WEBVTT

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You are listening to the USDN on the

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DFPN.

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Thanks for watching!

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what is up everybody it's the chairman of

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the united states department of nerds

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where we are for the people by the

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people and of the people

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And tonight,

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some characters don't ask for permission.

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They don't negotiate,

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and they don't wait for the world to

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be ready for them.

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They kick the door in.

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Tonight on the USDM Podcast,

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we're stepping into a collision of indie

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comic universes where horror, action,

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and attitude meet head on.

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When a black market deal involving a

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zombie blood serum threatens to spiral

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into global chaos,

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two lethal heroines

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Gungoth and Footpath are forced into an

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uneasy alliance.

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The result, hostile assets.

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A brutal crossover event written by my man

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here, Alfred Page and Mark Poulton,

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bringing together two fan favorite worlds

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into one explosive shot.

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Ladies and gentlemen,

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the Council of Nerds is now in session.

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Alfred, welcome to the podcast, my friend.

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Thank you so much.

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Thank you so much for having me here.

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Absolutely.

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I know we've had this on the schedule

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for a hot minute now,

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and the night is finally here.

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The covers are fantastic, dude.

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But let's dive into how.

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Tell everybody who Alfred Page is.

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You know,

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I'm a creator that got into comic books.

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Late in the nineties,

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early in the two thousands.

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I was a big influence by Image Comics

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and Chris Claremont and Jim Lee and

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everybody that was hot at that time.

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And yeah,

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that influence has made me want to create

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my own world to comic books.

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And it's an enjoyment and I love doing

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it.

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So I know you just mentioned Image,

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which hands down probably one of my

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favorite publishing companies, period,

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hands down.

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Was there a particular book that kind of

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like brought you into that fold?

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Just the originals, Youngblood, Wildcat,

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Cyberforce, Spawn.

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Just the original, the epic,

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the golden years of Image,

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I guess they would call it.

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So that influence.

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Yeah, that influence and that atmosphere.

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At that time, you know,

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going to a comic book store,

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you get comic books, you get a wizard,

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you get, you know, all that,

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the intensity of it at that time was

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really big, was really good.

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No, those are greats, man.

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And, like, I probably have a lot.

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I still, to this day, collect Spawn.

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And I was picking up some of the

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re-releases of some of the other books,

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too, that they just started putting out.

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Yeah.

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Yeah, just seeing them on the shelf again.

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Well, Witchblade is still going.

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Like, it's back on the shelves again.

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Brand new stories the whole nine.

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I mean, all of it's coming back.

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Youngblood, Darkness is back.

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There's a new Cyberforce coming out.

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There's supposed to be a new Wildcats.

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They did a Wildcats run last year,

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I think, that was really good,

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but it was under the DC logo with

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Jim Lee, I think.

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Yeah, yeah.

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I think that softened it up,

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but nevertheless, you know what I mean?

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It's still out there, man,

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and they're still going strong,

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and I love to see that.

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So at what moment did comics kind of

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shift from being passion to purpose,

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and you wanted to actually do them?

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I would say it kind of made itself,

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because just at life at the time,

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when I got into comic books,

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it was a distraction.

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I always tell the story.

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I had a friend that,

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let's just say that he was on the

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right side of the road.

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And I'd say, Black, yo,

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let's go to my house and write a

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comic book.

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And I had this guy in my backyard

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flipping and jumping around and acting

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out.

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I mean, this is the guy that,

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you know, he's like, yo, you know,

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this is, I said,

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ain't this better than being, you know,

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and he'd be out there.

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And that's how my character pinpoint got

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started.

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This happened off a friend of mine just

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jumping around, rolling,

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and I started writing.

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And my girlfriend at the time,

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who was like a writing major at college,

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could take my ideas and expand them

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properly in the script.

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And that's how I got started.

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And then from there, it just never ended.

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Dude, that's awesome, man.

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Dude,

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I love when the stories are like that.

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So what lessons kind of shaped you the

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most as an indie creator?

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As you're coming up and you're learning

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how to write,

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was there a particular lesson that kind of

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shaped you into the writer you are today?

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Know how to do it by standard so

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then you can enjoy doing it your own

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way.

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You know what I mean?

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That makes sense.

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Know the proper foundation and go through

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the ways to do it that's standard.

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Understand the rules of it.

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And that way,

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when you do it your own way,

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you can take those elements into it and

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make your own road on it.

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Dude, that's a fantastic answer.

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It is one of those that I feel

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stands true.

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You pick up any good comic book,

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you can tell.

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But so let's dive into some hostile assets

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now.

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What sparked the idea for this crossover?

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I had a chance to talk to Mark,

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Mark Parton from Haunted Pizza.

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Yep.

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Who is who is an image,

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one of those image guys.

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Right.

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And his crew, you know,

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and works with that same crew.

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You know, he did at Angeline and Angeline.

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Amber Jolene for Image.

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He did Savage Hawkman.

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He did Graveyard Shift.

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And he, like me, is an Image head.

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So we started talking about what comic

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books was the influence.

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And we both enjoyed The Kindred.

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I don't know if you remember.

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It's a comic book called The Kindred from

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Image Comics.

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I can see it vaguely in my head.

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Yeah,

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it's a comic book called The Kindred,

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which is...

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one of my i guess you want to

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say comic book bibles that and genesis

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x-men um and as well as him so

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i was like hey i got footpath and

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he had a character named gun goth that

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had a green jacket like the old grifter

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i said hey man let's just redo it

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so that's how i got started just off

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a conversation and from there we did it

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we uh we we rewrote it uh

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I reached out to Sal Regula,

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who's the original writer on The Kindred.

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I showed him the making of it,

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and I talked to him about it,

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and what his comic book or what they

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did years ago has such an influence even

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today.

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So, yeah, we are enjoying it, man.

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It's a fantastic crossover.

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It's

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and uh that's a that's a fat book

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man sixty pages that's yeah you're getting

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the bang for your buck on this one

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yeah it's sixty pages it's uh and it

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has a lot of guests in it uh

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you know you got arico bada artist from

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spawn you got uh mike my hand you

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got edson owes who's doing the who

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actually did the interiors you got anthony

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george i mean you got best of weeks

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junior

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I mean,

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you got a lot of people that's around

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then through that influence that's taken

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part in this project.

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So it's a really big project.

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Dude, that's amazing.

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So many great names from the nineties who

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are still doing comics in their own way

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now.

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Really awesome to hear that.

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So yeah, this is like a... Oh,

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go ahead.

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No, go ahead.

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No, I was saying like,

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this is like a dedication to

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the influence that you all had that same

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influence under back then with Image and

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stuff like that.

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It's like a love letter.

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It's a real nice project to be a

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part of.

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That's why I hit that notify me on

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launch button.

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What makes this crossover different from

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your typical comic book crossovers?

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Only because this one's a direct influence

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of something that

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We loved.

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You know what I mean?

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So this one is a direct influence on

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the kindred.

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So that's the only one that makes this

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one different.

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It's purposely to try to catch the

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elements that we loved about comic books.

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What grabbed us into comic books,

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the excitement, the action,

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and what made us fans.

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So we're trying to capture that again with

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this crossover.

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Dude, I love it, dude.

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This is one of those where.

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Sixty pages, so images,

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early greats all taken part in to bring

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this back to life.

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Oh, yeah, that that's that's phenomenal,

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especially for all those guys out there my

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age who grew up on image as well

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as yourself.

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We grew up on image.

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I mean, shit,

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Spawn is still a dollar ninety nine.

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So, I mean,

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it's what I could could afford because at

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the time,

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I think Marvel had gone up to like

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two ninety nine or three ninety nine or

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something like that.

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And cheaper than that.

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Yeah.

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So it's awesome to hear and to see

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two characters so heavily influenced by

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that.

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old nineteen nineties image when they come

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out swinging on everybody.

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So it's really cool.

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But so let's get up into this story

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that.

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Gun goth and footpath are going to have

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in this crossover comic book album,

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Zombie Blood Serum is a killer concept.

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Where did that originate?

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And in my line,

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of comic books.

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I had a comic book called Blowtorch,

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Bury the Past.

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Okay.

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Which I started a storyline about a

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resurrection program.

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Okay.

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So that storyline kind of went into the

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conversation of Mark with Gungoth,

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who is a girl that's tracking down these

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experiments and these werewolves and stuff

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like that.

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So the storyline kind of fit.

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into each other.

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And, you know, through conversation,

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it's like, hey,

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that's amazing that your storyline and my

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storyline are kind of like hitting each

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other.

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So it made its own story.

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The two of them together.

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And so, you know,

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if you remember the original Kindred,

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it was something similar, off experiment.

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So it was like, oh,

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we got a chance.

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We got a chance to

00:12:56.974 --> 00:12:57.914
do an image comic.

00:12:57.934 --> 00:12:59.096
You know what I'm saying?

00:12:59.115 --> 00:13:00.256
Like, hey, man, let's do this.

00:13:00.897 --> 00:13:02.178
So, you know, we got excited.

00:13:02.359 --> 00:13:02.958
Like, hey,

00:13:03.299 --> 00:13:05.181
the stories itself is already aligned.

00:13:05.400 --> 00:13:08.423
The stories are not from the kindred,

00:13:08.945 --> 00:13:12.927
but it led into a similar environment

00:13:13.028 --> 00:13:14.229
through the conversation me and him was

00:13:14.249 --> 00:13:14.609
having.

00:13:15.710 --> 00:13:16.831
No, that is really cool.

00:13:16.910 --> 00:13:21.515
I mean, that two separate guys, unrelated,

00:13:22.559 --> 00:13:24.662
are working on two bullets very similar

00:13:25.422 --> 00:13:27.403
and you were able to make it cross

00:13:27.464 --> 00:13:29.605
paths that way just seamlessly and make

00:13:29.686 --> 00:13:31.626
everything just flow into each other like

00:13:31.647 --> 00:13:31.826
that.

00:13:31.866 --> 00:13:34.528
That's a one in a million shot.

00:13:34.568 --> 00:13:36.730
You know what I'm saying?

00:13:36.750 --> 00:13:38.812
Yeah, that's rare because it actually,

00:13:39.913 --> 00:13:41.595
even though it's a crossover between us,

00:13:42.195 --> 00:13:44.636
it actually just moves on the story for

00:13:44.697 --> 00:13:45.317
both of us.

00:13:46.097 --> 00:13:48.019
You know what I mean?

