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This file was generated by Descript 

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Christian: Welcome to Design Meets
Business, a show where design leaders talk

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about practical ways to quantify design,
about making our work more transparent,

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and about how designers can make a
bigger impact in their organization.

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I'm your host, Christian Vasile,
and before we begin, I'd like to

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thank you for tuning in today.

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On the podcast today, Global
Head of Design at Spotify

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Ads, Leonardo de la Rocha.

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It's an insights packed conversation
about the advantages of being a

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T-shaped generalist, about trust,
transparency, and relationship building

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at work, and about something we don't
discuss often enough – design ethics.

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You are going to love this one.

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Enjoy.

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Leonardo, Welcome to Design Meets Business
I am so excited to have you on today.

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I'm very thankful we're able
to have this conversation and I

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have a lot of topics to discuss.

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So let's just jump straight into it.

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You are running as you're calling it a
startup inside Spotify, which is Spotify

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Advertising, but you've got a long
history of running design organizations.

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Yeah.

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With Yahoo.

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In the past.

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So for anyone who doesn't know who
you are, can you give us a brief

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tour of your career so everyone
can get acquainted with you?

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Leonardo: Absolutely.

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And thank you for having me.

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I'm glad to be on the call with you.

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Um, my name is Leonardo, the literature.

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I'm a, an American born and raised
in Denver, Colorado, but live in

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Silicon valley, which is where
there's a lot of opportunity for

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disruption and you know, through
design thinking and through design.

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Um, I actually got my
start as a developer.

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I was a backend engineer, moved to
front end engineering and then front

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end design eventually where I found
my love, I co-founded a company back

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in 2004, which was acquired by Yahoo.

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And that was a publishing company.

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And I joined Yahoo to
oversee Yahoo publishing.

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Did that well for a couple of years,
moved into Yahoo advertising to help

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rebuild that portion of their business.

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Also successfully, and then eventually
landed at Facebook where I joined, um,

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an amazing leadership team to oversee
part of the business products there,

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specifically the advertising tools.

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And after about five years at Facebook,
took a little bit of a break back

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into entrepreneurship, but then
eventually went to Intuit where I

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oversaw their design system discipline
and help them build a design system

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that joined the, all of their brands
together in a really amazing way.

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And then, ended up at Spotify where I.

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Advertising design.

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And if you didn't pick up on it, I've been
in enterprise design my entire career.

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So publishing, advertising, design
systems, generally the less sexy side

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of design, but to me the most amazing.

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Christian: Yeah, well, I've,
uh, I can relate to that.

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Most of my career is
in enterprise software.

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So I find that to be so many
opportunities there because everyone

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wants to work on the 60 stuff.

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Everyone wants to work
on the consumer product.

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But there is so much space for disruption
in the enterprise world because

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nobody really wants to work there.

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I find that to be fascinating as well.

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One of the, yeah, go ahead.

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Well, I was

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Leonardo: just going to build on that.

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You're absolutely right.

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And there's also the biggest
opportunity for designer growth

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in enterprise space because.

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Tackle some of the gnarliest challenges,
some of the most difficult things.

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And in my opinion, and in my experience,
if you've worked in business design or

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enterprise design, you're one of the
strongest product designers on the planet.

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And you're the most valuable as

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Christian: well.

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Yeah, for sure.

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And I've seen that as well in the
past, we look at portfolios when you

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try to hire or anything like that.

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And there is more of a,
of a vibe of a generalist.

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When you work in enterprise
software, it just seems like

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you're able to tackle much more.

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Complex issues then specifics like
you sometimes do, in consumer,

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especially if you've been with
the same company for a long time.

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Most of the time you just work on
the same thing, time and time again.

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So, yeah.

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So one of the things that I've
noticed about your career and you've

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touched upon it a little bit, is
that you have transitioned from being

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an engineer, to being a designer,
to being a creative executive, to

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an advisor, to different companies.

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So.

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To me, it sounds and
correct me if I'm wrong.

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That you're more of a generalist.

