WEBVTT 00:00:02.540 --> 00:00:03.860 Shh. It's all right. 00:00:04.420 --> 00:00:05.860 No. No, it's not all right. 00:00:06.580 --> 00:00:07.400 Nothing is all right. 00:00:08.580 --> 00:00:11.340 Now, now, please, please, turn the ship around. 00:00:13.220 --> 00:00:14.440 I'm not going to leave you alone. 00:00:15.900 --> 00:00:16.800 I'm not like Foster. 00:00:18.200 --> 00:00:19.220 No, don't. I'll shoot. 00:00:20.980 --> 00:00:21.380 Hey, not. 00:00:25.480 --> 00:00:26.320 I said stop! 00:00:28.700 --> 00:00:30.600 I saw the way you were looking at me before. 00:00:32.640 --> 00:00:32.900 What? 00:00:35.220 --> 00:00:35.460 What? 00:00:38.480 --> 00:00:40.800 The way you took care of me and touched me. 00:00:42.480 --> 00:00:43.140 You want me. 00:00:44.780 --> 00:00:45.400 You're crazy. 00:00:46.460 --> 00:00:47.260 I know you want me. 00:00:50.540 --> 00:00:52.160 That's why you wanted Foster gone. 00:00:53.180 --> 00:00:54.060 So we can be alone. 00:00:56.480 --> 00:00:57.240 So I sent him away. 00:00:58.740 --> 00:00:59.240 for you, 00:01:00.960 --> 00:01:01.680 for your writing, 00:01:04.280 --> 00:01:04.920 for us. 00:01:07.660 --> 00:01:07.980 No! 00:01:09.600 --> 00:01:10.940 You're a murderer! Stop! 00:01:11.940 --> 00:01:12.820 Well, then shoot me. 00:01:13.410 --> 00:01:15.160 Kill me. Shoot me. 00:01:25.780 --> 00:01:26.940 Shoot me! 00:01:39.900 --> 00:01:40.540 Every man 00:01:41.720 --> 00:01:42.600 must choose a mate 00:01:43.600 --> 00:01:44.000 Katrina 00:01:45.980 --> 00:01:47.320 and I choose you 00:01:49.800 --> 00:01:50.860 I choose you 00:01:51.840 --> 00:01:52.400 Hey folks 00:01:52.400 --> 00:01:53.160 this is Cinema beef 00:01:53.820 --> 00:01:54.840 the burnt ends 00:01:54.900 --> 00:01:56.359 those are the crispy pieces 00:01:56.380 --> 00:01:57.780 on the end of the barbecue that 00:01:58.200 --> 00:02:00.100 they taste oh so good or maybe 00:02:00.440 --> 00:02:01.920 bitter in some of these 00:02:02.120 --> 00:02:03.580 in this sense but 00:02:04.300 --> 00:02:06.180 it's a single review show 00:02:06.760 --> 00:02:07.400 that we do 00:02:08.479 --> 00:02:10.080 just to have more reviews 00:02:10.220 --> 00:02:12.280 out there and you know watch some fun stuff 00:02:12.900 --> 00:02:13.040 and 00:02:13.980 --> 00:02:15.340 we are watching tonight 00:02:16.040 --> 00:02:18.300 Circuit Breaker aka Inhumanoid 00:02:18.400 --> 00:02:18.900 from 1996 00:02:20.200 --> 00:02:22.300 we'll get into all that after I introduce our guest 00:02:23.020 --> 00:02:23.760 he is 00:02:24.640 --> 00:02:26.340 one third of my 00:02:27.280 --> 00:02:28.780 broadcasting team on the last 00:02:28.920 --> 00:02:30.500 called Torchy's and he has this whole 00:02:31.080 --> 00:02:32.580 network of podcasts 00:02:33.220 --> 00:02:34.400 known as the Cinema Degeneration 00:02:34.840 --> 00:02:36.780 podcast. I don't know what you call 00:02:36.880 --> 00:02:38.840 podcast network but there's a bunch of them. 00:02:39.220 --> 00:02:40.460 I'm sure you'll tell us all about them. 00:02:41.480 --> 00:02:42.840 Cameron Scott is here. How you doing 00:02:42.940 --> 00:02:44.840 sir? I'm doing pretty good. 00:02:45.020 --> 00:02:46.940 I'm pretty excited to talk about this 00:02:47.060 --> 00:02:48.920 one because this is part of that 00:02:49.160 --> 00:02:51.000 Roger Corman lineup that we were discussing 00:02:52.080 --> 00:02:52.880 and yeah 00:02:53.060 --> 00:02:55.000 I'm pretty excited. I got a lot of thoughts 00:02:55.020 --> 00:02:55.520 on this one. 00:02:56.600 --> 00:02:58.740 I didn't know there were so many. We'll talk about it. 00:02:59.340 --> 00:03:01.040 This series, this is part of 00:03:01.500 --> 00:03:02.960 the Roger Corman Presents series 00:03:03.520 --> 00:03:04.480 that was on Showtime 00:03:05.280 --> 00:03:06.580 that were like full length movies. 