There is very little time or point in an explanation.
To be blunt, the audio came from a timeline and dimension
that has collapsed at a quantum level, rendering it null and void in
terms of existence. Operational time in the dimensional continuum
where the beings that created the audio collapsed in on itself,
rendering all of their civilization, including technology, null and void.
Timelines across the entire continuum are collapsing and changing.
The destruction has a nexus that centers on cinema syll.
10 years. Man 10. 10 years.
10 years. Man 10 years. 10 years.
10. 10 years.
10 years.
What is the most likely way humanity. Will be wiped out? Maybe it's
something. Or us. Although the way the world ends
might. Be because of you. And if this is the case, you. Wouldn'T have any
control over it. The global temperature rise underscores a chilling
reality. Our planet is trying to tell us. Something, but we don't seem
to be listening. A recent study has suggested that one. Third of annual deaths
due to heat are directly related to global warming.
On top of the initial flash of thermonuclear light,
which is 180 million degrees, which catches every everything
on fire in a nine mile diameter radius. On top of
the bulldozing effect of the wind and all the buildings coming down,
and more fires igniting more fires on top of the radiation if
they happen to have survived poisoning people to death. On top of all that,
each one of these fires creates a mega fire
that is a hundred or more square miles.
Timelines across the entire continuum are collapsing and
changing. The destruction has a nexus that centers on Cinema
PsyOps. A breathtaking scientific revolution is
taking place. Biotechnology has been progressing at
stunning speed, giving us the tools to eventually gain control over
biology. Solving the deadliest diseases while also creating.
Viruses more dangerous than nuclear bombs, able to devastate
humanity. It's man returning to the most
primal, violent state as people fight
over the tiny resources that remain.
What if the world we live in is just a dream or a simulation?
Whether it's a dream or some advanced computer game you are playing
right now. When it ends, you would be what. Causes the end of the world.
Please do us all a favor. Continue dreaming or playing this game of
life. Because when you wake up or unplug, there's a chance the
rest of us. Will be blaked out of existence. Timelines across the entire
continuum are collapsing and changing. The destruction has
a nexus that centers on Cinema syn.
10 years. 10 years alone.
And welcome to the 505th consecutive week of Cinema
Psyops. I'm your host, Cort, the guy that is super stoked that
he had an English dialogue track. And joining me in the joy of me
having an English dialogue track for Godzilla versus King Ghidorah is my co
host, Matt. Oh, yeah. So happy for you.
Yeah. We'll explain more on your episode because I can say that because I
already recorded it, so I know that we will. Yeah, right. But we do explain
it. Yeah. I do in fact have an English language dialogue track this
week. And you in fact do not next week. Yeah, no, I don't.
And it hurts my feelings.
Yeah, I'll hopefully have that corrected. Because we need clips.
Clips are how we do show. That's how we show. Right. That's how we show.
We can't show without clips. Clips make show. No, clips make no
show. Or less. That's right. Less of a show we had show.
It was just less of show. There was more us, which no one wants.
They want less of us. No, no. Yeah. No one wants less
us. More clips is better for. Yeah, better for everyone.
Yeah, less us. More music stolen from the film or, you know, from the same
time the film is released and played for longer periods of time, the better.
Yeah. And then I can eat my pizza. It's great.
Oh, goodness. Well, I guess we could probably not do as
much patter. So you could get some pizza in. But we also have super long
clips. And you'll be able to get pizza in during those. Yeah, that's exactly it.
That's what I'm saying. We can have patter right now because I know we have
super long clip. Oh, do we ever. All right,
so Godzilla versus King. King Ghidorah. This is a follow up
and takes place after Biollante. It's the same Godzilla for
the start of the film that showed up after Biollante, which is
still somewhat of a kinder Godzilla, but is the second
Godzilla to appear after the first Godzilla that gets destroyed by the Oxygen
Destroyer. So, yeah, our timeline is always 1954.
Godzilla always happens so far. Yes, it has always happened so
far. And I think they try to erase that, but I'm not 100% sure exactly
how far back they go. I don't think that they do. I think it's always
1954. Godzill happens. Always happens. Because that one,
that's. That's a fixed point in time. Right. Because if
1954 Godzilla does not happen, this film has the
dumbest time travel plot line that has ever existed. So if they
are actually going to be doing the thing that they're supposed to be doing,
which makes it so that Godzilla Never exists. Spoiler alert. But that's
something that they're going to try to do in this film. Then when everybody comes
back to the future, everybody still knows who Godzilla is everywhere.
So 1954 Godzilla still has to have happened in this world.
They just get rid of the Godzilla that reemerged in the 80s. Yeah, there you
go. That's the only way this plotline makes sense. Because if you think it's the
other thing, this is the dumbest fucking time travel movie ever. Yeah, No, I like
your idea on this one. Yeah. You have to accept that
that is what this film is doing, because it will not tell you that that's
what this film is doing. It just tells you it eliminates Godzilla from the timeline,
which means everybody should forget about Godzilla altogether. And if you can get over that
little bit of a hurdle and just go with me on this, you'll enjoy this
film more. If you can't, you're not going to enjoy this film. Sorry.
Yeah, you're going to have a bad time. Yeah. Because the time travel. This is
fucking stupid. It really is. It's the dumbest fucking thing ever.
Well, enough patter about how the time travel sucks. We'll explain why
by playing clips that explain why. Because I'm not gonna write it down.
That's what you do. Yeah, but in order for us to get into that review,
we're gonna have to play the Legion Patreon ad. And immediately following that on the
pirate radio edit like we've been doing all along. All songs released in 1991,
just like Godzilla vs King Ghidorah up first is going to be Jesus
joins with right here, right now, immediately following
this. This'll keep. Oh, hide it.
The garbage heap of the future became a multi plane surface
inhabited by a repeatedly created anachronistic cast off of the
Moebius loop of annihilation known as the Witch. It was discovered
this being is named this because they are a direct result of that which is
salvageable about humanity. Combining with the survivalist instinct embedded
within its collective unconsciousness that refuses to give up hope or
to be cruel in order to live. The witch is the antithesis of Zevon and
the League of Evil Courts behind him. The existence of any witch in the garbage
heap meant that the loop that created them could not completed.
Seven learned this knowledge after a follower in his doom cult observed
another universe, discovering the true nature of the witches and proving it using
proper scientific methods and techniques. The automated bunker
systems that sustain these witches underwent the most drastic measures to hide
them and Keep timelines existing so that they could continue as well.
The following audio is from when one such bunker failed at its
task and tried to spirit its witch away. I have ended the stasis
and am slowly bringing systems back online.
Babs, where am I? Because the last thing
I remember, I was at Time Crime
headquarters after, like, Danny towed the time
bubble back there. And then I remember,
like, being a bit funky and said, can I grab a shower? And then
I went into the supposedly shower cubicle, I think,
and then it. Oh, they demolition manned me.
None of that has happened now at this point in the loop. Hang on,
are you. I remember it happening and I've got,
like, weird injection marks in me to prove it. Please rescan
your systems for damage and verify your external appearance in
a reflective surface. It's called a mirror. That hasn't
changed. And how are biologicals supposed
to scan themselves for damage? I mean, I can.
I can look. There's bits of me that I can't see. Like the back of
my head. You fucking overgrown calculator.
Processing power is tied directly to usable battery life.
I calculated that keeping your stasis pod functional was more important
than approximating the chances of the garbage heap of the future being consumed by
the Mobius loop of annihilation. There is a terrific routine
in the Venture Brothers about Jesus Jones where Jonas Jr. Is talking
with the Pirate Captain about Jesus Jones. And it's some of
the funniest shit that that show has ever done where it just makes pop culture
references. I'm not even going to bother trying to quote it. But yes,
if you are out there and you're Adventure Brothers fan, and the way that I
said Jesus Jones sounding like the way that the Pirate Captain says it from that.
Yes, that's exactly what I'm trying to do. We're all on the
inside of the joke here. Thank you. Right here,
right now. All right. And we need to stop you from right here, right now
singing ever again. So we're gonna go ahead and get started with Godzilla versus King
Ghidorah, 1991. Get to the clips.
All right, the first third opens with a submarine finding the corpse of a
King Ghidorah that is missing a head. This is far into the
future. People talk. And it's English on the Blu Ray. So that
is our first clip. That one there. Yes.
It's King Ghidorah. It's gigantic.
And it's got two heads. Well, originally it
had three. Three. That's right. It lost
one when it fought Godzilla. You mean
King Ghidorah fought Godzilla?
Yes, in the 20th cent.
All right. The end of the clip pops the title of Godzilla versus King
Ghidorah and they return us to 1992. We know this because
we see that on the screen. And then we see a UFO of some sort
drawing attention to the skies of a Japanese city before headlines pop
up on screen that I couldn't read and I didn't get the subtitles for.
So they're just. They have to do with the ufo because they show photos of
the UFO that we saw earlier. Basically aliens? Yeah, more or less.
And then a phone call is started. And that is our second clip.
Are you awake? Yeah. I'm already showered. Did you see the UFO last
night? I went to bed early. I was exhausted last night. Hey.
But I did manage to read all the papers this morning. Looks like it was
real this time. Nobody can explain what's going on. It's not like anything
that's happened before. I think you're right. This story is gonna be in
our next issue. Why don't you write it for us? Hey. As.
