1 0:00:00,582 --> 0:00:01,285 Speaker 1: How do you find out? 2 0:00:02,562 --> 0:00:03,145 Speaker 2: It's easy. 3 0:00:05,364 --> 0:00:06,548 Speaker 2: I got my spies too, you know. 4 0:00:07,241 --> 0:00:09,321 Speaker 1: He's got to stop him here. 5 0:00:09,361 --> 0:00:13,890 Speaker 1: Everything's going according to plan and any attempt to stop us now could lead to disorder and rebellion. 6 0:00:16,727 --> 0:00:18,000 Speaker 2: They mustn't get beyond the mountains. 7 0:00:18,622 --> 0:00:19,826 Speaker 2: You've got something that'll stop him. 8 0:00:21,542 --> 0:00:21,783 Speaker 1: Money. 9 0:00:24,743 --> 0:00:25,767 Speaker 2: This time it's different. 10 0:00:26,080 --> 0:00:26,924 Speaker 2: Same as the last time. 11 0:00:28,000 --> 0:00:28,542 Speaker 2: It's not enough. 12 0:00:28,803 --> 0:00:29,405 Speaker 2: I want double. 13 0:00:29,525 --> 0:00:30,227 Speaker 2: It's a hard job. 14 0:00:31,000 --> 0:00:31,482 Speaker 2: What's the matter? 15 0:00:31,562 --> 0:00:32,546 Speaker 2: I'm afraid of free men? 16 0:00:33,421 --> 0:00:40,047 Speaker 2: No, but these guys are rangers and I'm only one Pretty freaking Superman for the martial race. 17 0:00:41,261 --> 0:00:43,027 Speaker 1: You'll get the rest when they're dead. 18 0:00:45,401 --> 0:00:47,930 Speaker 1: Hello folks, I am Gary Hill with you today. 19 0:00:49,765 --> 0:00:51,009 Speaker 1: I'm also with Ricky Morgan. 20 0:00:51,029 --> 0:00:51,731 Speaker 1: How are you doing, sir? 21 0:00:52,382 --> 0:00:53,305 Speaker 1: What's happening, mate? 22 0:00:54,040 --> 0:00:58,209 Speaker 1: This is the show on the free feed that was formerly known as the Burntons. 23 0:01:00,283 --> 0:01:01,394 Speaker 1: You get those on Patreon. 24 0:01:01,414 --> 0:01:02,000 Speaker 1: No problem now. 25 0:01:02,982 --> 0:01:09,649 Speaker 1: But to fit the format and the love of why we're doing this, I just read Love of Cinnamon for our friend Johnny Krueg. 26 0:01:10,602 --> 0:01:12,729 Speaker 1: I'm giving a throwback to the Kruger Nation. 27 0:01:13,000 --> 0:01:17,910 Speaker 1: He had a segment on his show called Look what you Did as preferring to you know. 28 0:01:18,141 --> 0:01:26,000 Speaker 1: Look what your brother did at the door and take his chainsaw massacre and he talked about something that was wrong in the horror industry. 29 0:01:26,201 --> 0:01:37,504 Speaker 1: I'm going to skip that, because there's a lot wrong with the horror industry today, but I'm going to go with the most outrageous thing we saw in the movie called the. 30 0:01:37,564 --> 0:01:39,791 Speaker 1: Look what you Did for each individual movie. 31 0:01:40,000 --> 0:01:48,067 Speaker 1: So that'll be the format of having fun with this and saying what was the craziest thing you saw in this movie and I think I have mine already. 32 0:01:50,243 --> 0:01:51,427 Speaker 1: It's right near the beginning. 33 0:01:51,487 --> 0:01:52,249 Speaker 1: So there you go. 34 0:01:54,624 --> 0:01:57,612 Speaker 2: There's a bunch in this one to me that just kind of like wait a minute. 35 0:02:02,789 --> 0:02:04,960 Speaker 1: Yeah, sorry for the odd intro, but, Ricky, how you doing man? 36 0:02:05,924 --> 0:02:06,928 Speaker 2: Yeah, I'm awesome man. 37 0:02:07,343 --> 0:02:08,960 Speaker 2: You know you, let me pick a movie. 38 0:02:09,121 --> 0:02:16,029 Speaker 2: And I literally just threw a dart at the dartboard and picked this movie because before we started rolling I told him. 39 0:02:16,049 --> 0:02:22,167 Speaker 2: I said look, I said it's called 2020 Texas Gladiators, it's from the 80s and it's Italian. 40 0:02:23,020 --> 0:02:23,462 Speaker 2: I'm sold. 41 0:02:23,602 --> 0:02:25,890 Speaker 2: I mean, I've never seen anything about this. 42 0:02:26,543 --> 0:02:31,566 Speaker 2: I just saw the artwork and the name and I said we got to do it because I know it's going to work for this show. 43 0:02:32,462 --> 0:02:36,940 Speaker 1: Yeah, you know, if you look at the artwork, one of the guys kind of works on the movie because they have a Mohawk. 44 0:02:37,261 --> 0:02:40,095 Speaker 1: So I guess they're going for the whole Vernon Wells thing with that guy. 45 0:02:40,116 --> 0:02:40,920 Speaker 1: Yeah, right. 46 0:02:41,281 --> 0:02:43,669 Speaker 2: I mean, there's no doubt what this is kind of ripping off. 47 0:02:44,762 --> 0:02:46,508 Speaker 1: His back is about as big as his head is. 48 0:02:47,120 --> 0:02:49,751 Speaker 1: If you look at the picture, it's just that's nuts. 49 0:02:50,662 --> 0:03:02,408 Speaker 1: Yeah, this is one of those elusive that they made many of the good old Mad Max ripoffs that we all know and love, and this is just one of them Probably the 150 that exist. 50 0:03:03,321 --> 0:03:04,526 Speaker 1: Most of them are Italian, too. 51 0:03:05,121 --> 0:03:10,630 Speaker 1: Most of them are Italian, although one day I'm going to look and see if I can find copies of the Turkish stuff. 52 0:03:11,120 --> 0:03:16,960 Speaker 1: This is pretty crazy Turkish Rambo, turkish Mad Max, turkish Star Wars. 53 0:03:17,722 --> 0:03:19,709 Speaker 1: They made them on like $1,000 or something. 54 0:03:20,141 --> 0:03:20,743 Speaker 1: It shows. 55 0:03:25,851 --> 0:03:26,974 Speaker 2: What was the Turkish film? 56 0:03:27,014 --> 0:03:31,376 Speaker 2: That's Freddie Kruger ripoff, but it's a musical as well. 57 0:03:31,638 --> 0:03:31,859 Speaker 2: What's that? 58 0:03:31,879 --> 0:03:33,486 Speaker 2: Called I think it's a Bollywood man. 59 0:03:34,562 --> 0:03:35,426 Speaker 2: Maybe it's Bollywood. 60 0:03:36,582 --> 0:03:37,285 Speaker 1: It's amazing. 61 0:03:38,020 --> 0:03:38,783 Speaker 1: I'm talking about, though. 62 0:03:38,803 --> 0:03:42,806 Speaker 1: Yes, I definitely know what you're talking about. 63 0:03:44,120 --> 0:03:44,723 Speaker 2: Oh my gosh. 64 0:03:46,101 --> 0:03:50,702 Speaker 1: This is 2040 Texas Gladiators from 1983, directed by George. 65 0:03:50,923 --> 0:03:55,247 Speaker 1: I guess the co-direction of Core 9DB, Joe DiMotto and George Eastman worked on this. 66 0:03:56,441 --> 0:03:59,269 Speaker 1: George Eastman helped write this with Aldo Florio. 67 0:04:00,461 --> 0:04:08,980 Speaker 1: This star is Al Kleiber, Harrison Moeller, Daniel Stephan, Steven my fault Peter Hutin. 68 0:04:09,120 --> 0:04:10,486 Speaker 1: These things have weird frigging names. 69 0:04:12,064 --> 0:04:12,767 Speaker 1: They're Italian. 70 0:04:13,100 --> 0:04:20,908 Speaker 1: They're Italian, Except for Hel Yamanuchi, who's in this movie as Red Wolf, which I got to give them credit here. 71 0:04:21,020 --> 0:04:31,933 Speaker 1: They actually get some real natives to play these roles they're not all in a native face, which I can appreciate that Our girl Gerona Gerona shows up in this. 72 0:04:32,602 --> 0:04:33,406 Speaker 2: I saw her too. 73 0:04:34,422 --> 0:04:39,968 Speaker 1: There she is, and a bunch of uncredited people, apparently, so we're going to go with that. 74 0:04:40,805 --> 0:04:42,960 Speaker 1: Your cheapo IMD-plotsanopsis is. 75 0:04:43,863 --> 0:04:52,550 Speaker 1: In a post-apocalyptic Texas, a band of warriors fight against a fascist regime that is trying to take control of all surviving population. 76 0:04:53,825 --> 0:04:54,450 Speaker 1: That's off. 77 0:04:54,490 --> 0:04:56,305 Speaker 1: But whatever, we'll talk about it, you know. 78 0:04:57,722 --> 0:04:59,247 Speaker 2: That's the least of the concerns in this one. 79 0:05:01,645 --> 0:05:02,568 Speaker 1: They want the power. 80 0:05:02,629 --> 0:05:05,879 Speaker 1: Ricky, they want the power. 81 0:05:06,361 --> 0:05:08,968 Speaker 1: The random Nazi leader in this movie wants the power. 82 0:05:10,040 --> 0:05:11,886 Speaker 2: Yeah, it's like where did this guy come from? 83 0:05:13,120 --> 0:05:15,848 Speaker 1: He came out of Hogan's Heroes, and we're talking about that too, you know. 84 0:05:17,886 --> 0:05:20,960 Speaker 2: Yeah, it's literally like they just pulled another character. 