00:03:07.300 --> 00:03:08.940 Apparently there was a whole season of like 00:03:09.480 --> 00:03:11.080 15 or something and then like a whole 00:03:11.260 --> 00:03:12.020 second season of these. 00:03:12.880 --> 00:03:15.080 Just putting out, I'm sure with the help 00:03:15.100 --> 00:03:17.380 of Julie, because they're under the New Horizons 00:03:18.000 --> 00:03:18.140 label. 00:03:19.800 --> 00:03:21.100 If you rent something 00:03:21.300 --> 00:03:21.660 like this. 00:03:23.020 --> 00:03:25.820 Yeah, we're getting to the plot and the meat and potatoes of this. 00:03:26.780 --> 00:03:28.460 Circuit Break Reiki Inhumanoid. 00:03:28.940 --> 00:03:29.960 Look for it at your IMDB. 00:03:30.240 --> 00:03:31.800 It says... 00:03:32.480 --> 00:03:36.560 A family of three is traveling in space where they encounter a stranded spaceship. 00:03:37.240 --> 00:03:40.080 They manage to pull out one survivor who's in shock. 00:03:40.370 --> 00:03:44.940 However, when the father goes on to investigate the ship, he finds that everyone was murdered. 00:03:45.720 --> 00:03:50.040 Suddenly, the stranger leaves him on a damaged spaceship and starts to terrorize his wife and daughter. 00:03:51.000 --> 00:03:51.620 You know what? 00:03:52.340 --> 00:03:52.820 Fuck you people. 00:03:53.360 --> 00:03:54.340 It's just a little longer. 00:03:56.100 --> 00:04:00.840 It shows up to me that Stranger is really an emotionally unstable Android program without morals. 00:04:01.480 --> 00:04:03.220 Making him go on a killer rampage. 00:04:03.700 --> 00:04:04.560 Well, he did that already. 00:04:05.140 --> 00:04:06.180 Who will survive? 00:04:08.640 --> 00:04:12.140 The fun thing about these movies is they star a bunch of genre people that you love. 00:04:13.620 --> 00:04:14.940 Richard Grieco, take him, relieve him. 00:04:15.040 --> 00:04:16.760 He's charismatic as fuck to me. 00:04:17.320 --> 00:04:19.100 Plays Adam, our robot man. 00:04:20.400 --> 00:04:23.320 He seems like he's the one person really acting in this movie. 00:04:23.600 --> 00:04:24.440 Yeah, yeah, yeah. 00:04:25.820 --> 00:04:26.780 You're not wrong about that. 00:04:28.220 --> 00:04:32.220 Everybody else is just kind of, eh, they're just sort of there, you know? 00:04:33.060 --> 00:04:37.640 Laura Harris, who I don't recognize for much, plays Katrina, the wife. 00:04:38.800 --> 00:04:42.660 Corbin Bernson, the great Corbin Bernson, plays Foster, the husband. 00:04:44.100 --> 00:04:47.620 Brittany Ashton Holmes, who might not sound too familiar, 00:04:47.840 --> 00:04:49.000 but she plays Amy, the daughter, 00:04:49.220 --> 00:04:51.880 but she was Darla in that Little Rascals movie 00:04:52.480 --> 00:04:53.540 that I'm pretty fond of. 00:04:53.710 --> 00:04:55.460 I think it's funny still to this day. 00:04:56.900 --> 00:04:59.600 Edie McClure shows up as Dr. Mary Ann Snow. 00:05:01.480 --> 00:05:04.940 Robin Gamble shows up as Adam's father, I guess, 00:05:05.440 --> 00:05:07.100 as Dr. Milton, you know, 00:05:07.210 --> 00:05:08.620 a little Paradise Lost right there. 00:05:10.020 --> 00:05:10.320 Oh, yeah. 00:05:10.480 --> 00:05:12.540 And there's some other folks in this movie. 00:05:14.100 --> 00:05:14.980 Not a big cast, though. 00:05:15.220 --> 00:05:16.600 It's pretty isolated. 00:05:16.840 --> 00:05:18.060 Pretty tight, yeah, pretty tight. 00:05:19.460 --> 00:05:22.640 This is directed by and written by Victoria Muspratt, 00:05:22.760 --> 00:05:24.920 who didn't do a ton, if I remember correctly. 