WEBVTT

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You are listening to the USDN on the

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DFPN.

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Thank you.

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what is up everybody and welcome to the

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united states department of nerds where we

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are for the people by the people and

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of the people and imagine a world where

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imagination is limitless where creativity

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sparks universes into existence when

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creator emerges with the world that's

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super crazy

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a little weird and absolutely bursting

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with energy.

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Tonight,

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we are stepping into the electrifying

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realm of InBolt and meet the mind behind

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the madness

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James,

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welcome to the United States Department of

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Nerds and welcome to the Council of Nerds.

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For those tuning in tonight who may not

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know you or may not know your work

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yet,

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give us your origin story and how you

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got into comics.

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Well, first of all,

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good to be here tonight.

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And I hope you have a little time

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because it's kind of a long and a

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little bit of a

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Twisted story, not super twisted,

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just a slight veer.

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James,

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we got all the time you need to

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take to share your story with us,

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so go ahead and lay it on us.

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Well, ever since I can remember,

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I've always been fascinated by cartoons,

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and I've always been drawings ever since I

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was an elementary school student.

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My interest has always been in art.

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I'll tell you a little secret.

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I actually wanted to be a doctor, but...

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found out I was a little too squeamish

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for that kind of work.

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It happens to us.

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Anyway, I always loved cartoons.

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My favorites or my favorite channels was

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Cartoon Network and Nickelodeon.

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I especially love cartoons.

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I already said that.

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My favorite was Ed and Natty from Cartoon

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Network.

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But as much as I love the crazy,

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off the wall,

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offbeat kind of growth shows.

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I always had a soft spot in my

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heart for, I don't,

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how did I put this?

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The Saturday morning action cartoons,

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because they felt kind of special compared

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to the rest.

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They had a little bit more heart,

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a little bit more story.

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Some more substance to them.

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Think early, early, early nineties,

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late nineties to early two thousands.

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Shows like Swat Cats.

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To be honest,

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that's what I compare Imbolto the most in

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terms of tone.

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Swat Cats is out right now with a

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new comic book on Kickstarter.

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Did you know that?

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Yeah,

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I just recently discovered Swat Cats a

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while ago.

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Anyway.

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Continue your story, James.

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Let us know.

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Anyway.

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For most of my school life,

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I've been drawing and eventually I started

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making my own characters.

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But I remember one particular class in

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high school that really sparked something

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in me, like media and storytelling.

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I always enjoyed watching that kind of

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stuff, episodic or serial.

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Do I prefer episodic?

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And while I had to work with several

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other people,

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I think that's the most I ever enjoyed

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a class.

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And as I worked my way through college,

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I focused on a major integrated arts at

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the university of Baltimore.

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When we try to take our art skills

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and translate them into business.

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I've had to explain that several times

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because the program was relatively new

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when I was going there.

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So.

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Several years ago, I graduated.

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And to be honest, after a job search,

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which didn't pick up anything,

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then the whole pandemic hit,

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which put a damper on that,

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on my search for employment.

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I just,

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it was during those months I actually

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started creating M-Bolt,

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M-Bolt in earnest as a digital comic.

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Starting with the first volume,

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You got the first story.

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I sent it to you.

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But there are other stories after it.

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Flaming Bug-Eyed Chimps,

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Cliche Hero Spirit,

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and Super Crazy Crime Stoppers.

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It's been going on for five years now,

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and only recently have I actually printed

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anything,

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which I think will give M-Bolt some more

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notoriety.

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And recently I have actually begun doing

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freelance work, you know, work for money.

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Yup.

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Yup.

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So I feel like that'll help me grow

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as a creator and a comic artist and

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a cartoonist.

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Oh yeah.

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That will definitely,

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definitely help you out there.

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Actually had a couple more interviews.

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It was on podcast before.

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Well, one podcast, the solo nerd bird.

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And, well, here I am now.

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Still working and still growing.

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That's how we do it.

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So, James,

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was there any particular moment in your

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life that said, like,

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this is my moment that makes me want

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to do comic books or to do comics

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in general?

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To be honest,

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I am a comic artist,

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but I consider myself more of an

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illustrator and a cartoonist at heart.

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Okay.

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What was that moment for you?

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Were you sitting in college and said,

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I'm going to start doing illustrations and

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art?

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Not sure I remember it clearly,

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but I think it happened a lot sooner

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than that.

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Okay.

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When I was in

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when I was still in elementary school and

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realized I was way too squeamish to be

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a doctor.

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I figured I'd have something else in mind

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and figured I was really good at drawing.

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I loved cartoons.

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And so it just clicked for me.

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So who are some of your early artistic

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heroes that gave you inspiration to become

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an illustrator?

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No, it can be anybody you want.

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To be honest, not a specific person.

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Okay.

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But there are kind of art styles that

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I do admire,

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but they're not exclusive to any specific

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artist.

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I mean,

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there are several artists I do respect

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that gave me a

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pretty intent pretty good pretty

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significant love of cartoons but i don't

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exactly follow them like go ahead go ahead

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and tell us who they were well the

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creator of my favorite show was that was

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danny antinucci at annettie but i never

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really followed him until i saw my teeth

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Okay.

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But I don't really follow that style of

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off-the-wall surrealist humor.

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Okay.

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Still love the show, though.

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I guess what inspired me the most was

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the Saturday morning action cartoons like

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Yu-Gi-Oh!

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and Pokemon.

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And I never really thought much about the

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creators behind them until I looked them

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up.

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And it was still kind of hard to

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pinpoint who was behind them.

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I think both of those are,

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they're both animated in Japan, correct?

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Yeah, they're animated.

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That's before I knew what the word was.

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Okay.

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So let's jump over and let's talk about

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this world that you've created in the

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universe of InBolt.