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And especially as I'm sure you're
a specialist in some areas, but the

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broad experience that you've got in, in
the tech world sounds like comes from

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someone who's more of a generalist.

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So what's your take on that
because I'm a big fan of generally.

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So I believe that you can
become much more valuable as a

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generalist in today's design world.

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What's your take on that?

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Leonardo: Yeah, I, I, well I
think you're absolutely right on

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both fronts for me personally.

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My career has lends itself to
dabbling in almost everything.

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Part and every subdiscipline of
design and it's empowered me and

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I can I can speak to executives.

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I could speak to engineers, I
could speak to product managers.

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I can even speak to non, uh, business
types and help them get excited

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and fall in love with design.

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And so my experience in moving around the
way I have, and, um, switching contexts,

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where I have, has added tremendous value
to me and to others who I mentor and.

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Yeah.

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I, I, I think of myself as any T-shaped
designer, like broad across the

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spectrum and believe it or not, my
expertise is actually in illustration.

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I don't read that for a living, but
I love to do it as a side hustle.

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So any company I've been
at has reaped the benefits.

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Getting free design, free sticker, design,
swag, design, logo, design for their

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teams, because that's where my passion is.

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Christian: And yeah.

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And you were mentioning growth
earlier growth as a designer.

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I think that when, uh, one of
the better places where you

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can grow as a designer is.

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One of the places where he can
wear many hats, most of the

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time, early stage startups.

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And I find that early stage startups
usually tend to look for generalists

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because they can't afford to hire
teams of illustrators in teams of

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researchers and teams of UI designers.

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They just hire a few people
who can do everything.

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So I always say to people, if you
want to grow and you want to grow

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fast, try to find a role where you're.

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To do, um, a lot of things, some
things even that don't have anything

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to do with design in a way directly,
a bit of marketing here and there, a

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bit of ads you know, stuff like that.

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And it comes in very handy
later during your career.

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Leonardo: I think you're right.

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That's good advice and to build on
that, I would say that if you go into a

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small business or startup environment,
wearing those many hats often means

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moving quickly and being decisive.

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So on top of.

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Gaining great experience
at places like startups.

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I think it's also good advice to tell
designers going there to be emboldened,

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to just have a strong point of view,
to be decisive because the faster you

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can move through your decisioning,
the more you can accomplish and

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the more challenges you can take on

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Christian: yeah.

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Being able to move fast though.

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Isn't it also something that you're
able to do much easier when you

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already have built that trust with
the rest of your organization.

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W, what would you say to that?

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Leonardo: I think that's true.

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However, yes.

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And there's also some trust that you have
that maybe you don't recognize just for

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being there, that like you got hired at
this company because they believe in you.

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And I think that we often look
past that initial trust established

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when you join a company.

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And my guidance to young designers is to
embrace that like trust in yourself, trust

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in them, trust them the trust that they
have in you and make those larger leaps.

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Don't go overboard to where you break the
trust, but just remember the trust that

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you have that got you there and embrace it

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Christian: and beyond just getting
hired and having the natural level

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of trust from that, how can you as
a designer, joining an organization

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build even more of it and it could be a
long-term play, but how can you go about

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Leonardo: doing that?

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Yeah.

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Gosh, that's a great question.

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And I would say that today, looking
back on my own career, but also

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with the people that I've mentored.

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The thing that I think gets you more
trust is to be, and I know this is

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cliche, but I'll say it anyways, like
to be data backed to lead with your

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brain and take your heart with you
versus the other way around frankly,

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data wins arguments, whether it's
a small company or a large company.

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And if you can speak through the lens of.

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Uh, qual and Quan, you're going
to start proving yourself as a,

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kind of a target driven designer.

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And I think that's what that's
where the most trust gets unlocked.

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Christian: Well, I don't
think it's a cliche at all.

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If anything, I think it doesn't get
talked about enough and it is the

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whole, the whole reason of this podcast.

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So one of the reasons why I brought
you on in the first place is because

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I know that you and your team now,
but also in the past, Made constant

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efforts of putting design in a
spot where it's seen as a business

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functional, capable of moving metrics.