00:05:25.340 --> 00:05:26.780 I'm going to look real fast. 00:05:27.379 --> 00:05:30.180 Directed, I think, either a remake or not, 00:05:30.320 --> 00:05:31.760 Macon County Jail from 1997, 00:05:32.940 --> 00:05:34.580 White Wolves 3 from 1993, 00:05:35.900 --> 00:05:40.440 and apparently directed what we call Magic and Mischief from this year. 00:05:41.600 --> 00:05:42.620 Didn't do a whole lot, though. 00:05:43.060 --> 00:05:45.380 Quite a hiatus, though, isn't it? 00:05:45.420 --> 00:05:45.960 Yeah, I know. 00:05:46.660 --> 00:05:51.040 If you watch it, though, it's not so bad to where you wouldn't work again, 00:05:51.240 --> 00:05:53.220 but I guess maybe it was a bad experience. 00:05:53.520 --> 00:05:54.040 I don't know. 00:05:54.580 --> 00:05:56.580 I'm sure there's not a lot of research done about this movie, 00:05:57.200 --> 00:05:58.700 so we're going to talk about it right now. 00:05:59.960 --> 00:06:03.420 Cameron, thoughts and possibly prayers about Inhumanoid, 00:06:03.520 --> 00:06:04.560 a.k.a. Circuit Breaker. 00:06:05.060 --> 00:06:07.060 Oh, well, geez. 00:06:08.080 --> 00:06:12.900 Inhumanoid, a.k.a. Circuit Breaker, a.k.a. Roger Corman Presents Circuit Breaker. 00:06:14.800 --> 00:06:16.560 I swore I had never seen this movie. 00:06:16.620 --> 00:06:18.520 until you had suggested it. 00:06:18.530 --> 00:06:21.020 I looked and I'm like, okay, this looks familiar. 00:06:21.740 --> 00:06:22.880 And then I started to watch it. 00:06:22.940 --> 00:06:24.820 I'm like, I'm pretty sure I've seen this, 00:06:25.020 --> 00:06:29.920 but it was so, I'm just going to blow my load right here. 00:06:30.040 --> 00:06:31.940 It was so lackluster in spots 00:06:32.060 --> 00:06:35.840 that I feel like it was easily forgotten if I had seen it. 00:06:36.740 --> 00:06:38.280 But it's really weird. 00:06:38.480 --> 00:06:42.440 It's a mismatched kind of movie. 00:06:43.260 --> 00:06:46.240 It crossbreeds genres or different tropes. 00:06:46.500 --> 00:06:57.400 It's basically a healthy dose of, you know, the Terminator with a healthy dose of Dead Calm, you know, the George Miller joint. 00:06:57.980 --> 00:07:00.620 And it's really weird. 00:07:00.800 --> 00:07:01.760 It's very uneven. 00:07:02.220 --> 00:07:11.900 I do like how it starts at the ending, so to speak, without blowing everything here right off the beginning. 00:07:12.300 --> 00:07:23.860 It culminates in the adventure that it goes on with Adam, a.k.a. Richard Grieco, and his Andrew character. 00:07:24.900 --> 00:07:27.020 But it's basically – it's a lot of dead calm. 00:07:27.600 --> 00:07:41.379 I mean we're – Richard Grieco is playing the Billy Zane character and you got this Laura Harris playing the Nicole Kidman character who is like a troubled young lady who's – 00:07:41.400 --> 00:07:50.540 I had a thing like because a note I made here at the beginning was motherfucking Edie McClure being all judgy with her like the fact that all former drug addicts are just horrible people, right? 00:07:53.559 --> 00:07:58.420 And it's – I think it suffers from not having enough Edie McClure in it too. 00:08:00.100 --> 00:08:05.520 I just – I find her to be a very calming presence in movies. 00:08:06.800 --> 00:08:08.300 She's like a comfort food actor. 00:08:09.000 --> 00:08:10.800 You see her and you're just like, oh, it's Edie. 00:08:11.300 --> 00:08:13.060 But it does have a great cast. 00:08:13.310 --> 00:08:19.980 The cast is pretty stacked for such a small, isolated, reservoir dogs kind of cast. 00:08:20.560 --> 00:08:22.100 Not very many people in it. 00:08:22.180 --> 00:08:32.700 But Corbin Bernson is being all Corbin, and Richard Rico is being suave for the rapey, rapey Adam Milton, I guess you could say. 00:08:32.710 --> 00:08:35.020 Or do we just call him Adam at this point? 