 1: you know, fucking patter down and shit like that. So

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Speaker 1: you know, I'll put that in the back I'll put

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Speaker 1: that in my back pocket, the idea that I can

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Speaker 1: get a second bite at the Apple at the Burbank

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Speaker 1: last stop of the Dogma the Resurrection tour isn't Burbank

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Speaker 1: like May thirtieth or something like that. So all right, yeah,

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Speaker 1: there's that.

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Speaker 2: It takes some pressure off.

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Speaker 1: It takes a little bit of pressure off and stuff.

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Speaker 1: Not that it's pressure to stand up there and be

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Speaker 1: me and talk about the movie. But I'll be honest

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Speaker 1: with you, I'm feeling a little pudgy and the idea

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Speaker 1: of going on camera feeling like a little pudgies like,

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Speaker 1: oh man, fuck fantastic, You're very sweet. But I saw

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Speaker 1: some footage of me last night from the event we had,

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Speaker 1: which again, the past is the present present in this

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Speaker 1: past on April nineteenth, last night, So I don't know

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Speaker 1: when this is happening. Three weeks, four weeks from now,

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Speaker 1: four weeks from now would be who even those May

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Speaker 1: ish May fifteenthish, maybe we did this. Vannington Galleries had

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Speaker 1: this jay Ward Tribute to Jay Ward event at the

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Speaker 1: Vannington Galleries in Studio City, and uh, I was on

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Speaker 1: the panel with a bunch of other cats and it

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Speaker 1: was fucking dope. The room was packed. I had no idea.

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Speaker 1: Man Like, normally I'm dialed into ticket sales on things

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Speaker 1: I'm involved with, but like this, I kept feeding into

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Speaker 1: my socials, and I knew there was a streaming component,

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Speaker 1: Like you didn't have to be there to watch it,

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Speaker 1: you could watch it online as well. So it's like, oh, yeah,

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Speaker 1: fucking twenty people show up, that's enough of an audience

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Speaker 1: or something. Place fucking packed, like one hundred and fifty

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Speaker 1: fucking people all sitting around and we watched cartoons together.

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Speaker 1: Do you know how many people?

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Speaker 2: That's pretty fire fire.

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Speaker 1: I've never watched Rocky and Bullwingle with like more than

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Speaker 1: maybe one other person. Most of the I'm by myself

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Speaker 1: watching it with like that many people and hearing what

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Speaker 1: people thought was funny. Because we watched the first episode

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Speaker 1: of jet Fuel, it's called the first Chapter. It was

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Speaker 1: just fucking great, Like it was so validated. I was

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Speaker 1: that shit is funny, isn't it? Fuck yeah, fuck yeah,

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Speaker 1: that's very cute. So the event went very well. Jay Ward,

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Speaker 1: the guy who made all the cartoons that I love,

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Speaker 1: His daughter, Tiffany Ward, was there, and I thought about

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Speaker 1: you at one point because I was like, she here,

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Speaker 1: she is like getting up one more time to like

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Speaker 1: tell stories about her dad, like, and I was like,

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Speaker 1: there's a high bar Yeah, Tiffany Ward Man, she's out

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Speaker 1: there fucking he's been gone. Jay Ward's been gone since

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Speaker 1: what was it, nineteen ninety five. I think they said

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Speaker 1: yeah because he didn't get to see the Rocking and

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Speaker 1: ball in com movie so many many thirty years. She's

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Speaker 1: still out there going like, let me tell you a

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Speaker 1: fucking funny story about my own man. So I gotta four,

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Speaker 1: this is all done. I gotta give you like ten

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Speaker 1: Zingers Kevin's fist stories that you can tell in my absence.

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Speaker 2: I hate to think about that.

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Speaker 1: One day. Jay Ward's last, long, long time. Jay Ward

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Speaker 1: made some of the funniest, happiest cartoons in the world.

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Speaker 2: But yes, I mean in fifty five years from now,

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Speaker 2: when you'll be sitting on a panel around going like, you.

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Speaker 3: Know, like him and Jay well they were like their

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Speaker 3: characters in real life.

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Speaker 1: I don't know, like ye better than that you can see.

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Speaker 1: I give you my permission to steal all my material.

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Speaker 1: I have to watch. She will, yeah, totally be like, well,

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Speaker 1: my father used to tell the story, and then you

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Speaker 1: just tell it like she told stories that her dad

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Speaker 1: told in the audience went nuts, really, and that's just

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Speaker 1: like telling a third party story, right.

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Speaker 2: It's cool. That's like passing down stories.

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Speaker 1: Just know that across your eras you will have one,

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Speaker 1: you will be expected to be like, what was he like?

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Speaker 1: And you'll be like, every time in my life, what

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Speaker 1: was he like?

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Speaker 4: No?

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Speaker 1: I think once I'm gone, you'll be like, oh, I'm

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Speaker 1: happy to talk about it. While he was here, it

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Speaker 1: was like.

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Speaker 2: Yeah, well he's here, talk about me. But when you're.

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Speaker 1: Gone, what do you like? That's weirder. I'd much rather

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Speaker 1: have somebody come up to me and be like, but

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Speaker 1: your dad like, rather than be.

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Speaker 2: Like, what do you like?

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Speaker 1: So scary?

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Speaker 2: Oh my gosh remember last week?

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Speaker 1: Yes, the look up all Ship. I saw it when

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Speaker 1: I was uploading it and I saw the back of

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Speaker 1: my teeth and I was like, my god, a fucking

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Speaker 1: full view in the camera. It's the back rid When? Uh? When?

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Speaker 1: When it was all done? Mike Vannitt knows Vanny and Gallers.

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Speaker 1: He opened up like place was packed. He opened up

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Speaker 1: right next to a pop up shop.

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Speaker 2: Like in the buildings your dream come true.

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Speaker 1: It was, I mean, honestly, bro like, I was trying

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Speaker 1: to get out of there because it was already like

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Speaker 1: a two hour event and stuff, and I wasn't trying

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Speaker 1: to get trapped, you know, into long conversations and signed

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Speaker 1: and stuff like I've done my bit for King and

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Speaker 1: Country or moose and squirrel in this instance. So it

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Speaker 1: was time to go. But there were people outside like

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Speaker 1: looking to get signatures who didn't even go to the event,

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Speaker 1: just like the autograph folks and stuff. And then they

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Speaker 1: were like, I sit here, take my key, you can

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Speaker 1: move the car to the front. I'll go out the

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Speaker 1: front door. And in the travel to the front door

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Speaker 1: like shook hands, hey man took pictures and shit, which

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Speaker 1: really allows the folks from back to make it all

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Speaker 1: the way to the front. So like the plan is

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Speaker 1: fucking ruined. But as I'm just about to get out

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Speaker 1: the door, Mike's like, you gotta come back to the store,

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Speaker 1: like after this is all done. And I looked to

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Speaker 1: my right and it's like literally a Dudley do Rte symporium,

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Speaker 1: you know, reincarnate it is you're talking about, like merchandise untouched.

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Speaker 2: I'm jealous. I want this for my fandoms.

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Speaker 1: It would be like you know, an MCR pop up,

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Speaker 1: Oh my god. And Gerard, you know the ways Jordan

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Speaker 1: Lindsay were like whenever they make a thing, we always

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Speaker 1: get a box of it. So here it is. So

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Speaker 1: it's all from twenty years of MCR ephemera mint condition

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Speaker 1: T shirts. From every fucking stop of the door. They

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Speaker 1: had so many fucking T shirts, so many pieces of clothing,

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Speaker 1: the tags on them and shit like that. It was

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Speaker 1: like the greatest fucking yard sale of all time.

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Speaker 2: But it sounds like a dream.

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Speaker 1: I had to go. I had to keep moving, so

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Speaker 1: I got I went outside. I wound up running into

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Speaker 1: all the autographic folks, took pictures, signed everything, gotten a

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Speaker 1: are and then left. So I'm driving up Laurel and

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Speaker 1: I'm like, what are you doing if you don't go?

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Speaker 1: Like how many chances you get to go shop? Like Brandon?

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Speaker 1: Like these these are things that I'd be buying on

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Speaker 1: eBay and overpaying for because it's like I don't see

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Speaker 1: this anywhere and shit. So I was like, I'm gonna

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Speaker 1: turn around.

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Speaker 2: And go curated store for your obsession.

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Speaker 1: Oh my, it would have been a fucking criminal for

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Speaker 1: me to not at least go in. Oh yeah, I wouldn't.

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Speaker 1: I spent a lot of money. Oh my god. I

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Speaker 1: was just like, give me one of the ease and

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Speaker 1: three of these and four e's and faves and movestans

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Speaker 1: quirely square.

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Speaker 2: Oh it looks like a once in a lifetime opportunity, truly.

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Speaker 1: Absolutely, Oh my god, I was just like a gobsmack.

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Speaker 1: So I did spend all of your inheritance. No, I

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Speaker 1: did spend. And this is before the auction, like the

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Speaker 1: auction is come up. Let me tell you something. The

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Speaker 1: panel was so lovely because not only was it a

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Speaker 1: good time, there were people like, there's a David Silverman

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Speaker 1: who directed the Simpsons was up there. Who else was

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Speaker 1: up there? The guy Darryl Van Sitters who wrote the

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Speaker 1: Rocking Bownkle book that I have in my office and stuff.

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Speaker 1: He also directed Box Office, Bunny amber Ward, Tiffany Ward,

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Speaker 1: whom the guy who was a moderate. And Mike was

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Speaker 1: up there as well. So there was a bunch of

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Speaker 1: people and they had a nice stage and shit packed audience.

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Speaker 1: But Mike had displayed all the artwork that's going to

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Speaker 1: be up for the auction up so you could look

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Speaker 1: at like you could just stare at it. Few and

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00:16:40,280 --> 00:16:42,280
Speaker 1: most stare at any of us on the panel. You

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00:16:42,320 --> 00:16:44,920
Speaker 1: could just look at the ship on the walls. So

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Speaker 1: I got to see the giant statue I want on display.

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Speaker 2: You did?

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Speaker 1: It was right, It's taller than everybody in the room.

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Speaker 1: And shit, Malcolm was like, send me a picture. I

295
00:16:52,800 --> 00:16:54,320
Speaker 1: forgot to take a picture with it, but I sent

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Speaker 1: him a picture I found somebody's like fucking Twitter and

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Speaker 1: he was like. Malcome's first reaction was like, oh my god,

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Speaker 1: Leonard Malton was there, What the fuck? Oh my god,

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Speaker 1: let's see.

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Speaker 2: I'm honestly a little jealous of your experience. It was

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Speaker 2: was a curated store.

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Speaker 1: Oh we're not done, dude. Now it's not my picture.

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Speaker 2: But oh she's big.

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Speaker 1: Yeah, well she's a hey, but yeah, look at that

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Speaker 1: kid's look at that.

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Speaker 2: Giant but she the statue not.

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Speaker 1: From when I thought it was. Though I thought it

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00:17:29,640 --> 00:17:31,639
Speaker 1: was from like that Jay Ward made it in the

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00:17:31,680 --> 00:17:34,560
Speaker 1: sixties or whatever. It was made in two thousand for

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00:17:34,600 --> 00:17:37,680
Speaker 1: the Rocky and Bullwinkle movie. Doesn't matter. Still a fire

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00:17:37,800 --> 00:17:41,560
Speaker 1: rendition of them. And how many fucking gigantic Bullwinkle idols

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Speaker 1: are they ever going to be selling in this world? True,

313
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Speaker 1: there's only one other, one better, bigger than that, and

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Speaker 1: is the one that you know belongs to the city

315
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Speaker 1: of Los Angeles now so I went back and back

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Speaker 1: and shot. But the whole event was such a good

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00:17:59,359 --> 00:18:01,520
Speaker 1: time that when I went back, like I was talking

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Speaker 1: to Mike and like we hit on the same time.