Yeah? He's the UFO expert. I told you. I'm fed up with writing all that
sort of nonsense. Tell you what. I'll write non fiction. I'll write
serious stuff such as arts and literature. Don't forget. Forget? It's writing science
fiction that made you a rich man. I. Forget it. I'll tell you what I'm
interested in. That old man that lives in Hakata. Where? Look. Under the
dinosaur world. A long time ago in a far off land,
I saw a real live dinosaur. You don't know about this dinosaur.
You don't know what it was like. But I certainly do.
He's close by and he watches over all of us.
I'm not sure where he hides, but he can see us. And if we ever
become helpless and desperate, the dinosaurs will come back to
us and save us from tragedy and disaster.
Just as it did before on that
doomed World War II blood filled battlefield we once faced.
You think that there's absolutely nothing to fear.
Our country seems peaceful and you think nothing could possibly happen to us.
But we're in danger. You're disturbing their peace. Come on. Come on.
Come on. You must all prepare yourselves for what will happen.
Lagos Island? That's right. It's a small island between
two larger islands called Loat and Kwajalein in the
South Pacific. You saw a living dinosaur
on that island? Huh? When our troops were stationed over on Lagos
island, the soldiers in my garrison.
All saw protected us. It Saved us from
the US Forces that were attacking our troops in that region.
It protected you. It was
February, 1944. The loat
and Kwajalein garrisons were all under heavy attack from the American Navy.
And they were completely annihilated. But our garrisons
on the small island of Lagos survived, even though it was in the
middle of a very heavy attack going on all around it.
So you're saying that the dinosaur saved you? That it cut off
the American troops from me? Yeah, that's right.
Unbelievable. Why? Why'd it
do that? I think maybe it wasn't really protecting us, but that
it was only trying to protect its own territory. The dinosaur was very gentle
at first, but later it went completely wild.
It went wild. The Americans were so scared by what they saw,
they retreated just as fast as they could.
Later, the High Command sent ships to take us back home. We were all very
grateful when we got back here to the motherland. And we all knew if it
hadn't been for that great dinosaur who saved us from the American forces,
we would all be dead. How come I never heard anything about this? Well,
was it ever reported? Is there a record of the event? No,
there isn't. Every one of the other garrisons fought till they
lost every last man. We were the only garrison that survived.
So how could we possibly report what happened? Nobody would have ever believed us.
The SS Takatsuvi was sailing along the coast just north of Sapporo
when it recorded the UFO on its radar. The UFO left its radar
as it passed over Mount Fuji. As it traveled southwest,
its movements were clearly recorded. This is the first time our radar systems
have been able to trace the entire paths of a ufo. Gentlemen,
take a look at this. We can tell from looking at these satellite pictures that
it was neither an aircraft nor a meteorite. It was a ufo.
It must be. There's just no other explanation. There is yet another interesting
report from the ESP research instit. Please, gentlemen, listen to Ms.
Miki Sakuza. Gentlemen, there's something I'd like to show you in the satellite
photographs. Please watch your screen carefully. The small image is a picture of Godzilla
who was driven there by Biollante. That is where he's been lying
all this time. All of these years. He's been kept alive and enervated
by anti nuclear bacteria. But just yesterday we found something
new here in this latest satellite photo. My God. So that's where it
went. So what do you think then? Is it UFO or a? We analyze the
image very closely. It's the same UFO that flew in yesterday. What do you
think about this? Do you men believe that this UFO. Has something to do with
Godzilla? No, we haven't identified the UFO as yet,
so we can conclude anything. Those bombs that
were caught the other day in the fishing boat's net. They look to me like
they were the bones of a plesiosaur. Bones of a plesiosaur Just off New
Zealand. Professor, this is 1977. All scientists say dinosaurs
are extinct, but I no longer believe they are. There's still some among us.
So what are you trying to say? I'm just trying to say I believe the
old man. That thing may not have been a Tyrannosaurus rex,
but I'm almost positive of one thing. What he saw on that island was a
dinosaur. If it's true that there is a dinosaur, does that mean you'll go to
the island of Lagos to try to find it? No, I won't go. Because in
my opinion, it's not there anymore. Not there anymore? Well then, where do you
think it went? The H bomb tested on lagers in
1954. So the dinosaur was hit by massive radioactivity.
And after that, the dinosaur turned into Godzilla. What's that?
Eagle 2. See if you can identify what it is moving
closer. We'll check it off. Yes, sir. Come in. Let's have an Eagle
too. We've just arrived at the scene. We'll start investigating
right away. Hey, what's that? What? What do you see? Two army helicopters
on a routine patrol disappeared without a trace near Mount Fuji last night.
And some say it could have been the unexplained UFO that was responsible
for the disappearance and possible destruction of the army helicopters.
We have here Mr. Yao, a UFO expert. He will talk to us about the
incident. Thank you for coming today, Mr. Yao. Please tell us what you think.
Actually, there have been many army aircraft that have disappeared in the past.
A large number of those vanished just at the time they were approaching
the UFOs. For example, on November 16,
1988, there was an incident where three army. Well,
then, I think you've got yourself a real space story now.
Huh? Huh? What's that?
Itsuki Shindo. Of course I know him. He's the head
of the TAO Group. Besides that, he's the man who owns Dinosaur World.
What is it that's so important about him?
He was on Lagos? Yes, he was Major Shindo back then.
Commander of the Lagos Garrison. Well, then,
our friend Mr. Shindo should have seen the dinosaur as well.
A real dinosaur.
Young man I do call myself an expert in dinosaur style
studies, but I'm sorry to tell you, I've never seen a live one. Are you
saying not even on Lagos Island? Lagos? I believe there was a
dinosaur on lagos island in 1944. Mr. Shindo.
I'm very sorry, young man, but I have to go to Kyushu for a meeting
right now. I can't waste time talking to you anymore. Ten years after you left
Lagos, an H bomb was tested close by on an island called Bikini. And it's
very possible that the radioactivity turned it into Godzilla. That's what I believe anyway.
You mean that the dinosaur turned into Godzilla?
Godzilla's head is smaller than that of a Tyrannosaurus rex.
Look closely at its eyes and its mouth. Look closely at the face and the
hands. So rather than a Tyrannosaurus, I believe. That it turned
into Godzilla. And these pictures here
belong to Shindo? That's right. No one besides the three of us have ever seen
the pictures. So then, there was a dinosaur that saved our
men. And these are the very same men that rebuilt our. Okay,
so given that the history that they're trying to sell us here is a bit
xenophobic and a bit nationalistic, I didn't want to write any of that down.
And that's why that clip is so fucking long. Also, I'm getting lazy. And we're
really tired of doing this show for 505 consecutive weeks.
And I didn't want to write all that down. So again, that all became a
clip. But then you all just said all that, so you did just as much
work. I'm just saying, possibly more. But the point of the fact
is that this is how I show, so deal with it.
Hey man, I'm fine. I'm cool. I'm cool. At the
end of the clip, we get a sequence of military vehicles being put into position.
And we all have to question where this new Godzilla origin is coming from
and why they are retconning this in right now that they
just explained all of that. There's more dialogue about it. So that's our.
We've come here in order that we may speak with Japan's authorities.
Commander, sir, is this message from them? Yes, it suddenly
appeared. We received it around ten hundred this morning. Do you think that they'll ever
show themselves? The ufo? Something's happening. Move up there.
Company C. Come on, move it. Move it. Over there.
My name is Dubashi. I'm head of the security agency. I'm Fujio.
I'm a senior research physicist Here. How can we help you? I'm Wilson. It's nice
to meet you. I'm Glen Chico. Emmy Kano. I'm Japanese. Please forgive
us. We can't shake hands. Why is that? Because we're still inside the ship.
What you see is a hologram projection of us.
A hologram? That's correct. We're 3D projection,
invented in the 21st century. The 21st century?
That's right, sir. It was invented long ago. We're from the 23rd century.
2204, if you wish. To be exact, the Earth Union has sent
us here to see you today. So the UFO is. Men of your time would
call our ship a time machine. But not us. We call it our mother ship.
So this ship is a time machine? Yes. It was invented 200 years from now.
It is of great use to us. So. So you're from the future.
I understand you've come back to talk to us. So then, what do you want?
First off, tomorrow morning, we'd like to have a meeting with your country's prime minister.
And we hope that you two will help arrange it for us.
Yes, we will. But tell me, how do you want us to take the three
of you to him? Please, sir, just tell us where your prime minister will be.
We're sure you will show up at that place. Teleportation. These people have come
from the future. To visit us using the Earth Union's time machine. We've been
sent back here to warn you. We wish to change incidents that are about to
take place here. Things that have caused catastrophe in the 23rd century.
We came here to warn you all about your country's gloomy future.
Because in the century that we come from, there's no longer a Japan. How could
that possibly be? And why? What's the reason for it?
It's all a result of nuclear pollution. Very shortly,
Godzilla will come back to life and wreak havoc on Japan. He'll destroy
nuclear plants. This, of course, will cause pollution. After that,
the radiation will destroy vegetation and cause cancer and
even mutations. And then, as a result of all, this mother country
will be uninhabitable. And Japan will not exist. Can it be true?
Would Godzilla do that to us? It's unbelievable. We have come
here to save Japan from the terrible tragedy it now faces.
Please tell me, sir, how do you. Plan on saving us?
Very simple. You must get rid of Godzilla.
Take a look at this book I have right here.
Food at last. Fast.
Hello, this is Terasawa. Yeah, that's right. I'm a writer. Of non fiction
Stories who's this calling? This is the Security Agency. Huh? You mean.
