{
  "version": "1.2.0",
  "chapters": [
    {
      "title": "Edited for maximum shock value",
      "startTime": 0,
      "endTime": 217
    },
    {
      "title": "Introducing artist & audio producer Jess Shane",
      "startTime": 217,
      "endTime": 267
    },
    {
      "title": "Clip from Shocking, Hearthbreaking, Transformative",
      "startTime": 267,
      "endTime": 408
    },
    {
      "title": "Why does someone sign up to be a documentary subject?",
      "startTime": 408,
      "endTime": 470
    },
    {
      "title": "Curated Stories by Sujatha Fernandes",
      "startTime": 470,
      "endTime": 646
    },
    {
      "title": "The personal is personal?",
      "startTime": 646,
      "endTime": 743
    },
    {
      "title": "What is attention fetishism?",
      "startTime": 743,
      "endTime": 896
    },
    {
      "title": "Jess's misgivings with the documentary industry",
      "startTime": 896,
      "endTime": 1096
    },
    {
      "title": "Rules of engagement",
      "startTime": 1096,
      "endTime": 1279
    },
    {
      "title": "The main character",
      "startTime": 1279,
      "endTime": 1380
    },
    {
      "title": "Clip from Shocking, Heartbreaking, Transformative",
      "startTime": 1380,
      "endTime": 1457
    },
    {
      "title": "We shouldn't dismiss the stories at the center of our critique",
      "startTime": 1457,
      "endTime": 1490
    },
    {
      "title": "Heeding the words of Audre Lorde",
      "startTime": 1490,
      "endTime": 1545
    },
    {
      "title": "The potential for a new beginning",
      "startTime": 1545,
      "endTime": 1583
    },
    {
      "title": "Credits",
      "startTime": 1583,
      "endTime": 1689
    }
  ]
}