85 0:05:21,060 --> 0:05:29,686 Speaker 2: That's what's weird about this one, right, because it's supposed to be 2020, post-apocalyptic, futuristic, but it's not. 86 0:05:31,201 --> 0:05:34,156 Speaker 2: That's what makes it so fun. 87 0:05:35,848 --> 0:05:46,650 Speaker 2: I mean and you said it while I go If anybody has been listening to the Doctor Movie stuff, I did several D'Amato flicks that George Eastman was in and co-directed and co-starred in. 88 0:05:47,403 --> 0:05:54,609 Speaker 2: So you know, I'm always happy to see that team up because I know I'm in for it may kind of drag a little, but there's going to be some stuff in there. 89 0:05:55,040 --> 0:05:57,606 Speaker 2: You're going to be like okay, here's my money. 90 0:06:01,131 --> 0:06:07,488 Speaker 1: I love the way this one starts, because you know, just as you're going to get, kind of the way it starts, whether they're these guys. 91 0:06:08,100 --> 0:06:22,047 Speaker 1: I guess these different factions are invading this one place and they're going to go have a scrap all at once because it doesn't really go anywhere, except for here's these guys that are with no shirts but they have gun belts on. 92 0:06:23,521 --> 0:06:30,630 Speaker 1: Here comes the lepers from the Omega man coming to Chime in these machete-wielding maniacs coming to Chime in. 93 0:06:31,080 --> 0:06:37,249 Speaker 1: It kind of reminds me of the scene from Anchorman, where all the Anchorman got together to have that giant fight. 94 0:06:39,464 --> 0:06:46,551 Speaker 2: I was thinking clockwork orange, but yeah, you're right, it's like clockwork orange and Anchorman put together. 95 0:06:47,000 --> 0:06:51,147 Speaker 1: There was like five gangs going at once and they were like where's this going? 96 0:06:52,263 --> 0:06:56,729 Speaker 1: I was like oh, yeah, no no, I'm just rolling man. 97 0:06:57,020 --> 0:07:02,401 Speaker 2: I mean, it's just these people that are the white ash skin, like you said. 98 0:07:02,421 --> 0:07:07,207 Speaker 2: I don't know if they're lepers or what, but they're kind of zombie-ish I guess. 99 0:07:09,223 --> 0:07:16,470 Speaker 2: And you got to have the girl on the floor being grouped and handled and trying to rape her and all that stuff. 100 0:07:18,223 --> 0:07:23,288 Speaker 2: Then, all of a sudden, our Rangers come in, which is all of our Texas Gladiators. 101 0:07:24,000 --> 0:07:27,414 Speaker 2: So it's funny it's called Texas Gladiators, but they refer to them as the Rangers in the movie. 102 0:07:28,261 --> 0:07:34,848 Speaker 2: And yeah, they've all got their bullet belts wrapped around their chest and come in all guns blazing. 103 0:07:37,124 --> 0:07:37,726 Speaker 1: Yes, they do. 104 0:07:38,227 --> 0:07:38,990 Speaker 1: It's wild. 105 0:07:39,381 --> 0:07:55,605 Speaker 1: And then you get all that at the beginning and then you get to this whole side of like what this film is really about, which are these people, much like in the Rowan Warrior, who have fashioned a little colony, but this is built around the power plant and they figured out how to make it work. 106 0:07:57,301 --> 0:07:58,605 Speaker 2: Not built around a power plant. 107 0:07:58,645 --> 0:08:00,189 Speaker 2: They're living in the power plant. 108 0:08:02,684 --> 0:08:05,311 Speaker 2: I mean, like here's a closet, I'll move in here. 109 0:08:06,722 --> 0:08:07,744 Speaker 1: This is not my bedroom. 110 0:08:07,805 --> 0:08:08,346 Speaker 1: Yes, indeed. 111 0:08:11,080 --> 0:08:12,466 Speaker 2: Yeah, I mean, they're isolated. 112 0:08:13,000 --> 0:08:16,140 Speaker 2: So what happens is this group of the Rangers what? 113 0:08:16,201 --> 0:08:24,167 Speaker 2: Five of them, I think and one of them sees a blonde girl that ends up being a bigger part of the movie later on. 114 0:08:25,120 --> 0:08:25,361 Speaker 2: What's her? 115 0:08:25,381 --> 0:08:26,645 Speaker 2: Called Malda? 116 0:08:28,281 --> 0:08:34,393 Speaker 2: But he decides you know, hey, I'll just pull down my pants and we'll go to town. 117 0:08:35,000 --> 0:08:37,288 Speaker 2: And the other Rangers stop him and they kind of kick him out of the group. 118 0:08:38,040 --> 0:08:42,049 Speaker 2: And then Al Clavver our favorite guy from you know, fulci Zombie. 119 0:08:44,863 --> 0:08:49,227 Speaker 2: He's nice to her and tries to take care of her stuff and she says, hey, we've got this place back in this power plant. 120 0:08:50,000 --> 0:08:50,662 Speaker 2: What you come live with us. 121 0:08:51,304 --> 0:08:52,007 Speaker 2: So he does. 122 0:08:53,000 --> 0:09:01,190 Speaker 2: And I never thought that people in even now, in 2020, if the world was destroyed, that you'd still be wearing 80s. 123 0:09:01,652 --> 0:09:04,288 Speaker 2: You know clothes and wearing hard hats. 124 0:09:05,080 --> 0:09:07,186 Speaker 2: You know, just kind of threw me for a loop there. 125 0:09:09,020 --> 0:09:09,622 Speaker 1: Well, they had her. 126 0:09:10,385 --> 0:09:11,247 Speaker 1: Who was wearing it? 127 0:09:12,040 --> 0:09:14,046 Speaker 1: This is part of my no. 128 0:09:14,126 --> 0:09:15,390 Speaker 1: No, I'll get into this now. 129 0:09:16,020 --> 0:09:23,549 Speaker 1: The outfit she's wearing in this movie she has one boob covered up and one boob hanging down, but has a pasty over it, so you can't see her nipple, you know. 130 0:09:24,110 --> 0:09:24,291 Speaker 2: Yeah. 131 0:09:25,000 --> 0:09:26,163 Speaker 1: And the child is with her. 132 0:09:27,526 --> 0:09:41,268 Speaker 1: I have to say, when I was watching this movie it was like, wow, that's some fabulous wig work right there, and you think this kid is going to be like the Farrell kid from Mad Max 2, it doesn't really happen, because this wig is just out everywhere. 133 0:09:41,348 --> 0:09:50,707 Speaker 1: And this girl I made this comment on Facebook, I watched it like makes you ask the important questions like are nipple pasties that expensive in the wasteland? 134 0:09:51,201 --> 0:09:52,545 Speaker 1: Because she's only wearing one? 135 0:09:52,686 --> 0:09:53,890 Speaker 1: So you know, that's a. 136 0:09:54,501 --> 0:10:04,772 Speaker 2: Yeah, I imagine they're kind of hard to come by, you know, yeah, but yeah, I mean this whole concept of living in this power plant and working it. 137 0:10:05,963 --> 0:10:12,630 Speaker 2: They're not just living there, they're using this thing and you know you have to have chaos right. 138 0:10:13,000 --> 0:10:40,312 Speaker 2: So not only do you have this group of renegade bikers that all look all Mad Maxed out right, like all the bad guys, and they're hanging out in the mountains not far from here, but at the same time you've got, you know, this guy's working on this pipe and it explodes and it's about to blow the whole place up and Al Cliver has to go in there and save the day, only to walk out and say, holy crap, here comes a bunch of guys on motorcycles trying to kill us all. 139 0:10:41,642 --> 0:10:48,295 Speaker 1: And they know that they're a threat, obviously because this whole protocol setup when they're going to show up, they have alarms going on. 140 0:10:48,315 --> 0:10:52,027 Speaker 1: Yeah, yeah, all these farmers have automatic rifles going. 141 0:10:52,568 --> 0:10:54,412 Speaker 1: You know, they know how to load their guns. 142 0:10:55,060 --> 0:10:59,471 Speaker 1: It's like, yeah, this has happened before, but the security is like so low. 143 0:11:00,181 --> 0:11:06,930 Speaker 1: And they're literally all these kinds of people, which I kind of enjoy because they're not all decked out like Mad Maxed too. 144 0:11:07,982 --> 0:11:11,910 Speaker 1: You see, the normal folks, like the guy who unfortunately gets shot and killed. 