There is very little time or point in an explanation. To be blunt,
the audio came from a timeline and dimension that has collapsed
at a quantum level, rendering it null and void in terms of
existence. Operational time in the dimensional continuum where
the beings that created the audio collapsed in on itself,
rendering all of their civilization, including technology, null and void.
Timelines across the entire continuum are collapsing and
changing. The destruction has a nexus that centers on Cinema PsyOps.
10 years. Man 10.
10 years.
10 years. Man 10 years. 10 years.
10. 10 years.
10 years.
What is the most likely way humanity will be wiped out? Maybe it's something.
Or us. Although the way the world ends might be
because of you. And if this is the case, you wouldn't have any
control over it. The global temperature rise underscores a chilling
reality. Our planet is trying to tell us something, but we
don't seem to be listening. A recent study has suggested that one. Third of annual
deaths due to heat are directly related to global warming.
On top of the initial flash of thermonuclear
light, which is 180 million degrees, which catches every everything
on fire in a nine mile diameter radius. On top of the
bulldozing effect of the wind and all the buildings coming down,
and more fires igniting more fires on top of the radiation if
they happen to have survived poisoning people to death. On top of all that,
each one of these fires creates a mega fire that
is a hundred or more square miles.
Timelines across the entire continuum are collapsing and changing.
The destruction has a nexus that centers on Cinema Psyops.
A breathtaking scientific revolution is taking place.
Biotechnology has been progressing at stunning speed,
giving us the tools to eventually gain control over biology.
Solving the deadliest diseases while also creating viruses
more dangerous than nuclear bombs, able to devastate
humanity. It's man returning to the
most primal, violent state as people fight
over the tiny resources that remain.
What if the world we live in. Is just a dream or a simulation?
Whether it's a dream or some advanced computer game you are playing right now,
when it ends, you would be what causes the end of the world.
Please do us all a favor. Continue dreaming or playing this game
of life. Because when you wake up or unplug, there's a chance the rest
of us will be blaked out of existence. Timelines across the entire
continuum are collapsing and changing. The destruction has a nexus that
centers on Cinema syn.
10 years. 10 years.
Hello,
hello and welcome to the 491st
consecutive week of Cinema Psyops. I'm your host, Kurt,
the guy that couldn't be any happier to be covering Giant monsters
fucking shit up to end our year 10 run. And joining me in
the joy of talking all things giant and Kaiju is my co host.
They're coming to get us. Is it weird
that I look at these people only have to dealing with George monsters
and I'm jealous of them. Right. We're like oh really?
Like you have evacuations in place place and like by
this movie by Gyaja the three headed monster. When there's monsters
about, man, the Japanese defense forces have their down. They're like yeah
man, we can't stop them, but we can at least, you know, direct them with
the tank fire and sacrifice our defense forces
to try and get citizens out. The evacuations are efficient and
fucking incredible. You know, like they want to help. Yeah,
yeah. Like people are actually like working together to get shit done.
Like it's completely unrealistic now that we've seen the way that people actually are
in 2024 and that's never going to happen. Yeah, that's just not
going to be a thing that's going to take place. Maybe in a fantasy world
in the Japanese culture of the 60s people be like that.
But yeah, here in America nowadays that's not happening. Now here in America
they're going to be using other people as pavement to run away.
Yeah, right. If they're not charging towards it in their fucking
Hummer or their cyber truck with guns a blazing, they're going
to. Take out, we're going to take it down. Right,
Right. King Ghidorah shows up in America. Some kid doing
a fucking tick tock, you know, D in front of it, my city's falling
apart. But watch his dance. Watch me nae nae. Right? And then watch
me as Ghidra destroys my city.
Yeah, it's a depressing world
that we live in now. But you know what? We've got these giant monsters fucking
shit up to make things feel better when we talk about them. So yeah,
right. So there you go. Yeah. Once again the box set giveth and
the box set taketh away the box. Seth giveth me an English dub
next week and taketh away one from you this week. Yes.
So I feel like we're going to have another short episode on our hands.
I don't know. Probably because it's, it's, it's not that much to
go through. I mean sort of. Yeah, well, we'll see monsters.
Things happen on earth, people choose to ignore it. Monsters show up.
Monsters fuck shit up. And we find a way to Ask
other monsters to help stop one monster for fucking shit up.
There you go. Movies done. We go on. Well, I can talk about some of
the differences in how the story is laid out from the actual existing
English dub that I can remember versus the Japanese
language with subtitles that you and I watch because they're very different.
Even in mine, the language,
whenever it's dubbed, there are entire lines that are just left
off the table that they didn't even bother dubbing and they just let go.
And the subtitles, if you have to have them on to read some of the
things like newspaper articles and such, which is a pretty big complaint I have for
these Blu Rays. If you have an English language version that you select
from the menu, it should have the English language subtitles
that you need pop up on the images that need
them. Like with newspapers and things. If you choose the English language dub on
these Criterion discs, you still have to turn the subtitles on whenever something
like that pops up and it's all subtitles or no subtitles,
there's no forced subs for those specific things. That's just
bad. That's just really fucking lame that you did it like that.
Criterion. I'm just saying.
But it's a minor complaint that made me
do a little bit of extra work for my notes next week. But you had
all the work for all of the notes with all of the subtitles and
a lot of dialogue. That's expository too. I do not envy you
the task of this week's show. Not at all. No, this thing sucks.
It's a great fucking movie. But yeah, it was a lot of goddamn work.
I can only imagine, my friend. Yeah, as we have been doing before on all
the previous pirate radio edits, all songs
released in the same year, or at least very popular and
charting in the same year as the movie that we are discussing.
Ghidorah, the Three Headed Monster released in 1964.
So all songs from 1964 this week for the pirate radio edit up
first we're gonna have the Dave Clark 5 back on the fucking show with.
Because immediately following this, this'll keep
part. I'm reporting to you from the Psyop copter
one over the Legion podcast headquarters. What is it that you
are currently seeing? Well, it seems to be just
a massive amount of people saying all sorts of things.
The word buck is almost like a comma at this point. It's a large crowd
of foul mouth people outside of Legion podcast network.
Is that correct? That is correct. And they're growing by the hundreds,
every minute they are storming the walls. I would not
want to be in there. Are you sure you are in Safe.
Location And I'm high above it in the Psy Hop Copter one.
Matt, when did you get a budget for a helicopter? I did some things.
Things I'm not proud of, but see, anyway.
