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Welcome to Digication
Scholars Conversations.

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I'm your host, Kelly Driscoll.

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In this episode, you'll hear part
one of my conversation with Brittany

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Linus, an undergraduate student
pursuing a dual degree in African and

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African-American Studies and Digital
Humanities at Stanford University.

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More links and information about today's
conversation can be found on Digication's

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Twitter, Facebook, and Instagram.

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Full episodes of Digication Scholars
Conversations can be found on

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YouTube or your favorite podcast app.

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Welcome to Digication
Scholars Conversations.

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I'm your host, Kelly Driscoll, and I am
so excited today to introduce Brittany

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Linus, an undergraduate student athlete.

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She's a graduate student at Stanford
University, where she's pursuing a dual

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degree in African and African-American
Studies and Digital Humanities.

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And I'm just going to read a little bit
from Brittany's bio here to provide some

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context into this conversation today.

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Uh, I'm.

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Just thrilled to talk to you, Brittany.

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You're an amazing human being.

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Brittany is a Nigerian-American
UI designer, Digital Humanities

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Scholar, and Pleasure Activist.

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I just love this.

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She believes self care, even in the
smallest form of a smile, is activism.

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Currently, Linus is completing a
Creative Honors Thesis in collaboration

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with the Department of African and
African-American Studies and the

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Institute for the Diversity in the Arts.

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Thank you for joining me today, Brittany.

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Thank you for having me.

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I really appreciate you reaching out.

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I'm so excited to be here.

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Oh, I am just thrilled.

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So Brittany created a project portfolio in
Digication that I just happened to stumble

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across through my work with Stanford,
and I literally gasped when I opened

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it, you know, it's titled Visual Bodies.

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I saw that right in the thumbnail
in Stanford's Portfolio Directory

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on Digication and I was like,
Ooh, what is this about?

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And literally was like, Oh, Wow.

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Wow.

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So, I had to track Brittany down.

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I appreciate it, by the way.

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That was And I was so pleased that
she was excited to hear from me.

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So here we are, finally
having a chance to talk.

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And Brittany, I just thought it would
be great for our listeners, for you to

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just describe a little bit about how you
found yourself at Stanford University

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and talking a little bit about the things
that you're studying and, and why you're

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so passionate about what, you know,
what you're pursuing at Stanford and

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also just what you're doing as a person.

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I just think it's remarkable.

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Thank you so much.

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Um, it has been quite the journey, not
only being a student at Stanford, but

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the entire process of becoming one.

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And I'll be honest, when I was a senior
in high school, and it was, I think

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it was around August, that was when
All of our teachers and our counselors

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were advocating for us to consider what
university are you going to apply to?

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Did you do your SAT and ACTs?

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Um, and I just didn't know where
I wanted to go specifically.

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And so it was just weighing
down on my mind a little bit.

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And I remember my aunt, my Auntie
Vivian, she came over to my house.

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She sat me down.

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We were having a conversation catching up.

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And she asked, you know, what is,

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when you go to university, what is
biggest thing, the biggest takeaway

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that you want to have for yourself?

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And I told her, you know what,
I just want to transform.

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I want to go from a larvae to a butterfly.

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I don't know what institution
is going to get me there.

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I don't know how I'm going to get there.

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But that metamorphosis.

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I want to experience that.

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And she said that there are two
schools that will allow you to go

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through this transformative journey.

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There's one on the East Coast and
there's one on the West Coast.

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There's Harvard and then there's Stanford.

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Stanford That was something
that I hadn't necessarily put

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in a lot of thought to consider.

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So I remember going on Google, I pulled
up Stanford University, the website,

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and I was just perusing the homepage.

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And I was just like, of course, every
website and every school is going

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to have Short, concise information,
all the beautiful pictures of the

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campus and then in the classrooms.

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I'm looking for the dirty stuff.

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I'm looking for what is going on in
the maker spaces, the artist spaces.

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I want to know really what
Stanford is all about.

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And that's when I discovered
Stanford University's Design School.

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Yes.

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And I remembered on literally on the
website, when you scroll down, it

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said, we are here to get stuff done.

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And to get stuff done creatively.

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And so you see students in the
lab with their goggles, like laser

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cutting acrylic and with wood.

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Yeah.

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And in the classrooms with sticky notes
and putting it on like makeshift cardboard

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boxes that they're turning into robots.

