WEBVTT - The 4:30 Movie is Now in Theaters!

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<v Speaker 1>Welcome to beardless, dickless me.

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<v Speaker 2>I'm Kevin Smith and I'm Harley Quinn Smith.

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<v Speaker 1>Number eleven kids an episode eleven. We have so much

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<v Speaker 1>to to do and get to, for heaven's sake, so

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<v Speaker 1>much brand new movie opening this week, the four point

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<v Speaker 1>thirty movie. And I got a thing that I want.

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<v Speaker 1>I got a game I want to play. Oh yeah,

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<v Speaker 1>a new thing, a new thing for the for the

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<v Speaker 1>show to kind of give it like some spine. Otherwise,

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<v Speaker 1>you know, it's just every episode is us going get

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<v Speaker 1>me back by nor So we need other things to

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<v Speaker 1>go to. I guess you know what I'm I believe me.

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<v Speaker 1>I do that show every fucking week. So true, but

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<v Speaker 1>we'd probably lose an audience, maybe the audience they legit

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<v Speaker 1>just every episode they do give me back my name.

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<v Speaker 1>And there's something at first that's like kit chee fun

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<v Speaker 1>about it, but then it's just irritating and they it's.

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<v Speaker 2>Not even the real line. John Proctor never says.

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<v Speaker 1>Neither of them have seen the Crucibal. She purports to

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<v Speaker 1>have been in it. She should know fucking better than

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<v Speaker 1>John Proctor would never say that.

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<v Speaker 2>We're still talking.

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<v Speaker 3>About the Crucible anyways.

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<v Speaker 1>It's crazy well, I mean honestly, like that was why

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<v Speaker 1>I went into film or want to be an entertainer,

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<v Speaker 1>because otherwise high school is going to be the best

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<v Speaker 1>part of my life. Like I would have been the

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<v Speaker 1>person still talking about The Crucible like at age fifty

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<v Speaker 1>four if I'd been in it in high school, Like, yeah,

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<v Speaker 1>I played John Proctor. It was fucking tough.

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<v Speaker 2>What does that say about me?

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<v Speaker 1>Well, you didn't, I mean fucking it ain't like I

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<v Speaker 1>played John Puckter and then still waiting for the next

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<v Speaker 1>role that's as strong as John pucker I said, no

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<v Speaker 1>to many, you were in a fucking Quentin Tarantino movie,

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<v Speaker 1>like You're good you were, I mean, never mind, you

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<v Speaker 1>were in a couple hundred Kevin Smith movies. But I

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<v Speaker 1>would say the high school version of you would be

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<v Speaker 1>very impressed by the twenty five year old version of you,

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<v Speaker 1>whereas I think the high school version of me would

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<v Speaker 1>be fucking gobsmacked.

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<v Speaker 2>So true, like what so true?

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<v Speaker 1>Fucking like who fucking hell? First off, if the you know,

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<v Speaker 1>teenage versus high school version of me, And this is

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<v Speaker 1>all on brand because the four thirty movie is kind

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<v Speaker 1>of about that.

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<v Speaker 2>So true.

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<v Speaker 1>Now in theaters go to Fandango, New Contra ticket, fucking

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<v Speaker 1>please the uh the the high school version of me.

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<v Speaker 1>If he could fucking if we could fold time and

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<v Speaker 1>he could see the current version of me, if before

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<v Speaker 1>he encountered me, he encountered you, he would be like,

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<v Speaker 1>oh my god, I grew up to become a beautiful woman.

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<v Speaker 1>He starts asking you a bunch of questions, like what

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<v Speaker 1>happened to our dick? How do we jerk off? Can

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<v Speaker 1>I take a picture of us right now?

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<v Speaker 4>Lord?

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<v Speaker 1>I always dreamed this would be the way I could

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<v Speaker 1>just look in a mirror and see a naked lady.

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<v Speaker 5>Now I am the naked lady.

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<v Speaker 1>Naked stop and then and I'd be like, the son,

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<v Speaker 1>that's my daughter. That's your daughter you're talking about.

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<v Speaker 2>And you're calling yourself sonyah.

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<v Speaker 1>As if I call anybody fucking up. I do call

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<v Speaker 1>people kids, so I probably but plural. I never do that.

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<v Speaker 5>Solo.

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<v Speaker 1>I'll call you kiddo, and that's about the only person

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<v Speaker 1>I'll call sometimes.

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<v Speaker 2>You call me kid singular really on the occasion, on

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<v Speaker 2>the name.

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<v Speaker 1>At time, I'm looking at the making sure everything is recording.

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<v Speaker 1>We lost a show yesterday, and I ain't done that

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<v Speaker 1>in a decade. I've been podcasting since two thousand and seven. Naturally,

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<v Speaker 1>sometimes you wind up losing this show, but you know,

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<v Speaker 1>fucking when it happens, you're hard fright because you're like,

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<v Speaker 1>it was all fucking for nothing, boo hoo hoo, even

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<v Speaker 1>though you had a good time and you're having your conversation.

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<v Speaker 2>At the end of the day.

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<v Speaker 1>At the end of the day, you're like, we got

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<v Speaker 1>down to fucking show for it, which is like pretty

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<v Speaker 1>much every conversation you really have ever in life, nothing

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<v Speaker 1>to show for it but a memory. But in this instance,

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<v Speaker 1>we were meant to have a fucking show and it

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<v Speaker 1>was but uh, fucking shit went out technically, So here

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<v Speaker 1>I am studying making sure both of these fucking things

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<v Speaker 1>are recording and ship. So if you see me look

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<v Speaker 1>away and I'm not like fucking bored of this fucking bitch,

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<v Speaker 1>I'm looking at and out.

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<v Speaker 2>You could have been a guy that would have gone,

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<v Speaker 2>we have a conversation that isn't.

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<v Speaker 1>Recorded, bro, That's what happens. Though, like podcast it's so

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<v Speaker 1>fucking long that, like, you know, you do feel like,

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<v Speaker 1>why would we talk about this when we could like

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<v Speaker 1>this will make a great podcasts Every conversation should be

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<v Speaker 1>on Mike at this point. Talk to your mother. When

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<v Speaker 1>we were doing like plus one, which is podcast I

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<v Speaker 1>did with Jen my wife for like a while, it

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<v Speaker 1>was like, you know, we stopped having conversations because the podcast.

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<v Speaker 1>So in any event, teenage me goes back meets you,

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<v Speaker 1>but then I fucking finally meet me.

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<v Speaker 2>Right.

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<v Speaker 1>Let me tell you what teenage me would be like.

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<v Speaker 1>My teenage me would be fascinated, I have a kid.

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<v Speaker 2>Really, not like this is shocking because you thought that

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<v Speaker 2>the kid was you a second before, and then you

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<v Speaker 2>found out that that was actually your kid, and now

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<v Speaker 2>you're meeting you.

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<v Speaker 1>Yes, because kid teenage me could never have put together

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<v Speaker 1>even if he was like fucking you know, fucking doctor

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<v Speaker 1>strange portal to him mocking my sling ring and being.

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<v Speaker 1>But even if he did that, he would still be

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<v Speaker 1>like spellbound. He would first think you were him. Then

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<v Speaker 1>he would think, oh my god, I have a hot

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<v Speaker 1>older girlfriend.

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<v Speaker 3>Whoa Then I would step forward.

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<v Speaker 1>Well now, then Jim would appear, and then he'd be like, oh,

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<v Speaker 1>her mother seems nice, which is true, she is your

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<v Speaker 1>mother you maybe often this seems nice thing, but he

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<v Speaker 1>would be accurate to say that's your mom. Then I

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<v Speaker 1>would be like, kid, let me disabuse you of all

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<v Speaker 1>these notions. That's your daughter, that's your wife. And he'd

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<v Speaker 1>be like, why did I marry such an old woman.

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<v Speaker 1>I'd be like, what the fuck, bro, look at me.

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<v Speaker 2>Thank god mom doesn't listen to it.

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<v Speaker 1>This is teenage me. But you know what, he would

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<v Speaker 1>never have said that out lot because he was healed well,

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<v Speaker 1>he's well healed death before would Momily would be like,

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<v Speaker 1>she'd give me the look, and she probably count. Like

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<v Speaker 1>when I was a kid, she'd be.

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<v Speaker 2>Like, one, Momily did that.

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<v Speaker 1>Oh the count, Bro, I lived. I am the man

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<v Speaker 1>I am today. You exist because of the count because

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<v Speaker 1>my mother raised me with a count. She never fucking struck.

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<v Speaker 1>She never laid hands or anything like that, but she

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<v Speaker 1>was a raise. They've never never laid hands on me.

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<v Speaker 1>She laid hands on other kids on the of the

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<v Speaker 1>school parking lot, fucking nuts. So they would have moms

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<v Speaker 1>come in, you know, periodically, like to be class moms,

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<v Speaker 1>and watched the kids on the parking lot in the

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<v Speaker 1>morning and at lunchtime. So that was where we went

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<v Speaker 1>and had gym if we weren't inside, like in the cafetorium,

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<v Speaker 1>which is a gymnasium and a cafeteria together. Yeah, it

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<v Speaker 1>was a small school. We would be out in a

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<v Speaker 1>parking lot, but all fucking pavement shit, like that's no grass.

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<v Speaker 1>So they needed to have monitors and teachers are taking

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<v Speaker 1>their fucking lunch, so moms would come in and volunteer

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<v Speaker 1>and watch the kids, you know, playing games and ship.

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<v Speaker 1>Now mamily was known as Hurricane Smith, a true story.

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<v Speaker 1>She had a reputation. Hurricanes had reputation, and she like,

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<v Speaker 1>she hit a couple of kids. To be fair, they

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<v Speaker 1>were bully boys, no girls. But she hit this one

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<v Speaker 1>kid who later on became a cop. I won't seem Yeah,

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<v Speaker 1>that was she fucking set him straight. She was like,

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<v Speaker 1>no crime and he was like, you know what, she

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<v Speaker 1>fucking that's strange woman who's not my family member hitting me.

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<v Speaker 1>You gotta remember this in the seventies when like people

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<v Speaker 1>were smacking fucking kids and it wasn't child abuse, it

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<v Speaker 1>was discipline or whatever the fuck. So there was you

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<v Speaker 1>could smack your own kid, and you could get away

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<v Speaker 1>with smacking somebody else's kid, you know if the parents

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<v Speaker 1>were like, well, I guess they deserve you know, what

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<v Speaker 1>I'm saying, that's real fun. The irony is if anyone

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<v Speaker 1>smacked us, Momily would have fucking cut heads. But she

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<v Speaker 1>was on the parking I remember particularly, and there was

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<v Speaker 1>like one guy who was they're playing touch football in

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<v Speaker 1>their football and the one guy was being fucking tough

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<v Speaker 1>and my mom like game a warning, and then he

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<v Speaker 1>fucking toughed out again, like pushed a kid onto the

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<v Speaker 1>fucking ground. And Momily grabbed this twelve year old boy

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<v Speaker 1>and she was like mid thirties and fucking gave him

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<v Speaker 1>the shake in and put through him on the ground

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<v Speaker 1>next to thee the kid, and she was like, how

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<v Speaker 1>does that feel? And the nuns at the school were like,

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<v Speaker 1>missus Smith, we're good you. You don't need to keep

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<v Speaker 1>coming to watch the kids on the parking lot. The

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<v Speaker 1>kids would feel much safer if you weren't here.

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<v Speaker 2>Just went home. That so Momily was just serving him

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<v Speaker 2>some justice, perhaps way too not perhaps certainly far with

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<v Speaker 2>far too much violence.

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<v Speaker 1>She went too far, but so far that nowadays people

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<v Speaker 1>would be like, defund Mamaly, like that is it was

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<v Speaker 1>fucking called for, lady, But wow, it wasn't with like

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<v Speaker 1>oh that poor nice kid. It was with you know,

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<v Speaker 1>the bully kid. It was trying to be an asshole,

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<v Speaker 1>but kids, so twelve year old from seventy kid exactly

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<v Speaker 1>who's let me see, he's one year older than me,

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<v Speaker 1>so he'd be like fifty five. It is probably ready

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<v Speaker 1>to retire from police force and.

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<v Speaker 2>Ship probably still traumatized.

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<v Speaker 1>He's like, you know what, man, I you know, even

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<v Speaker 1>though his mom roughed me up when I was like twelve,

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<v Speaker 1>I'm happy for Kevin Smith. He seemed to go far.

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<v Speaker 1>I'm you know, I'm gonna try out his latest podcast

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<v Speaker 1>and listen to that, see what it's like. Suddenly he's

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<v Speaker 1>just like fucking talking about me, talking about his mom

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<v Speaker 1>smacked me around, said that made me a cut.

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<v Speaker 5>Son of a bitch.

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<v Speaker 1>And he re ups for like five more years because

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<v Speaker 1>it's like he'll be back in town.

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<v Speaker 2>Oh shit.

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<v Speaker 1>And when he's back in town, I'm gonna fucking ride

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<v Speaker 1>his ass with justice.

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<v Speaker 3>O lord.

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<v Speaker 1>And I got to pay for Momily's crimes, and sure, oh.

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<v Speaker 2>Momily, maybe that's why I feel like I have to

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<v Speaker 2>always stand up for justice, you know.

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<v Speaker 1>Because it's in your blood.

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<v Speaker 2>Speak out against injustice. Because Momily, Momily, I didn't even

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<v Speaker 2>know but Momiley was paving the way.

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<v Speaker 1>Momily had a fierce sense of justice. Momily we were

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<v Speaker 1>a lower lower, lower, lower, lower, middle class fan Momily

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<v Speaker 1>does not like me to say, and very blue collar

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<v Speaker 1>and you know, very fucking you know, hey, man, you'll

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<v Speaker 1>work and you'll die, and you have a job just

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<v Speaker 1>so you can pay for the things you love, your

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<v Speaker 1>family and stuff like that. It's never any sort of

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<v Speaker 1>like careerism where it was like, oh, what do you

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<v Speaker 1>want it? Or dreams like what do you want to

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<v Speaker 1>be when you grow up? And ship like that. So

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<v Speaker 1>she was like pragmatic as fucking whatnot. And that whole

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<v Speaker 1>era of raising kids was you know, I'm not to

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<v Speaker 1>say they didn't like us, but like it's oh no,

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<v Speaker 1>oh no.

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<v Speaker 3>Oh no, no no.

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<v Speaker 1>That's not you can't be doing that wacky. She's like,

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<v Speaker 1>my arch nemesis is here. Waky I didn't get a

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<v Speaker 1>bit away walky oh wucky, No stand by, kids to

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<v Speaker 1>take hold the dogs before this becomes a problem. The

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<v Speaker 1>dogs have been seen to. The four thirty movie Kids

0:12:55.920 --> 0:13:00.439
<v Speaker 1>opens this weekend. It's open right now. Go to fandango

0:13:00.520 --> 0:13:03.960
<v Speaker 1>dot com. You can find it playing and select theaters

0:13:04.000 --> 0:13:07.320
<v Speaker 1>near you and This is a movie that I shot

0:13:07.600 --> 0:13:09.720
<v Speaker 1>at the movie theater that I bought with my friends

0:13:09.760 --> 0:13:12.360
<v Speaker 1>a couple of years ago, movie theater I grew up

0:13:12.440 --> 0:13:14.400
<v Speaker 1>going to when I was a kid, movie theater my

0:13:14.480 --> 0:13:16.720
<v Speaker 1>dad took me to when I was a kid and stuff.

0:13:17.720 --> 0:13:21.160
<v Speaker 5>And it's you know, based on.

0:13:21.480 --> 0:13:28.719
<v Speaker 1>Like childhood memories, adolescent memories. The movie is not about me.

0:13:30.800 --> 0:13:31.880
<v Speaker 3>Kind of is.

0:13:33.800 --> 0:13:34.720
<v Speaker 1>It's nice?

0:13:34.760 --> 0:13:36.440
<v Speaker 5>It is, No, it's good.

0:13:36.559 --> 0:13:39.280
<v Speaker 1>It is as much as Clerks was about me. You

0:13:39.280 --> 0:13:39.880
<v Speaker 1>know what I'm saying.

0:13:39.880 --> 0:13:40.319
<v Speaker 2>It was.

0:13:43.520 --> 0:13:46.480
<v Speaker 1>Well, let's say the movie is a fictionalized to take

0:13:46.679 --> 0:13:50.199
<v Speaker 1>an alternate reality version of me. Because the character's main

0:13:50.240 --> 0:13:52.720
<v Speaker 1>character's name is Brian David. That was the name that

0:13:52.760 --> 0:13:55.280
<v Speaker 1>my parents were gonna give me. That the whole time

0:13:55.320 --> 0:13:57.760
<v Speaker 1>I was in utero. They were like, all little Brian David,

0:13:57.800 --> 0:14:01.680
<v Speaker 1>All little Brian David, Old little Brian David. I lost

0:14:01.720 --> 0:14:09.000
<v Speaker 1>one before you and one after. She really stays ghost siblings.

0:14:09.120 --> 0:14:13.920
<v Speaker 1>What were they boy girl little I'll never know? So, uh,

0:14:14.200 --> 0:14:18.640
<v Speaker 1>they changed their minds once I was born, and not

0:14:18.720 --> 0:14:20.840
<v Speaker 1>because like, you don't look like a Brian David, but

0:14:20.920 --> 0:14:24.280
<v Speaker 1>because there was another Brian David born the day before

0:14:24.560 --> 0:14:27.560
<v Speaker 1>for that day in the hospital. So he was in

0:14:27.600 --> 0:14:29.480
<v Speaker 1>the nursery and they're like, well, what if they get

0:14:29.520 --> 0:14:33.280
<v Speaker 1>the babies mixed up? So they pivoted and I wound

0:14:33.320 --> 0:14:37.800
<v Speaker 1>up being Kevin Patrick. So calling the character Brian David,

0:14:37.840 --> 0:14:39.520
<v Speaker 1>even though it's like set in the town I grew

0:14:39.560 --> 0:14:41.280
<v Speaker 1>up in the movie theater I grew up going to.

0:14:41.320 --> 0:14:43.840
<v Speaker 2>And everybody's name is pretty much the same.

0:14:44.280 --> 0:14:47.360
<v Speaker 1>No, the main character Brian David, and he hangs out

0:14:47.400 --> 0:14:52.480
<v Speaker 1>with his friends Bernie and Bell's I hung out with

0:14:52.560 --> 0:15:02.080
<v Speaker 1>my childhood friends Ernie and so it's you know, it's

0:15:02.320 --> 0:15:05.680
<v Speaker 1>very it's it's very I've seen a review or two

0:15:05.720 --> 0:15:07.880
<v Speaker 1>with it like, oh, it's kind of like the fablements

0:15:08.000 --> 0:15:10.560
<v Speaker 1>of the Spielberg movie that he made about I.

0:15:10.800 --> 0:15:12.280
<v Speaker 5>You know, I flattered.

0:15:12.320 --> 0:15:14.840
<v Speaker 1>Of course, he's a great filmmaker, one of our best.

0:15:15.520 --> 0:15:19.400
<v Speaker 1>But I always inspired who so are you? Thank you?

0:15:20.440 --> 0:15:25.840
<v Speaker 1>Right there with Spielberg's a Smith's kid. But the uh,

0:15:26.440 --> 0:15:30.600
<v Speaker 1>the oh shit, what was I gonna say? Oh, it's more.

0:15:30.640 --> 0:15:33.600
<v Speaker 1>I really owe a debt, bigger debt to Paul Thomas

0:15:33.640 --> 0:15:37.360
<v Speaker 1>Anderson because it was when I saw licorice Pizza, his

0:15:37.520 --> 0:15:41.080
<v Speaker 1>peon to his youth growing up in the valley, that

0:15:41.200 --> 0:15:44.280
<v Speaker 1>I was like Oh, that's fucking nifty, Like, that's sweet.

0:15:44.680 --> 0:15:47.040
<v Speaker 1>There's a history of older filmmakers kind of looking back

0:15:47.080 --> 0:15:49.680
<v Speaker 1>and stuff like that. But the great irony there is

0:15:49.680 --> 0:15:53.920
<v Speaker 1>that when I was a kid nineteen ninety nine, Magnolia

0:15:54.840 --> 0:15:57.359
<v Speaker 1>is out at the same time as dog and Magnolia's

0:15:57.400 --> 0:16:01.000
<v Speaker 1>got like Oscar buzz and Dogma did. And so somebody

0:16:01.040 --> 0:16:04.640
<v Speaker 1>on like the message board was like, you know, I

0:16:04.640 --> 0:16:08.480
<v Speaker 1>was talking about getting oscar screens, and somebody was like, hey,

0:16:08.600 --> 0:16:10.800
<v Speaker 1>you get the Oscar screener for Magnolia. And I could

0:16:10.800 --> 0:16:13.200
<v Speaker 1>have just easily ignored that, but instead I went out

0:16:13.200 --> 0:16:16.880
<v Speaker 1>of my way to answer it. Yes, like like a

0:16:16.920 --> 0:16:19.480
<v Speaker 1>young jackass I was, and I'm not young. I was

0:16:19.480 --> 0:16:24.880
<v Speaker 1>like twenty nine. I wrote, uh, yeah, I have Magnolia,

0:16:25.080 --> 0:16:28.600
<v Speaker 1>and I keep it on my desk as a constant

0:16:28.640 --> 0:16:36.440
<v Speaker 1>reminder of what bloated self indulgence looks like. Oh, periodically

0:16:36.440 --> 0:16:38.200
<v Speaker 1>the Internet of my face.

0:16:38.600 --> 0:16:42.880
<v Speaker 2>Yeah bad, I know.