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What sparked the concept of InBolt for

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you?

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Well,

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kind of like the Saturday morning action

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cartoons or the kind of show you watch

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at home after school.

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Okay.

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You watch on a morning afternoon after

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school.

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I might have to think back,

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but I've had the ideas for characters like

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this since I was in elementary school,

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though they'd be unrecognizable now.

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Okay.

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So how would you describe InBolt as a

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character to someone meeting him for the

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first time?

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The character himself?

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Yeah.

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How would you describe Enbolt,

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the character?

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If you were introducing me to Enbolt for

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the first time,

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and I've never seen Enbolt,

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how would you describe him to me?

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Well, Enbolt, for the most part... Well,

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for starters,

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Enbolt is a nickname for him.

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His actual name is Nicky Lightling.

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And I describe him as...

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He's a teenager, about fifteen, so snarky,

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kind of lazy,

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but ultimately somewhat of a goody, goody,

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goody little nerd.

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And an amateur parkour enthusiast.

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Okay.

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His power is,

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I'm not sure if you heard this term

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before, but it's ergo kinesis.

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I've not heard it called that.

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I know it's energy manipulation is how I

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would know the power,

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but I like yours better.

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Yeah, it.

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It manifests as the cyan light and spark

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when he sparks,

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he can also absorb energy from other other

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sources and for temporarily and depending

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on what kind of energy absorbs,

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he can transform himself like fire or

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lightning.

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OK.

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He has several other friends with powers,

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too, and they help him.

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Tell us about the other characters in your

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story to go with him.

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Like, who are some of his allies?

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Well,

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I probably should start with these two

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right here.

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This is Rocky and this is Buddy.

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They're the ones most...

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Who are with them most of the time.

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Yep,

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I've seen those two in the first issue

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you sent me.

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Yeah.

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Here they are again on this cover.

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Oh, I liked it.

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I like it.

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Have you ever played the Kingdom Hearts

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games?

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I have, yes, actually.

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One of my favorites.

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Imagine these.

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They're kind of like what Donald and Goofy

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are to Sora.

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They're that to me.

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Okay.

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They're with him most of the time.

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Rocky is about a year older than him,

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and he's more of a tough guy,

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more of an edge power, super strength.

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Buddy is the youngest, around ten.

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And his power,

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he's a bigger nerd than Nicky, I'd say.

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His power are these weird round balls.

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And he manifests.

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I can see a lot of influence from

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Kingdom Hearts in the art that you do.

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So that's really cool.

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Yeah, that and Inti Creates probably.

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Okay, yeah.

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Next here is Annika.

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She isn't always with them,

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but she's pretty single.

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She's the delivery girl, right?

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Yeah, she was.

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But she's more than that.

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She actually has her own power in the

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later issues.

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Oh, nice.

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So she developed powers, too,

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in the later issues?

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Yes.

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And to be honest,

00:13:55.482 --> 00:13:57.063
she's actually a bit closer to Nikki than

00:13:57.144 --> 00:13:57.845
Rocky or Buddy.

00:13:58.085 --> 00:13:59.505
Known him a little bit longer,

00:13:59.787 --> 00:14:00.726
but not much.

00:14:01.388 --> 00:14:04.630
But not by much.

00:14:04.750 --> 00:14:05.730
Okay.

00:14:05.831 --> 00:14:07.173
Her favorite thing to do is pretty much

00:14:07.212 --> 00:14:07.893
tease Nikki.

00:14:09.073 --> 00:14:10.355
Sorry you saw that in the first issue.

00:14:10.895 --> 00:14:12.517
Yep, I remember that one.

00:14:14.410 --> 00:14:16.751
So are there any themes or messages that

00:14:16.971 --> 00:14:19.173
sit at the heart of M. Bolton,

00:14:19.192 --> 00:14:21.474
what you're trying to portray through your

00:14:21.514 --> 00:14:22.294
illustrations?

00:14:26.437 --> 00:14:28.177
Well, to be honest,

00:14:28.378 --> 00:14:29.639
I don't really think there's a hidden

00:14:29.719 --> 00:14:30.078
theme.

00:14:30.558 --> 00:14:33.179
But if you find something with it,

00:14:34.841 --> 00:14:37.842
I'd be glad if people do find a

00:14:37.883 --> 00:14:38.543
deeper meaning.

00:14:38.643 --> 00:14:41.384
And sometimes I would like to put a

00:14:41.423 --> 00:14:42.424
deeper meaning in there.

00:14:46.106 --> 00:14:46.927
But not all the time.

00:14:47.027 --> 00:14:50.509
It's mostly just having a fun adventure.

00:14:50.528 --> 00:14:51.929
There's nothing wrong with having a good

00:14:51.950 --> 00:14:52.690
adventure, man.

00:14:53.211 --> 00:14:53.951
Nothing at all.

00:14:54.490 --> 00:14:56.591
Kind of like the old action Hanna-Barbera

00:14:56.631 --> 00:14:57.212
cartoons.

00:14:57.873 --> 00:14:59.614
Oh, those were my favorite growing up.

00:15:03.255 --> 00:15:06.057
Who was your favorite one growing up from

00:15:06.116 --> 00:15:06.836
Hanna-Barbera?

00:15:08.238 --> 00:15:09.538
Probably the Flintstones.

00:15:11.080 --> 00:15:11.559
Same.

00:15:12.039 --> 00:15:12.539
Same.

00:15:12.840 --> 00:15:14.341
I loved some Flintstones, man.

00:15:14.902 --> 00:15:15.481
Yeah, funny.

00:15:16.889 --> 00:15:21.230
So what's your favorite weird element that

00:15:21.250 --> 00:15:28.254
you've built into your world so far?

