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Speaker 1: Good evening, kids, and welcome to beardless dickless me. I'm

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Speaker 1: Kevin Smith and I'm Harley Quinn Smith and we're just

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Speaker 1: here to say.

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Speaker 2: Hello hello hello hello hello.

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Speaker 3: Hello hello hello hello hello hello hello?

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Speaker 1: What what hello hello hello hello good?

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Speaker 2: And that's our theme song, hello.

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Speaker 3: Hello hello hello hello what say what hello hello hello

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Speaker 3: hello hello hello hello hello?

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Speaker 1: Break it? Damn hell no.

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Speaker 2: Maybe you and I should also have a band.

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Speaker 1: Yeah, not a band so much as like we can

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Speaker 1: busk man, we hit like the street corners and ship.

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Speaker 1: Oh yeah, yeah hello hello. Well, I mean, fuck, at

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Speaker 1: the very least, we can go down to Hollywood Boulevard

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Speaker 1: just in our outfits from Jaye's Bobbery boot with the

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Speaker 1: bucket pictures for ten bucks. I mean, let's do it.

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Speaker 1: Or we can earn that money by singing.

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Speaker 2: Hello hello hello, hello, hello.

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Speaker 1: Hello hello hello.

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Speaker 2: Car When you do that? I love when you do that.

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Speaker 1: Welcome back kids. We're still beardless, still dickless, still all

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Speaker 1: about me. Yep, Harley. Right before we started the show,

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Speaker 1: I had a little adventure in the street.

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Speaker 2: Oh, I did have a middle adventure in this telling

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Speaker 2: me the story.

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Speaker 1: I was like, why are you wasting this? We're about

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Speaker 1: to put it on.

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Speaker 2: I can't even talk to you, never even worth it

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Speaker 2: anymore for the show. Shut. Yes, indeed, So after being

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Speaker 2: an hour late, I showed up and I got out

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Speaker 2: of my car with uh the panini maker that my

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Speaker 2: my parents gifted me and then asked for it back.

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Speaker 1: It was to explain we have this panini maker. And

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Speaker 1: the kid was like, I take pi. I wish I

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Speaker 1: could panini thing. And I was like, oh my god,

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Speaker 1: We'll get a panini maker. And we got a brand

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Speaker 1: new panina maker. And so I was like, well, of

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Speaker 1: course we'll keep the new one and she could have

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Speaker 1: the other panini maker. And so she took that panini

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Speaker 1: maker home mm hmm. And it's a it's not even

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Speaker 1: a high end panini maker, but we made a lot

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Speaker 1: of Panini's on it.

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Speaker 2: It makes a grade ass panini flawless. This new lawless

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Speaker 2: is like how much was it more expensive because it

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Speaker 2: was restaurant grade?

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Speaker 1: Oh yeah? And like it requires.

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Speaker 2: Don't say over one hundred.

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Speaker 1: Yeah, what fucking planet are you from? I don't know

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Speaker 1: you're saying it. Don't say more than a hundred.

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Speaker 2: It's it's it's kitchen grade. I don't know what that

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Speaker 2: means thirty dollars.

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Speaker 1: Well, I mean, I wouldn't call it cheap. Even the

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Speaker 1: panini maker that we had that we gave to you

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Speaker 1: that I asked for back over one hundred bucks.

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Speaker 2: It was like I thought it was like thirty five bucks.

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Speaker 1: Is it? I don't know, I can think of it.

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Speaker 1: I don't know.

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Speaker 2: Yeah, shut up, stop acting you, I know.

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Speaker 1: It's the one that we got replaced with. I know,

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Speaker 1: was like more expensive and ship and restaurant grade, meaning

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Speaker 1: like you know, we intend to make a lot of

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Speaker 1: paninis on this motherfucker. Whereas the other one. They're like, oh,

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Speaker 1: they only was this like once in a blue moon.

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Speaker 1: They probably grow out of it. Little did they know

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Speaker 1: that was not the purse. Oh yeah, everything, the sandwiches, Panini,

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Speaker 1: fucking fucking ice blendids, we fucking we Panini dignity, anything

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Speaker 1: that can be Panini. We fucking Panini.

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Speaker 4: Our dreams, get Panini dignity, nightmares.

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Speaker 1: Bean Panini is good. There's something really satisfying. I don't

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Speaker 1: know if you're supposed to do this, but maybe you

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Speaker 1: just post closed lid and let it go. But I

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Speaker 1: like to, oh same, I'm always like, yeah, if there's

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Speaker 1: there's a real feeling of like I am coquering the sandwich.

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Speaker 1: It makes you feel like you're cooking.

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Speaker 2: When my muscles tremble because I'm pushing so hard. Oh

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Speaker 2: my god, mother, I put it on the ground.

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Speaker 1: I stomp on it.

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Speaker 2: The other day, Austin was so appalled because remember the

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Speaker 2: bagels that you and mom brought from the farmer's market, Yeah,

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Speaker 2: which he ate both the fucking everything bagels and left

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Speaker 2: me with the other ones. But anyways, jerk, I was

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Speaker 2: gonna make a movie and has he pay it back?

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Speaker 2: Heats and I was like, obviously, I'm gonna fucking make

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Speaker 2: a panini out of this bagel. It's gonna be awesome.

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Speaker 2: And I did, and it was awesome. But Austin was

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Speaker 2: so appalled because I pressed it down so hard and

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Speaker 2: he was like, the fluffiness of the bagel was the

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Speaker 2: best part. And I was like, yeah, but I'm making

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Speaker 2: a panini.

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Speaker 1: Well it stopped being a bagel and became a fucking panini.

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Speaker 2: Yeah, it was transforming into what it was always meant

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Speaker 2: to be.

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Speaker 1: You got to remember there's a built in prejudice in

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Speaker 1: Austin because he comes from a restaurant world.

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Speaker 2: That's true.

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Speaker 1: Food is properly prepared, that is true. And if somebody

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Speaker 1: were to in a restaurant brings somebody an overly panini,

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Speaker 1: say bagel, that is this thing, because for a bagel,

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Speaker 1: this is a cracker. Oh no, our NEI chef, We'll

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Speaker 1: bring her.

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Speaker 2: Out, you know, like get way.

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Speaker 1: Hello, II your approval.

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Speaker 2: I put nean p needy, like I was so needy

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Speaker 2: for Europe.

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Speaker 1: But this panini maker, I tried using it and it

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Speaker 1: was just too much power. You know what it is.

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Speaker 1: It'll be well handled by Austin by Puff himself. Why

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Speaker 1: not a star of the four thirty movie, because he

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Speaker 1: comes from a restaurant background.

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Speaker 2: You don't, you were Who's to say.

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Speaker 1: Fucking cooked for you your whole life?

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Speaker 2: Who did?

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Speaker 1: I said your food was cooked for you?

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Speaker 2: It was you?

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Speaker 1: It was you. We all ate from the same trough.

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Speaker 1: My friend, that was fucking Nana. Yeah, that was Nana.

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Speaker 1: Nana gives Nana earned a lifetime past, you know, just

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Speaker 1: by being Nana and ship. But I gotta say I'm

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Speaker 1: not at at a minimum m twelve years straight of

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Speaker 1: four thanksgivings a week. That's how fucking spoiled this family.

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Speaker 1: That was and nobody bitched. I mean, you know why

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Speaker 1: because turkey mashed potatoes, some brand of vegetable that I

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Speaker 1: never eat. That's a meal. I knew there was something

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Speaker 1: going on, but no, we're all vegan.

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Speaker 2: Anyways, I'm so sorry for all the turkeys.

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Speaker 1: Enough so much so that when it came time to

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Speaker 1: be like you better go vegan or you might die,

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Speaker 1: I was like, well, I've had enough turkey fucking dinners. Listen.

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Speaker 1: I'm very proud.

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Speaker 2: I'm proud of you every day for your dedication to veganism.

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Speaker 1: Captain, I too, am like fucking I can't believe it.

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Speaker 1: I've said it before, man. Anytime, like when I have

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Speaker 1: dreams where I like, I drink something that's like just

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Speaker 1: got milk in it, I feel like, oh my god,

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Speaker 1: I gotta tell Harley that's.

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Speaker 2: How it should be. Live in fear, budd, You live

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Speaker 2: in fear.

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Speaker 1: I'm living in fear. You're never gonna finish this fucking story.

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Speaker 2: Okay, So yeah, anyways, I belonged to the house.

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Speaker 1: You get out of the car scrambling like qwent Smith

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Speaker 1: and you're like, what do you?

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Speaker 2: Oh my god, did I just get killed? In that scenario?

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Speaker 1: In my world, you shot him because you were so terrified.

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Speaker 1: You're like, oh, my god, when it was the neighbor

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Speaker 1: putting his garbage out and he was like, I watched

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Speaker 1: you grow up.

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Speaker 2: My god.

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Speaker 1: No, then you immediately first thing you do is get

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Speaker 1: into the house and be like, I shot the neighbor.

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Speaker 2: Yeah, this is what he made a sound effect.

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Speaker 1: He's playing along. She's like, I like being I like

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Speaker 1: making pretend.

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Speaker 2: Okay, anyways, I'm I don't like that story.

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Speaker 1: So in the house, do you think not? Oh? Yeah,

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Speaker 1: well I know right away. If your mother sees you

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Speaker 1: and hears like fucking three words in the story, she's

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Speaker 1: gonna be like, let's bury this motherfucker in the backyard.

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Speaker 1: M Me, I don't know what would you want to

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Speaker 1: do in this scenario.

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Speaker 2: Wait, I'm sorry, I'm unclear. Did I kill this person

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Speaker 2: or did this person kill me?

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Speaker 1: This person was? And why do I have a gun?

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Speaker 1: Because you know you fucking you, why do you have

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Speaker 1: a gun? In this scenario? You're in a half gift

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Speaker 1: that you forgot. Oh here it is so while you

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Speaker 1: were stopped in a light on your way here, you

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Speaker 1: looked over and you saw a fucking gun sitting on

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Speaker 1: a bus stop bench, and you were like, I mean,

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Speaker 1: if I leave it there, this is fucking Los Angeles,

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Speaker 1: anything could happen, so true. So she went over and

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Speaker 1: you picked it up like fucking they do in the movies,

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Speaker 1: with like two fingers, And so you brought to the car.

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Speaker 1: So when you were getting out of the car, such

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Speaker 1: a this is right. You see what's happening right here? Wow?

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Speaker 2: Right, I'm honored to watch in real time.

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Speaker 1: I'm how blessed am I? You might need a drink

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Speaker 1: after that after seeing the power creation right in front

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Speaker 1: of your eyes. Oh my gods. So you're getting out

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Speaker 1: of the car. You can't leave it in the car? Right?

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Speaker 1: You know what? You know why I can't leave it

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Speaker 1: in the car? Why Hollywood Bowl. There's a big show tonight.

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Speaker 1: So that means at the end of our.

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Speaker 2: Street, there's security.

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Speaker 1: There's a cop security. It's a fucking cop car. Bro

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Speaker 1: Lately it's been a cop.

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Speaker 2: Olivia has done that job.

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Speaker 1: Olivia has been one of those.

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Speaker 2: Well, let me tell you, Olivia ain't a cop.

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Speaker 1: Is both Cagney and Lacy then, because they have literally

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Speaker 1: a black and white car with a cop in uniform. Now,

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Speaker 1: so let's play with my scenario, not yours. Olivia's on

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Speaker 1: the fucking jobs. It's really awkward because then now Olivia

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Speaker 1: is in on and ship and then we have to

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Speaker 1: have it be a.

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Speaker 2: Part of part of these crimes.

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Speaker 1: Exactly because then we have to like, Olivia, you can

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Speaker 1: never tell anybody.

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Speaker 2: I would never want to put her in that position,

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Speaker 2: damn right.

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Speaker 1: So it's a cop. So as you turned, you saw

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Speaker 1: the cops. So you're like, I definitely can't leave the

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Speaker 1: gun fucking sitting on the in the car and where

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Speaker 1: you park as you turn, like the cop can't see

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Speaker 1: you get out of the car. So you felt safe

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Speaker 1: enough to get out of the car and take the

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Speaker 1: gun with you, which you were going to take in

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Speaker 1: the house, and be like, oh my god. We go

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Speaker 1: and then we call Pop because Pop used to be

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Speaker 1: a cop and he would know what to do. Yes,

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Speaker 1: but cut to dang holl Like Quinn, You're like, and

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Speaker 1: you just turn and shoot? What?

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Speaker 2: Who sounds like that? Who are you impersonating.

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Speaker 1: What it was? It's like, uh he Holly, Gwinn, it

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Speaker 1: is who it is. Now just don't justify it, but

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Speaker 1: it's gonna make it a little easier to this was

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Speaker 1: uh a TMZ guy, guy with the camera, and he

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Speaker 1: was going to ask you fucking questions about ben Affleck

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Speaker 1: a reason to shoot you don't again, you didn't even know.

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Speaker 1: I'm just saying that's why he was in the environment.

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Speaker 1: But basically, it's a girl getting out of a car

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Speaker 1: on a dark street with a gun in her hand

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Speaker 1: nor experience necessarily handling guns, and somebody scares the ship

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Speaker 1: out of her. So it's a completely understandable accident, manslaughter, manslaughter,

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Speaker 1: accidental death. But it's but it's an accident. I was premeditated.

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Speaker 1: But did the.

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Speaker 2: This is this is getting pretty complicated.

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Speaker 1: Political but nothing political about this whatsoever. We haven't called

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Speaker 1: anybody yet. Nobody's made any calls to him or whoever

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Speaker 1: the marror is if who knows.

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Speaker 2: But he didn't do anything to scare me.

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Speaker 1: He just he did, and you were just fucking scared.

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Speaker 1: He came out of him and you and you turned

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Speaker 1: and your fucking hand was on the gun and it went.

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Speaker 2: Off and we both reached for the gun.

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Speaker 1: He had no gun, but he what he was shooting

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Speaker 1: with was a camera, you know, because he's TMZ dude.

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Speaker 1: So all right, scenario, well, we all do going on

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Speaker 1: I'm like sitting upstairs, like fucking watching videos and ship

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Speaker 1: like that, watching like old s NL sketches and whatnot,

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Speaker 1: and like life is good. And then fucking like I

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Speaker 1: heard the front entry door and fucking.

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Speaker 2: Like you didn't hear the gunshot?

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Speaker 1: No, man, I was listening to at a high volume.

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Speaker 2: Yeah, because you really fucking do. It's insanity once again.

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Speaker 1: So you come in and tell us that you shot

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Speaker 1: a dude and he is he is in our four

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Speaker 1: yer that way we want to die. He didn't live?

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Speaker 2: Is he is he dead?

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Speaker 1: Yet? You didn't check.

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Speaker 2: I didn't check.

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Speaker 1: No, because he fell on you and you're like, ah,

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Speaker 1: and he fell inside the door, and fucking that's when

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Speaker 1: you quickly again. You're at the front door of your parents' house.

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Speaker 1: In the door, the front door. You got in the car,

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Speaker 1: details you got the car, you had to gun with you.

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Speaker 1: I'm taking you all the way to the door. So

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Speaker 1: it's not like, Okay, I'm at the door, yeah, because

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Speaker 1: I want him to be in the house. Otherwise it's

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Speaker 1: like then we got to go drag his body into that.

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Speaker 2: Okay, Well I thought I was on a sidewalk or something.

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Speaker 1: Good enough, fair enough, all right, So You're at the

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Speaker 1: front door and fucking you entered the code, but it

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Speaker 1: takes a few seconds before it catches up and Ship

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Speaker 1: and that's when he was like, when you fire and

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Speaker 1: he fucking falls on yet and you both fall against

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Speaker 1: the door. The door goes open, so you roll onto

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Speaker 1: the into the four floor. You look over and this

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Speaker 1: dude is fucking shot. First thing you do, scramble to

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Speaker 1: your feet, close the door.

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Speaker 2: Uh huh Is that a question or a statement?

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Speaker 1: That's what I'm telling you? Oh, okay, because.

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Speaker 2: You're like, wait, but also did the gun accidentally go

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Speaker 2: off or it was on purpose accidentally?

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Speaker 5: Oh?

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Speaker 1: It was accidental, You weren't You've never fired a fucking

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Speaker 1: have you ever fired a gun in your life? No? Exactly,

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Speaker 1: So this is in your hand but in the house. No,

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Speaker 1: but you turn and just fire when it just okay,

280
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Speaker 1: your fingers on the tray. I don't safety is not

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Speaker 1: and you don't know ship about a gun and you

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Speaker 1: just turn and just the motion and the fear and

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Speaker 1: one tightens up.

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Speaker 2: Okay, finger it was unintentional.

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Speaker 1: It was a simple. Well, yes, but what are you

286
00:16:59,560 --> 00:17:04,480
Speaker 1: doing with stolen gun? You know what I'm saying? Like

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Speaker 1: you just picked this gun.

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00:17:05,560 --> 00:17:09,000
Speaker 2: More importantly, is this poor man alive for no?

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Speaker 1: Hey, man, things are all everything's happening at once. I

290
00:17:12,880 --> 00:17:16,159
Speaker 1: can't slow this ship down for you. I can do this.

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00:17:15,359 --> 00:17:18,280
Speaker 1: This is you should have picked up that gun.

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Speaker 2: That was where it was wrong in the first place.