0:16:43.200 --> 0:16:45.120
<v Speaker 1>And what's really bad is I like, I wound up

0:16:45.160 --> 0:16:47.880
<v Speaker 1>loving Magnolia, but at the time I was so like

0:16:49.040 --> 0:16:51.359
<v Speaker 1>by it, and I was patty. I was baby filmmaker,

0:16:51.720 --> 0:16:54.160
<v Speaker 1>maybe enough, though I was four films in I should

0:16:54.160 --> 0:16:59.400
<v Speaker 1>have known better. Such an adolescent in my like you know,

0:16:59.440 --> 0:17:02.840
<v Speaker 1>I was. My lessons was frozen at age twenty fucking

0:17:03.040 --> 0:17:07.159
<v Speaker 1>two twenty three, and so you know, I've been in

0:17:07.240 --> 0:17:10.280
<v Speaker 1>a world of I mean, I was just nasshole. Like

0:17:10.320 --> 0:17:12.720
<v Speaker 1>I sometimes I hate young Kevin Smith. I hate watching

0:17:12.760 --> 0:17:16.000
<v Speaker 1>interviews with him because he's like, hey, man, I can't

0:17:16.040 --> 0:17:19.840
<v Speaker 1>be bothered to answer this question. Life is so hard

0:17:19.880 --> 0:17:23.639
<v Speaker 1>in the nineties when you know you're part of the

0:17:23.680 --> 0:17:25.960
<v Speaker 1>pop cultural irond script.

0:17:25.760 --> 0:17:27.760
<v Speaker 3>Like, he's so really evil.

0:17:28.240 --> 0:17:30.840
<v Speaker 1>I hate it. I hate it so much because current

0:17:31.200 --> 0:17:34.359
<v Speaker 1>is like hate kids, King of the over Cell. But

0:17:34.480 --> 0:17:38.439
<v Speaker 1>fucking young Kevin Smith was the under like underselling to

0:17:38.480 --> 0:17:41.480
<v Speaker 1>the point of, like, I mean, I can't be bothered

0:17:41.480 --> 0:17:45.040
<v Speaker 1>to talk about clerks, man, it just hurts too much

0:17:45.200 --> 0:17:51.719
<v Speaker 1>to open my mouth. I'm just so slacking, bro, I

0:17:51.800 --> 0:17:57.480
<v Speaker 1>got an indie filmmaker, douche, total douche, perm douche. My

0:17:57.600 --> 0:18:02.800
<v Speaker 1>good I I I you know, carry that like fucking

0:18:02.880 --> 0:18:04.800
<v Speaker 1>herpes for the rest of my life. That fucking thing

0:18:04.840 --> 0:18:08.399
<v Speaker 1>I said about Paul Thomas Anderson and Magnolia because the

0:18:08.400 --> 0:18:14.800
<v Speaker 1>Internet never forgets. And uh yet years later, like it

0:18:14.840 --> 0:18:17.520
<v Speaker 1>was after I saw Liquor's Pizza, I was like I'm

0:18:17.520 --> 0:18:20.480
<v Speaker 1>gonna go back and rewatch fucking Magnolia. And I loved it,

0:18:20.640 --> 0:18:22.119
<v Speaker 1>you know, I capt to it online. I was like,

0:18:22.160 --> 0:18:26.000
<v Speaker 1>you know, this is awkward, but uh movie and it's

0:18:26.000 --> 0:18:29.160
<v Speaker 1>a really great movie. And you know, I've met Paul

0:18:29.160 --> 0:18:31.040
<v Speaker 1>a couple of times in real life. He's always been

0:18:31.080 --> 0:18:34.760
<v Speaker 1>like super sweet rather than being like, I love Kevin.

0:18:35.680 --> 0:18:38.560
<v Speaker 2>I saw what you said on your message board, no.

0:18:38.480 --> 0:18:40.399
<v Speaker 1>Doubt, But I mean he was smart. He just waited

0:18:40.440 --> 0:18:42.399
<v Speaker 1>that one out. He wasn't like a big social media

0:18:42.440 --> 0:18:44.600
<v Speaker 1>guy like I was. I was online since like nineteen

0:18:44.680 --> 0:18:47.439
<v Speaker 1>ninety seven, post and shit, like before when people were

0:18:47.480 --> 0:18:51.040
<v Speaker 1>still on dialogue. He was busy making great movies. I was,

0:18:51.359 --> 0:18:54.600
<v Speaker 1>you know, just making movies, but spending a lot of time.

0:18:54.440 --> 0:18:56.800
<v Speaker 2>Online responding in petty waste.

0:18:58.840 --> 0:19:03.480
<v Speaker 1>Oh I hate young Kevin Spence sometimes. But you know what, Bro,

0:19:03.640 --> 0:19:06.520
<v Speaker 1>I hate to tell you you were alive. I know, Bro,

0:19:06.640 --> 0:19:10.720
<v Speaker 1>I was that guy was somebody's dad. You should have

0:19:10.760 --> 0:19:12.600
<v Speaker 1>been taking care of a baby. But he was like,

0:19:13.040 --> 0:19:18.160
<v Speaker 1>dear Internet, I'm glad you feel snubbed. So fuck Pta.

0:19:18.920 --> 0:19:24.440
<v Speaker 2>I'm fucking glad you said it because I was thinking, hey,

0:19:24.640 --> 0:19:25.920
<v Speaker 2>well you were doing.

0:19:25.680 --> 0:19:27.360
<v Speaker 1>That because I'm an entertainer.

0:19:27.640 --> 0:19:29.440
<v Speaker 3>There were two.

0:19:28.760 --> 0:19:33.840
<v Speaker 1>Babies in our house at that. Because I'm an entertainer,

0:19:34.359 --> 0:19:37.479
<v Speaker 1>my development has been arrested, and I've grown at a

0:19:37.520 --> 0:19:41.280
<v Speaker 1>slower curve than most in terms of like, oh that's

0:19:41.320 --> 0:19:48.680
<v Speaker 1>what that means. Oh no, Paul Thomas Anderson, man, like.

0:19:48.680 --> 0:19:49.800
<v Speaker 2>I think that's why we're friends.

0:19:50.359 --> 0:19:55.400
<v Speaker 1>Why because because I'm young, because I'm immature. You may

0:19:55.520 --> 0:19:59.520
<v Speaker 1>be we may now be of equal maturity level like

0:19:59.560 --> 0:20:02.800
<v Speaker 1>you at twenty five, and I'm probably so. You think

0:20:02.840 --> 0:20:05.520
<v Speaker 1>you have the edge, Bro, You don't know from the

0:20:05.600 --> 0:20:08.439
<v Speaker 1>real world, son, don't let don't make me unpack my

0:20:08.560 --> 0:20:11.080
<v Speaker 1>fucking leg in the eighties and nineties.

0:20:11.160 --> 0:20:14.080
<v Speaker 5>Bag, Oh god, I come from the real.

0:20:13.880 --> 0:20:16.880
<v Speaker 1>World where motherfucker had to walk beyond a cash register

0:20:17.000 --> 0:20:17.800
<v Speaker 1>in a convenience store.

0:20:17.840 --> 0:20:20.720
<v Speaker 2>You're being to get off my lawn, guy, yeah, right now.

0:20:20.840 --> 0:20:22.680
<v Speaker 1>And you know, I hate to say this, but like,

0:20:23.080 --> 0:20:25.760
<v Speaker 1>as a middle aged white man, I feel I haven't

0:20:25.760 --> 0:20:30.080
<v Speaker 1>gotten my do Oh god, I don't get talked about

0:20:30.200 --> 0:20:36.280
<v Speaker 1>nothing ever thinks of me. Paul Thomas Sanderson though, to

0:20:36.359 --> 0:20:40.439
<v Speaker 1>put a nice little bow on that, so ironically, I like,

0:20:40.520 --> 0:20:42.679
<v Speaker 1>and people are writing nice things about this movie for

0:20:42.720 --> 0:20:45.440
<v Speaker 1>a change. People are going like that's his best movie

0:20:45.440 --> 0:20:47.280
<v Speaker 1>in years and shirt, and I'm like, oh, I owe

0:20:47.280 --> 0:20:51.359
<v Speaker 1>that to the guy who I was once like my

0:20:51.520 --> 0:20:54.080
<v Speaker 1>dusk mon and it hurts me.

0:20:54.520 --> 0:20:55.640
<v Speaker 5>Oh my god.

0:20:57.040 --> 0:20:59.800
<v Speaker 1>I remember running into him and to bring a point

0:20:59.880 --> 0:21:05.760
<v Speaker 1>to Garantino fucking again. Before you were in Once upon

0:21:05.800 --> 0:21:10.320
<v Speaker 1>a Time in Hollywood, this was around the time. Oh fuck, bro,

0:21:10.440 --> 0:21:12.640
<v Speaker 1>this is going back to like Sean of the Debt,

0:21:12.680 --> 0:21:15.280
<v Speaker 1>which I think is like celebrating it. It is fifth

0:21:15.440 --> 0:21:21.480
<v Speaker 1>twentieth twentieth verse. I think maybe more yeah, because Clerk's.

0:21:21.240 --> 0:21:22.480
<v Speaker 2>Started maybe twenty.

0:21:24.000 --> 0:21:26.359
<v Speaker 1>No, it didn't happen the same year as Clerk. Happened

0:21:26.359 --> 0:21:29.920
<v Speaker 1>like two years later. Because more than that, because Edgar

0:21:30.119 --> 0:21:32.679
<v Speaker 1>and Simon went to a Q and A that I

0:21:32.800 --> 0:21:36.720
<v Speaker 1>did in London for Chasing Amy in nineteen ninety six

0:21:36.760 --> 0:21:38.920
<v Speaker 1>and they were just starting to work on Space at

0:21:38.920 --> 0:21:42.160
<v Speaker 1>that point TV show. That kind of led to Sean

0:21:42.160 --> 0:21:44.160
<v Speaker 1>of the Debt. But any event, Quentin is like, I'm

0:21:44.200 --> 0:21:47.160
<v Speaker 1>having a screen hanging hand and screening this band new

0:21:47.160 --> 0:21:49.320
<v Speaker 1>movie house Man, and I'm like, fuck, yeah, let's go,

0:21:49.440 --> 0:21:52.920
<v Speaker 1>so Jennifer and go see it. That's why I don't

0:21:52.960 --> 0:21:55.639
<v Speaker 1>return my call, Yes, why bro?

0:21:56.160 --> 0:21:56.480
<v Speaker 5>As well?

0:21:56.680 --> 0:21:58.280
<v Speaker 1>I would love to hear is Kevin Smith and Bresh

0:21:58.359 --> 0:21:58.880
<v Speaker 1>Oh my god.

0:21:59.080 --> 0:21:59.359
<v Speaker 2>Same.

0:22:00.560 --> 0:22:02.320
<v Speaker 5>So we go to the.

0:22:02.280 --> 0:22:05.440
<v Speaker 1>Movies and at his place and it's like Hollywood cool.

0:22:05.480 --> 0:22:07.400
<v Speaker 1>It's like just a bunch of people hanging out. It's

0:22:07.400 --> 0:22:09.360
<v Speaker 1>like the barbecues we used to do, but they're all

0:22:09.400 --> 0:22:13.080
<v Speaker 1>like cinema people ship and him and Paul Thomas Anderson

0:22:13.080 --> 0:22:15.200
<v Speaker 1>were there, and there's like the first people I encounter

0:22:15.240 --> 0:22:17.320
<v Speaker 1>when I come in. Naturally, I encounter him. It's his house,

0:22:17.320 --> 0:22:19.720
<v Speaker 1>but he's sitting there smoking a joint. Paul Thomas Anderson.

0:22:20.000 --> 0:22:21.639
<v Speaker 1>And this is before I'm a stoner.

0:22:21.800 --> 0:22:22.280
<v Speaker 2>Oh wow.

0:22:23.080 --> 0:22:25.920
<v Speaker 1>So uh He's like, hey man, I'm glad you came.

0:22:26.200 --> 0:22:27.840
<v Speaker 1>And I was like hey man, I say hey Paul,

0:22:27.840 --> 0:22:30.679
<v Speaker 1>and he's like hey Kevin, how are you good. Quentin's like, hey,

0:22:30.720 --> 0:22:34.359
<v Speaker 1>mean you want to hit this? And I was like, ah, no, okay,

0:22:34.840 --> 0:22:39.920
<v Speaker 1>And the look on both of their fucking faces of like, wait,

0:22:41.040 --> 0:22:42.960
<v Speaker 1>really we're smoking weed?

0:22:43.040 --> 0:22:46.880
<v Speaker 5>But silence, Bill is not. This don't make sense.

0:22:47.320 --> 0:22:47.879
<v Speaker 4>Oh no.

0:22:48.240 --> 0:22:50.080
<v Speaker 1>And then we all watch Sean of the Dead, which

0:22:50.160 --> 0:22:55.760
<v Speaker 1>was like a revelationship. Wow, very sweet guy who really

0:22:55.960 --> 0:22:59.520
<v Speaker 1>like I I'm you know, shouting them out. Without him,

0:22:59.520 --> 0:23:01.800
<v Speaker 1>I wouldn't have the four thirty movie because he made

0:23:02.160 --> 0:23:04.840
<v Speaker 1>like Chris Pizza. I was like, oh I want that

0:23:04.880 --> 0:23:08.040
<v Speaker 1>looks fun? Wow, And I made my flick look at you?

0:23:08.320 --> 0:23:10.240
<v Speaker 2>Look at you being all mature?

0:23:10.320 --> 0:23:11.640
<v Speaker 1>And did I grow?

0:23:12.760 --> 0:23:13.679
<v Speaker 5>Did I learn a lesson?

0:23:13.840 --> 0:23:15.160
<v Speaker 3>Is that what I see as a girl?

0:23:15.320 --> 0:23:15.439
<v Speaker 1>Oh?

0:23:15.520 --> 0:23:17.840
<v Speaker 5>My god? Is that what it feels like to become

0:23:18.240 --> 0:23:19.200
<v Speaker 5>nineteen again?

0:23:21.080 --> 0:23:24.280
<v Speaker 2>Congratulations? You finally graduated from eighteen to nineteen.

0:23:24.920 --> 0:23:26.760
<v Speaker 1>Well this four thirty movie kids, but you can go

0:23:26.760 --> 0:23:28.879
<v Speaker 1>see in a movie theater and a Bona five movie

0:23:28.880 --> 0:23:32.199
<v Speaker 1>theater before it. Eventually, of course, it's digital and streaming

0:23:32.200 --> 0:23:37.440
<v Speaker 1>and all that stuff. To play the young me? Originally,

0:23:38.200 --> 0:23:40.280
<v Speaker 1>like this was all born of an idea where I

0:23:40.320 --> 0:23:41.960
<v Speaker 1>was like, oh, I want to tell a story about

0:23:42.000 --> 0:23:45.760
<v Speaker 1>my youth. But who better to play the young me

0:23:47.560 --> 0:23:48.720
<v Speaker 1>than the young me?

0:23:49.960 --> 0:23:52.000
<v Speaker 5>Beardless, diiculous me.

0:23:54.160 --> 0:23:54.400
<v Speaker 2>True?

0:23:55.320 --> 0:23:57.600
<v Speaker 1>And so I approached Charlie at one point about like,

0:23:57.600 --> 0:23:58.840
<v Speaker 1>do you want to play a young version of me?

0:23:58.960 --> 0:24:00.840
<v Speaker 1>Like a guy who makes clerks ship? And she was like,

0:24:02.320 --> 0:24:03.800
<v Speaker 1>I already played John Palcter.

0:24:04.800 --> 0:24:09.439
<v Speaker 2>That's your impression of Indie Douche Kevin. That's not me.

0:24:09.640 --> 0:24:12.840
<v Speaker 1>I've already played John.

0:24:14.400 --> 0:24:15.280
<v Speaker 5>I've already played John.

0:24:20.520 --> 0:24:21.760
<v Speaker 2>I like that impression of me.

0:24:22.080 --> 0:24:25.280
<v Speaker 1>So she was like, no, fuck, I'm not gonna do that.

0:24:25.320 --> 0:24:28.080
<v Speaker 1>It's a quite great acting challenge. You'll be gentling it,

0:24:28.119 --> 0:24:30.400
<v Speaker 1>you'll be moo lo oning it, you'll be playing.

0:24:30.840 --> 0:24:33.240
<v Speaker 5>A boy, and that boy is me.

0:24:33.720 --> 0:24:35.520
<v Speaker 1>So people think it's adorable and she's.

0:24:35.400 --> 0:24:37.240
<v Speaker 2>Like, challenge not excepting.

0:24:37.720 --> 0:24:41.600
<v Speaker 1>Yeah, She's like there's adorbs and then there's tragic Dad,

0:24:41.800 --> 0:24:44.240
<v Speaker 1>like there's cringe. I'm not doing that. I was like,

0:24:44.240 --> 0:24:45.880
<v Speaker 1>all right, so I have to think of somebody else

0:24:45.880 --> 0:24:50.040
<v Speaker 1>to play young me. And thankfully my daughter sleeps with

0:24:50.119 --> 0:24:53.840
<v Speaker 1>actors and proved me wrong.

0:24:54.000 --> 0:24:55.040
<v Speaker 2>One actor.

0:24:56.760 --> 0:24:57.600
<v Speaker 3>Five years.

0:24:57.880 --> 0:25:00.919
<v Speaker 1>So she's been dating this kid, Austin Austin's age or

0:25:00.920 --> 0:25:02.800
<v Speaker 1>the actor from was that movie?

0:25:02.840 --> 0:25:04.640
<v Speaker 2>He was a scary stories to tell him.

0:25:04.520 --> 0:25:06.240
<v Speaker 1>The scary stories to telling the dark. He was also

0:25:06.280 --> 0:25:11.200
<v Speaker 1>in Clerk's three True he did the celebrity show off

0:25:11.240 --> 0:25:13.280
<v Speaker 1>thing with us during the pandemic.

0:25:14.480 --> 0:25:15.400
<v Speaker 5>Son in Lockdown.

0:25:15.520 --> 0:25:18.600
<v Speaker 1>We played like fictional Lis version of himself come to

0:25:18.640 --> 0:25:22.360
<v Speaker 1>live with us during the pandemic. So I knew him

0:25:22.440 --> 0:25:25.520
<v Speaker 1>very well, and I you know, on Clerk's three he

0:25:25.640 --> 0:25:30.919
<v Speaker 1>played block train chain culture. Yeah, and he had like

0:25:31.080 --> 0:25:33.720
<v Speaker 1>dialogue that I had written and after the first rehearsal.

0:25:33.840 --> 0:25:35.360
<v Speaker 1>I was like, you know what, Awsome, I'm gonna take

0:25:35.359 --> 0:25:37.240
<v Speaker 1>all the dialogue away. I was like, the none of

0:25:37.240 --> 0:25:40.080
<v Speaker 1>the jokes are good enough, man like, and you're the

0:25:40.160 --> 0:25:43.200
<v Speaker 1>last guy in the room. You're not like legacy returning shit.

0:25:43.280 --> 0:25:45.440
<v Speaker 1>So everyone's gonna have high expectations and if you don't

0:25:45.440 --> 0:25:48.679
<v Speaker 1>fucking kill, you're gonna get killed. And I can't do

0:25:48.760 --> 0:25:50.600
<v Speaker 1>that to you. So I'm gonna take all the dialogue away,

0:25:50.640 --> 0:25:52.560
<v Speaker 1>which I thought was like a good idea because I

0:25:52.560 --> 0:25:54.440
<v Speaker 1>was like, we'll just play you like baby Simon Bob,

0:25:55.840 --> 0:25:58.480
<v Speaker 1>not knowing what it would do to an actor's self esteem.

0:25:58.960 --> 0:26:02.919
<v Speaker 2>Oh terrible.

0:26:03.960 --> 0:26:09.720
<v Speaker 3>Lap doing what it was all rade.

0:26:11.160 --> 0:26:16.320
<v Speaker 2>The unthinkable, not even to get fired, just all your lines, the.

0:26:16.400 --> 0:26:19.159
<v Speaker 5>Coldest red give me.

0:26:22.840 --> 0:26:24.600
<v Speaker 1>But I told him, I was like, dude, this time,

0:26:24.600 --> 0:26:26.359
<v Speaker 1>I'm taking away all the dialogue. I said, but one

0:26:26.400 --> 0:26:28.960
<v Speaker 1>day you'll have all the dial And so with the

0:26:28.960 --> 0:26:30.399
<v Speaker 1>fourth thir Indy movie, I got a chance to make

0:26:30.440 --> 0:26:33.720
<v Speaker 1>good on that where he has all the dialogues. True

0:26:33.800 --> 0:26:36.600
<v Speaker 1>and according to the reviews, I mean, look, according to me,

0:26:37.200 --> 0:26:39.760
<v Speaker 1>I'm the guy that made the fucker like. I love

0:26:39.800 --> 0:26:42.160
<v Speaker 1>his performance. I think it's great. It breaks my heart.

0:26:42.400 --> 0:26:45.800
<v Speaker 1>He fucking he wells up in the end, and I

0:26:45.920 --> 0:26:49.080
<v Speaker 1>well up. And you know, Austin's not doing an impersonation

0:26:49.119 --> 0:26:52.160
<v Speaker 1>of me by any stretching the imagination, but the earnestness

0:26:52.320 --> 0:26:57.200
<v Speaker 1>and like it's there, so good, so.

0:26:58.960 --> 0:27:02.840
<v Speaker 2>So the material though this is Yeah, hasn't been saying

0:27:02.960 --> 0:27:05.560
<v Speaker 2>though this is your most grounded film.

0:27:05.600 --> 0:27:07.400
<v Speaker 1>I would say it is very grounded.

0:27:07.960 --> 0:27:12.040
<v Speaker 2>It's and I think that's a really awesome new direction.

0:27:12.600 --> 0:27:17.959
<v Speaker 2>It's it's on opposite end of the spectrum from Tusk,

0:27:18.200 --> 0:27:21.520
<v Speaker 2>Love Tusk, but this adjacent.

0:27:22.240 --> 0:27:22.480
<v Speaker 5>Yeah.

0:27:22.480 --> 0:27:27.600
<v Speaker 2>Actually you could say this is the prequel to Tusk. No,

0:27:27.840 --> 0:27:31.600
<v Speaker 2>it's could not be more opposite. And I think it's

0:27:31.600 --> 0:27:33.399
<v Speaker 2>a really cool new direction you're going in.

0:27:33.600 --> 0:27:35.920
<v Speaker 1>You're very sweet. Can you put that in print in

0:27:36.000 --> 0:27:37.520
<v Speaker 1>like New York Times or something like that.

0:27:37.560 --> 0:27:38.920
<v Speaker 2>Okay, I'll call them.

0:27:39.320 --> 0:27:41.639
<v Speaker 1>That's the generation I come from. Unless they put it

0:27:41.680 --> 0:27:43.320
<v Speaker 1>in print.