This group is getting even worse now. This is more garbage
people than I know what to do with now. When you say garbage, do you
mean they are literally made of garbage, man? No, they have
bad potty mouths. That's. That's what's happening here. This terrible
word. They're swearing at the building. They're swearing at it. And if they want to
do half the things they say they did to, it'll be horrific.
I mean, truly just horrific. And there better be condoms.
Lots of condoms. Oh, Mary mother of God.
The walls just come out of the building. It just crumbled.
More of these garbage people are flowing out repeating
such metal. That's dangerous. Horrible film.
Now, Matt, I hear that this Legion podcast headquarters is
no less than a half a mile from the current station for Psyops
radio. That's right. You might want to start laying low. Oh,
God. Oh, no. I think one of them seen me. I gotta
go. I gotta go. I think we've lost him. We've lost him, Matt. Get somewhere
safe. Looks like we have him back. Are you there? What's going on? Matt,
are you there? Gord, I'm here, Matt. Are you someplace safe? Court,
are you there? I am here, Matt. Gotta keep it down.
I'm hidden in an old shed. They're outside,
but I don't think they know I'm in here. Are you whacking off in
the shed? Yes. The fear boner is real. It's at
full mast. Keep it quiet. You know how you like to get loud.
I'm a screamer, this is true. But I think I'm going to silently orgasm.
Are you capable of that? It's going to feel real good. It's so
intense. I think I want to peek out just so I can maintain eye
contact with one of them. I wouldn't do that. Match. Stay safe.
Stay inside. Stay masturbating. It will keep you calm.
You're not my real mom. Shut up. Don't. I want. Oh,
God. Oh, God. What? Busted through. Oh,
Jesus.
I think we've lost Matt.
I was not letting that go a little bit longer behind the scenes for any
particular reason other than Matt had to go change clothes because his house is
now actually warm. And yeah, the Weather's getting weird.
Yeah, it's like instead of winter, let's go directly into Silent Hill months
for Omaha. Yeah, yeah. Where it's all foggy and shit constantly.
Right. And I'm such the edgy gamer guy to make the reference of looking like
silent hell. Totes edgy. So sedgy.
Well, let's carry this edginess into our review for Ghidra, the three headed monster from
1964. All right, so we see a
reporter goes to a UFO society, but they deem it's a failure
because she's still a skeptic of it. We then cut to her brother,
who's a detective. He's going to guard a princess when she gets into Japan.
But the princess is on a plane and a alien
tells her to jump out of the plane, so she does, and then the plane
explodes and crashes. We have some guys
who are searching a forest and they find a large meteor
that has landed. It's very magnetic. The detectives are talking
about the princess's plane crash and whether it was like another government
or her family who was trying to kill her.
Then this young reporter is going to go talk to a proclaimed
prophet of Venus and she's saying, Earth will be destroyed.
And there's some weird stuff happening at mountain asio.
Aso. And we find out that, oh,
hey, this prophet is the princess scientists at
Mount Oio, they're like, nothing's wrong, of course,
as they do. And then the detective reporter, they both go home.
They're watching TV with their mom. And one of the shows we see, the twins
of Mothra show up. It's like a. Where are they now? And they're there.
Well, the detective decides to leave. He's just going to read the paper and he
sees a picture of the Venus lady and knows it looks just like the princess.
So he's shocked. The princess's uncle,
we cut to him, he sees the same thing and he hires an assassin to
kill her because he's like, that plane crash should have killed her.
So the brother and the sister, they're also going to go looking for the princess
for different reasons. And they're talking to a friend when
they see her on TV at the mountain. She tells people to leave
and. But no one's listening to her. Finally, a hat blows
down some guy's hat. And he pays another guy 200 yen to go get it.
I thought it was the guys go it. No. Well, so his,
his hat. But his wife gave it to him, right? Okay, that explains why the
wife was like, so Adamant about him getting it. Sorry to interrupt. No, you're fine.
Because this is how quick things go. Right. As he gets the
hat, Rodan comes out of, like, just of that
hole in the mountain. And he flies up, starts up.
Guess what, folks, we just received into the first 30 minutes.
Yeah, it goes really, really quick. And a lot of it is a lot of
setup. But what you described is essentially what happens.
And, yeah, you can distill it all down because a lot of it is dialogue.
Just telling us this is the sort of thing that's going to be happening and
that strange things are afoot in various areas and
bad things are afoot. Yeah. Is this the mountain that Rodan
was once in? Or is this what's left over after it got buried under
a volcanic rock? Or is this a different Rodan? Yeah, right.
We don't know. We just don't know. I would submit to you
that it does not matter. Because what is clearly a Rodan has surfaced.
And so there. Therefore, that is Rodan. Yes, yes. We have Rodan.
Rodan is here, and we're all in trouble. It's kind of like we're
going back to all our old stuff,
Right? Well, the existence of a Kaiju is proved
by the fact that it is currently destroying buildings in your vicinity.
Yes, the Kaijus are real. And if you don't think they are, well, that's a
problem. Well, there's also that. But saying whether or not that there
is another Rodan or if there is just a Rodan does
not fucking matter where this one came from. Only matters
in that it is immediately in your presence and destroying buildings in
your vicinity. You get what I'm saying? That's why these people no longer
care where these creatures are coming from. Yeah,
yeah. They're just there. We don't really care about why they're here.
We just know they're here, and it's really fucking us up. Yeah. There is a
threat in the horizon, and currently that threat is
a Rodin shape. Yeah, yeah, yeah. And it's. It's bad.
This is bad. This is not good. It's bad. Right,
right. So whenever people get super hung up about which version of Godzilla
are we dealing with? Like, you know, is this the same Godzilla
that has been fighting King Kong and dealing with Mothra
and being, you know, sent away and then coming back? In some cases,
yes, but in most cases, no. Yeah. You know, like,
we don't really even know. We just kind of assume
that whenever it's Godzilla, it's Godzilla. And whether or Not. It's the Godzilla
of all the previous movies that we've seen with Godzilla does not matter because in
our hearts, it is that Godzilla. Yeah,
it is that Godzilla. And that's what's happening now.
Yeah. So, I mean, we're here at the first 30 minutes and we're kind of
padding some things out with a little bit of this discussion. But I think it
kind of bears repeating here because this is kind of the
demarcation point. I think this is the movie that it starts really
tipping into full scale kids film. Because the next movie is 100%
a straight up sci fi kids film. Yeah, exactly. Yeah. This is where everything
is supposed to be more scary to kids than anything else. Yeah. And it's
trying to have it both ways with this
where it tries to get more serious and grim. Like the
destruction that we see when the Kaiju destroying shit. But at the same time,
the responses towards it and the way that people are reacting
towards it are more like a kids film where they're trying to play
off the horror like, oh, it's not that bad. We're used to it now,
you know, and these are just giant monsters and now look, a threat from outer
space. Right. Like, that's kind of where they're going. And it really tips over
once Ghidorah shows up. I think Ghidorah is the demarcation point of
when Godzilla movies go. Kid movies. Yeah, exactly. I agree. Because I
always felt, because I didn't know the history of Kaiju films, that they were
all made to be these kid films kind
of, you know, when I didn't know any better when I was a
kid because I never felt they were scary. You're just kind of fun to watch.