00:15:28.274 --> 00:15:32.775
Well, that's a good question.

00:15:33.596 --> 00:15:34.856
The series is episodic,

00:15:35.017 --> 00:15:38.258
but there's a very strong continuity.

00:15:39.879 --> 00:15:40.678
OK.

00:15:40.698 --> 00:15:41.698
Something that happened in a different

00:15:41.879 --> 00:15:44.660
issue before could affect the rest of the

00:15:44.701 --> 00:15:45.061
series.

00:15:47.375 --> 00:15:48.916
so you like to do call bats from

00:15:49.056 --> 00:15:55.239
earlier issues into later issues yes okay

00:15:55.259 --> 00:15:56.620
i like to see that in my comic

00:15:56.659 --> 00:15:58.519
books when i'm reading other comic books i

00:15:58.559 --> 00:16:00.620
like to see like call bats to older

00:16:00.660 --> 00:16:02.522
stuff that happened in earlier issues and

00:16:02.542 --> 00:16:04.682
then they're coming back to the new issue

00:16:04.743 --> 00:16:07.144
as well i always like finding those little

00:16:07.245 --> 00:16:09.745
elements hidden or sometimes not hidden in

00:16:09.806 --> 00:16:12.006
very obvious in comic books and

00:16:12.047 --> 00:16:16.109
illustrations okay for most

00:16:17.880 --> 00:16:19.000
And I'd like to explain a little bit

00:16:19.081 --> 00:16:20.142
more about M-Bolt.

00:16:20.881 --> 00:16:21.481
Okay, please.

00:16:21.581 --> 00:16:21.822
Go ahead.

00:16:22.523 --> 00:16:23.783
The reason he's actually called into

00:16:23.863 --> 00:16:28.225
action is because of a series of robots

00:16:28.264 --> 00:16:29.965
appearing called the Fovos.

00:16:30.865 --> 00:16:32.186
Okay.

00:16:32.225 --> 00:16:34.086
That's what he fought in the first issue.

00:16:34.846 --> 00:16:35.667
Yeah, I remember that.

00:16:35.947 --> 00:16:37.427
That was some good fights in that first

00:16:37.508 --> 00:16:37.807
issue.

00:16:38.087 --> 00:16:38.427
Thanks.

00:16:40.349 --> 00:16:42.730
They start popping up everywhere.

00:16:45.389 --> 00:16:46.629
They learn who's behind it,

00:16:46.951 --> 00:16:47.730
and to be honest,

00:16:47.750 --> 00:16:49.350
I actually have them right here.

00:16:49.932 --> 00:16:50.572
You gonna show us?

00:16:50.892 --> 00:16:53.232
In the poster.

00:16:53.373 --> 00:16:54.212
Okay.

00:16:54.273 --> 00:16:56.994
This little right here, that's him.

00:16:57.933 --> 00:16:59.154
Is he the main robot?

00:16:59.835 --> 00:17:01.355
He's not exactly a robot.

00:17:01.895 --> 00:17:04.557
Okay.

00:17:04.576 --> 00:17:07.157
But he's the guy behind the robots.

00:17:07.798 --> 00:17:09.999
Yeah, he's not exactly a guy either.

00:17:10.118 --> 00:17:13.279
His name is pronounced as Nasatus.

00:17:13.359 --> 00:17:13.519
Okay.

00:17:16.876 --> 00:17:17.757
And where did he come from?

00:17:19.218 --> 00:17:20.137
You learn later.

00:17:20.597 --> 00:17:21.938
OK, I'll check it out.

00:17:22.298 --> 00:17:24.138
He's not he's the main villain,

00:17:24.199 --> 00:17:25.858
but he's not the only one.

00:17:26.558 --> 00:17:27.920
There are other villains like.

00:17:29.660 --> 00:17:32.040
Say it and Eva Vision.

00:17:33.621 --> 00:17:34.941
And Siegel, the collector.

00:17:34.961 --> 00:17:37.981
OK.

00:17:38.061 --> 00:17:41.643
So how did you come up with the

00:17:41.663 --> 00:17:45.084
with your villains and like the names of

00:17:45.104 --> 00:17:45.763
your villains?

00:17:47.897 --> 00:17:48.999
That's a very good question.

00:17:49.398 --> 00:17:51.259
I kind of think of overworking things that

00:17:51.539 --> 00:17:53.902
have already existed and just put my own

00:17:53.942 --> 00:17:56.462
twist on them.

00:17:56.522 --> 00:17:57.403
It's a good way to do it.

00:17:57.763 --> 00:17:58.284
And to be honest...

00:17:58.304 --> 00:17:59.785
You can't go wrong with an old classic

00:18:00.246 --> 00:18:01.066
with a new twist.

00:18:02.067 --> 00:18:05.209
And to be honest, I kind of...

00:18:05.249 --> 00:18:06.849
Some of the stuff I do is partially

00:18:06.890 --> 00:18:09.131
inspired by Lovecraftian horror.

00:18:09.590 --> 00:18:11.532
Ooh, that's some good stuff right there.

00:18:13.394 --> 00:18:14.273
Eldritch Abominations,

00:18:14.314 --> 00:18:16.335
they're kind of some of my favorite things

00:18:16.355 --> 00:18:16.875
in fiction.

00:18:19.519 --> 00:18:19.619
Okay.

00:18:19.640 --> 00:18:20.740
Now you're speaking our language.

00:18:20.799 --> 00:18:21.421
We love some,

00:18:21.661 --> 00:18:23.561
some good love crafty and horror over

00:18:23.602 --> 00:18:29.805
here.