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It was so cool.

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Yeah.

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You know, I've heard and I was like.

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That's the school I want to go to.

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I totally, I mean, I get the appeal.

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I didn't want the polished
kind of view or perspective.

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I wanted to see the work
that was being done.

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And that was what led me to
apply to Stanford University.

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Once I applied, honestly, I'm going to be
so honest, that one sit down that I did to

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just kind of see what Stanford was about.

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That was the only one that I did because
I realized, oh my gosh, Stanford has

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like a full percent acceptance rate.

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Logistic.

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Little competitive.

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I was just like, well, you
know, maybe we shouldn't really

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get our expectations too high.

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Lo and behold, I got in.

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And so that was, That was
amazing, an amazing experience.

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So when I finally landed and I could see
for myself the pictures of the campus

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that were on the website versus what
I was seeing and feeling and touching

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in real life, it was astounding.

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But what I was really excited for
was the student experiences that

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were on the design school's website.

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So it's my first day of classes
and I just so happen to enroll

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in a black studies course.

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It was one of those, those courses that I
have always had an interest in, I either

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just did not have the time to take them,
or they just didn't fit in my schedule.

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And I said, you know what?

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I'm gonna take this class for me.

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I never looked for this CS degree.

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They're saying I have to take
introduction to Python and all of

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these different programming courses.

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But this particular literature
class, I want to take it.

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And I remember enrolling in it and
it was one of the most transformative

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classes that I have ever taken.

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What was beautiful about it was.

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I saw the student experiences
that were on the Stanford

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University Design School's website.

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People in the lab making things.

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It translated into that classroom.

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We were not only reading
about Black scholars, right?

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We're not only reading their speeches
or looking at their autobiographies,

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we were put in conversation
with them through our artistry.

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And so we were invited to use
different mediums for our art, graphic

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design, web development, and even
stimulating conversations around Okay,

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so what, what is the rhetorical use
of graphic design when you put it

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on a website or when you're trying
to invoke some level of activism,

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but your only mode of communication
is Instagram with other people?

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How can you leverage the
technologies that are available?

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To cultivate and tell your own story and
not only your own story, but a Black story

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that is in conversation with other people.

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So you can build up this global
community that digitality

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allows for you to cultivate.

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It was a stimulating conversation
because I had never viewed technology

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as more than a means to an end.

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I didn't view it as an art.

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Such a transformative experience.

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Um, and from there, my interest in
graphic design, web development,

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It kind of blossomed a little bit.

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I was like, wait, wait, I can do so much.

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I have so many tools at my disposal.

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And most importantly, I'm in a
space that values experimentation.

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I'm in a space where the work and
the readings that I'm doing, they

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don't want to see the readings.

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They want to see how the
readings impacted me.

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Right.

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Yeah.

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With this in mind, I can cultivate a
formula for myself that allows me to

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develop a user experience that imparts
the same feelings that I had as a student

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onto those as viewers, as audiences.

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So for you to come to me, And like, that
was what happened with my first ever in

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the Digication website, Visible Bodies.

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That was literally my first ever
stab at web development, graphic

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design in an academic space.

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It was so affirming to the feelings
that I harbored in my heart at that

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time as a student, as a freshman
at Stanford, who didn't really know

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what I was doing, but I had these
intuitions and these interests in mind.

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Um, and so I just, I think Love
out there because it's exactly

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platforms like these that allow me
the space of so many other students.

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So just deeply reflect
on how far we've come.

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And so that's literally starting
also with this question is just

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allowing me to see how far I've
come and where I started from.

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Yeah.

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Oh, well, thank you so much
for this introduction and.

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It was immediately apparent to me when
looking at the project that you created

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that you approached it as this kind of new
medium, you know, almost like, you know,

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someone who hasn't touched a paint set
before or hasn't used watercolor pencil.

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You know, you really approached it with
this kind of mindset of exploration

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and Just beautifully put in different
imagery at a scale that just brought

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me in as a viewer right away.

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You incorporated video
in interesting ways.

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You had music.

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that one could listen to right on
the introduction as you're reading.

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I mean it was just so thoughtfully
crafted and I really appreciated the

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kind of scale that you were using and
the intentional use of the kind of

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Parallax and squinting kind of options
that one has because you're just kind

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of revealing these different layers
and, and parts of your kind of story of

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the project and why it's so meaningful.