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So I want to read a couple of
paragraphs if that's okay with you

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from from one of the articles that
you wrote about this exact topic.

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And then we can unpack that a little bit.

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I find this to be very interesting.

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So you're saying.

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One of the best pieces of advice
I was given early in my career

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and advice that continue to give
to early career career creatives.

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Isn't about the craft isn't to make
everyday is not to curate with care.

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The work that you let
pull your heart strings.

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It's not even to work in a handshake
mindset versus a handoff one

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with your development partners.

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All of that is excellent advice.

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I encourage designers to.

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He'd just not the best.

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In my opinion, the best advice
is about unlocking your left

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brain analytical thinking to
become a metrics guided creation.

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And then you continue a measurement
mindset allows you to look beyond

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your immediate or near term solution.

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It forces you to challenge even
your best design sensibilities

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and make you comfortable with the
idea of putting your solutions up

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against quantitative evaluation.

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Let's talk about that.

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Cause I find that to be a
really good summary of what

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I'm trying to do and with this

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Leonardo: podcast.

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Yeah.

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Well, I'll do math for a second and
tell you that I, I got some tradition.

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Our training through a school
called the art Institute.

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It was the artists in Colorado.

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And I found myself troubled
because it was after I had already

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left my first stint of college.

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It was to go back to get a
design management degree.

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And the professors who were mostly
speaking to younger kids were also

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speaking to me, somebody who went
back in my older age and were saying

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things that just didn't make sense.

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They were saying to fight for
your design to fight for the

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decisions that you made it.

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Some marrying them  there's that
makes sense to believe in what

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you did and to be intentional with
what you're designing, but what

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they weren't saying to these kids.

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And to me was that if you test your
designs, quantitative data can actually

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help unlock and, and show you things
that you didn't know because you built

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something with your hands and your heart.

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And I think that's the crux of the.

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Designers get too passionate about what
they're doing and to intentional when it

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comes to for their designs and they don't
have the ability to step back and look at

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it more objectively, that's really what.

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To be more like, and that's what
I encourage designers to be more

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like, try to be objective, try
to step out of your own shoes.

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Can you look at your design and
your work from different lenses and

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not just PM and engineers, but from
executive lenses, from the people

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that you're supporting as a manager.

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And if you get really good at getting
out of your own shoes and looking at your

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work from these other lenses, coupled with
data on how your design performed, you are

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one of the most powerful assets to any.

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Right because you're able to
change and you're not locked

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Christian: in.

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This reminds me, in a past episode,
we had director of design at BP, and

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he was saying that one of the, the
aspect of their work is this thing.

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Stakeholder experience.

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So yeah, you have user experience.

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You have all of that at, you
already know about, but you also

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have stakeholder experience.

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How do you talk about design
to people in your organization?

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How you, how do you frame design?

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How do you bring them along on journeys?

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And I guess that's what you're also
talking about is absolutely having that

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empathy for everyone else in the team.

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Yeah,

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Leonardo: and it goes beyond empathy.

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I think one of the, some of the best
creatives, and by the way, I got to go

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back and listen to that podcast episode.

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It sounds amazing.

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Um and the person you interviewed from
BP, I think has it right on the head,

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being able to get out of your own mindset
and getting in others that's empathy.

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And that's great.

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We should build on that, but when you can
articulate your story and you can tell.

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Back to yourself, back to design
from the lens of a product manager,

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why this is so amazing and why it's
going to make a difference and what

00:12:19.805 --> 00:12:23.464
metrics it's going to push and what
levers it's going to attach itself to.

00:12:24.634 --> 00:12:25.594
That goes beyond empathy.

00:12:25.594 --> 00:12:28.074
And that's like commiseration and coastal.

00:12:29.150 --> 00:12:32.869
And when you become a co celebrator
and it could in a commiserate or around

00:12:32.869 --> 00:12:37.160
the work that you do again, you're
trusted, but you also learn and you

00:12:37.160 --> 00:12:38.540
make a bigger impact on your team.