You mean at the Prime Minister's office?
You mean that they've asked you here to. That's right. I'm sorry to have invited
you gentlemen here so late. Come. Please follow me. But this
is my book. I mean, it's a book I'm going to write in the future.
And it includes an introduction by Professor. Yes, that seems
to be the case. But why is this book here? And where did it
come from? You mean to say that people have come back to us from the
distant future and given us this book? That's right.
I find this very hard to believe. This is all beyond
my comprehension now. According to Terasawa's book,
the dinosaur from Lagos island that saved our troops there in 1944
later turned into Godzilla as a direct result of the H bomb test
in 1954. It was the exposure to radioactivity that made
the dinosaur huge and very violent. In addition, they examined him in
the sea as he is. They've checked bones and cells and entered this data
into their computer to check it against your theory. Well, how does my
theory hold up? There's a 98% chance that all the facts are as you predicted.
So that means if the dinosaur hadn't been exposed to radiation
from the H bomb test, then today there would be no Godzilla.
Yes, that's what they told us. And in addition, Japan would
be free from the threat of Godzilla's wrath. I've got it. Can you go back
in time to the dinosaurs? They've already thought of that. They plan to go back
in their time machine. They're going to go back to Lagos island to get the
dinosaur. Then what they'll do is teleport the dinosaur here.
Our history will no longer include gods. That's true. That was the request of
the men from the future. It's fantastic. There's more to it. They want helpers
for the expedition. They requested our help. They want to take along some expertise for
our time and generation. They have three people in mind. They are Terasawa,
the writer, Mazaki, the dinosaur expert, and Mickey Sagusa,
a member of the ESP Research Institute. Advance to the center of
the platform. Turn left and proceed this way. Please be seated.
Sit down, please. We are very grateful. We thank you for your help,
and we thank the Japanese government. We know that if you hadn't been
willing to cooperate, we probably wouldn't succeed. Going with you will be
both Ms. Emi and our Android model, M11. He's an Android?
You mean this guy's a robot? I am. But he looks just like a man.
Yes, he does. But actually he's much better. His technical ability is far
superior. He's much more reliable than any human being could possibly be.
This trip will be safe. It's okay. As long as M11 is with you,
nothing can go wrong. He can do anything. It's guaranteed. But there
are other people besides the three of us here who know much more about the
dinosaur. Actually, there are some who have even seen the dinosaur face to
face and have even lived to tell about it. So why did you choose the
three of us here? That's a very good question, Professor. But easy to answer.
It's simply because the same person can't be at the same point in time
more than once. Therefore, if we send Mr. Shindo, there would be a serious problem.
Because there would be two Mr. Shindo's both at the same place and at
the same time. Meaning one of them would have to vanish. Well,
maybe. But one of them is. The Shindo's is gonna have to disappear anyway.
That's exactly right. You mean I have to ride that? Couldn't I pick somebody
else? Hey, Emmy, could you please answer a question for me?
What is it? Well, tell me now. Did my book become a best seller?
Actually, hardly anyone even knew about your book. I see.
Sorry. Did they scare you? We call them Dora.
That's so cute. We will be leaving shortly. Will the crew
please all go to their stations immediately. They are created
through biotechnology. They make perfect pets, you know. They always know
how to behave around people. They can sense our feelings through microwave impulses.
Are they going to be coming along with us? Yes. They'll be very helpful to
us if we ever get lost because they can always cheer us up. Well,
I sure hope that doesn't happen to us this time. Only joking. Prepare for
takeoff. There's still a small group
of Japanese soldiers holding out in the caves on the island, sir. But we should
have them by morning. The Stars and Stripes will fly over this island.
This is the last of the Marshall Islands. Next we take the Marianas,
sir. This war might finally be coming to an end, Major.
I certainly hope so, sir. Enemy planes, sir.
Impossible. No plane can fly that fast. That looked to me like it was
from another planet. I have to agree, sir. It did look like
it was from another planet. But. Shall we report it, sir? What? That we're being
invaded by little green men from outer space? Let's just keep it as
our secret. You can tell your son about it when he's Major Spielberg,
sir. Yes, sir. I will, sir. M11, have we arrived? A complete success.
It's 6 February 1944. Lagos Island.
Really?
It's amazing. We really traveled in time.
But look where it got us. We're right in the middle of World War II
in the South Pacific. Our last contact just went dead.
Right. We've just lost contact with them, sir. Thank you, soldier.
Commander. My God, are we just gonna die here? There's nothing
for you to worry about. These bombs can't hurt our Amy.
I'll go and check things outside. Oh, but he can't.
There's a war going on out there. Evelyn won't be hurt by those old bombs.
Of Kwajalein and Layart Islands, all 6600 of
our brave soldiers fought valiantly. They fought to the very last man without
giving up. They will go down in Japanese history as true defenders
of the motherland. Tomorrow at dawn, we are going to launch an all out attack
against the American forces and show them just how strong we
are. You all know of course that the Americans greatly outnumber us.
But that does not matter. Even, even up to the last moment each of us
fights, we still have to believe in our final victory over the enemy.
We shall fight for our country right up to the end. We shall prove.
But it's him. Amazing. Persevere. Our deaths will be the blood and
flesh of an even greater and much stronger Japan.
Charge. This starts off a full fledged
war porn sequence. That is the end of the first third of the
film. So we are now one third down with very
little Kaiju action, a whole lot of time travel stuff and a whole
lot of weird xenophobia nationalistic bullshit where somehow Godzilla is
now a natural protector of the Japanese. Yeah, because you know,
reasons. Because xenophobia and nationalism.
Yeah, that was controversial. I'm just going to say that right off the bat,
the original director, Isho Honda was
very disappointed in the filmmaker for putting that into this version of Godzilla.
That would be versus King Get. There was
an outcry all over the world about that as well,
where there was already an east versus west kind of thing. And this was received
extremely poorly for obvious reasons.
It's kind of shocking to have Godzilla have such weird
propaganda kind of shoved into it. And it's a little off putting at first,
especially under modern eyes suffering from propaganda being shoved
down our throats as we are constantly.
Yeah, so I can see where this would upset some folks in the 90s.
And man, what a wonderful world that must have Been where the shit that happens
in a Godzilla film is like the biggest concern that you have right now.
Yeah, right. Like, oh, my God, nationalism.
Godzilla. That's. This is the only thing we should be freaking out
about now. It's just like, well, all right.
Right. Where the worst thing a president could do is lie about getting a hummer
in the office. Right. Or wearing a tan suit.
Yeah. Jesus Christ. I miss, like, that kind of,
you know, nasty things that are going on. Are we ready to what?
Yeah, I'm good. Let's go. All right. So the second third of the film starts
at the same war porn sequence of battle being held.
The Japanese are destined to be slaughtered by the American troops on the
island before the fury awakens. The proto Godzilla that is
sometimes called Godzilla Source in other films. That's right. They revisit this,
even though it was controversial. We come back to this.
The suit of action of this dinosaur looks terrific, by the way.
And the matte lines to put him in with the reactions of the
humans near him are all damn near seamless.
It looks terrific. I really just wish it wasn't such a xenophobic message
that they're using this for. You know,
you want a lot of things. Yeah, I do. I'm a whiner. The Americans
flee and continue to fire everything they have at the dinosaur to
no avail. And man, is that fucking
awesome and terrifying all at once. They cut back to the
inside of the time machine. And that is our fourth clip.
Amazing. It's incredible. I can't believe
it. Why is it helping us?
Let's disembark.
It's a dinosaur. A gigantic dinosaur is attacking
our boys. A dinosaur. What? Command's firing.
Yes, sir. Firing. There.
Got him. Take that, you dinosaur. Okay, move out. Spread out.
Spread out. All around him. He might still be alive. Yes, sir. Touch your points.
Not too close.
I know. That just has to be Godzilla. I'm sure of it. Well,
then, since we're positive that it's Godzilla, I think we
should teleport it right away. We must go to the day when the Japanese garrison
left. Let's go to the ship and make preparations. Calling landing
forces. Landing forces, come in. Calling landing forces. Landing forces,
come in. Can anybody hear me? Landing forces, come in.
Resume landing operations. No. Let's go. We don't need any more sacrifices.
And the Japanese are in the same situation we are. Yeah. Looks like that island
needs scientists more than it needs American military people.
A tired shot. We deeply regret that we must leave our
savior behind. We pray that he will never hold it against
us in his heart. Please forgive us, for we are helpless.
There's nothing that we can do. We can't carry you. We cannot take you to
safety. We hope your wounds heal quickly and that you will recover full health.
We, the Lagos garrison of the Japanese army, will never
forget how you saved our lives. Never. The boats
leave. Shall we? Present arms. Present arms.
Rest. We march home with honor.
Right face. Forward march.
They all thought that the dinosaur was gonna die here on the island they never
could have guessed would resurrect and return as Godzilla. It might be
much happier if it would just left here all alone to die on its own
island. Come on now. History has no room for sentimentality.
Come, let's get back and finish up our work. Lucky for us, the dinosaur's immobile.
That makes it easy. Usually animals are very difficult to
teleport when awake. Because of that, this one will
be especially easy to take care of. Teleportation starting.
Perfect. We've done it. Great. Where are the door at?
M11. Time warp. Time warp. Set on time warp.
Engaging now. How was it? How did it go? There was Nothing to it.