0:27:43.840 --> 0:27:47.680
<v Speaker 2>Does your daughter's words mean nothing to you?

0:27:47.760 --> 0:27:49.720
<v Speaker 1>Kind of? But you're you're like a paid friend. You

0:27:49.720 --> 0:27:53.959
<v Speaker 1>gotta like me, thank you? Yeah, I don't have to,

0:27:54.320 --> 0:27:56.560
<v Speaker 1>I know, but you're sweet enough to you were raised well,

0:27:56.600 --> 0:27:58.320
<v Speaker 1>so you're like death before just courtesy.

0:27:58.440 --> 0:28:00.199
<v Speaker 2>I don't know who I was raised by. Because my

0:28:00.280 --> 0:28:03.000
<v Speaker 2>dad was in responding to people on the internet.

0:28:03.840 --> 0:28:08.399
<v Speaker 1>I was like, she's good. She good over there, maybe,

0:28:08.840 --> 0:28:14.960
<v Speaker 1>dear Magnolia fan. So when I'm writing the four thirty movie,

0:28:15.000 --> 0:28:20.320
<v Speaker 1>which I write knowing I'm gonna shoot at my movie

0:28:20.400 --> 0:28:22.720
<v Speaker 1>theater when I own with my friends. That's why the

0:28:22.760 --> 0:28:25.040
<v Speaker 1>whole place is old as fuck. Old movie theater is

0:28:25.040 --> 0:28:27.960
<v Speaker 1>like one hundred years old, but like the seats, you know,

0:28:28.000 --> 0:28:29.959
<v Speaker 1>are from the fucking sixties. So I was like, oh

0:28:30.000 --> 0:28:31.960
<v Speaker 1>my god, we point anywhere, we point a camera as

0:28:32.000 --> 0:28:35.640
<v Speaker 1>long as we're inside this place. It looks old. We'll

0:28:35.640 --> 0:28:37.800
<v Speaker 1>get away with the period piece, not like merchant Ivory

0:28:37.840 --> 0:28:41.000
<v Speaker 1>and Shure like that sense and sensibility level, but we

0:28:41.040 --> 0:28:43.800
<v Speaker 1>could pass for nineteen eighty six. And so I told

0:28:43.840 --> 0:28:46.640
<v Speaker 1>this kind of story about like a first date in

0:28:46.720 --> 0:28:49.920
<v Speaker 1>high school in nineteen eighty six when when I was

0:28:49.960 --> 0:28:52.160
<v Speaker 1>a kid, and an eventful day at the movie theater.

0:28:52.360 --> 0:28:58.600
<v Speaker 1>So I write the lead Brian David for Austin, and

0:28:58.600 --> 0:29:01.960
<v Speaker 1>then I write the lead all Melody Barnegat, and I

0:29:02.200 --> 0:29:05.160
<v Speaker 1>say to Harley, I was like, so I wrote this

0:29:05.280 --> 0:29:09.800
<v Speaker 1>for you, so you guys get to act together. And

0:29:09.840 --> 0:29:16.480
<v Speaker 1>then Harley started the movie and everything worked out.

0:29:15.160 --> 0:29:16.800
<v Speaker 2>And everything went according to your.

0:29:16.720 --> 0:29:23.840
<v Speaker 1>Plan, Harley, very kindly, very politely, because again raised right,

0:29:25.120 --> 0:29:32.200
<v Speaker 1>I was like, fuck h And I was like, what went?

0:29:34.640 --> 0:29:34.720
<v Speaker 2>What?

0:29:35.080 --> 0:29:35.240
<v Speaker 4>Uh?

0:29:35.560 --> 0:29:39.160
<v Speaker 1>Tell the good folks at home why you passed on

0:29:39.240 --> 0:29:45.280
<v Speaker 1>the female lead in a major motion picture will rest

0:29:45.320 --> 0:29:48.560
<v Speaker 1>of Hollywood was reeling from the strike because you were

0:29:48.720 --> 0:29:51.840
<v Speaker 1>just like, care this trash to someone else?

0:29:51.960 --> 0:29:52.320
<v Speaker 5>Please?

0:29:52.520 --> 0:29:58.240
<v Speaker 2>Yeah, that's what happened for sure. No, I of course

0:29:58.400 --> 0:30:03.360
<v Speaker 2>feel so grateful and honored that you asked me, and.

0:30:03.240 --> 0:30:08.280
<v Speaker 1>That I there's that well kid right there, she leads with, like,

0:30:08.320 --> 0:30:10.960
<v Speaker 1>I'm so happy you asked me. Here comes the big butt.

0:30:10.720 --> 0:30:15.440
<v Speaker 2>Though, well, okay, we'll just wait to see. I absolutely

0:30:15.480 --> 0:30:18.680
<v Speaker 2>recognize how rare it is and how lucky I am

0:30:18.840 --> 0:30:24.040
<v Speaker 2>to have a part written for me and get the

0:30:24.080 --> 0:30:27.480
<v Speaker 2>opportunity to and I'm so grateful for it. But I

0:30:27.520 --> 0:30:30.160
<v Speaker 2>think at the end of the day, it was just

0:30:30.280 --> 0:30:33.680
<v Speaker 2>a little too close for home and it was already

0:30:34.440 --> 0:30:38.000
<v Speaker 2>one thing for Austin to kind of be playing you,

0:30:38.920 --> 0:30:41.960
<v Speaker 2>and it would in that you know, that was my

0:30:42.320 --> 0:30:44.320
<v Speaker 2>my my mental health.

0:30:47.160 --> 0:30:48.200
<v Speaker 5>Does it sound like your dad?

0:30:49.120 --> 0:30:55.880
<v Speaker 1>Hey, let me try this one out.

0:30:58.000 --> 0:30:58.760
<v Speaker 5>Is this your dad?

0:30:59.320 --> 0:30:59.480
<v Speaker 3>Why?

0:31:01.360 --> 0:31:04.120
<v Speaker 2>Jesus, Yeah, I got it.

0:31:05.400 --> 0:31:09.480
<v Speaker 1>This guy I'm supposed to tell him.

0:31:09.600 --> 0:31:10.440
<v Speaker 2>I hate all of this?

0:31:11.520 --> 0:31:11.840
<v Speaker 1>Was it?

0:31:12.720 --> 0:31:13.320
<v Speaker 2>I didn't?

0:31:13.480 --> 0:31:15.520
<v Speaker 1>Did you swear him off during the making the movie

0:31:15.560 --> 0:31:17.240
<v Speaker 1>because you were like, he's so much like you, I

0:31:17.240 --> 0:31:18.960
<v Speaker 1>can't relate to him anymore?

0:31:19.280 --> 0:31:22.760
<v Speaker 2>No, why, no, no, no no. It was very important

0:31:22.760 --> 0:31:28.960
<v Speaker 2>to Austin to obviously not trying to impersonate my dad.

0:31:29.200 --> 0:31:32.480
<v Speaker 1>He was like, just we're gonna have to make up

0:31:32.560 --> 0:31:35.280
<v Speaker 1>with the lights on, because I'm afraid that it would

0:31:35.320 --> 0:31:36.920
<v Speaker 1>sound so much like your father.

0:31:38.520 --> 0:31:42.960
<v Speaker 2>So much. I hate it, and I'm gonna walk away.

0:31:43.480 --> 0:31:45.200
<v Speaker 2>I hate all of this.

0:31:46.040 --> 0:31:48.400
<v Speaker 1>Finish, tell him why you did?

0:31:51.720 --> 0:31:56.280
<v Speaker 3>Reason? I don't know fucking why. There's just literally someone

0:31:56.400 --> 0:31:59.120
<v Speaker 3>terrorizing me on the other the table.

0:32:00.000 --> 0:32:02.680
<v Speaker 1>I'm out of an over guy's shoulder, going like you

0:32:02.680 --> 0:32:09.320
<v Speaker 1>guys kissing real life and you kissing the movie again.

0:32:09.400 --> 0:32:12.360
<v Speaker 1>You're like, my father's emotional development.

0:32:15.240 --> 0:32:17.640
<v Speaker 2>Stunted at an early age, okay.

0:32:17.360 --> 0:32:18.920
<v Speaker 1>And it's only growing now.

0:32:19.600 --> 0:32:24.920
<v Speaker 2>He's only learning some very early on lessons now. It

0:32:25.040 --> 0:32:27.560
<v Speaker 2>was I just did not want to play your high

0:32:27.600 --> 0:32:35.200
<v Speaker 2>school girls far. Call me crazy, but I thought it

0:32:35.440 --> 0:32:38.920
<v Speaker 2>was maybe a little too goddamn close to home.

0:32:39.080 --> 0:32:42.080
<v Speaker 1>You're like, I've been in therapy since I was twelve

0:32:42.520 --> 0:32:44.560
<v Speaker 1>one day. I hope to get out of it. I'm

0:32:44.600 --> 0:32:46.040
<v Speaker 1>never going to get out of this hole. If I

0:32:46.080 --> 0:32:50.360
<v Speaker 1>play your high school girlfriend my boyfriend, please you? Yes,

0:32:50.440 --> 0:32:53.720
<v Speaker 1>that's that father's this is a bridge too far.

0:32:55.840 --> 0:32:59.240
<v Speaker 2>It was just it was respect not going to be

0:32:59.320 --> 0:33:00.840
<v Speaker 2>healthy from all respect.

0:33:00.960 --> 0:33:02.920
<v Speaker 1>I remember like, at first, I was like, what the

0:33:03.000 --> 0:33:05.960
<v Speaker 1>f And then I spoke to another actor about it.

0:33:06.000 --> 0:33:08.240
<v Speaker 1>I spoke to Joey Adams. Saw Joey Adams out of

0:33:08.240 --> 0:33:11.520
<v Speaker 1>con Joey played Alyssa and Chase Gamy and stuff. So

0:33:11.520 --> 0:33:15.000
<v Speaker 1>I've known Joey for like decades, but you know, an actor.

0:33:16.640 --> 0:33:21.040
<v Speaker 1>So I'm telling the stories, like you believe this, shy

0:33:21.160 --> 0:33:25.160
<v Speaker 1>her fucking lean. Joey's like.

0:33:28.840 --> 0:33:30.840
<v Speaker 5>What you did say?

0:33:30.920 --> 0:33:33.920
<v Speaker 1>She'd be playing a version of your high school girlfriend.

0:33:33.920 --> 0:33:35.720
<v Speaker 1>And I was like, well, I mean yeah, but like,

0:33:35.800 --> 0:33:38.720
<v Speaker 1>isn't that an acting child? And she's like no, that's

0:33:38.760 --> 0:33:41.840
<v Speaker 1>the trauma waiting to happen. She was like, Kevin, I

0:33:41.880 --> 0:33:44.160
<v Speaker 1>would pass on that if I were your daughter. She's

0:33:44.360 --> 0:33:46.240
<v Speaker 1>got my pass on it as just your friend.

0:33:48.200 --> 0:33:50.960
<v Speaker 5>She's like that, she's right to say no, and.

0:33:50.920 --> 0:33:52.760
<v Speaker 1>I was like she is. I was like, well, but

0:33:52.840 --> 0:33:55.840
<v Speaker 1>she's I applaut her because I'm so wishy.

0:33:55.920 --> 0:33:58.680
<v Speaker 2>She have to be so fucking wishy, washy.

0:33:58.560 --> 0:34:01.640
<v Speaker 1>Bro, no spy, what's soever? Oh, let me take the

0:34:01.640 --> 0:34:05.800
<v Speaker 1>temperature of the room. So the kid didn't wind up

0:34:05.800 --> 0:34:09.160
<v Speaker 1>playing that book, but she did wind up playing sister.

0:34:08.920 --> 0:34:12.320
<v Speaker 2>Sugar Walls, which is I think what I was always

0:34:12.440 --> 0:34:16.320
<v Speaker 2>born to play was a hook her nun. At the

0:34:16.400 --> 0:34:19.000
<v Speaker 2>end of the day, tell your mom that.

0:34:20.640 --> 0:34:23.799
<v Speaker 3>I was born to play a hooker mob you thought

0:34:23.800 --> 0:34:26.160
<v Speaker 3>I was born to play your ex fucking high school

0:34:26.160 --> 0:34:29.600
<v Speaker 3>girlfriend and before that, play a young version of you.

0:34:30.560 --> 0:34:32.040
<v Speaker 3>So fuck yourself.

0:34:34.800 --> 0:34:37.319
<v Speaker 1>I didn't think you were born to play that role,

0:34:37.400 --> 0:34:40.200
<v Speaker 1>but why not play it on your way to you know,

0:34:40.400 --> 0:34:44.120
<v Speaker 1>fucking the classics like fucking Medea, f Procter.

0:34:44.440 --> 0:34:47.440
<v Speaker 3>All this ship media.

0:34:48.800 --> 0:34:57.120
<v Speaker 5>Like look pop culturally. I'm very proud.

0:34:56.840 --> 0:35:01.040
<v Speaker 1>Of you because you're aware of the work of Tyler parents.

0:35:01.480 --> 0:35:06.040
<v Speaker 6>Yeah, so good on you. You've been paying attention for

0:35:06.080 --> 0:35:08.360
<v Speaker 6>the last I don't know, twenty five years. He's a

0:35:08.400 --> 0:35:12.799
<v Speaker 6>pop cultural force. That being said, that was not There

0:35:12.880 --> 0:35:14.719
<v Speaker 6>is a classical Greek play.

0:35:16.640 --> 0:35:20.000
<v Speaker 1>Performed in the apropol of perhaps called media.

0:35:20.320 --> 0:35:20.759
<v Speaker 2>Oh right.

0:35:20.920 --> 0:35:24.840
<v Speaker 1>Usually actresses actors of female variety dream.

0:35:24.600 --> 0:35:28.600
<v Speaker 2>Of course, but I was more dreaming of the other.

0:35:29.120 --> 0:35:32.920
<v Speaker 1>I mean, you can dream, but I honestly wo touch

0:35:33.000 --> 0:35:33.600
<v Speaker 1>that role.

0:35:34.160 --> 0:35:38.720
<v Speaker 5>Some shit is not for you. Do you understand, fucking

0:35:38.840 --> 0:35:41.160
<v Speaker 5>child the privilege you're like one of those, one of those.

0:35:41.200 --> 0:35:43.400
<v Speaker 5>Some shit is not ours.

0:35:44.360 --> 0:35:46.600
<v Speaker 2>Oh my god, there's a media.

0:35:46.280 --> 0:35:49.400
<v Speaker 1>You could play, not Tyler Perry's media. I don't come

0:35:49.480 --> 0:35:52.200
<v Speaker 1>after Tyler Perry's like, I'm still doing it. Yes, you

0:35:52.239 --> 0:35:52.960
<v Speaker 1>don't know how much.

0:35:52.800 --> 0:35:56.560
<v Speaker 5>Money I'm making. He's like James Alabamas pennies compared to

0:35:56.600 --> 0:35:59.200
<v Speaker 5>the media billions.

0:36:00.040 --> 0:36:02.239
<v Speaker 1>Go to movie studio. He really did off of the

0:36:02.320 --> 0:36:05.319
<v Speaker 1>back of the media. Anybody that's like, oh, it's so

0:36:05.520 --> 0:36:07.760
<v Speaker 1>low rent to put on a dress in comedy.

0:36:07.520 --> 0:36:08.080
<v Speaker 5>Fuck you.

0:36:08.239 --> 0:36:12.000
<v Speaker 1>That guy's kind of movie studio guy's a genius.

0:36:12.280 --> 0:36:12.880
<v Speaker 5>I believe me.

0:36:13.000 --> 0:36:15.759
<v Speaker 1>When when as the Rise of Tyler Berry happened, I

0:36:15.800 --> 0:36:18.640
<v Speaker 1>was like, why did I fucking hook up with Jay?

0:36:19.400 --> 0:36:22.520
<v Speaker 1>Why didn't I just put on a dress instead? Silent

0:36:22.640 --> 0:36:23.839
<v Speaker 1>best or something like that.

0:36:24.160 --> 0:36:26.879
<v Speaker 2>No, No, never going to work.

0:36:27.239 --> 0:36:30.640
<v Speaker 1>But uh fucking man, Yeah no, there's another Medea.

0:36:30.800 --> 0:36:32.560
<v Speaker 2>All right, understood.

0:36:33.600 --> 0:36:34.880
<v Speaker 1>Every day's a school day.

0:36:35.840 --> 0:36:39.040
<v Speaker 2>You know you're growing. I'm learning.

0:36:39.840 --> 0:36:42.719
<v Speaker 1>What is my craft interesting?

0:36:43.480 --> 0:36:44.640
<v Speaker 2>Not a media halloween?

0:36:45.800 --> 0:36:47.200
<v Speaker 5>I'm sorry. I don't know this man.

0:36:50.160 --> 0:36:52.680
<v Speaker 1>Sorry to this man, I'm sorry. That's I'm sorry to

0:36:52.719 --> 0:37:00.800
<v Speaker 1>this I'm sorry. Four thirty movie kids, we've to potential,

0:37:02.000 --> 0:37:06.759
<v Speaker 1>you know, trip back to the fucking mental hospital or

0:37:06.840 --> 0:37:09.440
<v Speaker 1>trip for the first time. For you, you've been like

0:37:10.600 --> 0:37:12.799
<v Speaker 1>they're like, what are you doing here? That's here too soon.

0:37:12.960 --> 0:37:16.480
<v Speaker 1>You're like, my father made me play his school girl,

0:37:16.640 --> 0:37:21.880
<v Speaker 1>and like we have a room for you. Kevin Smith,

0:37:21.880 --> 0:37:25.000
<v Speaker 1>sweet right here, right this way.

0:37:25.640 --> 0:37:27.799
<v Speaker 2>No, I didn't have to I didn't have to go

0:37:27.880 --> 0:37:30.040
<v Speaker 2>this year or two soon because I have been in

0:37:30.120 --> 0:37:32.000
<v Speaker 2>therapy for over time.

0:37:32.440 --> 0:37:32.600
<v Speaker 6>You know.

0:37:32.640 --> 0:37:36.319
<v Speaker 1>I remember fucking when you were younger, there was this

0:37:36.400 --> 0:37:39.279
<v Speaker 1>thought of like, god, this generation so fucking song, like

0:37:39.360 --> 0:37:43.560
<v Speaker 1>they fucking take offense to everything. Then the older you got,

0:37:43.600 --> 0:37:46.200
<v Speaker 1>the more I realized, oh, their generation so smart because

0:37:46.239 --> 0:37:49.560
<v Speaker 1>they deal with their ship like unlike my generation was

0:37:49.640 --> 0:37:54.320
<v Speaker 1>just like, you know, fucking put it behind you, move forward,

0:37:54.400 --> 0:37:57.520
<v Speaker 1>fucking happy family, happy family or whatever the fuck. Like

0:37:57.600 --> 0:38:04.160
<v Speaker 1>your generation like nose to look out for their mental health,

0:38:04.200 --> 0:38:08.399
<v Speaker 1>whereas my generation, like what mental health? And now it's

0:38:08.440 --> 0:38:10.480
<v Speaker 1>catching up to a lot of us and we were

0:38:10.520 --> 0:38:13.480
<v Speaker 1>not prepared for it. So it is. Yeah, in many ways,

0:38:13.840 --> 0:38:15.799
<v Speaker 1>I think you guys are stronger because you're willing to

0:38:15.800 --> 0:38:19.120
<v Speaker 1>look at yourselves in ways that like my generation perhaps

0:38:19.880 --> 0:38:22.279
<v Speaker 1>was not. And I'm a pretty introspective motherfucker. You can

0:38:22.320 --> 0:38:24.000
<v Speaker 1>go watch that four thirty movie. It's like my head

0:38:24.080 --> 0:38:26.080
<v Speaker 1>way up my own ass man, Like I'm making my

0:38:26.160 --> 0:38:28.520
<v Speaker 1>I'm a hero of my own fucking movies and shit, which,

0:38:28.600 --> 0:38:30.680
<v Speaker 1>to be fair, you should be the hero of your

0:38:30.680 --> 0:38:32.160
<v Speaker 1>own fucking movie at all times.

0:38:32.400 --> 0:38:41.640
<v Speaker 2>True, but yes, But I also I am very proud

0:38:41.640 --> 0:38:45.479
<v Speaker 2>of you for going on your It's never too late

0:38:45.560 --> 0:38:48.400
<v Speaker 2>to start your mental health journey, and I'm very proud

0:38:48.400 --> 0:38:48.640
<v Speaker 2>of you.

0:38:49.000 --> 0:38:51.920
<v Speaker 1>I appreciate that. Yeah, for the kids, been in therapy

0:38:52.600 --> 0:38:53.920
<v Speaker 1>since she was twelve.

0:38:53.600 --> 0:38:56.879
<v Speaker 2>And I feel very very lucky and privileged to have

0:38:57.160 --> 0:38:59.520
<v Speaker 2>been in therapy since I was twelve and to be

0:38:59.560 --> 0:39:04.279
<v Speaker 2>able to access that help, because I know it's not

0:39:05.120 --> 0:39:09.560
<v Speaker 2>accessible to everybody, and I definitely feel and recognize that

0:39:10.480 --> 0:39:15.640
<v Speaker 2>being able to see professional help is absolutely a privilege

0:39:15.640 --> 0:39:19.360
<v Speaker 2>and something I'm super lucky to have had as a

0:39:19.400 --> 0:39:25.160
<v Speaker 2>major tool for the past decade and psychiatry for almost

0:39:25.239 --> 0:39:26.000
<v Speaker 2>as long too.

0:39:26.280 --> 0:39:28.799
<v Speaker 1>So there have been many moments where I'm like, man,

0:39:28.840 --> 0:39:33.759
<v Speaker 1>she's mature, and it usually is it's about emotional maturity. Yeah,

0:39:33.800 --> 0:39:39.480
<v Speaker 1>because you far more well equipped for life. Like when

0:39:39.480 --> 0:39:41.040
<v Speaker 1>I was in Sierra tou Son, I was in the

0:39:41.080 --> 0:39:49.880
<v Speaker 1>booby hat. The why the boys went out because the

0:39:49.920 --> 0:39:51.759
<v Speaker 1>fun way to say, because otherwise you're like when I

0:39:51.800 --> 0:39:55.319
<v Speaker 1>was fucking catatonic in a mental hospital, like so much

0:39:55.320 --> 0:39:57.640
<v Speaker 1>better be like when I was in the bus so

0:39:57.760 --> 0:40:01.919
<v Speaker 1>true it was is uh, you know, oh my god,

0:40:01.960 --> 0:40:04.000
<v Speaker 1>I got here because I didn't have any tools to

0:40:04.400 --> 0:40:06.959
<v Speaker 1>ye fucking deal with this and I didn't know things.