00:12:39.170 --> 00:12:43.040
As I think there's a lot of value and
not just looking at your work from

00:12:43.040 --> 00:12:46.910
different lenses, but being able to
speak to your work in those different

00:12:46.910 --> 00:12:48.379
languages or those different times.

00:12:50.074 --> 00:12:52.805
Christian: I also remember I'm going
to bring you back all the memories,

00:12:52.834 --> 00:12:57.124
but I used to work with a fantastic,
uh, or in the team of a fantastic

00:12:57.124 --> 00:12:58.685
director of design a few years ago.

00:12:58.685 --> 00:13:02.165
And a lot of the work he was doing
was the work of a translator.

00:13:02.404 --> 00:13:06.634
He was taking what we were doing on the
ground and translating that in business

00:13:06.634 --> 00:13:10.265
language at executive level to get buy in
for the next project and the next project.

00:13:10.564 --> 00:13:12.755
And I found that to be such a.

00:13:13.329 --> 00:13:16.449
Uh spectacular skill to have, because as
a designer, you don't get trained in that.

00:13:16.780 --> 00:13:19.449
It's probably the only way to
build it is through experience.

00:13:20.120 --> 00:13:23.470
And I think you also need
to have you also need.

00:13:24.275 --> 00:13:27.665
In order to learn that you need to have
a focus on it relentlessly for years,

00:13:27.665 --> 00:13:33.245
to be able to learn how to frame design
in a way that other people understand.

00:13:33.245 --> 00:13:36.185
And in order to be able to do that, you
need to understand what they understand.

00:13:36.485 --> 00:13:38.074
So you kind of put
yourself in their shoes.

00:13:38.074 --> 00:13:40.775
It's a, it's probably a
monumental amount of work.

00:13:40.775 --> 00:13:45.425
So let's talk about that because running
a design organization consists of.

00:13:46.159 --> 00:13:50.670
A lot of these work that nobody really
sees you're not pushing pixels anymore.

00:13:50.850 --> 00:13:53.550
You're maybe not even sitting in design
critiques anymore because you don't have

00:13:53.550 --> 00:13:59.100
the time you're doing a lot of sitting in
meetings, really talking about designs,

00:13:59.370 --> 00:14:01.380
shed some light on that work for us.

00:14:02.189 --> 00:14:02.370
Leonardo: Yeah.

00:14:02.400 --> 00:14:03.120
Well I think you're right.

00:14:03.120 --> 00:14:03.420
Mostly.

00:14:04.705 --> 00:14:07.405
I continue to strive to
be a servitude leader.

00:14:07.405 --> 00:14:10.675
And to me, servitude means spending time
with the people that you support and

00:14:10.675 --> 00:14:12.115
to understand their needs intimately.

00:14:12.145 --> 00:14:12.385
Yeah.

00:14:12.885 --> 00:14:16.755
So I will get to the stuff that you're
wanting to hear, like what is the

00:14:16.755 --> 00:14:20.055
day-to-day like for a creative executive,
but I also want to say that good creative

00:14:20.055 --> 00:14:24.825
executives, which I hope I'm remembered
as spend the time with their team.

00:14:25.525 --> 00:14:28.435
To get to and understand them
and, and build on those nuances.

00:14:29.155 --> 00:14:33.115
I think a lot of my week does
go to one-on-ones with my direct

00:14:33.115 --> 00:14:37.555
reports, but also I have a lot of
skip levels because I say to every

00:14:37.555 --> 00:14:38.605
team that I've led my calendar.

00:14:39.545 --> 00:14:42.605
I'm here for you and I'm only going
to be successful if you're successful.

00:14:42.875 --> 00:14:45.935
So get on the calendar, like be
proactive, find time with me.

00:14:46.565 --> 00:14:48.215
And I take that a step further.

00:14:48.215 --> 00:14:51.785
And I actually my old boss, uh,
into it, Kurt, well, lucky he

00:14:51.785 --> 00:14:55.865
had a ritual there called kerf
coffee with Kurt and no managers.