145 0:11:11,950 --> 0:11:12,651 Speaker 1: That's the father. 146 0:11:14,364 --> 0:11:18,907 Speaker 1: It's like a farmer, he's wearing overalls, he's a regular blue collar guy, you know. 147 0:11:19,489 --> 0:11:20,792 Speaker 2: That's what I mean, that's what's so weird. 148 0:11:21,080 --> 0:11:28,903 Speaker 2: And I thought, you know, when it changed the scene from them rescuing her and then it just jumped to this thing, I thought are we going back in time? 149 0:11:29,163 --> 0:11:33,467 Speaker 2: Because they're dressed like, you know, regular work clothes. 150 0:11:34,080 --> 0:11:39,677 Speaker 2: You would figure, without this time passing, those clothes wouldn't be around, you'd have to make your own stuff, right. 151 0:11:41,240 --> 0:11:43,274 Speaker 2: So I don't know, it just was things. 152 0:11:43,294 --> 0:11:48,800 Speaker 2: I was just like where did they find all these you know casual eighties clothes in 2020? 153 0:11:49,650 --> 0:11:52,380 Speaker 1: Well, if you go by, you know it's always study logic. 154 0:11:52,470 --> 0:11:57,533 Speaker 1: He found that denim already at the bridge and then they boiled it, you know, to make it clean again. 155 0:11:57,633 --> 0:11:58,536 Speaker 1: So you know we do it. 156 0:12:00,811 --> 0:12:03,820 Speaker 1: Chug boiling some denim Come on now, oh my gosh. 157 0:12:04,411 --> 0:12:09,176 Speaker 1: But yeah, so they're, they're, they're attacked, they're, they're, they're compound, and but they're, they're ready to go. 158 0:12:09,410 --> 0:12:21,554 Speaker 1: But when you think that this, this is, this happens like every other day, because, as important as this power plant is, which is, like, I guess, the only source of power that exists, you know that they bust up in their hood. 159 0:12:21,975 --> 0:12:25,323 Speaker 1: They finally get it, because I love this aspect of it. 160 0:12:25,830 --> 0:12:33,359 Speaker 1: They have these imperishable shields that are perishable the bullets but not imperishable to something else that comes later on. 161 0:12:34,894 --> 0:12:38,323 Speaker 1: Yeah, that's a real victory to those people later on, you know. 162 0:12:39,712 --> 0:12:55,150 Speaker 2: That's got to be the most outrageous thing in this movie, I think, because you know you're shooting bullets at these guys who are dressed like extras from the black hole and they're marching all in sequence and you got this big black vehicle that they'll get out of. 163 0:12:55,612 --> 0:12:58,241 Speaker 2: It's very, you know, the vehicle looks very Mad Max. 164 0:12:58,912 --> 0:13:05,662 Speaker 2: They all get out and they line up and they just do a march and everybody's shooting and you see the bullets just bouncing off but the shields are empty. 165 0:13:06,331 --> 0:13:20,710 Speaker 2: They got like an outer layer on them and then the inside, so you're shooting at them and the bullets bounce off even the part that's empty, but then they can stick their gun through that and shoot you and I'm like okay, it's like wait, they're not paying attention. 166 0:13:21,211 --> 0:13:22,918 Speaker 1: Let's stick our rifles through right now. 167 0:13:23,371 --> 0:13:26,359 Speaker 1: You know we've killed just enough of them where they'll never notice. 168 0:13:27,001 --> 0:13:28,941 Speaker 2: Yeah, yeah, there's the. 169 0:13:28,961 --> 0:13:29,849 Speaker 2: I don't know. 170 0:13:30,353 --> 0:13:32,546 Speaker 1: Even a Robocop, they say shoot them in the mouth. 171 0:13:32,707 --> 0:13:37,550 Speaker 1: Yeah, no shit, it's, it's, it's right there gaping open for them to shoot Robocop in the mouth if they want to. 172 0:13:38,093 --> 0:13:42,615 Speaker 1: But, um, some of them with the right aim could say, hey look, I see a hole in their armor. 173 0:13:43,118 --> 0:13:44,950 Speaker 1: You know, real old fashioned, like military stuff. 174 0:13:45,473 --> 0:13:50,057 Speaker 1: I see a chink in their armor, which is these you know, when they decide to fire it's not a hole. 175 0:13:51,812 --> 0:13:54,040 Speaker 2: It's 75% of the shield is open. 176 0:13:57,596 --> 0:13:59,821 Speaker 1: So they're really allowed to show they were shot by surprise. 177 0:14:00,051 --> 0:14:00,412 Speaker 2: This is. 178 0:14:00,472 --> 0:14:05,120 Speaker 2: You could kick a soccer ball in it, I mean this is 2020, guys. 179 0:14:05,450 --> 0:14:13,181 Speaker 1: You know, I guess they're really lousy shots amongst these farmers of pitchforks that now have rifles and are fighting for this power plant. 180 0:14:13,830 --> 0:14:16,399 Speaker 1: And um, I love it, I love it. 181 0:14:16,510 --> 0:14:18,237 Speaker 1: And then it's ridiculous. 182 0:14:18,912 --> 0:14:19,836 Speaker 2: It's ridiculous yeah. 183 0:14:20,330 --> 0:14:22,438 Speaker 2: And then you know, that's what we're here for. 184 0:14:23,990 --> 0:14:25,096 Speaker 1: Not that, colonel Quink. 185 0:14:25,350 --> 0:14:25,712 Speaker 1: What was? 186 0:14:25,872 --> 0:14:26,655 Speaker 1: What was the guy? 187 0:14:26,695 --> 0:14:28,220 Speaker 1: The other guys named Mahogan's heroes. 188 0:14:28,310 --> 0:14:30,278 Speaker 1: When he shows up in this, this movie, you know? 189 0:14:32,410 --> 0:14:38,222 Speaker 1: Clink, so I can think of, so I can think of the main boss the main boss and Hogan's heroes. 190 0:14:38,430 --> 0:14:38,932 Speaker 1: Um when? 191 0:14:38,972 --> 0:14:39,714 Speaker 1: he shows up in this. 192 0:14:40,075 --> 0:14:41,560 Speaker 1: It's not him, but he looks just like him. 193 0:14:41,690 --> 0:14:42,713 Speaker 1: All is missing is the monocle. 194 0:14:43,114 --> 0:14:53,643 Speaker 1: You know, and he's surprised me, the leader of this, this troop that's supposed to be Nazi's, I guess, cause he's dressed in a very SS uniform for no reason in this movie. 195 0:14:54,065 --> 0:14:55,269 Speaker 2: Very much yeah. 196 0:14:55,931 --> 0:14:57,395 Speaker 1: He comes to play his intentions. 197 0:14:57,455 --> 0:15:05,645 Speaker 1: Basically said that they will live together, but you know you're going to give everything to us as far as, like this, this power plant goes, because you know much like. 198 0:15:05,665 --> 0:15:10,001 Speaker 1: Paul Stanley said in the shocker song you know we want the power. 199 0:15:10,411 --> 0:15:17,121 Speaker 1: That was for Suzanne, by the way, she hates when I do that, yeah. 200 0:15:18,173 --> 0:15:25,299 Speaker 1: They want the power of it, much like you know, in in, in Mad Max too, where they want the, they want the gas that may or may not exist. 201 0:15:25,359 --> 0:15:27,591 Speaker 1: In Mad Max too, you know. 202 0:15:29,234 --> 0:15:43,081 Speaker 2: I mean, and he stands up and goes, we are the new order, and so they're just going big whoop, you know it's like we saw you mother fuckers last week, you know. 203 0:15:43,101 --> 0:15:46,115 Speaker 1: Yeah, no surprise here. 204 0:15:46,411 --> 0:16:00,841 Speaker 1: They're obviously prepared for it to come, because they're literally come out guns blazing and they do get a few of them, including the homeboys, homeboys, girlfriend on the motorcycle, which I think was a nice oh yeah, nice Mad Max to throw back, except she didn't get a boomerang in the head. 205 0:16:02,550 --> 0:16:08,932 Speaker 2: She just gets shot between the eyes and that's the guy that's driving the bike who ends up being the second henchman. 206 0:16:08,972 --> 0:16:13,911 Speaker 2: Here is catch dog, and he's the guy that was trying to rape the girl earlier, that was in the Rangers team. 207 0:16:14,372 --> 0:16:14,753 Speaker 2: Now he's. 208 0:16:15,234 --> 0:16:17,922 Speaker 2: He's the bad guy, or he's the second in command of the bad guys. 209 0:16:18,412 --> 0:16:19,958 Speaker 2: So he's the Darth Vader of this movie. 