00:18:29.865 --> 00:18:31.265
So when did you,

00:18:31.484 --> 00:18:33.705
so I'm imagining that you started out on

00:18:33.767 --> 00:18:35.267
paper and now you're doing everything

00:18:35.426 --> 00:18:35.907
digital.

00:18:36.347 --> 00:18:37.827
Are there any, like,

00:18:37.847 --> 00:18:39.269
what are you using for your digital

00:18:39.409 --> 00:18:39.729
elements?

00:18:39.769 --> 00:18:41.309
Are you using your iPad or do you

00:18:41.349 --> 00:18:41.930
have an actual,

00:18:41.970 --> 00:18:44.711
like one of those electric sketch pads on

00:18:44.731 --> 00:18:45.211
your desk?

00:18:47.272 --> 00:18:47.512
Well,

00:18:47.553 --> 00:18:49.214
funny you should ask that because I still

00:18:49.255 --> 00:18:51.836
do paper first before I scan anything in.

00:18:52.596 --> 00:18:52.817
Okay,

00:18:52.836 --> 00:18:54.117
so you're doing the paper and then

00:18:54.178 --> 00:18:55.700
scanning it into the electronic?

00:18:56.339 --> 00:18:58.041
Yes, it's easier for me in that way.

00:19:00.644 --> 00:19:00.923
Okay.

00:19:00.963 --> 00:19:02.204
That's how everybody's doing it these

00:19:02.244 --> 00:19:02.644
days.

00:19:03.326 --> 00:19:07.969
Takes longer though, but I like it.

00:19:07.989 --> 00:19:08.710
If it works for you,

00:19:08.829 --> 00:19:09.651
it works for you.

00:19:10.711 --> 00:19:12.372
I actually do use a drawing pad.

00:19:12.652 --> 00:19:14.272
I actually had one a while back,

00:19:14.452 --> 00:19:16.554
but there was a sparky connection,

00:19:16.594 --> 00:19:17.615
so I had to get a new one

00:19:17.634 --> 00:19:18.714
for my birthday last year.

00:19:19.276 --> 00:19:19.615
Oh, good.

00:19:19.695 --> 00:19:20.757
At least they got you a new one.

00:19:23.498 --> 00:19:25.278
I think a lot of people use Photoshop

00:19:25.338 --> 00:19:28.540
or Adobe, but I use something a bit...

00:19:28.560 --> 00:19:29.560
I didn't really have that much money

00:19:29.580 --> 00:19:29.961
coming in,

00:19:30.001 --> 00:19:35.144
so I use something called Xero Pro Graphic

00:19:35.164 --> 00:19:35.684
Designer.

00:19:35.704 --> 00:19:36.704
I'm not sure if you've heard of it.

00:19:36.825 --> 00:19:38.286
No, I haven't heard of it.

00:19:38.365 --> 00:19:39.346
I'll have to look into it.

00:19:40.127 --> 00:19:41.769
It's kind of a cheaper alternative.

00:19:42.950 --> 00:19:44.570
I'm all about cheaper alternatives over

00:19:44.631 --> 00:19:48.233
here.

00:19:48.273 --> 00:19:50.134
So let's talk about some of your visual

00:19:50.214 --> 00:19:50.954
styles.

00:19:51.576 --> 00:19:53.737
So your style carries a lot of motion

00:19:53.836 --> 00:19:54.698
and energy.

00:19:55.557 --> 00:19:58.079
And how did that, well, no,

00:19:58.240 --> 00:20:00.281
not that one.

00:20:00.321 --> 00:20:02.063
So are you drawing your script first?

00:20:02.843 --> 00:20:05.204
Are you doing like the draw first?

00:20:05.244 --> 00:20:07.205
Or do you kind of like,

00:20:07.246 --> 00:20:08.887
you know your story and you draw your

00:20:08.928 --> 00:20:09.307
story?

00:20:11.181 --> 00:20:11.340
Well,

00:20:11.381 --> 00:20:12.541
I definitely don't know how things are

00:20:12.561 --> 00:20:13.162
going to play out.

00:20:13.201 --> 00:20:13.603
So yeah,

00:20:13.623 --> 00:20:15.423
I have to do the script first.

00:20:15.523 --> 00:20:16.304
Okay.

00:20:16.544 --> 00:20:17.224
Okay.

00:20:17.244 --> 00:20:18.986
But the script does change as I draw.

00:20:19.006 --> 00:20:20.346
Oh, okay.

00:20:20.507 --> 00:20:21.708
Where I feel it's necessary.

00:20:22.887 --> 00:20:24.249
So you're going back,

00:20:24.288 --> 00:20:25.769
like if you get later in the story

00:20:25.809 --> 00:20:26.431
and you're like, wait,

00:20:26.550 --> 00:20:28.011
I think this will be better back here.

00:20:28.031 --> 00:20:30.452
And you go back and redo a panel

00:20:30.492 --> 00:20:30.933
or two?

00:20:31.733 --> 00:20:32.575
Is that how you're doing it?

00:20:33.295 --> 00:20:36.017
I usually do that change before I draw

00:20:36.037 --> 00:20:37.258
anything else.

00:20:37.298 --> 00:20:37.518
Okay.

00:20:37.597 --> 00:20:37.798
Okay.

00:20:38.663 --> 00:20:39.884
Go over it again.

00:20:40.163 --> 00:20:41.964
If I feel like something doesn't fit right

00:20:42.005 --> 00:20:43.566
or if I can do something different or

00:20:43.625 --> 00:20:47.148
better, I change it then.

00:20:47.209 --> 00:20:48.388
I change it then before I draw.

00:20:50.770 --> 00:20:51.070
I mean,

00:20:51.811 --> 00:20:53.353
there have been days I had to erase

00:20:53.393 --> 00:20:54.133
a panel or two.