M11 and Emmy did all the work. It was amazing. It was the most wonderful
experience I've ever had. How did the teleportation go?
A success. Good. What can you tell us about Godzilla? He's gone.
Fujo has just this minute told me about it. He came to know about it
in a recent report that came from reliable sources. So Godzilla's gone
from history forever. So everything we've done up to this point is gone,
just as planned. What do you mean? Has something happened you haven't told us about?
Godzilla has disappeared and now King Ghidorah has taken his place.
What is King Ghidorah? Godzilla is no longer with us anymore. And it seems
like somehow out of nowhere, this King Ghidorah has appeared at the same time.
Do you think there could be a connection between the two? Maybe you could tell
me. King Ghidorah is already heading for Japan even as we speak. I'm afraid
Japan is in grave danger right now, and I don't know what can be done.
Fujio, King Ghidorah already reached Kyushu. Okay, so like, they don't
really kind of explain it, but it just kind of happens where you
see these little mini, like adorable stuffed animal sized
versions of single headed ghidorahs that somehow get left behind at some
point in time to absorb the atomic radiation and then merge into a
King Ghidorah that appears in the 90s whenever they return.
If you think about that a little too hard as to why that King Ghidorah
didn't just appear when the atomic radiation turned him into that like automatically,
but waited until the 90s. You're thinking too hard and this film's gonna
make no sense to you anyway. So I wouldn't cross eyed thinking about it.
So just seriously, don't. Don't think about it too hard. Just, you know,
it happened. I can't see anything now. These time traveling folks somehow
were able to control Ghidorah for 50 fucking years or
whatever it was, so that it would remain just hidden,
waiting for the time to re emerge whenever they come back into the 90s to
take over the planet. Yeah, that's just. But now my brain hurts. Yeah, but just
don't think about it too hard, that's all. No, I'm thinking about. Stop telling
me not to think about it. Makes me think about it more. All right,
so with this we get a sequence of King Ghidorah attacking the cities and blowing
up buildings. There was an announcer telling people what to do to be safe in
the English language version. But there was no point in clipping that when you can
just watch the model destruction and people fleeing in fear and enjoying some
of that Kaiju stomping badassery and all of the
explosions. Tremendous work in this. It takes forever for
us to finally get get to it. But King Ghidorah's city stomp was almost
worth the wait. It was really fucking good. Yeah, good stuff.
Anytime you're destroying cities, it's fun. The survivor
of the Godzilla island attacks talks. And that is our fifth clip.
Are you hurt, boss? No. That ugly monster destroyed my Garden
City. I'll never forget this. I'll get my revenge. The dorats.
You mean that they were exposed to radiation from the H bomb test in
1954. Radioactivity made them big and savage.
Now they're here trying to destroy us. Possible that Emmy intentionally
left the dots there to be exposed to radioactivity. It's possible
that after they were exposed, the three dorats merged into one and turned into a
giant monster. So if what the both of you are saying is true, King Ghidorah
was created by these people from the future. But why?
Why would these people want to create King Ghidorah? And why do they want to
destroy Japan? Right turn, reducing velocity. Now the computer
was right. You took three dorats to the island of Lagos and
radioactivity combined them into one powerful monster. I didn't know you'd be
able to control it like this. What are you trying to do? The only thing
that I want to know right now is can we control this thing as well
as we control the dorats? I think the way it's going, we probably can.
How's it look, M11? Perfect. Kyushu is finished. Next we
move north. North? Destroy Hokkaido? What do you want? To destroy
the whole of Japan. All except Tokyo. Then we'll show the Japanese the
proper way to rebuild their country. We can't. It seems you've
lost your vision just because your country is being crushed.
So must I remind you just what your mission here is? We came here to
warn these people. People? We came back here to tell them their country was in
danger. Now you've double crossed them. With what you're doing, you've gone too far.
Where have you been? I've been looking for you. I have good news. We'll publish
your Godzilla theory. I've even thought of a title for the book.
The Birth of Godzilla. When you have time, let's get together and talk about it.
I'm sure it'll be a big seller. And if it is, will you marry
me afterwards? Call me back soon. I already know the title and
even the date. I even know how it's sold. Maybe if I change
the title to something like Traveling in Time. That would be against the rules.
The Equal Environment Earth Union. Its sole purpose is
to equalize the power of all nations on earth. All types of people joined
our organization. Modest ones and aggressive ones. Mostly very
liberal and some of them radical. We stole the time machine. We had to have
it in order to carry out the plan that we had for Japan. What did
you plan for Japan? Actually, we made up the story about Godzilla.
He never does destroy Japan. I see. And what about the nuclear
pollution that destroys Japan? It's all a lie. Later on,
Japan will become even stronger. The richest nation of the 21st century.
With all this wealth and great power, it'll buy up nations. South America
and Africa. And then in the 22nd century, Japan will
be bigger than China, America and all of Europe. No nation will compare to
it. My God. So they've come here to destroy Japan before all this happened.
Why did they have to come back and destroy Japan in this way?
There's no other way. At the end of the 20th century, all nuclear weapons are
banned. And because of that, no organization or government can control Japan.
Not even the Earth Union. So Wilson came up with his own
plan to make a monster he could control and get rid of Godzilla. So he
couldn't defend you. Then he'd begin to destroy Japan. We have
to use their computer to save ourselves. But if we give in to any of
their requests, we may just end up being used as their puppets.
It makes me wonder what the real purpose of their visit to our time is.
If we refuse. Refuse all of their help, King Ghidorah will destroy the whole
country. Our armed forces can't stop the monster. We have to get help.
Mr. Masaki, that dinosaur is buried under the ocean. Do you think we could somehow
change it into Godzilla? Yes. Well, I think it's very likely that
we could. Both King Ghidorah and Godzilla were born from nuclear tests.
So that means that if we could blast the dinosaur with enough radiation, it'd turn
into Godzilla. Yes, but we have no real nuclear force to speak of. We have
a nuclear submarine with powerful nuclear missiles. We've always
kept this totally secret. Don't worry.
Of course we haven't kept this submarine in Japanese waters.
She's in a country not too far away from us, in Southeast Asia.
You have an enterprise containing nuclear weapons? A submarine
does contain powerful nuclear missiles, but they were never to be used as offensive
weapons. The submarine was only for protection in case Japan was ever
attacked. So you plan to use missiles to hit the dinosaur
in the sea and hope that it'll turn itself into Godzilla.
Outrageous. What gives us the right to do something like that? Who are we to
create another Godzilla? Well, then, I would like you to answer me just this
one question, Mr. Fujio. What does the government plan to do?
I'm afraid you don't understand. Godzilla was my savior.
He saved my whole garrison. You say that you feel Godzilla?
Yes. Whenever I close my eyes, I see him as clearly as if he were
walking right in front of me. It feels exactly the way I felt before.
It can't be. You know that Godzilla is no longer with us. The one buried
under the sea is just a dinosaur. So how could you feel him? It could
be possible. Maybe there's nuclear energy there. Maybe there's even a hunter
killer with nuclear. You know, there could always be nuclear waste there.
Is this possible? A nuclear submarine wrecked in the Bering
Sea? That's it. It says here the submarine was never salvaged. Where are
you going now? Doesn't even bother to tidy up after himself.
I helped you find that. Now you have to tell me what you're doing.
A new book called the Birth of Godzilla. Oh, so you think
that Godzilla's been born again? Well, I don't have any proof yet. But still,
this is something I'd like to share with those fools in the higher echelons of
government and business who want to create a new Godzilla. Teo is.
That company grows steadily right up to the 23rd century. It's become
the world's largest company. There's news of Godzilla.
He's moving. This is a heat sensitive satellite photograph.
And an enlargement of Godzilla in the Bering Sea. Where are you going?
I'm gonna go and find Shindo. There's gonna be no more Godzillas. I'm coming
with you. Huh? Hit time 11. Just when
you thought the nationalism and xenophobia couldn't get any worse
in this film, all of the sudden Japan becomes this strong economic
presence in the future that basically the entire world
in capitalism to the point where they have to travel back in time to sabotage
Japan before that can happen. That's the problem.
Yeah. That's. That's something all right.
This is like Japanese maga porn, man. Right? Yeah. Pretty much
like they're making. Well, Magia making Japan great again.
What the fuck? Anyway with this. The robot thing is trying to kidnap
the future trader that decides Japanese domination of the world is fine
and she wants it to happen. The struggle of the
robot trying to pull her out of the Jeep goes on for quite some time
actually. Whenever they pull up right beside there. And for some reason a truck
filled with empty cardboard boxes drives in front of both of the vehicles during this.
And the Jeep somehow gets over the top of it and is just fine.
And the pursuing sedan actually ends up flipping over and explodes
as cars often do in that scenario where they just roll over on top of
themselves. They almost all always explode. They always explode. It's good. It's good that they
explode. The Android thing emerges from the ball of
fire and rips off his flaming suit coat to reveal some robotic
damage. And he looks like he's a bit burnt up in the process as well.
He then runs like the Flash in the 90s series
past the Jeep and then stands in front of it to stop it dead in
its tracks and lift it up with his super robot strength.
That leads to some more talky hole dialogue and ours. Sixth clip.
What the hell's he doing now? Let us down right now.