00:13:48.039 --> 00:13:49.380
That was already established.

00:13:49.441 --> 00:13:49.681
Yeah,

00:13:49.701 --> 00:13:51.101
that was already established before we

00:13:51.142 --> 00:13:51.883
even talked about it.

00:13:53.636 --> 00:13:54.638
You know, if that makes sense.

00:13:54.658 --> 00:13:54.857
Yeah.

00:13:54.898 --> 00:13:54.937
No,

00:13:54.958 --> 00:13:56.700
that makes a hundred percent sense to me,

00:13:56.759 --> 00:13:59.302
but I live in this world.

00:13:59.341 --> 00:14:00.143
You know what I'm saying?

00:14:00.243 --> 00:14:03.485
Of indie comics and amazing stories that

00:14:03.524 --> 00:14:05.226
are out there in the indie comic world.

00:14:05.246 --> 00:14:07.469
So for me, like, dude, that's perfect.

00:14:07.489 --> 00:14:09.289
Like how often do you get to write

00:14:09.309 --> 00:14:11.072
a story with somebody you don't know?

00:14:11.971 --> 00:14:15.095
And the stories just fall seamlessly into

00:14:15.195 --> 00:14:17.596
each other and work to continue both

00:14:17.657 --> 00:14:18.236
stories.

00:14:18.618 --> 00:14:20.019
That's right.

00:14:20.720 --> 00:14:23.241
So it's just a coincidence.

00:14:23.982 --> 00:14:25.724
And what's amazing about that is now that

00:14:25.744 --> 00:14:27.004
you're crossing them over here,

00:14:27.465 --> 00:14:28.986
y'all both can go off, right?

00:14:29.027 --> 00:14:29.687
Two, three,

00:14:29.767 --> 00:14:31.307
four more issues and then bring them back

00:14:31.327 --> 00:14:34.451
together if you want to.

00:14:34.551 --> 00:14:37.793
Oh, well, you know, uh,

00:14:37.812 --> 00:14:42.157
we had so much fun doing hostile assets.

00:14:43.158 --> 00:14:44.458
Um, and, and the way,

00:14:44.619 --> 00:14:46.779
the way that happened, I just did,

00:14:46.840 --> 00:14:48.261
I just did a Kickstarter called footpath

00:14:48.302 --> 00:14:49.663
dangerous nights.

00:14:49.682 --> 00:14:50.003
Okay.

00:14:50.330 --> 00:14:54.530
about this same experiment before we even

00:14:54.571 --> 00:14:55.491
had this conversation.

00:14:55.652 --> 00:14:57.312
So if you look,

00:14:57.371 --> 00:14:59.673
I got a Kickstarter out now or late

00:14:59.692 --> 00:15:01.994
pledges for a Kickstarter for Footpath

00:15:02.014 --> 00:15:04.575
Dangerous Nights.

00:15:07.015 --> 00:15:07.255
Yeah,

00:15:07.395 --> 00:15:10.537
the way that story went led right into

00:15:10.557 --> 00:15:11.596
the conversation with Mark.

00:15:11.677 --> 00:15:15.298
It was like just a crazy coincidence.

00:15:15.479 --> 00:15:16.698
So it follows through.

00:15:17.739 --> 00:15:18.940
And we had so much fun doing a

00:15:18.980 --> 00:15:19.379
hot dog

00:15:20.318 --> 00:15:22.240
We had so much fun doing Hostile Assets

00:15:23.081 --> 00:15:24.923
that now Hostile Assets is going to lead

00:15:24.943 --> 00:15:29.648
into a bigger crossover with Haunted Pizza

00:15:29.688 --> 00:15:30.669
and Patreon Comics.

00:15:31.509 --> 00:15:32.331
With everybody.

00:15:35.595 --> 00:15:36.576
With everybody, so...

00:15:37.331 --> 00:15:38.211
That's money, bro.

00:15:38.893 --> 00:15:39.572
I love to hear that.

00:15:39.613 --> 00:15:42.134
That is absolutely amazing.

00:15:42.575 --> 00:15:45.015
So what kind of tone is this comic

00:15:45.035 --> 00:15:46.057
book going to have?

00:15:46.136 --> 00:15:48.378
Are we getting some horror, some action,

00:15:48.457 --> 00:15:51.279
some like Grindhouse style movie type

00:15:51.360 --> 00:15:54.921
action in this book?

00:15:55.022 --> 00:15:57.383
This comic book is a love letter to

00:15:57.403 --> 00:16:00.183
the nineties action that we all missed in

00:16:00.283 --> 00:16:00.644
Image.

00:16:01.745 --> 00:16:03.446
So we are going straight for the action.

00:16:03.466 --> 00:16:05.667
We are going straight for the explosive

00:16:05.706 --> 00:16:06.388
pages,

00:16:06.488 --> 00:16:06.707
the

00:16:09.225 --> 00:16:10.264
The way they used to do it back

00:16:10.284 --> 00:16:14.908
then with the two-page flashes and all the

00:16:14.947 --> 00:16:18.950
fun elements that people our age remember

00:16:18.990 --> 00:16:20.451
about that time in comic book.

00:16:21.691 --> 00:16:23.052
That's what we're trying to capture with

00:16:23.072 --> 00:16:23.772
this crossover.

00:16:24.633 --> 00:16:26.933
This is like a dream project that we

00:16:26.994 --> 00:16:28.414
are getting a chance to do.

00:16:28.914 --> 00:16:32.636
So how the two heroines in this comic

00:16:32.657 --> 00:16:34.097
book are very different.

00:16:35.014 --> 00:16:37.195
how are like how did y'all finish to

00:16:37.215 --> 00:16:39.416
get these two personalities to kind of

00:16:39.456 --> 00:16:43.057
behave on paper like did they start out

00:16:43.077 --> 00:16:45.798
with some initial like some head button

00:16:46.019 --> 00:16:47.519
and then kind of work it in together

00:16:47.580 --> 00:16:48.640
and like hey we got to do this

00:16:48.681 --> 00:16:50.422
as a team otherwise this isn't going to

00:16:50.481 --> 00:16:53.082
work how did that kind of like transpire

00:16:53.102 --> 00:16:56.384
between the two ladies who are the central

00:16:56.404 --> 00:17:01.307
point of this comic book um they're

00:17:01.407 --> 00:17:03.028
already going storylines

00:17:04.032 --> 00:17:06.454
made it possible for them to interact in

00:17:06.515 --> 00:17:11.159
a way that it reflected how they did

00:17:11.179 --> 00:17:13.099
in kindred so you know they're going to

00:17:13.119 --> 00:17:14.821
come together of course you know they're

00:17:14.842 --> 00:17:16.343
not going to be friends at first but

00:17:16.363 --> 00:17:17.443
they're going to eventually have to work

00:17:17.463 --> 00:17:24.148
together and um and it doesn't it doesn't

00:17:24.229 --> 00:17:27.912
pause either one story you know what i

00:17:27.932 --> 00:17:30.193
mean guns off already had a storyline

00:17:30.233 --> 00:17:32.836
going on that this crossover follows

00:17:32.875 --> 00:17:33.777
through her storyline

00:17:34.675 --> 00:17:36.778
Footpath is already on the storyline

00:17:36.798 --> 00:17:37.498
that's going on.

00:17:38.138 --> 00:17:40.380
This crossover extends her storyline.

00:17:40.961 --> 00:17:43.663
And even though they're crossing over,

00:17:43.742 --> 00:17:46.884
it doesn't intersect either one storyline.

00:17:47.144 --> 00:17:47.685
You know what I mean?

00:17:47.726 --> 00:17:50.007
So it has made it convenient and made

00:17:50.027 --> 00:17:52.269
it good and gave us a chance to

00:17:52.348 --> 00:17:52.990
say, hey,

00:17:54.230 --> 00:17:55.290
if we was doing this comic book in

00:17:55.310 --> 00:17:56.652
the nineties, how would we do it?

00:17:56.952 --> 00:17:58.773
And we'll go back to how they did

00:17:58.794 --> 00:17:59.314
Wildcat.

00:17:59.334 --> 00:18:01.476
So the two page splashes, Jim Liam,

00:18:01.536 --> 00:18:04.077
Mark Silvestri in the explosive action.

00:18:04.461 --> 00:18:04.761
I was like,

00:18:04.942 --> 00:18:07.262
I really want to do that.

00:18:07.303 --> 00:18:09.222
Dude, I'm in.

00:18:09.282 --> 00:18:09.803
I'm bought in.

00:18:10.663 --> 00:18:12.044
I'm ready for this to drop and hit

00:18:12.084 --> 00:18:12.723
Kickstarter.

00:18:13.403 --> 00:18:15.523
So what surprised you the most while y'all

00:18:15.544 --> 00:18:18.565
were working on this project?

00:18:18.585 --> 00:18:19.664
Say again?

00:18:19.704 --> 00:18:21.846
What surprised you the most while working

00:18:22.006 --> 00:18:26.787
on this project?

00:18:26.826 --> 00:18:27.386
The fun.

00:18:27.426 --> 00:18:27.807
The fun.

00:18:27.866 --> 00:18:29.406
It's not really work if you're having fun,

00:18:29.467 --> 00:18:29.906
is it?

00:18:30.527 --> 00:18:30.768
Yeah.

00:18:31.347 --> 00:18:32.788
And it's not work if you're having fun.

00:18:34.223 --> 00:18:35.444
I remember when I tried to get into

00:18:35.464 --> 00:18:36.025
comic books,

00:18:36.184 --> 00:18:39.586
I submitted to Image Comics so many times.

00:18:39.666 --> 00:18:42.068
I damn near climbed through their window.

00:18:42.388 --> 00:18:45.550
I was trying everything to get into Image

00:18:45.570 --> 00:18:46.050
Comics.

00:18:47.412 --> 00:18:49.232
I sent in so many submissions to Image

00:18:49.272 --> 00:18:49.712
Comics.

00:18:49.813 --> 00:18:53.615
I remember they used to have a comic

00:18:53.634 --> 00:18:54.816
book called Dynamo Five.

00:18:55.096 --> 00:18:57.257
I think early Robert Kirkland, I think.

00:18:58.877 --> 00:19:01.500
Man, I wrote a whole crossover for my...

00:19:02.147 --> 00:19:04.269
For Domino Five, I had Rudy Vasquez,

00:19:04.328 --> 00:19:04.709
George.

00:19:05.269 --> 00:19:06.910
I sent that submission in.