00:20:54.153 --> 00:20:56.694
Yeah.

00:20:56.714 --> 00:20:58.115
About how long does it take you to

00:20:58.175 --> 00:21:01.917
knock out a panel?

00:21:01.938 --> 00:21:02.759
From start to finish,

00:21:02.798 --> 00:21:03.798
how long do you think it takes you

00:21:03.878 --> 00:21:04.740
to do it?

00:21:04.759 --> 00:21:05.180
A panel or a page.

00:21:05.200 --> 00:21:05.299
Well,

00:21:05.319 --> 00:21:06.641
we can say a panel or a page.

00:21:06.701 --> 00:21:07.541
Let's go with the page.

00:21:10.134 --> 00:21:10.874
Hmm.

00:21:10.973 --> 00:21:11.973
It kind of varies.

00:21:12.974 --> 00:21:15.134
Once I put some, I can draw,

00:21:15.595 --> 00:21:17.015
I can draw by hand one page a

00:21:17.055 --> 00:21:19.536
day, but going over it digitally,

00:21:19.556 --> 00:21:20.736
that takes a while.

00:21:21.155 --> 00:21:22.737
And I usually don't,

00:21:22.757 --> 00:21:26.537
I sometimes do multiple pages at once.

00:21:26.717 --> 00:21:27.037
Okay.

00:21:27.196 --> 00:21:28.958
And the most recent page that I scan

00:21:29.057 --> 00:21:31.218
in isn't the one I'm I'll be working

00:21:31.317 --> 00:21:32.357
on immediately.

00:21:32.538 --> 00:21:36.058
I'm usually working on pages before that

00:21:36.078 --> 00:21:39.799
because it takes time and

00:21:50.441 --> 00:21:52.342
So let's talk about, um,

00:21:54.542 --> 00:21:58.525
like your first escapades of in bolt and

00:21:58.865 --> 00:21:59.224
it kind of,

00:21:59.464 --> 00:22:01.465
it gives us some hint that there were

00:22:01.746 --> 00:22:04.826
bigger things coming for him when you

00:22:04.866 --> 00:22:05.508
wrote those,

00:22:05.548 --> 00:22:08.088
what tones or vibes were you aiming for

00:22:08.169 --> 00:22:10.869
in those earlier episodes?

00:22:13.010 --> 00:22:14.412
Well, pretty much the same thing.

00:22:16.512 --> 00:22:16.813
Well,

00:22:16.873 --> 00:22:18.534
what you start is part of kind of

00:22:18.554 --> 00:22:19.193
a trilogy.

00:22:20.555 --> 00:22:22.517
not the same issues back to back but

00:22:23.317 --> 00:22:26.820
part of the same theme the stone they

00:22:26.861 --> 00:22:31.365
fight at the end spoiler alert okay it's

00:22:31.425 --> 00:22:33.968
part of it's called the op ergo one

00:22:34.909 --> 00:22:37.050
in the series there's the op ergo two

00:22:37.330 --> 00:22:38.813
and part three

00:22:42.846 --> 00:22:43.386
Part three.

00:22:43.807 --> 00:22:45.646
But for the most part of the series,

00:22:47.048 --> 00:22:48.488
it's usually pretty lighthearted,

00:22:48.548 --> 00:22:50.548
kind of like the, I've mentioned before,

00:22:50.627 --> 00:22:52.028
Saturday morning action cartoon.

00:22:52.929 --> 00:22:55.769
Though it can get to Swat Cat's territory

00:22:55.848 --> 00:22:56.348
pretty quick.

00:22:57.288 --> 00:22:57.930
Okay.

00:22:57.970 --> 00:23:01.769
So is there, when you are, oh no,

00:23:01.809 --> 00:23:02.609
sorry, go ahead.

00:23:02.710 --> 00:23:05.451
And specifically issue Opiago part three,

00:23:05.911 --> 00:23:09.372
which introduces Nassatus in his true

00:23:09.412 --> 00:23:10.912
form, it's kind of brutal.

00:23:10.932 --> 00:23:11.632
Oh, okay.

00:23:11.852 --> 00:23:12.251
Okay.

00:23:14.461 --> 00:23:15.982
All right.

00:23:16.022 --> 00:23:16.343
So...

00:23:20.105 --> 00:23:23.088
When you are drawing in Bolt and you're

00:23:23.249 --> 00:23:24.769
doing his words,

00:23:25.309 --> 00:23:26.810
do you hear somebody's voice?

00:23:27.291 --> 00:23:27.731
Like,

00:23:27.751 --> 00:23:29.393
is there a particular character that you

00:23:29.453 --> 00:23:31.714
associate his voice with when you are

00:23:31.795 --> 00:23:32.935
doing his lettering?

00:23:35.038 --> 00:23:35.218
Well,

00:23:35.258 --> 00:23:37.660
there are several characters he's been

00:23:37.680 --> 00:23:41.143
inspired by over the years.

00:23:41.163 --> 00:23:41.583
Pretty much...

00:23:47.134 --> 00:23:48.256
fictional characters he's already been

00:23:48.276 --> 00:23:48.936
inspired by.

00:23:54.080 --> 00:23:57.003
His overall personality would be kind of

00:23:57.044 --> 00:24:00.006
like Mega Man or Sonic the Hedgehog or

00:24:00.066 --> 00:24:01.247
Sora from Kingdom Hearts.

00:24:01.728 --> 00:24:04.609
Okay.

00:24:04.630 --> 00:24:05.570
Pretty sure you see some of those

00:24:05.611 --> 00:24:08.512
influences in there.

00:24:08.633 --> 00:24:08.874
Oh yeah,

00:24:08.933 --> 00:24:10.194
definitely with the Kingdom Hearts.