293
00:17:23,080 --> 00:17:25,800
Speaker 2: But the first thing I do is obviously fucking called

294
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Speaker 2: nine one one and try to save this man. Absolutely

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00:17:29,200 --> 00:17:31,440
Speaker 2: not the first thing I try to save this man?

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Speaker 1: He's dead.

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Speaker 2: No, how do you know?

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Speaker 1: I told you no, I told you as you felt

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00:17:36,560 --> 00:17:39,679
Speaker 1: to the floor. In the floor, he looked over in

300
00:17:39,680 --> 00:17:45,280
Speaker 1: your hello and you move them with your foot. You know,

301
00:17:45,480 --> 00:17:46,440
Speaker 1: he just does this ship?

302
00:17:46,760 --> 00:17:48,240
Speaker 2: No, some people don't.

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00:17:48,320 --> 00:17:50,119
Speaker 1: That's when you cloth get to the feet and close

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Speaker 1: the door.

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Speaker 2: Sometimes people don't die that fast.

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Speaker 1: I feel like, bro, you ain't calling a cop. First

307
00:17:54,720 --> 00:17:56,320
Speaker 1: thing you're doing is calling up to mom or dad

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00:17:56,320 --> 00:17:58,080
Speaker 1: because you're literally in the foyer of their house.

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00:17:59,240 --> 00:18:03,080
Speaker 2: Oh yeah, I just thought of the dark dark?

310
00:18:06,920 --> 00:18:12,920
Speaker 1: Really does he get turned to do a human walls? Dark?

311
00:18:14,119 --> 00:18:16,080
Speaker 1: Is it marketable? Dark? Can we make a movie out

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Speaker 1: of it?

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00:18:17,400 --> 00:18:19,800
Speaker 2: I don't want to say say it.

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00:18:22,359 --> 00:18:26,840
Speaker 1: The dogs eat his body. I'm with your sister, but

315
00:18:26,960 --> 00:18:31,040
Speaker 1: start the fuck down, I mean ship don't go right

316
00:18:31,080 --> 00:18:33,679
Speaker 1: for my fucking clip work, my nipples. We got to

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Speaker 1: go before we get to the dogs eat the corpse.

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Speaker 1: But I like where you're going at all costs. I

319
00:18:40,760 --> 00:18:45,320
Speaker 1: was gonna say, is wacky hungry Sweeny Todd this fuck sorry,

320
00:18:45,359 --> 00:18:47,760
Speaker 1: but first we got a dollar back. Me and mom

321
00:18:47,760 --> 00:18:50,639
Speaker 1: come running down the stairs. Dead body. You with a

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Speaker 1: gun in your hand. You know, naturally there's.

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Speaker 2: So many musicals running through my head right now, Todd, like,

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00:18:58,359 --> 00:18:59,680
Speaker 2: it's all it's.

325
00:19:00,080 --> 00:19:02,880
Speaker 1: It could also be lembits, rob because you're an innocent man.

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Speaker 1: You're about to be going on the fucking run. I can't.

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00:19:06,359 --> 00:19:08,560
Speaker 1: So your Mom's like, oh my god, what happened? And

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00:19:08,560 --> 00:19:10,680
Speaker 1: you fuck? I got up and I found him a car,

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Speaker 1: and I was like, where'd you get a Where the

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Speaker 1: fuck did you get a gun? I found an don't

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00:19:14,880 --> 00:19:19,600
Speaker 1: yell me any panicking and fucking This is a real

332
00:19:19,720 --> 00:19:22,159
Speaker 1: panic attack situation, Like think about anything you've ever had

333
00:19:22,200 --> 00:19:25,000
Speaker 1: a paddic attack for. There's a dead man and the

334
00:19:25,040 --> 00:19:26,960
Speaker 1: man is dead because of a gun in your hand.

335
00:19:26,960 --> 00:19:28,560
Speaker 1: You didn't mean to kill him, but he's fucking dead.

336
00:19:28,600 --> 00:19:29,720
Speaker 2: Why did I take the gun?

337
00:19:30,240 --> 00:19:33,800
Speaker 1: Because you were being a good fucking citizen. You're like,

338
00:19:33,840 --> 00:19:35,359
Speaker 1: I'm not gonna leave this on a bench, like you

339
00:19:35,400 --> 00:19:38,480
Speaker 1: know what. You look down the police because you're on

340
00:19:38,480 --> 00:19:40,280
Speaker 1: your way to the house, and you were gonna call Pop.

341
00:19:40,560 --> 00:19:42,520
Speaker 1: Pop being the next cop, he would know what to do.

342
00:19:42,720 --> 00:19:45,200
Speaker 1: That's what we always do in this out Let's let

343
00:19:45,200 --> 00:19:48,720
Speaker 1: Pop do it. Let's ask Pop. So this is no different.

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00:19:48,760 --> 00:19:50,320
Speaker 1: And here I'll make it even easier for you. You

345
00:19:50,400 --> 00:19:52,920
Speaker 1: stopped it the light, you're seeing it on the park bench,

346
00:19:53,160 --> 00:19:56,920
Speaker 1: and then you see straight ahead two kids eleven twelve,

347
00:19:57,080 --> 00:19:59,600
Speaker 1: heavlin towards it on bike. They don't see it yet,

348
00:20:00,040 --> 00:20:01,359
Speaker 1: but as they get close to that boat.

349
00:20:02,760 --> 00:20:07,160
Speaker 2: God Jesus fucking Christ.

350
00:20:08,640 --> 00:20:09,640
Speaker 1: I'm setting the stage.

351
00:20:09,760 --> 00:20:11,200
Speaker 2: Your brain is weird.

352
00:20:11,720 --> 00:20:15,000
Speaker 1: You get a weird weird head. I'll be honest with you.

353
00:20:15,119 --> 00:20:18,960
Speaker 1: I spent a lot of time thinking about every possible scenario.

354
00:20:19,400 --> 00:20:21,920
Speaker 1: The idea captured my imagination years ago when I read

355
00:20:21,920 --> 00:20:24,160
Speaker 1: a Batman comic book and they were just like Batman

356
00:20:24,240 --> 00:20:28,920
Speaker 1: spends all his free time contemplating every possible scenario he

357
00:20:29,040 --> 00:20:33,280
Speaker 1: confronts or could possibly confront, so that he's never surprised,

358
00:20:33,359 --> 00:20:35,400
Speaker 1: so he's just ready. So my mind does a lot

359
00:20:35,400 --> 00:20:38,240
Speaker 1: of fucking wheel turning and ship. Now, I've never fucking

360
00:20:38,280 --> 00:20:40,560
Speaker 1: been involved with the dead body, but I tell you

361
00:20:40,960 --> 00:20:46,560
Speaker 1: I've run a lot of back. You're ready when it happens,

362
00:20:46,760 --> 00:20:52,080
Speaker 1: I'm ready to fucking move. So, oh my god, naturally

363
00:20:52,119 --> 00:20:54,000
Speaker 1: you give us the skinny. You're in a Panican shit.

364
00:20:54,640 --> 00:20:57,040
Speaker 1: If I know anything about your mother, there is no

365
00:20:57,200 --> 00:20:59,920
Speaker 1: talk of fucking police whatsoever. I like, here, I'll be

366
00:21:00,040 --> 00:21:02,760
Speaker 1: the rational one. Oh all right, well that that makes sense.

367
00:21:02,800 --> 00:21:04,960
Speaker 1: I mean, funk, this is crazy, but like that makes sense.

368
00:21:04,960 --> 00:21:06,560
Speaker 1: We need to call the police. And that's when your

369
00:21:06,560 --> 00:21:11,840
Speaker 1: mom's like, oh, no, no one's calling the police. Were

370
00:21:12,920 --> 00:21:15,440
Speaker 1: you be you? I'll be I'll be. No one's calling

371
00:21:15,480 --> 00:21:21,760
Speaker 1: the police. Kevin Well, why why what? Harley? I forgot

372
00:21:21,800 --> 00:21:26,080
Speaker 1: who I was playing? Fuck? Bro, Holy Ship, you spend

373
00:21:26,160 --> 00:21:30,520
Speaker 1: fucking hours memorizing ten pages of a script you hope

374
00:21:30,560 --> 00:21:33,440
Speaker 1: to be a part of. With these, I literally give

375
00:21:33,440 --> 00:21:38,320
Speaker 1: you the role of the lifetime ally yourself, and you're like, uh,

376
00:21:38,520 --> 00:21:45,400
Speaker 1: don't do it. Mah, where the fuck is John Propter?

377
00:21:46,920 --> 00:21:52,080
Speaker 1: Oh my god, let that was a real crucible as ship. Yet,

378
00:21:52,119 --> 00:21:57,000
Speaker 1: I'll be honest with you. Take fucking two Jesus, all right,

379
00:21:57,440 --> 00:21:57,920
Speaker 1: my bad.

380
00:21:59,359 --> 00:22:03,000
Speaker 2: Now that I'm clear on myself my roll.

381
00:22:03,040 --> 00:22:04,800
Speaker 1: Listen, I don't too much.

382
00:22:04,920 --> 00:22:07,119
Speaker 2: It was in the past two fucking days.

383
00:22:07,760 --> 00:22:09,360
Speaker 1: I'm just gonna tell you this in case you don't

384
00:22:09,400 --> 00:22:13,080
Speaker 1: read the papers. Not making as many shows as Easter anymore,

385
00:22:13,800 --> 00:22:15,960
Speaker 1: you gotta be sharp as a tag in this business,

386
00:22:16,359 --> 00:22:19,679
Speaker 1: you know what. All Right, here we go. Okay, I'm me,

387
00:22:19,920 --> 00:22:23,480
Speaker 1: who are you? I'm both me and mom and your mom?

388
00:22:23,600 --> 00:22:27,800
Speaker 1: Because I can't prepare you have I can play two

389
00:22:27,920 --> 00:22:29,480
Speaker 1: roles the drop.

390
00:22:29,560 --> 00:22:34,000
Speaker 2: Then you have to differentiate your voices.

391
00:22:34,760 --> 00:22:37,159
Speaker 1: Get this, bro, But you looked like Cindy fucking Brady

392
00:22:37,200 --> 00:22:39,240
Speaker 1: when she froze up on TV. There's an episode The

393
00:22:39,280 --> 00:22:42,520
Speaker 1: Brady Bunch and Cindy Brady is the youngest Brady and

394
00:22:42,600 --> 00:22:44,800
Speaker 1: fucking she was on camera and the fucking red light

395
00:22:44,800 --> 00:22:47,480
Speaker 1: went on and she froze up like that. That was you,

396
00:22:47,520 --> 00:22:49,840
Speaker 1: And I was like, what do we do, queen? You're

397
00:22:54,080 --> 00:23:00,680
Speaker 1: fuck you? Fuck you? What a separate, good level and

398
00:23:00,800 --> 00:23:13,919
Speaker 1: probat living two stake just put you back there. Perhaps

399
00:23:13,920 --> 00:23:15,280
Speaker 1: you needed a little preparation.

400
00:23:14,920 --> 00:23:18,720
Speaker 2: Okay, now, yes, thank you. That in my in the

401
00:23:18,840 --> 00:23:21,919
Speaker 2: version of the craft of acting that I study, I

402
00:23:21,960 --> 00:23:23,600
Speaker 2: need a backstory in preparation.

403
00:23:23,840 --> 00:23:25,680
Speaker 1: Well, I mean it is your own personal Baxter.

404
00:23:25,880 --> 00:23:28,720
Speaker 2: Well, I, well, I wasn't sure who I was playing,

405
00:23:28,840 --> 00:23:30,000
Speaker 2: so just shut up.

406
00:23:29,880 --> 00:23:33,560
Speaker 1: And could go. Wait, my mother, what would have to

407
00:23:33,600 --> 00:23:34,280
Speaker 1: play your mind?

408
00:23:35,200 --> 00:23:40,639
Speaker 2: I don't know you wanted me to play you in

409
00:23:40,720 --> 00:23:41,199
Speaker 2: a movie.

410
00:23:41,640 --> 00:23:46,359
Speaker 1: Shut up? Well that went. I'm never gonna ask you

411
00:23:46,400 --> 00:23:48,520
Speaker 1: to play the big part again. Man.

412
00:23:49,320 --> 00:23:51,480
Speaker 2: Okay, anyways, I'm ready.

413
00:23:53,119 --> 00:23:57,760
Speaker 1: Just for the record, I'm both me and I'll play

414
00:23:57,920 --> 00:24:00,920
Speaker 1: on the saying the role of your mother. All you

415
00:24:01,000 --> 00:24:06,520
Speaker 1: have to do is she not pop fuck, you'd just

416
00:24:06,520 --> 00:24:10,760
Speaker 1: be Harley Twinn who has accidentally killed somebody whose dead

417
00:24:10,840 --> 00:24:15,160
Speaker 1: body beyond her parents head, his soul, that shovel, looseness,

418
00:24:15,160 --> 00:24:17,959
Speaker 1: mortal coil. He is onto his great reward. His cares

419
00:24:18,000 --> 00:24:21,440
Speaker 1: are behind him. Uh, there's a dead body in the room.

420
00:24:21,600 --> 00:24:23,960
Speaker 1: The dogs aren't at play, okay, because they'd be all

421
00:24:23,960 --> 00:24:29,160
Speaker 1: over this body. Okay, they will come into play, stewing

422
00:24:29,320 --> 00:24:32,320
Speaker 1: fucking dove too. And I was like, holy shit, I

423
00:24:32,359 --> 00:24:34,040
Speaker 1: thought I knew my kid, but she was like, you

424
00:24:34,040 --> 00:24:37,840
Speaker 1: know what, the dogs can eat fucking body. I'm like, wait, wait, whoa, whoa, whoa, whoa.

425
00:24:39,160 --> 00:24:42,560
Speaker 1: You were the one that introduced me. Aw let's work

426
00:24:42,680 --> 00:24:43,399
Speaker 1: up to this.

427
00:24:44,720 --> 00:24:46,120
Speaker 2: Okay, okay, I mean in.

428
00:24:46,080 --> 00:24:48,639
Speaker 1: Your scenario, we don't even have to come down the stairs.

429
00:24:48,680 --> 00:24:50,840
Speaker 1: Where we come down the stairs, you're already actioning on

430
00:24:51,000 --> 00:24:54,800
Speaker 1: this fucking body sitting there showing on fingers going.

431
00:24:54,880 --> 00:24:58,000
Speaker 2: Look, she's so peacefully asleep.

432
00:24:57,680 --> 00:25:01,000
Speaker 1: Right now because she's dreaming of eating a a vagrant

433
00:25:01,000 --> 00:25:05,040
Speaker 1: that you killed, who's not even a vagrant. He's a

434
00:25:05,119 --> 00:25:11,080
Speaker 1: t mzot just he's just he's just man. He's just

435
00:25:11,080 --> 00:25:16,880
Speaker 1: a man. Oh now, yeah, you're ready to hold monlague.

436
00:25:18,080 --> 00:25:23,000
Speaker 1: He's just a man. And what is a man like?

437
00:25:23,359 --> 00:25:25,960
Speaker 2: Dubtail right in a broct No, that's what he said

438
00:25:25,960 --> 00:25:27,120
Speaker 2: as he was dying.

439
00:25:27,920 --> 00:25:31,800
Speaker 1: Give me back my name. No, he's like, give me

440
00:25:31,840 --> 00:25:35,600
Speaker 1: back my name? What? Because he was a massive and

441
00:25:35,640 --> 00:25:37,439
Speaker 1: that's why he was there with the TMZ camera.

442
00:25:43,280 --> 00:25:46,399
Speaker 2: He was the one that left the nice review on

443
00:25:46,520 --> 00:25:47,679
Speaker 2: Apple podcast.

444
00:25:47,840 --> 00:25:51,000
Speaker 1: He was doing what he was wanted to shoot your reaction.

445
00:25:51,119 --> 00:25:53,760
Speaker 1: He was bringing you the written version of that we

446
00:25:53,840 --> 00:25:59,840
Speaker 1: ever got. Yeah, I did man like digital words. You cheat,

447
00:26:00,560 --> 00:26:05,880
Speaker 1: I'm gonna cry. I'm gonna cry. You mean it tall

448
00:26:06,040 --> 00:26:10,000
Speaker 1: accents all an accident. But what happens next is up

449
00:26:10,040 --> 00:26:18,440
Speaker 1: to you. Here feed him to our German shepards passion

450
00:26:19,320 --> 00:26:19,920
Speaker 1: or ration.

451
00:26:24,200 --> 00:26:26,240
Speaker 2: I mean what he would enjoy it, I guess.

452
00:26:26,640 --> 00:26:31,720
Speaker 1: I mean that's a whole different conversation. What you introduced

453
00:26:31,720 --> 00:26:34,040
Speaker 1: the human blood. It's like, I don't, I don't trust.

454
00:26:33,760 --> 00:26:35,920
Speaker 2: These My cats can have some too.

455
00:26:37,000 --> 00:26:39,080
Speaker 1: I don't. Then I don't want to be around your cats.

456
00:26:39,080 --> 00:26:45,200
Speaker 1: I don't want to be around any animals. Hum, Mommy

457
00:26:45,640 --> 00:26:52,399
Speaker 1: is so human leg this tastes like a fan Mommy.

458
00:26:52,440 --> 00:26:55,760
Speaker 2: I just found a really really nice review written on

459
00:26:55,840 --> 00:26:57,880
Speaker 2: his letter in this man's pocket before I.