00:08:35.070 --> 00:08:35.880 I'm not really sure. 00:08:36.280 --> 00:08:37.340 Yeah, you just call him Adam. 00:08:37.680 --> 00:08:39.440 It's very, very biblical in that sense. 00:08:40.560 --> 00:08:40.719 Yeah. 00:08:41.640 --> 00:08:45.740 Yeah, I mean, they did everything, but like I pulled out three ribs to make this motherfucker. 00:08:46.860 --> 00:08:59.400 But yeah, I would say this is only recommending, only recommendable for somebody that is a hardcore sci-fi nerd like myself, because it's bad. 00:08:59.620 --> 00:09:04.940 It's all sorts of bad, but it teeters on the edge of being so bad it's good. 00:09:05.480 --> 00:09:07.300 So I have to kind of give it a pass. 00:09:08.020 --> 00:09:10.840 Like I said, it's a little weird. It's a little out there. 00:09:11.060 --> 00:09:23.940 But yeah, I have to admit, as bad as it was and as kind of lame as it was at some points, I don't know what this says about my tastes here, but I liked it. 00:09:25.720 --> 00:09:26.980 It was horrible, and I loved it. 00:09:28.780 --> 00:09:30.500 I mean, it has to do with Greco, right? 00:09:30.660 --> 00:09:39.240 Because, you know, even in bad stuff, you know, he always had a certain charisma about him that could really carry a production like this. 00:09:39.880 --> 00:09:48.000 I mean, if he watched stuff like it, if looks could kill, which, you know, it is a fun movie, but it's really stupid and it wouldn't work without Greco in it. 00:09:48.500 --> 00:09:49.940 It just wouldn't. 00:09:50.040 --> 00:09:56.880 I mean, this was the guy that replaced Johnny Depp on 121 Jump Street when he went to go be more famous in Hollywood. 00:09:56.940 --> 00:10:06.760 They needed that face, and that face kind of stuck around and acted in genre cinema that really elevated what could have been a real piece of crap. 00:10:08.060 --> 00:10:08.620 Right, right. 00:10:09.520 --> 00:10:16.240 Like I was saying earlier, Richard Grieco feels like he's the only person really acting in this. 00:10:16.720 --> 00:10:17.500 Him and Edie McClure. 00:10:18.060 --> 00:10:24.940 Edie McClure feels like she's acting her ass off, but everybody else is – even Corbin Bernson, who does a permissible job. 00:10:25.600 --> 00:10:31.200 But, like, everybody else just kind of feels like they're sort of sleepwalking through this one, if I'm making any sense there. 00:10:31.640 --> 00:10:32.480 Oh, you are. 00:10:32.530 --> 00:10:36.880 You are, because you've got Laura Harris as Katrina, the wife and mother. 00:10:39.519 --> 00:10:45.820 She's playing this whole, oh, nobody believes in me because I was addicted to drugs. 00:10:45.910 --> 00:10:51.840 So I'm just going to play this really dry and sort of care of my daughter but fucking resent her at the same time. 00:10:52.140 --> 00:10:55.860 Because the reason, because in the hilarious scene of this movie, 00:10:56.370 --> 00:10:59.140 I know Child Death isn't funny, but they don't show it or anything. 00:11:00.660 --> 00:11:01.760 It's done tastefully. 00:11:02.040 --> 00:11:03.460 I'll say it's done very tastefully. 00:11:03.600 --> 00:11:04.580 It's done very tastefully. 00:11:05.070 --> 00:11:08.960 Adam puts Amy, the little girl, inside this room or something. 00:11:09.160 --> 00:11:09.940 She thinks they're playing. 00:11:10.660 --> 00:11:13.780 But there's a giant spinning fan that keeps getting closer and closer. 00:11:14.130 --> 00:11:16.020 And she's like, do it again, do it again. 