CATWS Minutes 126-130: I Want You To Be My Hawkeye

Fury burns the past and hands everybody a clean slate that Ultron will repossess within a year. Natasha kisses Steve goodbye, and the room cannot agree whether that closes a door or concedes there was never one. Pete has blocking complaints about the cemetery. Matthew has an in-story defense. Kyle has scheduling. The movie still lands the best closing line in the MCU.

Then the credits, where Erin Sarofsky built the title sequence twice, once flat and once stereoscopic, with every depth cue in it metered against Chris Evans's chest. Then Joss Whedon's stinger, where Marvel introduces the Maximoff twins under a rights agreement forbidding anyone from saying the word mutant or naming their father. Kyle knows precisely what that costs. He refuses to explain until Age of Ultron.

Links & Notes

The film

• Captain America: The Winter Soldier on Letterboxd

The title sequence

• Sarofsky's full case study on the main-on-end titles, including the David Mack storyboards, the stereoscopic pipeline, and Erin Sarofsky on spending days discussing Chris Evans's eyelashes
• Art of the Title's in-depth interview about the sequence
• CBS Sunday Morning: "Giving credit: The creators of movie title sequences"
• Sarofsky Corp.'s studio profile at Art of the Title

The stinger

• Baron Strucker's comics history, starting with Sgt. Fury and His Howling Commandos #5
• Wanda Maximoff at Marvel.com
• Quicksilver at Marvel.com
• Jim Steranko, the Silver Age Nick Fury artist Sarofsky drew from
• The full cast of Private Parts (1997), featuring Henry Goodman and TruStory FM's own Mandy Fabian

The show

• Marvel Movie Minute

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Marvel Movie Minute is the deep-dive the MCU deserves — one film, five minutes at a time. We're working through every Marvel Cinematic Universe release in order, and this season hosts Matthew Fox, Kyle Olson, Rob Kubasko, and Pete Wright are going beat by beat through Captain America: The Winter Soldier — unpacking the craft, the comic roots, and everything HYDRA thought they could hide.

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