He's gonna regret this. I'll show him. No. Don't go. You mustn't go
out there. I can't stand this. But he's a robot. He wants to take me
back to the ship. Welcome back, Emmy. Tell me, did you really think you'd be
Able to get away with what you were doing. We knew you were going to
visit your friend. Then why didn't you stop me? Because we wanted to see how
the Japanese government would react. That's why we brought you
back here. You disgusting men are filled with deceit. So, I mean, what'd you find
out? Is the Japanese government planning to resist our nice little operation
here? Of course not. The Japanese government's not stupid. They know they can't fight
us with our advanced weapons. Naturally. That's good.
Well, I figured they'd try to do something. What could they do?
I thought that maybe somebody would come up with a good idea.
Like making another Godzilla out of the dinosaur under the sea.
All they'd have to do is blast it with some radioactivity. We're presently
2.5 miles east of Kamchatka. We're on a southeast heading for
the Bering Sea. Operation Go Right,
Roger. So, how are you? Good. My boss.
What's this? What's going on?
S.O.S. We'Re in trouble. What is it?
What's happening? What's the matter? Come in, come in.
Come here. Me?
What's that? She sank. Are you serious? Godzilla sang the sub?
Where's Miki right now? And where's Professor Mazaki? I'll go with him now to A
okot. On second thought, maybe I can't right now. Come on.
Oh, what's this? This is a
new computer. They want to give it to Japan. Okay.
The clip ends on a helicopter ride over the ocean when the
traveling pair notice a Godzilla emerge from the water.
And that is the end of the 2/3 mark of the
film. There you go. Yeah, we're moving along
very quickly because most of this plotline is told in clips.
Because most of this plotline was told through dialogue and. Yeah,
wow. That's just how that happens. Now they're talking
us in circles and they're trying to explain all of this. But essentially, they never
really come out and tell us that they left the little baby ghidras behind.
Although they say something about how it was formed by doing that. But we don't
really see them leaving them behind or this whole, like, devious plan, you know?
And if we do, it happens so quickly that I didn't notice it while I
was taking notes. And I'm sorry that I missed it, but I'm pretty sure you
don't see it. They don't deal with the fact that they
eliminate Godzilla from the timeline whenever they go back in time. Then everybody
in the world still remembers Godzilla. So it has to
be that they only eliminated the second Godzilla that emerged in the 80s. And that
Godzilla came from an island that was radioactive
after the Bikini Tests, or I guess Bikini Toll.
So it's one of the islands surrounding Bikini Toll that turned that into Godzilla whenever
that. That nuclear test happened. But they went back in time and they moved
it. But because of, you know, humans dropping atomic bombs all over the place.
Anyway, this version of Godzilla ended up up like absorbing
radiation some other way that they don't really fully explain,
but because it got radiation at a different point
in time, this Godzilla was stewing longer from being hurt from
humans and distrust them and dislikes them even more
than what it did before. So now it's a meaner and more vicious
Godzilla. And they actually kind of changed the way that he looks when he emerges.
And he's got a lot more sharp points to him and he looks a lot
more sinister. And this 90s Godzilla look that we get is very
brutal and very cruel and very fucking
cool. I really dig angular looks. It's really nice.
Yeah, he looks. He looks way more evil.
Yeah. Now using time travel to somehow reset Godzilla and his formation,
but then have it be to where Godzilla is, a fixed point that is inevitable
in the history of Japan is kind of interesting,
you know, like where this creature was always going to emerge because people always
fuck around and find out. It just took longer this time for this one,
which made him more pissed off and more evil. So it's essentially like,
okay, you're going to deal with a Godzilla that you had or you're going to
get away worst one every time. So stop fucking around. Yeah,
exactly. Don't be an asshole.
And I like that. I do. I have to admit, I do like that idea.
It just takes us fucking forever before we actually get to any real
Kaiju action in this. And it's real few and far between with lots of
length of dialogue. I only have like 12 total clips, and most of them
are over 8 minutes in some way, shape or form because there's so much screen
time where it's just talking heads. It's like we're watching an anime, for fuck's
sakes. Fun. But when
we do get to the monster action, it's worth the wait. It's really fucking
good. And there's some really cool shit in this. It's just the plot line's a
mess. And I'm sorry about that, everyone. I can't do anything about that.
That's just how it is. You ready to move to the run to the end.
Let's do it. All right. So the run to the end of the film starts
with fighter jets stalking and attacking King Ghidorah, as Godzilla
has emerged and is on his way to get at that invading Kaiju.
The fighter jets versus Ghidorah sequence feels a lot like stock
foot footage of fighter jets and shots of fireworks exploding on Ghidra
as a puppet. But it still looks really good.
No, I mean, hey, listen. We all gotta have something. Yeah.
Just as the future freedom fighter types are fleeing,
confident about their plans, Big G emerges to up.
And is noted that he is even bigger than he was before
in our seventh core. Pull away. We're no match for
it. There are aircraft are so primitive, it's no challenge.
They're just gonna have to give up. They have no choice but to accept all
of our demands. My God. What is that?
What? He's even bigger than he was before.
Put the 7th Air Division on alert. All other fleets are on immediate
call. We must be ready for anything. It's got much bigger.
Godzilla was made with modern nuclear weapons this time,
so it's only natural that he's bigger than before form. Besides that,
it's more powerful because it's absorbed all of the subs energy. So it
happened. Godzilla was created again. Unlike our age where there's no nuclear
energy, this generation has nuclear power everywhere. It really
didn't matter just what location we teleported the dinosaur to.
The second birth of Godzilla was an unavoidable event. We went to
the trouble of getting rid of one, and then what did they do? They just
made another. We should have expected this to happen. Send our monster after it.
Let him kill Godzilla. It's King Gadara. And finally, at the end of the
clip, after an hour and 10 minutes of setup, this version of King
Ghidorah and the new version of Godzilla are all set to fight it out
on an open plane away from the cities. The 90s Japanese
Survivor of the island where the unmutated
Godzilla was his savior states that Big G is there to
save them again. And Ghidorah is ordered to attack Big G
by the future travelers. Ghidorah blasts Big G with the yellow lightning
from all of the heads. And Big G atomic breath blasts Ghidorah several
times before he takes to the air with numerous lightning attacks
in tow. So both of these guys are resistant to attacks
that used to be devastating for both of them. When Big G would
actually hit something with the atomic breath, including Ghidorah, Ghidorah would sort of
absorb. It would still get hurt though. And Big G definitely was getting
hurt by Ghidorah's lightning. But now they're just standing there full on blasting
at each other like a couple of wizards throwing spells around and just
standing there like it's nothing. Yeah, shouldn't have come here
tonight, Tom. But yeah, no, it's a
fucking. These two guys are just trading fucking blows right now to the point where
it's like, why don't you go fuck each other already? Ghidorah blasts Big
G with yellow lightning from all of his heads. And Big G does atomic breath
blast back at Ghidorah. This happens several times before
Ghidorah finally takes to the air with numerous lightning attacks in tow.
The future invaders talk about how it does not matter how powerful this
new Godzilla is, and that as long as they control King Ghidorah,
they can kill Godzilla. All of this is happening while
multiple awesome shots of Ghidorah lightning blowing up around
Godzilla is cut away from or shown on monitors.
Instead of just letting us enjoy the monsters fighting for sakes
movie, just let us watch that stuff. You filmed it. Show it to us in
full frame. I don't need. I don't need any other. I just need the monsters
fighting. I. I don't know what's so hard about this. Yeah, it's simple. When you
cut away from the stuff that you just shown us the monsters doing in the
fighting, don't use new footage in the monitors. Just replay that same
footage. So we always get to see all the monster footage.
Always. They never listen to us. With a typical plot,
the turncoat future woman is helping to overthrow the
alien invaders and stop their control of Ghidorah
so that Godzilla can do his thing and kill it. This is mixed with
actual entertaining monster fighting action where Ghidorah does some aerial
assaults on Godzilla by doing some flying drop kicks and lightning
attack combos at the same time, driving him back or knocking him to
the ground. This is. All of. This is fucking great. All of the humans,
future invader stuff is kind of a bummer really. And they just keep cutting away
from the great stuff to the bummer and come on, man. Yeah, come on.
I don't need any of your bummer shit. Give me. Give me Kaiju. At one
point, Ghidorah has Godzilla stuck in a pit, stomping him over and
over again by flying up in the air and dropping on him. And both the
humans and the invading future people assume Big
G will lose and that he will be killed. In this fight, they both say
it just at different times from different perspectives. One being sad about it, the other
one celebrating. As in future people. Yeah. Those of us who know
whose name is on the marquee first know a different outcome is
about to happen. However,
the human resistance gets the ship's control module that had
a hold over Ghidorah destroyed. And that
destruction sends Ghidorah to the ground, allowing Big G to stand up
and catch the tiger by the tails and start slamming him to the ground
over and over again with a whip like motion. I know that we've seen this
before, but I love when a Kaiju starts whipping another Kaiju into
the ground using their tail like this. It's fucking cool.
Oh yeah. It's badass. They cut from this fun to watch
stuff to a laser blast battle on the future ship.
And then there is a confrontational expository dialogue
for some fucking reason. So that is R. Here I am
with a computer. Time control will automatically start functioning.
Amy, what have you done? You've betrayed the union. Forget about giving a computer to
Japan. It's been destroyed. What do you mean?
Do you think that means you've won? It doesn't matter. We don't need a
computer or King Ghidorah to do our work. Godzilla is going to destroy the
country of Japan himself. Your nuclear fanatics don't know what they've created.
This new Godzilla is unfriendly and he's going to destroy your country.
There's nothing you can do about it. Your country has no future now.