460
00:26:57,920 --> 00:27:02,000
Speaker 1: Ate it, Mama, okay't read, but I'm pretty sure this

461
00:27:02,080 --> 00:27:06,600
Speaker 1: is a good review. I'm happy for you, Mommy. You're

462
00:27:06,600 --> 00:27:09,879
Speaker 1: doing a good job. You treat your friends right, Mama,

463
00:27:11,000 --> 00:27:16,560
Speaker 1: have some more of that, Pete. I could never tell

464
00:27:16,640 --> 00:27:24,960
Speaker 1: me I can't do this.

465
00:27:27,440 --> 00:27:30,720
Speaker 2: That was pretty good acting. That was honestly, really intense.

466
00:27:31,000 --> 00:27:32,360
Speaker 1: I had to come from something that was.

467
00:27:32,280 --> 00:27:35,960
Speaker 2: Stage acting right there. Acting up for a camera that

468
00:27:36,000 --> 00:27:37,800
Speaker 2: would be a little much, but for stage acting.

469
00:27:37,840 --> 00:27:41,480
Speaker 1: Though. You know who's that talking to? So weird? You

470
00:27:41,520 --> 00:27:42,960
Speaker 1: mentioned that? Was it me?

471
00:27:43,119 --> 00:27:45,640
Speaker 2: Because I had a similar conversation about this recently.

472
00:27:46,320 --> 00:27:50,119
Speaker 1: You know what? It was fucking one of my favorite

473
00:27:50,119 --> 00:27:52,440
Speaker 1: people now on the entire planet, Ken John.

474
00:27:52,880 --> 00:27:55,800
Speaker 2: So true, Oh my, oh my god, angel on this earth.

475
00:27:56,119 --> 00:28:02,640
Speaker 1: Fucking angel and beyond talented, funny as fucking nice, nice man, truly.

476
00:28:02,880 --> 00:28:05,120
Speaker 1: He came out to do the four thirty movie premiere

477
00:28:05,560 --> 00:28:07,879
Speaker 1: at Smartcastle Cinemas, and I thought he was on the

478
00:28:07,880 --> 00:28:10,040
Speaker 1: East Coast doing something else. I was like, thanks for coming, man,

479
00:28:10,040 --> 00:28:11,399
Speaker 1: what are you have here for? He goes just this

480
00:28:12,040 --> 00:28:14,400
Speaker 1: and I was like, Ken, like, I didn't even invite

481
00:28:14,440 --> 00:28:16,320
Speaker 1: him because I was like, it's too far invited, and

482
00:28:16,359 --> 00:28:20,040
Speaker 1: he just decided to come. So when I was in

483
00:28:20,080 --> 00:28:23,879
Speaker 1: New York last week doing Good Morning America, it was

484
00:28:23,960 --> 00:28:26,399
Speaker 1: me and Ken did GMA three, not The Morning America

485
00:28:26,480 --> 00:28:32,040
Speaker 1: GMA three, and I asked him and I was like,

486
00:28:32,080 --> 00:28:34,000
Speaker 1: what now, you got to tell me you're doing something

487
00:28:34,000 --> 00:28:35,760
Speaker 1: here in New York, that's why you're here. And he's

488
00:28:35,800 --> 00:28:38,160
Speaker 1: like nope, and I was like what. He's like, this

489
00:28:38,200 --> 00:28:40,239
Speaker 1: is the only thing I'm doing. He's going. But I

490
00:28:40,320 --> 00:28:42,840
Speaker 1: was up in Toronto this time. I just wrapped on

491
00:28:42,960 --> 00:28:44,880
Speaker 1: this thing. So he's on a TV show that's coming

492
00:28:44,920 --> 00:28:46,479
Speaker 1: up and I don't want to spoil it and stuff,

493
00:28:46,800 --> 00:28:48,320
Speaker 1: so I don't even know if the show exists shit,

494
00:28:48,440 --> 00:28:51,320
Speaker 1: or if this is like not the Master singer. No, no,

495
00:28:51,320 --> 00:28:53,040
Speaker 1: well he does that TV show, but this is like

496
00:28:53,080 --> 00:28:56,160
Speaker 1: he actually got to act and not be funny. He's like,

497
00:28:56,200 --> 00:29:02,000
Speaker 1: I did my first dramatic really yeah, talking about that

498
00:29:02,120 --> 00:29:04,520
Speaker 1: dramatical and what brought this point up? What was the

499
00:29:04,520 --> 00:29:06,280
Speaker 1: thing that I was just like, somebody have just said

500
00:29:06,280 --> 00:29:06,600
Speaker 1: that to me?

501
00:29:06,760 --> 00:29:09,480
Speaker 2: Oh, stage acting versus camera actor.

502
00:29:09,600 --> 00:29:15,200
Speaker 1: His director was Michael Chickless, who yeah, played the thing

503
00:29:15,240 --> 00:29:18,760
Speaker 1: in the Fantastic movies, but who led the shield was

504
00:29:18,760 --> 00:29:21,480
Speaker 1: the guy who played Blushi in the Wired movie. Interesting,

505
00:29:22,360 --> 00:29:25,400
Speaker 1: so Cam was being direct and he knows Michael. He says,

506
00:29:25,440 --> 00:29:28,480
Speaker 1: going way back, but you know, Michael is it's a

507
00:29:28,520 --> 00:29:31,160
Speaker 1: dramatic thing. And so you know, Ken is like I'm

508
00:29:31,200 --> 00:29:34,000
Speaker 1: trying to get rid of everything, just like you know,

509
00:29:34,160 --> 00:29:38,920
Speaker 1: anything remotely even like amusing. I'm trying to like just

510
00:29:39,360 --> 00:29:43,680
Speaker 1: honor the material, honor what Michael wants. And he said

511
00:29:43,760 --> 00:29:46,080
Speaker 1: one of the pieces of direction he gave him was

512
00:29:46,160 --> 00:29:49,080
Speaker 1: just like do way less.

513
00:29:49,640 --> 00:29:53,280
Speaker 2: Because the camera picks up every single every single tour.

514
00:29:53,480 --> 00:29:55,240
Speaker 1: I was listening that, who were like, what do you

515
00:29:55,320 --> 00:29:57,040
Speaker 1: mean to waitless? I was waving my hand in front

516
00:29:57,040 --> 00:29:58,840
Speaker 1: of my face almost like John Cena, like you can't

517
00:29:58,840 --> 00:30:02,960
Speaker 1: see me, but wait, do less, meaning, don't use your

518
00:30:02,960 --> 00:30:06,680
Speaker 1: face so much because, like you just said, the camera's

519
00:30:06,800 --> 00:30:09,120
Speaker 1: like he's like, I am right up in you. It's

520
00:30:09,120 --> 00:30:11,640
Speaker 1: a close up, so everything reads.

521
00:30:12,000 --> 00:30:17,560
Speaker 2: Remember what Deb told me? What my deb Aquila Angel

522
00:30:17,600 --> 00:30:17,760
Speaker 2: on the.

523
00:30:17,760 --> 00:30:22,520
Speaker 1: Starts fantastic, my acting coach, my everything.

524
00:30:22,680 --> 00:30:25,240
Speaker 2: Also one of the greatest actors. But she doesn't act,

525
00:30:26,080 --> 00:30:29,080
Speaker 2: but when she acts with me, when we coach, she's

526
00:30:29,120 --> 00:30:33,239
Speaker 2: she's everything. Anyways, She's taught me like everything you know

527
00:30:33,480 --> 00:30:37,960
Speaker 2: besides you and also Donna wrong, my other coach. Anyways,

528
00:30:38,320 --> 00:30:39,480
Speaker 2: just had to give all the shout outs.

529
00:30:41,520 --> 00:30:44,160
Speaker 1: Would you just win? I was ready to play off

530
00:30:44,200 --> 00:30:46,800
Speaker 1: myself like I was gonna.

531
00:30:46,560 --> 00:30:52,880
Speaker 2: Be like, remember never mind, I was gonna start saying

532
00:30:52,880 --> 00:30:57,240
Speaker 2: the book a morment. But Deb, when I first started acting,

533
00:30:58,560 --> 00:31:03,360
Speaker 2: was like if she's very very straightforward.

534
00:31:03,560 --> 00:31:05,880
Speaker 1: Yeah, yeah, she doesn't mince words, and she'll just be

535
00:31:05,960 --> 00:31:07,120
Speaker 1: like she doesn't give a fuck.

536
00:31:07,480 --> 00:31:10,040
Speaker 2: She's she's gonna say how it is, which I appreciate

537
00:31:11,160 --> 00:31:12,920
Speaker 2: even though I made me cry many times.

538
00:31:13,480 --> 00:31:17,560
Speaker 1: But your daughter cast Logics movie, yeah and worked with

539
00:31:18,040 --> 00:31:19,080
Speaker 1: Logic and Tea Man.

540
00:31:19,240 --> 00:31:21,600
Speaker 2: I've coached with her daughter as well, and they're they're

541
00:31:22,160 --> 00:31:26,680
Speaker 2: fucking samely talented family absolutely. But dev told me once,

542
00:31:26,880 --> 00:31:29,680
Speaker 2: if you don't learn to control your eyebrows, you will

543
00:31:29,840 --> 00:31:37,280
Speaker 2: never work in this business. And I was, like, my

544
00:31:37,320 --> 00:31:41,240
Speaker 2: father told me that eyebrow work was everything.

545
00:31:42,560 --> 00:31:47,680
Speaker 1: Who's your father, Smith, Oh, poor son of a bit,

546
00:31:50,320 --> 00:31:56,440
Speaker 1: learn everything. I've learned it all, kid, anymore. This is

547
00:31:56,480 --> 00:31:58,040
Speaker 1: Hollywood in the twenties.

548
00:31:58,480 --> 00:32:02,600
Speaker 2: It's crazy though. It's a he huge difference between acting

549
00:32:02,680 --> 00:32:05,320
Speaker 2: on camera when it's the camera is picking up every

550
00:32:05,360 --> 00:32:08,640
Speaker 2: single little detail on your face, But on a stage,

551
00:32:08,720 --> 00:32:11,760
Speaker 2: you can that's you. That's where you belong. That's where

552
00:32:11,800 --> 00:32:15,840
Speaker 2: your acting belongs. You're like, because you're the your acting

553
00:32:15,920 --> 00:32:16,800
Speaker 2: is so big.

554
00:32:18,080 --> 00:32:20,760
Speaker 1: I feel kind of chat out. That's where you belong,

555
00:32:21,800 --> 00:32:23,480
Speaker 1: special place where you.

556
00:32:24,200 --> 00:32:29,240
Speaker 2: Like, I mean, it would suit you so well, it would.

557
00:32:29,360 --> 00:32:31,040
Speaker 2: It would suit you so well it.

558
00:32:31,000 --> 00:32:34,200
Speaker 1: Would, and it suits me when I'm on stage.

559
00:32:33,840 --> 00:32:36,840
Speaker 2: Yeah exactly. But like I want to see you also,

560
00:32:38,000 --> 00:32:43,720
Speaker 2: like in Chicago, but I also want to see you

561
00:32:43,800 --> 00:32:46,120
Speaker 2: in the Book of Mormon, I know, but I also

562
00:32:46,120 --> 00:32:47,320
Speaker 2: want to see you in swingey Todd.

563
00:32:47,600 --> 00:32:49,680
Speaker 1: So instead of doing all the shows, we just pick

564
00:32:49,760 --> 00:32:53,200
Speaker 1: like one song from each like that, here's my here's

565
00:32:53,200 --> 00:32:55,880
Speaker 1: my new dream, righty okay, beardless dick lets me gets

566
00:32:55,920 --> 00:32:57,960
Speaker 1: so big that we can like take the show out,

567
00:32:58,440 --> 00:33:01,040
Speaker 1: like I'm planning a tour for Fat Worry. That's uh,

568
00:33:01,720 --> 00:33:04,719
Speaker 1: shows of me by myself and shows with me and

569
00:33:04,840 --> 00:33:09,400
Speaker 1: Jay so Jane sob. So if we can do that

570
00:33:09,480 --> 00:33:12,320
Speaker 1: where we have ten shows and we get to do

571
00:33:12,360 --> 00:33:15,360
Speaker 1: whatever we want and one of those shows is literally

572
00:33:15,600 --> 00:33:21,360
Speaker 1: just us doing musical numbers from musicals bro full but

573
00:33:21,520 --> 00:33:24,640
Speaker 1: not just like me, you and a piano like full out.

574
00:33:25,240 --> 00:33:32,920
Speaker 2: I would love. We have been preparing for this four years.

575
00:33:33,360 --> 00:33:35,520
Speaker 1: Some of it could be musical pieces, but some of

576
00:33:35,520 --> 00:33:38,240
Speaker 1: it can be dramatic, so you can fucking relive Proctor.

577
00:33:39,000 --> 00:33:40,840
Speaker 2: Thank God, thank God.

578
00:33:41,200 --> 00:33:43,320
Speaker 1: No, no, you do. No, you have to because we

579
00:33:43,360 --> 00:33:46,000
Speaker 1: do it on the show. So it's like we want Proctor,

580
00:33:46,360 --> 00:33:48,240
Speaker 1: we want Proctor. I turn around.

581
00:33:51,800 --> 00:33:56,160
Speaker 2: No, I'm absolutely fucking doing the song from Sweet Todd

582
00:33:56,200 --> 00:33:58,520
Speaker 2: where he's calling his knives his best friends.

583
00:33:59,120 --> 00:34:02,120
Speaker 1: That's the song you wanted to do these.

584
00:34:03,000 --> 00:34:08,480
Speaker 2: My food, See how they listen.

585
00:34:09,320 --> 00:34:11,759
Speaker 1: This isn't as fun as Beard. Let's pick this. I

586
00:34:11,760 --> 00:34:13,920
Speaker 1: thought it would be just kind of creepy. The fucking

587
00:34:13,960 --> 00:34:18,279
Speaker 1: weirdest song about the she singing the Sweeney Todd. She

588
00:34:18,480 --> 00:34:19,799
Speaker 1: played Proctor in the.

589
00:34:20,200 --> 00:34:25,080
Speaker 2: Sh just just let her do it, okay, just you

590
00:34:26,160 --> 00:34:30,600
Speaker 2: stop the show like I'm doing something singing about how

591
00:34:30,640 --> 00:34:31,640
Speaker 2: the knives are my friends?

592
00:34:31,640 --> 00:34:40,480
Speaker 1: Please? Where was I? Oh? Yeah, my friend, I'm so

593
00:34:40,880 --> 00:34:41,880
Speaker 1: sid got it?

594
00:34:42,520 --> 00:34:46,040
Speaker 2: And you can sing Perelli's miracles.

595
00:34:46,680 --> 00:34:48,239
Speaker 1: I didn't pick that. If I was going to sing

596
00:34:48,239 --> 00:34:52,560
Speaker 1: a Sweeney Todd song, what would I sing? Oh? By thee,

597
00:34:53,160 --> 00:34:55,799
Speaker 1: that's your fun song? But I think I I think

598
00:34:55,880 --> 00:35:04,480
Speaker 1: I would go for Nothing's gonna not well, but I

599
00:35:04,520 --> 00:35:06,399
Speaker 1: would do it like we went to see the show

600
00:35:06,440 --> 00:35:09,480
Speaker 1: and it was the kid from Stranger Things, and he

601
00:35:09,520 --> 00:35:11,880
Speaker 1: wouldn't He wasn't cockney enough for my taste. I can

602
00:35:12,000 --> 00:35:14,360
Speaker 1: say it, I'm not. He was great and he had a.

603
00:35:14,320 --> 00:35:17,720
Speaker 2: Beautiful don't don't you nothing?

604
00:35:18,239 --> 00:35:20,440
Speaker 1: With the Stranger Things?

605
00:35:20,520 --> 00:35:23,520
Speaker 2: Yeah, for real, he was very good.

606
00:35:23,640 --> 00:35:26,719
Speaker 1: He was. But I'm used to the old performance. The

607
00:35:26,719 --> 00:35:29,560
Speaker 1: first performance they ever shot with Angela Lansbury in it

608
00:35:29,960 --> 00:35:38,080
Speaker 1: with a guy was like nothing's gonna you around, like

609
00:35:38,239 --> 00:35:41,000
Speaker 1: really leaning into the cockney of it, which like almost

610
00:35:41,040 --> 00:35:43,640
Speaker 1: the Dick van Dyke of it. So I missed that.

611
00:35:44,400 --> 00:35:50,640
Speaker 3: To know, mister, I know you love you and me.

612
00:35:54,360 --> 00:36:01,600
Speaker 1: Anyways, would you know.

613
00:36:02,960 --> 00:36:06,120
Speaker 2: It's the closest I'll ever get to Proctor again, my

614
00:36:06,200 --> 00:36:07,000
Speaker 2: dear Proctor.

615
00:36:07,440 --> 00:36:13,560
Speaker 1: That is what if Austin was like I I you

616
00:36:13,600 --> 00:36:16,120
Speaker 1: were like, oh I've got the part, but you know what,

617
00:36:16,200 --> 00:36:19,600
Speaker 1: let me finish my other you forgot, oh way, we

618
00:36:19,640 --> 00:36:21,160
Speaker 1: got to figure out what to do with I really

619
00:36:21,160 --> 00:36:25,640
Speaker 1: thought you were forgot to forget the dogs. Yeah yeah,

620
00:36:26,000 --> 00:36:28,319
Speaker 1: oh my god, listen to what a little brat you aren't?

621
00:36:28,360 --> 00:36:31,720
Speaker 1: Ye feeding the dogs? That's what it was a human life.