00:19:06.950 --> 00:19:08.310
I was trying everything against the image

00:19:08.351 --> 00:19:08.932
at that time.

00:19:09.132 --> 00:19:10.672
Dude,

00:19:10.771 --> 00:19:11.992
and here you are working with some of

00:19:12.032 --> 00:19:14.314
the great image creators from the

00:19:14.354 --> 00:19:16.434
nineties.

00:19:16.474 --> 00:19:17.096
Incredible.

00:19:17.635 --> 00:19:21.637
That's the most fun is working with people

00:19:21.678 --> 00:19:23.378
that is in that field.

00:19:26.180 --> 00:19:27.901
It's like getting my submission for image

00:19:28.361 --> 00:19:28.882
back then.

00:19:29.122 --> 00:19:30.261
It turns me into a kid again,

00:19:30.462 --> 00:19:31.182
if that makes sense.

00:19:31.637 --> 00:19:32.958
No, dude, a hundred percent.

00:19:33.018 --> 00:19:34.919
And I think that was every kid's dream

00:19:34.999 --> 00:19:35.558
at that time.

00:19:35.598 --> 00:19:38.700
But let's dive into who the creative team

00:19:38.960 --> 00:19:40.780
is on this book.

00:19:41.560 --> 00:19:46.083
We got some Edson Alves doing Anthony

00:19:46.103 --> 00:19:47.143
George on colors.

00:19:47.462 --> 00:19:47.903
And of course,

00:19:48.143 --> 00:19:50.824
Mark Bolton of Haunted Pizza Comets as

00:19:50.844 --> 00:19:51.743
your co-writer.

00:19:52.964 --> 00:19:54.105
All-star team, dude.

00:19:54.164 --> 00:19:55.865
Anybody else you want to shout out who

00:19:55.885 --> 00:19:56.925
worked on the book with y'all?

00:19:58.446 --> 00:19:59.547
Um,

00:20:01.115 --> 00:20:03.516
My designer, Sade Tamifante,

00:20:03.536 --> 00:20:04.836
came up with the logo.

00:20:07.137 --> 00:20:07.857
Mark Mahan.

00:20:08.978 --> 00:20:11.980
Been a big process of the comic book,

00:20:12.000 --> 00:20:12.259
too.

00:20:13.980 --> 00:20:15.000
He's an artist.

00:20:15.020 --> 00:20:16.401
He also did a couple of covers.

00:20:17.402 --> 00:20:19.522
Serge Dilemma did a couple of covers.

00:20:20.063 --> 00:20:21.123
Anthony George, of course,

00:20:21.143 --> 00:20:22.584
with the incredible colors he's doing on

00:20:22.604 --> 00:20:23.003
the book.

00:20:23.904 --> 00:20:26.665
And there's everybody that's taking fun in

00:20:26.685 --> 00:20:27.346
this project.

00:20:27.365 --> 00:20:29.567
You got a spawn artist, Erica Bartow.

00:20:30.114 --> 00:20:31.555
came on and did a cover for us.

00:20:31.734 --> 00:20:32.535
I mean, incredible.

00:20:32.674 --> 00:20:33.394
She's amazing.

00:20:33.434 --> 00:20:36.916
Yeah, he, he's amazing.

00:20:36.936 --> 00:20:38.176
Oh, okay.

00:20:38.277 --> 00:20:44.700
And, uh, and, uh, and, um, Mark,

00:20:44.720 --> 00:20:45.539
you're on there one.

00:20:45.579 --> 00:20:46.340
That's the weeks.

00:20:46.661 --> 00:20:46.980
I mean,

00:20:47.141 --> 00:20:48.561
that's the week I'm going to did a

00:20:48.602 --> 00:20:49.561
fantastic one.

00:20:49.741 --> 00:20:50.622
So, I mean,

00:20:50.903 --> 00:20:52.202
the fact that I'm getting to work with

00:20:52.242 --> 00:20:54.784
people that years ago,

00:20:55.044 --> 00:20:56.904
I was trying to submit, submit, um,

00:20:58.022 --> 00:21:01.846
too i mean it's just an amazing feeling

00:21:01.886 --> 00:21:07.071
so how did this whole creative team

00:21:07.132 --> 00:21:09.913
actually come together and you managed to

00:21:09.993 --> 00:21:14.337
get like no guys who worked with image

00:21:14.458 --> 00:21:16.920
and at image in the nineties and on

00:21:16.960 --> 00:21:21.084
this project as well uh that that's our

00:21:21.104 --> 00:21:23.066
relationship to mark so uh

00:21:24.565 --> 00:21:24.785
Yeah,

00:21:24.805 --> 00:21:26.945
that's my relationship to Mark and Mark

00:21:26.965 --> 00:21:29.846
being in that in that environment or in

00:21:29.866 --> 00:21:31.307
that field back then.

00:21:31.346 --> 00:21:33.048
So this is all from his relationships.

00:21:33.067 --> 00:21:34.127
OK,

00:21:34.147 --> 00:21:36.048
what was it like co-writing this with

00:21:36.108 --> 00:21:36.469
Mark?

00:21:38.829 --> 00:21:39.890
Oh, he gave me some freedom,

00:21:40.869 --> 00:21:45.132
gave me opportunity and he loved it.

00:21:45.231 --> 00:21:47.413
And then, you know,

00:21:47.692 --> 00:21:49.413
he took my half and he added his

00:21:49.492 --> 00:21:50.913
half and

00:21:52.798 --> 00:21:53.078
Yeah,

00:21:53.159 --> 00:21:54.819
it turned out to be an amazing project.

00:21:55.079 --> 00:21:56.260
It has, like I said,

00:21:56.280 --> 00:21:57.682
remnants of the Kindred,

00:21:57.701 --> 00:21:58.823
and it has our own remnants.

00:21:58.843 --> 00:22:01.785
It's like half and half, and yeah,

00:22:01.865 --> 00:22:03.326
it really turned out to be an amazing

00:22:03.365 --> 00:22:03.786
project.

00:22:04.125 --> 00:22:04.645
I mean,

00:22:06.067 --> 00:22:07.728
I really shout out Mark Portran for giving

00:22:07.748 --> 00:22:09.930
me the opportunity and the chance to work

00:22:09.970 --> 00:22:12.651
with him and his team, and yeah,

00:22:12.671 --> 00:22:14.231
I'm very thankful.

00:22:14.573 --> 00:22:15.593
Dude, that's awesome.

00:22:15.952 --> 00:22:16.113
Can...

00:22:18.751 --> 00:22:22.512
So you currently have multiple kind of

00:22:22.532 --> 00:22:24.153
storylines going on right now.

00:22:24.212 --> 00:22:26.594
Do all your stories kind of interweave and

00:22:26.653 --> 00:22:29.894
crossover into each other and fit within

00:22:30.134 --> 00:22:36.536
all of your universe?

00:22:36.635 --> 00:22:39.736
Only the chess-related titles are kind of

00:22:39.756 --> 00:22:41.797
like, they play around with each other.

00:22:42.356 --> 00:22:43.696
I got some new titles that I'm working

00:22:43.717 --> 00:22:45.077
on, some new people that don't.

00:22:45.637 --> 00:22:47.137
Like Osmo is a new character.

00:22:47.961 --> 00:22:49.040
from the Mario Hill.

00:22:50.362 --> 00:22:52.902
Squawk is a new character from Jason

00:22:52.922 --> 00:22:53.501
Martizia.

00:22:54.722 --> 00:22:56.803
So these are characters that don't

00:22:56.823 --> 00:22:59.104
particularly relate to my type.

00:22:59.144 --> 00:23:00.503
This is brand new titles.

00:23:00.523 --> 00:23:02.444
Okay.

00:23:02.484 --> 00:23:05.424
So let's talk about some of the...

00:23:05.444 --> 00:23:07.665
You had sent me some covers earlier and

00:23:07.685 --> 00:23:08.566
you had some...

00:23:10.686 --> 00:23:12.987
My guy Malcolm on there from SIS-XV.

00:23:14.008 --> 00:23:15.307
How did that come about with you and

00:23:15.327 --> 00:23:15.667
Malcolm?

00:23:18.474 --> 00:23:19.496
Me, Malcolm,

00:23:19.615 --> 00:23:21.218
and another creator by the name of Tony

00:23:21.238 --> 00:23:21.718
Cottrell.

00:23:23.259 --> 00:23:23.799
Okay.

00:23:24.180 --> 00:23:28.483
We all had characters that I guess if

00:23:28.503 --> 00:23:29.845
you look at a comic book,

00:23:30.145 --> 00:23:33.429
they'll look similar to you, right?

00:23:33.449 --> 00:23:34.630
Tony has Southside.

00:23:35.410 --> 00:23:36.790
Malcolm has Subject Zero.

00:23:37.632 --> 00:23:38.472
I have Pinpoint.

00:23:38.613 --> 00:23:39.913
So on the cover,

00:23:40.894 --> 00:23:43.817
they look like the same character, right?

00:23:43.837 --> 00:23:44.157
Okay.

00:23:44.431 --> 00:23:45.372
They're doing the same thing.

00:23:45.392 --> 00:23:46.132
They're all mercs.

00:23:46.152 --> 00:23:47.133
They all got guns.

00:23:49.595 --> 00:23:50.714
If you don't know the character,

00:23:51.736 --> 00:23:54.218
there will be similar characters.

00:23:54.278 --> 00:23:55.178
We had a conversation.

00:23:55.199 --> 00:23:55.719
I was like, hey,

00:23:55.739 --> 00:23:58.701
let's do a crossover to show how these

00:23:58.721 --> 00:24:00.701
characters are different,

00:24:00.922 --> 00:24:02.403
even though they look the same or do

00:24:02.443 --> 00:24:04.325
the same things.

00:24:04.345 --> 00:24:05.986
That crossover ended up being Bear and

00:24:06.026 --> 00:24:09.568
Bullets.

00:24:09.929 --> 00:24:11.369
That crossover is very successful.

00:24:11.710 --> 00:24:13.090
Working with Tony and Malcolm,

00:24:14.234 --> 00:24:16.916
I mean, that was an incredible experience.

00:24:17.596 --> 00:24:18.617
You know,

00:24:19.999 --> 00:24:23.721
Malcolm is such a young inspiration in the

00:24:23.760 --> 00:24:25.342
field, you know, young energy.

00:24:26.442 --> 00:24:29.305
And, yeah, that was an amazing experience.