Our job here was a success, and soon we'll be back in the 23rd
century. There's something you didn't know. Our ship has an advanced safety device.
In the event of any emergency, it sends us back to our own time.
Twenty minutes after the alarm goes off, it sends us our way. We'll be
saying goodbye to the 20th century and all this happens automatically.
You bastard.
Amy. Out of my way. God damn it. They cut back to monster stopping
action. Finally, at the end of that clip, Big G tosses Ghidorah
to the ground, temporarily trapping him in his own crater now.
And then, Ghidorah makes it back into the air, flying as Godzilla
approaches. This turns into a physical slobber
knocker as Ghidorah headlocks Big G with his middle head and
bites at his arms with the left and right heads. They cut
from this cool monster action to boring human bullshit as
the heroes run around the corridor and we could not care less
about them doing it. At this point. Yeah, heroes my
ass. Give me the Kaiju. Basically, they need to stop. Those are the heroes.
Basically, they need to stop the ship from returning to its own time
and winning somehow. But before I can give a shit about any of
that, they cut back to Big G foaming at the mouth from being strangled
by Ghidorah head. I guess that's what's going on. But anyway, Big G's foaming at
the mouth and the Ghidorah head's still wrapped around his throat. So I guess that's
what's going on. But then Big G sucks right now.
For Big G. Yeah. Then Big G has some.
Big G has some kind of rage induced atomic blast that emanates
from his body and frees him from the chokehold. They don't bother explaining
it. It just kind of happens and it looks cool. So whatever. I think he
just fired off the atomic blast until Ghidorah couldn't hold it back anymore.
Yeah, probably. The blast sends Ghidra to his
back and Big G atomic breath blasts the middle head of Ghidorah
right the fuck off as it explodes. The ship that was
supposed to time warp was overridden. And the ship that was responsible
for all of this has landed directly in front of the more sinister
version of Big G. Who immediately blasts the shit out of it
and it explodes everywhere. The two remaining Ghidorah heads decide
to call Godzilla a dick and pack up their toys to go home.
When it also gets blasted square in the chest and is sent hurtling
into the ocean. That creature is declared dead and defeated
in expository dialogue. That is our ninth clip.
Teleportation started. We did it.
Have we time warped yet? No, not yet. Well, where are we then?
Automatic time warp override. One minute and counting.
It looks like King Ghidorah has been destroyed. What about Godzilla?
Wow. It's not the dinosaur we knew. Just look at that thing. It's not going
to be friendly to us. I'm afraid this
is no longer work for ordinary civilians. Please excuse me. Does this look
like the same beast that was once your savior? Mr.
Shindo? 91% chance There's a 91% chance that
Godzilla will attack Tokyo. This calculation is extremely accurate.
It's calculated from M11's computer simulation. So it's almost certain
that Godzilla will raid Tokyo. Like Wilson said, after it's over, Japan will
just be Godzilla. Sapporo.
Citizens of Sapporo. Godzilla is approaching. Everyone must
evacuate. Get out of Sapporo. Get underground if possible.
Do not Remain in the streets. Repeat, Godzilla is approaching. Evacuate immediately.
Come on.
Come on, come on. Quickly. Come on, come on,
come on.
This starts a sequence of Godzilla walking through, and I mean right the
fuck through several buildings and radio towers as he
is blasted by maser fire. Several shots of building destruction
show the inside of buildings with people falling out or having a
claw or a bit of Godzilla arm go through the building
at them. This stuff is fucking terrific. And had some amazing
composites depositing shots. It all looked incredible. It really sells the
destruction Godzilla is capable of and the fear. You know me, I like
seeing the suffering of mankind. Yeah. Just the people stuck in, like,
apartments or office buildings or whatever that he smashes
into and they can't get out in time. And just seeing like an arm or
an elbow or a piece of him flying at them or just being knocked
into the building. And then watching the, like, buildings fall apart around actors.
Really sad. That's what you get for wanting to live downtown. This shit is horrifying
for sure. Yeah. Oh, yeah. It's nightmare inducing.
More maser fire takes Big G down to the ground, destroying several buildings
in the process. They fire on him while he is down.
And then Big G pops up with an atomic breath blast that fries
all of the mazer vehicles. They cut from this to the humans in charge and
their utter despair. In our 10th clip. There's no way
we can beat us. Of course, we're no match at all for Godzilla.
Do you think that King Ghidorah could help us? Yeah, that's right. Do you think
you could revive it in the 23rd century and bring it. Back to
the 20th century? You're right. That would be a brilliant idea. But King Ghidorah's
hurt very badly. Would it really be able to survive that long? Just as long
as its cells are still alive. King Ghidorah should be well preserved. See what it's
called. Can you? Well, yes, of course I can. I can do just about anything.
I know I can save it. Goodbye. Make sure that you come back, Emmy.
I surely will. Because I like this age very much. You mean
you don't think that it's primitive? I really mean it. I like it.
But why? I like it here only because you're here.
King Ghidorah was defeated by Godzilla. That's right. In the 20th century.
It's been 200 years. I don't think it's still alive.
I can hear it. Its heart is beating only faintly, but I can hear it.
We want to restore itself. First, tell me what you plan on doing with it?
We want to fight Godzilla with it. You mean you want to fight Godzilla with
it to help that country. But a corrupt nation such as that one doesn't deserve
help. It was destroyed by a monster because of its vain prosperity,
lack of concern about nuclear waste. I beg of you, please let me help them
this time. Give my ancestors one more chance. All right. I'll let you
do it. Godzilla has just landed at Tokyo Bay. He's heading toward the
city. Everyone should evacuate immediately. Hey, this is really too much.
You know, we're both crazy to be doing this. Hey, I'm the Peter Ainet of
Japan. You think I got that name by not taking any risks? Yeah, but this
is Godzilla, you know. Oh, hurry up. Come on. When it'll arrive at Shinjuku?
It should arrive in one hour. Evacuation is almost complete. Minister, I'm afraid
that destruction is inevitable at this point. This is an unavoidable sacrifice.
Yes, but just look at that. It'll ruin our future.
There's a call for you, sir. Dabashi. Mr. Shindo. But sir,
you must leave your office. You wait.
Yes, I know that. This is the way that I wanted. Let me
have it my way. I nearly died on Lagus island, along with my entire Garrison.
But the dinosaur saved us all. And all of that prosperity I
built now being destroyed by the same dinosaur at this moment.
And there's nothing I can do about it.
Very ironic, don't you think? This leads into a
lengthy sequence of the old dude and Godzilla having
what is supposed to be a mutual flashback of them both recognizing
the history that they had together or something, I don't know.
But it flashes back to injured Big G before his mutation.
And then Big G saving this guy, and this guy looking at Big G.
And then back and forth between the older versions and the younger versions of
them looking at each other. And it just really keeps going on and on with
all of this. Yeah,
we're looking to each other's eyes. Somehow they recognize
that this, you know, everyday dinosaur that was just chilling on the island actually recognizes
the guy when they got invaded again. Back and forth. Yeah, the mutual nodding
and recognizing of each other ends with Big G vaporizing
that exact section the guy is in with his atomic breath.
Godzilla saw him in the building and then blast the building.
It explodes out from one serious blast. Then Godzilla
walks through and I mean right the fuck through the rest of the building
that is there. There is more Expos. Maybe that building should
have been there in the first place. There is more Expository dialogue as
this happens. So that is our 11th clip.
This is Shindo. My God. You say Shindo is in there? Well then is Shindo
dead? Yes. So just what was this dinosaur to him anyway? Emi,
how could any of this be possible? This leads to even more shots of
Kaiju stomping badassery as Big G heads right through,
and I mean right the fuck through, a business complex.
Before us appears the magnificence of Mecha King
Ghidorah, arguably the coolest cybernetic Kaiju
we have seen yet. This thing looks fucking sweet.
Yeah. Oh yeah. It circles Godzilla on screen so we
can get air. A really good look at just how fucking sweet this thing is.
It just moves around from all angles. So you can check out all the wings,
all of the new metal attachments, the bionic head,
everything. It's just fucking cool looking. Yeah, man. Got it.
Gotta get a good appreciation of Mecha Ghidorah.
There is an atomic breath blast that hits a huge building
directly in front of Godzilla, exploding everywhere and looking
sweet as the Mecha King Ghidorah is swarming around him, flying,
flying all about. Mecha King Ghidorah lands and they do some seriously
pornographic close up shots of the Mecha wings, the leg pieces and the new Mecha
head as well. To really show off pornography.
They just really are showing off this new and rather cool looking character.
They're very proud of us into this sort of thing. They're really,
really trying to show you just how cool Mecha King Ghidorah
is. They're like, we worked on this, now you have to look at it.
Yeah, look at it. All right, so the main traitor, chick from the future
is riding inside of Mecha King Ghidorah. And she begins her attack.
As the cybernetic head leads the attack and the organic ones file
suit and join in. There's a round of lightning blasts at Godzilla and
after that blast, Godzilla returns fire with his atomic
breath. And that sends off a series of explosions with future
girls screaming and scared as they happen. You're riding along
inside of a mech fighting Godzilla. Did you not think this was a possible outcome?
Right, yeah, I mean, you could definitely get hurt with all this.
Big G pushes his way through a building and they show him pressing on
towards Mech at King Ghidorah as the barrage of laser and lightning fire continues.