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Speaker 1: Like I was like, man, we should do this fucking again.

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Speaker 1: And then when I saw Mike, he was like, would

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Speaker 1: you ever want to do this? I said, dude, I

322
00:18:12,080 --> 00:18:14,640
Speaker 1: was fucking way ahead of you. I was like, it

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00:18:14,720 --> 00:18:19,040
Speaker 1: was great, we would. So we're building it, and it's

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Speaker 1: gonna be a thing that I'm gonna add like once

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Speaker 1: a month because there's pure joy to sit there and

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Speaker 1: watch cartoons with people. So what we're gonna do is

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00:18:25,000 --> 00:18:27,840
Speaker 1: same thing. We'll bring up people like guests, because you know,

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Speaker 1: the dude runs an animation house, right, like a gallery

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Speaker 1: for animation. All the animators come. I met so many

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00:18:34,440 --> 00:18:36,600
Speaker 1: fucking people last night. Like there's a dude who came

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Speaker 1: up to Miss Dude Eric and he was like, hey, man,

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Speaker 1: I'm the guy that designed you for the Simpsons. I

333
00:18:40,960 --> 00:18:43,360
Speaker 1: was like, you fucking want and he's like yeah, he's

334
00:18:43,359 --> 00:18:44,960
Speaker 1: gonna had to pick which error went with, and I

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00:18:45,000 --> 00:18:46,000
Speaker 1: combined a bunch and.

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Speaker 2: Oh my god, that's so cool.

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Speaker 1: And so I was like, oh my god, and he's

338
00:18:50,440 --> 00:18:53,240
Speaker 1: this morning, he sent me a fucking text of a

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00:18:53,280 --> 00:18:55,879
Speaker 1: picture he drew of because I sent him a picture

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Speaker 1: of the Matt Graning that's up in the in the

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Speaker 1: living room. Matt Craning did a Maggie sim that he

342
00:19:01,040 --> 00:19:02,520
Speaker 1: didn't even do for me, but he just did for

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00:19:02,560 --> 00:19:04,359
Speaker 1: the San Diego Comic Con. Was ripping him out of

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00:19:04,359 --> 00:19:05,960
Speaker 1: this giant pad and give them the people that ask

345
00:19:06,080 --> 00:19:08,439
Speaker 1: questions of the Q and A as the moderator. So

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Speaker 1: I was like, bro, can I get one of them?

347
00:19:09,840 --> 00:19:11,600
Speaker 1: Can I get that Maggie Because he's just after the

348
00:19:11,680 --> 00:19:13,560
Speaker 1: Q and A he still had him left over. So

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Speaker 1: I had a frame and it's fucking fantastic. You see

350
00:19:15,640 --> 00:19:17,159
Speaker 1: the pencils, you see, and they went over it with

351
00:19:17,160 --> 00:19:20,280
Speaker 1: the big sharpionship. So I sent a picture to my man,

352
00:19:20,960 --> 00:19:24,240
Speaker 1: and my man this morning sent me a fucking drawing

353
00:19:24,440 --> 00:19:30,000
Speaker 1: of me and the Simpsons family with your mother. Really, yes,

354
00:19:30,840 --> 00:19:33,640
Speaker 1: can I see you? Yes, that's true. I could show

355
00:19:33,680 --> 00:19:39,399
Speaker 1: it to you and I was like, no, Bug, that's.

356
00:19:39,200 --> 00:19:48,159
Speaker 5: Amazing, Oh my god, wait this is everything right? Wait

357
00:19:48,920 --> 00:19:54,080
Speaker 5: that looks like man, that's crazy, that's so sick.

358
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Speaker 1: The only way I could have been more mom like

359
00:19:57,040 --> 00:20:00,320
Speaker 1: is if she was wearing pajamas literally, but.

360
00:20:00,280 --> 00:20:03,520
Speaker 2: She's wearing a turtlenecks. Oh my god.

361
00:20:04,640 --> 00:20:07,360
Speaker 1: So like he was, he was dope and he had

362
00:20:07,400 --> 00:20:09,440
Speaker 1: his kid with him and stuff, and that always reminds

363
00:20:09,440 --> 00:20:13,000
Speaker 1: me of like when I met Peter Marshall with my dad.

364
00:20:13,320 --> 00:20:15,040
Speaker 1: Let me tell you that story. I'm not kidding. I

365
00:20:15,080 --> 00:20:22,040
Speaker 1: know the story every episode. So his kid was there

366
00:20:22,080 --> 00:20:25,280
Speaker 1: for it was his kid was like, you know, his

367
00:20:25,400 --> 00:20:27,119
Speaker 1: kid was laid back, very cool, but he was like

368
00:20:28,400 --> 00:20:30,200
Speaker 1: his dad was like, he didn't find anything he wanted

369
00:20:30,240 --> 00:20:32,439
Speaker 1: because there was no super Chicken. I was getting a

370
00:20:32,440 --> 00:20:37,320
Speaker 1: super Chicken. He's like super Chicken. Steep cuts for the

371
00:20:37,400 --> 00:20:40,520
Speaker 1: jay Ward characters showed a lot of taste.

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Speaker 2: Are you close with the van Eaton people?

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Speaker 1: Yeah, Mike van Eaton is my boy.

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Speaker 2: Could you make a suggestion?

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00:20:47,000 --> 00:20:47,200
Speaker 1: Yeah?

376
00:20:47,400 --> 00:20:53,560
Speaker 4: Could you ask for a Scooby Doo curated selection? Yeah,

377
00:20:54,600 --> 00:20:56,800
Speaker 4: because that would be my dream come.

378
00:20:56,720 --> 00:21:00,600
Speaker 1: True and done. I feel like they're asking be like, well,

379
00:21:00,600 --> 00:21:02,960
Speaker 1: I mean, we need somebody to be like, here's a

380
00:21:02,960 --> 00:21:07,400
Speaker 1: garage full of shit. Yeah, but they do shows. There

381
00:21:07,400 --> 00:21:09,840
Speaker 1: are a hand of Barbarer pieces in this coming show.

382
00:21:10,440 --> 00:21:10,760
Speaker 2: Really.

383
00:21:11,119 --> 00:21:14,680
Speaker 1: Yeah, I don't remember Scooby, but there's an in this show.

384
00:21:14,680 --> 00:21:16,960
Speaker 1: It's a bunch of pieces and it's like May fourth

385
00:21:17,040 --> 00:21:20,439
Speaker 1: and fifth, the Bullwinkle stuff, the jay Ward stuff is

386
00:21:20,440 --> 00:21:23,160
Speaker 1: on the second day. First day has a very very

387
00:21:23,760 --> 00:21:29,840
Speaker 1: hodgepodge of collectibles, including pee Wee's bike from pee Wee's

388
00:21:29,880 --> 00:21:33,080
Speaker 1: Big Adventures. God yeah, they made thirteen for the movie,

389
00:21:33,160 --> 00:21:35,720
Speaker 1: so this is one of the thirteen, crazy fucking nuts.

390
00:21:35,720 --> 00:21:37,240
Speaker 1: It was there on the floor. We were all like

391
00:21:38,320 --> 00:21:39,639
Speaker 1: gobstocks staring at it.

392
00:21:39,720 --> 00:21:40,840
Speaker 2: Ship that's crazy.

393
00:21:41,280 --> 00:21:44,880
Speaker 1: There's like original movie posters one sheets and stuff like that,

394
00:21:44,880 --> 00:21:47,080
Speaker 1: like can get a nice Jaws one sheet and stuff.

395
00:21:47,359 --> 00:21:49,280
Speaker 1: There was one a one sheet that I was like, Oh,

396
00:21:49,320 --> 00:21:51,600
Speaker 1: it was a race for your life, Charlie Brown. I

397
00:21:51,600 --> 00:21:53,119
Speaker 1: was thinking of that. But I'm like, you know what,

398
00:21:53,280 --> 00:21:56,080
Speaker 1: stay in your lane, stay in your lane. So many

399
00:21:56,160 --> 00:21:58,800
Speaker 1: things that you want. And I did wind up spending

400
00:21:58,800 --> 00:22:00,720
Speaker 1: a bunch of money at that pop up shop, more

401
00:22:00,760 --> 00:22:04,320
Speaker 1: than I imagined I would have. But it was honestly

402
00:22:04,359 --> 00:22:05,920
Speaker 1: a bunch of shit. I would have bought on eBay

403
00:22:05,960 --> 00:22:08,280
Speaker 1: anyway at a premium and shit. If I was smart,

404
00:22:08,480 --> 00:22:10,720
Speaker 1: I would have bought triples, took that shit to eBay

405
00:22:11,080 --> 00:22:12,840
Speaker 1: and then sold it. But I'll be honest with you,

406
00:22:13,440 --> 00:22:15,240
Speaker 1: I think I'm the only one who's buying the shit

407
00:22:15,280 --> 00:22:19,080
Speaker 1: on eBay. However, I saw a cell go up today

408
00:22:19,119 --> 00:22:21,240
Speaker 1: which I was like, oh, that's nice. Is Rocky and

409
00:22:21,880 --> 00:22:24,920
Speaker 1: his hat? I mean, bolinkle his hat and Rocky as

410
00:22:24,960 --> 00:22:26,560
Speaker 1: if he pulled him out of the hat. As a

411
00:22:26,600 --> 00:22:28,840
Speaker 1: two layer cell frame set up and it must have

412
00:22:28,880 --> 00:22:30,480
Speaker 1: been from a serial cell or something like that, but

413
00:22:30,480 --> 00:22:32,520
Speaker 1: I've never seen it before, and it was like fucking

414
00:22:32,600 --> 00:22:34,399
Speaker 1: fifty bucks. I was like, my god, of course I'm

415
00:22:34,400 --> 00:22:38,400
Speaker 1: gonna been on it. So I bid sixty and seventy

416
00:22:38,600 --> 00:22:41,639
Speaker 1: and look like this one and ten. I was what

417
00:22:41,800 --> 00:22:47,880
Speaker 1: the fuck? Two hundred? So I was like, oh, all right,

418
00:22:48,040 --> 00:22:49,760
Speaker 1: so that's where we're and then I moved on with

419
00:22:49,800 --> 00:22:53,040
Speaker 1: my day. The next time I was at my laptop,

420
00:22:53,080 --> 00:22:55,800
Speaker 1: I was like, oh, it was going on. I've been

421
00:22:55,840 --> 00:23:00,400
Speaker 1: out bid. Oh shit, sounds like, well, you know, I'm

422
00:23:00,440 --> 00:23:02,359
Speaker 1: not a gun slinger, but I know how to shoot.

423
00:23:02,520 --> 00:23:09,399
Speaker 1: Oh my god. So I said three oh five, and

424
00:23:09,560 --> 00:23:14,879
Speaker 1: with nine days to go, oh my god, enter, I

425
00:23:14,960 --> 00:23:20,399
Speaker 1: was like, right, man, refresh the page. My fucker instantly

426
00:23:20,680 --> 00:23:24,000
Speaker 1: one overman stuff, So I'm gonna let that one go.

427
00:23:24,320 --> 00:23:26,440
Speaker 2: Yeah, I think I was. I was gonna say.