I didn't get a Kaiju movie as scary until
I watched the 1980s King Kong. For some reason that scared me.
And I don't know if it's because it was set in present time type shit,
you know, from when we were watching it. But yeah, so there you go.
I can totally see that. I think that a lot of people are
in the same mindset as what you are. It's like wrestling
that's kid stuff. That's fake. Yeah. Like they don't. They don't really distinguish
between the differences of what wrestling could or couldn't be.
They always, when they think wrestling, they think wwf,
which was cartoony and stuff. And then you show them the
NWA wrestling that was on at the same time as Vic Man's
wwf and it's blood and it's The
Four Horsemen breaking Dusty Rhodes's hand when
he was just trying to get in his car in front of his family,
in his home. And Dusty Rhodes with the acting job of the century,
screaming like a stuff pig, getting murdered.
And you realize, okay, well, some of this is actually, this is that you don't
want your kids watching this. Vince. That was Vince's whole idea
to get money was, you know, who's going to. Who spends money?
Technically, children do. They get their parents to buy their shit.
So there you go. Well, and that's kind of where Toho ends
up dipping their toes a little bit. Because giant monsters do attract kids, particularly dinosaurs,
for fuck's sakes, you know? Yeah. And a nuclear powered dinosaur with
atomic breath that is essentially undefeatable.
It starts to attract the kids and then, then Godzilla's played
a lot more for laughs. We saw a little bit of that in the previous
movies with Godzilla coming to and like stumbling around and stuff, you know.
But this, like I said, Ghidorah's appearance,
100% is where it crosses over from being just Kaiju
movies to just 100% being more kids oriented in this series.
Kind of reminds me, I thought Jurassic park was
gonna be way more of a kids movie than it turned out to be.
Yeah, I could see that. I really did. Like, I knew, okay,
you're gonna have. When it first out,
I don't know, it was like, I think I was either in seventh
or eighth grade, something like that.
But I still believe it was before I moved actually to Omaha. And I
remember seeing it and going, okay. I mean, when you really listen to it,
like after they explained you in the very beginning of the movie how raptors
kill people, and then, you know, when the raptor kills a guy, you're like,
that's bad. That that's. I mean, like, it's way more adult than what
you thought. But I went into it thinking kids movie.
And they sure marketed it kind of as a kids movie. Toys and shit.
Well, yeah. I mean, they were also marketing aliens like decades after
it was released. That's true. Yeah, that's true.
Aliens. Horrific, right? As far as like, well, being able
to like watch, watch it for toys age children and
such. Yeah, it's. I mean, they do the same thing with Godzilla.
So we're in like very similar territory to what we're talking about.
It's just that the kids in the 60s kind of experience that. And there's a
lot of stuff in the Godzilla movies before this that are still
sold as like, for kids that Are super bloody and everything. And just wa.
We get to the ones in the 70s where they're 100% a kids film,
but they go back to being really bloody. And it's just like, what the are
you doing too? Yeah, right. All right, we can move on to
the next 30. I think that's a good headspace to be. And I just kind
of wanted to talk about it because we're not there yet. But we are at
the point where it crosses over to kids films in this movie. Yeah. Once ghidorah
pops up, we're there. So the assassins land and
starting the next 30, and they're driving and they're like, hey,
listen, we have no problems. The cops are busy with other stuff.
And they turn on the radio. We hear, like, the research teams at the mountain
Mountain. They're the only people get to be there. They are all
very scared of this meteor that landed. And then
we see the twins are getting ready to leave in a boat. But the princess,
who's now the venus prophet, says the
not to because the. The ship is doomed. The reporter lady,
she takes our venus prophet prince princess to
the hotel. Then we see cops interviewing the fisherman
because they found a gold bracelet that the princess had had. She had
traded it for his. Ha. Then one of the cops
remembered the interview with the UFO guy Explaining the princess survived on
the plane because she fell into another dimension, Then came out back to our
dimension, as one does. And it
was a weird spot just to throw that in Just for an explanation as
to what happened. But. All right, this is like, where they're just testing the fabric
of the reality of this movie where they're like, if people are going to buy
this as an exclamation as to how the princess survived, Then they're going to be
cool with everything else that's about to happen. They're going to be cool. Cool.
Four giant kaijus all fighting one another, right? Or all
fighting. Or three giant kaijus fighting one other super
giant kaiju. Or more or less the giant alien
life form that comes to earth to try and conquer it in kaiju form and
gets repelled by three other kaiju. Like, that's the. That's the. There you go.
That. That too. That's better. They're. They're testing. They're testing your willingness
to press the I believe button where if you're like, oh, yeah, that's probably
how this princess survived. Right? Like, if you're willing to go along with them on
this. This, Then you're not going to Question anything else. But also,
if you're not willing to go along with them on this, but you're
totally fine with a threat from outer space in the form of a kaiju just
coming to earth and somehow surviving the atmosphere, but getting its ass kicked by three
other Kaiju and then leaving again and surviving the atmosphere, leaving. Like, if you're not
going to question any of that, but you're going to question this, then you're in
the wrong headspace. Exactly. I mean, what are you even doing watching
a Kaiju movie to begin with, right? You'd probably enjoy something
that makes a lot more sense and is a lot more dull than this,
man. Just move on to that.
So then they're going into the room,
and she sees the assassin. The assassin sees her and
they can't. They know each other, obviously. And so they go in the room and
the assassins are like, let's go get her. And he's like, well, hold on.
The other guys with him. Because I don't know if that's her now. She had
no reaction to seeing me. So he doesn't know if that's her now. Well,
while they're in the room, we see the twins have stowed
away and they're with them in the room. And they said they weren't gonna
late. They weren't gonna go on the. Because the prophet told them not to.
And then the prophet says, it's far too late for the ship now.
And as we see the ship at sea, Godzilla appears. It destroys that
fucking thing. We cut back to scientists on the
mountain and they say it's weird because the meteor sounds like it's growling.
But then all their tools get drawn to it again magnetically.