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So it's really an experience
as you're going through it.

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It's not one that would, One would kind
of consider as a traditional sort of

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website, or even what one would describe
as a traditional kind of portfolio that

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people are using Digication for often.

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It's definitely a portfolio, a project
oriented portfolio, but you really

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pushed kind of the boundaries of what the
technology could do and got under the hood

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and clearly spent a lot of time exploring
all of the different setting options, you

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know, design capabilities that were there.

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And it was so exciting to see.

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Um, so you were talking a little
bit about how you kind of just

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Happened to come into this course.

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Could you tell us a little bit about
how you were introduced to the project?

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How you discovered Digication?

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And maybe, you know, I, I'm talking
about how there are all of these

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different layers, but what was the
process like for you as you were

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kind of building this and what was
it that you really wanted to express?

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Oh my gosh.

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So I'm going to start.

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With a very, I would say,
universal experience as a student.

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I was a freshman, it was my second
quarter at Stanford, and I had started

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that quarter under the belief that
I was still going to be pre med.

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Oh wow, okay, yes.

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I was taking this chemistry class.

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We had one of our first quizzes, and
I'm not going to, I'm, I'm not kidding.

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I literally got a 40 percent and I
unenrolled from the class that same day.

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That same day.

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Not meant to be.

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Yes.

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I was just like, no,
that's just how it is.

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And I remember because, um, the quiz.

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The grades had released, I think it
was a day or so before the last day

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where you could finalize your schedule.

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So I was desperately in need of a class.

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Yeah.

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I just was like, I don't know where to go.

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So I went on Stanford's catalog,
it's called Explore Courses.

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And I saw that there was this course
offered, it was called Visible

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Bodies, Black female African authors.

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And the Politics of Publishing in Africa.

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That was the complete name of the course.

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And it falls under this category of
an Introductory Seminars Program.

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I was like, what is that?

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I mean, this class looks cool.

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What is an introductory seminar?

236
00:15:42,185 --> 00:15:47,345
And so introductory seminars at
Stanford are exploratory courses

237
00:15:47,375 --> 00:15:54,694
cultivated by all disciplines across
the campus in order to advertise,

238
00:15:54,715 --> 00:15:56,824
right, the discipline to students.

239
00:15:56,885 --> 00:15:57,744
It's a test run.

240
00:15:58,165 --> 00:16:00,354
They purposefully make it interesting.

241
00:16:00,719 --> 00:16:05,459
Fun, inviting, um, they center,
a lot of them center the arts in

242
00:16:05,479 --> 00:16:11,320
order to allow students to kind of
get an insider view into what this

243
00:16:11,320 --> 00:16:17,569
discipline could entail for them beyond
the academics, beyond the theory.

244
00:16:17,829 --> 00:16:19,339
Now it's time for us to work.

245
00:16:19,339 --> 00:16:22,859
So you have an idea of what you
will be doing as a student and not

246
00:16:22,859 --> 00:16:23,869
what you're going to be reading.

247
00:16:24,569 --> 00:16:25,870
I love the premise.

248
00:16:26,520 --> 00:16:29,520
The title of the course
was so exhilarating.

249
00:16:30,209 --> 00:16:36,689
And so I sent an email to the lead
instructor, Joel Cabrita, and I

250
00:16:36,690 --> 00:16:38,370
was like, I know it's kind of late.

251
00:16:41,310 --> 00:16:45,830
I am in desperate need of a course,
but, and I just so happened to stumble

252
00:16:45,830 --> 00:16:48,719
upon your class that you're teaching.

253
00:16:49,120 --> 00:16:50,120
Visible bodies.

254
00:16:50,300 --> 00:16:51,850
I want to be a part of it.

255
00:16:52,600 --> 00:16:53,650
Could you send me the syllabus?

256
00:16:54,420 --> 00:16:58,060
Joel got back to me and Joel
was like, here's a syllabus.

257
00:16:58,500 --> 00:16:59,569
I enrolled you in the class.

258
00:16:59,570 --> 00:17:03,639
I love that at it.

259
00:17:03,639 --> 00:17:06,109
And we're in the course now.

260
00:17:06,579 --> 00:17:11,440
Joel is going over or doing a
comprehensive review of the syllabus.