428
00:23:26,280 --> 00:23:28,920
Speaker 1: It went from fifteen dollars to three or five time,

429
00:23:29,200 --> 00:23:30,119
Speaker 1: it's time to dip.

430
00:23:32,400 --> 00:23:33,480
Speaker 2: Time has come down.

431
00:23:33,560 --> 00:23:36,359
Speaker 1: I will be watching though, you know, for the next

432
00:23:36,440 --> 00:23:37,040
Speaker 1: nine days.

433
00:23:37,200 --> 00:23:39,040
Speaker 2: I'll keep an eye visual onlooker.

434
00:23:39,680 --> 00:23:42,760
Speaker 1: But it honestly, like, and I'm sure some people be like,

435
00:23:42,800 --> 00:23:47,000
Speaker 1: what that's too much for you, but like, yeah, it's weird,

436
00:23:47,280 --> 00:23:50,720
Speaker 1: like the lines one draws for oneself. Like if there

437
00:23:50,800 --> 00:23:54,800
Speaker 1: was no jay Ward auction coming up, I would pursue

438
00:23:54,840 --> 00:23:59,920
Speaker 1: that piece diligently. But it's like, you know, for ten

439
00:24:00,119 --> 00:24:03,640
Speaker 1: times that amount, there's a three thousand dollars piece up

440
00:24:03,640 --> 00:24:07,080
Speaker 1: for auction at the Jayward at the Venning Galleries Jayward Auction,

441
00:24:08,119 --> 00:24:11,960
Speaker 1: but it came directly from an episode. Like and since

442
00:24:12,480 --> 00:24:16,760
Speaker 1: yes screen used and since all that shit was done

443
00:24:16,760 --> 00:24:20,359
Speaker 1: down in Mexico, there are none. It's not like, you know,

444
00:24:20,400 --> 00:24:22,680
Speaker 1: there was a wealth of Warner Brothers cells because they

445
00:24:22,800 --> 00:24:25,840
Speaker 1: kept them in shit like that, so when they come along,

446
00:24:25,920 --> 00:24:28,080
Speaker 1: it's fucking rare. So there's in the auction, there's a

447
00:24:28,119 --> 00:24:30,399
Speaker 1: few cells. Now I'm not saying I'm gonna get this piece,

448
00:24:30,880 --> 00:24:32,960
Speaker 1: but there's one that they're listing it. They think it's

449
00:24:33,000 --> 00:24:35,400
Speaker 1: going to go for two to three grand, and it's

450
00:24:35,440 --> 00:24:39,280
Speaker 1: a literal cell setup, which with Rocky and Bullwinkle and

451
00:24:39,320 --> 00:24:42,119
Speaker 1: a fucking chicken on it, it's pretty awesome. But and

452
00:24:42,160 --> 00:24:45,680
Speaker 1: it shows age, like the cell itself is like crinkling

453
00:24:45,720 --> 00:24:49,600
Speaker 1: a little bit. So I, you know, since that is

454
00:24:49,640 --> 00:24:54,520
Speaker 1: a possibility, I ha a fuck around. Nope, anybay fucking

455
00:24:54,600 --> 00:24:58,400
Speaker 1: chump chain shit. You know what I'm saying. It's just

456
00:24:58,440 --> 00:25:00,920
Speaker 1: like I ain't got a fucking fuck with the pigeons

457
00:25:00,920 --> 00:25:04,000
Speaker 1: when I could fly with the fucking falcons and fuck

458
00:25:04,040 --> 00:25:10,240
Speaker 1: a hawk. So true there is I saw the pieces

459
00:25:10,240 --> 00:25:13,600
Speaker 1: that I definitely want. Of course, the giant bow Uncle statue,

460
00:25:13,640 --> 00:25:16,639
Speaker 1: which your mom is like, over my dead body, and

461
00:25:16,680 --> 00:25:19,720
Speaker 1: you're like, well, whatever it takes. What you're saying is

462
00:25:19,720 --> 00:25:22,240
Speaker 1: that you were the moose. She didn't say over my

463
00:25:22,280 --> 00:25:23,720
Speaker 1: dead body, but she was like, what if I don't

464
00:25:23,760 --> 00:25:25,040
Speaker 1: like it to my what if I don't want that

465
00:25:25,080 --> 00:25:27,679
Speaker 1: in my house? You were like, so you never have

466
00:25:27,720 --> 00:25:30,959
Speaker 1: to go in the room where it is, girl. But

467
00:25:31,000 --> 00:25:33,560
Speaker 1: there's this Captain Crunch map of the known world, which

468
00:25:33,560 --> 00:25:36,800
Speaker 1: is pretty fucking fire because it's nothing but jokes. It's

469
00:25:36,920 --> 00:25:41,440
Speaker 1: mostly text, but it was really fucking good, Like there

470
00:25:41,520 --> 00:25:44,680
Speaker 1: was one it was like eighteen fifty two Captain Horatio

471
00:25:44,800 --> 00:25:46,000
Speaker 1: Crunch discovers women.

472
00:25:50,000 --> 00:25:52,840
Speaker 2: Oh, yes, it's that's important.

473
00:25:52,920 --> 00:25:56,080
Speaker 1: I kind of dig it, So I will be paying

474
00:25:56,080 --> 00:25:57,600
Speaker 1: attention to that from the road. I'm not gonna be

475
00:25:57,640 --> 00:25:59,240
Speaker 1: here in town. But it was nice to see it

476
00:25:59,240 --> 00:26:01,320
Speaker 1: all fucking set up and ship and see some of

477
00:26:01,320 --> 00:26:04,720
Speaker 1: the pieces in the real world. That's very exciting, very exciting.

478
00:26:04,760 --> 00:26:06,399
Speaker 1: There is a piece that I thought about getting for you,

479
00:26:06,480 --> 00:26:07,960
Speaker 1: and then I was like, you know what she got.

480
00:26:08,160 --> 00:26:11,160
Speaker 1: She it would be out of place in your world

481
00:26:11,200 --> 00:26:13,560
Speaker 1: because it's not Disney and stuff, and jay Ward was

482
00:26:13,680 --> 00:26:16,560
Speaker 1: decidedly like the anti Disney. One of the cartoons we

483
00:26:16,640 --> 00:26:20,600
Speaker 1: watched was a Sleeping Beauty. It was a fractured fairy

484
00:26:20,640 --> 00:26:23,239
Speaker 1: tale that was based around for Sleeping Beauty, and the

485
00:26:23,280 --> 00:26:27,440
Speaker 1: prince looked like Walt Disney. So he gets into Sleeping

486
00:26:27,480 --> 00:26:29,480
Speaker 1: Beauty and he goes because he was like, well, wait

487
00:26:29,520 --> 00:26:32,720
Speaker 1: a second, this, you know, awake, she's just another princess,

488
00:26:32,720 --> 00:26:34,920
Speaker 1: but asleep she's a gold mine. He's like, I could

489
00:26:34,920 --> 00:26:38,680
Speaker 1: see it now, Sleeping beauty dolls, sleeping Beauty t shirts,

490
00:26:38,720 --> 00:26:40,800
Speaker 1: and of course Sleeping Beauty Land.

491
00:26:41,040 --> 00:26:41,840
Speaker 2: Oh my god.

492
00:26:42,200 --> 00:26:46,040
Speaker 1: So and then he's like uh, sets up stanchion and ship.

493
00:26:46,160 --> 00:26:49,480
Speaker 1: He's like, they sold tickets to this and he was

494
00:26:49,520 --> 00:26:52,560
Speaker 1: like X. He was using the old terminology. He's like,

495
00:26:53,480 --> 00:26:57,600
Speaker 1: A tickets only please, A tickets only? Why tickets only? Please?

496
00:26:57,680 --> 00:27:00,720
Speaker 1: Why tickets ticket was a big one, and he was like,

497
00:27:00,760 --> 00:27:02,840
Speaker 1: eat tickets. So he was getting his digs in.

498
00:27:02,920 --> 00:27:05,080
Speaker 2: Oh my god, is that why it's called.

499
00:27:04,840 --> 00:27:09,000
Speaker 1: That e ticket attraction? Yeah, was born. It's Disneyland terminology.

500
00:27:09,040 --> 00:27:13,439
Speaker 1: You would think that the top tier ticket would be

501
00:27:13,560 --> 00:27:17,360
Speaker 1: a right, but for whatever reason, when they opened Disneyland,

502
00:27:17,840 --> 00:27:20,240
Speaker 1: e ticket was the ticket that got you on to

503
00:27:20,520 --> 00:27:25,760
Speaker 1: the Space Mountain onto Haunted Mansion. So the term e

504
00:27:25,840 --> 00:27:29,719
Speaker 1: ticket attraction comes originated in disney World Disneyland.

505
00:27:29,760 --> 00:27:33,879
Speaker 2: Sorry, that's wild. Oh my god. Here I thought I

506
00:27:33,960 --> 00:27:34,680
Speaker 2: knew everything.

507
00:27:35,400 --> 00:27:37,280
Speaker 1: Every day is disney every Day's school.

508
00:27:37,480 --> 00:27:38,320
Speaker 2: Oh my god.

509
00:27:39,320 --> 00:27:43,159
Speaker 1: There is when they don't dedicated the Bowwinkle statue on

510
00:27:43,200 --> 00:27:49,200
Speaker 1: Sunset Boulevard nineteen fifty ninety sixty four whichever, you have

511
00:27:49,240 --> 00:27:52,000
Speaker 1: the Bowlinkle show on the air, so that was maybe

512
00:27:52,040 --> 00:27:56,800
Speaker 1: sixty one. Instead of doing hands and footprints in the cement,

513
00:27:57,800 --> 00:28:00,600
Speaker 1: the jay Ward folks did elbows and some because you

514
00:28:00,640 --> 00:28:05,199
Speaker 1: were too busy holding your glass and there's one for

515
00:28:05,320 --> 00:28:09,200
Speaker 1: Walt Disney. There's an elbow in his signature, and nobody's

516
00:28:09,240 --> 00:28:13,320
Speaker 1: sure whether it was a joke or whether they eventually

517
00:28:13,400 --> 00:28:17,440
Speaker 1: got him to show up and do it. WHOA, Yeah,

518
00:28:17,440 --> 00:28:19,800
Speaker 1: there's a bunch of cool things like at the at

519
00:28:19,840 --> 00:28:22,400
Speaker 1: the event last night. But I look forward to doing

520
00:28:23,640 --> 00:28:29,119
Speaker 1: the monthly Let's sit around and watch cartoons. Dude, it

521
00:28:29,160 --> 00:28:33,520
Speaker 1: was fucking fire like that that fractured verrto fucking destroyed

522
00:28:33,560 --> 00:28:38,960
Speaker 1: in that room, like like in a Chappelle kind of way,

523
00:28:39,120 --> 00:28:43,360
Speaker 1: like a modern comedian would do as well. And these

524
00:28:43,360 --> 00:28:45,400
Speaker 1: were the old jokes that were made in the fucking

525
00:28:45,400 --> 00:28:48,600
Speaker 1: sixties and shit like that. So it was it was cool.

526
00:28:48,920 --> 00:28:52,280
Speaker 1: It was a really cool thing. So I look, I

527
00:28:52,400 --> 00:28:53,560
Speaker 1: really look forward to that.

528
00:28:54,080 --> 00:28:56,200
Speaker 2: Wow, that's I love that for you.