00:24:10.275 --> 00:24:11.435
I can definitely see that.

00:24:13.557 --> 00:24:14.939
So you have teased...

00:24:16.106 --> 00:24:18.067
a little bit that there's a bigger world

00:24:18.467 --> 00:24:20.508
in Bolt coming.

00:24:22.788 --> 00:24:24.769
Is there anything that you can share with

00:24:24.888 --> 00:24:26.729
us from that or give us a little

00:24:26.749 --> 00:24:28.308
tease of some of the new characters or

00:24:28.328 --> 00:24:30.450
villains that you may have upcoming for

00:24:30.490 --> 00:24:31.509
the In Bolt series?

00:24:33.369 --> 00:24:35.790
Well, I will say that,

00:24:36.111 --> 00:24:36.711
I will say this,

00:24:36.871 --> 00:24:40.070
I'm on issue sixteen now and I've rotated

00:24:40.131 --> 00:24:43.971
several villains like Eva Vision and Seat.

00:24:45.625 --> 00:24:47.346
How about I,

00:24:47.366 --> 00:24:49.209
we also say the FOBOs are gonna be

00:24:49.229 --> 00:24:53.132
a reoccurring theme, theme as well.

00:24:55.933 --> 00:24:56.473
Okay.

00:24:56.594 --> 00:25:00.257
And well, you know, the term Miss Tech,

00:25:00.497 --> 00:25:02.419
you met Mr. Chambers in the first issue,

00:25:02.459 --> 00:25:02.699
right?

00:25:03.038 --> 00:25:03.598
Yes, yes.

00:25:03.618 --> 00:25:05.101
What's up with him?

00:25:05.560 --> 00:25:07.061
Well, he used to run this,

00:25:07.942 --> 00:25:09.604
a big part of the M-Bolt mythos,

00:25:09.624 --> 00:25:10.203
you should say,

00:25:10.403 --> 00:25:11.965
is the Miss Tech organization.

00:25:12.792 --> 00:25:13.534
He used to run,

00:25:14.173 --> 00:25:15.555
he actually used to run Mistech,

00:25:15.634 --> 00:25:19.377
which was dedicated to scientific research

00:25:19.458 --> 00:25:21.299
and, well,

00:25:21.619 --> 00:25:23.801
of unconventional sources of power or

00:25:23.862 --> 00:25:24.261
energy.

00:25:24.442 --> 00:25:25.803
Mm-hmm.

00:25:25.844 --> 00:25:26.263
Typically,

00:25:26.304 --> 00:25:31.367
all Mistech was dedicated to mad science,

00:25:31.907 --> 00:25:33.450
which is now defunct.

00:25:33.470 --> 00:25:35.550
Okay.

00:25:35.611 --> 00:25:37.772
And now he's holed up in this factory

00:25:37.813 --> 00:25:41.895
in Williamsburg selling Wonder Glue and...

00:25:42.930 --> 00:25:47.836
cryo mouse traps the horrible thing to be

00:25:47.895 --> 00:25:51.160
selling right now yeah he's not exactly

00:25:51.240 --> 00:25:53.061
pleasant but he'll help them when it neat

00:25:53.402 --> 00:25:56.866
if they need it so do you plan

00:25:56.987 --> 00:26:00.150
on experimenting with inbuilt within other

00:26:00.171 --> 00:26:02.814
genres or comedy or horror or sci-fi

00:26:05.548 --> 00:26:05.588
No.

00:26:05.628 --> 00:26:05.729
Well,

00:26:05.749 --> 00:26:07.190
you've kind of got a little mix of

00:26:07.230 --> 00:26:08.611
some of those, except for the horror,

00:26:08.651 --> 00:26:10.832
but there's a little sci-fi elements in

00:26:10.872 --> 00:26:10.991
there,

00:26:11.031 --> 00:26:13.073
and there were some phony moments in that

00:26:13.134 --> 00:26:14.994
first issue that you let me read.

00:26:16.996 --> 00:26:17.395
Exactly.

00:26:17.435 --> 00:26:18.757
That's the tone I wanted to set for

00:26:18.777 --> 00:26:19.557
the whole series.

00:26:20.017 --> 00:26:20.637
Okay.

00:26:20.678 --> 00:26:23.519
Not a big horror fan.

00:26:23.558 --> 00:26:24.079
Okay.

00:26:25.200 --> 00:26:26.320
Anyone from elementary school will

00:26:26.361 --> 00:26:30.323
probably tell you that.

00:26:30.583 --> 00:26:32.544
Still not, but I'm still a sci-fi guy.

00:26:32.564 --> 00:26:32.683
Yeah.

00:26:38.240 --> 00:26:41.342
So every indie creator has their ups,

00:26:41.521 --> 00:26:42.821
downs and breakthroughs.

00:26:42.882 --> 00:26:45.463
What has been your biggest challenge you

00:26:45.503 --> 00:26:47.325
faced so far?

00:26:48.726 --> 00:26:49.105
Well,

00:26:49.506 --> 00:26:51.086
the biggest challenge I've been facing is

00:26:51.207 --> 00:26:52.287
still what I'm facing.

00:26:53.948 --> 00:26:54.669
Getting a big enough,

00:26:54.949 --> 00:26:56.250
a bigger audience for my work.

00:26:57.069 --> 00:26:57.170
Well,

00:26:57.210 --> 00:26:59.230
hopefully coming on the podcast today,

00:26:59.250 --> 00:27:00.571
I'm going to send you some clips like

00:27:00.592 --> 00:27:01.432
I had told you earlier.

00:27:01.471 --> 00:27:02.492
Hopefully that will help you.