622
00:36:31,920 --> 00:36:37,000
Speaker 1: He was a fan, a beardless talking about the musicals.

623
00:36:38,200 --> 00:36:41,480
Speaker 1: That's fine. The sooner he's disposed of. Soon you can

624
00:36:41,480 --> 00:36:45,640
Speaker 1: go back to your life singing Sweeney Todd songs, not

625
00:36:45,840 --> 00:36:48,600
Speaker 1: thinking about accidental.

626
00:36:50,360 --> 00:36:55,000
Speaker 5: But now knowing deep down the ultimate truth Jesus, the

627
00:36:55,120 --> 00:36:59,359
Speaker 5: power of one life over another. Suddenly you're changed, even

628
00:36:59,360 --> 00:37:01,080
Speaker 5: though you don't want to be. And it's not guilt.

629
00:37:02,120 --> 00:37:06,319
Speaker 5: It's the feeling of perhaps I meant to do this

630
00:37:06,440 --> 00:37:07,200
Speaker 5: more often?

631
00:37:09,960 --> 00:37:12,160
Speaker 2: Was were you reciting something?

632
00:37:12,280 --> 00:37:18,000
Speaker 1: Or was that that was just good improv I mean,

633
00:37:18,120 --> 00:37:19,560
Speaker 1: I don't know if I call it improp, but I

634
00:37:19,640 --> 00:37:23,399
Speaker 1: was writing out loud. I was really good making fun

635
00:37:23,440 --> 00:37:23,600
Speaker 1: of me.

636
00:37:23,760 --> 00:37:26,800
Speaker 2: No dead ass, I was. I thought you were reciting

637
00:37:26,800 --> 00:37:27,520
Speaker 2: a monologue.

638
00:37:27,800 --> 00:37:30,200
Speaker 1: I'm just starting to think that your bar is rather low.

639
00:37:30,400 --> 00:37:32,960
Speaker 1: If that's impressive. Either that or I'm much better than

640
00:37:32,960 --> 00:37:34,400
Speaker 1: I've ever given myself credit for.

641
00:37:34,600 --> 00:37:40,440
Speaker 2: Well, whenever you don't act like hey, kids.

642
00:37:40,360 --> 00:37:44,080
Speaker 1: I'm always like I'm amazed. I'm like, whoa you in?

643
00:37:44,360 --> 00:37:46,799
Speaker 2: When you rein it in, you're truly like I'm like,

644
00:37:47,280 --> 00:37:48,720
Speaker 2: I'm like, wow.

645
00:37:48,520 --> 00:37:52,920
Speaker 1: There is an acting gig coming up where like I

646
00:37:53,120 --> 00:37:56,719
Speaker 1: was using words, I think the thing that last week that.

647
00:38:00,280 --> 00:38:05,200
Speaker 2: The thing from today today I sold the show.

648
00:38:05,320 --> 00:38:09,719
Speaker 1: Oh well yeah yeah, and I'm in the show and

649
00:38:11,440 --> 00:38:19,680
Speaker 1: I actually I mean, we'll see, but if it goes forward,

650
00:38:19,760 --> 00:38:23,160
Speaker 1: like I would actually be acting in the show, which

651
00:38:23,200 --> 00:38:25,919
Speaker 1: I find ironic after a thirty year career of this.

652
00:38:27,360 --> 00:38:33,719
Speaker 2: Yeah but okay, but I for those who are not

653
00:38:33,960 --> 00:38:35,719
Speaker 2: seeing the visuals.

654
00:38:35,239 --> 00:38:38,640
Speaker 1: Of the show twelve eighteen.

655
00:38:38,160 --> 00:38:43,319
Speaker 2: And insane, insane facial expressions, But I really really think

656
00:38:43,400 --> 00:38:45,839
Speaker 2: that you're so so. I mean, it's really funny when

657
00:38:45,880 --> 00:38:47,759
Speaker 2: you're like doing the big stuff or whatever, but like,

658
00:38:47,800 --> 00:38:50,120
Speaker 2: I really think you're really good when you when you

659
00:38:50,160 --> 00:38:52,560
Speaker 2: rein it in and I just like I want to

660
00:38:52,560 --> 00:38:53,920
Speaker 2: see you perform like that more.

661
00:38:54,360 --> 00:38:56,560
Speaker 1: I don't feel right, No, no, no, no, did you ever

662
00:38:56,600 --> 00:38:59,879
Speaker 1: see signs? Did you ever watch Signs. We talked about

663
00:39:00,000 --> 00:39:04,120
Speaker 1: little bit she did know I haven't Joaquin Phoenix. I

664
00:39:04,120 --> 00:39:06,080
Speaker 1: mean this is relevant because Joker's about to go.

665
00:39:06,280 --> 00:39:07,520
Speaker 2: Don't call out me, everybody.

666
00:39:07,600 --> 00:39:13,799
Speaker 1: I'm sorry, nobody. I assure you, nobody is coming at

667
00:39:13,840 --> 00:39:16,640
Speaker 1: you for not really. A Mel Gibson movie in twenty

668
00:39:16,719 --> 00:39:20,920
Speaker 1: twenty four, a Mel Gibson movie Signs stars Mel Gibson.

669
00:39:21,520 --> 00:39:25,040
Speaker 1: Oh who, while he has come back to work, still

670
00:39:25,239 --> 00:39:28,600
Speaker 1: pretty oh yeah yeah yeah devisive? Okay, yeah yeah, but

671
00:39:28,800 --> 00:39:33,600
Speaker 1: signs an M Knight Shaalan movie. Yeah yeah, has Joaquin

672
00:39:33,680 --> 00:39:36,359
Speaker 1: Phoenix in it. Who is in the New Joker movie?

673
00:39:36,400 --> 00:39:38,480
Speaker 1: Of course? Joker himself won an oscar for it? Of

674
00:39:38,520 --> 00:39:41,600
Speaker 1: course has a Vegan been a one and a Vegan

675
00:39:41,640 --> 00:39:45,560
Speaker 1: has always been a wonderful actor. But M Knight gives

676
00:39:45,600 --> 00:39:49,799
Speaker 1: him a character to play who He was a baseball

677
00:39:49,800 --> 00:39:54,759
Speaker 1: player in high school and he like he, I don't

678
00:39:54,840 --> 00:40:01,920
Speaker 1: understand baseball stats, but he s wung every time, so

679
00:40:02,120 --> 00:40:04,680
Speaker 1: like he when he one time, he like hit the

680
00:40:04,680 --> 00:40:07,800
Speaker 1: ball fucking ya far and shared record breaking and whatnot.

681
00:40:08,760 --> 00:40:11,640
Speaker 1: But he would like always swing, So he had a

682
00:40:11,640 --> 00:40:14,320
Speaker 1: lot of strikeouts as well. I guess if I remember

683
00:40:14,320 --> 00:40:17,799
Speaker 1: that part correctly. And when he's talking about it like

684
00:40:17,840 --> 00:40:21,759
Speaker 1: somebody's kind of going over his past and stuff and

685
00:40:21,840 --> 00:40:24,760
Speaker 1: kind of telling him, telling him and the audience this information,

686
00:40:26,160 --> 00:40:30,560
Speaker 1: and then he goes, it just never made sense not

687
00:40:30,640 --> 00:40:34,160
Speaker 1: to swing, Like I love that. I thought it was

688
00:40:34,160 --> 00:40:38,320
Speaker 1: so beautiful. And that's how I feel about like anytime

689
00:40:38,400 --> 00:40:42,240
Speaker 1: anytime I do some creative it's like it just didn't

690
00:40:42,239 --> 00:40:43,640
Speaker 1: make sense, like not to swing.

691
00:40:43,920 --> 00:40:44,760
Speaker 2: That's really cool.

692
00:40:44,920 --> 00:40:52,560
Speaker 1: So the idea of like being big, Yeah, I'll always

693
00:40:52,560 --> 00:40:54,759
Speaker 1: swing because of Joaqui and Phoenix and.

694
00:40:58,040 --> 00:40:59,719
Speaker 2: Whatever gets you there, Buddy, in.

695
00:40:59,760 --> 00:41:02,360
Speaker 1: One most subtle performances you'd ever see that, guys.

696
00:41:02,840 --> 00:41:08,760
Speaker 2: I would really for this new chitching project or speaking

697
00:41:08,800 --> 00:41:11,640
Speaker 2: of I would really I would really like to see

698
00:41:11,640 --> 00:41:15,040
Speaker 2: you give a give a more reserve performance.

699
00:41:15,239 --> 00:41:19,800
Speaker 1: Well, it's comedy. I don't want to be a straight man,

700
00:41:20,200 --> 00:41:22,200
Speaker 1: or would I? I was wondering, like if you wind

701
00:41:22,280 --> 00:41:24,239
Speaker 1: up being the straight man, because I'd be surrounded by.

702
00:41:24,239 --> 00:41:25,719
Speaker 2: Very fun that you should be.

703
00:41:25,880 --> 00:41:29,080
Speaker 1: Honestly, I don't want to be fun. Bro, could come

704
00:41:29,120 --> 00:41:30,080
Speaker 1: on now, Yeah.

705
00:41:29,960 --> 00:41:31,879
Speaker 2: Your dreams are already coming true.

706
00:41:31,880 --> 00:41:34,719
Speaker 1: You gotta show. Come on. But maybe I don't have

707
00:41:34,760 --> 00:41:36,480
Speaker 1: a show. I have a deal. I mean, we'll see

708
00:41:36,480 --> 00:41:39,920
Speaker 1: if it becomes a show. But if is it a

709
00:41:39,960 --> 00:41:43,200
Speaker 1: show I enjoy? If for ten seasons, I'm not playing

710
00:41:43,239 --> 00:41:45,640
Speaker 1: necessarily the role I like. Like, for example, if they're

711
00:41:45,680 --> 00:41:46,160
Speaker 1: like I can't.

712
00:41:46,000 --> 00:41:49,040
Speaker 2: Wear back like smidian Son. When somebody was like, you

713
00:41:49,120 --> 00:41:52,960
Speaker 2: wouldn't accept this million dollars deal for smidian Son?

714
00:41:53,080 --> 00:41:56,399
Speaker 1: You want grateful little bit still sitting on your dick?

715
00:41:56,600 --> 00:42:00,560
Speaker 1: Yeah it is. It does sit on my dick. What

716
00:42:00,600 --> 00:42:02,440
Speaker 1: are you referring to specifically.

717
00:42:03,200 --> 00:42:05,239
Speaker 2: Overview I happen to see.

718
00:42:05,360 --> 00:42:07,839
Speaker 1: Oh wait, let me just stop you there. You've read

719
00:42:07,840 --> 00:42:12,759
Speaker 1: the reviews. I do check in. Why would you do

720
00:42:12,840 --> 00:42:13,800
Speaker 1: that to yourself?

721
00:42:13,840 --> 00:42:16,200
Speaker 2: I gotta know, I gotta know what the people got

722
00:42:16,239 --> 00:42:16,520
Speaker 2: to say.

723
00:42:16,880 --> 00:42:19,479
Speaker 1: I guess I'm more familiar with what the people saying

724
00:42:19,520 --> 00:42:21,600
Speaker 1: as much as like, I see people's reaction on social

725
00:42:21,640 --> 00:42:25,400
Speaker 1: media and stuff like that, but I've never read the reviews.

726
00:42:27,040 --> 00:42:32,080
Speaker 2: You've been going off in your Instagram stories.

727
00:42:32,200 --> 00:42:33,080
Speaker 1: Is that a bad thing?

728
00:42:35,920 --> 00:42:38,920
Speaker 2: It's not a bad thing, but doing somebody.

729
00:42:40,239 --> 00:42:40,279
Speaker 1: It?

730
00:42:40,400 --> 00:42:43,160
Speaker 6: Maybe laugh so fucking much when you posted something of

731
00:42:43,239 --> 00:42:47,120
Speaker 6: someone being like, whoever is running Kevin Smith's social media

732
00:42:47,239 --> 00:42:52,680
Speaker 6: needs to stop? And I was like, oh no, no,

733
00:42:52,719 --> 00:42:53,160
Speaker 6: that's him.

734
00:42:53,560 --> 00:42:57,239
Speaker 2: It is, Yeah, except you did post that one thing

735
00:42:57,400 --> 00:42:59,560
Speaker 2: that you know that AI thing.

736
00:43:00,239 --> 00:43:02,480
Speaker 1: Yes that you told me to post. I didn't tell you. No,

737
00:43:02,520 --> 00:43:03,440
Speaker 1: I didn't tell you about that.

738
00:43:03,960 --> 00:43:05,480
Speaker 2: What the fuck I didn't tell you about that?

739
00:43:07,680 --> 00:43:10,080
Speaker 1: Why are you trying to blame that on me?

740
00:43:10,480 --> 00:43:12,320
Speaker 2: I didn't tell you to post that. No, that's fake.

741
00:43:12,600 --> 00:43:13,799
Speaker 2: And then people start fake.

742
00:43:13,920 --> 00:43:15,080
Speaker 1: People started, well, it's.

743
00:43:14,920 --> 00:43:17,000
Speaker 2: Not fake, but it's like, not gonna fucking do anything

744
00:43:17,040 --> 00:43:19,719
Speaker 2: by putting up a post. Instagram isn't going to be

745
00:43:19,719 --> 00:43:20,479
Speaker 2: like okay, they.

746
00:43:20,400 --> 00:43:23,400
Speaker 1: Said stories being like idiot.

747
00:43:23,960 --> 00:43:27,400
Speaker 2: Everybody like to everybody who? Because so many celebrities posted

748
00:43:27,440 --> 00:43:31,520
Speaker 2: it and people were like, fucking stupid it was and

749
00:43:31,560 --> 00:43:36,520
Speaker 2: I almost texted you it's almost text down because it

750
00:43:36,960 --> 00:43:41,239
Speaker 2: was going around everywhere, but it's just like then who who?

751
00:43:41,400 --> 00:43:41,560
Speaker 1: Oh?

752
00:43:41,600 --> 00:43:45,960
Speaker 2: I think it was Zelda Williams. I saw she posted

753
00:43:46,040 --> 00:43:50,279
Speaker 2: and she was like, you guys, realize this is not

754
00:43:50,400 --> 00:43:54,719
Speaker 2: going to stop anybody from, like the fucking doing anything.

755
00:43:54,760 --> 00:43:56,640
Speaker 1: And I was like, whoever sent it to me? With

756
00:43:56,760 --> 00:43:59,000
Speaker 1: somebody trustworthy enough that I was like, oh, I'll put

757
00:43:59,000 --> 00:44:02,400
Speaker 1: it in my story. Who are you mistaking with me? Well,

758
00:44:02,440 --> 00:44:04,000
Speaker 1: that's what I'm saying. It would have to be somebody

759
00:44:04,040 --> 00:44:09,120
Speaker 1: like Jordan. Maybe it would make sense of like she runs, Jason.

760
00:44:09,000 --> 00:44:10,800
Speaker 2: You have some secret other daughter.

761
00:44:11,800 --> 00:44:15,359
Speaker 1: Wow, Bertie, She's laying right there by the door. But

762
00:44:15,400 --> 00:44:20,080
Speaker 1: Bertie's like, I stopped posting for my mental health. I

763
00:44:20,120 --> 00:44:22,480
Speaker 1: feel so much. I get it. Yeah, I get a

764
00:44:22,560 --> 00:44:25,319
Speaker 1: lot more time. And I don't know. I'm just not

765
00:44:25,400 --> 00:44:28,960
Speaker 1: too shoot you with people. I heal you.

766
00:44:29,080 --> 00:44:29,319
Speaker 7: Bird.

767
00:44:30,040 --> 00:44:32,000
Speaker 2: Should I tell the story of what happened outside?

768
00:44:32,080 --> 00:44:36,040
Speaker 1: ORT know? I would love it. I mean, oh, the

769
00:44:36,080 --> 00:44:41,759
Speaker 1: real story, the real the real one interesting as the

770
00:44:41,800 --> 00:44:44,440
Speaker 1: other one and the no, it's.

771
00:44:44,239 --> 00:44:46,560
Speaker 2: Gonna be a real letdown now, but I feel like

772
00:44:47,560 --> 00:44:48,000
Speaker 2: it's got.

773
00:44:48,040 --> 00:44:52,719
Speaker 1: To be said the conclusion. All right, step out of

774
00:44:52,719 --> 00:44:54,520
Speaker 1: your car. It's gonna be a real letdown now.

775
00:44:55,040 --> 00:44:57,280
Speaker 2: Okay, step out of my fucking car with the panini

776
00:44:57,320 --> 00:44:59,800
Speaker 2: maker trying to balance the panina maker with my ear bamante.

777
00:45:00,120 --> 00:45:00,960
Speaker 1: I got my hands full.

778
00:45:01,560 --> 00:45:03,720
Speaker 2: And there's this lady walking by and I just say hello.

779
00:45:03,760 --> 00:45:05,880
Speaker 1: She doesn't hear me, and I'm like, okay, that's embarrassing.

780
00:45:05,920 --> 00:45:08,400
Speaker 2: And then she's going and then I see she has

781
00:45:08,440 --> 00:45:11,000
Speaker 2: a backpack. And then I don't have my glasses on,

782
00:45:11,080 --> 00:45:12,960
Speaker 2: but I can tell it's a pet backpack, and so

783
00:45:13,360 --> 00:45:13,799
Speaker 2: I was.