529
00:28:56,440 --> 00:28:58,600
Speaker 1: Free event. Can't sell tickets for it because if you

530
00:28:58,680 --> 00:29:01,400
Speaker 1: put if you're showing somebody else's work, and it's like yeah,

531
00:29:01,440 --> 00:29:04,280
Speaker 1: so it'll just be a free thing and we'll stream

532
00:29:04,280 --> 00:29:05,880
Speaker 1: it so if you're not here, you can watch it

533
00:29:05,880 --> 00:29:08,160
Speaker 1: and ship, but you just can't show the cartoon parts.

534
00:29:08,720 --> 00:29:10,840
Speaker 1: But we're figuring it out now. Man, it's gonna be

535
00:29:10,840 --> 00:29:13,240
Speaker 1: fucking dope. But the thing is if you get it

536
00:29:13,240 --> 00:29:18,240
Speaker 1: going on a monthly basis. I think about this, that

537
00:29:18,320 --> 00:29:26,440
Speaker 1: place Anny and Galleries fucking swarming with artists from the

538
00:29:26,520 --> 00:29:30,840
Speaker 1: animated arts. So every event poster is going to be fire.

539
00:29:31,400 --> 00:29:32,800
Speaker 2: That's so true.

540
00:29:33,200 --> 00:29:38,160
Speaker 1: Fucking frameable, suitable for framing fire. And if I work

541
00:29:38,280 --> 00:29:40,800
Speaker 1: myself or my name into the event, well that means

542
00:29:40,840 --> 00:29:42,840
Speaker 1: that twelve times a year I'm gonna see a poster

543
00:29:43,560 --> 00:29:47,000
Speaker 1: with twelve of the greatest fucking current working animated artists

544
00:29:47,120 --> 00:29:51,680
Speaker 1: drawing me. That's and that's how you set yourself up. Yeah,

545
00:29:51,840 --> 00:29:54,320
Speaker 1: you gotta set yourself up for cascading joy.

546
00:29:55,400 --> 00:29:58,560
Speaker 2: You really, you really look out for your future self.

547
00:29:59,280 --> 00:30:02,280
Speaker 1: I do. I'm big Kevin Smith fans. I'm gonna go take.

548
00:30:02,120 --> 00:30:05,080
Speaker 2: Care of him.

549
00:30:05,120 --> 00:30:07,800
Speaker 1: And as we know, the path the president of the

550
00:30:07,840 --> 00:30:12,120
Speaker 1: future and the future is the president, so true. All right,

551
00:30:12,200 --> 00:30:14,440
Speaker 1: enough about the Jay Ward thing. I'm going to play

552
00:30:14,480 --> 00:30:18,560
Speaker 1: something for you and I want you to identify this.

553
00:30:19,120 --> 00:30:22,400
Speaker 1: You can't use an app like Shazam or something like that.

554
00:30:24,040 --> 00:30:28,240
Speaker 1: You just got to straight up listen and then fucking

555
00:30:28,480 --> 00:30:29,360
Speaker 1: identify it.

556
00:30:29,680 --> 00:30:32,200
Speaker 2: Okay, Okay, hold on, let's see.

557
00:30:32,880 --> 00:30:36,960
Speaker 1: Here we go. Okay, turn my volume way up.

558
00:30:37,800 --> 00:30:38,840
Speaker 2: I'm scared.

559
00:30:40,160 --> 00:30:48,360
Speaker 1: All right, this is a track from twenty eleven. You

560
00:30:48,520 --> 00:30:52,200
Speaker 1: up on your twenty eleven? Were you into let's see

561
00:30:52,200 --> 00:30:54,920
Speaker 1: you at twelve twelve? So? What music are you into

562
00:30:55,120 --> 00:30:56,000
Speaker 1: when you're twelve?

563
00:30:56,280 --> 00:30:57,440
Speaker 2: My chemical romance?

564
00:30:57,720 --> 00:30:58,840
Speaker 1: What movies are into?

565
00:31:00,280 --> 00:31:00,800
Speaker 2: Super eight?

566
00:31:01,480 --> 00:31:05,800
Speaker 1: Wow? All right, we got a picture of you. See

567
00:31:05,840 --> 00:31:12,080
Speaker 1: if you can identify this hot track, name this tune,

568
00:31:17,280 --> 00:31:18,280
Speaker 1: Hi Gatty.

569
00:31:18,200 --> 00:31:21,600
Speaker 6: Charlie and as just kinde saking knight, I love you

570
00:31:21,800 --> 00:31:25,080
Speaker 6: and cosy a mile bye, Oh.

571
00:31:24,960 --> 00:31:33,240
Speaker 7: Goodd This little Harley quid good that was recorded baby

572
00:31:33,560 --> 00:31:36,480
Speaker 7: on eight is sixteen eleven.

573
00:31:36,760 --> 00:31:36,960
Speaker 1: Wait.

574
00:31:37,040 --> 00:31:38,280
Speaker 2: I was twelve there.

575
00:31:38,400 --> 00:31:41,720
Speaker 1: And then you called back, Oh.

576
00:31:41,560 --> 00:31:47,480
Speaker 6: My god, Hi gatty Charlie and as just kinde saking night,

577
00:31:48,040 --> 00:31:50,520
Speaker 6: I love you and cosk you a mile.

578
00:31:50,480 --> 00:31:56,160
Speaker 1: B Wait August nineteenth, twenty eleven.

579
00:31:56,680 --> 00:32:00,840
Speaker 5: How was I simultaneously really into my him?

580
00:32:01,240 --> 00:32:04,000
Speaker 1: That doesn't sound like any sort of emo kid? All

581
00:32:06,000 --> 00:32:06,240
Speaker 1: I know?

582
00:32:06,560 --> 00:32:08,480
Speaker 2: I was so emo at that time.

583
00:32:08,640 --> 00:32:10,320
Speaker 1: Let's jump ahead in time, shall we?

584
00:32:10,400 --> 00:32:10,600
Speaker 8: Oh?

585
00:32:10,680 --> 00:32:11,560
Speaker 2: No, I'm scared.

586
00:32:11,760 --> 00:32:17,480
Speaker 1: Dial the way back machine to February ninth, twenty twelve.

587
00:32:17,760 --> 00:32:21,360
Speaker 1: I'm stressed, unable to transcribe this message.

588
00:32:21,520 --> 00:32:22,400
Speaker 2: I'm stressed.

589
00:32:22,600 --> 00:32:25,040
Speaker 1: Let's see what a young Harley had to say. It's

590
00:32:25,040 --> 00:32:30,720
Speaker 1: seventeen seconds of Harley, who's not quite thirteen. I'm a

591
00:32:30,760 --> 00:32:33,120
Speaker 1: cusp of thirteen already.

592
00:32:34,000 --> 00:32:45,360
Speaker 6: I'm dying much different your back?

593
00:32:47,840 --> 00:32:50,400
Speaker 1: What as you can see my daughter as the teacher

594
00:32:50,440 --> 00:32:52,320
Speaker 1: from the Peanuts?

595
00:32:55,600 --> 00:32:58,400
Speaker 2: How is my voice so high pitched? And it sounds

596
00:32:58,480 --> 00:32:59,160
Speaker 2: like this now?

597
00:33:00,120 --> 00:33:02,480
Speaker 1: I don't know, man like it just seems like you're

598
00:33:02,480 --> 00:33:04,120
Speaker 1: playing John practor President.

599
00:33:04,600 --> 00:33:09,760
Speaker 2: Oh my god, Dad, did you hear the news that

600
00:33:09,960 --> 00:33:13,920
Speaker 2: mom fucking found my performance of the Crucible.

601
00:33:14,440 --> 00:33:15,520
Speaker 1: I mean, I've got that too.

602
00:33:15,960 --> 00:33:16,680
Speaker 8: You have it.

603
00:33:17,000 --> 00:33:19,240
Speaker 1: I chot it on my phone. It's I'm on my laptop.

604
00:33:19,280 --> 00:33:23,120
Speaker 4: There is a full hour and I watch some a

605
00:33:23,120 --> 00:33:25,480
Speaker 4: bit and it is so crazy.

606
00:33:25,920 --> 00:33:29,200
Speaker 1: We have to play that at the first live show,

607
00:33:29,600 --> 00:33:31,920
Speaker 1: especially if we're doing the first live show a TV

608
00:33:32,360 --> 00:33:35,800
Speaker 1: on a movie that's podcast. I'll be able to put

609
00:33:35,800 --> 00:33:38,560
Speaker 1: it up. Give me back by name more man.

610
00:33:39,880 --> 00:33:45,680
Speaker 2: That's crazy. I was so dramatic. Yeah, so I took

611
00:33:45,720 --> 00:33:47,480
Speaker 2: it so seriously.

612
00:33:47,760 --> 00:33:51,160
Speaker 1: Oh yes, I was charming. It was I'm not saying

613
00:33:51,200 --> 00:33:52,840
Speaker 1: that in any sort of like mocking way, but it

614
00:33:53,520 --> 00:33:56,720
Speaker 1: was charming. How committed you were. I'm literally you were mad.

615
00:33:56,920 --> 00:34:00,200
Speaker 1: Damon committed like to a role that it's like he's

616
00:34:00,200 --> 00:34:03,680
Speaker 1: only doing it two nights, but god damn it, I'm

617
00:34:03,920 --> 00:34:08,520
Speaker 1: get me back my name, mom, so fucking funny, we're

618
00:34:08,520 --> 00:34:09,880
Speaker 1: gonna be able to see it. Man, we have to

619
00:34:10,719 --> 00:34:11,879
Speaker 1: nail a date down.

620
00:34:12,200 --> 00:34:15,360
Speaker 2: Yeah, I mean, we can just stab the screening of

621
00:34:15,440 --> 00:34:16,319
Speaker 2: this performance.

622
00:34:16,360 --> 00:34:18,760
Speaker 1: That's it. It's like there's no show. It's like, welcome

623
00:34:18,800 --> 00:34:23,960
Speaker 1: to beardless, stick with me live. I'm Kevin, I'm John Broker,

624
00:34:24,520 --> 00:34:28,600
Speaker 1: and press play and everyone's like, oh my god, are

625
00:34:28,600 --> 00:34:31,200
Speaker 1: you gonna give him back his fucking name woman? Or what?

626
00:34:31,480 --> 00:34:32,360
Speaker 2: That's the question?

627
00:34:33,040 --> 00:34:37,200
Speaker 1: All right? Hold on, So here's jumping ahead one month.

628
00:34:38,960 --> 00:34:48,400
Speaker 1: Harley in twenty twelve, March of twenty twelve. Wait a second,

629
00:34:48,560 --> 00:34:52,200
Speaker 1: isn't Harley? I mean it should be Harley, but it

630
00:34:52,239 --> 00:34:55,000
Speaker 1: says my buddy. It's eight fifteen. I just woke up.

631
00:34:55,320 --> 00:34:58,560
Speaker 1: Harley is not going to school today because she's claiming

632
00:34:58,600 --> 00:34:59,920
Speaker 1: to be sick. I don't know.

633
00:35:00,200 --> 00:35:02,759
Speaker 2: That sounds like fucking mom.

634
00:35:03,239 --> 00:35:09,800
Speaker 6: It's eight fifteen and I just got thank she's coining

635
00:35:09,880 --> 00:35:10,360
Speaker 6: be sick.

636
00:35:13,440 --> 00:35:14,120
Speaker 1: I'm just checking in.

637
00:35:14,280 --> 00:35:15,360
Speaker 9: I just got your ims.

638
00:35:16,640 --> 00:35:21,200
Speaker 1: She can don't fucking throw me under the boat with

639
00:35:21,280 --> 00:35:24,360
Speaker 1: her bus boat bus with her? Man? All right, hold on?