0:40:07.040 --> 0:40:09.359
<v Speaker 1>Now I just know more about myself now. It's not

0:40:09.440 --> 0:40:11.640
<v Speaker 1>like they curiate where I walked out. I'm like, oh,

0:40:11.680 --> 0:40:15.640
<v Speaker 1>everything's changed. But if you can identify your behaviors, that's

0:40:15.680 --> 0:40:18.640
<v Speaker 1>a big fucking step or you know, these mood swings

0:40:18.719 --> 0:40:20.239
<v Speaker 1>or whatever fuck or the headspace you're in.

0:40:20.440 --> 0:40:23.839
<v Speaker 2>Your mental health is also something that you constantly have

0:40:24.000 --> 0:40:27.120
<v Speaker 2>to work towards, just like your physical health. Like you

0:40:27.160 --> 0:40:27.879
<v Speaker 2>have to work out.

0:40:28.080 --> 0:40:30.440
<v Speaker 1>I've only started doing in the last few years.

0:40:30.840 --> 0:40:32.880
<v Speaker 2>But you're doing so great with both now.

0:40:32.960 --> 0:40:34.480
<v Speaker 1>But better snake than lover.

0:40:34.680 --> 0:40:38.680
<v Speaker 2>It's not like you, you know, go to therapy a

0:40:38.719 --> 0:40:41.640
<v Speaker 2>few times or go to the booby hatch or somethen

0:40:41.680 --> 0:40:45.160
<v Speaker 2>like you're like it's a it's something you constantly have.

0:40:45.160 --> 0:40:50.600
<v Speaker 1>To work towards, and it just if you know why

0:40:50.840 --> 0:40:53.560
<v Speaker 1>you do things. You know, they trace stuff back to

0:40:53.640 --> 0:40:57.320
<v Speaker 1>like childhood, They trace stuff back to like traumatic moments

0:40:57.360 --> 0:41:01.000
<v Speaker 1>in your life. You know that we're things registered and

0:41:01.080 --> 0:41:02.320
<v Speaker 1>stayed with you and stuff.

0:41:04.280 --> 0:41:04.520
<v Speaker 5>You know.

0:41:04.840 --> 0:41:10.319
<v Speaker 1>It's like when I left the place, they were like, hey,

0:41:10.360 --> 0:41:12.920
<v Speaker 1>don't wait a lifetime to come back, and I was like,

0:41:12.960 --> 0:41:16.080
<v Speaker 1>you know what, that's like sound advice? RH I wish

0:41:16.160 --> 0:41:17.879
<v Speaker 1>when I was in When I was in the booby Hatch,

0:41:18.719 --> 0:41:21.760
<v Speaker 1>there was a kid there who was young, like fucking

0:41:21.840 --> 0:41:25.160
<v Speaker 1>seventeen eighteen, and I was like, oh, Like some people

0:41:25.160 --> 0:41:27.160
<v Speaker 1>were like, that's so sad, and I'm like, that ain't

0:41:27.200 --> 0:41:29.799
<v Speaker 1>fucking sad. Like now that I know what you could

0:41:29.840 --> 0:41:33.520
<v Speaker 1>get in this place, Yeah, I wish i'd fucking gone

0:41:33.600 --> 0:41:36.200
<v Speaker 1>nuts when I was seventeen eighteen, which he didn't need

0:41:36.920 --> 0:41:39.919
<v Speaker 1>go nuts. Not everyone in there was crazy. Some people

0:41:39.960 --> 0:41:43.520
<v Speaker 1>were substance abuse, some people were this that. But to

0:41:43.640 --> 0:41:46.120
<v Speaker 1>have had the tools that they gave me at age

0:41:46.120 --> 0:41:49.120
<v Speaker 1>seventeen eighteen, like you had through, oh my god, it

0:41:49.160 --> 0:41:52.480
<v Speaker 1>would have been a valuable It's invaluable, Like it's something

0:41:52.480 --> 0:41:55.680
<v Speaker 1>they should really, like, you know, life is hard man

0:41:55.719 --> 0:41:58.839
<v Speaker 1>for everybody, and every like fucking ten, fifteen, twenty years

0:41:58.920 --> 0:42:01.680
<v Speaker 1>or something. People should be forced not to like go crazy,

0:42:01.719 --> 0:42:05.880
<v Speaker 1>but to like, you know, fucking put it all down.

0:42:06.280 --> 0:42:10.120
<v Speaker 2>It's about looking at yourself, look an honest look. And

0:42:10.440 --> 0:42:14.880
<v Speaker 2>thankfully now there are more accessible services online for therapy

0:42:15.080 --> 0:42:20.640
<v Speaker 2>and psychiatry because it has been something that is not

0:42:21.120 --> 0:42:23.680
<v Speaker 2>accessible to everybody for a long time, and thankfully now

0:42:23.680 --> 0:42:27.720
<v Speaker 2>it is becoming more so, which is really amazing because

0:42:28.400 --> 0:42:31.920
<v Speaker 2>I think everybody should take the time to look inward

0:42:32.040 --> 0:42:36.240
<v Speaker 2>and really be honest with themselves and address the current

0:42:36.320 --> 0:42:38.760
<v Speaker 2>state of their of their mind and their mental health.

0:42:39.880 --> 0:42:42.280
<v Speaker 1>I got you've always been that cat though, You've always

0:42:42.320 --> 0:42:46.360
<v Speaker 1>even when like I was like, you know, this is

0:42:46.400 --> 0:42:48.359
<v Speaker 1>she Like I remember asking Jim from time to time

0:42:48.520 --> 0:42:51.239
<v Speaker 1>like she's still going to that to bath? Said yeah.

0:42:51.520 --> 0:42:53.640
<v Speaker 1>I was like when's that end? She's like probably never,

0:42:54.360 --> 0:42:56.520
<v Speaker 1>is it? Really? She's like yeah, but I think that's

0:42:56.600 --> 0:42:59.120
<v Speaker 1>kind of fun. Like Jennifer benthic therapy and stuff, and

0:42:59.120 --> 0:43:03.600
<v Speaker 1>so she had her own opinions and whatnot. But now

0:43:04.360 --> 0:43:07.840
<v Speaker 1>like I'm like, oh my god, why would you ever stop?

0:43:07.880 --> 0:43:12.080
<v Speaker 1>It's all about mini maintenance along the way. Yeah, Like

0:43:12.120 --> 0:43:16.040
<v Speaker 1>if I had been doing what you were doing, I

0:43:16.040 --> 0:43:19.080
<v Speaker 1>wouldn't have had a fucking complete break with reality. It's

0:43:19.120 --> 0:43:22.759
<v Speaker 1>like a car, right, It's like, if you fucking tend

0:43:22.800 --> 0:43:25.759
<v Speaker 1>to it, fix it, keep it up, you know, you

0:43:25.760 --> 0:43:27.680
<v Speaker 1>can drive it for a long time. But if you

0:43:27.880 --> 0:43:31.480
<v Speaker 1>never do anything like fucking get an oil change, pocasm

0:43:31.560 --> 0:43:34.480
<v Speaker 1>or whatever to fuck change in tires, you can't be

0:43:34.520 --> 0:43:36.800
<v Speaker 1>surprised when the car, like literally one day just breaks

0:43:36.840 --> 0:43:40.359
<v Speaker 1>down and stops, and then it's usually very costly and

0:43:40.400 --> 0:43:43.080
<v Speaker 1>time consuming to put it back on the road and stuff.

0:43:43.320 --> 0:43:47.080
<v Speaker 1>But instead, now I would you know, I just go

0:43:47.200 --> 0:43:53.399
<v Speaker 1>to therapy. I leave work behind more than I did

0:43:54.320 --> 0:43:57.839
<v Speaker 1>back in the day and whatnot. And I can identify, like, oh,

0:43:57.920 --> 0:44:01.399
<v Speaker 1>this feeling is coming from there, like I'm not mad

0:44:01.480 --> 0:44:06.080
<v Speaker 1>at this or I don't like this is not the

0:44:06.080 --> 0:44:09.439
<v Speaker 1>focus of what's making the upset. If I step back,

0:44:09.920 --> 0:44:11.239
<v Speaker 1>it's more about this.

0:44:11.800 --> 0:44:14.799
<v Speaker 2>You know, I've seen it happen in real time. I'm

0:44:14.880 --> 0:44:15.680
<v Speaker 2>very proud of you.

0:44:16.040 --> 0:44:18.000
<v Speaker 1>I was, honestly like some of the coolest shit you

0:44:18.040 --> 0:44:20.440
<v Speaker 1>ever said to me, like when I was in the

0:44:20.480 --> 0:44:24.960
<v Speaker 1>stir in the Booby Hedge, because you were like oh man,

0:44:25.040 --> 0:44:28.239
<v Speaker 1>you're saying ship like I been wishing you would say

0:44:28.280 --> 0:44:30.680
<v Speaker 1>for like a decade because I was finally catching up

0:44:31.600 --> 0:44:34.319
<v Speaker 1>with what like you already knew. And it was so

0:44:34.440 --> 0:44:36.839
<v Speaker 1>weird because in that instance, it's like, well the parent,

0:44:36.960 --> 0:44:38.760
<v Speaker 1>the child has become parents the parent.

0:44:39.760 --> 0:44:43.920
<v Speaker 2>It's honestly say, it's the same way you would like

0:44:44.360 --> 0:44:49.960
<v Speaker 2>make fun of me for being a vegan all that shit, And.

0:44:50.280 --> 0:44:54.000
<v Speaker 1>I felt so much pity for you because you would

0:44:54.320 --> 0:44:57.640
<v Speaker 1>you can't eat anything, like we would go to we'd

0:44:57.640 --> 0:45:00.040
<v Speaker 1>be at Morton's Steakhouse and be like, spoor k I

0:45:00.080 --> 0:45:00.600
<v Speaker 1>needed things.

0:45:00.600 --> 0:45:03.440
<v Speaker 2>She's like, yeah, because you brought me to a fucking steakhouse.

0:45:03.800 --> 0:45:06.719
<v Speaker 1>I could if we went to a vegan restaurant or.

0:45:06.760 --> 0:45:09.520
<v Speaker 2>Like literally anywhere that's not his fucking steakhouse.

0:45:09.960 --> 0:45:11.440
<v Speaker 1>I was like, bring her a half a head of

0:45:11.440 --> 0:45:17.080
<v Speaker 1>iceberg lattice, put cheese on it. She's like, but yeah,

0:45:17.120 --> 0:45:19.640
<v Speaker 1>you were, you know, and time to go first. Many

0:45:19.680 --> 0:45:20.760
<v Speaker 1>times you're like a little.

0:45:20.520 --> 0:45:25.120
<v Speaker 2>Ashk oh, thanks, But then now now look at you

0:45:25.160 --> 0:45:27.680
<v Speaker 2>many years deep in veganism.

0:45:27.440 --> 0:45:30.320
<v Speaker 1>And six and a half years used to be happy.

0:45:30.400 --> 0:45:37.839
<v Speaker 2>Now hey, but the same for mental health. You used

0:45:37.880 --> 0:45:40.520
<v Speaker 2>to not understand why I was on an antidepressant, not

0:45:40.640 --> 0:45:43.720
<v Speaker 2>understand why I would go to therapy psychiatry. You didn't

0:45:43.800 --> 0:45:49.440
<v Speaker 2>understand any of it, and now you totally do, Like.

0:45:49.719 --> 0:45:52.440
<v Speaker 1>You got antidepressant please.

0:45:53.600 --> 0:45:57.000
<v Speaker 2>But also I just kind of realized while talking for

0:45:57.040 --> 0:46:06.799
<v Speaker 2>the first time that basically you neglected your mental and

0:46:06.840 --> 0:46:09.840
<v Speaker 2>physical health for so long that it led to two

0:46:09.960 --> 0:46:14.080
<v Speaker 2>like major events that forced you to change, which is

0:46:15.000 --> 0:46:18.200
<v Speaker 2>crazy and really like makes you the perfect person to

0:46:18.600 --> 0:46:24.800
<v Speaker 2>talk about. Oh yeah, like it's because it in your Obviously,

0:46:25.000 --> 0:46:28.640
<v Speaker 2>we all fucking know you're We're so lucky that you're

0:46:28.680 --> 0:46:37.800
<v Speaker 2>still here. Like you really overcame too, really like huge explosions.

0:46:37.800 --> 0:46:39.440
<v Speaker 1>My heart blew up and then my head.

0:46:39.239 --> 0:46:42.320
<v Speaker 2>Blew yeah literally yeah, and both were.

0:46:42.120 --> 0:46:45.399
<v Speaker 1>Like taken to the limit when it Yeah, it wasn't

0:46:45.440 --> 0:46:47.879
<v Speaker 1>like somebody is like by the way you might want

0:46:47.880 --> 0:46:48.600
<v Speaker 1>to stop or something.

0:46:48.719 --> 0:46:51.280
<v Speaker 2>You were pushing yourself till you could not anymore.

0:46:52.400 --> 0:46:53.160
<v Speaker 1>Two different hospital.

0:46:53.280 --> 0:46:57.880
<v Speaker 2>Literally, Wow, that's pretty crazy. And look at you now,

0:46:58.640 --> 0:46:59.440
<v Speaker 2>not in a hospital.

0:46:59.600 --> 0:47:03.719
<v Speaker 1>Not in life comes down to in a hospital, not

0:47:03.800 --> 0:47:08.680
<v Speaker 1>a hospital, And that's honestly the best you can hope for. Honestly,

0:47:08.920 --> 0:47:10.800
<v Speaker 1>God man, put that on a fucking shirt.

0:47:11.160 --> 0:47:14.279
<v Speaker 3>Is that our slop closed the show.

0:47:14.080 --> 0:47:22.080
<v Speaker 1>Man, fucking like, uh, bugging you, life is fuck I

0:47:22.120 --> 0:47:23.120
<v Speaker 1>forgot what it was already.

0:47:23.239 --> 0:47:26.040
<v Speaker 2>Life comes down to are you in a hospital?

0:47:26.960 --> 0:47:31.120
<v Speaker 1>The hospital? It's not a great people like the medical

0:47:31.120 --> 0:47:35.560
<v Speaker 1>show show. I mean, I wish they'd go back to

0:47:35.600 --> 0:47:39.480
<v Speaker 1>talking about John Proctor. That was my favorite party. I

0:47:39.520 --> 0:47:40.640
<v Speaker 1>have a new part of the show, and this is

0:47:40.640 --> 0:47:42.840
<v Speaker 1>how we'll end the show. It's a thing that we

0:47:42.880 --> 0:47:46.239
<v Speaker 1>could do every episode. It's like a spine that we

0:47:46.280 --> 0:47:50.960
<v Speaker 1>could always kind of build upon and whatnot. And it's

0:47:51.160 --> 0:47:54.279
<v Speaker 1>not a game, but it's kind of a fun pastime.

0:47:55.360 --> 0:48:00.160
<v Speaker 1>I was gonna call it love it, where you talk

0:48:00.200 --> 0:48:02.520
<v Speaker 1>about something you're passionate about, because it's you know, a

0:48:02.520 --> 0:48:06.120
<v Speaker 1>lot of people fucking bitch nowadays. You know, that's what

0:48:06.160 --> 0:48:09.000
<v Speaker 1>social media seems to be primarily for either showing off

0:48:09.000 --> 0:48:11.520
<v Speaker 1>how awesome your life is or shitting on somebody else's

0:48:11.600 --> 0:48:15.400
<v Speaker 1>life and everything else. So in the interest of fucking

0:48:15.440 --> 0:48:18.839
<v Speaker 1>pouring a little positivity out there, I wanted to do

0:48:19.040 --> 0:48:21.240
<v Speaker 1>love it, where we just talk about things we're passionate

0:48:21.280 --> 0:48:25.560
<v Speaker 1>about every week or shove it, which is not like

0:48:25.840 --> 0:48:28.520
<v Speaker 1>or the things we hate, is more about like the

0:48:28.520 --> 0:48:32.480
<v Speaker 1>things we can you know, fucking do without or less

0:48:32.480 --> 0:48:34.760
<v Speaker 1>of and shit like that things were working on or whatever.

0:48:35.760 --> 0:48:37.440
<v Speaker 1>So I thought I was so clever. However, I love

0:48:37.480 --> 0:48:39.120
<v Speaker 1>it or shove it is like all over the internet.

0:48:39.160 --> 0:48:40.759
<v Speaker 1>I did a quick search and I was like, well,

0:48:40.800 --> 0:48:43.520
<v Speaker 1>of course it is. It's easy. So I went through

0:48:43.640 --> 0:48:46.000
<v Speaker 1>variations and came up with this this one. It's called

0:48:46.040 --> 0:48:51.480
<v Speaker 1>passion or ration. So it's the thing you're passionate about,

0:48:52.120 --> 0:48:55.480
<v Speaker 1>or the thing you could ration do with less of

0:48:55.960 --> 0:48:58.120
<v Speaker 1>in your life. Something where you're like more of this,

0:48:58.520 --> 0:49:00.680
<v Speaker 1>less of everything else, and then something where you're like

0:49:00.800 --> 0:49:04.759
<v Speaker 1>less of this, more of everything understood. I will go

0:49:04.800 --> 0:49:10.000
<v Speaker 1>first passion. My passion this week is the dog park.

0:49:11.320 --> 0:49:13.960
<v Speaker 1>The dog park is over by Loyal Canyon and it's

0:49:13.960 --> 0:49:17.719
<v Speaker 1>where I bring Lucky and Birdie, the two German shepherds,

0:49:18.320 --> 0:49:20.640
<v Speaker 1>mostly every day. In fact, once we're done recording, I

0:49:20.640 --> 0:49:22.480
<v Speaker 1>think we're going to bring the dogs over to the park.

0:49:24.200 --> 0:49:25.400
<v Speaker 5>Me and Jen go.

0:49:25.880 --> 0:49:28.720
<v Speaker 1>And it reminds me, I like, number one, the joy

0:49:28.800 --> 0:49:31.560
<v Speaker 1>that the dogs, you know, fucking have, and just being

0:49:31.600 --> 0:49:35.320
<v Speaker 1>outside of the house is everything and being the doorway

0:49:35.360 --> 0:49:39.279
<v Speaker 1>to that joy, Like you know, that's fucking way on

0:49:39.400 --> 0:49:42.719
<v Speaker 1>brand for stuff. Being responsible for somebody else's happiness is

0:49:42.719 --> 0:49:47.279
<v Speaker 1>literally what I do. And the dogs, like you just

0:49:47.320 --> 0:49:49.239
<v Speaker 1>want to make them happy, and when they're happy, they're

0:49:49.239 --> 0:49:51.440
<v Speaker 1>fucking they're bully and shit. And because of that, like

0:49:51.480 --> 0:49:54.680
<v Speaker 1>these motherfuckers kill for me, like they've you know, they

0:49:54.880 --> 0:49:59.920
<v Speaker 1>like your mother, but oh look they're in this fucking room, man,

0:50:00.080 --> 0:50:01.239
<v Speaker 1>you got to be and shit like that.

0:50:01.560 --> 0:50:05.920
<v Speaker 2>Once again, thank god mom doesn't listen to our podcast.

0:50:07.160 --> 0:50:10.279
<v Speaker 1>So I love going to the dog park, but it reminds me,

0:50:10.360 --> 0:50:12.440
<v Speaker 1>I figured out, reminds me of my mom and dad

0:50:12.520 --> 0:50:15.840
<v Speaker 1>used to go down to the harbor in Atlantic Highlands,

0:50:15.880 --> 0:50:18.000
<v Speaker 1>one town over from where we lived when I was

0:50:18.000 --> 0:50:21.600
<v Speaker 1>a kid, where the Atlantic Islands movie theater is. The

0:50:21.800 --> 0:50:25.000
<v Speaker 1>Smodcastle Cinema is very shot before thirty movie now you

0:50:25.000 --> 0:50:30.279
<v Speaker 1>can now see. But they used to go down to

0:50:30.320 --> 0:50:32.400
<v Speaker 1>the harbor to the marina and just like parked bar

0:50:32.480 --> 0:50:34.399
<v Speaker 1>and walk around and bullshit one night. And they've been

0:50:34.400 --> 0:50:38.960
<v Speaker 1>married at that point for like easily fifteen twenty years,

0:50:39.680 --> 0:50:41.360
<v Speaker 1>and I always thought that was kind of charm, like,

0:50:41.400 --> 0:50:43.400
<v Speaker 1>oh they can still fucking stand to hang out with

0:50:43.440 --> 0:50:46.239
<v Speaker 1>one another. And that's what going to the dog park,

0:50:46.280 --> 0:50:48.680
<v Speaker 1>I think at the roote reminds me of. I'm like, oh,

0:50:48.800 --> 0:50:52.520
<v Speaker 1>this is kind of like where my parents were in

0:50:52.640 --> 0:50:55.879
<v Speaker 1>life at that point. So I like it. So that's

0:50:55.920 --> 0:51:04.439
<v Speaker 1>my that's my passion, My what's my ration is uh,

0:51:05.000 --> 0:51:10.320
<v Speaker 1>feeling irrelevant? You know, most of my job is predicated

0:51:10.400 --> 0:51:14.360
<v Speaker 1>on pop cultural relevancy. If nobody knows me or gives

0:51:14.520 --> 0:51:16.600
<v Speaker 1>no fuck about me, then I really don't have a

0:51:16.719 --> 0:51:19.719
<v Speaker 1>job anymore, particularly because I became my job for a

0:51:19.719 --> 0:51:21.520
<v Speaker 1>living start as a director, but now I'm just Kevin

0:51:21.560 --> 0:51:24.560
<v Speaker 1>Smith for a living. So my job is only as

0:51:24.640 --> 0:51:29.640
<v Speaker 1>valuable as my pop cultural currency or my cultural relevancy.