784
00:45:13,680 --> 00:45:16,839
Speaker 1: Like, is that a petackpack and shaped like a pet

785
00:45:16,960 --> 00:45:18,279
Speaker 1: or a back like a.

786
00:45:18,239 --> 00:45:21,799
Speaker 2: Backpack with a window, and so I was like, oh

787
00:45:21,800 --> 00:45:23,759
Speaker 2: my god, is that a cat? And she turned around

788
00:45:23,760 --> 00:45:25,880
Speaker 2: and she was like yes, and I was like what

789
00:45:26,200 --> 00:45:26,799
Speaker 2: can I see you?

790
00:45:27,560 --> 00:45:30,960
Speaker 8: And she had two dogs too, but I didn't really care.

791
00:45:33,239 --> 00:45:36,480
Speaker 8: And I was like, oh my god, I have this backpack,

792
00:45:37,080 --> 00:45:40,560
Speaker 8: but none of my four cats will accept it.

793
00:45:40,640 --> 00:45:42,520
Speaker 2: They hate it. And she was like, oh my god,

794
00:45:42,560 --> 00:45:45,840
Speaker 2: my cat loves My cat loves going out, like she

795
00:45:46,000 --> 00:45:51,280
Speaker 2: cries if if I leave without her. And I was like, okay,

796
00:45:51,400 --> 00:45:54,440
Speaker 2: well I'm jealous. But then she was like I just

797
00:45:54,480 --> 00:45:56,600
Speaker 2: lived down the hill and I was like, oh, I'm

798
00:45:56,600 --> 00:45:59,000
Speaker 2: just here. I'm here at my parents' house. And she

799
00:45:59,120 --> 00:46:05,840
Speaker 2: was like, oh, the house with the German shepherds.

800
00:46:05,880 --> 00:46:08,839
Speaker 1: And I was like, yeah, what kind of dogs did

801
00:46:08,920 --> 00:46:09,080
Speaker 1: you know?

802
00:46:09,880 --> 00:46:13,400
Speaker 2: Little I have to be so honest with you, I

803
00:46:13,440 --> 00:46:14,960
Speaker 2: was not looking at the dogs.

804
00:46:15,920 --> 00:46:16,320
Speaker 1: Really.

805
00:46:16,840 --> 00:46:20,840
Speaker 2: If there's a cat, I'm sorry the dogs around.

806
00:46:21,520 --> 00:46:26,360
Speaker 1: That means you have preferences crazy. No, that's not crazy.

807
00:46:26,560 --> 00:46:31,279
Speaker 1: Crazy preference like a dog doesn't do it very as

808
00:46:31,320 --> 00:46:35,120
Speaker 1: much as a cat. But it proves you're not a

809
00:46:35,120 --> 00:46:38,640
Speaker 1: sociopath because at least you're interested in one.

810
00:46:38,440 --> 00:46:41,000
Speaker 2: Of them, right, and I do. I loved I love

811
00:46:41,320 --> 00:46:43,880
Speaker 2: I'm a I'm a fucking vegan. I love animals, so

812
00:46:43,960 --> 00:46:49,160
Speaker 2: I love all animals, but I just really really prefer cats.

813
00:46:50,239 --> 00:46:52,279
Speaker 2: And it never used to be that way, but I

814
00:46:52,320 --> 00:46:56,799
Speaker 2: just I just I love them so much. They all

815
00:46:56,840 --> 00:46:59,920
Speaker 2: just sleep on my bed and they're just curled up

816
00:47:00,040 --> 00:47:03,440
Speaker 2: and like little balls, and it's just crazy crazy.

817
00:47:03,719 --> 00:47:09,120
Speaker 1: Scully and Molder our first two dogs. I love, Louis Shecky,

818
00:47:09,400 --> 00:47:13,560
Speaker 1: mad Martigan, the five who went before of the Magnificent Seven. Yeah,

819
00:47:13,960 --> 00:47:17,280
Speaker 1: Lucky and Birdie being here right now, you're all looking

820
00:47:17,360 --> 00:47:21,759
Speaker 1: down from the Rainbow Bridge and they're being like, fuck cats.

821
00:47:23,280 --> 00:47:26,399
Speaker 2: Okay, Well, Marty and I have a fucking I have

822
00:47:26,440 --> 00:47:27,680
Speaker 2: a big backstory.

823
00:47:28,400 --> 00:47:33,200
Speaker 1: So Marty young, but Marty's up there going fuck you,

824
00:47:34,200 --> 00:47:38,760
Speaker 1: and then she goes off the rainbow bridge.

825
00:47:40,040 --> 00:47:48,920
Speaker 2: She's a lookiew, I'm surprised Marty didn't kill me. To

826
00:47:48,960 --> 00:47:50,800
Speaker 2: be honest, like Marty was scary.

827
00:47:50,880 --> 00:47:53,719
Speaker 1: She was very protective like scary as you know, some

828
00:47:53,840 --> 00:47:57,799
Speaker 1: dogs get real like territorial and protective of humid and

829
00:47:58,080 --> 00:47:59,759
Speaker 1: she was super protective of she.

830
00:47:59,760 --> 00:48:03,000
Speaker 2: Was She was so traumatized, and it was understandable. She

831
00:48:03,120 --> 00:48:05,480
Speaker 2: had a really terrible, terrible life which.

832
00:48:05,400 --> 00:48:07,919
Speaker 1: I never could explain to us. It's like what traumatized

833
00:48:07,920 --> 00:48:09,960
Speaker 1: her was a person looked exactly like you.

834
00:48:10,280 --> 00:48:14,360
Speaker 2: I guess because, oh my god, it was crazy.

835
00:48:14,880 --> 00:48:18,360
Speaker 1: I used to belong to a butcher and it looked

836
00:48:18,400 --> 00:48:23,239
Speaker 1: like your daughter butcher not unsure. Actually a dog would

837
00:48:23,280 --> 00:48:25,160
Speaker 1: be like I used to be hold by a butcher.

838
00:48:26,080 --> 00:48:31,839
Speaker 1: Do you guys have any scrats or meats? We're vegan here? What? Oh?

839
00:48:32,719 --> 00:48:34,840
Speaker 1: What the fucking what?

840
00:48:35,400 --> 00:48:39,640
Speaker 2: Oh my gosh. The Texas chainsaw mask her maze at

841
00:48:40,000 --> 00:48:45,480
Speaker 2: Hornights is crazy. It's it is like exactly the same,

842
00:48:45,880 --> 00:48:50,560
Speaker 2: and it's butchering everywhere. It's blood, a lot of blood,

843
00:48:51,080 --> 00:48:54,319
Speaker 2: a lot of butchering. When you go in first, there's

844
00:48:54,360 --> 00:48:58,279
Speaker 2: a human wearing a fucking I found it extremely fense.

845
00:48:59,400 --> 00:49:00,839
Speaker 5: A cow's oh cow.

846
00:49:01,520 --> 00:49:03,560
Speaker 2: It really bummed me out. I really did not like it.

847
00:49:03,719 --> 00:49:05,760
Speaker 1: Dude wearing a pig's head if he has got overalls

848
00:49:05,800 --> 00:49:09,520
Speaker 1: and a big chainsaw, Yeah, that's farmer Vincent from Hotel Hell.

849
00:49:09,800 --> 00:49:12,560
Speaker 1: Takes a lot of critters to make farmer Vincent fritters.

850
00:49:12,760 --> 00:49:14,880
Speaker 1: I can't I don't know who put a cow head on.

851
00:49:15,360 --> 00:49:17,840
Speaker 1: It could be from a newer version of it.

852
00:49:17,719 --> 00:49:23,200
Speaker 2: Was a cumuli, a cumulation, A lot of it was

853
00:49:23,360 --> 00:49:27,200
Speaker 2: all of all the iterations of Texas Chainsaw Masker.

854
00:49:27,440 --> 00:49:29,439
Speaker 1: How was too represented? I ask?

855
00:49:30,440 --> 00:49:33,920
Speaker 2: I couldn't tell you because my eyes were very close.

856
00:49:35,360 --> 00:49:37,920
Speaker 1: Texas Chance I'm Masker Part two one of my favorite

857
00:49:38,080 --> 00:49:40,239
Speaker 1: movies of all times because it's so fucked up. At

858
00:49:40,239 --> 00:49:41,879
Speaker 1: any time I try to make a fucked up movie,

859
00:49:41,880 --> 00:49:45,240
Speaker 1: that is the bar I'm reaching for. So Tusk, Red State.

860
00:49:45,960 --> 00:49:49,520
Speaker 1: Those exist because of Texas Chainsaw Masker two, which came

861
00:49:49,520 --> 00:49:50,759
Speaker 1: out in nineteen eighty six.

862
00:49:51,160 --> 00:49:52,960
Speaker 2: It's did it?

863
00:49:53,160 --> 00:49:53,799
Speaker 1: I believe it did?

864
00:49:53,920 --> 00:49:54,680
Speaker 2: No, I don't think so.

865
00:49:54,960 --> 00:49:56,439
Speaker 1: Texas chains Imascar Part two.

866
00:49:56,560 --> 00:49:57,920
Speaker 2: Oh no, sorry not for two.

867
00:49:58,800 --> 00:50:04,960
Speaker 1: Nice your face. I was here with mamily. We had

868
00:50:05,000 --> 00:50:07,480
Speaker 1: come out to California to visit her relatives who live

869
00:50:07,520 --> 00:50:09,600
Speaker 1: in the Riverside, which is like out by the desert

870
00:50:09,600 --> 00:50:12,640
Speaker 1: and ship yeah, and you know, she was like, your

871
00:50:12,719 --> 00:50:14,480
Speaker 1: god today, would you like to go to Hollywood? And

872
00:50:14,480 --> 00:50:16,880
Speaker 1: I was like yeah, and me and her and I

873
00:50:16,960 --> 00:50:19,040
Speaker 1: was like sixteen years old, and we came to Hollywood

874
00:50:20,239 --> 00:50:25,600
Speaker 1: and there was a massive billboard for Texas Chainsaw mask

875
00:50:25,640 --> 00:50:29,520
Speaker 1: Her Part two. We went to the Bullwinkle Store. She

876
00:50:29,680 --> 00:50:31,640
Speaker 1: let me drive home. I was only sixteen.

877
00:50:31,800 --> 00:50:34,080
Speaker 2: Sounds like a good ass day, it.

878
00:50:34,120 --> 00:50:38,680
Speaker 1: Was, man, And you know, I'm sure like me. I

879
00:50:38,719 --> 00:50:40,920
Speaker 1: went to see Mamilly last week, who's probably getting out

880
00:50:40,920 --> 00:50:44,200
Speaker 1: of the hospital this week, and she had a like

881
00:50:44,280 --> 00:50:47,799
Speaker 1: a dust up with Donald, my brother. Oh yeah, and

882
00:50:48,520 --> 00:50:51,560
Speaker 1: you know, the next day she was feeling, you know,

883
00:50:51,719 --> 00:50:54,560
Speaker 1: kind of contrite about it, and she said, like one

884
00:50:54,600 --> 00:50:58,920
Speaker 1: of the most revealing things, she goes, it's really hard

885
00:50:58,960 --> 00:51:03,759
Speaker 1: to let go of control, and that really like defines

886
00:51:05,360 --> 00:51:11,719
Speaker 1: like my mom has spent years, yeah, in control, and

887
00:51:11,880 --> 00:51:15,040
Speaker 1: you know, even though her kids grew up, she still

888
00:51:15,400 --> 00:51:19,200
Speaker 1: able to exercise a large degree of control over them.

889
00:51:19,239 --> 00:51:23,040
Speaker 1: And but the older one gets, the harder it is

890
00:51:23,080 --> 00:51:27,839
Speaker 1: to control. And yeah, it really it bummed me out.

891
00:51:27,880 --> 00:51:30,880
Speaker 1: But at the same time it was very like like,

892
00:51:31,040 --> 00:51:33,319
Speaker 1: oh yeah, she's like, I don't you know, it's not

893
00:51:33,400 --> 00:51:37,160
Speaker 1: so much to getting old hurts and whatnot. But you know,

894
00:51:37,239 --> 00:51:39,319
Speaker 1: she was like, man, I used to be able to

895
00:51:39,360 --> 00:51:41,919
Speaker 1: do shit, and more importantly, I used to be able

896
00:51:41,920 --> 00:51:46,240
Speaker 1: to make y'all do things.

897
00:51:46,760 --> 00:51:49,960
Speaker 2: But ultimately one can really only control themselves.

898
00:51:50,280 --> 00:51:52,960
Speaker 1: True, And that's a sentiment I've repeated to myself a

899
00:51:53,000 --> 00:51:58,200
Speaker 1: lot lately, which is like I can't control your emotions, yeah,

900
00:51:58,280 --> 00:51:59,840
Speaker 1: you can't only control mine.

901
00:52:00,120 --> 00:52:03,960
Speaker 2: Yeah, and your reaction to others' emotions.

902
00:52:04,080 --> 00:52:06,680
Speaker 1: What do you mean the second part that sounds important,

903
00:52:06,680 --> 00:52:07,200
Speaker 1: I've been leaving.

904
00:52:09,040 --> 00:52:12,480
Speaker 2: You can control how you feel, and you can also

905
00:52:12,640 --> 00:52:19,040
Speaker 2: control how you react to other people's feelings, That's what

906
00:52:19,080 --> 00:52:19,640
Speaker 2: I'm saying.

907
00:52:20,239 --> 00:52:23,239
Speaker 1: But I can't control how other people react, yes.

908
00:52:22,960 --> 00:52:26,160
Speaker 2: But you can control how you react to their reaction.

909
00:52:27,440 --> 00:52:30,720
Speaker 1: Yeah. Yeah, yeah ideally.

910
00:52:30,760 --> 00:52:33,480
Speaker 2: Yeah, ideally, But most of the time it don't work

911
00:52:33,520 --> 00:52:36,839
Speaker 2: for me. But that's that's the ideal scenario.

912
00:52:38,200 --> 00:52:41,200
Speaker 1: Listen book.

913
00:52:41,239 --> 00:52:44,319
Speaker 2: He was breathing really long. I'm going to see Texas Chains.

914
00:52:44,360 --> 00:52:48,160
Speaker 2: I'm asking at the cemetery for the fiftieth anniversary this weekend.

915
00:52:47,960 --> 00:52:53,640
Speaker 1: The original Toby Hooper classic and be you many ways

916
00:52:54,400 --> 00:52:58,680
Speaker 1: I would like to be you. I've seen that fucking

917
00:52:58,680 --> 00:53:01,160
Speaker 1: movie so many times. Do you want to come? Being

918
00:53:01,200 --> 00:53:04,200
Speaker 1: in a cemetery is a novel approach to it. Now,

919
00:53:04,360 --> 00:53:06,560
Speaker 1: if it was Texans Chains, I'm asking too, I'll be

920
00:53:06,640 --> 00:53:09,799
Speaker 1: right there next to you. I love and respect the

921
00:53:09,840 --> 00:53:13,240
Speaker 1: first because it is like, for lack of a better description,

922
00:53:13,400 --> 00:53:15,840
Speaker 1: even though it went before me, we just saw. We

923
00:53:15,960 --> 00:53:18,840
Speaker 1: call it saw for sure. Those fus who loved the

924
00:53:19,880 --> 00:53:24,640
Speaker 1: not to be confused with the other one well existed long.

925
00:53:24,440 --> 00:53:28,239
Speaker 2: Before, okay, but but now there's those and you can't.

926
00:53:27,920 --> 00:53:31,080
Speaker 1: Be the old school sister. That's so different from old

927
00:53:31,080 --> 00:53:36,160
Speaker 1: school man. You think I fuck with jigs, song classics,

928
00:53:36,520 --> 00:53:44,320
Speaker 1: leather face, Michael Myers, of course, Freddy Krueger, Freddy.

929
00:53:44,400 --> 00:53:46,840
Speaker 2: You know my my song Dead and a Lake, Yeah,

930
00:53:47,360 --> 00:53:48,920
Speaker 2: which one day will be out.

931
00:53:49,719 --> 00:53:51,480
Speaker 1: You know the part did you pick a band name yet?

932
00:53:52,760 --> 00:53:56,279
Speaker 1: From you to douche? It's a great name, you know it?

933
00:53:56,880 --> 00:53:59,759
Speaker 1: That's not it memorable? But so I have a song

934
00:53:59,800 --> 00:54:01,680
Speaker 1: called then the Lake. What about what if you called

935
00:54:01,680 --> 00:54:03,280
Speaker 1: it the Beardless Dickless Band?

936
00:54:03,560 --> 00:54:06,319
Speaker 2: No, and the lyrics are really like fucked up. But

937
00:54:06,600 --> 00:54:09,600
Speaker 2: every time I didn't write it with thinking about this,

938
00:54:09,719 --> 00:54:11,960
Speaker 2: But now every single time we played and rehearse it,

939
00:54:12,360 --> 00:54:15,239
Speaker 2: I think about the end of Friday thirteenth, when that

940
00:54:15,320 --> 00:54:17,399
Speaker 2: kid's in the boat and he survived, and then he's

941
00:54:17,480 --> 00:54:18,560
Speaker 2: just and then it's.

942
00:54:18,400 --> 00:54:19,920
Speaker 1: Hopeful, and then the then.

943
00:54:19,920 --> 00:54:22,440
Speaker 2: Fucking Freddy goes out of the water and then like

944
00:54:22,560 --> 00:54:23,000
Speaker 2: kills them.