210 0:16:23,591 --> 0:16:30,579 Speaker 1: Yeah, but after this happens, though of course you know, did they come out and a farmer or father, whatever their guy's name is? 211 0:16:30,645 --> 0:16:31,031 Speaker 1: I forgot. 212 0:16:31,097 --> 0:16:32,969 Speaker 1: I forgot most of these names in this movie. 213 0:16:33,035 --> 0:16:34,799 Speaker 1: The guy in the overall, it don't matter. 214 0:16:34,865 --> 0:16:35,864 Speaker 2: Yeah, it don't matter. 215 0:16:36,546 --> 0:16:37,810 Speaker 1: He tries to beat the hero, mr Green jeans. 216 0:16:38,432 --> 0:17:05,877 Speaker 1: Mr Green jeans tries to be the hero After attending, I guess, the whatever fields or power fields or everything else are going on in this fucking place, you know, because it's very important but it's not very well protected, obviously, and he gets shot and killed, unfortunately leaving his family, you know, and this is when the Rangers come in and, you know, do their thing, which is easily the best part about this movie. 217 0:17:06,379 --> 0:17:10,316 Speaker 1: You know, because they get away with, they leave the child behind, right. 218 0:17:10,951 --> 0:17:15,998 Speaker 2: Well, the girl gets sold, the blunt head girl, they kill Al Clavver. 219 0:17:16,179 --> 0:17:16,399 Speaker 1: Yeah. 220 0:17:17,152 --> 0:17:27,042 Speaker 2: And they take her away, and then they go and find her and it's at this, and it's, it's in this country, in Western Bar. 221 0:17:27,162 --> 0:17:27,924 Speaker 2: Yes, yes. 222 0:17:28,044 --> 0:17:36,157 Speaker 1: Yes, the most random part about this movie is this Western bar or just to remind you, we're in Texas, right? 223 0:17:37,071 --> 0:17:41,007 Speaker 1: Texas and not Lee Van Cleef is playing Russian roulette at the bar for fun. 224 0:17:41,027 --> 0:17:41,549 Speaker 1: Yep. 225 0:17:41,569 --> 0:17:55,698 Speaker 2: Yeah, we got the same from the deer hunter going on here where the two guys are at the poker table playing Russian roulette and obviously you know your main bad guy, you know does something to the gun to where it shoots the other guy. 226 0:17:57,271 --> 0:18:00,860 Speaker 2: And then our main hero, peter Hooten, here, whose name is what? 227 0:18:00,900 --> 0:18:01,561 Speaker 2: Helicon. 228 0:18:02,083 --> 0:18:04,839 Speaker 1: Yes, that sounds about right, helicon. 229 0:18:05,673 --> 0:18:07,500 Speaker 1: I tried to read that name, but it sounds about right. 230 0:18:08,112 --> 0:18:15,030 Speaker 2: And he goes up against this guy and makes a bet to win the girl and he realizes there's a trick to it. 231 0:18:15,634 --> 0:18:17,488 Speaker 2: He sees what the guy's doing and of course it's one of those things. 232 0:18:17,549 --> 0:18:27,689 Speaker 2: Right, there's that when he tricks him and makes the bad guy and shooting himself, so he gets the girl and but at the same time, with all this happening, there's a big brawl. 233 0:18:27,709 --> 0:18:27,950 Speaker 2: That happens. 234 0:18:29,174 --> 0:18:32,110 Speaker 2: Then the sheriff and everybody shows up and they catch these guys. 235 0:18:32,231 --> 0:18:37,447 Speaker 2: There's, there's what, two of them that's in the bar, uh, jab and Helicon. 236 0:18:37,751 --> 0:18:51,020 Speaker 2: Helicon's at the table, jab's standing around ready to jump into action, and it ends up getting a little squirrely and then the sheriff and everybody comes in and takes those two guys and puts them in prison. 237 0:18:53,252 --> 0:19:03,310 Speaker 2: It has them like working in an assault mine, yeah, this is like huh, what locations can we use around here? 238 0:19:04,096 --> 0:19:05,630 Speaker 2: Yeah, let's just, let's go from this to that. 239 0:19:05,711 --> 0:19:06,465 Speaker 2: It'll work just fine. 240 0:19:07,560 --> 0:19:09,690 Speaker 1: You know, we got those big rocks, so let's do something with those. 241 0:19:10,272 --> 0:19:12,018 Speaker 1: And uh, but boy do they. 242 0:19:12,199 --> 0:19:19,398 Speaker 2: you know, in this, movie and we've got, uh, red Wolf who just he's always around but you never see him, right he's. 243 0:19:19,459 --> 0:19:20,310 Speaker 2: He's like Michael Myers. 244 0:19:20,750 --> 0:19:26,191 Speaker 2: He just kind of stays back and never, never with the pack, because he knows if something happens they're all captured. 245 0:19:26,263 --> 0:19:28,563 Speaker 2: And he's kind of like the cat on Hong Kong food. 246 0:19:29,353 --> 0:19:32,204 Speaker 2: He always just ended up saving the day, right, yeah. 247 0:19:33,892 --> 0:19:43,650 Speaker 1: He is kind of like that I'm the present thing that's hanging around this movie until he comes into play much later, in a much bigger way, with their with their fancy shields. 248 0:19:44,071 --> 0:19:47,386 Speaker 1: They um, they, they, they, they, they, they. 249 0:19:47,406 --> 0:19:48,270 Speaker 1: Uh, overcome those fancy shields. 250 0:19:48,852 --> 0:19:50,379 Speaker 1: We'll talk about that for sure, yeah. 251 0:19:51,572 --> 0:20:17,072 Speaker 2: So, yeah, red Wolf comes in and breaks them out of prison and, uh, they regroup and they're, they're heading back to fight for the power plant and win it back and also get this girl's daughter that they've been separated from and they're running to guess what folks Indians- yes in 2020, after the world's been destroyed. 252 0:20:18,301 --> 0:20:19,667 Speaker 2: There's Indians with TPs. 253 0:20:20,481 --> 0:20:22,850 Speaker 1: Which is kind of wonderful if you think about it, is 2020. 254 0:20:23,621 --> 0:20:26,469 Speaker 1: You know, the natives have taken back their land in Texas. 255 0:20:27,071 --> 0:20:31,167 Speaker 1: You know they take it from Mexico, apparently because that was Mexican land. 256 0:20:31,187 --> 0:20:34,274 Speaker 1: Then you know, I said, fuck it, man, this is our land now. 257 0:20:36,040 --> 0:20:37,687 Speaker 2: I don't know if it's wonderful or not. 258 0:20:38,886 --> 0:20:42,284 Speaker 1: It cashers and it's like you know the whole western thing. 259 0:20:42,324 --> 0:20:46,174 Speaker 1: Yes, it's not great, but I will compare it to. 260 0:20:46,194 --> 0:20:49,262 Speaker 1: You know, 10 bears and Josie Wales, you know. 261 0:20:49,302 --> 0:20:50,486 Speaker 1: And then that relationship. 262 0:20:51,027 --> 0:20:55,060 Speaker 2: Yeah, I mean, they're obviously pulling from other resources as far as building this story. 263 0:20:55,421 --> 0:20:58,291 Speaker 2: They're just mixing it all together and hopefully, it works. 264 0:20:59,001 --> 0:21:01,729 Speaker 1: It does play into the the finale of this movie, though. 265 0:21:01,749 --> 0:21:13,847 Speaker 1: So I would give absolutely I will give it to them to say you know that, um, these two get together, red Wolf and then, and our hero was a Helicon, halcyon, halcyon, batteries on it. 266 0:21:13,888 --> 0:21:22,429 Speaker 1: These guys, guys name is Just together, and, of course, um, they had this whole conversation about will they have guns? 267 0:21:22,489 --> 0:21:23,892 Speaker 1: We just have bozeros. 268 0:21:24,153 --> 0:21:24,934 Speaker 1: What's that gonna do? 269 0:21:25,645 --> 0:21:27,119 Speaker 2: We find out a lot of early. 270 0:21:28,703 --> 0:21:32,612 Speaker 2: Yeah yeah, cuz you can throw a spear and it'll go right through with them. 271 0:21:32,652 --> 0:21:33,414 Speaker 2: Shields yes. 272 0:21:37,161 --> 0:21:38,486 Speaker 1: The bullets won't go through it. 273 0:21:38,788 --> 0:21:40,012 Speaker 1: No, bullets are impenetrable. 274 0:21:40,120 --> 0:21:43,511 Speaker 2: But you know if anybody listening can tell me how that works. 275 0:21:44,301 --> 0:21:45,484 Speaker 2: Let me have it, because I'm. 276 0:21:45,584 --> 0:21:46,386 Speaker 2: My ears are open. 277 0:21:46,546 --> 0:21:55,135 Speaker 2: I want to believe, but I just don't know that I do their fancy riot gear is Improvious to guns that make great. 