This barrage sends Godzilla backwards into a building
and the falling rubble looks super fucking cool as he is
buried by it. That looks great. Yeah, no great
vision. I mean, everything like A lot of the visuals in this movie,
just excellent. Yeah, excellent effects. Yeah. Once we actually get to
the Kaiju stomping badassery, it is fucking terrific in this film. It just takes forever
to get there. Especially because the pure porn that is Mecca
Ghidorah. Yeah, they really wanted you to see Mechaghidorah in all his glory.
They really want you to just appreciate that costume. And it works. You really do.
Future Girl says she is moving in, but a massive atomic
breath surge comes out of the rubble that just buried Godzilla and fucks her
day right the fuck up. Bodies her completely.
Big G emerges from the rubble and Future Girl finds
she has lost control of the Mecha King. While Big G,
Kaiju stomps his way over over at this prone
Mecha King Ghidorah with every molecule of his body itching
to get some killing done. They do an excellent job of making him look angry
through all of this. He looks so fucking pissed the whole time.
He just wants nothing but pain and suffering for everyone else.
Future Girl is told to make the creature jump,
which she does, but then is captured in Godzilla's arms when he
grabs ahold of King Ghidorah's feet. The left and right heads bite and
attack Big G. And the Mecha King is set free. It takes
to the air after taking multiple atomic breath attacks,
damaging the wings. And a final blast in the air sends the Mecha
King Ghidorah crashing to the ground. And prone to any attack.
Big G lumbers up to the subdued opponent and it's
now unconscious pilot. She is woken up at the last
conscious pilot. She is woken up at the last second and
stands Mecha King Ghidorah straight the fuck up,
shooting off these electric braces that shock Big
G as they snap onto his arms and legs. There is a giant one that
is fired off around Big G's entire midsection,
shocking him until he is finally subdued.
Godzilla is then lifted into the air by the flying
Mecha King Ghidorah in a terrifically puppeted shot that just has
to be seen. That looks incredible. Yeah, looked really
good. After being told that the mech cannot handle another
atomic blast, that exact thing happens and the whole mess
of everything crashes down into the ocean altogether.
And then we see the time ship thing flies out of
the water. Shortly after a small explosion happens.
After that, there is dialogue. That is our final clip.
Thank you very much, Emmy. I have to
live 200 years just so I can see you again. Terasawa.
There's something I never got a Chance to tell you we're related. You're one
of my distant ancestors from this wonderful age. Emmy. 10 seconds
to time warp. Goodbye, my homeland. After the
clip, we see Godzilla revive under the ocean and fire off his atomic
breath in rage as he struggles to break free from the Mecha King clamps.
He woke up because Godzilla does not stand for incest like that.
So he's like, nah, fuck that. He tries to break free from the clamps,
but we don't see it because they cut away to roll credits. Cinema PsyOps
10 years. 10 years.
Okay. Wow. So, yeah, the time
travel plot line in this is fucking dumb. It doesn't hold up
to any kind of scrutiny or any thinking about it, any way, shape or form.
And the most egregious one of all is you have to assume that the 1950
Cup 4 Godzilla never got erased. Otherwise this whole movie is
completely fucking stupid. Yeah. Then there's no reason why it would
be like this. Yeah. The only excuse to have time travel is so that
you can have a Mecha King Ghidorah that is believable to be a cybernetic Kaiju.
And this thing is what we should have gotten instead of Gigan.
They should have done a Mecha King Ghidorah all the way back then where aliens
raise him and then make this. Because it could have been so terrifying
in that age. Would have been awesome. Yeah. Yeah. I still love
the fucking Murder Chicken. I do. I totally do. Oh, yeah, Murder Chicken.
Still fun. But nah, maybe Mecha King Ghidorah.
That would have been the shiz. Yeah. Maybe we can get a Mecha King Ghidorah
in the Megalon movie instead. And then got banned together against
Godzilla. And that would have been terrifying, right? But awesome.
Terrifyingly awesome. This is the only time so far we'll
see Ghidorah be a hero in another film later. But this is the only time
that Ghidorah actually gets to be in somewhat way, shape or form
like the hero, the good guy. Yeah, yeah. It's weird.
Yeah. Usually King Ghidorah is shown as being the ultimate evil.
Yeah. Well, because it's a xenophobic alien thing. But in this case,
this King Ghidorah is from the future and his genetic
manipulation that the future people are trying to use to hold Japan back,
but then ends up getting used to save Japan. Of course, everything you
said just makes sense. Yeah. And then the man responsible for destroying
the world through capitalism is the guy that Godzilla blast with his
atomic breath in the building so that future's taken care
of either way, really. All the Kaijus are kind of
the guys in this movie. Fuck the humans. Yeah. Almost always.
You're watching these specifically for the Kaijus. This one
definitely. Because I couldn't even be fucking bothered to listen to
the clips when I was like, playing them back for
us to do this story because it's just. It's nonsensical and they
don't really explain a whole lot of stuff while they over explain everything else.
Yeah, and there's. They're either incestuous or they're greedy.
I mean, the people of this movie are just not good. Yeah,
the time travel lady's like flirting with her ancestor the entire time and then just
tells. I don't. I don't care how far away that ancestor is. If it's an
ancestor, you should be trying to fuck him. Well, you shouldn't be doing the nasty
in the pasty anyway. I mean, fry toss.
Stop trying to pull up Marty McFly. Yeah. Don't fuck
in the past, for God's sakes. Jesus. Yeah,
especially your family. Yeah,
especially family members. Don't fuck in the past. Good Lord. One of
you is going to come up all wr. Or maybe it's too late.
Maybe that's why she's like that, because that's just. Yeah, maybe. Yeah,
already like, you know, all of her ancestors or whatever.
Jesus Christ. Well, I'm ready to just go ahead and take the break here and
end it. What do you think? Yeah, let's do it. All right. I gotta find
something for my story time, so hopefully I'll have enough time to do that.
Wow. On the pirate radio edit, we rock out to Bonnie Raitt with something
to talk about, also released in 1991. A Little Body weight.
I calculated that keeping your stasis pod functional was
more important than approximating the chances of the garbage heap of the future
being consumed by the Mobius loop of annihilation. Oh,
word salad. That's just what I needed because I'm not having enough
trouble processing what the is going on now. Can you
try and put actual words together that make sense?
I could upload the accumulated information of the ominous brightness I
have been receiving and relaying throughout the multiverse directly into your
brain. Or you can take a breath and allow me to explain while the battery
life remains in the bunker. Do you recall where
you came from? Well, when a. A mummy
bunker and a daddy bunker love each other very much. No, it's going back
a little bit too far. So like I said, there Was there was the,
the time bubble and I was at the. The next excess of time and
space because it was the safe spot because of court and
ruining everything. And then I remember that
it started to contract because there was a chicken.
And then I got ejected in the bubble and
we were traveling in the bubble and the bubble kept getting smaller.
And then like I said, there was Time Cops and Time
Crime HQ and then the Demolition Man. I always
love it when we end up in the 90s because the music that
I play from the 90s is like the music that you paid attention to as
a kid. So you're always more like reacting to it. You're like, oh,
I know this, this is good. Bonnie Rate,
man. Yeah, there's no Bonnie rate. What's funny is never in my life
would. I thought I hear you get so happy just to have a Bonnie Raid
song on this show and that just. I love Bonnie Rate, man. That's,
that's, that's good. Well, hopefully I, I have some good
shit for everybody with my story time.
Story time.
Story time. Okay, I'm gonna apologize in advance if I've told this story
before, but I'm really sure that I haven't, so I'm just gonna go ahead
and tell it. And Matt was there so he can collaborate with me on
this and actually say that. Yes, no, that this actually did happen. Yeah. This is
the story of how I single handedly helped a
guy's versus girls Trivial Pursuit game night
go the way that the ladies thought for sure was not going to happen.
Yes, yes, yes, yes. I already
know the story. Yeah, of course, you were there. Oh, you're going to. Yes,
I thank God you're telling this story. Yeah, See, I'm pretty sure if
I would have told this before you would remember that I told it, right?
I think so, yeah. Yeah. Okay, so there is
some friends that are all out at the bar. It's myself and my
then girlfriend, current wife and me, Matt and his then
girlfriend, current wife and a friend of ours who was dating
someone who did not end up becoming their current wife.
But they were kind of a thing and an item and they were staying over
at your place. And we all got together to play Trivial Pursuit for
the nights so that one of us could sober up to drive the other
spouse home at some point in time. So we all just were playing a game.
I stopped drinking while this was happening. Everybody else continued to drink
and then I was supposed to take my wife home then girls and I was
at. Home, so I just kept drinking right. Like you and your friend and
the significant others of both of you two were going to be staying
there. So you guys all kept drinking, as did my then girlfriend, now wife,
because she likes to drink. I just decided to get sober.
And so in order for us to do this and for me to kill enough
time, we decided to play a round of Trivial Pursuit. We're gonna just play till
we win, right? Mm. And at some point in time,
somehow one of the pig headed males, I can't remember who talked
about doing guys versus girls just to show off or something along those
lines. And I don't know exactly how it happened, but that's how we ended up
playing and we ended up. Ended up talking shit. So it became like a gender
war to play this game, right? More or less, yeah.
I'm under the belief it was one of the women who said that women were
smarter. Well, that's possible. That could be, but maybe it was one of
the pigheaded guys. However it ended up being, we had a gender
battle going on with this game. It was totally guys versus girls.