261
00:17:11,770 --> 00:17:17,520
And I see On the syllabus, there is
this portfolio presentation component

262
00:17:17,790 --> 00:17:23,100
that is not just for our particular
cohort, but it is across the entire

263
00:17:23,130 --> 00:17:24,699
Introductory Seminars program.

264
00:17:24,790 --> 00:17:29,140
So you could be in the chemistry
department, human biology, um,

265
00:17:29,229 --> 00:17:31,150
African and African-American studies.

266
00:17:31,430 --> 00:17:37,619
They work literally cultivating a
symposium for you to present your work.

267
00:17:38,429 --> 00:17:42,889
To all of the students who happened
to take introductory seminars

268
00:17:42,889 --> 00:17:44,460
courses just like you that quarter.

269
00:17:44,540 --> 00:17:44,909
Yeah.

270
00:17:45,000 --> 00:17:48,010
And the tool that we were
introduced to was Digication.

271
00:17:48,620 --> 00:17:55,859
So as we were working through and
cultivating our, our experiences within

272
00:17:55,859 --> 00:18:00,519
the course, um, and specifically for
Visible Bodies, what we were asked to do,

273
00:18:00,550 --> 00:18:05,590
our literal one assignment was to build
and envision our own publishing house.

274
00:18:05,965 --> 00:18:12,005
And we did everything from the pitching
to, um, the financial, logistical

275
00:18:12,005 --> 00:18:15,205
planning to the business strategy.

276
00:18:15,205 --> 00:18:16,994
How are we going to market this?

277
00:18:17,255 --> 00:18:22,414
From there, we actually partnered up with
Black female authors across the world.

278
00:18:22,655 --> 00:18:27,885
So we had their oversight, we were
documenting everything, and eventually we

279
00:18:27,885 --> 00:18:33,554
were invited by the actual introductory
seminars program to further extend.

280
00:18:34,080 --> 00:18:38,590
What we were doing or cultivating
within the class beyond, I mean,

281
00:18:38,600 --> 00:18:42,879
really beyond that to start thinking
about, okay, if this publishing house

282
00:18:42,879 --> 00:18:48,099
was real, how would you compensate
people who say, submit their work?

283
00:18:48,250 --> 00:18:53,490
How would you, what is the community
engagement component of this experience?

284
00:18:53,800 --> 00:18:58,280
And could you share these conversations
that you're having with these

285
00:18:58,310 --> 00:18:59,929
authors and with these publishers?

286
00:19:00,110 --> 00:19:03,100
Could you make that information
accessible to others?

287
00:19:03,470 --> 00:19:09,230
And so that was the utility, or
rather that is where the utility of

288
00:19:09,230 --> 00:19:11,329
the portfolio kind of took shape.

289
00:19:11,800 --> 00:19:17,340
It was this key presentation component
that I was introduced to as a student

290
00:19:17,419 --> 00:19:18,889
from the introductory seminars.

291
00:19:20,080 --> 00:19:22,560
So we are given this website.

292
00:19:23,250 --> 00:19:25,879
I'm perusing it and I'm like,
wait, I don't, I mean, I haven't

293
00:19:25,889 --> 00:19:28,069
really done web development before.

294
00:19:28,069 --> 00:19:29,470
I mean, honestly, I was scared.

295
00:19:29,480 --> 00:19:32,190
Like at that point, I hadn't coded ever.

296
00:19:32,550 --> 00:19:37,730
So I was just like, I don't know what
to expect when I log onto this platform.

297
00:19:38,190 --> 00:19:42,529
And I remembered, um, Joel came to me.

298
00:19:42,889 --> 00:19:44,590
And Joel was like, it's okay.

299
00:19:45,125 --> 00:19:49,865
Because everything is listed out for
you and how you interact with the

300
00:19:49,865 --> 00:19:53,854
page and how you want to lay it out
is literally on the left hand side.

301
00:19:54,095 --> 00:19:58,515
So whatever, say it's the font,
you want to add an image, you

302
00:19:58,515 --> 00:20:02,924
want to add a description, you
want to add alt text, it is there.

303
00:20:02,955 --> 00:20:04,525
It is an option for you.

304
00:20:05,065 --> 00:20:08,985
And that opened my eyes, right?

305
00:20:09,305 --> 00:20:13,590
Because I was able to consider
things that I hadn't even considered.