945
00:54:23,200 --> 00:54:27,160
Speaker 1: Okay, just a few notes. Yeah, that kid was a

946
00:54:27,200 --> 00:54:31,000
Speaker 1: girl and Freddy doesn't come out of the water. Who

947
00:54:31,040 --> 00:54:33,840
Speaker 1: is it young Jason. Oh, I'm sorry, not Freddy.

948
00:54:33,960 --> 00:54:35,800
Speaker 2: My fucking bad. I messed it up. I messed it

949
00:54:35,880 --> 00:54:36,440
Speaker 2: up all.

950
00:54:36,280 --> 00:54:39,359
Speaker 1: Your horror fans out there. I profusely apologized. We tried

951
00:54:39,360 --> 00:54:40,080
Speaker 1: to raise around.

952
00:54:40,080 --> 00:54:44,080
Speaker 2: I'm so sorry, Freddy Krueger, Jason Voorhees and Michael Myer's

953
00:54:44,480 --> 00:54:45,400
Speaker 2: got to get him straight.

954
00:54:45,480 --> 00:54:51,319
Speaker 1: My bad. The uh the yeah. Don't let anybody ever

955
00:54:51,360 --> 00:54:54,240
Speaker 1: fucking tell you. You can't tell you can't call Texas

956
00:54:54,320 --> 00:54:55,640
Speaker 1: chainsaw'm Saw.

957
00:54:56,680 --> 00:55:00,279
Speaker 2: Well, you're really gonna be miss. I just wouldn't want

958
00:55:00,320 --> 00:55:05,400
Speaker 2: anybody to think that you're talking about Saw. I really wouldn't.

959
00:55:06,480 --> 00:55:09,760
Speaker 1: When we were kids, the shorthand was Texas Chainsaw Massacre.

960
00:55:11,280 --> 00:55:15,400
Speaker 1: That's the whole title, because all of it was awesome,

961
00:55:15,560 --> 00:55:18,040
Speaker 1: all those three words together. Now you take for granted

962
00:55:18,040 --> 00:55:20,759
Speaker 1: because you entered a world where those three words have

963
00:55:20,800 --> 00:55:24,000
Speaker 1: always existed together. But there was a time and that

964
00:55:24,160 --> 00:55:27,839
Speaker 1: title was horrifying and fucking ludicrous at the same time.

965
00:55:28,160 --> 00:55:32,520
Speaker 1: Texas Chainsaw, like, when you really think about.

966
00:55:32,200 --> 00:55:37,439
Speaker 2: It, so scary, It truly scary movie.

967
00:55:37,480 --> 00:55:39,520
Speaker 1: It's a bocket and then it feels like a headline.

968
00:55:39,800 --> 00:55:42,880
Speaker 2: It's probably to me the scariest at all of the

969
00:55:42,960 --> 00:55:44,960
Speaker 2: classics two, I.

970
00:55:44,880 --> 00:55:49,560
Speaker 1: Think it's scarier. I'll be honest with madness on displaying too.

971
00:55:49,880 --> 00:55:52,880
Speaker 1: So you're gonna die either way at the fucking because

972
00:55:52,920 --> 00:55:57,000
Speaker 1: the Sauce family, but the fucking like if you have

973
00:55:57,040 --> 00:55:59,600
Speaker 1: to die while people are fucking acting.

974
00:55:59,320 --> 00:56:02,480
Speaker 2: Bad share oh yeah, so much.

975
00:56:02,760 --> 00:56:04,160
Speaker 1: Using corpses to talk.

976
00:56:04,239 --> 00:56:06,640
Speaker 2: It's so bad.

977
00:56:07,120 --> 00:56:10,160
Speaker 1: So you're going out terror and they want to terrify

978
00:56:10,239 --> 00:56:12,640
Speaker 1: you because that's what's going to make the meat taste good.

979
00:56:13,360 --> 00:56:19,120
Speaker 1: So cutting back to the foyer when the dogs back,

980
00:56:19,239 --> 00:56:22,880
Speaker 1: when the dogs are unleased, like the corpses, it's like,

981
00:56:23,120 --> 00:56:29,080
Speaker 1: fear more of this, right, lucky, yes?

982
00:56:30,080 --> 00:56:32,600
Speaker 2: Yeahs like what's going on?

983
00:56:33,400 --> 00:56:36,680
Speaker 1: Then there become sin eaters because they've eaten your sin

984
00:56:36,719 --> 00:56:39,440
Speaker 1: and it doesn't exist anymore. It's a medieval role that

985
00:56:39,560 --> 00:56:44,400
Speaker 1: goes back centuries exactly, but it now puts you in

986
00:56:44,520 --> 00:56:47,480
Speaker 1: league with the church because the sin eater was somebody

987
00:56:47,480 --> 00:56:50,320
Speaker 1: that you paid a Catholic a service in the Catholic

988
00:56:50,360 --> 00:56:53,799
Speaker 1: church to eat some horribly prepared meal that had your

989
00:56:53,840 --> 00:56:55,560
Speaker 1: fucking sins baked into it.

990
00:56:56,560 --> 00:56:59,959
Speaker 2: You're lying, say that again.

991
00:57:00,320 --> 00:57:04,920
Speaker 1: The concept of a sin eater is essentially you know

992
00:57:05,000 --> 00:57:08,600
Speaker 1: what penance is. Yeah, okay, so take it a step further.

993
00:57:09,080 --> 00:57:12,399
Speaker 1: So the idea that like I have this evil, this weight,

994
00:57:12,760 --> 00:57:17,480
Speaker 1: this guilt, this sin, and I carry it. I hire

995
00:57:17,560 --> 00:57:21,240
Speaker 1: you the sin eater, who is a the lowest, I

996
00:57:21,280 --> 00:57:22,960
Speaker 1: swear to Christ. You can look it up while I'm talking.

997
00:57:22,960 --> 00:57:24,320
Speaker 1: You have to look at me while I explaining, to

998
00:57:24,360 --> 00:57:26,920
Speaker 1: look on your phone, and I'll watch your fucking expression

999
00:57:27,000 --> 00:57:28,840
Speaker 1: change as you're like this is real.

1000
00:57:29,360 --> 00:57:34,320
Speaker 2: Well, I just keep thinking you're saying cinnamon.

1001
00:57:36,720 --> 00:57:40,080
Speaker 1: That's even worse sin, as in, Wow, that's a word

1002
00:57:40,080 --> 00:57:41,560
Speaker 1: that's like not even big in your world.

1003
00:57:41,840 --> 00:57:42,080
Speaker 2: Sin.

1004
00:57:42,640 --> 00:57:45,840
Speaker 1: Yeah, because it's a moral Catholic term, or a religious

1005
00:57:45,880 --> 00:57:49,600
Speaker 1: term at the very least. But I mean just even

1006
00:57:49,640 --> 00:57:52,560
Speaker 1: the word s. I M like I was raised in

1007
00:57:52,600 --> 00:57:58,320
Speaker 1: a world where like that fucking word was constantly sin

1008
00:57:58,440 --> 00:58:01,680
Speaker 1: eater s I n e a t or So you

1009
00:58:01,760 --> 00:58:05,320
Speaker 1: pay this fucker and he eats this meal that your

1010
00:58:05,400 --> 00:58:11,200
Speaker 1: fucking guilt. Wait, it's his job. You're paying this person.

1011
00:58:11,760 --> 00:58:14,000
Speaker 1: But it's like the same way you'd pay the executioner

1012
00:58:14,480 --> 00:58:16,960
Speaker 1: before it cuts your head off, or the same way

1013
00:58:17,160 --> 00:58:19,320
Speaker 1: like a geek at a circus bites a chicken's head

1014
00:58:19,320 --> 00:58:22,320
Speaker 1: off or something. Well, it don't really exists anymore as

1015
00:58:22,360 --> 00:58:25,200
Speaker 1: far as we know. But you're seeing it right, I'm

1016
00:58:25,280 --> 00:58:33,880
Speaker 1: seeing that it's a real job. Yes, yeah. Birdie and

1017
00:58:34,000 --> 00:58:37,440
Speaker 1: Lucky become your sin eaters, and you realize, once they've

1018
00:58:37,480 --> 00:58:40,680
Speaker 1: eaten this fucking murder, they're not murder but accidental killing.

1019
00:58:41,120 --> 00:58:43,880
Speaker 1: You realize that they could be good for almost any

1020
00:58:44,240 --> 00:58:48,520
Speaker 1: any sin they can eat, and they love it. They

1021
00:58:48,560 --> 00:58:53,640
Speaker 1: love eating sins. So are there people that bother you?

1022
00:58:54,720 --> 00:58:58,560
Speaker 1: People that maybe shouldn't be here anymore.

1023
00:58:58,560 --> 00:59:08,160
Speaker 7: People who are in order to cast the hungry gods?

1024
00:59:08,400 --> 00:59:12,600
Speaker 2: These are terrifying images. Who says, though, is this like?

1025
00:59:13,040 --> 00:59:15,720
Speaker 1: Is this was he in a comic a comic character,

1026
00:59:15,800 --> 00:59:20,560
Speaker 1: No doubt, because it's a great name. Concept was in

1027
00:59:20,640 --> 00:59:25,840
Speaker 1: the meal, probably full and horrible ship that nobody wants

1028
00:59:25,920 --> 00:59:28,840
Speaker 1: to eat like it? And I don't even know if

1029
00:59:28,840 --> 00:59:30,680
Speaker 1: ofal is something that people don't like to eat for

1030
00:59:30,720 --> 00:59:31,840
Speaker 1: all I know. Oh.

1031
00:59:32,120 --> 00:59:34,800
Speaker 2: He then muttered in incant wait, wait, wait, wait. When

1032
00:59:34,800 --> 00:59:38,280
Speaker 2: a person died, the friends sent for the sinator of

1033
00:59:38,320 --> 00:59:44,360
Speaker 2: the district. There were many men you were like County Mounting, who,

1034
00:59:44,560 --> 00:59:47,520
Speaker 2: on his arrival placed a plate of salt on the

1035
00:59:47,560 --> 00:59:51,800
Speaker 2: breast of the defunct and upon the salt a piece

1036
00:59:51,840 --> 00:59:55,280
Speaker 2: of bread. Then he muttered an incantation over the bread,

1037
00:59:55,600 --> 00:59:59,080
Speaker 2: which he finally ate, thereby eating up all the sins

1038
00:59:59,120 --> 01:00:02,960
Speaker 2: of the deceased. But he didn't eat the person.

1039
01:00:03,920 --> 01:00:06,360
Speaker 1: No, no he didn't. I never said he ate the person.

1040
01:00:07,800 --> 01:00:11,040
Speaker 1: But it's a weird concept. This picture makes it.

1041
01:00:11,160 --> 01:00:14,760
Speaker 2: In this instance, this picture makes But in.

1042
01:00:14,680 --> 01:00:19,960
Speaker 1: This instance, Bernie, Birdie and Lucky are literal sin eaters.

1043
01:00:21,080 --> 01:00:24,400
Speaker 1: That's why the movie is called the sin Eaters. That's

1044
01:00:24,480 --> 01:00:28,560
Speaker 1: I mean, you know what. I'm sorry. And this is

1045
01:00:28,560 --> 01:00:31,880
Speaker 1: how we write. This is how we make a house movie.

1046
01:00:32,360 --> 01:00:34,120
Speaker 2: Come on, blom House, give us some of that.

1047
01:00:34,160 --> 01:00:38,120
Speaker 1: Sweet winding up our schedule. We got Smitty and Son.

1048
01:00:38,280 --> 01:00:40,360
Speaker 1: No great, now, we got.

1049
01:00:40,280 --> 01:00:47,080
Speaker 2: Fucking this, no before anything. What's my man's name in

1050
01:00:47,120 --> 01:00:47,600
Speaker 2: the ocean?

1051
01:00:50,520 --> 01:00:57,200
Speaker 1: Yeah, we can't take that. Somebody did that movie, your

1052
01:00:57,240 --> 01:01:03,360
Speaker 1: little Owl. I'll tell you, uh Lovecraft for one. He's like,

1053
01:01:03,560 --> 01:01:06,000
Speaker 1: uh invented a bruh?

1054
01:01:06,000 --> 01:01:08,680
Speaker 2: How in the fuck do you spell cas zulu?

1055
01:01:09,440 --> 01:01:14,680
Speaker 1: Ce? Oh h u l u? And there might be

1056
01:01:14,720 --> 01:01:16,200
Speaker 1: two els. I think it's not.

1057
01:01:16,480 --> 01:01:17,800
Speaker 2: Oh my god, I love him.

1058
01:01:19,320 --> 01:01:23,160
Speaker 1: All right, passion ration, you got a list? Oh yeah,

1059
01:01:23,520 --> 01:01:25,880
Speaker 1: let's do it. Let's do it. There was only a.

1060
01:01:25,800 --> 01:01:27,840
Speaker 2: Casula movie in two thousand and seven.

1061
01:01:27,640 --> 01:01:31,480
Speaker 1: And the whole Lass movie. But like you know the concept.

1062
01:01:31,520 --> 01:01:34,320
Speaker 1: I'm just saying, yeah, I know about the Senators. That's

1063
01:01:34,400 --> 01:01:41,200
Speaker 1: new Cado, scary dogs that will fucking eat anything in

1064
01:01:41,240 --> 01:01:42,400
Speaker 1: anyone you need them to.

1065
01:01:42,640 --> 01:01:46,160
Speaker 2: That's actually yeah, maybe we shouldn't give away our ideals.

1066
01:01:48,760 --> 01:01:50,400
Speaker 1: That's what I always say to Mark when we're on

1067
01:01:50,440 --> 01:01:52,880
Speaker 1: Fat Man Beyond Marco rip a really good idea. I'm like,

1068
01:01:52,880 --> 01:01:58,040
Speaker 1: what are you fucking man? All Right, we've reached that

1069
01:01:58,120 --> 01:02:01,560
Speaker 1: part of the show. Yeah, passion over.

1070
01:02:02,680 --> 01:02:04,720
Speaker 2: I think we should just do the quick fire ton

1071
01:02:04,920 --> 01:02:08,240
Speaker 2: go all right, tramp stamp of Moo's face.

1072
01:02:10,640 --> 01:02:15,320
Speaker 1: On any more information beyond that on.

1073
01:02:16,320 --> 01:02:21,320
Speaker 2: A two part question on you and not ration on me?

1074
01:02:21,520 --> 01:02:26,439
Speaker 1: On me, A further question location for this.

1075
01:02:26,360 --> 01:02:28,439
Speaker 2: Tattoo A tramp stamp.

1076
01:02:28,520 --> 01:02:31,840
Speaker 1: Over your ass, the crack of your ass, yes, Moo's face. Yeah,

1077
01:02:31,960 --> 01:02:33,800
Speaker 1: like I'm never going to see it, so do whatever

1078
01:02:33,800 --> 01:02:36,640
Speaker 1: you want your body. I believe this is a passion

1079
01:02:36,720 --> 01:02:38,560
Speaker 1: or ration to ask Austin.

1080
01:02:38,240 --> 01:02:41,000
Speaker 2: Thank you, thank you for that answer.

1081
01:02:41,280 --> 01:02:44,320
Speaker 1: I believe Austin will be seeing it more than anybody else,

1082
01:02:44,360 --> 01:02:46,400
Speaker 1: even you, unless you stare at your back in the mirror.

1083
01:02:46,600 --> 01:02:48,400
Speaker 1: That is true. You got to run it past him

1084
01:02:48,400 --> 01:02:52,240
Speaker 1: because he might be like, Okay, I can't. I can't

1085
01:02:52,240 --> 01:02:53,960
Speaker 1: do anything with Mo looking at me like that.

1086
01:02:54,120 --> 01:02:58,840
Speaker 2: What about a portrait of an this is this is

1087
01:02:58,880 --> 01:03:02,080
Speaker 2: an extension of the passionate Russian like a like a

1088
01:03:02,280 --> 01:03:06,840
Speaker 2: very big and realistic portrait of a pet on your back,

1089
01:03:07,400 --> 01:03:07,880
Speaker 2: Like if.

1090
01:03:07,720 --> 01:03:10,240
Speaker 1: You got like you have Ben Affleck as the giant

1091
01:03:10,240 --> 01:03:14,880
Speaker 1: Phoenix tattoo on his back. Yes, this is a move. Yeah, yeah, yeah,

1092
01:03:16,240 --> 01:03:17,680
Speaker 1: you want to put this on your back?

1093
01:03:18,680 --> 01:03:22,360
Speaker 2: No, I'm going to direct it to you. It's shacky

1094
01:03:22,600 --> 01:03:23,240
Speaker 2: on your back.

1095
01:03:23,400 --> 01:03:26,440
Speaker 1: Never, I'm never gonna fucking see it. What good is

1096
01:03:26,480 --> 01:03:29,000
Speaker 1: it you want to put check you on on mom's back?

1097
01:03:29,080 --> 01:03:33,600
Speaker 1: I'm just saying how often I haven't seen my back

1098
01:03:33,600 --> 01:03:35,440
Speaker 1: in fucking years. If I did, I'd shave it.

1099
01:03:35,480 --> 01:03:37,240
Speaker 2: What do you put check you around your neck?

1100
01:03:37,560 --> 01:03:37,800
Speaker 1: Fuck?

1101
01:03:37,920 --> 01:03:39,840
Speaker 2: No, you hate shacky.