00:24:29.365 --> 00:24:34.188
So that crossover led into The Bear,

00:24:34.907 --> 00:24:39.550
which is like a follow-up because it's

00:24:39.611 --> 00:24:40.971
pinpoint and subject zero again.

00:24:42.306 --> 00:24:44.826
But yeah, it made it fun.

00:24:44.846 --> 00:24:45.446
It's like, hey,

00:24:45.467 --> 00:24:48.288
these characters next to each other,

00:24:48.788 --> 00:24:49.607
it's a fun read.

00:24:49.887 --> 00:24:51.769
So let's do it again.

00:24:52.808 --> 00:24:56.109
That crossover actually came from a

00:24:56.190 --> 00:24:57.911
comment from a gentleman named A.

00:24:57.951 --> 00:25:01.832
Fuller Bay on a comment on Facebook about

00:25:02.892 --> 00:25:05.012
there's a bear in Bear and Bullets and

00:25:05.073 --> 00:25:07.292
a bear in one of Malcolm's comic books.

00:25:07.333 --> 00:25:07.894
And he's like, hey,

00:25:07.913 --> 00:25:09.374
that bear needs its own storyline.

00:25:10.123 --> 00:25:10.763
Like a joke.

00:25:11.105 --> 00:25:12.688
And from that joke, we was like, hey,

00:25:13.529 --> 00:25:15.993
hey, you know something?

00:25:16.013 --> 00:25:16.535
Next thing you know,

00:25:16.555 --> 00:25:17.678
we got a comic book called The Bear.

00:25:19.178 --> 00:25:19.878
Dude, that's awesome.

00:25:20.179 --> 00:25:22.421
And for those unfamiliar with who Malcolm

00:25:22.520 --> 00:25:24.061
in SIS-Fifteen Comics is,

00:25:24.481 --> 00:25:26.423
you can go over to my YouTube page

00:25:27.023 --> 00:25:29.185
and watch my interview with Malcolm.

00:25:29.705 --> 00:25:31.248
He is definitely one of the young

00:25:31.548 --> 00:25:33.849
up-and-comers in comic books right now,

00:25:33.869 --> 00:25:35.411
especially indie comics.

00:25:35.951 --> 00:25:38.393
Go give that interview a watch and then

00:25:38.432 --> 00:25:39.994
go over and give him a follow because

00:25:40.035 --> 00:25:42.916
he is a fantastic writer with a very

00:25:42.957 --> 00:25:44.718
bright future ahead of him.

00:25:45.038 --> 00:25:45.858
Incredible.

00:25:46.019 --> 00:25:46.539
Incredible.

00:25:46.880 --> 00:25:47.401
Incredible.

00:25:47.421 --> 00:25:47.681
Yeah.

00:25:48.200 --> 00:25:50.461
But thanks for talking to us about Malcolm

00:25:50.481 --> 00:25:52.903
because he deserves some love and a shout

00:25:52.942 --> 00:25:56.065
out on that one because he is really

00:25:56.105 --> 00:25:57.826
good and deserves some more love.

00:25:58.487 --> 00:25:59.748
So I appreciate that.

00:26:00.448 --> 00:26:06.152
So do you see more crossovers coming in

00:26:06.172 --> 00:26:10.134
the future for your characters?

00:26:10.194 --> 00:26:11.095
Well, I enjoy them.

00:26:11.355 --> 00:26:12.496
I like the interaction.

00:26:12.536 --> 00:26:15.377
Like I said, I've been writing since like

00:26:15.847 --> 00:26:16.887
early two thousands.

00:26:17.067 --> 00:26:17.848
And, uh, you know,

00:26:17.868 --> 00:26:21.028
I went through all the standards and, and,

00:26:21.189 --> 00:26:22.829
and, um, the regular way.

00:26:22.869 --> 00:26:24.029
So now it's just about fun.

00:26:24.049 --> 00:26:25.150
These crossovers are fun.

00:26:25.691 --> 00:26:27.230
You get to meet, uh, uh,

00:26:27.250 --> 00:26:29.531
these other creators and have ideas and

00:26:29.571 --> 00:26:30.412
talk to each other.

00:26:30.571 --> 00:26:31.211
And, and, and,

00:26:31.551 --> 00:26:32.752
and now it's just in a format that

00:26:32.772 --> 00:26:33.692
we could, we could do it.

00:26:34.913 --> 00:26:35.932
You know, it's nothing stopping us.

00:26:36.794 --> 00:26:37.433
Hey, I like this idea.

00:26:37.453 --> 00:26:37.933
Let's do it.

00:26:38.273 --> 00:26:38.874
You know what I mean?

00:26:39.134 --> 00:26:40.815
And it's just, and it's just that simple.

00:26:41.075 --> 00:26:41.494
And, um,

00:26:42.134 --> 00:26:43.734
these conversations are fantastic.

00:26:43.755 --> 00:26:44.375
You know, uh,

00:26:44.596 --> 00:26:45.736
I'm getting a chance to work with,

00:26:46.148 --> 00:26:48.170
So many incredible other creators.

00:26:48.310 --> 00:26:50.332
I had a chance to work with Tony

00:26:50.352 --> 00:26:50.771
Cottrell.

00:26:50.791 --> 00:26:51.833
I had a chance to work with Malcolm.

00:26:51.853 --> 00:26:53.013
I had a chance to work with Mark.

00:26:53.354 --> 00:26:53.693
You know,

00:26:53.713 --> 00:26:55.615
just working with different people,

00:26:57.336 --> 00:26:57.997
it's amazing.

00:26:58.356 --> 00:26:59.979
Some younger than me, some older than me.

00:26:59.999 --> 00:27:00.898
You get some knowledge.

00:27:01.058 --> 00:27:02.079
You get some inspiration.

00:27:03.221 --> 00:27:04.781
It's just a fun field to be in

00:27:04.842 --> 00:27:06.163
and an enjoyment field to be in.

00:27:07.991 --> 00:27:08.112
Dude.

00:27:08.132 --> 00:27:09.373
And so I've been doing this for about

00:27:09.553 --> 00:27:10.133
a year now,

00:27:10.353 --> 00:27:12.913
a year plus doing just straight indie

00:27:12.953 --> 00:27:14.513
content, indie creators.

00:27:15.193 --> 00:27:17.414
And I've gotten to meet so many amazing

00:27:17.535 --> 00:27:20.635
guys and gals with like tons and tons

00:27:20.675 --> 00:27:23.195
of talent who honestly,

00:27:23.375 --> 00:27:26.277
this is how they get the love they

00:27:26.576 --> 00:27:29.137
deserve is coming on here and other

00:27:29.157 --> 00:27:29.857
podcasts,

00:27:30.377 --> 00:27:32.239
sharing their stuff on social media.

00:27:33.544 --> 00:27:35.986
But it's been such a fun ride for

00:27:36.066 --> 00:27:38.188
me from that perspective and getting to

00:27:38.228 --> 00:27:42.010
know all of you and so many.

00:27:42.050 --> 00:27:44.373
So much great talent out there who is

00:27:44.452 --> 00:27:45.673
getting overlooked.

00:27:46.494 --> 00:27:47.816
And one of the big things I'll do

00:27:47.875 --> 00:27:50.136
here is try to bring that spotlight to

00:27:50.176 --> 00:27:51.417
them and.

00:27:52.583 --> 00:27:54.545
Alfred found me because I post in a

00:27:54.565 --> 00:27:56.907
lot of different Facebook groups and said,

00:27:56.928 --> 00:27:58.529
hey, let me get in on that.

00:27:59.030 --> 00:28:00.152
And here he is tonight.

00:28:00.653 --> 00:28:02.734
So for those unfamiliar with him,

00:28:02.795 --> 00:28:04.636
please go give him a like or a

00:28:04.696 --> 00:28:08.701
follow on Instagram and Facebook if you

00:28:09.242 --> 00:28:09.682
can.

00:28:10.624 --> 00:28:11.765
It would greatly appreciate it.

00:28:11.785 --> 00:28:13.767
Shine some more spotlights on Alfred and

00:28:13.787 --> 00:28:15.367
what he's doing because he does have an

00:28:15.407 --> 00:28:18.029
incredible book coming out here in April

00:28:18.069 --> 00:28:20.191
that we are going to talk about a

00:28:20.211 --> 00:28:23.133
little bit more now with the Kickstarter.

00:28:23.673 --> 00:28:24.394
So, Alfred,

00:28:24.433 --> 00:28:28.136
walk us through your Kickstarter.

00:28:28.277 --> 00:28:31.500
It's launching next month in April.

00:28:33.016 --> 00:28:34.738
Do you have a ship?

00:28:34.778 --> 00:28:35.678
This is only February.

00:28:35.698 --> 00:28:37.539
We're launching in two months.

00:28:39.161 --> 00:28:39.320
Yeah.

00:28:39.421 --> 00:28:41.883
I'm a month ahead of myself in April.

00:28:41.982 --> 00:28:43.884
Yeah.

00:28:44.005 --> 00:28:44.805
There's six pages.

00:28:44.825 --> 00:28:45.865
So you just give us some room.

00:28:46.287 --> 00:28:46.527
Yeah.

00:28:46.646 --> 00:28:47.067
Okay.

00:28:47.126 --> 00:28:47.708
No, dude, that,

00:28:47.768 --> 00:28:49.828
that makes a hundred percent sense because

00:28:50.670 --> 00:28:50.970
yeah,

00:28:51.049 --> 00:28:53.412
sixty page comic book is a lot for

00:28:53.612 --> 00:28:55.273
anybody to take on and try to,

00:28:55.913 --> 00:28:56.994
and you don't want it to be too

00:28:57.015 --> 00:28:58.655
fast because then it gets sloppy and you

00:28:58.675 --> 00:28:59.416
don't want to do that.

00:28:59.934 --> 00:29:02.777
Especially with the names on this book,

00:29:02.797 --> 00:29:04.719
because there's big names on this book.

00:29:05.660 --> 00:29:07.461
We're talking ties to image in the

00:29:07.520 --> 00:29:08.662
nineties and today.

00:29:09.221 --> 00:29:11.344
So this one definitely doesn't need to be

00:29:11.423 --> 00:29:12.345
rushed out.

00:29:12.785 --> 00:29:14.606
So what has got you most excited about

00:29:14.666 --> 00:29:16.448
this campaign in particular?