640
00:35:24,480 --> 00:35:27,000
Speaker 1: So that was I was home, I pressed the wrong one.

641
00:35:27,040 --> 00:35:27,439
Speaker 1: Do you remember?

642
00:35:27,560 --> 00:35:28,040
Speaker 2: Believe me?

643
00:35:28,719 --> 00:35:31,920
Speaker 1: Unable to translate message. This is you on March twenty first,

644
00:35:31,960 --> 00:35:34,080
Speaker 1: twenty twelve at ten or nine am.

645
00:35:35,760 --> 00:35:40,120
Speaker 6: Kyrie, And then I'm calling you say hello and that

646
00:35:41,000 --> 00:35:43,800
Speaker 6: I love you and I miss you, and I mister

647
00:35:44,000 --> 00:35:47,120
Speaker 6: yet sighing home, I said, day and I'm very excite

648
00:35:47,200 --> 00:35:50,680
Speaker 6: to see you and I will. I'm not going to

649
00:35:50,760 --> 00:35:54,759
Speaker 6: school today because I'm sick and you have to call

650
00:35:54,920 --> 00:35:55,480
Speaker 6: me back.

651
00:35:55,600 --> 00:35:59,360
Speaker 1: I love you. Bye, sick my ass?

652
00:36:01,080 --> 00:36:02,280
Speaker 2: Oh my god?

653
00:36:02,600 --> 00:36:06,080
Speaker 1: Are you sure you're in a mi chemrat? In twenty twelve? Yes,

654
00:36:06,560 --> 00:36:09,920
Speaker 1: where's that girl? I don't know this girl, because this

655
00:36:10,000 --> 00:36:14,680
Speaker 1: girl can carry on, she'll carry on, and she actually will.

656
00:36:14,960 --> 00:36:22,600
Speaker 1: She's she is okay, Oh my god. A week later,

657
00:36:22,800 --> 00:36:26,880
Speaker 1: it doesn't make any sense. It's funny the transcriptions, Hi, daddy,

658
00:36:26,880 --> 00:36:33,480
Speaker 1: it's Charlie. Okay. Let's oh some intrigues, some action here

659
00:36:33,600 --> 00:36:36,880
Speaker 1: man March twenty third, twenty twelve. But five fourteen? What

660
00:36:36,960 --> 00:36:41,600
Speaker 1: does Harley? Young Harley, who's not thirteen yet? I'm a

661
00:36:41,640 --> 00:36:44,680
Speaker 1: cusp of thirteen right, because March twenty twelve you're born

662
00:36:45,160 --> 00:36:48,920
Speaker 1: ninety nine, so yeah, in two more months you'll be

663
00:36:49,040 --> 00:36:53,040
Speaker 1: a teenager. But right now, this is what a twelve

664
00:36:53,120 --> 00:36:55,800
Speaker 1: year old sounds like when the police are involved.

665
00:36:57,440 --> 00:36:58,920
Speaker 9: Hi, Daddy, Charlie, and.

666
00:37:00,400 --> 00:37:04,440
Speaker 6: I have wanted to say that when you're coming home,

667
00:37:04,560 --> 00:37:08,920
Speaker 6: not to go out post away near around your castle

668
00:37:09,040 --> 00:37:12,480
Speaker 6: because there's tons of police cars and tons.

669
00:37:12,239 --> 00:37:13,200
Speaker 1: Of fire trucks.

670
00:37:13,719 --> 00:37:18,520
Speaker 3: They found my cocaine, so please avoid at all costs.

671
00:37:18,520 --> 00:37:20,440
Speaker 1: They're going to try to lay it on you.

672
00:37:20,920 --> 00:37:28,200
Speaker 3: I already called the lawyer, sorry and tearing it.

673
00:37:28,200 --> 00:37:30,280
Speaker 6: It's trying to get to our house, but it's walked

674
00:37:30,320 --> 00:37:32,319
Speaker 6: off and then not letting anyone there.

675
00:37:32,719 --> 00:37:35,640
Speaker 2: So if you're going to come home, and come the.

676
00:37:35,680 --> 00:37:38,239
Speaker 6: Other way, and I love you how much I like

677
00:37:38,320 --> 00:37:41,360
Speaker 6: to see you so nice?

678
00:37:43,200 --> 00:37:45,440
Speaker 1: I mean, there's a reason there is easy to say.

679
00:37:45,440 --> 00:37:48,160
Speaker 2: Right, that's crazy.

680
00:37:48,239 --> 00:37:52,120
Speaker 1: But then then you stop calling me and leaving messages.

681
00:37:52,640 --> 00:37:55,200
Speaker 1: Then you you know what happens. You move on to texting.

682
00:37:55,840 --> 00:38:00,440
Speaker 1: Oh so there are no more, my daddy, But I

683
00:38:00,560 --> 00:38:04,920
Speaker 1: have a sea of mamily messages here on my phone

684
00:38:05,600 --> 00:38:11,240
Speaker 1: and I save those. There are some I've never listened to. Really,

685
00:38:11,719 --> 00:38:13,960
Speaker 1: I like some of that are like two minutes long, bro,

686
00:38:15,719 --> 00:38:17,279
Speaker 1: But I always wind up talking to her, so it's

687
00:38:17,320 --> 00:38:19,520
Speaker 1: like whatever she I mean you know, with all due respect,

688
00:38:19,560 --> 00:38:23,080
Speaker 1: Mama is probably listening. I love you, momily. She will

689
00:38:23,160 --> 00:38:25,799
Speaker 1: tend to repeat herself. So but I am saving all

690
00:38:25,840 --> 00:38:28,359
Speaker 1: these and preps. You know what. I know my mom

691
00:38:28,400 --> 00:38:31,719
Speaker 1: she'll be like, oh, Tiger, I'm saving these because when

692
00:38:31,760 --> 00:38:34,360
Speaker 1: I can't speak to my mother anymore, I'm gonna be

693
00:38:34,360 --> 00:38:35,160
Speaker 1: getting new shit.

694
00:38:35,960 --> 00:38:37,279
Speaker 2: That's really sweet.

695
00:38:36,960 --> 00:38:39,319
Speaker 1: You know what I'm saying for a while, and then

696
00:38:39,360 --> 00:38:41,840
Speaker 1: each one listening to a first time, and when I

697
00:38:41,880 --> 00:38:43,800
Speaker 1: was gonna be able to I'll be able to respond

698
00:38:43,840 --> 00:38:45,759
Speaker 1: to her and shit like, yeah, Ma, that'll be good,

699
00:38:45,960 --> 00:38:48,399
Speaker 1: all that kind of crazy shit, and your mom will

700
00:38:48,440 --> 00:38:51,399
Speaker 1: be like, here's are all the money we have urry

701
00:38:51,440 --> 00:38:55,680
Speaker 1: in the yard. I love your mom.

702
00:38:56,280 --> 00:38:59,920
Speaker 2: Oh my god, that's a sweet, a sweet thing.

703
00:39:01,400 --> 00:39:05,279
Speaker 1: Super Nick Sorilla said, Captain, I have to catch you

704
00:39:05,360 --> 00:39:08,920
Speaker 1: in dog Man Atlanta love a Michiman. He lives in Atlanta. Yeah,

705
00:39:09,800 --> 00:39:13,000
Speaker 1: my boy, Nick, I saw him in Black Mirror and shit, oh.

706
00:39:12,840 --> 00:39:15,840
Speaker 2: I haven't watched it yet.

707
00:39:16,280 --> 00:39:20,239
Speaker 1: All right, it is now. Let me just check the tape.

708
00:39:20,239 --> 00:39:21,600
Speaker 5: Takes four four.

709
00:39:21,440 --> 00:39:22,399
Speaker 1: Twenty is it?

710
00:39:22,600 --> 00:39:22,920
Speaker 8: Yeah?

711
00:39:23,320 --> 00:39:26,560
Speaker 1: Happy holidays, Happy holidays everybody. It is four twenty on

712
00:39:26,640 --> 00:39:27,280
Speaker 1: four twenty.

713
00:39:27,480 --> 00:39:31,720
Speaker 2: Wow, Oh crazy, that's nuts.

714
00:39:32,160 --> 00:39:34,040
Speaker 1: I was. I was like, how do I capture that

715
00:39:34,080 --> 00:39:36,600
Speaker 1: on my phone? I guess I can. Nuts, although in

716
00:39:36,800 --> 00:39:38,759
Speaker 1: trying to turn my phone on, I noticed my hair

717
00:39:38,800 --> 00:39:39,800
Speaker 1: looks fucking stupid.

718
00:39:39,960 --> 00:39:41,000
Speaker 2: No, it doesn't.

719
00:39:42,239 --> 00:39:45,400
Speaker 1: Four twenty on four twenty kids, the day that we

720
00:39:45,520 --> 00:39:51,400
Speaker 1: go show Dog Mush. Your mom's gonna sit there and

721
00:39:51,400 --> 00:39:54,000
Speaker 1: watch it. Wow, you're gonna watch you with her?

722
00:39:54,239 --> 00:39:54,560
Speaker 2: I am.

723
00:39:57,080 --> 00:39:58,760
Speaker 1: She thinks i'd be Gary Nikk.

724
00:40:00,120 --> 00:40:00,839
Speaker 8: Suck up.

725
00:40:04,320 --> 00:40:10,480
Speaker 1: The wait. So IF's four twenty, yeah, I should, I

726
00:40:10,520 --> 00:40:11,360
Speaker 1: really should.

727
00:40:12,040 --> 00:40:12,400
Speaker 2: Probably.

728
00:40:12,440 --> 00:40:15,160
Speaker 1: How about this? You got some questions from the audience, Yeah,

729
00:40:15,200 --> 00:40:18,200
Speaker 1: I do. Let's do three questions from the audience, all right,

730
00:40:18,480 --> 00:40:22,040
Speaker 1: and then I gotta go shower and get ready to

731
00:40:23,520 --> 00:40:27,560
Speaker 1: resurrect my fourth film. Wow, get to see it in

732
00:40:27,560 --> 00:40:30,600
Speaker 1: four K man, It's like fucking it is? It is crazy?

733
00:40:31,480 --> 00:40:34,000
Speaker 1: Is gonna be nut? All right?

734
00:40:35,280 --> 00:40:38,239
Speaker 2: How about will there ever be a Yoga Hoser sequel?

735
00:40:38,600 --> 00:40:42,439
Speaker 1: I dream about a Yoga hos Er sequel, and let's

736
00:40:42,480 --> 00:40:44,560
Speaker 1: be honest, if it happens, is probably gonna happen on

737
00:40:44,560 --> 00:40:47,560
Speaker 1: the back of little Mischonelle herself, if she's ever like,

738
00:40:48,960 --> 00:40:52,520
Speaker 1: you know, I think just enough time has passed that

739
00:40:52,560 --> 00:40:55,520
Speaker 1: it could betchy fun to do yogos. I think it'll

740
00:40:55,560 --> 00:40:58,319
Speaker 1: be amazing to actually have you guys be like in

741
00:40:58,360 --> 00:41:01,719
Speaker 1: your fucking twenties or thirties and do yoga hos.

742
00:41:01,600 --> 00:41:03,400
Speaker 2: Would be pretty fucking iconic.