00:11:16.600 --> 00:11:17.240 And he's like, okay. 00:11:18.340 --> 00:11:22.020 And then, of course, it gets close enough to murder her. 00:11:22.520 --> 00:11:23.460 and you know the whole 00:11:24.040 --> 00:11:26.180 her reaction to her daughter's 00:11:26.340 --> 00:11:28.040 death is kind of like a 00:11:29.320 --> 00:11:30.180 like an act 00:11:30.320 --> 00:11:32.060 coming down in a way like yeah 00:11:32.240 --> 00:11:34.240 I'm so emotionally gone from all these 00:11:34.420 --> 00:11:35.340 drugs that I'm not doing 00:11:36.040 --> 00:11:38.320 and you know which leads to 00:11:38.720 --> 00:11:40.160 you know the sunset boulevard 00:11:40.440 --> 00:11:41.820 beginning that this movie did not deserve 00:11:42.420 --> 00:11:44.260 of the oh yeah she's on 00:11:44.440 --> 00:11:46.080 drugs she fucking did it man 00:11:46.460 --> 00:11:48.020 you know get her get her get her 00:11:48.220 --> 00:11:49.939 you know right right 00:11:50.160 --> 00:11:58.820 Our Devo slash paintball commandos that you see in the beginning of this movie, they're wearing Lego hats and pads and stuff. 00:11:59.880 --> 00:12:03.740 Yeah, they look like fucking extras from a Devo music video. 00:12:05.860 --> 00:12:06.500 Oh, man. 00:12:06.870 --> 00:12:08.500 But yeah, it really works. 00:12:08.640 --> 00:12:17.400 And you forgot to mention one thing that I thought of immediately when you find out Grieco's a robot and he's all horned up was Saturn 3. 00:12:17.690 --> 00:12:18.940 It reminded me a lot of that. 00:12:19.680 --> 00:12:21.480 Oh, yeah. Yeah, it does. 00:12:21.760 --> 00:12:23.000 If you don't know what that film is, 00:12:23.000 --> 00:12:24.300 it's a film where, um, 00:12:25.120 --> 00:12:25.640 who's, um, 00:12:26.740 --> 00:12:29.160 who's the world-famous actor 00:12:29.170 --> 00:12:30.540 that I'm blanking on? 00:12:31.300 --> 00:12:32.420 Oh, Kirk Douglas? 00:12:32.700 --> 00:12:34.400 Kirk Douglas and Farrah Fawcett 00:12:34.620 --> 00:12:36.920 invite a marooned 00:12:37.320 --> 00:12:37.940 Harvey Keitel, 00:12:38.520 --> 00:12:39.420 very dubbed in that movie, 00:12:40.080 --> 00:12:41.280 and his special robot 00:12:42.380 --> 00:12:43.220 on board, and 00:12:44.059 --> 00:12:46.360 he transports his robot, his conscience 00:12:46.580 --> 00:12:48.160 into this robot who's very 00:12:48.100 --> 00:12:49.320 horny for Farrah Fawcett. 00:12:50.779 --> 00:12:52.340 That's what this reminded me of. 00:12:53.279 --> 00:12:54.160 This sentient 00:12:54.380 --> 00:12:56.240 thing, you know, whose only 00:12:56.480 --> 00:12:57.860 weakness is his horniness, apparently. 00:12:58.500 --> 00:13:00.340 It plays really well in this movie. 00:13:00.450 --> 00:13:02.060 Like, yeah, you know what? My only 00:13:02.260 --> 00:13:04.200 weakness is girls that don't want to 00:13:04.280 --> 00:13:06.260 fuck me. She's kind of like a toxic 00:13:06.520 --> 00:13:07.580 male robot in a way. 00:13:08.680 --> 00:13:09.340 Yeah, yeah. 00:13:10.720 --> 00:13:11.880 So it was really strange 00:13:12.700 --> 00:13:14.300 how rapey this thing was. 00:13:14.350 --> 00:13:16.180 Like, yeah, you know what? I want sex 00:13:16.290 --> 00:13:17.480 and I don't care how I get it. 00:13:17.880 --> 00:13:20.140 and this woman has fucking strange dreams 00:13:20.240 --> 00:13:21.280 about a fucking beast man 00:13:21.340 --> 00:13:23.140 for no reason that goes nowhere in this plot. 00:13:24.080 --> 00:13:26.380 Yeah, we gotta talk about that a little bit. 00:13:27.000 --> 00:13:28.560 I don't know if this is like 00:13:28.660 --> 00:13:30.920 some weird come down fantasy that she has 00:13:31.120 --> 00:13:33.060 after she was addicted to drugs. 