00:29:18.009 --> 00:29:20.471
The attention that, like you just said,

00:29:20.490 --> 00:29:23.794
the attention that is getting from people

00:29:23.834 --> 00:29:25.275
of the era of my influence.

00:29:26.096 --> 00:29:26.435
I mean,

00:29:26.556 --> 00:29:27.836
I got a couple of my Dexter weeks.

00:29:27.856 --> 00:29:28.998
That's like a dream come true.

00:29:29.701 --> 00:29:30.321
You know what I mean?

00:29:30.362 --> 00:29:31.563
I got a cover by I got a

00:29:32.103 --> 00:29:33.723
cover by Rico about that.

00:29:33.884 --> 00:29:34.743
That's a dream come true.

00:29:35.263 --> 00:29:35.763
So, you know,

00:29:36.065 --> 00:29:38.645
that's the fact that the idea of the

00:29:38.726 --> 00:29:41.987
of this Kickstarter is gaining more

00:29:42.047 --> 00:29:44.188
attention from people that as an

00:29:44.307 --> 00:29:44.788
influence.

00:29:45.048 --> 00:29:45.208
I mean,

00:29:45.407 --> 00:29:46.729
that's amazing to get a chance to work

00:29:46.749 --> 00:29:48.528
with these people.

00:29:48.648 --> 00:29:52.250
So that's what made it ten times more

00:29:52.290 --> 00:29:52.550
better.

00:29:53.567 --> 00:29:56.650
You're literally you're living every

00:29:56.789 --> 00:29:57.049
image.

00:29:57.109 --> 00:29:59.392
Nineties kids dream, right?

00:29:59.412 --> 00:29:59.913
That's right.

00:30:00.093 --> 00:30:00.553
That's right.

00:30:01.013 --> 00:30:02.714
I just it's like just getting my

00:30:02.734 --> 00:30:04.676
submission accepted now.

00:30:06.137 --> 00:30:06.939
Twenty twenty six.

00:30:08.039 --> 00:30:09.320
Hey, it's never too late, right?

00:30:10.442 --> 00:30:11.782
It's never too late.

00:30:11.823 --> 00:30:14.766
So that's obviously you've launched

00:30:14.986 --> 00:30:18.288
multiple Kickstarters during your

00:30:18.808 --> 00:30:20.351
independent creator journey here.

00:30:21.092 --> 00:30:21.291
what,

00:30:21.432 --> 00:30:22.932
what are some of the lessons you've

00:30:23.011 --> 00:30:25.272
learned personally while running

00:30:25.333 --> 00:30:26.992
Kickstarters that you're bringing into

00:30:27.053 --> 00:30:31.794
this one with, uh, with, uh,

00:30:31.814 --> 00:30:33.213
I think Mark, sorry,

00:30:33.713 --> 00:30:36.795
I was brain farting his name.

00:30:36.875 --> 00:30:37.174
Yeah.

00:30:37.474 --> 00:30:39.734
Um, it's, it's just the experience,

00:30:39.755 --> 00:30:39.954
you know,

00:30:39.994 --> 00:30:42.115
Kickstarter is always its own experience.

00:30:42.135 --> 00:30:42.915
You know what I mean?

00:30:42.955 --> 00:30:44.195
No matter how many times you do it,

00:30:44.316 --> 00:30:46.817
it's, it's, it's the, it's a grind.

00:30:47.057 --> 00:30:47.696
It's a hustle.

00:30:49.076 --> 00:30:49.277
Um,

00:30:49.638 --> 00:30:50.900
this one has not,

00:30:50.920 --> 00:30:52.260
this one's a little bit better because

00:30:52.300 --> 00:30:57.345
it's more fun and, and it's more,

00:30:57.765 --> 00:30:59.365
and it's more about us than the

00:30:59.385 --> 00:30:59.946
Kickstarter.

00:31:00.027 --> 00:31:00.686
That makes sense.

00:31:01.347 --> 00:31:02.749
But, um, yeah.

00:31:02.788 --> 00:31:03.209
Yeah.

00:31:03.348 --> 00:31:06.451
So, but the grind,

00:31:06.490 --> 00:31:08.413
the grind and Kickstarter, it's,

00:31:08.432 --> 00:31:11.474
it's always a rotation of, of work, uh,

00:31:12.295 --> 00:31:13.435
promo marketing.

00:31:14.817 --> 00:31:17.058
And, um, yeah, those things, um,

00:31:17.818 --> 00:31:18.440
I mean, you know,

00:31:19.441 --> 00:31:20.602
every side of fun is a side of

00:31:20.642 --> 00:31:22.124
business and it's a job to do.

00:31:23.025 --> 00:31:23.705
So, I mean,

00:31:23.945 --> 00:31:26.608
that's just about it right there.

00:31:26.709 --> 00:31:28.891
And I don't think like for the average

00:31:28.931 --> 00:31:30.913
person out there who may not know this,

00:31:33.103 --> 00:31:36.664
it is a lot of work that goes

00:31:36.785 --> 00:31:39.807
into doing a Kickstarter campaign.

00:31:40.448 --> 00:31:41.729
Lots of front end work,

00:31:41.788 --> 00:31:43.570
lots of work in the middle,

00:31:44.030 --> 00:31:45.692
lots of work at the end of the

00:31:45.731 --> 00:31:46.232
product.

00:31:46.972 --> 00:31:49.535
It is just a lot of work that

00:31:49.615 --> 00:31:52.096
I don't think the normal person out there

00:31:52.176 --> 00:31:55.519
really realize what's going into not just

00:31:55.579 --> 00:31:56.721
make the comic book,

00:31:57.522 --> 00:31:59.483
But the front end work of that as

00:31:59.584 --> 00:32:01.704
well, coming on podcast,

00:32:02.365 --> 00:32:03.964
doing the social media thing,

00:32:04.786 --> 00:32:07.207
that is a lot of work to do.

00:32:07.287 --> 00:32:08.946
And trying to get on podcast,

00:32:08.987 --> 00:32:10.827
it's not easy.

00:32:10.867 --> 00:32:14.209
Some people can't bring themselves to come

00:32:14.288 --> 00:32:16.809
on a live podcast and speak to people

00:32:17.351 --> 00:32:18.111
live in person.

00:32:18.131 --> 00:32:18.530
That's right.

00:32:18.550 --> 00:32:19.270
That's right.

00:32:19.471 --> 00:32:22.152
That's right.

00:32:22.613 --> 00:32:22.833
So...

00:32:24.332 --> 00:32:25.413
it's kind of wild in that,

00:32:26.113 --> 00:32:30.996
but so how important is crowdfunding to

00:32:31.036 --> 00:32:31.215
the,

00:32:31.957 --> 00:32:34.038
to independent creators and their

00:32:34.097 --> 00:32:38.119
sustainability?

00:32:38.220 --> 00:32:40.662
It's man, it's, it's, it's the way,

00:32:41.122 --> 00:32:42.021
I mean, that, that's the,

00:32:42.042 --> 00:32:42.923
that's the lifeline.

00:32:42.962 --> 00:32:45.344
That's the blood of the indie market, uh,

00:32:45.424 --> 00:32:46.125
crowdfunding.

00:32:46.244 --> 00:32:48.625
I mean, that's, that's, I mean, yeah,

00:32:48.665 --> 00:32:50.186
you got other ways that you could get

00:32:50.207 --> 00:32:50.928
your comic book out.

00:32:50.948 --> 00:32:52.868
You got direct market, you got, uh,

00:32:53.705 --> 00:32:55.287
publications, you got distribution,

00:32:56.446 --> 00:33:00.868
but the majority is crowdfunding allows

00:33:00.909 --> 00:33:05.731
you to push out your ideas and meet

00:33:05.771 --> 00:33:06.311
new people.

00:33:07.152 --> 00:33:08.173
Outside conventions,

00:33:08.232 --> 00:33:10.693
it's the only way to really be noticed

00:33:11.814 --> 00:33:12.273
everywhere.

00:33:12.934 --> 00:33:15.276
You know what I mean?

00:33:15.355 --> 00:33:16.797
Absolutely.

00:33:17.257 --> 00:33:20.458
You want somebody in Canada to get your

00:33:20.478 --> 00:33:20.917
comic book.

00:33:20.958 --> 00:33:21.999
You want somebody in

00:33:23.063 --> 00:33:23.303
You know,

00:33:23.323 --> 00:33:25.223
wherever they have access to your comic

00:33:25.243 --> 00:33:25.443
book.

00:33:25.503 --> 00:33:26.923
And, you know,

00:33:26.983 --> 00:33:28.085
you don't know who's going to become a

00:33:28.144 --> 00:33:29.964
fan of your comic book.

00:33:30.005 --> 00:33:32.365
We're in the world and crowdfunding allows

00:33:32.385 --> 00:33:32.645
that.

00:33:32.705 --> 00:33:35.227
So it's a very important process to the

00:33:35.287 --> 00:33:37.048
indie market.

00:33:37.087 --> 00:33:37.567
Oh, yeah.

00:33:37.748 --> 00:33:39.107
And it's one of those where I tell

00:33:39.127 --> 00:33:40.949
people I'm happy just to play my small

00:33:40.989 --> 00:33:43.569
little part in that process for the

00:33:43.609 --> 00:33:45.390
creators that come on here because it

00:33:45.609 --> 00:33:46.971
truly is a lot of fun.

00:33:47.807 --> 00:33:50.209
to me to get to see some of

00:33:50.229 --> 00:33:52.309
these projects kind of in that process of

00:33:52.349 --> 00:33:54.531
being made along the way to get to

00:33:54.592 --> 00:33:56.492
see the coverage before the average Joe

00:33:56.512 --> 00:33:56.873
does.

00:33:58.273 --> 00:33:59.035
And I don't want to say that's a

00:33:59.055 --> 00:34:00.414
perk of the job because it's not the

00:34:00.474 --> 00:34:01.816
perk of the job is actually getting to

00:34:01.836 --> 00:34:04.698
talk to Alfred and other creators when

00:34:04.718 --> 00:34:07.519
they come on the show to discuss their,

00:34:07.880 --> 00:34:08.820
you know, creation.

00:34:09.460 --> 00:34:09.902
And to me,

00:34:09.922 --> 00:34:11.543
that's the fun thing that I get to

00:34:11.583 --> 00:34:14.364
do in that process is that right there.

00:34:14.385 --> 00:34:15.786
So that's right.