0:51:30.239 --> 0:51:33.080
<v Speaker 1>And as we release a movie and release a brand

0:51:33.120 --> 0:51:37.600
<v Speaker 1>new podcast, it's always a moment, you know, where one

0:51:37.640 --> 0:51:43.040
<v Speaker 1>has to face their relevancy, like is anybody going to

0:51:43.080 --> 0:51:45.359
<v Speaker 1>show up to the Movie's very easy to do, very

0:51:45.360 --> 0:51:47.960
<v Speaker 1>easy metric with a movie, it's like does anybody come?

0:51:48.640 --> 0:51:51.520
<v Speaker 1>And a podcast is also an easy metric is anybody listening?

0:51:52.400 --> 0:51:56.200
<v Speaker 1>So going out there into the arena is always kind

0:51:56.200 --> 0:52:00.560
<v Speaker 1>of like frightening and going out there into the arena

0:52:00.000 --> 0:52:03.200
<v Speaker 1>and like at this age, you know, thirty years into

0:52:03.239 --> 0:52:05.880
<v Speaker 1>a career, the thirtieth anniversary of Clarks this year and

0:52:05.880 --> 0:52:09.640
<v Speaker 1>shit like that, it makes me go, like, is anybody

0:52:09.640 --> 0:52:13.120
<v Speaker 1>gonna care. And I can't stand that feeling, and I

0:52:13.120 --> 0:52:15.759
<v Speaker 1>could do with less of it because it does preoccupy

0:52:15.800 --> 0:52:17.520
<v Speaker 1>a lot of my time. And all I need to

0:52:17.560 --> 0:52:20.319
<v Speaker 1>do is not do that, because that's destructive thinking don't help,

0:52:20.760 --> 0:52:23.480
<v Speaker 1>Like I should just pour myself into Whenever I'm writing,

0:52:23.719 --> 0:52:27.640
<v Speaker 1>I'm feeling like relevant, creatively relevant, and really then it's

0:52:27.680 --> 0:52:30.000
<v Speaker 1>like I don't give a fuck. I'm just thrilled with

0:52:30.040 --> 0:52:33.000
<v Speaker 1>what I'm doing and it doesn't matter who's eventually going

0:52:33.040 --> 0:52:36.160
<v Speaker 1>to see it as I'm creating it and stuff. So yeah,

0:52:36.200 --> 0:52:39.520
<v Speaker 1>I could do with less of feeling irrelevant, but I

0:52:39.560 --> 0:52:42.799
<v Speaker 1>guess we all do. Everyone wants to feel. You know.

0:52:42.880 --> 0:52:44.440
<v Speaker 1>An important part of the conversation.

0:52:44.960 --> 0:52:46.480
<v Speaker 2>You got to take your own advice.

0:52:46.600 --> 0:52:47.719
<v Speaker 1>Bruh, what is that?

0:52:47.760 --> 0:52:51.080
<v Speaker 2>The past is depression, the future is anxiety.

0:52:51.480 --> 0:52:53.960
<v Speaker 1>Got that from the nuthouse. The movie Hatch taught me that, man,

0:52:54.239 --> 0:52:59.319
<v Speaker 1>past is depression. Can't change it to happen. You can

0:52:59.400 --> 0:53:03.439
<v Speaker 1>learn from it. That's important, you should. But dwelling on it, Oh,

0:53:03.520 --> 0:53:05.920
<v Speaker 1>living in your head inside the past what a fucking

0:53:05.960 --> 0:53:07.840
<v Speaker 1>double waste of time because you can't do it. And

0:53:08.000 --> 0:53:09.960
<v Speaker 1>you know, if you go back in time and reminisce,

0:53:10.760 --> 0:53:17.000
<v Speaker 1>you know, fucking you know, wallowing nostalgia. Sure, that's fine,

0:53:17.600 --> 0:53:19.520
<v Speaker 1>but like going back to be like, why did I

0:53:19.560 --> 0:53:22.120
<v Speaker 1>say that? Why did they say that? Why didn't I

0:53:22.160 --> 0:53:23.839
<v Speaker 1>do that thing when I had the chance? Why if

0:53:23.840 --> 0:53:27.239
<v Speaker 1>I like, don't reletigate your life, kids, like, learn from

0:53:27.280 --> 0:53:29.359
<v Speaker 1>your mistakes, move forward, Stay the fuck out of the past.

0:53:29.680 --> 0:53:31.160
<v Speaker 1>Future is fraught with anxiety.

0:53:31.840 --> 0:53:32.680
<v Speaker 2>Stay out of there too.

0:53:32.760 --> 0:53:34.239
<v Speaker 1>Oh my god, you don't know what's gonna happen. And

0:53:34.280 --> 0:53:37.120
<v Speaker 1>we all become brilliant writers when it comes to making

0:53:37.200 --> 0:53:41.480
<v Speaker 1>up our unfortunate futures, where we're like, all the bad

0:53:41.520 --> 0:53:44.040
<v Speaker 1>things are going to happen and shit, which you don't

0:53:44.080 --> 0:53:46.040
<v Speaker 1>know to be the case at all. Nobody knows the future.

0:53:46.040 --> 0:53:47.600
<v Speaker 1>So if you're just gonna make up some shit, make

0:53:47.680 --> 0:53:49.360
<v Speaker 1>up good shit, be like, oh my god, everything's going

0:53:49.400 --> 0:53:51.480
<v Speaker 1>to work out in the future, it has just as

0:53:51.560 --> 0:53:53.760
<v Speaker 1>much a chance of being true. But the best healthiest

0:53:53.760 --> 0:53:56.360
<v Speaker 1>place to live inside your head is never in the future.

0:53:56.400 --> 0:53:59.359
<v Speaker 1>Either stay that past or the future. Yes, stay in bred.

0:54:00.280 --> 0:54:01.000
<v Speaker 2>Absolutely.

0:54:01.400 --> 0:54:03.360
<v Speaker 1>We miss so much of the present but here and

0:54:03.400 --> 0:54:06.719
<v Speaker 1>now because we're fucking spending so much time thinking about

0:54:06.719 --> 0:54:09.480
<v Speaker 1>what happened, religating the past, thinking, wondering what's going to

0:54:09.520 --> 0:54:14.720
<v Speaker 1>happen in the future, fearing the future, and the best

0:54:14.760 --> 0:54:17.879
<v Speaker 1>part of it is the here and now. Everything else

0:54:18.000 --> 0:54:21.319
<v Speaker 1>is like the dwelling in the past is a snapshot.

0:54:22.320 --> 0:54:25.279
<v Speaker 1>It's looking at something that already happened. It's not experiencing it,

0:54:25.320 --> 0:54:28.799
<v Speaker 1>and fucking you know, trying to predict what's going to

0:54:28.800 --> 0:54:33.239
<v Speaker 1>happen and fucking complete fabrication, waste of time. But here

0:54:33.280 --> 0:54:36.759
<v Speaker 1>and now all the good shit happens and the bad shit.

0:54:37.280 --> 0:54:40.959
<v Speaker 1>But like, if you're going to be anywhere in your head,

0:54:42.520 --> 0:54:44.759
<v Speaker 1>be here, be mindful. In order to do that, you

0:54:44.840 --> 0:54:49.279
<v Speaker 1>breathe and through your nose about your mouth. Do that

0:54:49.320 --> 0:54:52.719
<v Speaker 1>five times, and it grounds you, they said, because because

0:54:52.719 --> 0:54:55.720
<v Speaker 1>I was like why, And they're like, because you can't

0:54:56.040 --> 0:55:00.200
<v Speaker 1>breathe in the past, and you cannot breathe into the future.

0:55:00.520 --> 0:55:03.200
<v Speaker 1>You can only breathe right here in the present. I

0:55:03.400 --> 0:55:06.839
<v Speaker 1>like that. They're full of fucking ship that'd be good

0:55:06.840 --> 0:55:09.239
<v Speaker 1>on a dish towel or a mug. So true that

0:55:09.360 --> 0:55:12.000
<v Speaker 1>one of those positivity stores, you know, like fucking a

0:55:12.040 --> 0:55:12.960
<v Speaker 1>penny saves.

0:55:12.640 --> 0:55:14.799
<v Speaker 2>A penny, the present, gift.

0:55:14.840 --> 0:55:21.600
<v Speaker 1>President the present, and what the present? What is it

0:55:21.880 --> 0:55:23.560
<v Speaker 1>that's why they call it the present.

0:55:23.960 --> 0:55:24.800
<v Speaker 2>Because it's a gift.

0:55:24.920 --> 0:55:27.120
<v Speaker 1>Yes, they call it the present because it's a gift.

0:55:28.239 --> 0:55:30.040
<v Speaker 1>And when they said that ship to you, you know,

0:55:30.080 --> 0:55:33.759
<v Speaker 1>you're like, they're like, wait a second, those are the

0:55:33.800 --> 0:55:37.200
<v Speaker 1>booies that you start grabbing onto as you swim back

0:55:37.239 --> 0:55:39.560
<v Speaker 1>to the shore. You know, fucking in your head, you're

0:55:39.640 --> 0:55:43.399
<v Speaker 1>just out to fucking see but hearing like something like that,

0:55:43.560 --> 0:55:46.759
<v Speaker 1>just being able to grab onto that concept, which again

0:55:46.880 --> 0:55:49.200
<v Speaker 1>is simple, And it's not like this is a concept

0:55:49.239 --> 0:55:51.680
<v Speaker 1>that eludes many. It clearly doesn't, but for some of

0:55:51.760 --> 0:55:55.120
<v Speaker 1>us maybe it does. In that moment, dopey ship like

0:55:55.160 --> 0:55:58.040
<v Speaker 1>that made all the fucking difference. So yeah, I guess

0:55:58.040 --> 0:56:00.120
<v Speaker 1>some of the answer is just like be creative and

0:56:00.120 --> 0:56:02.000
<v Speaker 1>then you won't even think about that ship. So anyway,

0:56:02.000 --> 0:56:05.080
<v Speaker 1>that's my passion, that's my ration. You got passion and

0:56:05.120 --> 0:56:05.520
<v Speaker 1>a ration.

0:56:05.920 --> 0:56:09.800
<v Speaker 2>Yeah, I got a passion, right, passion.

0:56:12.880 --> 0:56:15.360
<v Speaker 1>I want to play the classics. I want to play

0:56:15.480 --> 0:56:17.120
<v Speaker 1>all the Tyler Perry classics.

0:56:17.400 --> 0:56:20.799
<v Speaker 2>You're talking. I was thinking about that.

0:56:21.120 --> 0:56:23.719
<v Speaker 5>It's like, wow, I want you to call it.

0:56:25.440 --> 0:56:32.000
<v Speaker 1>Acting coach Deba and be like like, yes, Harley, while

0:56:32.040 --> 0:56:37.000
<v Speaker 1>there is another medea. I just wasn't clear there was

0:56:37.040 --> 0:56:40.520
<v Speaker 1>a O G as well, I just what is it?

0:56:40.520 --> 0:56:41.280
<v Speaker 1>What's your passion?

0:56:42.120 --> 0:56:45.040
<v Speaker 2>But right now I'm going to say that my passion

0:56:45.960 --> 0:56:49.480
<v Speaker 2>is making music because it's been what it's what I've

0:56:49.520 --> 0:56:50.520
<v Speaker 2>been up to lately.

0:56:50.880 --> 0:56:56.520
<v Speaker 1>Make the music with the mouthes. Make the music with

0:56:56.640 --> 0:56:58.600
<v Speaker 1>the mouth O.

0:56:58.920 --> 0:56:59.279
<v Speaker 5>All right?

0:57:00.080 --> 0:57:02.239
<v Speaker 1>Are you beat boxing that you're doing? You and a

0:57:02.239 --> 0:57:08.120
<v Speaker 1>couple of friends getting together, and like that's not actually bad.

0:57:08.840 --> 0:57:12.640
<v Speaker 1>I've been around since the eighties, that's pretty good. What

0:57:12.719 --> 0:57:13.880
<v Speaker 1>kind of music you're working on?

0:57:17.080 --> 0:57:17.640
<v Speaker 2>Grunge?

0:57:18.160 --> 0:57:21.800
<v Speaker 1>Is it grunge? I would say, I think about grunge? Yeah,

0:57:21.840 --> 0:57:23.280
<v Speaker 1>it was fucking King of the nineties for a red

0:57:23.320 --> 0:57:23.800
<v Speaker 1>hot minute.

0:57:23.880 --> 0:57:29.000
<v Speaker 5>I was a kid and a king Baker. You've heard

0:57:29.040 --> 0:57:30.040
<v Speaker 5>of bad Apple like that too?

0:57:30.200 --> 0:57:34.640
<v Speaker 3>Not David jasically mus Please?

0:57:36.960 --> 0:57:37.880
<v Speaker 1>What kind of music?

0:57:39.240 --> 0:57:41.560
<v Speaker 2>As I just told you, which then spun.

0:57:41.320 --> 0:57:42.280
<v Speaker 3>Into whatever.

0:57:45.080 --> 0:57:46.360
<v Speaker 1>We'll do it Singapore.

0:57:47.040 --> 0:57:49.960
<v Speaker 2>No, but you always want me to sing on the

0:57:50.000 --> 0:57:51.000
<v Speaker 2>fucking podcast.

0:57:51.200 --> 0:57:53.800
<v Speaker 3>If you're nearly talk on the podcast.

0:57:54.080 --> 0:57:55.560
<v Speaker 1>If you're a singer and there's a mic in front

0:57:55.560 --> 0:57:58.080
<v Speaker 1>of you, how come you're not just like into the fat?

0:58:02.200 --> 0:58:06.520
<v Speaker 1>Do you have you ever performed? You have performed a lot?

0:58:06.840 --> 0:58:07.840
<v Speaker 2>Yeah, bro, you've been there.

0:58:08.000 --> 0:58:11.040
<v Speaker 1>I have but not with this new formation. No, because

0:58:11.080 --> 0:58:13.000
<v Speaker 1>you know the band you performed live with that I

0:58:13.000 --> 0:58:15.080
<v Speaker 1>saw it was very poppying up and stuff like that.

0:58:15.520 --> 0:58:18.520
<v Speaker 2>You called bubble gum bubble gum punk punk. It was

0:58:18.560 --> 0:58:19.000
<v Speaker 2>not pop.

0:58:19.360 --> 0:58:19.720
<v Speaker 5>My bad.

0:58:19.760 --> 0:58:23.040
<v Speaker 1>I'm sorry many pop, but this as much as you

0:58:23.080 --> 0:58:27.520
<v Speaker 1>say much, it's grunge much so it's much more more swaying.

0:58:27.720 --> 0:58:30.200
<v Speaker 2>I'm yelling and stuff, and you yell a lot, I

0:58:30.240 --> 0:58:31.080
<v Speaker 2>do yell.

0:58:32.360 --> 0:58:36.480
<v Speaker 1>Do do you leave your eyes open or close when

0:58:36.480 --> 0:58:36.760
<v Speaker 1>you sing?

0:58:37.640 --> 0:58:38.480
<v Speaker 2>That's so funny.

0:58:38.720 --> 0:58:39.640
<v Speaker 1>I'm so curious.

0:58:41.000 --> 0:58:43.920
<v Speaker 2>We'ren't really feeling it. My eyes are closed, I feel like,

0:58:44.160 --> 0:58:44.760
<v Speaker 2>but you.

0:58:44.720 --> 0:58:47.360
<v Speaker 1>Go all Ricky Nelson, Ricky Nelson like he was a

0:58:47.400 --> 0:58:50.160
<v Speaker 1>teenage heart throb in the fucking fifties. He was one

0:58:50.160 --> 0:58:52.440
<v Speaker 1>of the sons on the Adventures of Ozzie and Harriet.

0:58:53.400 --> 0:58:56.640
<v Speaker 1>He became like a fucking legit singer, like he was

0:58:56.680 --> 0:58:59.000
<v Speaker 1>on the show singing, and then he became fucking rick

0:58:59.080 --> 0:59:01.520
<v Speaker 1>Nelson and ship and he he is responsible for that

0:59:02.680 --> 0:59:07.160
<v Speaker 1>wonderful song guarded Party, a win to a garden party

0:59:08.040 --> 0:59:10.919
<v Speaker 1>to reniss with my friends.

0:59:12.240 --> 0:59:14.920
<v Speaker 5>When he sang on the show.

0:59:15.000 --> 0:59:17.080
<v Speaker 1>Because they didn't have MTV back then and shit, so

0:59:17.160 --> 0:59:19.720
<v Speaker 1>they would show him singing out the show. Whenever he

0:59:19.800 --> 0:59:23.880
<v Speaker 1>was at the microphone, he would do that shit close

0:59:23.920 --> 0:59:29.760
<v Speaker 1>his eyes by saying, and you know, I'm sure he's

0:59:29.800 --> 0:59:31.520
<v Speaker 1>not the first one to ever do it, but because

0:59:31.520 --> 0:59:33.480
<v Speaker 1>he did it on TV and people saw it, and

0:59:33.560 --> 0:59:37.600
<v Speaker 1>TV was such a powerful medium, he's probably the artist

0:59:37.680 --> 0:59:41.480
<v Speaker 1>people associated with. But something tells me, like most fucking

0:59:41.520 --> 0:59:43.720
<v Speaker 1>good things of music, it was probably taking my different

0:59:43.720 --> 0:59:44.680
<v Speaker 1>culture altogether.

0:59:45.000 --> 0:59:45.919
<v Speaker 2>That is true.

0:59:46.000 --> 0:59:50.040
<v Speaker 1>But that being said, is that an affectation or when

0:59:50.080 --> 0:59:54.120
<v Speaker 1>one is singing, like, does that help you go higher?

0:59:54.160 --> 0:59:55.280
<v Speaker 1>Like if I close my eyes, I can go a

0:59:55.280 --> 0:59:56.920
<v Speaker 1>little higher or louder or whatever.

0:59:57.040 --> 1:00:00.000
<v Speaker 2>Fuck No, I think, well, when I'm yelling, my eyes

1:00:00.000 --> 1:00:02.240
<v Speaker 2>are closed, because if they were open, that's weird.

1:00:08.800 --> 1:00:14.880
<v Speaker 1>No one wants to close look away from That's true

1:00:14.880 --> 1:00:17.240
<v Speaker 1>on stage, motherfuckers, when they scream sing, they're usually like

1:00:17.280 --> 1:00:17.920
<v Speaker 1>eyes closed.

1:00:18.200 --> 1:00:21.600
<v Speaker 2>It takes a lot. I'm like the scene from my gut,

1:00:22.160 --> 1:00:27.040
<v Speaker 2>so it's it's really like using my fucking asps.

1:00:28.360 --> 1:00:30.040
<v Speaker 1>It takes a lot. I'm singing from my.

1:00:31.800 --> 1:00:34.480
<v Speaker 2>Am, it takes a lot of you're singing to the

1:00:34.480 --> 1:00:38.960
<v Speaker 2>back of the room. I'm really like pushing, pushing.

1:00:39.160 --> 1:00:42.960
<v Speaker 1>And so it's eyes closed, or you might accidentally ship yourself.

1:00:43.920 --> 1:00:47.160
<v Speaker 1>That is what I just said, clenching all around.

1:00:47.240 --> 1:00:48.960
<v Speaker 2>What if I shipped myself.

1:00:48.560 --> 1:00:49.400
<v Speaker 5>While you were singing?

1:00:49.720 --> 1:00:53.760
<v Speaker 1>Would that be like a huge honor? No that you

1:00:53.800 --> 1:00:57.640
<v Speaker 1>didn't like technically, you literally left it all on the stage,

1:00:58.280 --> 1:01:01.240
<v Speaker 1>So true, slides down your pant leg and ship.

1:01:01.280 --> 1:01:03.240
<v Speaker 2>I feel like this sounds like kind of familiar, Like

1:01:03.280 --> 1:01:05.960
<v Speaker 2>somebody did take a ship off the stage recently, did they?

1:01:06.120 --> 1:01:06.320
<v Speaker 1>Yeah?

1:01:06.320 --> 1:01:07.919
<v Speaker 2>I kind of feel like they did, but I can't

1:01:07.960 --> 1:01:09.040
<v Speaker 2>remember anyways.

1:01:09.800 --> 1:01:11.720
<v Speaker 1>And then g Allen used to do it all the time.

1:01:11.880 --> 1:01:15.160
<v Speaker 1>Really yeah, that was part of his fucking ship shipped

1:01:15.200 --> 1:01:16.880
<v Speaker 1>on stage on stage.

1:01:17.240 --> 1:01:20.200
<v Speaker 2>That is just not what I'm going for.

1:01:20.360 --> 1:01:24.440
<v Speaker 1>But we were in Ralph's the other night and we

1:01:24.480 --> 1:01:26.000
<v Speaker 1>went to pick up Hollywood.

1:01:28.040 --> 1:01:29.400
<v Speaker 2>She's gonna be so pitch.

1:01:31.960 --> 1:01:36.760
<v Speaker 1>We're picking up Gail Jen's mom my mother in law,

1:01:36.840 --> 1:01:42.240
<v Speaker 1>Harley's grandma Nana went through a procedure and so we

1:01:42.240 --> 1:01:44.760
<v Speaker 1>were bringing her some candy unless she sits around like

1:01:44.840 --> 1:01:47.280
<v Speaker 1>to snack out on and stuff. So we go to

1:01:47.360 --> 1:01:51.760
<v Speaker 1>Ralph's and I tend to move very fast in a

1:01:51.800 --> 1:01:53.520
<v Speaker 1>place in public.

1:01:53.560 --> 1:01:56.160
<v Speaker 2>I just really really do.

1:01:56.640 --> 1:01:57.840
<v Speaker 5>I have a pretty brisk page.

1:01:57.880 --> 1:02:00.920
<v Speaker 2>No one can keep up with this man at an airport.

1:02:01.440 --> 1:02:04.080
<v Speaker 1>She I just I'm used to traveling alone, and the

1:02:04.160 --> 1:02:06.560
<v Speaker 1>faster I moved. Then if it's like, hey, man's the

1:02:06.600 --> 1:02:08.959
<v Speaker 1>sawing Bob's like, yeah, over my shoulder. As I'm still

1:02:08.960 --> 1:02:10.080
<v Speaker 1>moving forward and stuff.