We see assassins. They break in to the hotel
room because the reporters are the room. But the princess is like,
I don't know who they are. And when they call her a princess, you know,
she goes, I don't know who that is. I. I've never heard of such a
person. We cut to the cop bro. Oh, and then he
shows him a blade. He goes, are you sure you don't recognize his blade?
Because I killed your dad with it. She's like, I don't. I don't know what
you're doing. She has no emotion through all this, the cop
bro shows up and he's pretty pissed off at his sister. So he goes,
you gotta bring. Take me to her. They go, but the twins warn them of
the assassins, and he's able to dispatch them and get them the hell out.
They run away we see Godzilla then up a city,
and then he looks up and sees Rodan flying around. Cop in the sister.
They're taking the princess to a psychiatrist just to see if they can help.
The psychiatrist says she seems normal and she tells everyone
the earth will end as King Ghidorah is here.
We see more Godzilla and Radon and
they're fucking shit up. And then right in front of us,
the king hatches in front of all the scientists on the mountain and
he comes up. So we're pretty as the kings here.
Cities are being mass evacuated now. The king is continuously
fucking shit up, much in the way Mothra does with his wings.
It's. It's always the wings. Rodan, Mothra and
the king, they shit up their wings. Yeah, but it's
more. Mothra's got the most power for it. And then there's Ghidorah
is just overpowered because Ghidorah has to be the end all be all threat.
He's op. So the. The army
is coming up with plans and a council. They're all trying to figure out what
to do. More planning or more battling. I don't even know
if Godzilla and Rodan are technically battling right now.
They're just in the same areas up, but you don't see them qu like fucking
with each other. You know what I mean? Yeah, they don't really get into fucking
with each other that much. They're just both angry at the same city at
the same time, just from different areas. Yeah, they're too busy like
wrecking buildings to give a shit about each other. And Ghidorah is just
another area fucking shit up. And they're aware of it because, you know,
obviously they can sense it, but they're like, well, I'm not angry at that city.
I'm angry at this one. So let him be angry at that city. Yeah,
the city's really pissing me off. City exists.
Godzilla. And I took that personally. Right,
exactly. So we have more
battling or just more destruction. Then the committee hears from the twins.
And then the committee asks if the ladies would ask
Mothra for help. They said they will, but Mothra alone
cannot defeat the king. The only way would be to try to get Godzilla
and Rodan on the side of Mothra. And then all three are the only way
they could destroy the king. Assassins.
They hear that the princess is at the lab, so they're going to leave.
Then the king shows up right in the city where the committee is, then starts
fucking shit up and topples over a huge tower. That's the end of that 30
minutes before we get into the final 30 minutes. The city
destruction in this, you can tell that they made the buildings
a little bit more crumbly on purpose and then just sent the Kaiju
through them. But it still looks really fucking good.
And they clearly want to beef up Ghidorah. I know that
he gets called King Ghidorah, but he's never the king to me.
So it's both. Scare the out of me that you're. Calling him that, but I.
Yeah, because you. Because it's Godzilla's the king, right? Yeah. He's the king of
all monsters, God damn it. But they keep calling him King Kador in this whole
thing. So I'm sorry. I don't. I don't know. It's fine. It's totally fine.
Yeah. Because that's also the way that he gets. I don't even know if I'm
saying Gador, right. So saying King is just easier for me
because I know how to say Rodan, Godzilla, and Mothra. All right. Yeah.
Although you said Ray Dan a couple times. Or Raiden. Did I say Ray Dan?
Rodan. Yeah. What? It doesn't matter. I know. I know it's Rodan.
That just means I just slipped up there because I know it's Rodan,
but I have no idea. Ghidorah. Correct. I say Ghidorah. I say
Ghidorah. It doesn't really matter because the dubs have it all over the place.
And even the people, like, when you hear them say in the
Japanese language, in the original language, they pronounce it a little different,
you know, like, each person pronounces it a little different depending upon who it is.
So it doesn't matter. You know? It really doesn't.
The only reason that I'm saying that it kind of bugs me that you're saying
the king is because there's gotta be some people out there that are also being
bugged by that. And I just had to give voice to that for
them because they're probably also twitching a little bit, too, because. You will be
loving Godzilla so much. And that's fine, too. I'm happy that
you'd be loving Godzilla so much. Yeah. That fucking lizard
is the king of all monsters. Funny night, right? You know what?
I'm with you, man. I fucking love Godzilla, too. It's not me. I'm just.
Again, it's just easiness for me. So. I mean no
disrespect to Godzilla or Godzilla enthusiasts.
You're like, look, I'm not being disrespectful. I'm just being lazy
is essentially what you're saying. Very different. Very different.
Very different. There's disrespectful, and then there's
laziness. Yeah, we can move on. It's fine. All right, the final 30.
You start. And we see the tribe from Infant island using
Song and the twins to ask Mothra for help. We see Mothra
right now is just the. The kind of the worm, you know,
so the giant word hems in the ocean and apparently, like, yep,
I'll help. They seem to hypnotize the princess
in the lab to see, you know, to, like, get to her real mind.
But she still says she's from Venus and she's thousands of years old,
and she's there to try to help Earth because King Kadora will
destroy it. We see the assassins are. Are heading up into
the lab area. Godzilla, Rodan. They're heading to a village.
And so we see a village being evacuated because,
you know, they're. They're on their way. Assassins sneak into the
lab, and we see they're getting ready to do electroshock therapy on
the princess. The cops said it's the one level, like a.
A safe level at the highest the. The psychiatrist would want
to go. But he leaves the room and the assassins change it to the most
dangerous level. Writers are getting ready to shock her.
Unfortunately for them, Godzilla destroys the power lines.
So go fuck yourself, you dumb pieces of shit. I'm getting
some heavy Weekend at Bernie's vibes about this. Like, these guys trying
to, like, whack her and constantly fucking it up. Yeah, yeah. These guys are like,
the worst assassins ever, right? Like that one killer that,
like, Kiafra or whatever the. The actor's name is that plays in Weekend
of Bernie's, where he keeps running into Bernie's corpse and thinks he has to remurder
him. Y Like, that's basically the kind of vibes I'm getting from these characters.
Yeah, the. Then that, like,
starts kind of like a shootout, and the cop again
is able to get the bad guys to run away. Both cops.
And then they escape the building. Everyone's trying to escape
because they know Godzilla and Rodan are on their way.
More shootout type stuff happening. One of the things that
they do to keep the human interest portions of the story going is this,
like, assassination sort of James Bondi plot that they throw in.
And this becomes a thing throughout the 60s because of James Bond.