743
00:41:04,000 --> 00:41:06,399
Speaker 1: You could also have kids in the sequel, my god,

744
00:41:07,400 --> 00:41:13,279
Speaker 1: but yes I do, because you know, Yoga Hosers was

745
00:41:14,280 --> 00:41:17,520
Speaker 1: certainly no mistake. But I would like another bite at

746
00:41:17,520 --> 00:41:22,080
Speaker 1: that apple, do it to get it right. So, yes,

747
00:41:22,120 --> 00:41:26,880
Speaker 1: I'm quietly biding my time as Lily Rose continues to

748
00:41:27,120 --> 00:41:29,200
Speaker 1: ascend the Hollywood ladder. And when she gets to a

749
00:41:29,239 --> 00:41:31,360
Speaker 1: certain place, that's when I'm gonna call in my chips

750
00:41:31,360 --> 00:41:34,439
Speaker 1: and be like, hello, how'd you get here?

751
00:41:36,239 --> 00:41:37,880
Speaker 2: Remember where it all started?

752
00:41:38,000 --> 00:41:40,279
Speaker 1: Yeah, I'm I'm gonna say that you dick a car

753
00:41:40,360 --> 00:41:44,360
Speaker 1: to get here. You know what? That car? Car needs gas,

754
00:41:45,160 --> 00:41:49,279
Speaker 1: a little bit of gas. But yes, I do. I

755
00:41:49,320 --> 00:41:51,520
Speaker 1: do still think about a Yoga hos Are sequel. If

756
00:41:51,520 --> 00:41:53,719
Speaker 1: for no other reason, then you know, fuck everybody there's

757
00:41:53,719 --> 00:41:55,760
Speaker 1: like yos, be like, all right, here's more.

758
00:41:57,880 --> 00:42:02,719
Speaker 2: And here's another one. Have you and your father ever

759
00:42:02,800 --> 00:42:06,239
Speaker 2: thought about writing a script together or a documentary? We

760
00:42:06,320 --> 00:42:07,879
Speaker 2: did write a script together.

761
00:42:07,640 --> 00:42:12,239
Speaker 1: We did, but not like a script of something that

762
00:42:12,520 --> 00:42:13,440
Speaker 1: like we could.

763
00:42:13,239 --> 00:42:15,640
Speaker 2: Make or something, but we did write.

764
00:42:16,120 --> 00:42:17,280
Speaker 1: We set GEM script together.

765
00:42:17,360 --> 00:42:20,120
Speaker 2: Yes, for Gem in the Holograms.

766
00:42:19,680 --> 00:42:21,080
Speaker 1: For Netflix got paid to.

767
00:42:21,280 --> 00:42:24,200
Speaker 2: We could have remember those days was crazy.

768
00:42:23,920 --> 00:42:25,640
Speaker 1: Remember money from Netflix days?

769
00:42:25,880 --> 00:42:29,280
Speaker 4: Oh I missed those days that honestly though, it's pretty

770
00:42:29,400 --> 00:42:33,000
Speaker 4: crazy that we were. We fully wrote a gem in

771
00:42:33,000 --> 00:42:36,279
Speaker 4: the Hologram script for Netflix. We did, and it was

772
00:42:36,920 --> 00:42:37,960
Speaker 4: it was fucking fire.

773
00:42:38,440 --> 00:42:43,400
Speaker 1: I'm not going to say, I'm not gonna blame it.

774
00:42:43,520 --> 00:42:48,360
Speaker 1: They started spending money very differently, you know, by the

775
00:42:48,400 --> 00:42:50,799
Speaker 1: time we handed it in and stuff like that. And

776
00:42:50,840 --> 00:42:52,799
Speaker 1: this was a show that like Teddy was like, this

777
00:42:52,840 --> 00:42:54,279
Speaker 1: is an eight to ten million dollar show.

778
00:42:55,360 --> 00:42:57,719
Speaker 2: What the show would have been? So good? Is this?

779
00:42:57,920 --> 00:43:00,239
Speaker 1: Somebody gonna do it? And somebody eventually going to it

780
00:43:00,320 --> 00:43:03,279
Speaker 1: right And then it was also like when Netflix was like,

781
00:43:03,680 --> 00:43:06,239
Speaker 1: we can't do this right now. We could have taken

782
00:43:06,280 --> 00:43:08,840
Speaker 1: it out into the world with Hasbro, but then Hasbro

783
00:43:09,080 --> 00:43:11,880
Speaker 1: was being bought or sold. They were part of E

784
00:43:12,040 --> 00:43:14,680
Speaker 1: one and E one was being bought by Lions Kate

785
00:43:14,920 --> 00:43:18,600
Speaker 1: or something like that. There was this big like we

786
00:43:18,640 --> 00:43:20,960
Speaker 1: can't do anything for a while until this settles out,

787
00:43:20,960 --> 00:43:22,160
Speaker 1: and shit kind of like what's going on in the

788
00:43:22,200 --> 00:43:25,160
Speaker 1: Paramount right now somebody was buying somebody, so they're like,

789
00:43:25,200 --> 00:43:28,880
Speaker 1: we can't even fucking take it out and stuff. And

790
00:43:28,920 --> 00:43:32,000
Speaker 1: then like like a year later, I think we were like, hey,

791
00:43:32,000 --> 00:43:33,720
Speaker 1: what's going on and they're like nothing.

792
00:43:33,840 --> 00:43:37,680
Speaker 2: They were like, we're taking it in a family friendly

793
00:43:37,760 --> 00:43:39,759
Speaker 2: direction more for like they.

794
00:43:39,880 --> 00:43:42,520
Speaker 1: Like you were taking the dicks out of all their

795
00:43:42,560 --> 00:43:46,080
Speaker 1: mouths that you two trashy people put in there. Like

796
00:43:46,160 --> 00:43:51,560
Speaker 1: what our man it was it was family friendly. Maybe

797
00:43:51,760 --> 00:43:54,239
Speaker 1: they might mean A they might mean they're making a

798
00:43:54,280 --> 00:43:57,120
Speaker 1: cartoon again, and B they might mean they're making like

799
00:43:57,360 --> 00:44:00,719
Speaker 1: a kid cartoon because ours was like, you know, at

800
00:44:00,719 --> 00:44:04,720
Speaker 1: the best of a teddy who is the world's biggest

801
00:44:05,080 --> 00:44:07,520
Speaker 1: fucking gem fan and he wanted his own grown up

802
00:44:07,680 --> 00:44:09,759
Speaker 1: show version of it, which I think he's right. It

803
00:44:09,760 --> 00:44:10,839
Speaker 1: could totally fucking work.

804
00:44:10,880 --> 00:44:13,160
Speaker 2: Would it be illegal to read the script one day

805
00:44:13,520 --> 00:44:14,120
Speaker 2: on the PoCA?

806
00:44:14,560 --> 00:44:17,359
Speaker 4: No yeah, no, no no, because we totally should because

807
00:44:17,360 --> 00:44:18,400
Speaker 4: it was really good.

808
00:44:19,000 --> 00:44:23,160
Speaker 1: We will we want to read fucking what was her name?

809
00:44:23,400 --> 00:44:31,480
Speaker 1: Courtney Love? You want to hear a surefire fucking event

810
00:44:32,239 --> 00:44:36,520
Speaker 1: that's podcastles sell the place out would be a script reading.

811
00:44:37,040 --> 00:44:40,640
Speaker 1: We should totally do that. How long is it's only

812
00:44:40,680 --> 00:44:41,000
Speaker 1: an hour?

813
00:44:41,120 --> 00:44:45,720
Speaker 2: Right, Yeah, so that needs to be needs to be heard.

814
00:44:45,920 --> 00:44:49,319
Speaker 1: That could be the show. It could be beardless sick

815
00:44:49,360 --> 00:44:52,200
Speaker 1: list podcast that hands off to a reading, you know,

816
00:44:52,320 --> 00:44:54,799
Speaker 1: because I was like, why don't you perform? We could

817
00:44:54,800 --> 00:44:58,279
Speaker 1: do a reading of gem hologram and pull people from

818
00:44:58,320 --> 00:45:00,319
Speaker 1: the audience to like read the other parts and ship

819
00:45:00,880 --> 00:45:04,720
Speaker 1: like we did the Superman script reading. Remember, yeah, this podcast,

820
00:45:04,800 --> 00:45:05,719
Speaker 1: we could totally do that.

821
00:45:05,800 --> 00:45:06,600
Speaker 2: It's not illegal.

822
00:45:07,719 --> 00:45:09,160
Speaker 1: What reading the GEM script?

823
00:45:09,320 --> 00:45:10,680
Speaker 2: Yeah, sharing the GEM script.

824
00:45:10,880 --> 00:45:12,719
Speaker 1: We're not sharing it, we're reading it.

825
00:45:12,840 --> 00:45:14,640
Speaker 2: So true, there's the difference.

826
00:45:15,080 --> 00:45:19,080
Speaker 1: I'm sure there's some sort of murky thing there. It depends.

827
00:45:19,120 --> 00:45:21,359
Speaker 1: Like basically, what I would do is you can't use

828
00:45:21,440 --> 00:45:25,200
Speaker 1: jem RT, but I would have Nate do our art

829
00:45:25,360 --> 00:45:30,560
Speaker 1: as we be Jim. You'd be jem b Pa. All right,

830
00:45:30,600 --> 00:45:33,319
Speaker 1: so you'd be Pizazz and I'll be Jim. Yes, and

831
00:45:33,400 --> 00:45:36,360
Speaker 1: so it'll be like, you know, yeah, they'll they'll know.

832
00:45:37,160 --> 00:45:39,080
Speaker 2: Just crazy to think that we did that.

833
00:45:40,120 --> 00:45:42,520
Speaker 1: Crazy to think that it's taken us this long to

834
00:45:42,560 --> 00:45:43,879
Speaker 1: be like, let's read it in front of people.

835
00:45:43,960 --> 00:45:44,680
Speaker 2: Yeah, what's the fun.

836
00:45:45,400 --> 00:45:46,480
Speaker 1: That's a marketable hook.

837
00:45:46,840 --> 00:45:49,319
Speaker 2: Thank you for this question that just who is that?

838
00:45:49,360 --> 00:45:49,799
Speaker 1: Who asked?

839
00:45:49,840 --> 00:45:56,160
Speaker 2: Oh, that's so true. Adam rorr Ra Robber, I don't.

840
00:45:55,960 --> 00:46:02,880
Speaker 1: Know, Adam, just like the progenitor of mankind, the first atom,

841
00:46:03,400 --> 00:46:05,560
Speaker 1: you have given us a gift. You pulled your rib

842
00:46:06,440 --> 00:46:09,000
Speaker 1: and gave us an idea, turned it into an idea

843
00:46:09,040 --> 00:46:10,719
Speaker 1: that we're going to take and make money off of them.

844
00:46:10,840 --> 00:46:13,879
Speaker 1: And Adam don't get. Adam don't get.

845
00:46:14,560 --> 00:46:17,879
Speaker 2: I just want people to be like, wow, this should.

846
00:46:17,560 --> 00:46:18,120
Speaker 1: Have been made.

847
00:46:18,360 --> 00:46:20,720
Speaker 2: I want. I want like when they hear.

848
00:46:20,600 --> 00:46:22,440
Speaker 1: The podcast, Yeah, gets out into.

849
00:46:22,239 --> 00:46:25,960
Speaker 2: The world because it was so cool, Like, don't oversell it.

850
00:46:26,040 --> 00:46:28,880
Speaker 1: Let's see how cool it is. Well, you know the autumn,

851
00:46:28,960 --> 00:46:29,839
Speaker 1: I remember.

852
00:46:29,520 --> 00:46:31,960
Speaker 4: It being like I remember when we were coming up

853
00:46:31,960 --> 00:46:36,440
Speaker 4: with everything. Just the way that we were tying shit together.