00:34:18.364 --> 00:34:20.806
What kind of fun stuff do y'all have

00:34:20.965 --> 00:34:22.387
for this Kickstarter?

00:34:22.987 --> 00:34:24.427
You're going to have some exclusives,

00:34:24.487 --> 00:34:25.467
some stretch goals,

00:34:25.509 --> 00:34:27.289
some extras in there for people.

00:34:27.869 --> 00:34:29.771
What can they expect from the actual

00:34:29.811 --> 00:34:32.831
campaign itself?

00:34:32.911 --> 00:34:34.913
Oh, we got tons of stuff coming up.

00:34:34.932 --> 00:34:37.574
We got more artwork coming up, rewards,

00:34:37.594 --> 00:34:38.255
stretch goals.

00:34:38.974 --> 00:34:39.335
Obviously,

00:34:39.355 --> 00:34:42.476
you're going to get access to the history

00:34:42.496 --> 00:34:44.777
of Mark's past titles.

00:34:44.797 --> 00:34:46.719
You're going to get access to...

00:34:51.240 --> 00:34:53.262
I don't know if it's your headphones or

00:34:53.322 --> 00:34:55.664
where your jack is plugged into your

00:34:55.704 --> 00:34:58.286
phone, but it's causing your mic.

00:34:58.387 --> 00:34:58.806
There it goes.

00:34:58.867 --> 00:34:59.347
It stopped now.

00:34:59.367 --> 00:34:59.447
Okay.

00:35:00.228 --> 00:35:01.949
All right.

00:35:01.989 --> 00:35:03.650
We're good now.

00:35:03.751 --> 00:35:04.012
Okay.

00:35:04.351 --> 00:35:04.672
Yeah.

00:35:04.731 --> 00:35:06.052
So, as I was saying, oh,

00:35:06.094 --> 00:35:06.873
the stretch goals.

00:35:07.173 --> 00:35:08.516
You're going to get some more artwork.

00:35:09.215 --> 00:35:11.057
You're going to get access to the history

00:35:11.097 --> 00:35:12.998
of Mark and everything he's done.

00:35:13.018 --> 00:35:15.240
You're going to get access to the page

00:35:15.340 --> 00:35:16.001
one comics.

00:35:17.182 --> 00:35:17.402
Okay.

00:35:17.920 --> 00:35:19.121
And we got some other things coming up.

00:35:19.641 --> 00:35:22.523
Mark Poulter is, I would say,

00:35:22.543 --> 00:35:26.045
like an incredible campaign person.

00:35:27.445 --> 00:35:27.965
Incredible.

00:35:28.706 --> 00:35:33.768
So he got some things coming up for

00:35:33.809 --> 00:35:34.090
y'all.

00:35:34.230 --> 00:35:37.050
And y'all just got to look out for

00:35:37.110 --> 00:35:37.411
him.

00:35:37.952 --> 00:35:40.172
Do they need to go follow Mark Poulter

00:35:40.652 --> 00:35:44.255
or Mark Poulter on Kickstarter in order to

00:35:44.414 --> 00:35:46.195
be notified for this campaign?

00:35:47.969 --> 00:35:49.431
This campaign is underneath Mark Poltern.

00:35:49.451 --> 00:35:49.911
Yes, that is correct.

00:35:50.030 --> 00:35:50.351
Okay.

00:35:50.431 --> 00:35:51.311
Okay.

00:35:52.052 --> 00:35:53.092
So I just want to make sure people

00:35:53.112 --> 00:35:55.614
understood that this particular project is

00:35:55.655 --> 00:35:57.976
going to be under Mark Poltern.

00:35:58.036 --> 00:36:00.597
M-A-R-K-P-O-U-L-T-O-N.

00:36:01.039 --> 00:36:02.860
So if you're on Kickstarter and you want

00:36:02.880 --> 00:36:05.041
to go follow this project in particular,

00:36:05.561 --> 00:36:07.802
it's under Mark Poltern's name.

00:36:08.143 --> 00:36:09.664
Make sure you hit that notify me on

00:36:09.724 --> 00:36:10.105
launch.

00:36:10.144 --> 00:36:11.306
That way you get that immediate

00:36:11.346 --> 00:36:13.547
notification that this is live.

00:36:13.586 --> 00:36:16.228
You're not going to want to miss this

00:36:16.289 --> 00:36:17.449
project at all.

00:36:18.663 --> 00:36:21.304
So and haunted pizza,

00:36:21.364 --> 00:36:22.384
haunted pizza comments,

00:36:22.963 --> 00:36:25.324
haunted pizza comments, page one comments.

00:36:25.425 --> 00:36:26.844
Give them both a follow that way.

00:36:26.864 --> 00:36:28.965
You get all the updates of this process

00:36:29.126 --> 00:36:29.806
as they go.

00:36:30.326 --> 00:36:31.525
Because I can go ahead and tell you

00:36:31.545 --> 00:36:32.206
all right now.

00:36:33.427 --> 00:36:35.266
I've teased a couple of the covers for

00:36:35.306 --> 00:36:37.027
y'all when I did the hype video for

00:36:37.068 --> 00:36:37.748
this interview.

00:36:38.248 --> 00:36:40.268
They're going to be some fantastic stuff

00:36:40.869 --> 00:36:41.289
coming,

00:36:41.369 --> 00:36:43.168
especially if you're over following Mark's

00:36:43.188 --> 00:36:43.568
page.

00:36:44.068 --> 00:36:45.349
You're going to see some great behind the

00:36:45.369 --> 00:36:46.289
scenes stuff on that.

00:36:47.789 --> 00:36:48.710
Yeah, yeah.

00:36:48.771 --> 00:36:49.610
Muck is no joke.

00:36:50.952 --> 00:36:51.192
Alfred,

00:36:51.211 --> 00:36:52.632
can you kind of walk us through how

00:36:52.713 --> 00:36:55.733
you do your writing?

00:36:56.574 --> 00:37:03.998
How do you like to do that?

00:37:04.099 --> 00:37:04.998
I just go with my idea.

00:37:05.079 --> 00:37:06.639
I mean, go ahead.

00:37:07.454 --> 00:37:08.856
I was going to like, you know,

00:37:09.275 --> 00:37:10.737
are you kind of like sit in a

00:37:10.777 --> 00:37:12.759
quiet room and kind of like type away?

00:37:12.818 --> 00:37:13.460
Or are you like,

00:37:14.559 --> 00:37:16.282
like you like to listen to music while

00:37:16.322 --> 00:37:17.021
you work?

00:37:17.081 --> 00:37:18.884
Or just like, what kind of like,

00:37:20.284 --> 00:37:24.027
what gets Alfred in that zone to start

00:37:24.047 --> 00:37:27.530
creating what he creates?

00:37:28.050 --> 00:37:29.132
I try to write it as soon as

00:37:29.172 --> 00:37:30.713
I have the idea while it's fresh.

00:37:32.253 --> 00:37:33.695
So, like, you know,

00:37:33.815 --> 00:37:34.856
it hits you at any time.

00:37:34.976 --> 00:37:35.996
I mean, I mean,

00:37:37.036 --> 00:37:38.860
ideas hit you from anything you know you

00:37:38.880 --> 00:37:40.041
can watch a car go down the street

00:37:40.081 --> 00:37:43.025
and see a red car like hey you

00:37:43.045 --> 00:37:44.527
know i got an idea you know what

00:37:44.547 --> 00:37:46.309
i mean and then you know all the

00:37:46.409 --> 00:37:49.012
ideas fresh and and you can actually see

00:37:49.032 --> 00:37:50.333
the whole idea you want to get as

00:37:50.393 --> 00:37:51.635
much of it out as possible

00:37:53.190 --> 00:37:53.690
Your first draft.

00:37:53.710 --> 00:37:55.170
I'm kind of laughing inside to myself

00:37:55.190 --> 00:37:59.130
because that reminds me of Lonnie of Dark

00:37:59.150 --> 00:37:59.851
City Comets.

00:38:00.251 --> 00:38:01.811
He does that to people.

00:38:01.831 --> 00:38:06.273
He says he shoots random story parts of

00:38:06.333 --> 00:38:09.994
a story or random story ideas to people

00:38:10.034 --> 00:38:11.634
while he's messaging them.

00:38:11.653 --> 00:38:14.434
If he's messaging somebody and the idea

00:38:14.474 --> 00:38:14.695
hits,

00:38:14.735 --> 00:38:16.014
he just types it out real quick and

00:38:16.054 --> 00:38:17.914
sends it to them to kind of create

00:38:17.934 --> 00:38:19.295
that record of that idea.

00:38:19.315 --> 00:38:21.215
That way he doesn't lose that idea.

00:38:22.047 --> 00:38:22.387
Yep.

00:38:22.487 --> 00:38:22.668
Yep.

00:38:22.708 --> 00:38:23.088
That's right.

00:38:23.248 --> 00:38:23.628
That's right.

00:38:23.809 --> 00:38:24.068
Yeah.

00:38:24.128 --> 00:38:25.108
So that's it.

00:38:25.789 --> 00:38:27.851
I mean, it's just, it does hit you,

00:38:28.070 --> 00:38:28.670
you know what I mean?

00:38:28.710 --> 00:38:29.690
So, uh, I mean,

00:38:29.731 --> 00:38:31.492
I know some people got different

00:38:31.532 --> 00:38:33.672
processes, you know, some people put, uh,

00:38:34.253 --> 00:38:34.813
maybe a different,

00:38:34.833 --> 00:38:37.275
more different study into it or, or, or,

00:38:37.335 --> 00:38:42.916
you know, um, uh, and not influence,

00:38:42.956 --> 00:38:44.838
but a study into what they're trying to

00:38:44.878 --> 00:38:45.097
do.

00:38:45.858 --> 00:38:46.739
Right.

00:38:46.759 --> 00:38:49.380
Some people got characters that, you know,

00:38:49.659 --> 00:38:51.601
it's from history, you know what I mean?

00:38:53.884 --> 00:38:55.605
Their process is different because they

00:38:55.644 --> 00:38:58.286
study that particular history to make a

00:38:58.327 --> 00:39:00.068
character that reflects what they're

00:39:00.088 --> 00:39:02.909
trying to do for that time period.

00:39:02.929 --> 00:39:04.590
Everybody got a different process and

00:39:04.731 --> 00:39:07.172
stuff like that.