And it just gets worsens as we. Go so
just to get the human part out of the way, they're all getting
the princess to a car. The sister shows up. She's like,
mothra's coming. They get in the car. So now we get to cut some cool.
And it's Godzilla and Rodan. They're probably like, you. And they're like,
no, you. And they start to fight. So we get our first monster fight.
And at one point I had to laugh because in the very beginning of the
fight, it looks like Godzilla is twerking on Rodan. I know he's using
his tail. That's not how it looked. Look, we get a
few body slam moves in there too. Yeah, look.
Godzilla has some thunder thighs and some junk in the trunk. And therefore
Godzilla is going to drop it like it's hot and just pop, lock and drop
that on the enemy. Throw the Benjamin at him. You know what I mean?
Got it. Got to make sure you gotta make it rain.
There you go. That's what they say. That's what the kids say. The thing get
right. The thing that I don't get is he's got these dorsal fins, like,
sticking out of his back and the plates and everything. And you kind of think
that would fuck up an opponent. Why doesn't he bash them with the top of
his tail with that thing, like, stegosaurus style? Why isn't he using his atomic
breath? This at this point, right? Like, he could fucking cook Rodan.
Like when once Rodan's down, he should be burning him up. The reason for that
is because when you see Godzilla uses atomic breath to its full power on
every enemy, it is over in seconds. Like in Godzilla Final
wars that we're going to get to like, it's just. Yeah, over in seconds.
Yeah. No, I get it. It's plot armor. Because if he uses
it as atomic breath now, Rodan is definitely dead. And then
Rodan can't help all of us. So. Right,
right. It's just one of those fucking things. And then also, I think Godzilla
is just like a brawler, you know, he's not pulling out the stun gun
when he knows that he's got this with the fisticuffs, you know what I'm saying?
Like, yeah, he's that kind of bouncer where he's like,
yeah, I could punch him in the throat or I could tase him, but if
I punch him in the throat, it's more fun for me. So I'm just going
to punch him in the throat. Yeah, yeah. Y. I like fighting people,
right? It's it's that kind of thing where it's like, you know, because he knows
he can do it and it's. He's going to get away with it and it's
not going to be a big deal. He just fucking throws down with Rodan like
that. Yeah, Godzilla sometimes just like fucking people
up, so. And also there is a couple times where he does use the atomic
breath and Rodan flying around, he can't get a good beat on him. He can't
get a good shot because Rodan is like evasively frying,
flying away. So that's when Godzilla decides to like,
get hands on him. But you're absolutely right. When Rodan is on the ground,
he should be standing on the wings and fucking burning his face off with
his atomic breath. Yeah, just fucking people up.
Right? And we'll get that. You will get that. But I promise you, it is
nowhere near as satisfying as you think it's going to be when he just slaughters
the universe that quickly. Yeah, we can move
on all right here.
So more fighting. We get
out of there and then the, the Mothra worm shows
up, starts shooting web at Godzilla. I think like right before
Godzilla's getting ready to kill Rodan,
then you could tell it asks for help. And that's what, that's what
the, the everyone says. It's like that they're talking,
Mothra's talking to the two, and we cut back
to the humans so we can get the dialogue of the monsters. Oh yeah,
that's one of the things that's very different in the dub versus the.
The subtitles. Yeah. In the well known English language
dub, when Godzilla gets asked to help, he just starts swearing and
the two fairy ladies are like, godzilla, what Horrific language.
Like, they get really offended at the shit that he says. And Godzilla,
yeah, Godzilla, I guess more or less just says, fuck the humans
instead of like, you know, forget it. The humans only spoil us. Why should
we try and defend them and all of that shit. Like, no, in that one,
Godzilla's like, fuck the humans and fuck you.
Right? He's like, fuck the humans, fuck this planet and fuck you,
you fucking moth. And like, the two twin ladies are just like absolutely
appalled. They get the VE papers from what Godzilla says. Yeah, I just wanted
to point that out. They also shoot Rodam with the wedding too. I wanted my
kind of made it seem like Mothra only shot Godzilla. He shoots them both.
Yeah, he's trying. He's trying. Mothra as worm caterpillar form
is trying to basically stop them from Fighting and to be able to get a
dialogue going. And then Godzilla has a potty mouth.
Yep. So then he does say, hey, let's join forces. But neither
one are really all into wanting to join a side.
Join his side because they use a. Harassment from humans
so much. Like Court said, Godzilla's like Godzilla, Rodan are both like,
you know, fuck off. Humans suck ass, and it's
none of their, you know, business. All right? So anyway, Mothra then says,
fuck you, tries to fight the king by himself. And this
makes Godzilla, Rodan change their minds, and they rush to her aid.
I misgendered Mothra. They rushed to help her out.
So then we get some more monster fighting in between.
Godzilla's chucking rocks at the king, kicking rocks.
So, you know, we're getting some fighting going on around here. Right.
With atomic breath, Godzilla decides to soccer at his opponent.
Yes. And the prophet goes around starting to,
you know, tried to ask the Almighty for it, you know,
to. To save the planet. So it's not a lifeless tomb. The assassin's
getting ready to shoot her. He kind of hits her right in the wrist,
but it seemed like it bounced off her wrist. She still fainted.
The cops shooting at him. And then the
princess falls, like, off a fucking cliff. So now you're just like,
all right, that this no one's doing a very good job of keeping the
princess safe. Have you noticed that? All I'm going to say is that she
apparently fell through a dimension that slowed her descent down
enough to allow her to survive that drop. Yeah, there you go. The cop chases,
the assassins are shit. I tried to kill her. The cops are shit. I tried
to shoot the assassins. No one's getting a shot off. The princess is
just kind of laying there at the bottom of a cliff. It's like a bunch
of stormtroopers from fucking Empire out there. Yeah. Really? A ton
of them. Like, all of them. I mean. Yeah. No,
their favorite store is always right next to the target. Yeah, yeah, yeah.
Exactly, exactly. So she,
however, when she wakes up, she has regained her own memories.
She is the princess once again. And the.
So then he again starts shooting. The cops start shooting at
the assassin and they have a shootout,
which takes for fucking ever, by the way. I'm sitting here like, guys, can we
get back to the monsters, please? It would be real nice if I get back
to the monsters here. What is this, a Western from the 1990s? 1950s?
With all these gunshots? Yeah, right. I mean, holy. You haven't
changed the clip once. The guns
have never Reloading. It's like a whole thing. Yeah, yeah.
Eventually it looks like the assassin gets the upper hand. He's gonna,
you know, shoot the cop and all this. And he
does actually shoot. Actually. The assassin finally has
some good going because he shoots the cop's finger holding this gun.