00:27:04.229 --> 00:27:05.930
get a little bit of a larger span

00:27:06.049 --> 00:27:08.652
of audience that you can enjoy and to

00:27:08.731 --> 00:27:09.712
enjoy in bolt,

00:27:09.752 --> 00:27:12.213
because it is a fantastic series that you

00:27:12.273 --> 00:27:14.516
are working on there.

00:27:14.556 --> 00:27:17.278
So what has been your proudest moment so

00:27:17.298 --> 00:27:19.439
far?

00:27:19.479 --> 00:27:20.900
To be honest, my proudest moment.

00:27:21.441 --> 00:27:23.061
Well, when I actually got,

00:27:23.582 --> 00:27:24.903
when I actually finished volume one,

00:27:24.942 --> 00:27:26.463
the first four stories in end bolts.

00:27:26.483 --> 00:27:28.786
Okay.

00:27:31.366 --> 00:27:32.268
That that'll, they'll do it.

00:27:32.307 --> 00:27:33.669
That had to be a really good one.

00:27:34.815 --> 00:27:35.576
And to be honest,

00:27:35.996 --> 00:27:37.538
one of my favorite issues was the OP

00:27:37.637 --> 00:27:40.800
Ergo Part III, which introduces Nesaitis.

00:27:40.820 --> 00:27:46.506
Okay.

00:27:46.586 --> 00:27:48.407
And what was that with such a big

00:27:48.468 --> 00:27:51.509
impact for you?

00:27:51.550 --> 00:27:51.911
Well,

00:27:52.811 --> 00:27:54.492
Nesaitis is actually the master and

00:27:54.553 --> 00:27:55.814
creator of the Fovos.

00:27:56.634 --> 00:27:56.934
Oh, okay.

00:27:56.976 --> 00:27:58.217
It's kind of an epic battle.

00:27:59.116 --> 00:28:00.499
This epic battle occurs in...

00:28:01.723 --> 00:28:03.684
Another reoccurring thing with M-Bulk is

00:28:03.724 --> 00:28:05.886
this energy called appearing energy,

00:28:06.827 --> 00:28:07.667
which Mr.

00:28:07.708 --> 00:28:09.869
Chambers actually researched when he was

00:28:09.950 --> 00:28:10.210
doing,

00:28:11.090 --> 00:28:12.951
when he still ran Miss Tech and still

00:28:13.132 --> 00:28:14.752
researches to this day.

00:28:14.873 --> 00:28:16.974
Okay.

00:28:17.015 --> 00:28:20.176
So he's not exactly in the mad science

00:28:20.217 --> 00:28:21.238
business no more,

00:28:21.798 --> 00:28:23.878
but he's still keeping his hands at the

00:28:24.019 --> 00:28:27.001
end to it.

00:28:27.142 --> 00:28:27.301
Yeah.

00:28:27.321 --> 00:28:27.461
Yeah.

00:28:29.567 --> 00:28:30.567
Yeah.

00:28:30.587 --> 00:28:32.048
Doesn't have much resources since Miss

00:28:32.088 --> 00:28:33.650
Tech fell apart,

00:28:33.690 --> 00:28:37.451
but he does keep an eye on things.

00:28:37.491 --> 00:28:38.412
So I got to ask,

00:28:39.512 --> 00:28:42.153
if you could give any advice to any

00:28:42.193 --> 00:28:44.375
new artists wanting to follow in your

00:28:45.096 --> 00:28:47.938
steps and be in their own illustrator and

00:28:48.057 --> 00:28:50.838
illustrate in their own work and sell in

00:28:50.858 --> 00:28:51.920
their own illustrations,

00:28:52.079 --> 00:28:53.820
what kind of advice would you give them?

00:28:59.028 --> 00:28:59.768
Give me a minute.

00:29:00.588 --> 00:29:00.969
Okay.

00:29:00.989 --> 00:29:01.528
Take your time.

00:29:02.009 --> 00:29:02.869
That's a big question.

00:29:07.913 --> 00:29:10.233
Is not sure if this is going to

00:29:10.253 --> 00:29:11.375
be helpful or hurtful,

00:29:12.535 --> 00:29:15.777
but there are going to be times when

00:29:15.797 --> 00:29:19.578
you doubt yourself, when others doubt you,

00:29:19.638 --> 00:29:21.640
but even when you have those times,

00:29:21.680 --> 00:29:22.621
there'll be times when you,

00:29:23.861 --> 00:29:25.261
as long as you keep going and

00:29:26.299 --> 00:29:28.000
still believe in what you're doing and

00:29:28.381 --> 00:29:29.241
what you're creating.

00:29:31.143 --> 00:29:33.304
I believe something good can and will come

00:29:33.364 --> 00:29:35.905
of it.

00:29:35.945 --> 00:29:38.406
So bottom line is just don't give up,

00:29:38.787 --> 00:29:39.928
even if you have to take a different

00:29:39.968 --> 00:29:40.268
path.

00:29:42.328 --> 00:29:43.750
No, that's sound advice, man.

00:29:44.151 --> 00:29:45.711
And I think that can be applied anywhere,

00:29:45.750 --> 00:29:47.352
not just for up-and-coming artists and

00:29:47.392 --> 00:29:48.053
creatives.

00:29:48.553 --> 00:29:49.614
Just across the board,

00:29:49.794 --> 00:29:51.214
I think that's solid advice.

00:29:52.215 --> 00:29:54.336
So how do you stay motivated for the

00:29:54.396 --> 00:29:55.356
creative grind?

00:29:55.416 --> 00:29:56.738
I know if you're like me, I'm,

00:29:57.298 --> 00:29:58.097
I'm up late.

00:29:58.178 --> 00:30:00.038
I'm, I'm constantly, you know,

00:30:00.318 --> 00:30:02.940
working on my, my product here.