00:39:07.193 --> 00:39:07.793
For the most part,

00:39:07.992 --> 00:39:09.534
as soon as I get it,

00:39:09.715 --> 00:39:11.795
I try to put my first draft down

00:39:11.876 --> 00:39:13.876
and then go back and edit it and

00:39:13.916 --> 00:39:15.177
fix it to the way I want it.

00:39:15.197 --> 00:39:15.277
Okay.

00:39:17.025 --> 00:39:17.204
All right,

00:39:17.224 --> 00:39:19.286
so let's hit those rapid-fire questions I

00:39:19.306 --> 00:39:21.166
told you about before we got started.

00:39:21.586 --> 00:39:22.128
Are you ready?

00:39:22.507 --> 00:39:23.347
Mm-hmm.

00:39:23.427 --> 00:39:23.748
I'm ready.

00:39:24.349 --> 00:39:28.911
Your favorite anti-hero?

00:39:28.951 --> 00:39:29.311
Magneto.

00:39:29.331 --> 00:39:32.393
All right.

00:39:32.413 --> 00:39:33.012
Would that count?

00:39:33.833 --> 00:39:34.534
Yeah, no.

00:39:34.893 --> 00:39:36.235
It's your questions, man.

00:39:36.514 --> 00:39:37.335
I'm just asking.

00:39:37.954 --> 00:39:40.956
It's whoever you want it to be.

00:39:40.996 --> 00:39:43.418
So now, horror or action?

00:39:43.438 --> 00:39:44.679
Action.

00:39:44.818 --> 00:39:45.099
Action.

00:39:46.701 --> 00:39:47.681
Print or digital?

00:39:49.603 --> 00:39:49.963
Print.

00:39:50.882 --> 00:39:51.403
Same, man.

00:39:51.443 --> 00:39:52.943
I got to have that print.

00:39:53.063 --> 00:39:54.485
I love the smell of a new comic

00:39:54.525 --> 00:39:54.824
book.

00:39:55.126 --> 00:39:56.385
I got to have it in my hand.

00:39:56.585 --> 00:39:57.666
I got to have it in my hand.

00:39:57.987 --> 00:40:01.048
It's nothing like rereading a comic book

00:40:01.088 --> 00:40:03.030
in your hand multiple times.

00:40:03.110 --> 00:40:04.530
Then, you know, digitally,

00:40:04.650 --> 00:40:05.992
you might get it one time or something,

00:40:06.012 --> 00:40:07.853
but you don't really go back to it.

00:40:07.932 --> 00:40:08.253
Oh, yeah.

00:40:08.833 --> 00:40:12.054
So, now, Kickstarter must-haves.

00:40:13.768 --> 00:40:15.190
So when you kick off a Kickstarter,

00:40:15.230 --> 00:40:17.351
what are some of your must-haves when you

00:40:17.371 --> 00:40:19.231
do it?

00:40:19.271 --> 00:40:20.172
Limited covers.

00:40:23.394 --> 00:40:24.135
Variant artworks.

00:40:24.155 --> 00:40:29.318
You know, maybe some posters,

00:40:29.358 --> 00:40:30.039
something like that.

00:40:30.079 --> 00:40:32.960
Maybe some additional things that, I mean,

00:40:33.501 --> 00:40:33.840
for me,

00:40:33.880 --> 00:40:34.681
I just want to read the book.

00:40:34.900 --> 00:40:36.461
So, I mean,

00:40:36.561 --> 00:40:38.643
I know some people go into Kickstarter for

00:40:38.664 --> 00:40:39.943
the extras and the add-ons.

00:40:39.963 --> 00:40:40.804
Yep.

00:40:42.018 --> 00:40:42.438
To this day,

00:40:42.498 --> 00:40:45.320
I never supported an add-on or a stretch

00:40:45.340 --> 00:40:46.181
goal in the Kickstarter.

00:40:46.681 --> 00:40:47.342
I just want the book.

00:40:48.722 --> 00:40:49.583
If I'm interested in the book,

00:40:49.623 --> 00:40:50.224
I just want the book.

00:40:50.384 --> 00:40:51.224
All that other stuff.

00:40:52.585 --> 00:40:55.588
I know some people go for shirts and

00:40:55.628 --> 00:40:58.050
bonuses and things that Kickstarter

00:40:58.190 --> 00:40:58.690
allows.

00:40:59.666 --> 00:41:01.427
uh i i can't say i don't do

00:41:01.447 --> 00:41:03.168
that so i i just want the book

00:41:03.188 --> 00:41:04.309
if i'm interested in the book i'm with

00:41:04.329 --> 00:41:07.670
the book that's it yeah so yeah i

00:41:07.690 --> 00:41:09.469
i took my my fingers into a little

00:41:09.710 --> 00:41:11.030
a little bit of everything when it comes

00:41:11.050 --> 00:41:13.811
to that it really it depends on how

00:41:13.891 --> 00:41:15.751
hard it jumps out at me when i

00:41:15.791 --> 00:41:17.972
get to the page and that's why it's

00:41:17.992 --> 00:41:20.914
so important for creators to create the

00:41:20.954 --> 00:41:23.454
best landing page they possibly can

00:41:23.474 --> 00:41:25.496
because that is a makeup for a lot

00:41:25.536 --> 00:41:26.295
of campaigns

00:41:27.483 --> 00:41:28.543
That's right.

00:41:28.563 --> 00:41:30.583
Don't make your campaign page messy is

00:41:30.623 --> 00:41:32.864
what we're saying.

00:41:32.923 --> 00:41:34.885
Collective ideas that flow.

00:41:36.144 --> 00:41:37.764
Otherwise, you're losing people.

00:41:37.784 --> 00:41:39.206
That's right.

00:41:39.465 --> 00:41:39.746
Now,

00:41:39.905 --> 00:41:43.047
what's one indie comic you think everyone

00:41:43.286 --> 00:41:47.867
should read?

00:41:47.927 --> 00:41:49.748
I'm going to go back to our friend,

00:41:49.887 --> 00:41:51.628
Malcolm McFadden.

00:41:52.188 --> 00:41:52.748
Recently,

00:41:53.829 --> 00:41:56.429
I read his comic book called Evora Lynn.

00:41:59.554 --> 00:42:01.534
I would say that is probably one of

00:42:01.554 --> 00:42:04.456
the best indie comic books I've read in

00:42:04.476 --> 00:42:05.097
a long time.

00:42:05.557 --> 00:42:09.719
That's on the line of comic books like

00:42:09.780 --> 00:42:13.563
Crescent City Monsters and Ray and

00:42:13.603 --> 00:42:14.724
Common's Reiner.

00:42:15.543 --> 00:42:19.067
I'm talking about it is a perfectly

00:42:19.706 --> 00:42:21.648
executed comic book.

00:42:21.748 --> 00:42:23.750
Shout out to Malcolm for that.

00:42:24.530 --> 00:42:26.032
Malcolm getting a lot of love tonight.

00:42:26.052 --> 00:42:26.512
I like it.

00:42:27.702 --> 00:42:29.101
So what is your,

00:42:29.121 --> 00:42:31.242
we're already talking about this

00:42:31.282 --> 00:42:31.922
crossover,

00:42:32.483 --> 00:42:34.242
but outside of the current crossover you

00:42:34.262 --> 00:42:35.963
have going on right now,

00:42:37.103 --> 00:42:39.884
what is your dream crossover that you want

00:42:39.905 --> 00:42:43.144
to do?

00:42:43.525 --> 00:42:45.766
Um, you know,

00:42:45.826 --> 00:42:47.206
I want to get to that DC model.

00:42:49.346 --> 00:42:50.726
I want to get to that DC model,

00:42:50.746 --> 00:42:50.827
man.

00:42:50.947 --> 00:42:52.106
I want, I want to do something.

00:42:52.367 --> 00:42:55.088
I want to do something between, uh,

00:42:55.208 --> 00:42:57.047
my dream crossover would be, uh,

00:42:57.762 --> 00:43:02.742
Justice League America and the Age of

00:43:02.782 --> 00:43:04.884
Apocalypse.

00:43:04.903 --> 00:43:09.864
X-Men Age of Apocalypse.

00:43:10.105 --> 00:43:13.065
If I had a major dream project to

00:43:13.105 --> 00:43:14.385
write or be a part of,

00:43:15.206 --> 00:43:16.606
it would be taking the Justice League

00:43:16.626 --> 00:43:20.567
America into the Age of Apocalypse X-Men

00:43:20.586 --> 00:43:24.047
world and seeing who survives and how they

00:43:24.088 --> 00:43:24.288
move.

00:43:25.724 --> 00:43:26.606
I like that, actually.

00:43:26.985 --> 00:43:29.186
I'm more of a Justice League Dark myself.

00:43:30.507 --> 00:43:32.608
I just like those darker DC characters.

00:43:33.407 --> 00:43:35.208
So that would have been my go-to for

00:43:35.248 --> 00:43:36.009
something like that.

00:43:36.509 --> 00:43:36.809
But no,

00:43:36.989 --> 00:43:38.429
Justice League of America ain't that bad

00:43:38.469 --> 00:43:39.951
either.

00:43:39.971 --> 00:43:40.530
But, uh...

00:43:41.507 --> 00:43:41.768
Alfred,

00:43:41.807 --> 00:43:45.028
it's that time where you can share and

00:43:45.088 --> 00:43:47.630
plug all the promo you want.

00:43:48.070 --> 00:43:49.771
Tell everybody where they can find you.

00:43:50.811 --> 00:43:51.931
Tell everybody when the Kickstarter is

00:43:51.951 --> 00:43:52.692
going to launch.

00:43:53.132 --> 00:43:57.532
Just plug yourself and what you do.

00:43:57.893 --> 00:43:58.612
Yeah, OK.

00:43:58.713 --> 00:44:00.753
So we got the first one I want

00:44:00.773 --> 00:44:01.273
to mention.

00:44:01.693 --> 00:44:02.994
We're still taking late pledges.

00:44:03.094 --> 00:44:05.235
It's Footpath Dangerous Nights.

00:44:05.335 --> 00:44:07.016
We are still taking late pledges till the

00:44:07.115 --> 00:44:07.876
end of February.

00:44:09.016 --> 00:44:09.936
At the end of February,

00:44:10.693 --> 00:44:12.474
We want to move on to completing the

00:44:12.494 --> 00:44:14.016
comic book and sending out the digitals.

00:44:14.576 --> 00:44:16.657
Now, where is that located under?