278 0:21:55,577 --> 0:22:00,680 Speaker 1: I have to say this this is one of the cheapest things that I've seen about this movie, and now this would be my work. 279 0:22:00,981 --> 0:22:04,872 Speaker 1: I'm leaving there for my what would you did thing because you know the sound design of this movie. 280 0:22:05,361 --> 0:22:07,930 Speaker 1: But, um, the noise these guns make is freaking, wild as hell. 281 0:22:09,021 --> 0:22:11,510 Speaker 1: It is a pencil to to, to, to to bullet fire. 282 0:22:12,301 --> 0:22:35,220 Speaker 1: But when, when they bust in with these wonderful natives with their bows and arrows and spears and they're just like Shooting them in the air like their elves and my motor or something, yeah, you know, yeah, this is just everybody and you know you kind of yeah, because, like you know what the white man is not getting done, let's do it, let's hear for the friggin natives you know I love it, you know. 283 0:22:35,681 --> 0:22:43,787 Speaker 2: So, yeah, you get this crazy collaboration of these teams get together and fighting this evil, even though the Indians Do they have any beef with these people. 284 0:22:44,008 --> 0:22:47,247 Speaker 2: Oh, I mean, they're just kind of out on their own thing, right. 285 0:22:48,250 --> 0:22:51,663 Speaker 2: They just really hate, sort of not just a thing, but they say the bad guys name. 286 0:22:51,683 --> 0:22:57,523 Speaker 2: They're like count us there, you know, and you know they have no beef. 287 0:22:57,563 --> 0:23:01,713 Speaker 2: This guy Well, we'll go help you, cuz you know we ain't nothing else to do cuz we're Indians. 288 0:23:03,220 --> 0:23:12,652 Speaker 1: Imagine that you know, now these people have helped them, that they're gonna share their resources with them and and live in peace, because I'd imagine that's what's gonna happen next. 289 0:23:12,733 --> 0:23:15,300 Speaker 2: But just like the white man did the first time around, right? 290 0:23:16,267 --> 0:23:18,020 Speaker 1: Yeah, I did that the first time around for sure. 291 0:23:18,381 --> 0:23:22,892 Speaker 1: But I would like to imagine a more conclusion to what happens here. 292 0:23:23,052 --> 0:23:39,469 Speaker 1: You know, because they're Italian, but I love the idea, the idea that they make some like they've been going to like Rambo mode in a way, because when they retreat to the retreat to the mountains, you know when they're in their fancy. 293 0:23:39,710 --> 0:23:46,885 Speaker 1: You know cars, vehicle and who's really tired of. 294 0:23:46,925 --> 0:23:53,649 Speaker 1: Colonel Hogan at this point says you know, you go, go to the mountains and get these people. 295 0:23:54,191 --> 0:23:58,384 Speaker 1: And the guy basically says you know, they're Rangers, you know which is it? 296 0:23:58,405 --> 0:23:59,388 Speaker 1: Take a whole lot more than that. 297 0:23:59,689 --> 0:24:06,150 Speaker 1: All I can hear is a Colonel Shroutman saying about Rambo oh, you're gonna need to the fresh supply of body bags, you know. 298 0:24:09,202 --> 0:24:14,429 Speaker 2: Yeah, but yeah the thing, when he, when he thinks that he killed, he thinks he killed him off, he says I want to see the body. 299 0:24:14,470 --> 0:24:25,053 Speaker 2: He said that'd be hard to do, I might could scrape him up with my knife and that guy just bust out in that laugh, yeah, I mean, it's just like come on, guys, it's just no proof. 300 0:24:25,094 --> 0:24:26,860 Speaker 1: You know he's gonna come back and bite him in the butt again. 301 0:24:26,980 --> 0:24:29,265 Speaker 1: Come on, you know right, right. 302 0:24:29,626 --> 0:24:30,468 Speaker 2: Yeah, you know the. 303 0:24:30,688 --> 0:24:37,812 Speaker 2: The smart plan for for these bad guys was we got all the people that we want captured down here in this, in this valley. 304 0:24:38,220 --> 0:24:48,023 Speaker 2: You know there's mountain side and there's only like four of them, but you know how we'll kill them an avalanche it works. 305 0:24:48,123 --> 0:24:48,845 Speaker 1: It works for him. 306 0:24:48,966 --> 0:24:51,412 Speaker 1: It's very small avalanche, you know, but it works for him. 307 0:24:51,572 --> 0:24:54,168 Speaker 1: You know how does he kick off that avalanche. 308 0:24:54,188 --> 0:24:54,651 Speaker 1: I forgot. 309 0:24:54,692 --> 0:25:02,180 Speaker 2: Now I can just watch this today too, Do they like I think I just had some dynamite and they placed it in places and they shot it with a gun and they explode. 310 0:25:02,280 --> 0:25:03,703 Speaker 1: Yes, yes, that's what happened. 311 0:25:03,724 --> 0:25:09,586 Speaker 1: I remember the dynamite, them, them, lighting a particular one, one stick of dynamite and, yeah, making something explode. 312 0:25:09,686 --> 0:25:10,690 Speaker 1: Real good in this movie. 313 0:25:11,621 --> 0:25:16,342 Speaker 2: And this is another thing too, because we get the space-aged car. 314 0:25:16,543 --> 0:25:28,007 Speaker 2: I'm doing quotation marks here because it's that typical car that we see in these type of movies, where they try to Hide that it's an actual modern car. 315 0:25:28,047 --> 0:25:31,834 Speaker 2: They changed the body style and they painted a different color and put spikes all over it. 316 0:25:31,880 --> 0:25:38,131 Speaker 2: You know it's that kind of thing, but they do absolutely nothing to the motorcycles and you go well, look there, that's a Honda. 317 0:25:38,311 --> 0:25:39,514 Speaker 2: Then there goes a Suzuki. 318 0:25:40,642 --> 0:25:45,100 Speaker 2: You know, so this is like Again, you know it's those details. 319 0:25:45,220 --> 0:25:48,317 Speaker 2: You're like that's that's the things that end up hurting these kind of movies. 320 0:25:48,337 --> 0:25:50,987 Speaker 2: Because you're like, why is everybody riding dirt bikes? 321 0:25:51,027 --> 0:25:53,114 Speaker 2: But all the vehicles have to be specialized? 322 0:25:53,134 --> 0:25:58,075 Speaker 2: You know, like they're from a different time and these bikes are straight up 1983, you know. 323 0:25:59,421 --> 0:26:08,920 Speaker 1: It is one of the better action set piece of the movie, though, where they're driving around the convertible, the here comes, these motorcycles come out of the woodwork and they're doing these balker stunts on these bikes that you know. 324 0:26:09,080 --> 0:26:12,833 Speaker 1: Just look unsafe, yeah, which there's no, there's no doubt. 325 0:26:12,894 --> 0:26:14,660 Speaker 2: I mean again, you remember, this is Italian. 326 0:26:14,780 --> 0:26:15,763 Speaker 2: Yes, so they're like. 327 0:26:16,686 --> 0:26:21,620 Speaker 2: Well, do you have a pad for me to fall on when I, you know, jump off the bike up in the air 20 feet? 328 0:26:21,881 --> 0:26:23,447 Speaker 2: No, no, the ground will be soft enough. 329 0:26:26,281 --> 0:26:28,828 Speaker 2: That's what I love about these flicks, man, the safety. 330 0:26:29,048 --> 0:26:30,552 Speaker 2: Yeah, don't worry about it. 331 0:26:31,601 --> 0:26:32,505 Speaker 2: Tuck it roll, boy. 332 0:26:32,545 --> 0:26:33,308 Speaker 2: Tuck it roll. 333 0:26:33,709 --> 0:26:34,191 Speaker 2: That's it. 334 0:26:34,412 --> 0:26:34,813 Speaker 2: That's it. 335 0:26:35,416 --> 0:26:36,480 Speaker 2: We paid you to do a job. 336 0:26:38,503 --> 0:26:44,413 Speaker 1: Well, throw these, these cushions on your shoulders so you make sure you bump right, like in wrestling. 337 0:26:44,453 --> 0:26:46,075 Speaker 1: Make sure you bump right, son, you know. 338 0:26:47,561 --> 0:26:48,425 Speaker 2: What can I wear helmet? 339 0:26:48,505 --> 0:26:50,815 Speaker 2: Well, how's everybody gonna know who you are if you're wearing a helmet? 340 0:26:51,036 --> 0:26:52,060 Speaker 2: So no, you can't. 341 0:26:52,361 --> 0:26:54,064 Speaker 1: Oh, precisely, precisely. 