The Next Reel Film Podcast

“Don’t go chasing shadows, Arthur.”
Adapting a Classic Ghost Story for the Big Screen
The Woman in Black, based on Susan Hill's 1983 novel of the same name, has been adapted for the stage, television, and radio. In 2012, James Watkins directed a feature film version starring Daniel Radcliffe in his first major role since the Harry Potter series. With a talented team behind the camera and a compelling lead actor, The Woman in Black aimed to bring a classic ghost story to life for a new generation. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about The Woman in Black.
Radcliffe's Post-Potter Performance and the Film's Ghostly Atmosphere
In our discussion, we explore Daniel Radcliffe's performance as Arthur Kipps, a young lawyer grappling with grief and tasked with settling the estate of the mysterious Alice Drablow. Radcliffe's portrayal marks a significant departure from his iconic role as Harry Potter, showcasing his range as an actor. We also delve into the film's effective use of atmosphere, from the eerie Eel Marsh House and causeway leading to it to the unsettling appearances of the titular specter. However, we note that the reliance on jump scares and horror tropes may detract from the overall impact of the story.
Other Topics Covered
  • The differences between the novel, previous adaptations, and the 2012 film
  • The film's exploration of grief and loss
  • The effectiveness of the period setting and production design
  • The use of children in peril as a horror element
The Woman in Black offers a haunting tale of a vengeful spirit and the devastating impact of loss. While the film may lean heavily on familiar ghost story conventions, it succeeds in creating a chilling atmosphere and showcasing Daniel Radcliffe's post-Potter acting chops. Despite some reservations about the ending and the reliance on jump scares, The Woman in Black remains a solid entry in the gothic horror genre and a testament to the enduring power of Susan Hill's original novel. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
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Creators and Guests

Host
Andy Nelson
With over 25 years of experience in film, television, and commercial production, Andy has cultivated an enduring passion for storytelling in all its forms. His enthusiasm for the craft began in his youth when he and his friends started making their own movies in grade school. After studying film at the University of Colorado Boulder, Andy wrote, directed, and produced several short films while also producing indie features like Netherbeast Incorporated and Ambush at Dark Canyon. Andy has been on the production team for award-winning documentaries such as The Imposter and The Joe Show, as well as TV shows like Investigation Discovery’s Deadly Dentists and Nat Geo’s Inside the Hunt for the Boston Bombers. Over a decade ago, he started podcasting with Pete and immediately embraced the medium. Now, as a partner at TruStory FM, Andy looks forward to more storytelling through their wide variety of shows. Throughout his career, Andy has passed on his knowledge by teaching young minds the crafts of screenwriting, producing, editing, and podcasting. Outside of work, Andy is a family man who enjoys a good martini, a cold beer, a nice cup o’ joe. And always, of course, a great movie.
Host
Pete Wright
#Movies, #ADHD, & #Podcasting • Co-founder @trustory.fm🎥 The Next Reel Family of #Film Podcasts @thenextreel.com🎙️ Taking Control: The ADHD Podcast @takecontroladhd.com📖 Co-author of Unapologetically ADHD • https://unapologeticallyadhdbook.com

What is The Next Reel Film Podcast?

A show about movies and how they connect.
We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too.
When the movie ends, our conversation begins.