1:02:10.120 --> 1:02:12.560
<v Speaker 2>In order to keep up with you, I I actually

1:02:12.680 --> 1:02:14.040
<v Speaker 2>have to jog, break a.

1:02:14.040 --> 1:02:16.880
<v Speaker 1>Little sweat and s Truly, your mom doesn't feel the

1:02:16.920 --> 1:02:19.080
<v Speaker 1>need so much to keep up with me, so she'll

1:02:19.120 --> 1:02:21.000
<v Speaker 1>just like lag back and stuff. So she was like

1:02:21.120 --> 1:02:24.120
<v Speaker 1>lagging about an aisle or two back as we entered

1:02:24.120 --> 1:02:27.320
<v Speaker 1>the store, and they were playing Florya Estefan Miami sound

1:02:27.400 --> 1:02:31.520
<v Speaker 1>Machine Conga. Okay, so you know, I was walking briskly,

1:02:31.560 --> 1:02:33.080
<v Speaker 1>and I knew she was behind me, and I knew

1:02:33.080 --> 1:02:35.440
<v Speaker 1>she was like I could feel her eyes seering into me,

1:02:35.520 --> 1:02:38.520
<v Speaker 1>like why aren't you waiting? But I wanted to get

1:02:38.560 --> 1:02:40.240
<v Speaker 1>the candy and get the fuck out before the place

1:02:40.240 --> 1:02:43.160
<v Speaker 1>cloths and shit. So I knew she was behind me.

1:02:43.200 --> 1:02:44.880
<v Speaker 1>I knew she was looking, and so on the last

1:02:44.880 --> 1:02:48.120
<v Speaker 1>beat of Conga, like conga, I do that Conga and

1:02:48.280 --> 1:02:56.480
<v Speaker 1>then then then dent dent on the dent lest dent,

1:02:56.640 --> 1:02:59.280
<v Speaker 1>I busted a fucking move, like out of nowhere and shit,

1:03:00.080 --> 1:03:03.280
<v Speaker 1>and like Jennifer started like cracking up so fucking hard,

1:03:03.320 --> 1:03:06.920
<v Speaker 1>which was charming in and of itself. But what was

1:03:07.000 --> 1:03:09.960
<v Speaker 1>really fun is like she she was laughing so far,

1:03:10.040 --> 1:03:11.480
<v Speaker 1>she was crying, and then she came over to me

1:03:11.520 --> 1:03:12.680
<v Speaker 1>and she was laying on and she was.

1:03:12.640 --> 1:03:16.120
<v Speaker 5>Like, I peede a little and I was like, damn

1:03:18.040 --> 1:03:18.680
<v Speaker 5>that skill.

1:03:18.920 --> 1:03:22.520
<v Speaker 3>You so got it all right.

1:03:23.000 --> 1:03:26.240
<v Speaker 1>Music is your passion. Music in my NiFe.

1:03:26.600 --> 1:03:30.000
<v Speaker 2>It's bring me a lot of happiness these days making

1:03:30.080 --> 1:03:32.200
<v Speaker 2>music again. I can't wait to put it out.

1:03:33.200 --> 1:03:33.960
<v Speaker 1>Sing Us.

1:03:34.840 --> 1:03:37.040
<v Speaker 2>You sing a lot on the podcast.

1:03:36.720 --> 1:03:38.120
<v Speaker 1>Sing out Loud.

1:03:38.480 --> 1:03:44.840
<v Speaker 4>You know that song, Yeah, sing out, don't worry if

1:03:45.040 --> 1:03:49.720
<v Speaker 4>it's not good enough for anyone else to hear.

1:03:51.040 --> 1:03:56.000
<v Speaker 1>Just see sing that song, you know, and then you

1:03:56.080 --> 1:03:58.360
<v Speaker 1>do the fucking backup you.

1:04:04.240 --> 1:04:11.400
<v Speaker 4>Pizza pizza man.

1:04:11.680 --> 1:04:13.120
<v Speaker 1>No ticket now now you go.

1:04:14.520 --> 1:04:20.840
<v Speaker 2>Anyways on my ration, bro, I'm not participating in this.

1:04:22.560 --> 1:04:25.480
<v Speaker 1>Everyone wants to hear here a good little kids singing,

1:04:25.560 --> 1:04:28.280
<v Speaker 1>scream singing, scream singing the way you sing your gun.

1:04:28.160 --> 1:04:37.960
<v Speaker 2>Song, I hate. I kind of like that.

1:04:38.160 --> 1:04:41.520
<v Speaker 1>There you go. You could cover it with your band. Honestly,

1:04:42.160 --> 1:04:46.760
<v Speaker 1>it sounds like Carter butt like, but life is God.

1:04:47.200 --> 1:04:49.200
<v Speaker 1>I always thought the carpenter just put feeling into him

1:04:49.200 --> 1:04:52.840
<v Speaker 1>and Jesus. All right, So that's your passion, what's your ration?

1:04:53.520 --> 1:05:02.840
<v Speaker 2>My ration is having friends come and go in your life.

1:05:03.080 --> 1:05:08.480
<v Speaker 2>In my life, I've I've had to say goodbye to

1:05:08.680 --> 1:05:10.920
<v Speaker 2>a few people over the years.

1:05:11.240 --> 1:05:12.960
<v Speaker 1>Do you mean like pour one out on the pavement,

1:05:13.040 --> 1:05:16.480
<v Speaker 1>like you've lost friends in la fucking violence or something.

1:05:16.560 --> 1:05:19.280
<v Speaker 1>I know you're talking about.

1:05:19.160 --> 1:05:26.160
<v Speaker 2>Just like just found out that I just phoned out.

1:05:26.360 --> 1:05:30.160
<v Speaker 2>They're kind of the fucking worst And that happens still,

1:05:30.640 --> 1:05:36.160
<v Speaker 2>oh just the other month. I mean, I've had so

1:05:36.320 --> 1:05:38.919
<v Speaker 2>many people come and go out of my life, and

1:05:40.440 --> 1:05:45.480
<v Speaker 2>because I I just haven't been able. I can't really

1:05:45.560 --> 1:05:48.360
<v Speaker 2>just let things slide.

1:05:48.120 --> 1:05:51.360
<v Speaker 1>That i'd your little mamma, your crusader for justice. I

1:05:51.960 --> 1:05:53.560
<v Speaker 1>like grabbing kids on the parking lot and throw.

1:05:55.560 --> 1:05:56.720
<v Speaker 5>What are you doing? Like?

1:05:56.760 --> 1:05:57.439
<v Speaker 1>What are you doing?

1:05:57.640 --> 1:05:58.960
<v Speaker 2>Just to be clear, I'm not doing that.

1:06:00.040 --> 1:06:01.800
<v Speaker 1>I go, ladies, my kid on the ground.

1:06:04.200 --> 1:06:08.160
<v Speaker 2>Yeah, I don't know. I just really I can't stand

1:06:08.160 --> 1:06:10.800
<v Speaker 2>to be fucked over. See people I love be fucked over,

1:06:10.920 --> 1:06:13.200
<v Speaker 2>or people I don't know be fucked over. I really don't.

1:06:13.800 --> 1:06:16.000
<v Speaker 2>I can't stand it. I really can't get a strong

1:06:16.040 --> 1:06:20.040
<v Speaker 2>sense of justice. I just really cannot stand idly byble

1:06:20.040 --> 1:06:23.560
<v Speaker 2>people are fucked over and I have Because of that,

1:06:23.640 --> 1:06:29.760
<v Speaker 2>I had to say goodbye to the few few people

1:06:29.840 --> 1:06:34.040
<v Speaker 2>who I considered best friends, many people I considered best

1:06:34.040 --> 1:06:38.280
<v Speaker 2>friends over the years, and it happened again recently, and

1:06:38.480 --> 1:06:42.120
<v Speaker 2>it just it really it hurts.

1:06:42.080 --> 1:06:46.600
<v Speaker 1>And and you know why why why? But I know

1:06:46.640 --> 1:06:48.760
<v Speaker 1>that I know what you're talking about, like I hear,

1:06:50.160 --> 1:06:53.400
<v Speaker 1>I know, I know. I'm familiar with the drink you're born.

1:06:54.120 --> 1:06:57.800
<v Speaker 1>I too have been up in my cups as they say,

1:06:58.680 --> 1:07:01.200
<v Speaker 1>is that what they say say in my cups or whatever?

1:07:01.760 --> 1:07:04.160
<v Speaker 2>I have no idea what it's when.

1:07:04.040 --> 1:07:05.280
<v Speaker 1>You drink a lot? That like he was in his

1:07:05.320 --> 1:07:08.360
<v Speaker 1>cups when you drink a lot. Yeah, it's an expression

1:07:08.360 --> 1:07:11.080
<v Speaker 1>I heard recently in his cups. It was like way

1:07:11.120 --> 1:07:15.440
<v Speaker 1>in his cups, meaning like, well that's a hair, okay.

1:07:18.000 --> 1:07:24.760
<v Speaker 1>I was like a kid, an overly sensitive kid that

1:07:24.880 --> 1:07:26.920
<v Speaker 1>was just like I care more about my friends than

1:07:26.960 --> 1:07:33.360
<v Speaker 1>my friends care about me. I am sad to report

1:07:33.520 --> 1:07:35.760
<v Speaker 1>that never changes. I'm fifty four and I still have

1:07:35.800 --> 1:07:42.800
<v Speaker 1>feelings like that. I'm like let down again. And now

1:07:42.840 --> 1:07:44.880
<v Speaker 1>I realized too that like I'm not an idiot, like

1:07:44.920 --> 1:07:49.040
<v Speaker 1>I'm sure I've let people down too, but it's crushing

1:07:49.120 --> 1:07:51.280
<v Speaker 1>for me if I know that. And when I do

1:07:51.400 --> 1:07:53.400
<v Speaker 1>know it, I fucking try to make up for ship

1:07:53.480 --> 1:07:57.040
<v Speaker 1>because because the way I was raised. But it'll be

1:07:57.080 --> 1:08:00.520
<v Speaker 1>with you for a lifetime, like and it will always

1:08:00.520 --> 1:08:03.240
<v Speaker 1>confound you because you're always like, why why don't they

1:08:03.280 --> 1:08:06.560
<v Speaker 1>think like me? Why don't they feel like me? And

1:08:06.600 --> 1:08:09.920
<v Speaker 1>then but you have to realize over time or never

1:08:09.960 --> 1:08:13.480
<v Speaker 1>let yourself forget, because that's what makes you you. That's

1:08:13.480 --> 1:08:16.960
<v Speaker 1>why you're special, That's why you're not those people, because

1:08:17.000 --> 1:08:21.800
<v Speaker 1>you're you, because you do value friendship and more than

1:08:21.960 --> 1:08:25.559
<v Speaker 1>fucking most and stuff like that. It's not as mutable

1:08:25.560 --> 1:08:29.800
<v Speaker 1>and transient as it is for some people, and you

1:08:29.840 --> 1:08:32.400
<v Speaker 1>know that's to be applauded. You know how to put

1:08:32.479 --> 1:08:33.200
<v Speaker 1>up a boundary.

1:08:34.000 --> 1:08:38.000
<v Speaker 2>It'd be a lot easier sometimes if I could just.

1:08:38.800 --> 1:08:39.439
<v Speaker 1>Go with the flow.

1:08:39.720 --> 1:08:41.439
<v Speaker 2>Yeah, but I just can't.

1:08:41.800 --> 1:08:43.640
<v Speaker 1>You know what happens. Then you wind up in a

1:08:43.640 --> 1:08:46.439
<v Speaker 1>mental hospital at age fifty fucking whatever, fifty three.

1:08:46.680 --> 1:08:50.320
<v Speaker 2>That's true. Boundaries are healthy things in the world.

1:08:50.400 --> 1:08:53.680
<v Speaker 1>Man, telling you, it's fucking like something that I have

1:08:53.720 --> 1:08:56.360
<v Speaker 1>an inability, fundamental inability to put a boundary I say

1:08:56.400 --> 1:08:59.519
<v Speaker 1>yes to everybody. I'm a people pleasing, codependent yes, ma'am,

1:09:00.439 --> 1:09:03.919
<v Speaker 1>So you being able to say no, that was it happened. Recently.

1:09:03.960 --> 1:09:05.960
<v Speaker 1>We were having a thing about the what to call

1:09:05.960 --> 1:09:08.920
<v Speaker 1>the podcast. We grew the podcast beyond the walls of

1:09:08.920 --> 1:09:11.080
<v Speaker 1>that Kevin Smith Club, which if you like this, oh

1:09:11.080 --> 1:09:12.840
<v Speaker 1>my god, go to that Kevin Smith Club. We got

1:09:13.240 --> 1:09:16.840
<v Speaker 1>thousands of hours of podcasts behind that wall. But we

1:09:16.840 --> 1:09:19.000
<v Speaker 1>were growing the show and before we took it out

1:09:19.000 --> 1:09:20.680
<v Speaker 1>in the world, iHeart liked the show and they were like,

1:09:20.680 --> 1:09:22.960
<v Speaker 1>bring it here. So we were like, great, let's do

1:09:23.000 --> 1:09:27.639
<v Speaker 1>it on our heart. Man. I was like, we got

1:09:27.640 --> 1:09:29.160
<v Speaker 1>to change the title to this, and I had an

1:09:29.200 --> 1:09:31.320
<v Speaker 1>idea for the title that I fucking absolutely lot. I

1:09:31.320 --> 1:09:33.519
<v Speaker 1>was like, Oh, this will punch through and fucking catchy

1:09:33.600 --> 1:09:37.640
<v Speaker 1>and people will fucking tune in and it. Harley was like,

1:09:38.720 --> 1:09:40.240
<v Speaker 1>I don't want to do that, and I was like,

1:09:40.320 --> 1:09:42.680
<v Speaker 1>I'm all right. And then later on I went back

1:09:42.680 --> 1:09:44.280
<v Speaker 1>at it. I was like, wait, I got a very

1:09:44.280 --> 1:09:45.960
<v Speaker 1>Asian on it, and this is even fucking better and

1:09:45.960 --> 1:09:48.760
<v Speaker 1>blah blah blah, and she was like, I'm not saying no.

1:09:48.960 --> 1:09:50.519
<v Speaker 1>Let me think about it. And then she thought about it,

1:09:50.560 --> 1:09:54.400
<v Speaker 1>and she was like, yeah, I can't do it, and

1:09:54.439 --> 1:09:56.479
<v Speaker 1>I was so like fucking wigged out about the both.

1:09:56.720 --> 1:09:59.160
<v Speaker 1>I was like what, like what the fuck? Man? Like,

1:09:59.160 --> 1:10:02.080
<v Speaker 1>fucking she says no to me. And then the next

1:10:02.200 --> 1:10:05.479
<v Speaker 1>day me and her drove around and talked and stuff,

1:10:06.280 --> 1:10:08.640
<v Speaker 1>and I went from.

1:10:08.360 --> 1:10:11.719
<v Speaker 5>Like I'm not getting what I want.

1:10:11.760 --> 1:10:14.880
<v Speaker 1>Which like, as a creative, that's what I'm used to,

1:10:15.120 --> 1:10:16.960
<v Speaker 1>Like you have the life of a grown child. It's

1:10:16.960 --> 1:10:18.360
<v Speaker 1>like I want to do this, and people like, all right,

1:10:18.360 --> 1:10:20.759
<v Speaker 1>here's a million dollars. Shut the fuck up, ade please,

1:10:22.200 --> 1:10:25.240
<v Speaker 1>So you know, I couldn't see past not getting what

1:10:25.280 --> 1:10:27.519
<v Speaker 1>I wanted, which was for the good of the podcast.

1:10:27.560 --> 1:10:29.560
<v Speaker 1>It wasn't just selfishly I wanted because I wanted, but

1:10:29.600 --> 1:10:31.640
<v Speaker 1>I was like to be great for the podcast. But

1:10:31.800 --> 1:10:33.960
<v Speaker 1>what I fail to see until that moment was like,

1:10:34.520 --> 1:10:39.479
<v Speaker 1>oh my god, the fuck our podcast fuck a title

1:10:39.680 --> 1:10:42.920
<v Speaker 1>like this is your one and only begotten child. And

1:10:43.000 --> 1:10:49.120
<v Speaker 1>she just showed enormous fucking spine that you could never

1:10:49.760 --> 1:10:52.360
<v Speaker 1>in your life show your whole fucking life. You've never

1:10:52.400 --> 1:10:55.599
<v Speaker 1>been able to be that person, and as a parent,

1:10:55.640 --> 1:10:58.080
<v Speaker 1>you just hope that the fucking your kid's life is

1:10:58.080 --> 1:11:00.280
<v Speaker 1>fifty percent better than yours. That's a tall old because

1:11:00.320 --> 1:11:02.880
<v Speaker 1>my life's been pretty fucking good and shit. But it

1:11:02.880 --> 1:11:05.439
<v Speaker 1>ain't about like the trappings of a life. It's not

1:11:05.479 --> 1:11:07.240
<v Speaker 1>about like, man, I hope your house is as much

1:11:07.280 --> 1:11:12.040
<v Speaker 1>square fucking footage. The fifty percent better than you is

1:11:12.080 --> 1:11:14.800
<v Speaker 1>about like, I hope you don't have the shit that

1:11:14.880 --> 1:11:17.439
<v Speaker 1>I have. I hope you don't carry the darkness that

1:11:17.520 --> 1:11:19.160
<v Speaker 1>I carry. It's you know, it doesn't have to be

1:11:19.240 --> 1:11:22.200
<v Speaker 1>darkness like I'm a fucking drug abuse or a fucking

1:11:22.360 --> 1:11:27.800
<v Speaker 1>I'm like. My father was insecure because he was born

1:11:27.840 --> 1:11:30.479
<v Speaker 1>with a cleft lip and a cleft palate and stuff,

1:11:30.600 --> 1:11:37.679
<v Speaker 1>and so that passed on to me. And that type

1:11:37.720 --> 1:11:42.560
<v Speaker 1>of insecurity means that I'm like, I'm only valuable to

1:11:42.600 --> 1:11:44.599
<v Speaker 1>people if I'm doing stuff for him. If not, they

1:11:44.640 --> 1:11:47.120
<v Speaker 1>won't like me. And so I say, yes, I'm a

1:11:47.160 --> 1:11:53.960
<v Speaker 1>fucking huge pushover. To know that my kid is better

1:11:54.000 --> 1:11:56.320
<v Speaker 1>at that shit than me, that she won't fall prey

1:11:56.400 --> 1:11:58.640
<v Speaker 1>to the same shit that I've fallen prey to my

1:11:58.680 --> 1:12:02.160
<v Speaker 1>whole life. That made me so fucking happy. I was like,

1:12:02.200 --> 1:12:04.560
<v Speaker 1>oh my god, that's the huge fucking win. And the

1:12:04.640 --> 1:12:07.160
<v Speaker 1>title is a title. You can find another title that

1:12:07.240 --> 1:12:09.559
<v Speaker 1>we did beardless dickless me, which is fun to say

1:12:09.600 --> 1:12:12.639
<v Speaker 1>beardless dickless me, and it's also very catchy in terms

1:12:12.640 --> 1:12:15.679
<v Speaker 1>of like punching through a crowded marketplace, someone will be like, uh,

1:12:16.560 --> 1:12:19.519
<v Speaker 1>what does that mean? Yeah, all those words together, I

1:12:19.520 --> 1:12:22.400
<v Speaker 1>gotta try it. And if they find a charming, fantastic

1:12:22.439 --> 1:12:24.920
<v Speaker 1>and if they don't find his charming, no title was

1:12:24.960 --> 1:12:29.599
<v Speaker 1>ever gonna change that. Yeah, But more importantly, just seeing

1:12:29.640 --> 1:12:35.240
<v Speaker 1>you be like no to like fucking like the one

1:12:35.280 --> 1:12:36.800
<v Speaker 1>guy in the world, the one person in the world

1:12:36.920 --> 1:12:40.920
<v Speaker 1>is like, oh fucking I've done nothing but fucking set

1:12:40.960 --> 1:12:42.680
<v Speaker 1>the table for her and make sure she's taken care

1:12:42.680 --> 1:12:45.280
<v Speaker 1>of them, so of course she'll say yes. And to

1:12:45.320 --> 1:12:48.920
<v Speaker 1>have you be like even you dad, like this is

1:12:48.920 --> 1:12:50.240
<v Speaker 1>a bridge too far from me. As much as I

1:12:50.320 --> 1:12:53.280
<v Speaker 1>love you, No, for me, I can't do this. That

1:12:53.479 --> 1:12:57.160
<v Speaker 1>was and still remains like one of my favorite moments

1:12:57.200 --> 1:13:00.320
<v Speaker 1>of twenty twenty four. I'm like, she can be okay,

1:13:01.080 --> 1:13:03.360
<v Speaker 1>she can be all right, like she can stand up

1:13:03.360 --> 1:13:05.519
<v Speaker 1>for herself. So I was very happy.

1:13:06.439 --> 1:13:10.439
<v Speaker 2>I just would hug you if there wasn't big table tweet.

1:13:11.240 --> 1:13:14.040
<v Speaker 2>That means a lot, and it was not easy and

1:13:14.120 --> 1:13:19.639
<v Speaker 2>I truly truly can't stand the thought of letting you down. Ever,

1:13:19.880 --> 1:13:24.000
<v Speaker 2>it is excruciating. You're very sweet, and it was very

1:13:24.360 --> 1:13:30.120
<v Speaker 2>it was uh, it was really difficult, but ultimately great.

1:13:29.880 --> 1:13:34.519
<v Speaker 1>Things came from I would say. So, all right, so

1:13:34.560 --> 1:13:37.400
<v Speaker 1>you've done your passion and your ration, but the ration.

1:13:37.560 --> 1:13:39.439
<v Speaker 1>Do you feel like you've said enough on the subject

1:13:39.439 --> 1:13:41.759
<v Speaker 1>of fucking I mean friends?

1:13:41.920 --> 1:13:46.719
<v Speaker 2>We could we could all about it friends.

1:13:47.320 --> 1:13:55.080
<v Speaker 1>Why now you can look the word up again and again.