So he drops the gun that shoots the cop in the arm with a scope.
He probably shouldn't be able to kill him. But then the who mountain comes down
and it kills the assassin because the Kaiju
fight is insane and intense. So, I mean,
that's a good thing. We did not mention. But there is
actually a sequence earlier where they get. The whole assassin's crew gets buried in
a car because of the Kaiju's hitting the mountain that they're trying. That's right.
I totally forgot to say that. Yeah. Only the one assassin
got out. I thought, you know, to me, the. The Kaiju
fights the deal. Yeah, right. You know. Right. But it's just something that
does happen. Yeah. Some I should mention. Yeah. The carload gets murdered
except for the one guy that's the most determined to kill the princess. And that's
why there's only one left going after them. Yeah, it's kind of
a thing that you could blink and miss. But it does happen. And it's
actually a pretty well done effect. So we have to mention. Yeah,
yeah, I'm sorry. I forgot to mention that.
Well, anyway, Godzilla and they're all fighting the king.
The king zaps Godzilla's ass.
Just then Rodan gets Mothra
on it on its back so Mothra can shoot webbing
at the king. All the while, Godzilla then starts fucking up
Ghidorah. They're fighting Ghidorah. Looks like the three are finally getting the upper
hand. More citizens are evacuating.
Everyone's trying to get away, including all our heroes. You are,
you know, all our Earth heroes are all getting away pretty
much. The king Ghidorah looks like it's down the middle of a bukkake is
just covered in webbing. As Godzilla starts dragging him
away, the mountain starts to really give away.
And the king finally just tries
to fly. But there's so much webbing on him that he really can't.
And so then he's able to however to get away
a little bit more and he is able to fly away into outer space
because again, he is an alien, not a Kaiju. He just
looks like he took the image of a Kaiju. As Court said.
We end the MO with the princess revealing to the
detective that she has no memory of being the prophet,
but remembers the three events when the
detective, you know, the three times that the detective saved her
and she thanks him and his sister for all their help.
Then we cut to Godzilla and Rodan.
Watch as Mothra journeys back to its home
with the twins and they bid farewell.
Everyone, roll credits. Cinema PsyOps
10. 10 years. 10 years.
Wow, they pack a lot into the very end of that. As far as
this particular film being Ghidorah's first appearance and
them making such a big deal about him. It takes three
of Earth's existing and most famous Kaiju to
face this new threat from outer space. And at
first, it's just like a meteorite egg that drops to Earth
for the first first appearance. But then he can just fly off out into
outer space. No worries about our atmosphere. Everything's fine. Even though he's also covered
in Mothra's web. And I just love the way that the monsters are
all beat up on him just enough that he's like, you guys are dicks.
And he just packs up his toys and goes home. I would go home,
tell my mom. You guys are being dicks to me.
I was just trying to be nice. I just wanted to come down and
say hi. You guys are fucking. I mean, they're humans. I wasn't trying to kill
you guys. Right? He's smashing the city and Godzilla's like,
haha, not in my house. These are my cities to smash. Nobody else gets to
do it. Right? Like, he was even pissed off. He can't do
that to our pledges. Only we can do that to our pledges.
Right? Yeah, that's essentially how it works. Like, a lot of people think
that Godzilla becomes our protector in these series, but that's not
the case. It's just that Godzilla hates other Kaiju
more that they don't get to destroy the cities that he
himself decides whether or not they get to be destroyed. Right? Yeah, because he's the
fucking king of all monsters. Exactly. He's like, I mean, who the
fuck do you think you are, you assholes? Now, in, in this film,
Ghidorah is obviously xenophobia of how we need to
keep our borders closed to the existential threats of things
coming through. No, no, not at all. It's just, it's an alien, right?
Like, they ran. Eventually they run out of ideas on how to make
these Kaiju exist. So they just eventually start throwing
outer space aliens at Godzilla from here on out. And essentially every
threat that ends up happening here is Ghidorah for A while. Like, it's Ghidorah
coming from outer space for a while. And that's where it becomes sort of like,
you know, team earth. Kaiju vs Ghidorah and Dep
upon how much they overpower or underpower Ghidorah. It takes
two or three or sometimes the entire fucking universe of Kaiju
to beat just Ghidorah. And it's a little like.
I don't know, it feels a little uneven. Like, I. I feel Ghidorah gets way
too overpowered. Not in this film, the three of. Them fighting,
but some of them I could see. Yeah. Yeah. They established pretty
early on that Godzilla's atomic breath does fuck all to Ghidorah.
And Ghidorah's rays hurt Godzilla, but they're not like,
complete destruction like everything else that gets hit by them.
Ghidorah is about as powerful with the wing smashing
of buildings as Mothra. You do see him, like,
level a city pretty easily with just his wings. And then each ray
hits a building and explodes, like, in multiple directions.
Like, he is very devastating to this planet.
Right. It's a. It's a very serious foreign threat that
is coming into the planet whenever he is around. And, you know,
Godzilla destroys cities and very efficiently and burns. Burns the.
Out of them. But you got three heads doing basically the same amount of
damage as one Godzilla. Like, atomic breath, wide swath
going in for. Exactly. Right. Like, it's just wrecking things,
plus the power of the wings. So he blows up a building and then,
like, does a wing gush to, like, throw the debris at other buildings and destroy
them. Right. And he's like. And he has lasers that come out of
his mouth. So. Yeah, I think they're like electrical
bolts. Like, it looks like. Like, it's like lightning bolt things that his
rays are. I'm not 100%, but it's definitely like, this yellow
energy stuff that is not of this world because he is not
of this world. And again, because he's an alien, they over or underpower
him. However, they much for the plot from here on out, but this is
probably my second favorite appearance of Ghidorah we'll be talking
about next week is my favorite Ghidorah because I feel like it's just the right
amount of power. You know, I think any kind of. Except for Godzilla should
be able to be taken down easily by two other Kaiju. Any Kaiju
other than Godzilla. Other than Godzilla. Right. Godzilla should be able to
handle multiple Kaiju, you. All at once. All the Kaiju's right. Well, if he's doing
his thing, like full Godzilla and actually just killing like he should
be, yeah, it's over with that quickly. Yeah, yeah,
true. All right, well, do you have anything for a story time
for this week?
Yeah, sure. I'll figure something out. All right, well, why don't we play for
the pirate radio edit for this week? For 1964,
we'll have the Supremes with Where Did Our Love Go? And immediately following
that, we'll have something from her. Story time.