342 0:26:54,304 --> 0:27:08,017 Speaker 1: You know, it just sounds too safe and this is the kind of movie like safety is just thrown out the window right but I'd imagine they shot these, these, these scenes on the rocks and like real desert locations because it looks good. 343 0:27:08,037 --> 0:27:08,900 Speaker 1: That's probably some of the stuff. 344 0:27:09,621 --> 0:27:10,623 Speaker 2: Yeah, it's legit. 345 0:27:10,643 --> 0:27:12,067 Speaker 2: That's definitely shot on location. 346 0:27:12,107 --> 0:27:13,530 Speaker 2: There's there's no argument there. 347 0:27:14,292 --> 0:27:28,980 Speaker 2: You know Just the things in question is you know the fact that you, you're going through all this and the only thing that's really they decided they wanted this to be a Western in the middle of Mad Max, and that's where you get the cowboy bar. 348 0:27:29,140 --> 0:27:33,589 Speaker 2: That's even got like Atari console games over in the corner. 349 0:27:33,629 --> 0:27:34,290 Speaker 2: I mean, you got thick. 350 0:27:34,330 --> 0:27:36,314 Speaker 2: It's like defender or something going on. 351 0:27:37,502 --> 0:27:39,710 Speaker 2: It's just that thing of not reaching out beyond. 352 0:27:40,382 --> 0:27:42,791 Speaker 2: You know the time frame of the current. 353 0:27:42,932 --> 0:27:49,031 Speaker 2: You know you want things to look futuristic, but all you got is modern technology, you know. 354 0:27:49,940 --> 0:27:52,688 Speaker 1: Speaking of the current, I'm asking real electrical current. 355 0:27:52,728 --> 0:28:04,655 Speaker 1: Here is my favorite scene of the movie, when they are invading the power plant and they shoot to the console, I guess where power is controlled and the guy just starts like dancing against the thing. 356 0:28:06,741 --> 0:28:08,084 Speaker 1: It just looks really bad. 357 0:28:08,705 --> 0:28:11,993 Speaker 1: That's my favorite acting of the entire movie right there, you know. 358 0:28:14,902 --> 0:28:15,183 Speaker 2: Man. 359 0:28:16,101 --> 0:28:20,392 Speaker 2: But yeah, you get a showdown with Red Wolf and that gladiator looking dude. 360 0:28:21,003 --> 0:28:23,240 Speaker 2: That's the other big, you know kind of big burly guy. 361 0:28:23,320 --> 0:28:27,837 Speaker 2: Yeah, just like he'd be, I don't know, working for Shredder. 362 0:28:31,316 --> 0:28:33,123 Speaker 1: Tonight I died on Ranger soup. 363 0:28:36,738 --> 0:28:41,395 Speaker 1: But I'm sure a little little SS would love some some ranger soup at this point. 364 0:28:41,395 --> 0:28:50,975 Speaker 1: But he keeps getting foiled, you know, by the native center spears and in bows and arrows, like damn, we never knew this could penetrate our shields, like yeah, but it's doing it now, jack you know. 365 0:28:52,939 --> 0:28:55,024 Speaker 2: Yeah, I mean, what did you test these shields with? 366 0:28:55,084 --> 0:29:00,445 Speaker 2: I mean being that I'm sure that After the engineers built those, that somebody probably said you know? 367 0:29:01,976 --> 0:29:06,768 Speaker 2: You know, I like the design of the shield, but you're kind of missing something all in the middle. 368 0:29:08,917 --> 0:29:10,202 Speaker 2: Oh, don't worry, it's a force field. 369 0:29:10,543 --> 0:29:10,925 Speaker 2: Oh, okay. 370 0:29:11,696 --> 0:29:19,445 Speaker 1: Yeah, they have class for armor that is penitrable to their, their entire weapons and you know but the native weapons not so much. 371 0:29:21,036 --> 0:29:23,184 Speaker 1: Like I said, my favorite thing is about the plot points. 372 0:29:23,204 --> 0:29:26,555 Speaker 1: This film is that the natives finally get a one-up in this movie. 373 0:29:27,296 --> 0:29:31,785 Speaker 1: It doesn't happen too often in films like this right, right, yeah. 374 0:29:31,946 --> 0:29:33,489 Speaker 2: So yeah, I mean it's again. 375 0:29:34,136 --> 0:29:41,375 Speaker 2: They just, uh, you know, shoot the arrows, throw the spears right through the shields, knocking off the black hole soldiers. 376 0:29:42,658 --> 0:29:43,902 Speaker 2: It's, it's fun. 377 0:29:44,644 --> 0:29:45,466 Speaker 1: They gots to go, man. 378 0:29:45,486 --> 0:29:49,897 Speaker 1: You know, man, oh man, are we? 379 0:29:50,037 --> 0:29:52,864 Speaker 1: Uh, we dove in Bob Buncheburg going to on this one, I think. 380 0:29:53,386 --> 0:29:55,070 Speaker 1: Any final things you want to say about it, ricky? 381 0:29:55,155 --> 0:29:56,902 Speaker 1: Yeah, 2020 Texas Gladiators. 382 0:29:58,356 --> 0:30:02,389 Speaker 2: Again to all the people that are, you know, dr Movie people or whatever. 383 0:30:02,409 --> 0:30:13,028 Speaker 2: If you like these Italian flicks I've been covering, then, yeah, you got to check this one out because it's just as ridiculous, makes about as much sense as I don't know Well any of the other ones. 384 0:30:14,977 --> 0:30:17,965 Speaker 2: But again, there is, there is such a charm to these. 385 0:30:18,146 --> 0:30:26,945 Speaker 2: Yes, you are watching a ripoff of other movies that are better, but there's always this originality that pops up in these things. 386 0:30:27,025 --> 0:30:37,035 Speaker 2: That Amazes me and it could be the most ridiculous thing, like a shield that you can, you know, have opened and shoot bullets and it didn't do anything but you can throw a spear through it. 387 0:30:38,340 --> 0:30:46,489 Speaker 2: Um, you know, you're not going to see anything you haven't really seen before in this one, except for, except for those kind of details. 388 0:30:47,556 --> 0:30:49,661 Speaker 2: Uh, it scattered, it kind of threw me off. 389 0:30:49,701 --> 0:30:52,788 Speaker 2: I actually watched this one twice just so I knew what was going on. 390 0:30:53,795 --> 0:30:55,740 Speaker 2: And uh, you know, it's fun. 391 0:30:55,940 --> 0:30:56,682 Speaker 2: It's fun, it's. 392 0:30:57,003 --> 0:31:01,624 Speaker 2: You know, if you're home sick day from work, throw this joker on and watch it. 393 0:31:01,906 --> 0:31:06,102 Speaker 2: Oh, it's also called in game, I think, like on 2b and stuff like that. 394 0:31:06,684 --> 0:31:09,699 Speaker 2: If you see a movie called an in game, it's the same thing as this? 395 0:31:09,760 --> 0:31:11,004 Speaker 2: I believe so. 396 0:31:11,635 --> 0:31:21,381 Speaker 2: But yeah, you know me, I love the Italian stuff, I ain't got a problem with it, and uh, sebran put this on 4k or blu-ray, one of the two. 397 0:31:21,843 --> 0:31:23,687 Speaker 1: It looks really good on the sebran disc I hear so. 398 0:31:24,796 --> 0:31:29,540 Speaker 2: And and my question there is why why? 399 0:31:29,560 --> 0:31:36,797 Speaker 2: I mean there's some movies to me that just need to stay grainy and ugly, because it really Makes it better. 400 0:31:37,138 --> 0:31:39,586 Speaker 2: I think if you clean some of these films up, it kind of hurts them. 401 0:31:40,656 --> 0:31:49,487 Speaker 1: I have seen I will say this about this film I have seen Films that have executed, executed this, this, this, this concept, this mad max ripoff thing. 402 0:31:50,195 --> 0:31:56,419 Speaker 1: A lot worse in this movie, I mean it's oh yeah, it's really a smorgasbord of different genres, but you know what that's? 403 0:31:56,520 --> 0:32:05,196 Speaker 1: That's what like Italian cinema is for some of this stuff Just mixing stuff together to see what sticks, and it's it it doesn't all stick in this movie, but I can. 404 0:32:05,276 --> 0:32:13,160 Speaker 1: I can recommend it because it's out there and there's a lot of stuff going on and it it comes to a I say a satisfying conclusion. 405 0:32:13,521 --> 0:32:14,986 Speaker 1: You know it doesn't just end. 406 0:32:15,516 --> 0:32:19,407 Speaker 1: I I could mean so many films that are supposedly good, films that just like end. 407 0:32:19,856 --> 0:32:20,901 Speaker 1: Let's stand in your movie. 