306
00:20:13,800 --> 00:20:18,059
When you're allowed to upload
a file, it'll tell you the type

307
00:20:18,069 --> 00:20:19,610
of files you can upload, right?

308
00:20:20,010 --> 00:20:22,219
And with Digication,
it did more than that.

309
00:20:22,240 --> 00:20:25,139
It showed me the icon, it
gave me a little description.

310
00:20:25,795 --> 00:20:35,325
And so I, the idea of adding like a GIF
or, or GIF, um, memes or adding photos

311
00:20:35,325 --> 00:20:40,785
and pictures and videos, I wouldn't have
thought of those things if the option

312
00:20:40,835 --> 00:20:42,644
on the interface was not available.

313
00:20:42,865 --> 00:20:46,515
It was almost like the platform
was giving me permission.

314
00:20:47,040 --> 00:20:50,290
To imagine things beyond what
I thought I could imagine.

315
00:20:50,899 --> 00:20:53,450
And so that's exactly what I did.

316
00:20:53,730 --> 00:20:58,030
I was literally just, as you said,
the curiosity in my mind, how could I

317
00:20:58,100 --> 00:21:01,700
represent this concept using imagery?

318
00:21:01,860 --> 00:21:04,569
How could I represent this conversation?

319
00:21:04,855 --> 00:21:11,605
Using a video, what is the
value of a multimedia approach

320
00:21:11,875 --> 00:21:14,475
to this particular process?

321
00:21:14,605 --> 00:21:19,695
And how will it aid in my storytelling
such that when I step away from the

322
00:21:19,695 --> 00:21:24,415
website, someone who is interacting
with it will still have that same

323
00:21:24,415 --> 00:21:27,085
impression as if I am still in the room.

324
00:21:27,525 --> 00:21:30,275
And that was the utility of Digication.

325
00:21:30,515 --> 00:21:34,435
It was the fact that Digication
just through the sheer...

326
00:21:34,625 --> 00:21:37,350
I love the way that it is like, format it.

327
00:21:37,389 --> 00:21:38,949
Everything is just there for you.

328
00:21:39,580 --> 00:21:43,010
You are given permission
to be imaginative.

329
00:21:43,760 --> 00:21:46,129
Oh, well, thank you for that description.

330
00:21:46,139 --> 00:21:51,609
And I mean, I can tell you from my
perspective, you know, the whole team

331
00:21:51,609 --> 00:21:59,149
here put so much thought and, you know,
we want that for the users, right?

332
00:21:59,169 --> 00:22:04,800
We want to be able to not just
provide them with a tool, but provide

333
00:22:04,800 --> 00:22:14,395
them with kind of some openness and
opportunity to explore and, you know,

334
00:22:14,395 --> 00:22:19,635
we're kind of quietly suggesting
different options that are available.

335
00:22:19,645 --> 00:22:24,894
So, for those that are coming into this
with, you know, this feeling of, oh gosh,

336
00:22:24,895 --> 00:22:28,590
you know, I've never, Created a website.

337
00:22:28,689 --> 00:22:34,320
Um, I, I don't know what a portfolio
is, you know, I have some ideas

338
00:22:34,320 --> 00:22:39,259
about this project that I'm
creating, but how do I express that?

339
00:22:39,259 --> 00:22:43,689
You know, we're, we're hoping to kind
of lead users through that by making

340
00:22:43,689 --> 00:22:50,199
those tools easy to get to and kind of
presenting it throughout the experience

341
00:22:50,199 --> 00:22:51,899
of navigating through the platform.

342
00:22:51,899 --> 00:22:54,349
So I, I appreciate that.

343
00:22:54,560 --> 00:22:56,199
Description very much.

344
00:22:56,340 --> 00:23:03,149
And it sounds like, you know, when I
reached out to you that this experience

345
00:23:03,149 --> 00:23:08,309
that you had in this course and developing
this project really opened up, you

346
00:23:08,319 --> 00:23:10,049
know, it was transformative for you.

347
00:23:10,059 --> 00:23:13,879
It kind of opened up
some new avenues for you.