00:44:17.038 --> 00:44:18.179
So if they need to go to Kickstarter,

00:44:18.199 --> 00:44:19.699
is it under your name or Page One

00:44:19.719 --> 00:44:20.079
Comics?

00:44:20.099 --> 00:44:22.380
What's that under?

00:44:22.481 --> 00:44:24.402
Footpath Dangerous Nights is under an

00:44:24.543 --> 00:44:26.023
incredible writer by the name of Jonathan

00:44:26.063 --> 00:44:26.463
Hendrick.

00:44:27.304 --> 00:44:31.047
He had a hit comic book called We

00:44:31.067 --> 00:44:32.067
Count not too long ago.

00:44:32.887 --> 00:44:33.788
So, yeah,

00:44:33.807 --> 00:44:36.010
it's underneath Jonathan Hendrick under

00:44:36.050 --> 00:44:36.869
Hendrick Comics.

00:44:37.070 --> 00:44:38.251
He's my partner in that one,

00:44:38.510 --> 00:44:39.751
writing partner in that one as well.

00:44:40.697 --> 00:44:42.777
And, yeah, look for that, Footpath,

00:44:42.797 --> 00:44:43.679
Dangerous Nights.

00:44:44.518 --> 00:44:46.139
We're still taking late pledges on that

00:44:46.498 --> 00:44:47.958
right now until the end of February.

00:44:49.159 --> 00:44:49.480
Again,

00:44:49.500 --> 00:44:51.139
you could notify yourself on the

00:44:51.159 --> 00:44:53.240
pre-launch page for Footpath, Gun Golf,

00:44:54.101 --> 00:44:55.081
Hostile Assets.

00:44:55.121 --> 00:44:57.001
We'll shoot off in April.

00:44:58.681 --> 00:45:00.282
And I got to tell you, I mean,

00:45:00.521 --> 00:45:01.581
I know you've seen some of the pages,

00:45:01.601 --> 00:45:02.422
some of the covers,

00:45:03.101 --> 00:45:04.342
but the artist Edson Isles,

00:45:04.362 --> 00:45:05.563
the pages he got coming up,

00:45:07.545 --> 00:45:09.027
I mean, that's phenomenal.

00:45:09.186 --> 00:45:09.527
I mean,

00:45:09.748 --> 00:45:11.909
Edson Isles is truly one of the best

00:45:12.048 --> 00:45:13.630
artists today in indie comic books.

00:45:13.690 --> 00:45:16.192
And I'm so gifted to be working with

00:45:16.231 --> 00:45:16.311
him.

00:45:18.994 --> 00:45:20.996
We got another crossover, The Bear.

00:45:21.135 --> 00:45:22.556
That's going to be coming up very soon

00:45:22.737 --> 00:45:23.577
with, again,

00:45:23.617 --> 00:45:25.878
Malcolm and Subject Zero and Pinpoint as

00:45:25.898 --> 00:45:28.420
they get back together and get into some

00:45:28.440 --> 00:45:29.041
more trouble.

00:45:29.342 --> 00:45:30.021
So look for that.

00:45:31.322 --> 00:45:34.606
We have a hundred page crossover coming

00:45:34.646 --> 00:45:36.567
this summer called Earthfall.

00:45:37.559 --> 00:45:38.661
Okay.

00:45:39.181 --> 00:45:41.161
And that's with a lot of people in

00:45:41.181 --> 00:45:41.641
the industry.

00:45:41.702 --> 00:45:44.643
Dan Sin, Nigel Flood, Peter Brewer,

00:45:46.643 --> 00:45:47.585
a lot of people, C.T.

00:45:47.625 --> 00:45:51.047
Parker, Spex Thompson, Roscoe Glutton.

00:45:51.507 --> 00:45:53.248
I mean, that's a list.

00:45:53.487 --> 00:45:54.068
Jesse Hansen,

00:45:54.108 --> 00:45:56.869
a list of different creators.

00:45:57.170 --> 00:45:59.190
And we all just got together and we

00:45:59.231 --> 00:46:01.711
did this hundred page crossover called

00:46:01.771 --> 00:46:02.211
Earthfall.

00:46:03.192 --> 00:46:04.572
Mega crossover.

00:46:04.592 --> 00:46:06.614
So, a hundred pages plus.

00:46:06.653 --> 00:46:08.074
So, it might be like one twenty,

00:46:08.534 --> 00:46:10.396
one thirty, something around that area.

00:46:10.456 --> 00:46:12.097
That's graphic novel territory right

00:46:12.117 --> 00:46:12.336
there.

00:46:13.557 --> 00:46:13.958
It is.

00:46:14.197 --> 00:46:15.099
And I gotta tell you,

00:46:15.139 --> 00:46:17.139
the artwork coming back from that is

00:46:17.820 --> 00:46:18.981
incredible.

00:46:19.601 --> 00:46:21.501
And some of the best artwork I have

00:46:21.541 --> 00:46:22.322
seen in comic books.

00:46:22.822 --> 00:46:23.182
So,

00:46:23.583 --> 00:46:25.583
look out for that later on this year.

00:46:26.003 --> 00:46:28.425
That's going to be under Argo Comics.

00:46:28.505 --> 00:46:30.646
I believe Dancing is going to be running

00:46:30.666 --> 00:46:31.106
that one.

00:46:31.126 --> 00:46:32.507
So, follow Dancing.

00:46:33.277 --> 00:46:35.038
for information about that in a couple of

00:46:35.077 --> 00:46:37.119
months as they start the preparation for

00:46:37.139 --> 00:46:37.360
that.

00:46:39.802 --> 00:46:40.461
We're just having fun.

00:46:40.481 --> 00:46:42.302
It's going to be a fun year.

00:46:42.943 --> 00:46:43.224
Dude,

00:46:43.704 --> 00:46:45.264
it sounds like you're having a lot of

00:46:45.304 --> 00:46:46.045
fun this year,

00:46:46.085 --> 00:46:48.047
making some incredible bullets and some

00:46:48.106 --> 00:46:49.668
incredible crossovers.

00:46:51.108 --> 00:46:52.650
Anything else you want to share with the

00:46:52.690 --> 00:46:56.992
Council of Nerds before we close this out?

00:46:57.012 --> 00:46:59.315
Look for some new titles coming out from

00:46:59.534 --> 00:47:00.675
brand new creators.

00:47:01.382 --> 00:47:02.643
First-time creators, D.

00:47:02.664 --> 00:47:04.965
Mario Hill has a comic book coming out

00:47:04.985 --> 00:47:05.784
called Osmo.

00:47:06.646 --> 00:47:08.306
JC and Marzia got a comic book coming

00:47:08.347 --> 00:47:09.106
out called Scorp.

00:47:10.327 --> 00:47:11.788
I'm working on a new comic book now

00:47:11.887 --> 00:47:14.630
with artist Felipe called Beauty Mark.

00:47:15.030 --> 00:47:16.231
So just look out for all the new

00:47:16.271 --> 00:47:18.351
titles and new things coming out

00:47:18.672 --> 00:47:25.474
throughout the year.

00:47:25.534 --> 00:47:25.996
You mean, sorry,

00:47:26.016 --> 00:47:27.096
I was trying to click something.

00:47:28.456 --> 00:47:28.677
Okay.

00:47:30.108 --> 00:47:31.688
No, that was my fault.

00:47:31.768 --> 00:47:33.070
I clicked and it opened up the wrong

00:47:33.090 --> 00:47:33.369
thing.

00:47:33.409 --> 00:47:34.371
So that's on me.

00:47:34.891 --> 00:47:36.492
But Alfred, first of all,

00:47:36.751 --> 00:47:38.072
thank you for coming on the podcast

00:47:38.092 --> 00:47:38.452
tonight,

00:47:39.092 --> 00:47:41.635
sharing this incredible title with us,

00:47:42.094 --> 00:47:44.076
sharing how you do what you do.

00:47:44.876 --> 00:47:48.257
And what a great opportunity you have

00:47:48.338 --> 00:47:49.898
right now working with some of your,

00:47:51.440 --> 00:47:52.900
not just yours, but mine as well,

00:47:52.981 --> 00:47:54.942
like favorite people from the nineties.

00:47:55.041 --> 00:47:56.503
That's right.

00:47:58.777 --> 00:47:59.958
Soak it all in, man.

00:47:59.998 --> 00:48:01.119
Just soak it all in.

00:48:01.139 --> 00:48:02.782
That's huge, dude.

00:48:02.882 --> 00:48:05.103
And I loved hearing about it tonight.

00:48:05.804 --> 00:48:08.327
But again, this has been fantastic.

00:48:08.748 --> 00:48:11.050
Hostile Assets isn't just another

00:48:11.449 --> 00:48:12.090
crossover.

00:48:12.170 --> 00:48:14.452
It's a collision of worlds, creators,

00:48:14.853 --> 00:48:17.516
and indie comic energy that shows exactly

00:48:17.556 --> 00:48:19.077
why the independent comic scene

00:48:19.929 --> 00:48:23.849
continues to thrive and will continue to

00:48:23.889 --> 00:48:26.690
thrive well into the future.

00:48:27.351 --> 00:48:28.251
If you love horror,

00:48:28.550 --> 00:48:29.710
if you love anti-heroes,

00:48:30.190 --> 00:48:31.391
gritty storytelling,

00:48:31.431 --> 00:48:32.791
creator-owned stories,

00:48:33.291 --> 00:48:36.032
this is going to definitely be one to

00:48:36.132 --> 00:48:39.614
watch when it hits Kickstarter this April.

00:48:39.914 --> 00:48:41.233
Make sure you follow Alfred.

00:48:41.673 --> 00:48:42.753
Page one comments.

00:48:42.853 --> 00:48:44.934
Links are in the description to him.

00:48:46.260 --> 00:48:47.679
Make sure you sign up for the prelaunch

00:48:47.820 --> 00:48:50.641
and keep supporting indie creators who are

00:48:50.760 --> 00:48:52.641
building something real.

00:48:52.942 --> 00:48:54.021
And to everyone watching,

00:48:54.262 --> 00:48:55.481
support Indie Comics,

00:48:56.182 --> 00:48:59.163
support the creators, and keep reading.

00:48:59.844 --> 00:49:01.423
This has been the United States Department

00:49:01.443 --> 00:49:05.144
of Nerds, where Indie Comics come to life.

00:49:06.364 --> 00:49:07.385
Y'all be safe out there.

00:49:08.525 --> 00:49:08.885
Yes, sir.