00:30:03.901 --> 00:30:06.761
How do you keep your self motivated to

00:30:06.801 --> 00:30:07.442
keep going?

00:30:09.083 --> 00:30:10.483
Well, for M ball,

00:30:10.523 --> 00:30:11.983
I basically have a bunch of ideas for

00:30:12.003 --> 00:30:14.265
these kids and for these characters.

00:30:14.325 --> 00:30:17.306
And I actually want to see them,

00:30:17.326 --> 00:30:19.086
see them brought to life and pen or

00:30:19.186 --> 00:30:21.228
ink and always have,

00:30:21.675 --> 00:30:22.876
Sometimes I have a hope that I can

00:30:22.916 --> 00:30:26.180
actually get it, get an animated series,

00:30:26.320 --> 00:30:27.981
whether it's M-Bolt or something else.

00:30:28.303 --> 00:30:29.002
Okay.

00:30:29.083 --> 00:30:31.826
Actually work on something or potentially

00:30:31.865 --> 00:30:32.747
working something else.

00:30:33.166 --> 00:30:33.528
To be honest,

00:30:33.548 --> 00:30:34.729
I don't know where I'm going to go

00:30:34.769 --> 00:30:35.910
from this, but I haven't,

00:30:36.451 --> 00:30:37.771
but good things have surprised me

00:30:37.852 --> 00:30:38.972
recently.

00:30:39.012 --> 00:30:39.693
Good.

00:30:39.713 --> 00:30:40.855
Surprises can be good.

00:30:43.455 --> 00:30:44.675
So James,

00:30:44.717 --> 00:30:47.037
I want you to tell everybody where they

00:30:47.057 --> 00:30:49.939
can find you on your social media and

00:30:50.118 --> 00:30:56.401
also where they can read in Bolt.

00:30:56.461 --> 00:30:56.980
I'll tell you.

00:30:59.221 --> 00:31:00.363
Mind if I share a couple of links

00:31:00.403 --> 00:31:03.903
in the private chat?

00:31:03.983 --> 00:31:04.223
Oh, yeah.

00:31:04.324 --> 00:31:05.125
No, you can do that.

00:31:06.724 --> 00:31:08.286
And I'll share it with everybody else.

00:31:08.625 --> 00:31:09.145
You can do that.

00:31:13.734 --> 00:31:20.478
You can find me on jrdemeryinstagram.com,

00:31:20.498 --> 00:31:21.999
Demery James on Facebook,

00:31:22.818 --> 00:31:23.838
and to read my work,

00:31:24.539 --> 00:31:28.020
jamesryandemery on gumroad.com.

00:31:28.780 --> 00:31:29.582
I'm also on Ko-fi,

00:31:29.602 --> 00:31:31.843
pretty much the same name.

00:31:31.883 --> 00:31:31.962
Okay.

00:31:37.938 --> 00:31:40.118
When I repost all the everything,

00:31:40.519 --> 00:31:43.099
all that will be in the description for

00:31:43.160 --> 00:31:43.480
everybody.

00:31:43.500 --> 00:31:45.099
It's actually in the description of this

00:31:45.140 --> 00:31:47.800
video right now.

00:31:47.840 --> 00:31:49.761
If you click on his Gumroad link,

00:31:50.182 --> 00:31:51.801
it will take you directly to where you

00:31:51.842 --> 00:31:54.603
can find his work and read in bold

00:31:54.903 --> 00:31:58.684
for yourself.

00:31:58.704 --> 00:32:01.005
So, James, don't forget the new issue,

00:32:01.125 --> 00:32:02.385
Oaky Valley Part One,

00:32:03.365 --> 00:32:05.787
and that's issue number sixteen, correct?

00:32:07.874 --> 00:32:08.153
Nailed it.

00:32:08.193 --> 00:32:09.055
Number sixteen.

00:32:10.215 --> 00:32:10.936
So everybody,

00:32:10.977 --> 00:32:14.039
make sure you follow support and share

00:32:14.079 --> 00:32:16.803
James's work around all your social

00:32:16.843 --> 00:32:17.262
medias.

00:32:17.443 --> 00:32:19.566
Let's get him some more follows and get

00:32:19.586 --> 00:32:22.969
people reading his fantastic work.

00:32:23.670 --> 00:32:25.971
Indies thrive because of creators like

00:32:26.092 --> 00:32:29.375
James bringing new worlds to life.

00:32:32.385 --> 00:32:32.746
James,

00:32:33.067 --> 00:32:34.387
I want to thank you for coming on

00:32:34.407 --> 00:32:37.089
tonight and sharing in bulk with us.

00:32:37.130 --> 00:32:38.330
And if you don't mind hanging out a

00:32:38.371 --> 00:32:39.952
few minutes after the close,

00:32:40.452 --> 00:32:42.134
that way we can talk just a little

00:32:42.154 --> 00:32:42.434
bit more.

00:32:42.474 --> 00:32:42.835
All right.

00:32:43.796 --> 00:32:44.356
All right.

00:32:45.417 --> 00:32:46.198
All right, everybody,

00:32:46.238 --> 00:32:48.878
that has been the USDN podcast tonight

00:32:48.898 --> 00:32:51.000
where indie comments come to life.

00:32:51.039 --> 00:32:54.602
And if you've now been well, James, sorry,

00:32:54.862 --> 00:32:56.583
you have now been welcome to the Council

00:32:56.603 --> 00:32:56.982
of Nerds.

00:32:57.482 --> 00:32:59.344
And until next time, stay curious,

00:32:59.763 --> 00:33:02.224
stay creative and stay nerdy.

00:33:02.724 --> 00:33:03.986
Everybody have a good night.

00:33:43.307 --> 00:33:44.598
James, thank you for coming.