1:13:55.320 --> 1:13:57.839
<v Speaker 1>But the dictionary doesn't know the meaning of friends.

1:13:58.200 --> 1:13:58.760
<v Speaker 5>Friends.

1:14:00.800 --> 1:14:04.560
<v Speaker 1>How many of us have them? Your generation need a

1:14:04.600 --> 1:14:06.799
<v Speaker 1>little Houdini and then you would have been fine.

1:14:07.080 --> 1:14:08.519
<v Speaker 2>So true, I was raised.

1:14:09.040 --> 1:14:11.160
<v Speaker 1>Look at me, I can go crazy. Tell it's fifty

1:14:11.439 --> 1:14:12.320
<v Speaker 1>two or something like that.

1:14:14.280 --> 1:14:15.000
<v Speaker 2>You got a point.

1:14:16.040 --> 1:14:19.080
<v Speaker 1>Well, you know what, man, if you lose a friend

1:14:19.120 --> 1:14:21.000
<v Speaker 1>because you put up a boundary, and that boundary is

1:14:21.040 --> 1:14:24.000
<v Speaker 1>who you are, I ain't gotta tell you. I ain't

1:14:24.000 --> 1:14:27.240
<v Speaker 1>got to tell you, John Proctor, So you will never

1:14:27.320 --> 1:14:29.240
<v Speaker 1>have to tell any woman to give me back my

1:14:29.360 --> 1:14:30.840
<v Speaker 1>name because you'll never give your name up.

1:14:30.960 --> 1:14:38.040
<v Speaker 2>So fucking drew period credits.

1:14:39.160 --> 1:14:42.040
<v Speaker 1>All right, So now we do a speed round a

1:14:42.200 --> 1:14:45.120
<v Speaker 1>passion I ration, which is just like we fucking say

1:14:45.200 --> 1:14:47.920
<v Speaker 1>things and you say passion rationing like hot or not,

1:14:48.080 --> 1:14:50.880
<v Speaker 1>but it's like passionate rash huh So no deep dive,

1:14:51.040 --> 1:14:53.559
<v Speaker 1>just like simple concepts. For example, we'll go back and forth.

1:14:53.600 --> 1:14:56.519
<v Speaker 1>I'll start with Celsius the drink.

1:14:57.600 --> 1:15:01.880
<v Speaker 2>Yeah, but it does have a does have a I

1:15:01.920 --> 1:15:03.480
<v Speaker 2>need a little bit of an explanation.

1:15:04.000 --> 1:15:07.479
<v Speaker 1>No passion irration. It's a binary choice. You're either like,

1:15:07.720 --> 1:15:09.599
<v Speaker 1>oh my god, I love it, more of this, less

1:15:09.600 --> 1:15:11.959
<v Speaker 1>of everything else, or you're like, less.

1:15:11.720 --> 1:15:18.839
<v Speaker 2>Of this, more of everything Celsius. Uh, Celsius in ration passion,

1:15:19.000 --> 1:15:20.639
<v Speaker 2>but in ration can't.

1:15:20.479 --> 1:15:22.280
<v Speaker 1>Do both binary equation one or the other.

1:15:23.760 --> 1:15:26.679
<v Speaker 2>Because my dad drinks way, way, way, way too many

1:15:28.560 --> 1:15:32.320
<v Speaker 2>ration for my dad drinking them. I'm just going to

1:15:32.360 --> 1:15:36.680
<v Speaker 2>expose you for a second, because everybody you did not

1:15:36.960 --> 1:15:40.040
<v Speaker 2>know that Celsius was an energy drink.

1:15:40.120 --> 1:15:41.800
<v Speaker 1>I tell the story. Then you fucking put me in

1:15:41.840 --> 1:15:44.000
<v Speaker 1>the same category as to Code of fucking Johnson. Did

1:15:44.040 --> 1:15:44.839
<v Speaker 1>you see the story?

1:15:45.000 --> 1:15:46.160
<v Speaker 5>I did same things.

1:15:46.200 --> 1:15:48.280
<v Speaker 1>She was like, they said it was a It was

1:15:48.840 --> 1:15:50.680
<v Speaker 1>literally I was founded more than her.

1:15:50.840 --> 1:15:52.080
<v Speaker 2>You were drinking.

1:15:54.720 --> 1:15:55.800
<v Speaker 1>The tasty.

1:15:57.120 --> 1:15:58.600
<v Speaker 2>Do you know how many people are ending up in

1:15:58.640 --> 1:16:00.200
<v Speaker 2>the hospital because of Celsius?

1:16:00.200 --> 1:16:00.880
<v Speaker 1>Not this one?

1:16:01.280 --> 1:16:02.799
<v Speaker 5>But I don't drink ten a day anymore.

1:16:02.840 --> 1:16:05.640
<v Speaker 1>Trust me. When you pointed that out the kid, you know,

1:16:05.680 --> 1:16:07.360
<v Speaker 1>the kid turned me on to it. She's like, it's vegan.

1:16:07.400 --> 1:16:09.879
<v Speaker 1>I was like, yeah, it's vegan and shit. And then

1:16:10.240 --> 1:16:13.320
<v Speaker 1>one day she was like I would crack like multiples

1:16:13.320 --> 1:16:14.840
<v Speaker 1>in front of her and she was like, how many

1:16:14.840 --> 1:16:17.680
<v Speaker 1>of those have you drank today? And I was like,

1:16:17.720 --> 1:16:19.839
<v Speaker 1>I think there's a seven eight. She was like, Dad,

1:16:20.200 --> 1:16:23.639
<v Speaker 1>it's an energy drink. I was like, I feel very energetic.

1:16:23.680 --> 1:16:27.920
<v Speaker 1>She was like, you're a heart attack victim ten ten. Yeah,

1:16:27.960 --> 1:16:32.080
<v Speaker 1>So it's like essentially drinking like ted red Bulls. It

1:16:32.160 --> 1:16:34.840
<v Speaker 1>just doesn't taste as synthetic as red bullet ever tasted,

1:16:34.880 --> 1:16:36.320
<v Speaker 1>which and I don't like red bull I'm not an

1:16:36.439 --> 1:16:38.960
<v Speaker 1>energy drink guy. So this Selsie's people really cracked the coat.

1:16:40.120 --> 1:16:42.320
<v Speaker 1>So if you were asking me, I'd be like, Pasha,

1:16:42.400 --> 1:16:42.760
<v Speaker 1>that is.

1:16:42.840 --> 1:16:49.000
<v Speaker 2>Two thousand milligrams of caffeine. The daily limit is four hundred.

1:16:49.080 --> 1:16:51.880
<v Speaker 1>Where does it all go? I don't drink coffee, like,

1:16:51.960 --> 1:16:54.200
<v Speaker 1>I don't have caffeine in any other way in my

1:16:54.240 --> 1:16:57.080
<v Speaker 1>life here toofore, you know, unless it comes in chocolate

1:16:57.120 --> 1:16:59.080
<v Speaker 1>or something. But I was never a coffee guy.

1:16:59.400 --> 1:17:03.080
<v Speaker 2>I'm just so glad this has been said so that

1:17:03.240 --> 1:17:05.080
<v Speaker 2>I don't have to bear this cross.

1:17:06.400 --> 1:17:09.160
<v Speaker 1>I believe me. When I read that please go after him,

1:17:09.280 --> 1:17:13.400
<v Speaker 1>I was like, please, I'm the smartest d Coda Johnson.

1:17:13.560 --> 1:17:15.040
<v Speaker 2>Hey, she's great, and.

1:17:15.040 --> 1:17:16.799
<v Speaker 1>Didn't say she wasn't great. I just said the smartest

1:17:16.920 --> 1:17:17.559
<v Speaker 1>Coda Johnson.

1:17:17.640 --> 1:17:19.040
<v Speaker 5>I'm double her age.

1:17:19.080 --> 1:17:21.960
<v Speaker 1>I should be smart, is my point. Well, it's not

1:17:22.000 --> 1:17:25.800
<v Speaker 1>so much, you know, chewing her intelligence level as much

1:17:25.840 --> 1:17:29.400
<v Speaker 1>as going like, yeah, I'm as smart as a young person.

1:17:29.520 --> 1:17:33.080
<v Speaker 2>She's very smart. And anyway, okay, mine.

1:17:33.439 --> 1:17:36.120
<v Speaker 1>I forgot on this show. We don't come.

1:17:35.880 --> 1:17:48.240
<v Speaker 2>At hey, all right, Passion Irration, long haired dogs. I know,

1:17:49.080 --> 1:17:51.599
<v Speaker 2>I just wanted to expose.

1:17:51.080 --> 1:17:55.640
<v Speaker 1>Your el those long haired dogs themselves.

1:17:55.720 --> 1:17:57.040
<v Speaker 2>You really don't like like.

1:17:57.000 --> 1:18:00.760
<v Speaker 1>The long haired doctions particularly, It's like, oh no, oh no,

1:18:00.880 --> 1:18:04.760
<v Speaker 1>who do you think you are? They think they're all that,

1:18:04.880 --> 1:18:13.520
<v Speaker 1>those long haired dogs? Yeah? Ration, get my haircut, honestly. Yeah, okay,

1:18:14.479 --> 1:18:20.040
<v Speaker 1>Passion or ration podcasts? Passion, Yeah for doing them or

1:18:20.080 --> 1:18:20.720
<v Speaker 1>listening to them?

1:18:20.840 --> 1:18:21.760
<v Speaker 2>Oh for doing them?

1:18:21.880 --> 1:18:25.679
<v Speaker 1>Oh what about listening to them? You have no time

1:18:25.720 --> 1:18:27.759
<v Speaker 1>for people's bullshit?

1:18:28.439 --> 1:18:33.799
<v Speaker 2>Well you could I just am listening to YouTube instead.

1:18:34.920 --> 1:18:37.679
<v Speaker 2>Could be? Could be? It might as well be a podcast.

1:18:37.760 --> 1:18:41.560
<v Speaker 2>I'm not really watching it.

1:18:40.240 --> 1:18:45.080
<v Speaker 1>Technically a pod. Some people call it blog. Yeah all right, yeah,

1:18:45.160 --> 1:18:45.880
<v Speaker 1>all right, now you go.

1:18:47.040 --> 1:18:52.080
<v Speaker 2>Okay, same same vibe as last one. Hairless cats, passion

1:18:53.360 --> 1:18:55.840
<v Speaker 2>ration passion.

1:18:56.479 --> 1:18:57.479
<v Speaker 5>Hairless cats.

1:18:57.760 --> 1:19:02.200
<v Speaker 1>Yeah, there's I'm not saying too but definitely ration you

1:19:02.200 --> 1:19:03.280
<v Speaker 1>know one per state.

1:19:04.080 --> 1:19:04.559
<v Speaker 5>Whoa what.

1:19:07.000 --> 1:19:11.560
<v Speaker 2>They're so cute? They look like weird little krimlins.

1:19:12.520 --> 1:19:13.320
<v Speaker 5>Stopped it weird?

1:19:13.479 --> 1:19:17.960
<v Speaker 1>They just yeah, they look undone. Put that back in

1:19:17.960 --> 1:19:20.479
<v Speaker 1>the oven. It needs another ten minutes. Oh my god.

1:19:21.240 --> 1:19:24.439
<v Speaker 1>Put some plants, some fucking some some sprouts on that

1:19:24.520 --> 1:19:25.080
<v Speaker 1>chia pet.

1:19:26.520 --> 1:19:29.720
<v Speaker 2>Wait, this is just small side. I don't know if

1:19:29.720 --> 1:19:32.720
<v Speaker 2>this has any validity to it or not, but I

1:19:32.800 --> 1:19:38.400
<v Speaker 2>just like this idea. Someone I heard recently that Calico

1:19:38.520 --> 1:19:39.479
<v Speaker 2>cats like Carl.

1:19:40.880 --> 1:19:43.080
<v Speaker 1>Carl is Harley's one of Harley's many.

1:19:42.960 --> 1:19:50.519
<v Speaker 2>Fucking one that's Carl, the ones that are like white

1:19:50.560 --> 1:19:54.479
<v Speaker 2>and orange and black. And apparently how much of the

1:19:54.520 --> 1:19:58.880
<v Speaker 2>colors the Calcoves end up having like mixed in with

1:19:58.880 --> 1:20:02.400
<v Speaker 2>their white is like how along they were they were

1:20:02.560 --> 1:20:09.200
<v Speaker 2>baking for Yeah, yes.

1:20:12.120 --> 1:20:14.559
<v Speaker 1>That is baked. You shouldn't let me in to cook

1:20:14.760 --> 1:20:24.719
<v Speaker 1>the hairless cats. Good Christ, all right, passion or ration?

1:20:27.560 --> 1:20:30.559
<v Speaker 5>Uh hm, the debate?

1:20:31.880 --> 1:20:34.080
<v Speaker 2>Oh my, did you watch it?

1:20:33.640 --> 1:20:37.200
<v Speaker 1>I did? I did. I mean it's over, So I

1:20:37.200 --> 1:20:39.680
<v Speaker 1>guess you can't passionate ration that. Yeah, all right, so

1:20:39.760 --> 1:20:43.120
<v Speaker 1>let's just make it a general election news passion irration.

1:20:44.600 --> 1:20:45.840
<v Speaker 2>I want to be up to date.

1:20:46.520 --> 1:20:49.880
<v Speaker 1>So passion, I guess, convincing passion, I guess.

1:20:49.880 --> 1:20:50.800
<v Speaker 2>I guess.

1:20:52.040 --> 1:20:54.800
<v Speaker 1>Yeah, that's something that it has become a passion but

1:20:54.920 --> 1:21:00.439
<v Speaker 1>really should be ration. But yeah, two more months, good,

1:21:01.720 --> 1:21:03.280
<v Speaker 1>two more months and then hopefully we get to talk

1:21:03.280 --> 1:21:06.759
<v Speaker 1>about elections again in the future. Yeah, so I'm gonna

1:21:07.120 --> 1:21:10.320
<v Speaker 1>I can think of two down on so true. All right,

1:21:10.400 --> 1:21:11.479
<v Speaker 1>you go, passion ration?

1:21:11.560 --> 1:21:14.680
<v Speaker 2>What passion or ration? Chipotle?

1:21:16.680 --> 1:21:20.280
<v Speaker 1>Chipotle is a triple A. I was like, when your

1:21:20.280 --> 1:21:22.840
<v Speaker 1>car breaks down, passion Chipotle?

1:21:23.200 --> 1:21:24.479
<v Speaker 2>Yeah, do you like it or no?

1:21:25.360 --> 1:21:25.639
<v Speaker 1>Ration?

1:21:26.280 --> 1:21:26.599
<v Speaker 2>Really?

1:21:26.880 --> 1:21:28.519
<v Speaker 1>Yeah, I never go.

1:21:28.479 --> 1:21:30.880
<v Speaker 2>There unless they want to be a sponsor for the show.

1:21:31.960 --> 1:21:34.160
<v Speaker 1>But I never go there unless I go with you.

1:21:34.479 --> 1:21:34.880
<v Speaker 1>It's never.

1:21:35.200 --> 1:21:38.759
<v Speaker 2>But I only go if we're in like Florida and it's.

1:21:38.600 --> 1:21:43.400
<v Speaker 1>A place where there's no real kan food or something like. Yeah, Ration,

1:21:43.600 --> 1:21:45.599
<v Speaker 1>I like their beans, but I'm just like I would

1:21:45.720 --> 1:21:48.600
<v Speaker 1>rather go to if I was going to buy you

1:21:48.640 --> 1:21:51.719
<v Speaker 1>know fast food, fucking Mexican. I'd rather go to ah

1:21:51.920 --> 1:21:56.200
<v Speaker 1>Fresh Family Classic. It's been around decades.

1:21:55.800 --> 1:21:57.759
<v Speaker 2>And any vegan options though.

1:21:58.160 --> 1:22:03.759
<v Speaker 1>True, Yeah, that's true, but Bell has got the option.

1:22:03.920 --> 1:22:07.040
<v Speaker 1>That's also not like a first choice for me. But

1:22:07.120 --> 1:22:09.120
<v Speaker 1>like when I'm in a place where there's no vegan.

1:22:08.880 --> 1:22:13.000
<v Speaker 2>Options choice for you, I would eat Taco Bell every

1:22:13.080 --> 1:22:13.960
<v Speaker 2>single day if I could.

1:22:14.000 --> 1:22:18.040
<v Speaker 1>Seriously, yes, I would probably I'll turn to them when

1:22:18.040 --> 1:22:21.000
<v Speaker 1>I'm on the road and there are no vegan restaurants

1:22:21.040 --> 1:22:22.599
<v Speaker 1>and stuff. But if I was just home, I would

1:22:22.640 --> 1:22:25.680
<v Speaker 1>never be like, let's get some Taco Bell, because here,

1:22:25.680 --> 1:22:27.679
<v Speaker 1>I'd be like, I'm just gonna make fucking pinto beans

1:22:27.720 --> 1:22:35.080
<v Speaker 1>some scratch and could help from Rina, Please.

1:22:35.160 --> 1:22:36.040
<v Speaker 5>Make my Rina beans.

1:22:36.280 --> 1:22:38.040
<v Speaker 2>Help from somebody who actually knows how to do it.

1:22:38.040 --> 1:22:43.400
<v Speaker 1>It's really tough to actually enjoying beans. She makes amazing beans.

1:22:43.520 --> 1:22:45.720
<v Speaker 2>I was gonna from I said, from someone who knows

1:22:45.720 --> 1:22:47.360
<v Speaker 2>how to do it. But I would like to give

1:22:47.400 --> 1:22:49.559
<v Speaker 2>you credit and that you were making your own homess

1:22:49.560 --> 1:22:56.519
<v Speaker 2>for a while, and that was impressiveness cooked anything for

1:22:56.840 --> 1:23:00.559
<v Speaker 2>my whole life. I was like, really blow away when

1:23:00.560 --> 1:23:01.559
<v Speaker 2>you started making homans.

1:23:01.680 --> 1:23:04.479
<v Speaker 1>Don't Number one, thank you. Number two don't tell yourself short.

1:23:04.520 --> 1:23:06.040
<v Speaker 1>I've seen you heat up a thing or two.

1:23:06.360 --> 1:23:09.120
<v Speaker 2>You know I tried you succeeded.

1:23:10.000 --> 1:23:11.360
<v Speaker 5>Okay, wait, so it's me or you.

1:23:11.680 --> 1:23:15.160
<v Speaker 1>It's you passion or a ration?

1:23:23.200 --> 1:23:27.639
<v Speaker 2>Yes, short shorts, short shorts? Yeah, passion.

1:23:27.800 --> 1:23:31.439
<v Speaker 1>The fuck's out all about Your father wears the longest

1:23:31.439 --> 1:23:34.320
<v Speaker 1>and shorts he possibly can before they legally become pants.

1:23:36.240 --> 1:23:36.519
<v Speaker 2>True.

1:23:37.160 --> 1:23:40.040
<v Speaker 1>Why why do you feel free to show your legs off?

1:23:40.680 --> 1:23:42.080
<v Speaker 5>You weren't raised that way.

1:23:42.479 --> 1:23:43.960
<v Speaker 2>You know, I really really wasn't.

1:23:44.000 --> 1:23:46.200
<v Speaker 1>Actually let me tell you something. Bruh for you answer.

1:23:46.320 --> 1:23:49.599
<v Speaker 1>Fucking I pay for fucking something. I said literally twenty

1:23:49.680 --> 1:23:53.000
<v Speaker 1>five years ago to your mother and it wasn't even

1:23:53.960 --> 1:23:56.479
<v Speaker 1>still to this day. One day we were talking. I

1:23:56.520 --> 1:23:58.600
<v Speaker 1>don't know how it came up, but I was just like,

1:23:59.160 --> 1:24:02.240
<v Speaker 1>I don't like bear arms, like i'd rather people wear sleep.

1:24:03.240 --> 1:24:03.800
<v Speaker 5>That's it.

1:24:04.000 --> 1:24:07.879
<v Speaker 1>Not like I fucking detest arms and seeing a woman's

1:24:07.960 --> 1:24:11.000
<v Speaker 1>white arms and it takes me sick in my fucking

1:24:11.920 --> 1:24:15.679
<v Speaker 1>nothing like that, but fucking to this day, your mother

1:24:15.800 --> 1:24:18.599
<v Speaker 1>will not expose her arm.

1:24:19.000 --> 1:24:21.759
<v Speaker 2>I haven't seen her arms, and she has.

1:24:21.560 --> 1:24:25.040
<v Speaker 1>So many fucking layers and whenever periodically she'll come out

1:24:25.040 --> 1:24:26.800
<v Speaker 1>of the closet, not knowing them in the room and

1:24:26.840 --> 1:24:28.320
<v Speaker 1>be like wearing a tank top and she's.

1:24:28.240 --> 1:24:29.160
<v Speaker 5>Like, oh my god.

1:24:29.640 --> 1:24:32.680
<v Speaker 1>I'm like, oh my god, that looks great. Like, no,

1:24:32.760 --> 1:24:34.120
<v Speaker 1>you you hate bare arms.

1:24:34.120 --> 1:24:36.760
<v Speaker 3>I was like, I don't look at should I hate

1:24:36.800 --> 1:24:37.879
<v Speaker 3>the right to barrow.

1:24:38.680 --> 1:24:40.519
<v Speaker 1>I was like, I don't hate baron arms. I just

1:24:40.600 --> 1:24:43.800
<v Speaker 1>made one fucking comment, man, and it's haunted me forever.

1:24:43.840 --> 1:24:45.760
<v Speaker 1>And a comment wasn't even made about her, It wasn't

1:24:45.760 --> 1:24:48.200
<v Speaker 1>even made about a person in the specific.

1:24:48.240 --> 1:24:50.559
<v Speaker 5>It was just like, you know, like and it was

1:24:50.640 --> 1:24:51.679
<v Speaker 5>based on myself.

1:24:51.880 --> 1:24:54.160
<v Speaker 1>I hate my fucking fat arms, so you'll never see

1:24:54.160 --> 1:24:56.360
<v Speaker 1>my fucking arms and ship you'll never see me walking

1:24:56.360 --> 1:24:58.519
<v Speaker 1>around in a fucking tank top or something like that.