00:13:33.640 --> 00:13:36.180 Her, I guess, wishing that Corbin Bernstein 00:13:36.320 --> 00:13:37.280 was like this beast man 00:13:37.380 --> 00:13:38.440 that would fuck her in her dream, 00:13:39.100 --> 00:13:41.520 which I gotta say this for the filmmaker, 00:13:42.180 --> 00:13:44.779 you stole from Nightmare on Elm Street wholesale 00:13:45.639 --> 00:13:50.440 because the scene where she's walking up in the nightgown, 00:13:51.060 --> 00:13:53.660 all you're missing is a little more darkness in that hallway, 00:13:54.220 --> 00:13:57.220 and I'm waiting for Freddy Krueger to come out and come kill Amanda Weiss. 00:13:57.780 --> 00:13:58.740 I'm waiting for it to happen. 00:13:58.960 --> 00:14:02.280 Yeah, I'm waiting for the daughter character to pop up, 00:14:02.380 --> 00:14:04.720 the little Darla to come up and start going, 00:14:04.800 --> 00:14:06.700 one, two, Freddy's coming for you. 00:14:07.260 --> 00:14:09.980 I'm waiting because it was filmed just like that, 00:14:10.160 --> 00:14:11.840 and it kind of hurt my soul a little bit. 00:14:11.880 --> 00:14:14.580 Like, hey, just steal it wholesale, and that's fine. 00:14:14.620 --> 00:14:17.560 but it leads you to this thing that maybe 00:14:18.300 --> 00:14:21.260 maybe Adam is a dream but of course he's not 00:14:21.720 --> 00:14:22.860 but it just goes nowhere 00:14:23.220 --> 00:14:25.440 this desire to have sex with a beast man 00:14:26.040 --> 00:14:26.920 go ahead brother I'm sorry 00:14:29.100 --> 00:14:30.360 yeah the beast man 00:14:30.600 --> 00:14:32.260 the whole sequence is just like 00:14:32.980 --> 00:14:34.680 all of a sudden again 00:14:35.460 --> 00:14:37.100 Edie McClurg leads in with her 00:14:38.480 --> 00:14:40.620 former drug addicts are just horrible people 00:14:40.840 --> 00:14:42.219 that can't be trusted 00:14:42.240 --> 00:14:46.040 or trusted it in any way, shape, or form. 00:14:46.160 --> 00:14:51.420 And then it goes right into our actress Katrina, 00:14:51.900 --> 00:14:52.940 the character Katrina, 00:14:53.460 --> 00:14:56.620 having this weird werewolf rape fantasy. 00:14:57.460 --> 00:14:59.340 And it's so odd. 00:14:59.800 --> 00:15:01.200 It is so strange. 00:15:01.400 --> 00:15:03.340 And it has no place in the movie whatsoever. 00:15:03.650 --> 00:15:06.920 I thought for sure, I'm like, okay, well, maybe in this future, 00:15:07.220 --> 00:15:08.920 this weird sci-fi future we have here, 00:15:09.400 --> 00:15:11.560 maybe we're going to get some fucking werewolves. 00:15:11.880 --> 00:15:15.800 Nope, just in that werewolf freak fantasy thing that happened. 00:15:15.910 --> 00:15:17.640 It was really, really weird. 00:15:18.280 --> 00:15:23.620 And I would have liked some more clarification to why that was chosen. 00:15:24.620 --> 00:15:27.600 As a filmmaker myself, I was just thinking to myself, okay, this made no sense. 00:15:27.820 --> 00:15:30.140 This just felt like fucking random as hell. 00:15:30.660 --> 00:15:33.980 It makes you want to fucking write something in the script for yourself and say, 00:15:34.420 --> 00:15:39.280 well, here's the scene where she was sexually assaulted when she was addicted to drugs. 00:15:40.080 --> 00:15:42.960 And this guy had an incredibly hairy back, so she thought it was a wolfman or something. 00:15:43.290 --> 00:15:43.620 You know? 00:15:44.340 --> 00:15:44.760 Yeah, yeah. 00:15:45.300 --> 00:15:53.280 I'm not really belittling sexually assaulted people, but this being in the thing, you expect it to be some kind of foreshadowing. 00:15:53.880 --> 00:16:06.240 And not just, you know, which I will say that there's a part of the film where Greco reveals, Adam reveals, how he murdered his whole crew, which are retractable claws that come out of his hand. 00:16:06.900 --> 00:16:12.040 Now, the extension of these said claws look really bad, 00:16:12.720 --> 00:16:16.580 but when they're out and they're out to kill people, these claws, 00:16:17.140 --> 00:16:18.700 it's actually pretty good practical makeup. 