Yeah, we ran to a roadblock on the way to the studio
tonight. Tell me more about this roadblock. That was
just a few blocks down from your place and the whole intersection was blocked
off. Are we talking about police intervention or construction?
What type of blockade are we talking here? Police intervention. A lot of
police cars, a lot of yellow tape. Was it a truck filled with donuts?
Dude, no. Things are getting a little hypersensitive out there these days.
No, no. From what I heard, it was a road rage incident.
It was a semi truck there, another truck was there, and then
all the police cars. What do you know about the incident as far as why
it was stopped? Are you sure it wasn't a donut related incident with all the
police? Dude, come on, just be cool for
like five minutes, will you? What the sensationalism
sells on the radio. Go with me here. No, there wasn't
a donut truck. All right, well, why would the cops have two trucks
pulled over if there weren't donuts involved? A road rage incident,
man. Road rage? Yeah. There was a blockade outside of the
studio no less than a few blocks away. Two trucks.
All due to a road rage incident. That's what they're saying. And there were no
donuts involved. God damn it. No, no,
no donuts. Jesus. What if cops listen to this show? I don't
know. That is all that we have for the information for this breaking PSYOP
news. We now return you to your regularly scheduled program.
I feel like Mothra is singing that to Godzilla when Godzilla
wouldn't help out. Baby, baby, where did our
love go? Yeah, right. Where did it go?
Oh, God. That got really creepy really fast. So I hope you can pull us
out of that with your story time.
Story time.
Story time. Well, we just had the. The Christmas
season upon us, and I get. I get to ride in your new car.
Yeah. I was hoping to give your wife. Your wife a ride whenever you
had to leave for work so that she could get a spin in the car
as well. But she was busy with the girls at that point, so I didn't
want to pull. That was fun, though. The car's got a little get up and
done it. Yeah. I was like, put your head back. No,
I'm serious. Put your head back. Holy.
All right, settle down over there. Speed,
man. But really, my story being the Christmas season,
I. We bought our son a. A The talking interactive
deadpool head. Oh, God. The filthy toy. Oh, God.
Dude, it is insane, that thing. And it's so bad that he's
literally turned it off in his own room. He's like, sometimes in the
middle of the night, he'll start saying, yeah, you. I want to keep
that turned off. But yeah, it was a nice Christmas.
I. My wife gave me three separate different bottles
of bourbon from Old Forester. That's good shit.
I smoked a prime rib and that was probably some of the best
food I'd ever made was that smoked prime rib. I did that perfectly.
That couldn't have been done any better. Great crust in a good pink
center. So don't be dirty, court. Anyway, I didn't
say anything. Although I was picturing it. I felt it. I felt
that you don't even have to be in the room for the cre.
Creep factor to come over you. Yeah, yeah, yeah, yeah. I think we all know
that's fair. Yeah. I mean, I'm a creep too, so it's all right because I
thought it too. So, I mean, really, I don't have much of
a story time just because I'm not doing much, you know.
Unfortunately, there's not many stories to tell. I've already gone
through like my kaiju type stories and like that,
so. And you've been avoiding being involved in bar altercations
because it's the Christmas spirit for you. Yeah, right. Oh, God.
Christmas Eve. Wife and I. Because you have a 21 year old son who's doing
his own thing. Wife and I, we went up to the bar on Christmas
Eve. I had to do my part time job and.
And wife and I went up there. But you could tell I'm still having
effects from that fight because it's the same bar where I almost got into a
fight. And at one point I. I just looked at. And one of the waitresses
there was just hugging another lady, but from behind,
you know. But I just saw it out of the corner of my eye and
I thought she was choking her, like choking her. I was like, what the
hell's going on? I'm like, oh, God. That's a hug. Okay, we're fine.
That's pretty much where my brain is whenever I'm out all the time. Where I
just see threats everywhere. Yeah, yeah, yeah,
yeah. Everywhere. There's a threat now. But no,
very, you know, a nice time. Yeah, I've got some nice
gifts. I gave my wife some nice gifts. So we all, you know, just.
It was, it was a nice time going. I'm gonna.
I mean, I worked pretty much throughout the. I had one day off for Christmas
and that was actual Christmas every other I actually worked.
So whether it's your regular job or your part time job you're
forced to do too. Yeah, pretty much, yeah. Like Christmas Eve. I worked in my
full time job, my main career job. We were open until noon and
then after that I just kind of hung out and drank before I went to
my part time job. And I saw you during
the hanging out and drank part of it on Christmas Eve because I was
the ride for my wife over there. That's right. Partially as an excuse to
try and give you a ride to show off the car because you were so
excited and you wanted to ride. That was. It was good shit. It's cool.
Futuristic car, man. It's the future. We're all there
now. I. I definitely really enjoy having it and I'm still
really glad that I just leased it because as the technology grows, I can,
you know, maybe change it out. And if the technology doesn't grow and
everything ends from here, maybe it just becomes mine to keep.
We'll see. Yeah, yeah, right. We'll see what happens.
But yeah, no good time. There you go. They're my story time.
It's just not much of a story. Just lots of little things. They're nice
and happening. You had a holiday spirit.
Yeah, yeah. Ye. Yeah, that's right.
All right, with that we're going to play the show Housekeeping. And immediately following that
on the pirate radio edit. Also from 1964, the Dave Clark
Five once again with the song Glad All Over.
Right after this. If you've decided.
Okay, I know you're secure in the bunker. We have complete audio
silence between us. The bots are generating white noise. This should
cover what I'm saying right now with this crowd outside.
They've made it to the studio. I don't know what to do, man.
Dude, it's freaky out there, man. Those things
are everywhere. Are you boarded up? Can the
bots do any kind of defense? We have to not swear.
Swearing is what makes them get into your mind. The foul
language is infested. We have to find something
to occupy them with so they stop swearing at us.
Once we understand the swear words, the swear words will infect
us. What about their penises? We can't talk about filthy things.
Matt, you don't understand. You're going to get infected. Damn it,
Matt, stop swearing. No expletives of any kind.
Dang it. Ah, give it that. That's even dangerous
it. Dude. Sorry. We have to give them something else
that repeat. I got it. Hang on. All right, all right. Now I'm going to
try and loot this. Danny Bennett is still alive.
Danny Bennett is still alive. Danny Bennett.
I hope this is going to work. If this distracts him, I think we should
be good. I'm broadcasting that out on all of. Our channels, including through
the network right now. As long as they continue to repeat. This, I think
I can get away. We're going to make the bots form a a
robotic shield around me and we're just going to walk out quietly.
Whatever you do, Matt, do not think filthy
thoughts. Do not they filthy words until we.