348
00:23:13,879 --> 00:23:19,520
I mentioned earlier that now as part
of your bio that you really describe

349
00:23:19,520 --> 00:23:24,599
yourself as a UI Designer now, and I
would like to hear a little bit about

350
00:23:25,075 --> 00:23:32,015
You know, what, what that experience was
like and how you've kind of moved forward

351
00:23:32,015 --> 00:23:33,754
from that to what you're doing now.

352
00:23:34,385 --> 00:23:35,405
Yes.

353
00:23:35,475 --> 00:23:36,645
Oh my gosh.

354
00:23:37,034 --> 00:23:46,895
Digication played a huge, a huge
part in that because after I had made

355
00:23:47,244 --> 00:23:53,624
that and that portfolio, um, I was
reached out to by some of the heads

356
00:23:53,674 --> 00:23:55,414
of introductory seminars program.

357
00:23:55,925 --> 00:24:00,795
And they said, we want to bring
you on as one of our employees.

358
00:24:01,225 --> 00:24:03,355
You're going to help us teach others.

359
00:24:03,740 --> 00:24:05,090
How to do what you did.

360
00:24:05,300 --> 00:24:06,870
So my first on campus job.

361
00:24:10,120 --> 00:24:11,960
My first on campus job.

362
00:24:12,399 --> 00:24:19,200
Was literally being sort of like this
student advisor on the platform, kind

363
00:24:19,200 --> 00:24:23,870
of showcasing and helping students
translate what they have going on in

364
00:24:23,870 --> 00:24:29,370
the classroom, what they want and desire
to kind of cultivate that lies within

365
00:24:29,370 --> 00:24:34,770
their mind, and then putting it on a
platform in a way that is streamlined.

366
00:24:34,920 --> 00:24:38,090
So it tells a story from
the way that it looks.

367
00:24:38,580 --> 00:24:43,420
The type of images, text that is
used, and then how you actually

368
00:24:43,430 --> 00:24:44,800
navigate through the platform.

369
00:24:44,850 --> 00:24:49,950
It is you, it, it introduced me
to design in a different way.

370
00:24:50,750 --> 00:24:55,854
From Digication, I really started
thinking about the value of digital.

371
00:24:55,995 --> 00:25:00,865
Digital Storytelling and looking
at web development as sort of this

372
00:25:01,225 --> 00:25:04,155
soft launch into the discipline.

373
00:25:04,565 --> 00:25:11,044
And so I found myself literally in every
course since then, every course making

374
00:25:11,074 --> 00:25:16,160
some flyer Making a little typing up
a little code and presenting it to my

375
00:25:16,160 --> 00:25:20,500
professors like, oh, this is what I
learned in the classroom This is the the

376
00:25:20,540 --> 00:25:26,180
platform that I'm using and this is where
I started from and they would have like

377
00:25:26,180 --> 00:25:35,220
that base eventually I had an opportunity
to meet with, um, here it's called the

378
00:25:35,220 --> 00:25:37,460
Center for Spatial and Textual Analysis.

379
00:25:37,869 --> 00:25:41,149
I like to call it the Center
of Digital Humanities.

380
00:25:41,369 --> 00:25:42,450
It's a beautiful space.

381
00:25:42,500 --> 00:25:42,870
I love it.

382
00:25:43,980 --> 00:25:44,559
So great.

383
00:25:45,250 --> 00:25:52,975
Um, And there, they just kind of helped
me craft and polish the ideas that I had.

384
00:25:53,175 --> 00:25:55,205
And so that's really all it's been.

385
00:25:55,524 --> 00:26:00,434
Digication launched me into there and now
it was kind of like, I'm hammering it in.

386
00:26:00,674 --> 00:26:04,879
Like, it was, I guess the way that
I would describe it is, Digication

387
00:26:04,879 --> 00:26:08,060
was like the clay that I had and I
was like, now I was like molding it.

388
00:26:08,240 --> 00:26:11,189
And now like as a sculptor,
I'm cultivating the skills

389
00:26:11,199 --> 00:26:12,889
so you can see the details.

390
00:26:12,909 --> 00:26:16,100
You can see the stone becoming skin.

391
00:26:16,630 --> 00:26:19,319
It was such a beautiful experience.

392
00:26:20,069 --> 00:26:23,929
So now I'm entering my
junior to senior year.

393
00:26:23,949 --> 00:26:27,000
I have to start thinking about my thesis.

394
00:26:27,320 --> 00:26:27,780
Yeah.