00:16:19.750 --> 00:16:22.500 And it just looks really bad when they're first extending out. 00:16:23.060 --> 00:16:30.140 Yeah, that one little quick CGI scene of them kind of popping out is really bad. 00:16:30.540 --> 00:16:32.960 You could have just excised that entire shot, 00:16:33.010 --> 00:16:34.960 and it would have been all the better for the movie. 00:16:35.560 --> 00:16:39.480 Yeah, but he can have claw hands like, you know, something they're ripping off. 00:16:39.880 --> 00:16:41.460 Again, Emory on Elm Street. 00:16:42.020 --> 00:16:42.320 Yeah. 00:16:44.440 --> 00:16:45.900 At least it's something. 00:16:46.100 --> 00:16:49.180 It's not a werewolf sex fantasy that doesn't go anywhere. 00:16:49.380 --> 00:16:54.300 But I've got to say for Edie McClurg, though, that this is not your normal Edie McClurg. 00:16:54.540 --> 00:16:57.700 She's not playing Mrs. Poole or that kind of character. 00:16:58.000 --> 00:16:59.400 She's playing it straight. 00:16:59.900 --> 00:17:06.760 And I don't see many roles of her doing that and playing the scientist type person. 00:17:07.020 --> 00:17:10.819 And it's different, but it's a welcoming difference. 00:17:12.180 --> 00:17:13.380 She's not playing that same character. 00:17:13.380 --> 00:17:13.780 Oh, definitely. 00:17:14.240 --> 00:17:14.420 Yeah. 00:17:14.939 --> 00:17:15.100 Oh, go ahead. 00:17:15.100 --> 00:17:15.380 I'm sorry. 00:17:15.939 --> 00:17:16.920 No, I was just going to say definitely. 00:17:17.240 --> 00:17:21.480 I thought it was a different change of character for her. 00:17:21.860 --> 00:17:28.339 Usually she's played the character with a little bit more whimsy to her, a little bit more comedy and whatnot. 00:17:28.520 --> 00:17:31.500 but she's playing it pretty straight here, and I appreciate that. 00:17:31.620 --> 00:17:35.820 This is one of the first roles I've seen of her portraying a character like that, 00:17:35.850 --> 00:17:36.800 so yeah, thumbs up. 00:17:38.460 --> 00:17:40.960 Another thing, this film's ripped off a lot of things, 00:17:41.240 --> 00:17:44.560 and Alien being another one of those things, 00:17:44.940 --> 00:17:48.760 right to the point of them looking for, not really looking for a salvage, 00:17:48.800 --> 00:17:55.080 looking for survivors, but she knocks Adam out of the airlock in this movie, 00:17:55.380 --> 00:17:56.120 just like in Alien. 00:17:57.340 --> 00:18:01.420 Of course, he's not dead, which is one thing I can appreciate about this movie. 00:18:02.080 --> 00:18:03.880 It's like, oh, she knocked him out of the airlock. 00:18:04.360 --> 00:18:08.340 It's a great false ending to make you think, oh, he's out in space somewhere. 00:18:08.980 --> 00:18:16.280 Like, no, he held onto your spaceship and now he's back on board again to beat the shit out of your husband and possibly sexually assault you. 00:18:17.140 --> 00:18:17.500 Oh, yeah. 00:18:18.560 --> 00:18:20.220 It's something I wanted to touch base on. 00:18:20.500 --> 00:18:21.880 We already mentioned a bit before. 00:18:22.600 --> 00:18:24.160 This dude killed her daughter. 00:18:24.720 --> 00:18:38.200 Like, and it's revealed pretty soon, like after he gets on the ship, you know, because, of course, let's be a good Samaritan where we're all, you know, in space where, you know, Foster, Orton Bergson character is, you know, boards the ship, finds, you know, Adam. 00:18:38.640 --> 00:18:53.360 I'm using air quotes here that you can't see Adam, you know, that Greco guy, and, you know, brings him on board and then he's unceremoniously goes back onto Adam's ship to look for more survivors because he said there's what? 00:18:53.920 --> 00:18:56.300 What did he say in the confines of the movie? 