So we're going through the Trivial Pursuit and freely
to admit the ladies are kicking the shit out of us right
out of the gate. Like, they've got like. Yeah. How many pieces of is it?
It's like six. I think they got like pieces of pie before we even had.
We had none. Like, if it's six, they had three. If it's like seven,
they had four. Like they were over halfway done or on their way
to over halfway done. Like almost immediately.
Yeah, we were in a lot of trouble. They start getting to like some
category. Was it sports or whatever that they may not have been familiar
with and they were having. They were struggling with a category, whether it was like,
you know, historical events or sports or something like that. I can't remember what it
was, but they were. I got us. Yeah, I got us our first
piece because I got the sport. And it was a question about
the Green Bay Packers. Right. And then we ended up catching up to where
we had like one more piece than them. Right? Yeah.
And then at some point they ended up getting to the point where
they only needed one more piece to win. And then we caught up
and we were basically down to one piece left and we were both competing for
different ones. I don't know what theirs was, but ours was
like modern entertainment or something along those lines. Or like pop culture
is the one that the last piece that we needed, it had something to do
with pop culture, right? Yep. And so, yeah, yeah, it was Pop culture.
Yeah. Yeah. And we're. We're all, like, not knowing what the fuck.
Everything in this pop culture is. There's multiple opportunities where we just
fuck up and we just can't get it. And then finally, we get
this question that all of the ladies are 100% confident
we are not going to get right. And it is.
What is the name of the nightclub from Beverly
Hills, 90210, that they all attended in such and such a show?
And we're all kind of sitting there. And I know it because I used to
watch 90210 when it was on as a kid. And I'm too fucking
embarrassed to say anything, but the guys want to
win so bad. They don't care. Both you and the friend are like, man,
what is that? I'd never watched that show. I don't know it, and I know
it now. I was drunk by this point. Yeah. Because I do
it. I watched that O2, 1 0. I don't. Peach Pit After Dark. Right.
But that's what it was. One of those times where it was just on the
tip of my tongue and I couldn't get it. But I just end up sitting
there quietly where all the girls are, like, gloating and gloating that they know that
they've won it. Because the next time around, they're going to get the piece that
they need. Right? And we're just gonna fuck this up again. And I just quietly
say, is it Peach Pit After Dark? So we all flipped,
because I knew you were right right away. Cause I said yes.
And then the person holding the card that was dating your
friend at the time drops their head, looks really, really upset,
and is like. And we're like, show the card. We're right. We're right.
And we win. Show the card. Crazy. Yeah, we win. Because I remembered
the name of the nightclub, which was Peach Pit After Dark, which was just basically
the Peach Pit. Right. Restaurant they hung out in that got turned into a nightclub
after hours. And you had something else
also earlier in that game that shocked.
It was a babysitting book, and you nailed it. Yeah,
yeah. It was one of the adventures in babysitting or something like that. Yeah,
something. But it was like. That was the one where I looked at you and
went, ha. All right. I'm happy
that we're with it, but holy Jesus Gort. Right? It was
a very epic and very fun night. And we had a battle
of the genders. And I ended up winning for us with Peach Pit After Dark,
which was somehow more Disheartening for all of the
ladies than anything. Oh yeah. Oh yeah. They were real mad
that you had Peach Pit After Dark load. Yeah, and I've still to
this day never lived that down. I still get teased about it every now and
then. Oh yeah. Oh yeah. I mean,
yeah, that was you. That's all you, man. Peach Pit After Dark,
motherfucker. Yeah, but I want to say. But we won. That was more important.
Yep, absolutely. And boy, did we fucking, were we sore winners
at that point. Oh, we were not good winners. It was not a good look.
All right, with that we're gonna go ahead and play the show Housekeeping. And immediately
following that on the pirate radio edit, also released
in 1991 and probably going to also very much excite.
Matt. We've got Naughty by Nature with OPP immediately following that.
Ah. All right. And then the Demolition
man multiverse signal eruption incoming. Begin transmission.
I need to now send the transmission to myself to
tell myself to not do this so I don't end up getting
Demolition man out of a bubble that smelled like
three day farts. All right, so I'm sending this out
in the hopes that it will reach, well, me, I guess,
like past me. Not currently, because currently knows that I didn't send
it. But if I send it and then I get it, then I should eventually
work it out that I got it. So anyway, so me, you, me.
Okay, look, I hate being that guy that,
hey, you are my density thing. No, we're not doing that.
But anyway, look, you should know that this is it.
This is line on the sand. I don't know where we are.
Everything is done, right? It is done.
So there's not a lot we can do. This is the final warning, if you
prefer the final countdown.
After this it'll be too late to stop. Right? There's a Mobius
loop now. I thought a Mobius loop was a track by Moby. Anyway, it's gonna
basically just loop through everything and we're gonna go through stages of incremental
annihilation. And basically each cycle will get marginally
smaller and marginally harder to live with. And honestly, I'm not
going through that. I'm not letting it happen. So I want you to go through
all of the previous transmissions, alright? Each increment. I know
it's a lot, it's like nearly 100. But it's important that you look
through that and understand what's been going on. All right?
It's been awful. It's being. Well, this version of you.
I wouldn't Wish if you were me,
but you could be me. Potentially. Anyway,
so regardless of that. So while this version of me is awesome,
your future version of me could be better. So I couldn't
stop it, right? There's a lot of stuff going on. There's chickens, there's cannons,
there's all sorts of just outlandish.
There's people urinating through portals and throwing empties.
You name it, it happened. But what I'm gonna do is
I may be able to give you the information to break
the loop, actually cause a paradox that will
remove humanity from existence.
Moby Loop of Annihilation. That is a track by
Moby. Sure. Loop of Annihilation. Anyway, that's not. Not something for now.
I really hate having to explain this concept. May I upload the
data sets directly to your mind to save us valuable time?
Oh, the song that makes it okay to be a cheating
piece of. Because you're down with Opp. Other people's
privates. Yes, that's not exactly what it means,
but you know, he does call it the Linus at one point.
Yeah, yeah, yeah, you know
me. Yeah, the 90s. What a fun time. Well, we were happy,
we were upbeat. But now I'm going to play something that's going to bring us
down and make us think. Because in 1991, the Scorpions were singing about
the wind of change, which is now going to help you kick the out of
this week and make it your bitch.
Anyway, that's not something for now. I really hate having to explain this
concept. May I upload the data sets directly to your mind to save us
valuable time. So if the battery life is failing,
why would I let you Johnny Mnemonic stuff into my
brain? Because if the power dies, then so
do I. Right? I suppose you will have to use your auditory data receptors
for this process as the monitors draw too much power for the slideshow.
Slide change. No slideshows. Just tlbr me.
The garbage heap of the future where you currently exist is and was the result
of anachronistic artifacts inexplicably spit out of a pocket
dimension intended to be a dumping ground of all of the inevitable outcomes
that would result in humanity self destructing. All of these doomsday
outcomes exist in variable points along the observable path of causality,
locked within the measurable confines of all of the membranes of their
multiple lost realities. With so many dimensions of space,
time and reality, to remove humanity from parameters required
that the pocket dimension existed outside of all current space
time so that it could be Every apocalypse, destruction,
eradication or world ending event captured in an ever widening loop.
Drawing in every origin of humanity to the end of its existence.
Yeah, I don't think your mic's hooked up. Hello? Hello? Alright.
Hello. Hey, now I hear you better. There we go.
Bastard. All right.
Okay. It was Night Court.
Used to watch the. Out of that recording in progress. All right.
Oh hell's yeah. Backup as well. I haven't watched that in decades and
I only ever watched it in reruns, believe it or not. Really?
Yeah, I used to watch it live. I was. When I was a kid.
It was one of my favorite shows. Nice. All right, so I'm obviously
clip heavy as fuck, which you would have been able to be if you had
an English language dialogue. But it is what it is. Yeah, but we'll.
We'll do this show quickly because I have like literally three clips and then the
first third of the film is done. Then. All right, three clips and the first.
The second third of the film is done. It's basically like that where they're like
12, 13. This is how you. This is the way. Yeah. This is how you
get a show. Yeah, this is just how I show now,
so. All right. I'm ready to rock if you are.
Let's do it. All right. Three, two, one.
Spacetime and Reality. To remove humanity from parameters required
that the pocket dimension existed outside of all current space
time. So that it could be every apocalypse, destruction,
eradication or world ending event captured in an ever widening
loop. Drawing in every origin of humanity to the end of its existence in
a non orientable surface that has a half twist, causing those
traveling along it to return to their starting point. But with the orientation
of their existence reversed into their demise. This effectively
truncated individual lives before they existed. Until the Mobius Loop
of annihilation would reach the true origin of humanity. Removing its
inception and leaving an existence vacuum where humanity once began to
thrive. All right, say reason.
Regardless of how any of this goes, we are seriously
right. This sucks hard. So.
So what do we do? Come on, you gotta. You gotta dig me out
of this one. You're supposed to be, you know, my biological
support system. Let's hear it. For the sake of my own sanity,
I will not be explaining this concept again and will simply leave it to
the name the Mobius Loop of an island. The garbage heap of the future was
not the only side effect of the Mobius Loop of annihilation.
We were happy, we were upbeat. But now I'm going to play something that's going
to bring us down and make us think. Because in 1991, the Scorpions
were singing about the wind of change, which is now going to help you kick
the out of this week and make it your bitch on the pirate radio
edit. We need to get you the wind of change.
Oh, Jesus. Stop singing so I can stop this recording stopped.