395
00:26:27,790 --> 00:26:30,110
For African and African-American Studies.

396
00:26:30,790 --> 00:26:34,750
And I wanted to utilize web
design and web development.

397
00:26:35,465 --> 00:26:41,945
Because it is a space of
personal creation, right?

398
00:26:41,965 --> 00:26:48,135
There is no set way to design, so long as
you understand the guidelines, the bylaws

399
00:26:48,485 --> 00:26:50,335
for the interface that you're using.

400
00:26:50,875 --> 00:26:56,774
And the thing about it is, My job as a
Black Studies scholar is to push those

401
00:26:56,774 --> 00:27:01,834
boundaries, is to rethink them, is to
reshape them, and to imagine beyond

402
00:27:01,844 --> 00:27:06,334
the borders that are superimposed
by, say, the technological limits

403
00:27:06,334 --> 00:27:07,994
that we interact with every day.

404
00:27:08,205 --> 00:27:13,310
It could be I mean the face, the
literally the dimensions of the screen

405
00:27:13,310 --> 00:27:14,610
that you're looking at right now.

406
00:27:15,540 --> 00:27:17,490
So I'm thinking about my thesis.

407
00:27:17,780 --> 00:27:25,580
I go to my advisor, Michelle Elam,
and I am really interested And graphic

408
00:27:25,580 --> 00:27:30,470
design, web development, and this notion
of pleasure activism, because something

409
00:27:30,470 --> 00:27:35,269
that I was intrigued by was that I would
design something, and it was probably

410
00:27:35,269 --> 00:27:37,689
the most maximalist version of it.

411
00:27:37,690 --> 00:27:44,380
The whole screen, and it has so many
visuals that are popping out, the

412
00:27:44,380 --> 00:27:48,780
colors are saturated, there's texture,
and people will feel good about it,

413
00:27:49,010 --> 00:27:56,480
which ran contrary to Every other kind
of platform design expert that had

414
00:27:56,480 --> 00:27:59,000
that I had interacted with as of late.

415
00:27:59,669 --> 00:28:05,429
And I wanted to cultivate a thesis that
kind of honored that because that's the

416
00:28:05,439 --> 00:28:11,240
style of web development that doesn't
necessarily It's not, I would say

417
00:28:11,240 --> 00:28:14,000
it's not in the mainstream as of late.

418
00:28:14,090 --> 00:28:17,189
It exists in very limited spaces.

419
00:28:18,860 --> 00:28:22,810
And so that's when Michelle
Elam was like, you can do that.

420
00:28:23,169 --> 00:28:25,070
That's called a creative honors thesis.

421
00:28:25,090 --> 00:28:25,769
You can do that.

422
00:28:26,709 --> 00:28:28,479
So that's what I'm doing.

423
00:28:28,899 --> 00:28:34,120
Um, and right now I am not only
focusing on web development.

424
00:28:34,409 --> 00:28:36,760
I'm focusing also on video games.

425
00:28:37,245 --> 00:28:40,785
Because that's one of the
liminal spaces where maximalism

426
00:28:41,335 --> 00:28:43,375
actually is deeply valued.

427
00:28:43,535 --> 00:28:48,294
You're adding character to not only
the interface, the platform, the brand,

428
00:28:48,505 --> 00:28:55,355
but you are adding character to you
as not only a user, but as a player.

429
00:28:55,624 --> 00:28:59,045
It's very multi
dimensional, multi faceted.

430
00:28:59,565 --> 00:29:04,515
And so, Just to hone in on the
story a little bit more, I'm

431
00:29:04,555 --> 00:29:06,495
interested in web design development.

432
00:29:06,525 --> 00:29:10,865
I'm interested in how websites and the
way that they're designed make you feel.

433
00:29:11,215 --> 00:29:16,145
And that translates into so many different
digital phenomena, especially video games.

434
00:29:16,745 --> 00:29:18,425
And that is literally my thesis.

435
00:29:19,000 --> 00:29:25,290
How video game changes, right, as a user,
that are deliberate, that are personally

436
00:29:25,290 --> 00:29:33,790
decided, communally negotiated, and
generally a human yes to me feeling good.

437
00:29:34,160 --> 00:29:36,524
How can video game changes be good?

438
00:29:36,525 --> 00:29:38,525
Be a pleasure activist tool.