854
00:46:36,360 --> 00:46:38,520
Speaker 1: Was h I mean, that's the thing. You can read

855
00:46:38,560 --> 00:46:40,480
Speaker 1: the script, but you could also tell them where it

856
00:46:40,560 --> 00:46:41,280
Speaker 1: went because.

857
00:46:41,040 --> 00:46:45,240
Speaker 2: We had a last thing and it was fire true.

858
00:46:45,400 --> 00:46:47,200
Speaker 1: So we could get and you put that up on

859
00:46:47,239 --> 00:46:50,440
Speaker 1: the GEM message board and ship like that. You'll get

860
00:46:50,560 --> 00:46:53,879
Speaker 1: all nine GEM fans had a lot of fans. You'll

861
00:46:53,920 --> 00:46:55,239
Speaker 1: get some of them to come out and be like

862
00:46:55,239 --> 00:46:58,080
Speaker 1: I want to hear what that would be like. Yeah,

863
00:46:58,120 --> 00:46:59,680
Speaker 1: And you'll get people who are like, oh, it's their

864
00:46:59,680 --> 00:47:01,400
Speaker 1: first show him going for that and they're going to

865
00:47:01,480 --> 00:47:03,040
Speaker 1: read a script? Fuck it? Why not? Oh? I could

866
00:47:03,080 --> 00:47:06,480
Speaker 1: wind up reading the script with him. Fucking fucking do

867
00:47:06,520 --> 00:47:09,360
Speaker 1: you know any famous people live on the East Coast?

868
00:47:09,960 --> 00:47:11,719
Speaker 1: If you could start pulling in favors, be like, hey,

869
00:47:11,760 --> 00:47:13,360
Speaker 1: maybe coming down the theater and read a script with me,

870
00:47:13,480 --> 00:47:20,040
Speaker 1: because someone could be like fucked reading the part of

871
00:47:20,440 --> 00:47:29,560
Speaker 1: jab Rose I was talking about, like you know, I

872
00:47:29,600 --> 00:47:31,480
Speaker 1: wasn't even thinking her, but I was talking about, like,

873
00:47:33,040 --> 00:47:35,080
Speaker 1: you know, just fuckers that you did, like indie films

874
00:47:35,080 --> 00:47:36,640
Speaker 1: with and ship like that. There was a movie that

875
00:47:36,760 --> 00:47:38,560
Speaker 1: like we showed it or you showed it to Rebecca that

876
00:47:38,600 --> 00:47:40,680
Speaker 1: I went to, but it wasn't shot in New York.

877
00:47:40,960 --> 00:47:43,239
Speaker 2: Are you asking if Molly Ringwold reads Jim?

878
00:47:43,320 --> 00:47:45,839
Speaker 1: Yeah? What was that young actress? Molly Ringwold? She could

879
00:47:45,840 --> 00:47:49,439
Speaker 1: read gent, she got the red hair? What's her fuck?

880
00:47:49,880 --> 00:47:51,600
Speaker 1: Cloak and dagger? She?

881
00:47:51,840 --> 00:47:52,799
Speaker 2: Oh, she lives here.

882
00:47:52,960 --> 00:47:54,319
Speaker 1: I thought she was in New York. Din't you see

883
00:47:54,360 --> 00:47:55,200
Speaker 1: he in her show in New York?

884
00:47:55,360 --> 00:47:57,280
Speaker 2: Yeah, Olivia, but she was only there.

885
00:47:57,120 --> 00:47:57,640
Speaker 1: For a minute.

886
00:47:57,760 --> 00:48:01,920
Speaker 2: Olivia Holt, Yes, one of my dearest friends.

887
00:48:02,680 --> 00:48:05,399
Speaker 1: Drag her around. Dragging one of your fucking friends. Man,

888
00:48:05,480 --> 00:48:08,439
Speaker 1: who's that? Don't you know something broad on? Roseanne? Ask

889
00:48:08,520 --> 00:48:10,759
Speaker 1: her what's going on?

890
00:48:10,920 --> 00:48:12,200
Speaker 2: Stop using my friends?

891
00:48:14,800 --> 00:48:18,520
Speaker 1: That's that's your mother talking. No Smith would ever say

892
00:48:18,560 --> 00:48:23,080
Speaker 1: that sort of fucking thing. Well, you know, fucking this

893
00:48:23,120 --> 00:48:25,640
Speaker 1: is how we on the show. Wow, call Momily for

894
00:48:25,680 --> 00:48:26,560
Speaker 1: fucking easter.

895
00:48:26,880 --> 00:48:27,759
Speaker 2: Oh so true?

896
00:48:27,800 --> 00:48:31,720
Speaker 1: You know what I'm saying. Oh my god, dear Momily.

897
00:48:32,440 --> 00:48:34,760
Speaker 1: Let's see if she's even on. She would fucking adore

898
00:48:34,840 --> 00:48:37,600
Speaker 1: that mamally mobile.

899
00:48:40,400 --> 00:48:40,840
Speaker 8: Mmmm.

900
00:48:44,719 --> 00:48:47,560
Speaker 1: Her voicemail is funny because it's one of those makes

901
00:48:47,600 --> 00:48:58,239
Speaker 1: you think that she's answering the phone. No, happy Easter, My,

902
00:48:58,600 --> 00:49:04,759
Speaker 1: it's me and Harley easy. Oh good, Bunny, where are

903
00:49:04,760 --> 00:49:06,839
Speaker 1: you asking? Yeah, we're doing the show right now.

904
00:49:07,600 --> 00:49:08,719
Speaker 9: You do the show right now?

905
00:49:09,000 --> 00:49:09,719
Speaker 1: How can I see that?

906
00:49:09,760 --> 00:49:11,799
Speaker 9: I gotta go on? How can I see your brother

907
00:49:12,040 --> 00:49:12,799
Speaker 9: doing the show right now?

908
00:49:12,920 --> 00:49:14,680
Speaker 1: We're not doing it live. You'll be seeing it in

909
00:49:14,719 --> 00:49:18,080
Speaker 1: a couple of weeks. We're pre recording it. Okay, where

910
00:49:18,080 --> 00:49:18,360
Speaker 1: are you?

911
00:49:19,040 --> 00:49:21,160
Speaker 9: I can see I can see you and Harley though

912
00:49:21,640 --> 00:49:24,560
Speaker 9: if on my phone right.

913
00:49:26,000 --> 00:49:29,399
Speaker 1: We can and let me see. Yeah, let me see. Oh,

914
00:49:30,760 --> 00:49:34,800
Speaker 1: I'm pressing the FaceTime button. Let's see. If this works,

915
00:49:35,080 --> 00:49:36,640
Speaker 1: you'll be required to answer it.

916
00:49:37,680 --> 00:49:44,480
Speaker 2: Yes, ok, I just see me.

917
00:49:44,960 --> 00:49:52,080
Speaker 4: Okay, Hi, Gandma, Hi, Hi everybody.

918
00:49:53,200 --> 00:49:54,600
Speaker 2: Oh, thank you so much.

919
00:49:55,680 --> 00:50:06,480
Speaker 8: Happy Easter, Oh thank.

920
00:50:06,200 --> 00:50:16,360
Speaker 4: You, happy to happy to do whatever you need. Grandma

921
00:50:17,680 --> 00:50:21,759
Speaker 4: have a it's a it's a it's fake for but

922
00:50:22,800 --> 00:50:23,520
Speaker 4: it is a coat.

923
00:50:27,239 --> 00:50:29,520
Speaker 1: It was actually a little chili today, last two day

924
00:50:29,560 --> 00:50:31,880
Speaker 1: has been a little chili. But she's wearing that to

925
00:50:31,920 --> 00:50:34,359
Speaker 1: go to the Dogma premiere. The Dogma Premiere is tonight.

926
00:50:34,440 --> 00:50:42,319
Speaker 1: Hello Ma, happy Easter, so good tonight. The tour kicks

927
00:50:42,320 --> 00:50:44,479
Speaker 1: off tonight. So we have two screenings, one at six

928
00:50:44,520 --> 00:50:48,479
Speaker 1: and one at seven. Oh, you guys are all eating

929
00:50:48,520 --> 00:50:58,720
Speaker 1: over don? Where's done? Both my brothers? What up? Kids? What? Uh? Hey? Everybody?

930
00:50:58,719 --> 00:51:00,400
Speaker 1: Happy Easter, Happy Easter?

931
00:51:02,600 --> 00:51:10,719
Speaker 10: Yeah yeah, everyone here, m okay over Don And what

932
00:51:10,800 --> 00:51:11,360
Speaker 10: else we have?

933
00:51:11,840 --> 00:51:15,759
Speaker 11: Oh, Donna was here and uh the whole gang. Yeah,

934
00:51:16,080 --> 00:51:18,880
Speaker 11: and Andrew's here with us alone talking awesome.

935
00:51:19,960 --> 00:51:21,680
Speaker 1: Well you go visit, man, I'm not gonna take you

936
00:51:21,680 --> 00:51:24,920
Speaker 1: away from that. No, no, no, no, I gotta go.

937
00:51:24,960 --> 00:51:29,120
Speaker 1: I got a shower because we got the Dogma premiere. Yeah, yeah, tonight.

938
00:51:29,200 --> 00:51:30,080
Speaker 1: It kicks off tonight.

939
00:51:30,719 --> 00:51:35,400
Speaker 9: Oh that's right, he said, yeah, Yeah, how's my girl?

940
00:51:35,480 --> 00:51:39,120
Speaker 9: How's my and engaged granddaughter.

941
00:51:39,440 --> 00:51:43,440
Speaker 2: I'm really good, Grandma. I'm so excited to go to Disney.

942
00:51:43,480 --> 00:51:46,000
Speaker 2: Thank you so much for your sweet card and gift.

943
00:51:46,880 --> 00:51:49,840
Speaker 9: Oh you're welcome, honey. That was so I'm so glad.

944
00:51:49,880 --> 00:51:51,960
Speaker 9: I wish it was that you were out here and

945
00:51:52,080 --> 00:51:52,719
Speaker 9: not out there.

946
00:51:53,160 --> 00:51:53,520
Speaker 1: I know.

947
00:51:53,880 --> 00:51:58,560
Speaker 9: I wish you have a good time.

948
00:51:58,880 --> 00:51:59,840
Speaker 2: Thanks Grandma.

949
00:52:00,760 --> 00:52:00,960
Speaker 1: Right.

950
00:52:01,480 --> 00:52:05,680
Speaker 9: Oh, I love you, Harley, I love you. So what

951
00:52:05,680 --> 00:52:06,360
Speaker 9: are you gonna do?

952
00:52:06,480 --> 00:52:07,239
Speaker 1: You know? Uh?

953
00:52:10,000 --> 00:52:13,359
Speaker 2: Yeah, Hi.

954
00:52:15,440 --> 00:52:20,000
Speaker 10: So it's supposed to be preferred view, which is like

955
00:52:20,040 --> 00:52:21,320
Speaker 10: the fool area and everything.

956
00:52:21,560 --> 00:52:23,640
Speaker 9: I hope you see if you can get.

957
00:52:23,440 --> 00:52:27,160
Speaker 10: The rooms that are like not in the tower but

958
00:52:27,320 --> 00:52:30,960
Speaker 10: to the right by the pool. They're like two levels

959
00:52:31,000 --> 00:52:34,520
Speaker 10: and they're like little mini apartments, like overlooking the pool.

960
00:52:34,640 --> 00:52:35,279
Speaker 9: That's what I got.

961
00:52:35,600 --> 00:52:35,880
Speaker 1: Cool.