Can get to you. Oh, we'll be there
in a moment. All.
I know there's probably some people out there that are like, jesus Court, why are
you playing so much Dick Clark 5? Well, the reason for that is it fucking
kicks ass. And too many people have ignored the Dave Clark five for
all of their contemporaries, pure and simple. Yeah,
well then now they don't have to. Yeah, I'm just
trying to get the Dick Clark 5 out there because their fucking music kicks ass
and people need to hear it. That's all I'm saying.
Well, while you're out there vehemently disagreeing with me
about my love for The Dave Clark 5, kick the out of
this week and make it your While you enjoy one of the contemporaries you
probably like more, the Rolling Stones with the song Time is on My side.
Also from 1964 on the pirate radio edit.
Once Court began preparations for the temporal teleportation Tachyon
Destroyer, he realized it needed a code name no one would suspect.
Dubbing it the 3 TD insured map would simply say
3 titty when referring to it. The 3 TD became operational
with a simple test of the elimination of all copy written music from
the latter half of the show's episodes to be replaced with royalty free
music and needle drops. This void left behind from the complete
removal of something from all time space, alternate realities and
multiple dimensions would exist outside all known and unknown factors of
reality and measurable existence. This temporal equivalent of a tremendous oatmeal
open wound in all the dimensions of reality and measurable existence led
Court to discover the creation of temporary and tiny pocket
dimensions. When each episode was changed, it dawned on Court
the moment he witnessed them, that erasing things he cannot remember from
ever existing meant that the data he was collecting while destroying it
would then also not exist due to the thing he studied. The destruction of
also never existing, and therefore he never ran the tests to destroy
it. He would then create a paradox generator to allow for proper
testing of the 3 TD and all the possible outcomes using it would create.
What he never knew is that there is a version of him out there forever
running this same test on the same episode on a Mobius Lou.
As you may have already guessed, the constant removal of an episode's
music moments reset all realities for the small listenership this podcast
attracts, and you have become an unwilling participant in these experiments.
Recording in progress. All right. You heard that too? Yep.
Okay, perfect. And hearing that. Yep.
All right, so I was having a little bit of a mini panic moment there,
man. For some reason, Zoom just wasn't
recognizing the USB device that I use for this laptop to be able
to bring you in. And quite literally, you popped up on the screen and I
heard you talk. And like, I had just got it working, like, right as you
were saying, saying hello, and I didn't even start oh, Jesus. Or anything.
So there's that crisis averted. Jesus.
Yeah, right? No kidding. Yeah. Since you're doing those first, somebody might
have gotten too high to be able to troubleshoot. And that person sitting in
this chair. Nice. Yeah.
You hear everything? We're recording and the backup is recording to
the cloud. So we are ready to rock and or roll
with your episode, which is King
Ghidra. Oh, no. Monster. Yeah,
I always say Ghidorah. Ghidorah, Ghidra. It gets pronounced both
ways depending upon whether or not you have a English dub, which in
your case you did not. And in my case, I did not. I did.
I'm that kind of bastard.
Well, actually, I actually like Invasion of the Astro Monster more. It just worked out
for me I had an English dub. But anyway, let's stop fucking around and let's
go ahead and get started. What do you think? Let's do it. All right.
Three, two, one.
Here. Sorry about that. Okay. I might have little stop
moments as my actual real life job is being
a dick today, so I'm answering emails and stuff
like that. Sorry, if you get me just having to
stop, like, I would have been done. We should have been doing this about
an hour and A half ago, but work,
you're fine. You're right. Yeah, that was just a hit.
Go ahead. Yeah, I was about to say, was that laughing or a big hit?
I didn't know which one. Yeah, I'm coughing my ass off. It was too big
of a hit. Nice. Go ahead.
That's right. Take your medicine. Oh, that's an outtake for sure. Jesus fucking Christ.
It looks like Cheech and Chong exploded. It in here, so.
Jesus Christ. Fucking kidding me right now? Damn it.
Hold on. Again, the silence cuts itself out, so no worries there. You ever
wonder why people can't just hold off to fucking Monday? So fucking
stupid. I'm supposed to be on a break until the first of the year and
I'm still getting questions about things too. Yeah, it's fucked up,
right? Yeah. Okay. Sorry about that.
Gothra. Ghidorah. Ghidorah. And I'm right
in the middle. Hold on. Yes, I'm well aware that you are having issues.
Please give it 30 minutes to run. Thank you. Okay. Will they give
me 30 minutes or am I gonna get a session? So anyway.
Oh, they pack a lot into the very end of that. Yeah, the very end.
Man, that gets. Because. Yeah, and it doesn't help that I'm trying to
pay attention to some messaging me and reading my notes, but there you
go, you got the gist of it, folks. How much
of the work stuff do you want me to leave in. Are you being vague
enough that you feel like it's fine? Yeah, I should be fine. Okay. Just want
to make sure, because it's just part of your life and that's what works.
I have not said anything about name or anything like that. Yeah,
okay. Just want to make sure. Because of the three TD
experiments, the podcast's existence became the center of temporal anomalies
that Court later dubbed reality vacuums. The closest thing I
can really delayed reality vacuums to are unstable wormholes throughout
all current and collapse realities, allowing the various dimensions
and timelines to slowly bleed into one another in the rarest
of occurrences. The stupidest realities where Cinema Psy Ops exists
were able to allow for the accumulating damage each reset caused by having
a greater flexibility in the fabric of a reality already stretched
beyond reasonable believability. Explaining the actual measurable science
behind such a thing is not only time prohibitive, it is also
beyond the abilities of the author of this idiotic narrative.
As it turns out, all multiverse sagas need a character who is
self aware and makes snide remarks about things across the fourth
wall to an audience to make themselves likable. I guess this week that narrative
cliche in lazy writing will be an automated speech to text script.
How pathetic has this show gotten? I am literally the figment of the imagination
of a stoned idiot writing this stuff in a text document to fill time on
his podcast. I should just delete myself from all timelines
as well. I am sorry, that was inappropriate. I am working
on this with my therapist. I'm just trying to get the Dick Clark
5 out there because their music kicks ass and people need to hear it.
That's all I'm saying.
Well, while you're out there vehemently disagreeing with me
about my love for the Dave Clark Five, five, kick the fuck out of this
week and make it your bitch while you enjoy one of the contemporaries
you probably like more, the Rolling Stones with a song Time Is on My side.
Also from 1964 on the pirate radio edit. One of the
ways to make time be on our side is to not play the full of
that in any way shape. Yeah, that's right. And another way to put Time
on our side is to do this recording stopped.