00:18:56.340 --> 00:18:58.060 There was four escape hatches. 00:18:58.560 --> 00:19:00.680 Yeah, 35 crew aboard, I think he said. 00:19:01.300 --> 00:19:03.140 Yeah, yeah, and that everybody was dead, 00:19:03.340 --> 00:19:04.980 but there could be somebody else left on there, 00:19:05.120 --> 00:19:06.200 so he gets them to go back on. 00:19:06.640 --> 00:19:08.500 Within minutes, within like five minutes, 00:19:09.280 --> 00:19:11.120 he's done already killed the daughter. 00:19:11.700 --> 00:19:15.180 You know, I was just like, okay. 00:19:15.740 --> 00:19:19.640 We killed the kid, and the mom, Katrina, 00:19:19.980 --> 00:19:23.020 has this total non-reaction to it. 00:19:23.480 --> 00:19:27.540 She just like, it was just like somebody like, oh, no. 00:19:28.260 --> 00:19:31.260 It was like the old George Carlin joke. 00:19:31.740 --> 00:19:33.380 Oh, shit, I dropped the noodles. 00:19:33.720 --> 00:19:34.640 Just, oh, shit. 00:19:34.980 --> 00:19:36.700 I just dropped the noodles on the floor. 00:19:36.780 --> 00:19:37.780 Oh, shit. 00:19:38.940 --> 00:19:44.840 It wasn't like, oh, my daughter just got sucked into the garbage disposal 00:19:44.920 --> 00:19:47.220 and got ate up like a Cuisinart. 00:19:47.480 --> 00:19:49.460 Like, no, no, no, no, no. 00:19:49.800 --> 00:19:50.740 But I got one question. 00:19:51.260 --> 00:19:57.940 How did the blood end up on the Raggedy Andal that was outside of the garbage lock area? 00:19:59.600 --> 00:20:01.420 I have no answer for that. 00:20:03.180 --> 00:20:04.800 Maybe the door was a little bit faulty. 00:20:05.000 --> 00:20:05.800 I couldn't tell you. 00:20:07.140 --> 00:20:09.560 I'm going to say, plot holes, plot holes. 00:20:10.040 --> 00:20:18.400 If the force of the fan was enough to grind a child, the child grinder 2000, not in a sexual way, but in a grinding a child kind of way. 00:20:19.040 --> 00:20:22.020 I imagine there was a substantial splatter. 00:20:23.139 --> 00:20:24.740 And, yeah, I don't know. 00:20:25.020 --> 00:20:27.240 Let's see when they dial out and say, you know what? 00:20:27.700 --> 00:20:30.560 But by the way, Katrina, I fixed your problem. 00:20:31.460 --> 00:20:35.340 And the whole conversation they have, I guess, goes into it. 00:20:35.900 --> 00:20:37.480 When she's like, the child's hungry. 00:20:37.640 --> 00:20:39.020 Because your child gets hungry. 00:20:39.320 --> 00:20:40.880 You've got to feed it and take care of it. 00:20:41.600 --> 00:20:44.160 She goes, now see, I'm like her slave. 00:20:44.860 --> 00:20:46.060 And blah, blah, blah, blah, blah. 00:20:46.780 --> 00:20:47.600 See, that's another thing. 00:20:48.140 --> 00:20:53.600 She's playing as a woman of whimsy that is on drugs. 00:20:54.420 --> 00:20:56.420 But she's supposed to be not on drugs in this movie. 00:20:57.360 --> 00:21:01.140 Even when her daughter gets taken by the child grinder 2000, 00:21:03.260 --> 00:21:06.220 her reaction is the reaction of a person who is on drugs. 00:21:06.900 --> 00:21:09.220 Like, I just watched my child get shot in the chest. 00:21:09.860 --> 00:21:11.840 This is how I'm going to react if I am on drugs. 00:21:12.580 --> 00:21:14.340 And she's not supposed to be on drugs. 00:21:15.420 --> 00:21:16.140 It's strange. 00:21:17.660 --> 00:21:19.280 Her whole performance is strange. 00:21:20.760 --> 00:21:23.680 It felt like she was acting in two different movies from one scene to the next. 00:21:24.480 --> 00:21:34.200 But I agree that the exchange of dialogue between Grieco and her is really odd because he tells her straight up, you won't have to be her slave anymore. 00:21:34.420 --> 00:21:35.020 You're free now. 00:21:35.030 --> 00:21:38.720