962
00:52:36,239 --> 00:52:39,359
Speaker 2: Oh my gosh, that sounds amazing. I'm so excited. Thank

963
00:52:39,400 --> 00:52:40,240
Speaker 2: you so much.

964
00:52:40,360 --> 00:52:41,440
Speaker 1: You're on a podcast, bro.

965
00:52:42,440 --> 00:52:46,319
Speaker 5: When you're gonna go, honey, I'm leaving in a couple

966
00:52:46,360 --> 00:52:47,080
Speaker 5: of days.

967
00:52:47,960 --> 00:52:48,520
Speaker 9: Oh cool.

968
00:52:49,080 --> 00:52:53,399
Speaker 11: Yeah, this week I realized it's so close. I hope

969
00:52:53,400 --> 00:52:55,840
Speaker 11: you're gonna have a great time and get Boston a

970
00:52:55,920 --> 00:52:59,880
Speaker 11: kiss from me and Uncle John and uncle Jerry and uh,

971
00:53:01,520 --> 00:53:02,239
Speaker 11: Andrew's here.

972
00:53:02,560 --> 00:53:05,840
Speaker 9: That's your cousin. Your father will exp.

973
00:53:07,760 --> 00:53:13,800
Speaker 10: Not that kind of intimate kiss though, you know, just.

974
00:53:09,960 --> 00:53:14,600
Speaker 1: Like, Okay, I love you.

975
00:53:16,400 --> 00:53:17,239
Speaker 9: I love you too.

976
00:53:17,360 --> 00:53:20,120
Speaker 11: I'm so glad to see you and hear you.

977
00:53:20,120 --> 00:53:23,040
Speaker 9: You put your ring close to the TV, so I mean.

978
00:53:24,640 --> 00:53:43,160
Speaker 2: Yes, it's Tourmaline the Oh my gosh, thank you. It

979
00:53:43,280 --> 00:53:45,680
Speaker 2: represents love and compassion.

980
00:53:45,160 --> 00:53:50,160
Speaker 9: Buddy here, So I'm so glad. What are you gonna

981
00:53:50,160 --> 00:53:51,600
Speaker 9: do with tonight? Take off?

982
00:53:52,000 --> 00:53:54,279
Speaker 1: Yeah, well Daddy's got to take off cha right now.

983
00:53:54,320 --> 00:53:57,680
Speaker 1: So I love you very much. Happy Easter, I know.

984
00:53:57,800 --> 00:53:59,279
Speaker 1: But they're gonna smell me when I leave, and I'm

985
00:53:59,280 --> 00:54:01,080
Speaker 1: gonna be late. You can make me late. If I'm late,

986
00:54:01,080 --> 00:54:02,759
Speaker 1: I'm gonna blame you. I'll be like. This comes from

987
00:54:02,760 --> 00:54:13,560
Speaker 1: my mother directly, I do. All the time. I was like,

988
00:54:13,560 --> 00:54:15,399
Speaker 1: it ain't me, I was. I was raised this way.

989
00:54:15,480 --> 00:54:18,000
Speaker 1: I learned it from you, all right. I love you, all,

990
00:54:18,000 --> 00:54:21,400
Speaker 1: talk to you later. I love you all. Talk to

991
00:54:21,400 --> 00:54:27,319
Speaker 1: you layer bye bye, okay, honey, Oh my god. Like

992
00:54:27,360 --> 00:54:34,959
Speaker 1: I said, I got a bunch of saved messages and stuff. Uh, yes,

993
00:54:35,800 --> 00:54:37,560
Speaker 1: I was just reading messages and stuff.

994
00:54:38,040 --> 00:54:39,839
Speaker 2: I'm still doing a podcast.

995
00:54:42,040 --> 00:54:47,080
Speaker 1: What the fuck it's Easter, that's I mean in the past.

996
00:54:47,120 --> 00:54:49,960
Speaker 2: It's Eastern's go crazy.

997
00:54:50,120 --> 00:54:53,040
Speaker 1: This is the Easter Egg Show. It's full Easter. My

998
00:54:53,040 --> 00:54:55,400
Speaker 1: brother made his podcast, abut I don't think I've ever

999
00:54:55,440 --> 00:54:57,680
Speaker 1: even had him on a podcast before. Wow, for all

1000
00:54:57,680 --> 00:54:59,360
Speaker 1: anybody knew my brother didn't exist.

1001
00:54:59,520 --> 00:55:01,200
Speaker 2: I don't need and think he knew he was on

1002
00:55:01,239 --> 00:55:01,960
Speaker 2: the podcast.

1003
00:55:02,040 --> 00:55:04,840
Speaker 1: I was hoping that he wasn't. Just like, let me

1004
00:55:04,880 --> 00:55:09,720
Speaker 1: tell you another fucking thing about that. Yeah, that guy kids.

1005
00:55:11,360 --> 00:55:15,480
Speaker 1: Dogma the Resurrection Tour continues. If you're listening to this,

1006
00:55:16,600 --> 00:55:19,160
Speaker 1: it was pre recorded weeks ago because I was going

1007
00:55:19,200 --> 00:55:21,000
Speaker 1: on tour and stuff, which means we're still on tour,

1008
00:55:21,200 --> 00:55:23,600
Speaker 1: which means tickets are available at Dogma Movie dot com

1009
00:55:23,760 --> 00:55:28,000
Speaker 1: or June fifth. This fucker opens everywhere. Dogma the Second

1010
00:55:28,000 --> 00:55:32,640
Speaker 1: Coming Man resurrected on screens everywhere starting in June fifth.

1011
00:55:32,680 --> 00:55:35,560
Speaker 1: You can get tickets at your local movie theater for

1012
00:55:35,600 --> 00:55:38,520
Speaker 1: that because it's anywhere, or Iconic Events Now dot com

1013
00:55:38,600 --> 00:55:43,200
Speaker 1: or Iconic Events dot Com I think, or any AMC theater.

1014
00:55:43,920 --> 00:55:45,359
Speaker 1: Come see me on the road and be like, oh,

1015
00:55:45,360 --> 00:55:48,000
Speaker 1: I just listened to the podcast, I'll know it's you.

1016
00:55:49,760 --> 00:55:51,680
Speaker 1: But if you come up to me and you go

1017
00:55:51,880 --> 00:55:54,840
Speaker 1: the past is the present and the the past is

1018
00:55:54,840 --> 00:55:56,719
Speaker 1: the future and the future is the past. That's our

1019
00:55:56,760 --> 00:55:59,319
Speaker 1: code work. Then I'll be like, you're a dick Lit,

1020
00:55:59,400 --> 00:56:02,080
Speaker 1: You're a dick I'll say that loud. If I pick

1021
00:56:02,160 --> 00:56:06,239
Speaker 1: you in the crowd and you're like you know, I'm

1022
00:56:06,239 --> 00:56:08,799
Speaker 1: like yes, and you're like I just wanted to say

1023
00:56:08,840 --> 00:56:10,640
Speaker 1: that the past is the future in the future is

1024
00:56:10,680 --> 00:56:12,120
Speaker 1: the past. I'll be like, and I just want to

1025
00:56:12,120 --> 00:56:16,040
Speaker 1: say you are a dick Lit be like what, and

1026
00:56:16,080 --> 00:56:17,560
Speaker 1: then I'll have to explain.

1027
00:56:17,320 --> 00:56:20,919
Speaker 12: Oh my god, please, good times on the road, good

1028
00:56:20,960 --> 00:56:24,200
Speaker 12: time even though we people are listening to this, like

1029
00:56:24,320 --> 00:56:27,400
Speaker 12: nearly a month later, A happy Easter to you, Oh.

1030
00:56:27,320 --> 00:56:38,440
Speaker 2: Happy Bill's Day to you.

1031
00:56:34,320 --> 00:56:39,160
Speaker 1: And uh not for nothing. You can take this advice

1032
00:56:39,239 --> 00:56:41,520
Speaker 1: or not. I would go back to that voice.

1033
00:56:41,920 --> 00:56:44,359
Speaker 2: Thank you know what.

1034
00:56:44,920 --> 00:56:47,200
Speaker 1: I try to do it, try to do it.

1035
00:56:47,400 --> 00:56:49,600
Speaker 2: I think I was doing it on the phone with Grandma.

1036
00:56:50,360 --> 00:56:53,120
Speaker 2: Let me see, all right, pretend to be your grandma.

1037
00:56:54,760 --> 00:56:58,759
Speaker 1: Hi, Hi Grandma? You did you turned it out?

1038
00:56:59,200 --> 00:57:02,080
Speaker 2: I fucking turn that bitch off.

1039
00:57:02,200 --> 00:57:02,879
Speaker 1: I really did.

1040
00:57:03,120 --> 00:57:05,000
Speaker 4: I heard my voice coming out and I was like,

1041
00:57:05,160 --> 00:57:07,360
Speaker 4: what the Fuck's that's?

1042
00:57:07,400 --> 00:57:11,680
Speaker 1: It's the you that you're unfamiliar with because you don't

1043
00:57:11,719 --> 00:57:12,640
Speaker 1: do it that much.

1044
00:57:13,280 --> 00:57:16,320
Speaker 2: As the phone call was happening, I was like, oh my.

1045
00:57:16,240 --> 00:57:17,760
Speaker 1: God, she's past the future.

1046
00:57:17,800 --> 00:57:19,600
Speaker 2: In the future is the present because this is bad.

1047
00:57:20,000 --> 00:57:21,800
Speaker 1: She's back and she's taking over again.

1048
00:57:21,960 --> 00:57:22,720
Speaker 2: It was scary.

1049
00:57:22,920 --> 00:57:25,520
Speaker 1: It's like your dark Phoenix saga, Oh my god. But

1050
00:57:25,600 --> 00:57:28,000
Speaker 1: instead of being like this cosmic entity that can destroy

1051
00:57:28,040 --> 00:57:33,240
Speaker 1: the world, he was just startling hip hi boo, can

1052
00:57:33,280 --> 00:57:36,160
Speaker 1: we have nucchi now? He's like, all this sucks in

1053
00:57:36,240 --> 00:57:38,520
Speaker 1: that voice. We'll never have no g again if we

1054
00:57:38,560 --> 00:57:43,120
Speaker 1: gonna ask like that when you're singing you're a star

1055
00:57:43,320 --> 00:57:49,400
Speaker 1: now star. Actually that's pretty fire. You know. You give

1056
00:57:49,480 --> 00:57:54,560
Speaker 1: chappell ronan run for her money with that so close

1057
00:57:55,720 --> 00:57:58,000
Speaker 1: there it is. Kids, there's your beardless tickless me for

1058
00:57:58,000 --> 00:58:00,120
Speaker 1: this week. For birdless Tickless Me and Kevin Smith, I'm

1059
00:58:00,120 --> 00:58:12,240
Speaker 1: Harley Quinn. You have a beer the Stickless Day. This

1060
00:58:12,320 --> 00:58:16,880
Speaker 1: has been a podcast production, some podcast podcast using our

1061
00:58:16,920 --> 00:58:23,600
Speaker 1: mouths on you since two thousand and seven. Hey kids,

1062
00:58:23,600 --> 00:58:25,520
Speaker 1: did you like what you just heard? Well, guess what

1063
00:58:25,560 --> 00:58:29,040
Speaker 1: We've got tons more man thousands of hours of podcasts

1064
00:58:29,120 --> 00:58:33,040
Speaker 1: waiting for you at that Kevinsmithclub dot com. Go sign

1065
00:58:33,120 --> 00:58:33,560
Speaker 1: up now.