439
00:29:39,215 --> 00:29:43,735
And no one really talks about it that
much from that particular standpoint,

440
00:29:43,995 --> 00:29:49,325
how oppression, right, from the borders
that it's simply imposed to the dominant

441
00:29:49,335 --> 00:29:54,785
narratives that exist, how those
particular narratives, the first thing

442
00:29:55,225 --> 00:29:57,555
that is under attack is how you feel.

443
00:29:57,830 --> 00:29:59,530
Especially when you're feeling good.

444
00:29:59,940 --> 00:30:01,450
So that was my thesis.

445
00:30:02,070 --> 00:30:06,710
And I'm using, I'm actually going
to format it as a virtual magazine

446
00:30:06,720 --> 00:30:10,670
in the format of Digication, the
interface, the way that it has you

447
00:30:10,670 --> 00:30:13,150
scroll down, that's exactly right.

448
00:30:13,290 --> 00:30:17,960
It's simple, but it, it allows the
most minimal interaction with the

449
00:30:17,960 --> 00:30:21,960
interface but that gives you more
time to just see what is going on.

450
00:30:22,650 --> 00:30:28,240
And from there, so I'm cultivating
my thesis into a magazine, which will

451
00:30:28,240 --> 00:30:32,950
then be showcased on a website that
I'm building, I mean, for myself.

452
00:30:33,240 --> 00:30:37,870
And it was just beautiful
to see the sheer evolution.

453
00:30:38,330 --> 00:30:38,890
First.

454
00:30:39,230 --> 00:30:43,000
I mean, I had no idea, no
experience coding websites.

455
00:30:43,270 --> 00:30:44,760
I didn't know HTML.

456
00:30:45,040 --> 00:30:46,390
I didn't know what CSS was.

457
00:30:46,420 --> 00:30:47,710
I was like, what is JavaScript?

458
00:30:48,190 --> 00:30:50,860
I just wanted to get
into the design process.

459
00:30:51,100 --> 00:30:53,180
Digication was a useful tool there.

460
00:30:53,380 --> 00:30:57,580
And eventually through the courses,
through my own personal exploration

461
00:30:57,580 --> 00:31:03,010
and challenges, I was able to expand
my thinking and start looking at ways

462
00:31:03,010 --> 00:31:04,560
in which I can start cultivating.

463
00:31:04,780 --> 00:31:05,960
Those technical skills.

464
00:31:06,180 --> 00:31:10,960
And so now I'm at the end of my
journey at Stanford where I now

465
00:31:10,960 --> 00:31:12,300
have those technical skills.

466
00:31:12,340 --> 00:31:13,480
I'm putting them to work.

467
00:31:13,490 --> 00:31:18,250
I'm building the website from scratch
and the experiences that I had,

468
00:31:18,290 --> 00:31:25,140
even the very first one That I used,
Visible Bodies, that project is all

469
00:31:25,140 --> 00:31:29,820
informing the way in which I design
and structure my thesis as of today.

470
00:31:30,140 --> 00:31:33,780
And so it is just like, it's
literally like the culmination

471
00:31:34,330 --> 00:31:35,320
and it should be, right?

472
00:31:35,320 --> 00:31:39,700
The culmination of my journey as an
undergraduate student at Stanford.

473
00:31:40,040 --> 00:31:44,060
And it really starts with
Digication at the front and center.

474
00:31:45,530 --> 00:31:49,550
Here's a preview of what's coming up
next in part two of my conversation

475
00:31:49,550 --> 00:31:53,220
with Brittany Linus, a recent
graduate of Stanford University.

476
00:31:53,370 --> 00:31:56,460
I got to think about myself
and my experience and how

477
00:31:56,460 --> 00:31:57,230
I'm going to translate that.

478
00:31:57,800 --> 00:31:59,830
It was all about me.

479
00:32:01,270 --> 00:32:03,580
It was all about me and
I had help with that.

480
00:32:03,770 --> 00:32:07,420
From the way that the interface
was designed to the example

481
00:32:07,420 --> 00:32:08,900
templates that are available.

482
00:32:09,110 --> 00:32:11,400
So it was a beautifully curated.

483
00:32:11,835 --> 00:32:17,835
experience as a student and it made
me less hesitant about building and

484
00:32:17,835 --> 00:32:19,685
cultivating a portfolio for myself.