00:14:56.915 --> 00:15:01.925
It was all of the direct reports, the skip
levels at every level, he's a VP SVP like

00:15:01.925 --> 00:15:03.245
head of design, essentially for Intuit.

00:15:03.515 --> 00:15:07.325
He was still meet with the ICS on each
and every one of his business units teams.

00:15:07.865 --> 00:15:10.175
And it would be casual, there'd be coffee.

00:15:10.805 --> 00:15:13.205
And it would be a place to
have spicy conversations.

00:15:13.205 --> 00:15:16.225
We say conversations that are difficult
to have when your managers in the room,

00:15:16.585 --> 00:15:18.175
because you don't want shaped or not.

00:15:18.175 --> 00:15:22.975
You don't want to feel like there's
going to be any retribution that I think.

00:15:24.355 --> 00:15:29.335
It's a big difference between a good
creative leader with multiple teams and

00:15:29.365 --> 00:15:32.875
the ones that are just kind of doing
the work, but the work's important too.

00:15:33.505 --> 00:15:36.265
And two, going back to your
question, the day-to-day for

00:15:36.265 --> 00:15:38.305
me, it is a lot of strategy.

00:15:38.845 --> 00:15:40.975
It's a lot of alignment sessions.

00:15:41.005 --> 00:15:45.715
It's a lot of understanding what our
leadership at Spotify sees as opportunity.

00:15:46.825 --> 00:15:51.025
Grokking those opportunities and then
creating a strategy on how the team is

00:15:51.025 --> 00:15:52.675
going to go after those opportunities.

00:15:53.035 --> 00:15:54.605
So that's what strategy means.

00:15:54.625 --> 00:15:58.195
It's like, you're basically putting
the plan on a page for what leaderships

00:15:58.195 --> 00:16:00.775
think we can accomplish and how
your team is going to get there.

00:16:00.835 --> 00:16:04.315
Not prescriptively because you want
a, a good culture is one where it's

00:16:04.315 --> 00:16:06.175
high autonomy with high alignment.

00:16:06.565 --> 00:16:08.065
So you want to say, here's the challenge.

00:16:08.305 --> 00:16:11.245
Here's how I think we're going to get
there, but the teams are the ones that

00:16:11.245 --> 00:16:13.375
solve and create the tactics to go.

00:16:14.200 --> 00:16:14.440
Yeah.

00:16:14.920 --> 00:16:18.550
Christian: And part of that strategy,
is it also, here are the metrics

00:16:18.550 --> 00:16:21.430
that we need to hit with this, or
does that come at a later point?

00:16:22.720 --> 00:16:23.380
Leonardo: Great question.

00:16:23.380 --> 00:16:24.640
Because they should change.

00:16:24.760 --> 00:16:27.130
I think, poorly run organization.

00:16:28.000 --> 00:16:30.400
Are like they have sticky KPIs.

00:16:30.760 --> 00:16:32.170
They have KPIs that don't change.

00:16:32.690 --> 00:16:35.600
And I used the word sticky intentionally
because they're kind of gross when

00:16:35.600 --> 00:16:37.340
you have KPIs that don't adapt.

00:16:38.180 --> 00:16:39.080
Nobody wants to touch them.

00:16:39.170 --> 00:16:40.460
Like we've already tested.

00:16:40.460 --> 00:16:41.420
We've already tried.

00:16:41.660 --> 00:16:43.340
Nothing's moving the
needle on that metric.

00:16:43.370 --> 00:16:44.690
Why is that metric still there?

00:16:45.260 --> 00:16:49.580
Blow it up, rethink it and have
KPIs that adjust and adapt based

00:16:49.580 --> 00:16:52.490
on what market needs are and based
on what the team capabilities.

00:16:53.585 --> 00:16:57.875
Christian: And how do you encourage
your teams on a daily basis to.