1:24:58.640 --> 1:25:03.040
<v Speaker 2>I haven't seen your tattoo on your shoulder for yeah,

1:25:03.160 --> 1:25:04.599
<v Speaker 2>I can't even tell you how long.

1:25:04.840 --> 1:25:07.559
<v Speaker 1>But meanwhile, your whole life, you've been wearing fucking tank tops.

1:25:07.600 --> 1:25:10.120
<v Speaker 1>Have I ever been like, put something.

1:25:09.880 --> 1:25:14.920
<v Speaker 5>On your about your bare arms, not on your bare arms?

1:25:15.160 --> 1:25:19.680
<v Speaker 1>Well you Periodically, I'll like be thumbing through fucking Instagram

1:25:19.760 --> 1:25:23.160
<v Speaker 1>and there's this giant thirst trap set by my fucking daughter.

1:25:23.240 --> 1:25:24.719
<v Speaker 5>I'm like, what the fuck.

1:25:26.000 --> 1:25:27.760
<v Speaker 1>And then I'm like, I gotta get off of her

1:25:27.800 --> 1:25:30.360
<v Speaker 1>fucking carousel. This is disturbing and instead of go to

1:25:30.360 --> 1:25:33.880
<v Speaker 1>her story and the story it's the exact opposite of cheesecake.

1:25:33.920 --> 1:25:36.479
<v Speaker 1>It's like, do you know how many fucking animals died today?

1:25:37.200 --> 1:25:39.080
<v Speaker 5>Look at what you're doing to the animals.

1:25:39.120 --> 1:25:41.760
<v Speaker 2>Man, my instagram is your worst fucking.

1:25:41.600 --> 1:25:42.240
<v Speaker 3>Nightmare for me.

1:25:42.520 --> 1:25:45.960
<v Speaker 1>And I'm like a horror show.

1:25:49.040 --> 1:25:50.120
<v Speaker 2>That is so funny.

1:25:50.360 --> 1:25:51.840
<v Speaker 5>What is your Do you want to give out your.

1:25:51.720 --> 1:25:52.320
<v Speaker 1>Instagram or no?

1:25:54.840 --> 1:25:56.120
<v Speaker 3>It's all like it's a secret.

1:25:57.000 --> 1:25:58.880
<v Speaker 1>I was like, maybe we should keep it close. My

1:25:59.000 --> 1:26:03.920
<v Speaker 1>name that Kevin Smith is my Instagram. If you I'll

1:26:03.920 --> 1:26:07.000
<v Speaker 1>probably be putting up ship for the show every week.

1:26:07.560 --> 1:26:09.840
<v Speaker 1>So people could if they if they want to be like,

1:26:09.960 --> 1:26:16.960
<v Speaker 1>dear Smith's please stop hate the general public. That was

1:26:17.000 --> 1:26:20.440
<v Speaker 1>where you can send all yours hate.

1:26:20.720 --> 1:26:25.760
<v Speaker 2>The general public house. So the general publicly bucking at you.

1:26:26.880 --> 1:26:28.080
<v Speaker 1>All right, wait, did we finish?

1:26:28.120 --> 1:26:30.240
<v Speaker 2>Now you still okay?

1:26:30.360 --> 1:26:35.719
<v Speaker 1>Passion for rational John Proctor forever patch.

1:26:39.120 --> 1:26:44.920
<v Speaker 2>Big passion. Let's see, let's see New Year's Eve?

1:26:46.200 --> 1:26:52.120
<v Speaker 5>What so far away? You looked up in the corner

1:26:52.160 --> 1:26:55.880
<v Speaker 5>of a room and you pulled New Year's Eve.

1:26:56.000 --> 1:27:00.280
<v Speaker 1>I was like, he looked at the ceiling. You were

1:27:00.280 --> 1:27:03.120
<v Speaker 1>really like New Year's Eve, you like the culver, the

1:27:03.200 --> 1:27:06.280
<v Speaker 1>red a lens first fucking forty five at.

1:27:06.160 --> 1:27:07.519
<v Speaker 2>This you don't like it?

1:27:08.520 --> 1:27:10.000
<v Speaker 5>Uh?

1:27:10.160 --> 1:27:10.439
<v Speaker 1>Ration?

1:27:10.720 --> 1:27:11.080
<v Speaker 3>Yeah, I know.

1:27:11.160 --> 1:27:13.240
<v Speaker 2>I just keep saying things that I actually know are

1:27:13.240 --> 1:27:14.160
<v Speaker 2>a ration for you.

1:27:14.920 --> 1:27:16.479
<v Speaker 1>I do like it when I could work, like when

1:27:16.479 --> 1:27:19.960
<v Speaker 1>we've done like Babylon New Year's Eve, Babylon and stuff,

1:27:20.040 --> 1:27:22.400
<v Speaker 1>or when I've done any New Year's Evening with Kevin Smith.

1:27:22.560 --> 1:27:26.000
<v Speaker 1>I like monetizing that holiday. We know. Yeah, well I

1:27:26.000 --> 1:27:30.240
<v Speaker 1>don't know if they do. She sure? But ration otherwise, ration,

1:27:30.560 --> 1:27:32.679
<v Speaker 1>you don't like it unless I can get the big bucks.

1:27:32.680 --> 1:27:39.760
<v Speaker 1>Then passion? So true ration or a passion public displays

1:27:40.200 --> 1:27:42.639
<v Speaker 1>of affection bda passion?

1:27:43.439 --> 1:27:43.799
<v Speaker 3>Really?

1:27:44.240 --> 1:27:44.760
<v Speaker 2>Yeah?

1:27:44.920 --> 1:27:48.800
<v Speaker 1>Is that right? Yeah? One hond kind of running through

1:27:48.920 --> 1:27:51.840
<v Speaker 1>my head, and I'm like, I don't like have a

1:27:51.880 --> 1:27:53.960
<v Speaker 1>mental image of you, like hanging on him or him

1:27:53.960 --> 1:27:56.800
<v Speaker 1>hanging on you. I I it was a mental image

1:27:56.800 --> 1:27:59.200
<v Speaker 1>of you going corner player's girlfriend in a fucking movie.

1:28:01.240 --> 1:28:03.240
<v Speaker 5>So maybe that's why I don't think.

1:28:03.080 --> 1:28:06.400
<v Speaker 2>You guys, I'm sorry, I don't want to play his girlfriend.

1:28:06.400 --> 1:28:08.959
<v Speaker 2>Who is your high school girlfriend?

1:28:09.280 --> 1:28:10.919
<v Speaker 1>Quit piling words on it?

1:28:11.040 --> 1:28:11.759
<v Speaker 5>So awkward?

1:28:12.680 --> 1:28:14.400
<v Speaker 3>Oh yeah?

1:28:14.680 --> 1:28:15.000
<v Speaker 5>Really?

1:28:15.280 --> 1:28:20.919
<v Speaker 2>Yeah? What kind I mean? I always like get kissing

1:28:20.960 --> 1:28:22.719
<v Speaker 2>and joddling austin public.

1:28:22.840 --> 1:28:24.919
<v Speaker 1>Yeah, open mouth kiss or quick pecks.

1:28:27.360 --> 1:28:28.080
<v Speaker 4>I don't know.

1:28:28.640 --> 1:28:31.080
<v Speaker 1>I mean, but would you feel comfortable if he was

1:28:31.120 --> 1:28:32.880
<v Speaker 1>like parlor I want to make out for like two

1:28:32.960 --> 1:28:36.360
<v Speaker 1>minutes straight right here in front of Lemon Grass? Would

1:28:36.439 --> 1:28:40.680
<v Speaker 1>you whatever called lemon Grass? Was that place that we

1:28:40.760 --> 1:28:42.880
<v Speaker 1>all went to eat And it's near a pottery store.

1:28:42.960 --> 1:28:45.120
<v Speaker 1>It's trendy. It's over by Cold Water Canyon.

1:28:47.720 --> 1:28:48.880
<v Speaker 3>Lemon Grass.

1:28:49.520 --> 1:28:52.679
<v Speaker 1>It's like a sit down, healthy fucking place. Lemon Grass

1:28:52.720 --> 1:28:54.240
<v Speaker 1>is a place that's in the airport. I pass it

1:28:54.240 --> 1:28:54.679
<v Speaker 1>all the time.

1:28:54.720 --> 1:28:59.320
<v Speaker 2>Sun Cafe, No, I know that the place.

1:28:59.360 --> 1:29:01.880
<v Speaker 1>Remember we went with Mom for a birthday and we

1:29:01.920 --> 1:29:05.000
<v Speaker 1>went and bought pots and it was over by the

1:29:05.040 --> 1:29:09.200
<v Speaker 1>old Sportsman's Lodge. Yeah yeah, yeah, there's an eatery in there.

1:29:09.600 --> 1:29:13.680
<v Speaker 2>That's like okay, air one is what.

1:29:13.640 --> 1:29:21.759
<v Speaker 5>I'm thinking of. Weapongrass Lemon Grass.

1:29:21.800 --> 1:29:24.759
<v Speaker 1>I think it's a place in the airport in Lax

1:29:24.840 --> 1:29:26.000
<v Speaker 1>that I pass all the time.

1:29:26.200 --> 1:29:29.120
<v Speaker 2>Oh so I really should have known.

1:29:30.040 --> 1:29:31.080
<v Speaker 1>Yeah, fucking dull.

1:29:31.760 --> 1:29:32.840
<v Speaker 5>I can't believe we said.

1:29:35.000 --> 1:29:39.080
<v Speaker 1>Lemongrass. Wait where why did lemongrass come up?

1:29:39.720 --> 1:29:41.320
<v Speaker 2>I don't even want to say tell me.

1:29:44.080 --> 1:29:50.519
<v Speaker 1>So would you like would you as the British say,

1:29:50.600 --> 1:29:54.640
<v Speaker 1>snog yes, from like a minute at a time, like

1:29:55.080 --> 1:29:56.360
<v Speaker 1>lose the world all around you?

1:29:56.479 --> 1:30:03.799
<v Speaker 2>Just like yes. Really, in my last religationship, my partner

1:30:04.000 --> 1:30:06.720
<v Speaker 2>did not want to hold my hand in any way.

1:30:06.840 --> 1:30:10.960
<v Speaker 1>For the record, this is Harley's second relationship unless you

1:30:11.040 --> 1:30:11.719
<v Speaker 1>count Wade.

1:30:15.320 --> 1:30:17.599
<v Speaker 2>You better fuck edit that out.

1:30:17.800 --> 1:30:18.759
<v Speaker 1>Nobody knows that.

1:30:20.560 --> 1:30:21.880
<v Speaker 3>Ed that ship out.

1:30:23.439 --> 1:30:30.920
<v Speaker 1>So this is your second boyd what and that first

1:30:31.000 --> 1:30:32.759
<v Speaker 1>boyfriend record?

1:30:33.720 --> 1:30:35.519
<v Speaker 5>What he was not?

1:30:35.760 --> 1:30:37.560
<v Speaker 2>We don't got to get so specific.

1:30:38.360 --> 1:30:40.559
<v Speaker 1>He was not cudly or like.

1:30:41.040 --> 1:30:43.040
<v Speaker 2>He did not like PDA and it was something that

1:30:43.080 --> 1:30:45.519
<v Speaker 2>really hurt my feelings. Yeah, because I felt like he

1:30:45.560 --> 1:30:46.759
<v Speaker 2>was embarrassed in me or something.

1:30:47.040 --> 1:30:50.040
<v Speaker 1>Can I tell you my favorite PDA story of all time?

1:30:50.320 --> 1:30:52.559
<v Speaker 2>No, I don't want to hear the story about Grandma.

1:30:52.720 --> 1:30:54.240
<v Speaker 1>I gotta hear it. It's amazing.

1:30:54.400 --> 1:30:56.280
<v Speaker 2>I don't want to hear the story about Grandma.

1:30:56.439 --> 1:30:58.640
<v Speaker 1>So my brother brother, I'll tell you the story and

1:30:58.640 --> 1:31:04.240
<v Speaker 1>then we'll get out. Brother gets married thirty years ago

1:31:05.160 --> 1:31:08.080
<v Speaker 1>this year, well he just passed the anniversary him and

1:31:08.160 --> 1:31:11.840
<v Speaker 1>Jerry in July. It was thirty years so they didn't

1:31:11.840 --> 1:31:13.639
<v Speaker 1>wait for the state to be like gay people could

1:31:13.640 --> 1:31:15.840
<v Speaker 1>get married. They're like, fucking we're damn we're getting married.

1:31:16.320 --> 1:31:18.680
<v Speaker 1>And so they went to a you know, a Unitarian

1:31:18.760 --> 1:31:22.360
<v Speaker 1>church and and you know, afterwards there was a killer

1:31:22.400 --> 1:31:25.360
<v Speaker 1>reception and whatnot out like a banquet hall and stuff,

1:31:26.080 --> 1:31:29.080
<v Speaker 1>and you know, just like every ass wedding, like it

1:31:29.120 --> 1:31:31.679
<v Speaker 1>gets to a point where you're like, oh, man, fucking

1:31:32.400 --> 1:31:34.600
<v Speaker 1>you use a coaster because I see the water, and

1:31:34.600 --> 1:31:36.760
<v Speaker 1>I also see the electrical things, not so much the

1:31:37.240 --> 1:31:38.200
<v Speaker 1>soon you get electric.

1:31:40.160 --> 1:31:41.479
<v Speaker 5>Dad's always looking at.

1:31:42.640 --> 1:31:44.960
<v Speaker 1>So just at the point when the wedding gets like,

1:31:45.240 --> 1:31:47.559
<v Speaker 1>it's good for these fucks, but let's go home, like

1:31:47.680 --> 1:31:51.519
<v Speaker 1>we've been here long enough, boom, fucking drag show kicked in.

1:31:51.960 --> 1:31:53.840
<v Speaker 1>Like my brother and Jerry set up a drag show.

1:31:53.920 --> 1:32:00.000
<v Speaker 1>So fucking Donna Summer, Bette Middler and I forget it,

1:32:00.040 --> 1:32:03.679
<v Speaker 1>the other one, Diana Ross my mom's faith. They come down,

1:32:03.720 --> 1:32:05.880
<v Speaker 1>they're performing and shit like that, and everyone's like ground

1:32:05.880 --> 1:32:07.920
<v Speaker 1>the dance floor. They got the whole dance floor and stuff.

1:32:08.920 --> 1:32:11.320
<v Speaker 1>So I'm behind my mom and dad, and my mom

1:32:11.360 --> 1:32:14.360
<v Speaker 1>and dad you know, they were they they would hold

1:32:14.400 --> 1:32:20.160
<v Speaker 1>hands and like kiss, but I'd never heard them. Fuck

1:32:20.240 --> 1:32:22.160
<v Speaker 1>my room was like right, across them. There's year stories

1:32:22.200 --> 1:32:24.960
<v Speaker 1>about kids going heard my parents fuck. That never happened

1:32:24.960 --> 1:32:30.439
<v Speaker 1>to fucking me. So my parents, you know, I knew

1:32:30.479 --> 1:32:32.320
<v Speaker 1>they loved each other, and I knew they had sex

1:32:32.320 --> 1:32:33.800
<v Speaker 1>at least three times because of me and my brother

1:32:33.840 --> 1:32:35.439
<v Speaker 1>and sister. But I thought it was just one of

1:32:35.520 --> 1:32:38.920
<v Speaker 1>those like real friendly relationships and ship. So there I

1:32:38.960 --> 1:32:40.960
<v Speaker 1>am behind my parents. They're on the dance floor. My

1:32:41.040 --> 1:32:43.800
<v Speaker 1>dad had a stroke, so he had to hold like

1:32:43.840 --> 1:32:47.280
<v Speaker 1>a cane with one hand and ship and the other

1:32:47.320 --> 1:32:50.879
<v Speaker 1>hand was stiff like because because he'd lost full mobility,

1:32:51.680 --> 1:32:53.599
<v Speaker 1>so he don't have his cane. He left that on

1:32:53.600 --> 1:32:56.040
<v Speaker 1>his chair because he's got his hand on my mom's

1:32:56.040 --> 1:32:59.200
<v Speaker 1>back kind of support, and my mom, mamily is fucking

1:33:00.400 --> 1:33:03.679
<v Speaker 1>like just white lady dancing just like.

1:33:06.479 --> 1:33:09.240
<v Speaker 5>To every fucking song and dancing with Diana Ross.

1:33:09.280 --> 1:33:11.400
<v Speaker 2>And I don't want to dancing.

1:33:11.479 --> 1:33:15.439
<v Speaker 1>She's three to win, so this was just you know,

1:33:16.080 --> 1:33:17.680
<v Speaker 1>could have if she could have taken a braw off,

1:33:17.680 --> 1:33:21.559
<v Speaker 1>she would be So she was just dancing and my

1:33:21.640 --> 1:33:24.280
<v Speaker 1>father's got his hand on her back. I remember thinking

1:33:24.360 --> 1:33:27.200
<v Speaker 1>like this guy could barely fucking stand quick jerk dancing

1:33:27.240 --> 1:33:29.519
<v Speaker 1>around the room. He's got a trip but he has

1:33:29.560 --> 1:33:31.320
<v Speaker 1>hand on her back. I thought it was real sweet.

1:33:31.360 --> 1:33:32.920
<v Speaker 1>I was like, Oh, that's my parents, that's what they do.

1:33:33.000 --> 1:33:38.960
<v Speaker 1>And ship then like fucking two songs. Then when it

1:33:39.000 --> 1:33:44.720
<v Speaker 1>gets like sexy, my fucking father's arm goes down my

1:33:44.760 --> 1:33:46.720
<v Speaker 1>mother's back, the middle of my mom's back, and I

1:33:46.760 --> 1:33:51.280
<v Speaker 1>was like, oh, that's nice. But it don't stop, Harley,

1:33:51.520 --> 1:33:56.040
<v Speaker 1>It don't stop. I know, it just keeps going past

1:33:56.120 --> 1:34:01.719
<v Speaker 1>the place of fucking society societally to old fucking public

1:34:01.760 --> 1:34:06.519
<v Speaker 1>hand PDA. Then he's like his palm of his hand

1:34:06.680 --> 1:34:08.320
<v Speaker 1>is at the crack of her ass. You can't say,

1:34:08.320 --> 1:34:09.920
<v Speaker 1>it's not like she's wearing a pippy top or something

1:34:09.960 --> 1:34:13.280
<v Speaker 1>like that, but where asked would be ship. That's when

1:34:13.400 --> 1:34:19.800
<v Speaker 1>fucking poppoy, my dad his hand switches into this mode because.

1:34:19.520 --> 1:34:20.839
<v Speaker 5>It ain't going down like this anymore.

1:34:21.000 --> 1:34:23.439
<v Speaker 1>Now it's going down like this, and he goes in

1:34:23.520 --> 1:34:28.240
<v Speaker 1>and and between the cheeks, and you think that'd be enough,

1:34:28.240 --> 1:34:30.200
<v Speaker 1>like you gonna cut her cheek or something. Then he

1:34:30.320 --> 1:34:34.080
<v Speaker 1>keeps going around, dips under for the reach up to

1:34:34.240 --> 1:34:36.080
<v Speaker 1>hold on to the mound and ship.

1:34:38.000 --> 1:34:45.760
<v Speaker 5>Bro. I was like, I that's how I wound up

1:34:45.800 --> 1:34:47.439
<v Speaker 5>in a fucking movie. Hatch right there.

1:34:49.840 --> 1:34:52.200
<v Speaker 2>That's the last time I'm trying to hear that story.

1:34:52.439 --> 1:34:54.200
<v Speaker 3>And goodbye everybody.

1:34:54.320 --> 1:34:56.400
<v Speaker 1>I want you to tell that story when I when

1:34:56.400 --> 1:34:58.559
<v Speaker 1>I'm at my eulogy, You're like one more thing. My

1:34:58.640 --> 1:35:01.320
<v Speaker 1>father wanted me to pass off, and he asked that

1:35:01.400 --> 1:35:03.320
<v Speaker 1>I do it in a burnt cork beard and my

1:35:03.360 --> 1:35:04.559
<v Speaker 1>best impression of him.

1:35:04.560 --> 1:35:06.639
<v Speaker 5>So give me a minute.

1:35:06.760 --> 1:35:10.479
<v Speaker 1>I've played all the greats Medea, other Tyler, Perry Rolls,

1:35:11.200 --> 1:35:14.600
<v Speaker 1>and now at his eulogy, I prepare to play the

1:35:14.680 --> 1:35:18.000
<v Speaker 1>really role of a lifetime my father. Oh my god,

1:35:18.920 --> 1:35:21.519
<v Speaker 1>one time my dad felt up my mother in public.

1:35:22.800 --> 1:35:26.800
<v Speaker 1>Snoops to the other guy, I don't know. I never

1:35:26.800 --> 1:35:28.360
<v Speaker 1>paid a bunch of attention to the giants on the

1:35:28.400 --> 1:35:29.000
<v Speaker 1>bomb stuff.

1:35:30.000 --> 1:35:32.200
<v Speaker 2>Stop my cheeks.

1:35:32.200 --> 1:35:37.439
<v Speaker 1>Ahret from there it is, kids, there's your fucking beardlessless me.

1:35:38.120 --> 1:35:43.519
<v Speaker 1>Sounds so harsh. It's such an aggressive title. God, the

1:35:43.520 --> 1:35:49.600
<v Speaker 1>beardless me for beardless dickless me. I'm Kevin Smith.

1:35:49.360 --> 1:35:51.000
<v Speaker 2>And I'm Harley Quinn Smith and.

1:35:51.080 --> 1:35:53.000
<v Speaker 5>Get me back my name, woman.

1:35:53.280 --> 1:36:08.759
<v Speaker 1>That's how we signed. This has been a podcast production,

1:36:09.360 --> 1:36:13.040
<v Speaker 1>some podcast podcast using our mouths on you since two

1:36:13.080 --> 1:36:19.400
<v Speaker 1>thousand and seven. Hey, kids, did you like what you

1:36:19.560 --> 1:36:22.240
<v Speaker 1>just heard, Well, guess what. We've got tons more man

1:36:22.360 --> 1:36:25.280
<v Speaker 1>thousands of hours of podcasts waiting for you at that

1:36:25.520 --> 1:36:28.639
<v Speaker 1>kevinsmithclub dot com. Go sign up now,