1102
01:03:40,000 --> 01:03:43,040
Speaker 1: I'm trying. I just sold a fucking television show, So

1103
01:03:43,080 --> 01:03:45,920
Speaker 1: I'm gonna make some poor makeup person have to cruver

1104
01:03:46,080 --> 01:03:48,880
Speaker 1: that ship up every morning in the chair like two hours,

1105
01:03:48,880 --> 01:03:50,480
Speaker 1: two hours because you can't live without his.

1106
01:03:50,880 --> 01:03:53,040
Speaker 2: But if you had like a Pamela Anderson tattoo, but

1107
01:03:53,080 --> 01:03:54,160
Speaker 2: it was shacky.

1108
01:03:54,120 --> 01:03:56,320
Speaker 1: What do you mean a Pamela Anderson tattoo, like the

1109
01:03:56,360 --> 01:03:58,840
Speaker 1: barbed wire thing. Do you know why she got that?

1110
01:03:59,440 --> 01:04:02,000
Speaker 2: Because of because she was in a movie called Huse

1111
01:04:02,000 --> 01:04:04,200
Speaker 2: she was. Yeah, did she not have that before?

1112
01:04:05,080 --> 01:04:06,919
Speaker 1: I don't think so, But you know what, I'll follow

1113
01:04:06,960 --> 01:04:08,520
Speaker 1: these things closely. I just happen to know she was

1114
01:04:08,560 --> 01:04:10,280
Speaker 1: in Barboar. Yeah, I know she was. I think she

1115
01:04:10,880 --> 01:04:13,320
Speaker 1: had before them. But I would I get no, I

1116
01:04:13,360 --> 01:04:14,080
Speaker 1: wouldn't get checked.

1117
01:04:14,160 --> 01:04:15,880
Speaker 2: But that would be so cool if it wrapped around

1118
01:04:15,920 --> 01:04:16,520
Speaker 2: your arm.

1119
01:04:17,400 --> 01:04:19,440
Speaker 1: Okay, well an ugly arm. I don't have leg.

1120
01:04:19,680 --> 01:04:25,000
Speaker 2: That is not true. Do not do not call yourself ugly?

1121
01:04:25,520 --> 01:04:26,840
Speaker 1: Would not look her best on life?

1122
01:04:26,880 --> 01:04:28,720
Speaker 2: Do not call your any part of.

1123
01:04:28,600 --> 01:04:31,320
Speaker 1: Your check on my calves rock hard calves.

1124
01:04:31,320 --> 01:04:34,000
Speaker 2: Well, then check's like, I'm back.

1125
01:04:34,360 --> 01:04:37,439
Speaker 1: It'll give you something else to look at it walk

1126
01:04:37,480 --> 01:04:41,840
Speaker 1: in front of you. Okay. Anyways, your passion next, No,

1127
01:04:41,960 --> 01:04:43,240
Speaker 1: you go, you do your fire your list.

1128
01:04:43,440 --> 01:04:45,360
Speaker 2: No, you know it's a back and forth situation.

1129
01:04:45,520 --> 01:04:49,720
Speaker 1: You go, all right, passion, I ration, Celsius, we already

1130
01:04:49,760 --> 01:04:53,680
Speaker 1: did this ration. Uh yaba, mate.

1131
01:04:55,120 --> 01:04:58,320
Speaker 2: Someone seems like he did not prepare a list to.

1132
01:04:59,000 --> 01:05:01,680
Speaker 1: I prepared an entire scenario with a dog. I wrote,

1133
01:05:01,680 --> 01:05:02,080
Speaker 1: a movie.

1134
01:05:04,080 --> 01:05:07,560
Speaker 2: First of all, it is yerba mate, and I am

1135
01:05:07,920 --> 01:05:09,880
Speaker 2: truly reliant on it.

1136
01:05:10,840 --> 01:05:14,200
Speaker 1: Is it good for you? Is it a bad thing? Calories?

1137
01:05:14,800 --> 01:05:20,400
Speaker 1: That's not it's just judgmental. Yeah, it's only though, Oh

1138
01:05:20,480 --> 01:05:20,840
Speaker 1: great for.

1139
01:05:20,840 --> 01:05:24,120
Speaker 2: You, that's so fucking much worse for your heart, mister

1140
01:05:24,320 --> 01:05:24,840
Speaker 2: heart attack.

1141
01:05:25,160 --> 01:05:29,000
Speaker 1: Like literally, so it was only gifted to me by

1142
01:05:29,040 --> 01:05:31,600
Speaker 1: my daughter. So I've drank it ever since. I did

1143
01:05:31,600 --> 01:05:35,040
Speaker 1: not you literally introduced miss Alsius. You were like, it's vegan.

1144
01:05:35,160 --> 01:05:37,200
Speaker 2: I was like oh, and I was like you can

1145
01:05:37,320 --> 01:05:37,959
Speaker 2: have one?

1146
01:05:38,200 --> 01:05:41,640
Speaker 1: And then you were like that. You were like, how

1147
01:05:41,680 --> 01:05:43,439
Speaker 1: many of those do you drink today? I was like ten.

1148
01:05:43,480 --> 01:05:48,200
Speaker 1: You're like, god, it may kill a heart. Boy like you.

1149
01:05:49,000 --> 01:05:51,040
Speaker 1: I was like what now looked at it and.

1150
01:05:51,080 --> 01:05:53,280
Speaker 2: Saw that it was you didn't even know what had caffeine.

1151
01:05:53,440 --> 01:05:55,320
Speaker 1: I didn't. I thought it was just a vegan drink.

1152
01:05:55,320 --> 01:05:58,120
Speaker 2: It's literally two hundred milligrams of caffeine anyways, And it's.

1153
01:05:58,000 --> 01:06:00,120
Speaker 1: Weird because I don't drink anything with caffeine. I'm not

1154
01:06:00,160 --> 01:06:01,240
Speaker 1: a coffee guy or anything.

1155
01:06:01,280 --> 01:06:03,440
Speaker 2: You're just a way, which is so weird because you

1156
01:06:03,480 --> 01:06:06,920
Speaker 2: really don't sleep that much. I don't understand how you function.

1157
01:06:08,520 --> 01:06:11,760
Speaker 1: I sleep not a peak efficiency.

1158
01:06:11,920 --> 01:06:15,320
Speaker 2: I think you really do you think so? I feel

1159
01:06:15,320 --> 01:06:22,320
Speaker 2: like you're like always doing stuff, but for really you

1160
01:06:22,400 --> 01:06:25,360
Speaker 2: fill your days so you're doing ship all the time.

1161
01:06:25,360 --> 01:06:27,360
Speaker 1: You're one of the hardest working people I've ever met.

1162
01:06:27,400 --> 01:06:29,320
Speaker 1: Before we started the show, before you got here, I

1163
01:06:29,360 --> 01:06:34,920
Speaker 1: was trying to figure out how to minimize the schedule

1164
01:06:34,960 --> 01:06:39,000
Speaker 1: between now and the end of the year. I'm just

1165
01:06:40,400 --> 01:06:43,320
Speaker 1: you know, it'd be nice to slow it down, but

1166
01:06:43,320 --> 01:06:45,400
Speaker 1: I got a bunch of shows. You need a break.

1167
01:06:45,560 --> 01:06:48,360
Speaker 2: Everybody needs a break, or you're gonna.

1168
01:06:48,280 --> 01:06:52,760
Speaker 1: Have a passion irration, vacation, a.

1169
01:06:52,680 --> 01:06:57,080
Speaker 2: Passion, a passion. When I went to Hawaii for my

1170
01:06:57,080 --> 01:07:00,360
Speaker 2: birthday earlier this year, as like my first fay vacation

1171
01:07:00,560 --> 01:07:04,960
Speaker 2: and in like five years, and it felt like.

1172
01:07:06,720 --> 01:07:10,680
Speaker 1: Everything it was awesome, so weird. I don't know how

1173
01:07:10,680 --> 01:07:11,840
Speaker 1: to do that.

1174
01:07:12,200 --> 01:07:15,760
Speaker 2: We never you never go on a vaca because you're

1175
01:07:15,800 --> 01:07:18,240
Speaker 2: just traveling all the time. But there's nowhere you want

1176
01:07:18,280 --> 01:07:18,480
Speaker 2: to go.

1177
01:07:18,720 --> 01:07:22,040
Speaker 1: I've been on permanent vacation since nineteen ninety, But don't.

1178
01:07:21,800 --> 01:07:23,960
Speaker 2: You want to go somewhere just to.

1179
01:07:23,920 --> 01:07:29,360
Speaker 1: Hang out here right here at the old Casa fucking

1180
01:07:29,440 --> 01:07:38,280
Speaker 1: day Lucky and Birdie Lucky, all right, Your passion ration. Go, well, okay,

1181
01:07:38,800 --> 01:07:47,800
Speaker 1: I seen somebody else's see you're very judging um passion irration.

1182
01:07:47,960 --> 01:07:52,240
Speaker 1: Big ass Stanley cups, Oh I.

1183
01:07:52,160 --> 01:07:55,479
Speaker 2: Thought, yeah, I did think about hockey. Are you proud

1184
01:07:55,520 --> 01:07:55,640
Speaker 2: of that?

1185
01:07:58,960 --> 01:08:00,840
Speaker 1: A girl ration?

1186
01:08:01,200 --> 01:08:03,360
Speaker 2: One does like have a tonne of fucking lead in them?

1187
01:08:03,720 --> 01:08:05,080
Speaker 1: Do they really? Yeah?

1188
01:08:04,800 --> 01:08:08,960
Speaker 2: And because they're so fucking and it's like the Karens

1189
01:08:08,960 --> 01:08:10,880
Speaker 2: of the world are just like flocking.

1190
01:08:11,120 --> 01:08:15,240
Speaker 1: Does mom have one? Yeah?

1191
01:08:15,920 --> 01:08:21,519
Speaker 2: My point, just kidding, but yeah, no, the Karens of

1192
01:08:21,520 --> 01:08:22,880
Speaker 2: the world flocked to the Stanley cup.

1193
01:08:22,920 --> 01:08:23,639
Speaker 1: It's so stupid.

1194
01:08:23,680 --> 01:08:26,439
Speaker 2: Also, it's like doesn't have a fucking cap, so like

1195
01:08:26,600 --> 01:08:28,599
Speaker 2: the water just comes out if you spill it, like

1196
01:08:28,720 --> 01:08:32,719
Speaker 2: in a normal ass water bottle, like a clean ante

1197
01:08:32,840 --> 01:08:35,920
Speaker 2: I mean, I don't use clean canteens anymore, but I

1198
01:08:36,000 --> 01:08:38,800
Speaker 2: whatever type of fucking reusable water bottle, there's like a

1199
01:08:38,840 --> 01:08:41,040
Speaker 2: cap on the top, so if it like spills over,

1200
01:08:41,160 --> 01:08:44,479
Speaker 2: water don't come out. The snailing cut the Stanley sounds

1201
01:08:44,479 --> 01:08:45,679
Speaker 2: so weird saying a Stanley cup.

1202
01:08:47,240 --> 01:08:48,479
Speaker 1: Yeah, the Stanling cup.

1203
01:08:48,520 --> 01:08:51,320
Speaker 2: The water just fucking flows because it's a straw and.

1204
01:08:51,240 --> 01:08:53,360
Speaker 1: It falls out because it's a bowl more than a cup,

1205
01:08:53,400 --> 01:08:56,280
Speaker 1: and usually people are spilling it to drink and celebration

1206
01:08:56,360 --> 01:08:57,519
Speaker 1: of winning a hockey action.

1207
01:08:57,960 --> 01:09:01,680
Speaker 2: Exactly. It's so stupid it and it's just so overrated.

1208
01:09:01,720 --> 01:09:05,200
Speaker 2: And I've seen videos of like fucking middle aged white

1209
01:09:05,200 --> 01:09:07,840
Speaker 2: women like running and knocking each other over to get

1210
01:09:07,880 --> 01:09:12,160
Speaker 2: fucking Stanley cups at Target and it's like Jesus, why

1211
01:09:12,800 --> 01:09:16,559
Speaker 2: it's a cup and it's got let in it and

1212
01:09:16,600 --> 01:09:19,040
Speaker 2: it's pretty stupid.

1213
01:09:20,000 --> 01:09:23,680
Speaker 1: Beardless stickless meat not sponsored by Stanley? Yeah, I mean,

1214
01:09:23,800 --> 01:09:25,439
Speaker 1: unless you want to sponsor us, then I can change

1215
01:09:25,439 --> 01:09:31,440
Speaker 1: my get my heart gone? Hey? Can you not abouts

1216
01:09:31,560 --> 01:09:33,160
Speaker 1: up on Stanley? There? Karen?

1217
01:09:33,720 --> 01:09:36,880
Speaker 2: Y Oh, Okay. Passion? Well, I guess this isn't a

1218
01:09:36,920 --> 01:09:41,400
Speaker 2: passion irration, but this is more just a question. Yeah,

1219
01:09:42,080 --> 01:09:44,599
Speaker 2: side sleeper, backsleeper or stomach sleeper.

1220
01:09:44,760 --> 01:09:49,000
Speaker 1: Oh, stomach sleeper. So passion irration, stomach sleeper passion.

1221
01:09:49,400 --> 01:09:50,960
Speaker 2: Wow, I couldn't do it.

1222
01:09:51,040 --> 01:09:51,599
Speaker 1: What do you do?

1223
01:09:52,160 --> 01:09:52,880
Speaker 2: Has to be the.

1224
01:09:52,880 --> 01:09:55,799
Speaker 1: Side whole time? Always? Do you have like a pillow

1225
01:09:55,800 --> 01:09:56,759
Speaker 1: you hug or some shit?

1226
01:09:56,880 --> 01:09:58,800
Speaker 2: Yes, cannot sleep unless it's the side.

1227
01:09:58,840 --> 01:10:01,400
Speaker 1: Do you have one of them bigil's long body? I do.

1228
01:10:01,640 --> 01:10:02,120
Speaker 1: Look at you.

1229
01:10:02,400 --> 01:10:05,600
Speaker 2: I really comes from I'm pretty sure you got it

1230
01:10:05,640 --> 01:10:07,360
Speaker 2: from me for Christmas This.

1231
01:10:07,280 --> 01:10:14,880
Speaker 1: Whole thing about my side comes from you. I don't know.

1232
01:10:14,960 --> 01:10:17,840
Speaker 2: I just cannot sleep any in any other position.

1233
01:10:17,560 --> 01:10:20,439
Speaker 1: Probably growing up in that fucking barn bed. I think. Also,

1234
01:10:20,560 --> 01:10:23,880
Speaker 1: you're always terrified of rolling off and falling from the

1235
01:10:23,880 --> 01:10:24,360
Speaker 1: top floor.

1236
01:10:24,400 --> 01:10:27,559
Speaker 2: It's also because I have an irregular tailbone.

1237
01:10:27,439 --> 01:10:28,840
Speaker 1: Right, so you can't lay on your back.

1238
01:10:29,840 --> 01:10:32,400
Speaker 2: Yeah, well I can't, but it turns out and then

1239
01:10:32,439 --> 01:10:33,440
Speaker 2: my tail grows.

1240
01:10:36,280 --> 01:10:39,240
Speaker 1: Missus hide, scary, miss hide.

1241
01:10:39,520 --> 01:10:41,360
Speaker 2: I don't like that though. Scary.

1242
01:10:42,000 --> 01:10:44,360
Speaker 1: I mean horror movies are supposed to be scary.

1243
01:10:44,439 --> 01:10:47,200
Speaker 2: Okay, passionate rash.

1244
01:10:47,120 --> 01:10:49,479
Speaker 1: No fucking tim Burton joint where it's cute, see and

1245
01:10:49,560 --> 01:10:51,000
Speaker 1: you want to wear the stuff because you bought it.

1246
01:10:51,000 --> 01:10:52,960
Speaker 1: A hot topic. This is the real last harm.

1247
01:10:53,320 --> 01:11:02,040
Speaker 2: This is the It just sounds like, okay, passionate, passion.

1248
01:11:05,120 --> 01:11:08,519
Speaker 1: A passion, But I'll tell you why not for the

1249
01:11:08,560 --> 01:11:12,320
Speaker 1: same reasons. Why, Well, your passion just because she's been yours.

1250
01:11:12,479 --> 01:11:14,840
Speaker 1: She's my baby, yeah, and I'm all for it and stuff.

1251
01:11:14,840 --> 01:11:17,200
Speaker 1: I want her to live forever. But my passion is

1252
01:11:17,240 --> 01:11:18,920
Speaker 1: I want to like, I'll never want to see you

1253
01:11:19,040 --> 01:11:21,439
Speaker 1: be like. And she's gone, So.

1254
01:11:21,640 --> 01:11:25,040
Speaker 2: Passion, she's gonna live forever. She's eternal, So.

1255
01:11:26,520 --> 01:11:31,920
Speaker 1: The rabbit eternal? Thank you. Anyways, the hair, if you will,

1256
01:11:33,840 --> 01:11:36,160
Speaker 1: She's not really hair right now? Do you know what

1257
01:11:36,160 --> 01:11:39,840
Speaker 1: the proper term for a rabbit is? Bounce? This funny

1258
01:11:39,840 --> 01:11:42,000
Speaker 1: because like, yeah, that sounds right.

1259
01:11:42,960 --> 01:11:46,799
Speaker 2: Cinnamon is a Holland Holland lop rabbit.

1260
01:11:47,800 --> 01:11:48,200
Speaker 1: That's her.