408 0:32:21,704 --> 0:32:22,508 Speaker 2: Yeah, you know that's. 409 0:32:23,010 --> 0:32:23,995 Speaker 1: This one really doesn't do that. 410 0:32:24,115 --> 0:32:24,958 Speaker 1: You know you got this. 411 0:32:25,138 --> 0:32:26,662 Speaker 1: You got good guys and bad guys. 412 0:32:27,244 --> 0:32:29,878 Speaker 1: You know good guys Come and save the day. 413 0:32:30,279 --> 0:32:31,322 Speaker 1: You know, with some help. 414 0:32:31,342 --> 0:32:32,726 Speaker 1: Like I said, it's joe z Wales. 415 0:32:32,766 --> 0:32:46,687 Speaker 1: In the end, although 10 bears is really doing, he's kind of kind of stands there with it with his uh, his troops is saying staring, saying yep, we're here for you, joe z the seven samurai, it's Y'all, it's, it's what's part of the west, I mean. 416 0:32:46,727 --> 0:32:48,475 Speaker 2: It's magnificent seven, I mean. 417 0:32:49,357 --> 0:32:49,598 Speaker 1: So many. 418 0:32:49,618 --> 0:32:52,405 Speaker 1: Yeah, I mean, it's that standard setup so many genres. 419 0:32:52,465 --> 0:32:53,528 Speaker 1: I love it, though I'm sorry. 420 0:32:54,675 --> 0:32:55,979 Speaker 2: No, no, you're going. 421 0:32:56,019 --> 0:32:56,901 Speaker 2: I'm just interrupting. 422 0:32:57,021 --> 0:32:58,445 Speaker 1: No, I'm interrupting you. 423 0:32:58,746 --> 0:32:59,508 Speaker 1: I apologize. 424 0:33:00,175 --> 0:33:04,967 Speaker 1: No, not one bit but, uh, this, this is the fun part of the show, I think, because this is a wacky film. 425 0:33:05,575 --> 0:33:07,981 Speaker 1: And, uh, this is, this is for our friends. 426 0:33:08,001 --> 0:33:09,084 Speaker 1: We love, we love each other. 427 0:33:09,104 --> 0:33:09,766 Speaker 1: If I could fight again. 428 0:33:10,935 --> 0:33:15,255 Speaker 1: If you're listening to the show, you have crew cremation episodes archive summary on your computer. 429 0:33:15,596 --> 0:33:16,858 Speaker 1: Uh, send it to one of us please. 430 0:33:17,720 --> 0:33:21,547 Speaker 1: I'll, I'll, I'll even put them out on the feed, just so you guys can listen to them. 431 0:33:22,349 --> 0:33:24,901 Speaker 1: Um, to the look what you did. 432 0:33:27,115 --> 0:33:40,705 Speaker 2: No, no, I was just gonna say that he was in the process of trying to put all the old shows back together and move them over to Legion when, when everything happened, so I'd finally convinced him to, to, you know, move all of this stuff over and start anew. 433 0:33:40,886 --> 0:33:45,023 Speaker 2: I mean, he was planning to, you know, he'd already Wrote out his first episode coming back. 434 0:33:45,384 --> 0:33:53,255 Speaker 1: So yeah, so this is for you, johnny, so this the segment is for you for sure, the look what you did segment. 435 0:33:55,080 --> 0:33:58,289 Speaker 2: Look what your brother did to that star. 436 0:33:58,570 --> 0:34:01,318 Speaker 2: Yeah, he's got no Friday's home. 437 0:34:01,699 --> 0:34:02,842 Speaker 2: You're damn fool. 438 0:34:03,524 --> 0:34:04,767 Speaker 2: You're ruining the door. 439 0:34:06,295 --> 0:34:12,941 Speaker 1: Now, ricky, in this movie, if you could think of, you know, the most outrageous thing you could think of in this movie. 440 0:34:13,362 --> 0:34:15,868 Speaker 1: Um, and there's a lot about ragesness in this movie. 441 0:34:16,737 --> 0:34:18,483 Speaker 1: What would that one thing or that one c&b. 442 0:34:20,680 --> 0:34:25,793 Speaker 2: You know, we we beat the shield thing to death, which I think, far and beyond, is probably the biggest. 443 0:34:25,813 --> 0:34:26,335 Speaker 2: Look what you did. 444 0:34:26,355 --> 0:34:29,033 Speaker 2: But let's talk about this. 445 0:34:31,479 --> 0:34:41,362 Speaker 2: She's on the bad people's teams, not Gerrida, it's, uh, the other girl that's got this open top outfit on that. 446 0:34:41,442 --> 0:34:43,651 Speaker 2: Her boobs are just sticking out of it, like it's designed that way. 447 0:34:43,671 --> 0:34:44,715 Speaker 2: Yeah, that's the one, the one with the pasty. 448 0:34:45,119 --> 0:34:46,493 Speaker 1: The one pasty I was talking about. 449 0:34:46,513 --> 0:34:58,675 Speaker 2: Yeah, Well, because you know she's a baddie, she's wrong around, she's got this leather piece on, but it's like when do you consider this to be safe? 450 0:34:59,035 --> 0:35:05,430 Speaker 2: You know, is it just another excuse to show more skin? 451 0:35:05,571 --> 0:35:07,035 Speaker 2: Because it's really not that effective, and I don't know it. 452 0:35:07,695 --> 0:35:10,051 Speaker 2: It kind of bothered me. 453 0:35:11,258 --> 0:35:13,775 Speaker 1: I have a theory for that, and I did it especially for the movie. 454 0:35:14,015 --> 0:35:18,004 Speaker 1: I have a theory for that, and I did it especially warm in the wasteland. 455 0:35:18,104 --> 0:35:20,009 Speaker 1: Obviously, the sun's constantly blazing. 456 0:35:20,535 --> 0:35:22,802 Speaker 1: You know, maybe she chafed in that one boob, I don't know. 457 0:35:23,002 --> 0:35:24,587 Speaker 1: I just kind of had to hang there for a while. 458 0:35:27,295 --> 0:35:28,439 Speaker 2: Just some weird choices. 459 0:35:28,679 --> 0:35:33,560 Speaker 2: It seems like everywhere that our heroes went, there's some chicks sitting there with one boob hanging out. 460 0:35:34,062 --> 0:35:34,884 Speaker 2: I mean, that's just that's. 461 0:35:35,265 --> 0:35:36,147 Speaker 2: That's the future, folks. 462 0:35:36,657 --> 0:35:37,303 Speaker 1: That's the future. 463 0:35:37,627 --> 0:35:54,012 Speaker 1: I mean even, uh, I think at this time in the, in the in the 80s, or like even into the 90s, you had boobs on the, on the local news in Italy, so I guess it's not that bashful, oh no, no, I mean that they were a lot more open about that stuff. 464 0:35:54,032 --> 0:36:00,481 Speaker 2: They were, they were more, they were more back off of you know, actually more of the violent stuff than anything else. 465 0:36:00,741 --> 0:36:02,382 Speaker 2: Yeah maybe not them, maybe more uk. 466 0:36:05,286 --> 0:36:07,874 Speaker 1: Yeah, my look, what you did is the sound design of this movie. 467 0:36:08,466 --> 0:36:09,511 Speaker 1: I mean, it's all over the place. 468 0:36:10,085 --> 0:36:25,095 Speaker 1: Especially the firefights are the weirdest thing in the world Because you hear these rifles going off and a lot of it sounds like bulls, but all of a sudden you hear like a ray gun in there somewhere and like they're on GI Joe, but nobody has these kind of guns. 469 0:36:27,931 --> 0:36:29,715 Speaker 1: So if you're watching it, you're listening to it. 470 0:36:30,305 --> 0:36:37,950 Speaker 1: It makes it more outrageous that you hear this weird sound design mixed in, and a lot of stuff is crazy in this movie. 471 0:36:38,825 --> 0:36:52,774 Speaker 1: Ricky mentioned that and my look, what you did is something I mentioned already the guy doing his electricity dance when he gets pushed up against the broken power supply thing Because it is something to behold. 472 0:36:54,708 --> 0:36:56,252 Speaker 1: That is some great electrified dancing. 473 0:36:56,773 --> 0:36:58,757 Speaker 2: Oh my gosh, yeah, so good. 474 0:37:00,026 --> 0:37:09,048 Speaker 2: And that's the part where the second in command guy, when they're trying to get away, is in the chaos of everything at the end, and then he jumps out and goes don't shoot, it's just me. 475 0:37:09,330 --> 0:37:10,196 Speaker 2: And then he gets shot. 476 0:37:13,631 --> 0:37:17,197 Speaker 1: Oh my gosh, this was fun, rick. 477 0:37:17,217 --> 0:37:17,838 Speaker 1: Thank you, man. 478 0:37:19,769 --> 0:37:21,335 Speaker 1: I hope all of my choices will like this. 479 0:37:21,425 --> 0:37:25,452 Speaker 1: I'm sure there's going to be some real stinkers in there, but I'll try not to make it so. 480 0:37:25,926 --> 0:37:26,951 Speaker 1: We'll try to do it together. 481 0:37:27,225 --> 0:37:37,137 Speaker 2: But if it's not slightly bad words to find talking about, usually when shows like this it's just that's what I loved about, you know, this format of you roll the dice right. 