1261
01:11:48,600 --> 01:11:54,920
Speaker 2: That is her breed, Holland Lop, Holland Lop Holland. Okay,

1262
01:11:55,920 --> 01:11:57,920
Speaker 2: Passion Irrasian Phantom.

1263
01:11:57,479 --> 01:12:03,160
Speaker 1: Of the Opera, the musical rash.

1264
01:12:03,200 --> 01:12:04,479
Speaker 2: That's so crazy to me?

1265
01:12:04,920 --> 01:12:07,519
Speaker 1: What did I ration it? Yeah? Why? Because it's should

1266
01:12:07,560 --> 01:12:08,160
Speaker 1: be right up now?

1267
01:12:08,640 --> 01:12:09,320
Speaker 2: Yeah?

1268
01:12:09,200 --> 01:12:10,280
Speaker 1: Why? Well?

1269
01:12:10,320 --> 01:12:13,479
Speaker 2: One the songs are fired and two because if you

1270
01:12:13,560 --> 01:12:15,320
Speaker 2: loved and stuff.

1271
01:12:20,360 --> 01:12:28,720
Speaker 1: Something against what listen to the music of the No,

1272
01:12:29,479 --> 01:12:31,479
Speaker 1: it just seems right up your alley. And I can't

1273
01:12:31,479 --> 01:12:36,599
Speaker 1: believe what. Never seen it? You think I've seen everything? Yeah,

1274
01:12:36,640 --> 01:12:38,800
Speaker 1: actually I do. I'm a little busy having a career

1275
01:12:38,840 --> 01:12:39,680
Speaker 1: bro thirty.

1276
01:12:39,479 --> 01:12:41,800
Speaker 2: Years, but I literally feel like you've seen everything that

1277
01:12:41,880 --> 01:12:42,760
Speaker 2: has ever been made.

1278
01:12:42,920 --> 01:12:44,920
Speaker 1: I have seen a lot, but I've never seen that.

1279
01:12:45,080 --> 01:12:46,080
Speaker 2: Never saw We go see it?

1280
01:12:46,600 --> 01:12:48,679
Speaker 1: Where's the plane? I don't know? But should we see it?

1281
01:12:49,200 --> 01:12:51,400
Speaker 1: Where's it? Not playing? This is always pleasure. I want

1282
01:12:51,439 --> 01:12:52,439
Speaker 1: to go see it at high school.

1283
01:12:52,439 --> 01:12:55,719
Speaker 2: When the fucking chandelier falls, that's what happens.

1284
01:12:55,760 --> 01:12:59,720
Speaker 1: That's what happens. Yeah, spoilers like the Now, I don't

1285
01:12:59,720 --> 01:12:59,920
Speaker 1: got it.

1286
01:13:00,040 --> 01:13:01,240
Speaker 2: See when we're in New York?

1287
01:13:01,640 --> 01:13:01,880
Speaker 1: Does it?

1288
01:13:02,720 --> 01:13:05,000
Speaker 2: I just assume it's like something that plays at all times.

1289
01:13:05,080 --> 01:13:07,880
Speaker 1: I would imagine it's coming to the pantages any second.

1290
01:13:07,880 --> 01:13:10,120
Speaker 1: Now it seems like it tilor is constantly because it's

1291
01:13:10,160 --> 01:13:12,400
Speaker 1: like a constant, it's like a brand when it comes.

1292
01:13:12,439 --> 01:13:17,960
Speaker 1: Can we please see it? Fu? Yeah, I'm off. Oh

1293
01:13:18,080 --> 01:13:21,920
Speaker 1: not if you're gonna sing along in the audience my mind,

1294
01:13:24,600 --> 01:13:26,840
Speaker 1: then I gotta get a fight with some Broadway and

1295
01:13:26,920 --> 01:13:28,000
Speaker 1: be like I was.

1296
01:13:27,960 --> 01:13:30,920
Speaker 2: Once jump Roger let me sing, I'm.

1297
01:13:30,760 --> 01:13:33,920
Speaker 1: Sorry she was once jumped. I'm sorry. I don't give

1298
01:13:33,920 --> 01:13:37,280
Speaker 1: a ship what she was. I paid five hundred dollars

1299
01:13:37,320 --> 01:13:39,920
Speaker 1: for these tickets and I can't hear the show. Well,

1300
01:13:39,960 --> 01:13:43,960
Speaker 1: I mean, ironically, none of us fuck you and fuck

1301
01:13:44,040 --> 01:13:47,280
Speaker 1: you singing kid? How about that? Like, now I gotta

1302
01:13:47,280 --> 01:13:50,719
Speaker 1: do something. I can't just let them call her singing kid. Sure,

1303
01:13:51,040 --> 01:13:54,120
Speaker 1: they've all stopped on stage and they're all staring and

1304
01:13:54,160 --> 01:13:56,280
Speaker 1: the fucking phantoms like you're just gonna take that ship,

1305
01:13:57,280 --> 01:13:59,800
Speaker 1: Like no. As a matter of fact, I'm not you, sir,

1306
01:14:00,160 --> 01:14:01,880
Speaker 1: have insulted my only daughter.

1307
01:14:04,439 --> 01:14:06,280
Speaker 2: Oh my god?

1308
01:14:07,640 --> 01:14:13,679
Speaker 1: Why is it so violent because he's from Jersey Jersey.

1309
01:14:14,200 --> 01:14:17,519
Speaker 1: I'm Central Jersey. If you're some Central Jersey, we talk

1310
01:14:17,560 --> 01:14:21,880
Speaker 1: it out. Strikes first, strikes hard, No mercy, sir, makes sense.

1311
01:14:22,000 --> 01:14:25,200
Speaker 1: Do we stay for the rest of the show. I

1312
01:14:25,240 --> 01:14:28,000
Speaker 1: don't think we can passion.

1313
01:14:30,680 --> 01:14:34,400
Speaker 2: Passion irration after we get the entire production in the

1314
01:14:34,439 --> 01:14:37,760
Speaker 2: audience involved in a fight. Do we stay or do

1315
01:14:37,920 --> 01:14:38,360
Speaker 2: we go?

1316
01:14:38,720 --> 01:14:42,240
Speaker 1: Do you apologize because it's your Okay?

1317
01:14:42,320 --> 01:14:45,839
Speaker 2: Yeah, I apologize. I was passionate. I love the musical.

1318
01:14:46,160 --> 01:14:48,240
Speaker 2: I apologize for my interruption.

1319
01:14:48,720 --> 01:14:50,639
Speaker 1: Are you saying this atlud in the theater? Yes?

1320
01:14:50,800 --> 01:14:52,840
Speaker 2: I have to. If everybody's looking at it.

1321
01:14:53,720 --> 01:14:56,200
Speaker 1: Get that little lass whole of night so everyone can

1322
01:14:56,240 --> 01:14:56,639
Speaker 1: hear it.

1323
01:14:57,760 --> 01:15:00,599
Speaker 2: Okay, I'm sorry. I was really excited. I just wanted

1324
01:15:00,600 --> 01:15:02,720
Speaker 2: to sing along. I didn't mean to interrupt. Please don't

1325
01:15:02,760 --> 01:15:05,639
Speaker 2: fight with my dad, this weird New Jersey fight.

1326
01:15:05,560 --> 01:15:07,599
Speaker 1: Like, why don't you both just get the fuck out

1327
01:15:07,600 --> 01:15:10,240
Speaker 1: of here, go back to Jersey, scar fucking tunnel.

1328
01:15:10,560 --> 01:15:12,240
Speaker 2: You're also from Jersey, so shut up.

1329
01:15:12,520 --> 01:15:14,519
Speaker 1: That was the phantom, That's what that was. A phantom.

1330
01:15:14,680 --> 01:15:16,679
Speaker 2: Oh well, it's sounded like you had a Jersey accent

1331
01:15:16,800 --> 01:15:17,200
Speaker 2: or something.

1332
01:15:17,240 --> 01:15:18,840
Speaker 1: Well, he you know, he's from Jersey to a lot

1333
01:15:18,840 --> 01:15:21,679
Speaker 1: of people. Oh, the phantom is from Jersey. Bro. Every

1334
01:15:21,760 --> 01:15:24,799
Speaker 1: five six people you meet are in the entertainment business

1335
01:15:24,920 --> 01:15:28,360
Speaker 1: come from New Jersey. And any event, what happens is

1336
01:15:28,400 --> 01:15:30,840
Speaker 1: the phantom curses out all Jersey and now the guy

1337
01:15:30,840 --> 01:15:34,120
Speaker 1: who fucking struck me, our enemy is suddenly on our side.

1338
01:15:34,160 --> 01:15:37,280
Speaker 1: He says, hey, hey, fuck you, you ain't even that good.

1339
01:15:38,160 --> 01:15:40,960
Speaker 1: I've seen this fucking twenty years ago with who else

1340
01:15:41,040 --> 01:15:43,719
Speaker 1: was in it? Who is the big guy? Who? Everybody

1341
01:15:43,800 --> 01:15:46,280
Speaker 1: that the soundtrack and shit like that in the movie. No,

1342
01:15:46,400 --> 01:15:48,400
Speaker 1: in the fucking the big play, Like the play has

1343
01:15:48,439 --> 01:15:50,240
Speaker 1: been around since I was a child. Yeah, there was

1344
01:15:50,280 --> 01:15:53,120
Speaker 1: a dude, Michael Crawford. That was his I've seen this

1345
01:15:53,280 --> 01:15:56,639
Speaker 1: show with Crawford. Your piece of Ship. You can't even

1346
01:15:56,680 --> 01:16:00,800
Speaker 1: smell Crawford's take. Oh my god, I mean that's how

1347
01:16:00,960 --> 01:16:03,519
Speaker 1: we go hard in Jersey. Holy sh But at this

1348
01:16:03,560 --> 01:16:05,599
Speaker 1: point you can't be like holy Ship because now it's

1349
01:16:05,680 --> 01:16:08,720
Speaker 1: us versus all these New York fucks. We need this.

1350
01:16:08,800 --> 01:16:10,960
Speaker 2: Oh we're in I thought we were at the pantagious.

1351
01:16:11,560 --> 01:16:14,320
Speaker 1: Is that where we are? Yes, in my mind we

1352
01:16:14,320 --> 01:16:20,920
Speaker 1: were on Broadway story straight out here is way more chill.

1353
01:16:21,160 --> 01:16:24,720
Speaker 1: You can fucking hear everyone be like, shut up, ship,

1354
01:16:24,800 --> 01:16:26,599
Speaker 1: you can jump on stage and join the show out here.

1355
01:16:26,640 --> 01:16:33,840
Speaker 1: It's like she joins the Rocky Picture Show. Feeling somebody

1356
01:16:34,040 --> 01:16:36,400
Speaker 1: for here. Okay, I'm sitting in the audience going, that's

1357
01:16:36,439 --> 01:16:40,679
Speaker 1: my kid, Like, no, stop cramming your kids on my phone?

1358
01:16:41,520 --> 01:16:42,439
Speaker 2: Can you take her home?

1359
01:16:42,479 --> 01:16:45,760
Speaker 1: Please listen. Look, I didn't plan for this. This is

1360
01:16:45,800 --> 01:16:48,519
Speaker 1: my fault. This, this is the spirit of creativity. Seize

1361
01:16:48,520 --> 01:16:52,880
Speaker 1: my kid. Uh, the spirit of creativity has just died.

1362
01:16:52,920 --> 01:16:55,880
Speaker 1: Our show is at an end. Wow, we want a

1363
01:16:55,920 --> 01:16:57,400
Speaker 1: long ass time. It's a long show.

1364
01:16:57,880 --> 01:17:03,960
Speaker 2: What what we are minutes? You're welcome. You're welcome, balistics,

1365
01:17:04,200 --> 01:17:07,280
Speaker 2: meme fan base, you're.

1366
01:17:07,280 --> 01:17:12,760
Speaker 1: Welcome for that. Look at sass like you well good?

1367
01:17:12,760 --> 01:17:14,599
Speaker 2: No, thank you so much for listening.

1368
01:17:15,520 --> 01:17:17,599
Speaker 1: For reals, please, I.

1369
01:17:17,600 --> 01:17:20,479
Speaker 2: Think you truly from the bottom of my art, thank you.

1370
01:17:20,640 --> 01:17:22,679
Speaker 2: I can't believe anyone wants to listen to my weird

1371
01:17:22,680 --> 01:17:23,280
Speaker 2: ass boys.

1372
01:17:23,560 --> 01:17:25,479
Speaker 1: Now that you know she reads them, go write some

1373
01:17:25,600 --> 01:17:26,639
Speaker 1: nice fucking reviews.

1374
01:17:26,760 --> 01:17:29,120
Speaker 2: No, now everyone's going to be like, fuck you.

1375
01:17:29,200 --> 01:17:32,479
Speaker 1: Yeah, they're like, oh you need some fucking reviews. Here's

1376
01:17:32,560 --> 01:17:36,080
Speaker 1: one piece of ship. I'd rather listen to my own death.

1377
01:17:36,640 --> 01:17:41,600
Speaker 1: Oh my god, I would have hurt so bad. I

1378
01:17:41,640 --> 01:17:44,000
Speaker 1: was trying to fucking cut.

1379
01:17:43,720 --> 01:17:45,000
Speaker 2: I really hurt my feelings.

1380
01:17:46,040 --> 01:17:47,800
Speaker 1: You ain't got to worry, man, If you never read

1381
01:17:47,800 --> 01:17:49,040
Speaker 1: the reviews, I will.

1382
01:17:49,160 --> 01:17:53,120
Speaker 2: But I just but thank you so much for listening.

1383
01:17:53,240 --> 01:17:57,280
Speaker 2: It means a lot. Honestly, I truly truly cannot believe

1384
01:17:57,320 --> 01:18:01,519
Speaker 2: anyone would ever want to hear me speak. It really

1385
01:18:01,560 --> 01:18:05,280
Speaker 2: means a lot. They're hearing, they're they're hearing I guess.

1386
01:18:05,200 --> 01:18:15,479
Speaker 1: Questions whether they're liking us. Well, anyways, did you have

1387
01:18:15,479 --> 01:18:17,160
Speaker 1: a good old beardless dickless time?

1388
01:18:17,400 --> 01:18:20,519
Speaker 2: Oh yeah, I did go crazy Wednesday night.

1389
01:18:20,880 --> 01:18:22,360
Speaker 1: Is that what it is? Yeah?

1390
01:18:22,400 --> 01:18:24,200
Speaker 2: I thought it was Friday, but it's Wednesday.

1391
01:18:24,360 --> 01:18:27,360
Speaker 1: This ship's dropping in a few hours. Will Wilkins is like,

1392
01:18:27,760 --> 01:18:30,320
Speaker 1: come on, I got a life too.

1393
01:18:31,800 --> 01:18:33,800
Speaker 2: Yeah, we really got to wrap this up so people

1394
01:18:33,800 --> 01:18:34,679
Speaker 2: can do their job.

1395
01:18:35,360 --> 01:18:37,439
Speaker 1: Thanks for hanging out with me and the kid. Uh

1396
01:18:37,600 --> 01:18:39,800
Speaker 1: here at Beardless dicks Dickless.

1397
01:18:39,360 --> 01:18:45,880
Speaker 2: Central, Beardless stickless Central, have a beardless stickless day's end.

1398
01:18:46,320 --> 01:18:49,120
Speaker 1: Okay, sorry for beardless snickless me. I'm Kevin spent and.

1399
01:18:51,280 --> 01:18:53,120
Speaker 2: Have a beardless stickless day.

1400
01:18:53,280 --> 01:18:54,640
Speaker 1: You know what. I hate to be this guy, But

1401
01:18:54,760 --> 01:18:56,240
Speaker 1: say it with more sincerity, would you?

1402
01:18:56,400 --> 01:18:57,040
Speaker 2: Okay, I'm sorry.

1403
01:18:57,080 --> 01:19:01,600
Speaker 1: Here you go and wait for it. MS, feel it,

1404
01:19:01,800 --> 01:19:04,880
Speaker 1: find it. You're a starring your story right shire start

1405
01:19:07,479 --> 01:19:14,280
Speaker 1: you have to say fucking action, I'm about to and action.

1406
01:19:15,840 --> 01:19:17,639
Speaker 2: Have a beardless stickless day.

1407
01:19:18,920 --> 01:19:20,640
Speaker 1: I mean that was nice, but like here do it

1408
01:19:20,720 --> 01:19:25,000
Speaker 1: like like a little match girl, poor girl and like

1409
01:19:25,080 --> 01:19:27,960
Speaker 1: you know, turn of the century and she's selling posies.

1410
01:19:27,520 --> 01:19:30,080
Speaker 2: For like a a beardless stickless day.

1411
01:19:30,280 --> 01:19:38,040
Speaker 1: Here You're like all poor people are, aren't they? Only

1412
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Speaker 1: dickads stories?

1413
01:19:40,479 --> 01:19:42,920
Speaker 2: I'm done by.

1414
01:19:43,200 --> 01:19:58,640
Speaker 1: I have a beardless This is Venice Podcast Production podcast

1415
01:19:58,760 --> 01:20:05,599
Speaker 1: podcast use our mouths on you since two thousand and seven.

1416
01:20:06,760 --> 01:20:08,720
Speaker 1: Hey kids, did you like what you just heard? Well,

1417
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Speaker 1: guess what. We've got tons more, man thousands of hours

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1419
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Speaker 1: Go sign up now.