482 0:37:37,725 --> 0:37:41,749 Speaker 2: Even if it's really bad, you can still have fun talking about it, and that's I don't know. 483 0:37:43,325 --> 0:37:46,375 Speaker 2: That's the thing I never could convince Danny about with hell. 484 0:37:46,605 --> 0:38:13,579 Speaker 2: Me is like you know, you know what our biggest downloaded episode was, king Cobra, the worst movie we covered, because people want to go oh man, I got to hear him talk about that because everybody's talked about escape from New York and I mean, you know and you have, you feel like you have to do them, but it's those oddball things like this that you know makes for a great show, because a lot of times it's even harder to describe. 485 0:38:13,605 --> 0:38:16,033 Speaker 2: That's the reason I had Bat Crap crazy just a couple of weeks ago. 486 0:38:17,025 --> 0:38:22,211 Speaker 2: You know, it's hard to even say what happens in those movies, and this is kind of the same way. 487 0:38:22,586 --> 0:38:31,918 Speaker 1: How do you describe a shield that's no shield, you know if you watch I think you did Carnosaur, didn't you on your show Dr movie. 488 0:38:32,445 --> 0:38:33,389 Speaker 2: Those were hard to watch. 489 0:38:33,885 --> 0:38:35,250 Speaker 1: It's like you watched that first one. 490 0:38:35,925 --> 0:38:38,895 Speaker 1: It's just this little floppy little dinosaur puppy Like how is this threatening? 491 0:38:39,306 --> 0:38:41,734 Speaker 1: But yeah, I'm going to keep on watching this, you know? 492 0:38:41,794 --> 0:38:46,484 Speaker 1: Yeah, so they noted the ginger dead man on their show is like torture for their co-host. 493 0:38:47,006 --> 0:38:48,391 Speaker 2: It's like yes it is torturous. 494 0:38:49,645 --> 0:38:53,155 Speaker 1: There are worse things than Carnosaur, and the ginger dead man series is one of them. 495 0:38:53,806 --> 0:38:54,168 Speaker 2: I agree. 496 0:38:55,545 --> 0:38:56,167 Speaker 1: Oh my gosh. 497 0:38:56,830 --> 0:39:03,337 Speaker 2: Yep, we got to catch the premiere of ginger dead man versus evil bong. 498 0:39:03,986 --> 0:39:04,688 Speaker 2: There you go. 499 0:39:05,732 --> 0:39:08,690 Speaker 2: It takes us, frat man, and I can't say that I'm proud that I got to see it. 500 0:39:10,134 --> 0:39:13,293 Speaker 1: Charlie Bay, if you're listening to this show, I love you. 501 0:39:13,445 --> 0:39:15,049 Speaker 1: I respect many things you do. 502 0:39:15,129 --> 0:39:15,430 Speaker 2: Oh yeah. 503 0:39:15,450 --> 0:39:18,257 Speaker 1: You do, but yeah he's still out there hustling. 504 0:39:18,726 --> 0:39:25,194 Speaker 1: I mean, they're not stuff I would enjoy, but the fact that you made a movie and it got made, you know, more power to you, okay. 505 0:39:25,816 --> 0:39:26,317 Speaker 2: Absolutely. 506 0:39:27,305 --> 0:39:38,234 Speaker 1: Because people I think is his strength of his films is built on people paying for the streaming service and if you go to full moon streaming, it's like an advertisement for more streaming. 507 0:39:38,314 --> 0:39:39,217 Speaker 1: I apologize. 508 0:39:39,706 --> 0:39:42,517 Speaker 1: I apologize because there's stuff on there besides full moon stuff. 509 0:39:42,525 --> 0:39:49,029 Speaker 1: They have the whole grind house label on there, so in a way it's more like the unsung hero of shutter If you want to go check it out. 510 0:39:49,049 --> 0:39:50,053 Speaker 1: There's a lot of stuff on there. 511 0:39:50,205 --> 0:39:54,399 Speaker 1: It's not full moon stuff, but I respect them for making movies, sure. 512 0:39:55,986 --> 0:40:00,777 Speaker 2: And he's made some ones that I really like and he's made a bunch that I'm like yeah, no thanks. 513 0:40:02,428 --> 0:40:04,755 Speaker 2: But hey, I can say that about everybody. 514 0:40:05,425 --> 0:40:05,946 Speaker 1: Some species. 515 0:40:06,046 --> 0:40:08,873 Speaker 1: Five looks really good, though, and I'm very excited to watch it. 516 0:40:11,547 --> 0:40:22,651 Speaker 1: It looks like he's going back to theatrical roots, and I think Cameron is going to go see at the Chicago draft house Cool, I'm very excited for him to go see it on the big screen, which is something else too. 517 0:40:23,172 --> 0:40:23,433 Speaker 2: Yeah. 518 0:40:23,613 --> 0:40:25,738 Speaker 1: Full moon on the big screen, so he's really pushing it. 519 0:40:26,385 --> 0:40:29,811 Speaker 1: He's really pushing the subspecies film and the trailer looks very. 520 0:40:30,352 --> 0:40:31,955 Speaker 1: If you watch the trailer, ricky, it looks very impressive. 521 0:40:31,975 --> 0:40:33,017 Speaker 1: Yeah, it does look very impressive. 522 0:40:33,477 --> 0:40:36,631 Speaker 2: Yeah, that's kind of a return to form. 523 0:40:38,125 --> 0:40:40,213 Speaker 1: But the next film we're going to do on this show and I'm very excited. 524 0:40:40,685 --> 0:40:48,393 Speaker 1: This is a film that I got from the flea market from a friend of mine my friend I've known for many years when he sell bootlegs on VHS. 525 0:40:48,645 --> 0:40:58,490 Speaker 1: That's how long ago I go with this movie, directed by Stephen Chow, starring Stephen Chow, the great martial artist, 2001's Shaolin soccer. 526 0:40:59,265 --> 0:41:05,770 Speaker 1: So if you guys want to watch Shaolin soccer, you can watch it on Paramount Plus apparently You're looking at it right now and your cheaper plots. 527 0:41:05,810 --> 0:41:13,836 Speaker 1: Synopsis is a young Shaolin follower reunites with his discouraged brothers, the former soccer team, using their martial arts skills to their advantage. 528 0:41:14,585 --> 0:41:27,574 Speaker 1: Now, if I had described this film in the best way, take a movie about a soccer team that has Dragon Ball Z type powers, okay, like lighten the ball on fire, kick it into the goal and stuff like that. 529 0:41:27,594 --> 0:41:28,536 Speaker 1: Really wild stuff. 530 0:41:28,745 --> 0:41:31,735 Speaker 1: And I'm glad to share this with you, ricky, because you never seen it before. 531 0:41:32,005 --> 0:41:34,988 Speaker 1: I'm excited for you to watch this yeah it's going to be fun. 532 0:41:35,097 --> 0:41:36,937 Speaker 1: Oh my gosh, it's a lot of fun. 533 0:41:37,498 --> 0:41:49,711 Speaker 1: It's one of those ones that I just got from my bootleg guy because it didn't exist here yet and this, and like I got better way out from him for I think like four or five years for the USC, but knew about it. 534 0:41:50,305 --> 0:42:00,074 Speaker 1: You know, I got him and man love this kind of cinema and I'm looking forward to talking about with you Awesome and next episode of Look what you Did. 535 0:42:00,725 --> 0:42:02,452 Speaker 1: So this is like episode 1.5. 536 0:42:02,605 --> 0:42:04,993 Speaker 1: So we'll call that episode two of the show. 537 0:42:05,926 --> 0:42:07,057 Speaker 1: Oh my gosh. 538 0:42:09,328 --> 0:42:11,313 Speaker 1: Yeah, like I said, next episode, shalom Soccer. 539 0:42:11,714 --> 0:42:13,158 Speaker 1: What comes after that's up to Ricky. 540 0:42:14,449 --> 0:42:15,593 Speaker 1: We're going one on one here. 541 0:42:15,685 --> 0:42:18,351 Speaker 1: He choose one and I choose his one, but I'm looking forward to this. 542 0:42:18,371 --> 0:42:19,133 Speaker 2: It could be dangerous. 543 0:42:19,253 --> 0:42:20,155 Speaker 1: It could be dangerous. 544 0:42:20,215 --> 0:42:28,308 Speaker 1: Yes, indeed, it could be soccer ball dangling dangerous, yeah, but this has been fun, ricky, thank you once again. 545 0:42:29,010 --> 0:42:29,432 Speaker 2: Absolutely. 546 0:42:30,065 --> 0:42:31,371 Speaker 1: I have no clothes off for this show. 547 0:42:32,787 --> 0:42:39,768 Speaker 1: We'll see you all next time and we'll see what your brother did in the door next Boom Bye, bye now.