00:16:59.465 --> 00:17:03.515
Use designed for what it's meant
to be used, which is moving those

00:17:03.515 --> 00:17:08.675
metrics rather than the alternative,
which is here's, here's the next

00:17:08.675 --> 00:17:10.055
feature that we need to design.

00:17:10.325 --> 00:17:11.255
Go ahead and do it.

00:17:11.255 --> 00:17:13.935
And you know it might be a bit of
a tough question for you to answer

00:17:13.935 --> 00:17:17.145
because I think it also heavily
depends on the organization that you're

00:17:17.145 --> 00:17:20.954
working as part of and the culture
of that organization, but not every

00:17:20.954 --> 00:17:24.135
business has the metrics driven design.

00:17:25.800 --> 00:17:28.290
Organization a cultural story.

00:17:28.290 --> 00:17:32.800
So how does that work for those
people who are in different types

00:17:32.800 --> 00:17:34.900
of companies than Spotify or Intuit?

00:17:34.930 --> 00:17:35.410
Sure.

00:17:35.830 --> 00:17:36.370
Leonardo: Well, firstly.

00:17:37.150 --> 00:17:39.460
Um, I'm really proud of you
for recognizing that it's

00:17:39.460 --> 00:17:40.810
different company to company.

00:17:41.230 --> 00:17:44.440
Cause that's a nuance that is often
overlooked and you do need to understand

00:17:44.650 --> 00:17:45.790
what is the culture of a team?

00:17:45.790 --> 00:17:48.150
What's the culture of a
company is a product driven.

00:17:48.150 --> 00:17:48.900
Is it design driven?

00:17:48.900 --> 00:17:49.740
Is it engine driven?

00:17:49.800 --> 00:17:54.420
All of those are factors that can
impact the way that you frame something

00:17:54.420 --> 00:17:55.980
to be inspiring to your design team.

00:17:56.520 --> 00:17:58.230
But I'll challenge your
point a little bit.

00:17:58.230 --> 00:18:01.200
And I'll say that I think it
starts with the not framing,

00:18:02.040 --> 00:18:04.230
the work of designer to push.

00:18:05.415 --> 00:18:08.145
Obviously that's the case on the
surface, but I don't think it's

00:18:08.145 --> 00:18:09.105
healthy to frame it that way.

00:18:09.645 --> 00:18:13.875
The way that I want to frame challenges
are just that like, as customer challenges

00:18:14.175 --> 00:18:18.735
that are going to bring joy, delight,
and solve things for the customer, if you

00:18:18.735 --> 00:18:22.395
do that well, and you're aligned with,
and you create a culture of customer

00:18:22.395 --> 00:18:26.115
centricity or what we call that into, it
was customer obsession and I'm pushing

00:18:26.115 --> 00:18:27.825
for that culture at Spotify as well.

00:18:28.365 --> 00:18:30.915
Then you can start framing
opportunities as customers.

00:18:31.905 --> 00:18:33.165
And you're in it with them.

00:18:33.345 --> 00:18:34.785
Like you're alongside the customer.

00:18:34.785 --> 00:18:38.025
You understand why it sucks and
that's what you're trying to fix.

00:18:38.745 --> 00:18:43.365
And then smartly you're aligning your
KPIs or metrics to those customer wins.

00:18:43.785 --> 00:18:49.605
And so you never really have to frame
or inspiring the team by framing it's

00:18:49.605 --> 00:18:52.035
metrics and its KPIs that we have to move.

00:18:52.425 --> 00:18:55.065
I'd always prefer to frame it
as how are we going to help you?

00:18:56.010 --> 00:18:58.170
How are we going to help them
have a better listener experience?

00:18:58.470 --> 00:19:00.300
How are we gonna help them have
a better publishing experience?

00:19:00.300 --> 00:19:02.640
If you're a podcast here and how
are we gonna help them have a

00:19:02.640 --> 00:19:03.750
better advertising experience?

00:19:03.750 --> 00:19:06.990
If you're a brand, just trying to push
your narrative through our products.

00:19:07.500 --> 00:19:09.210
That's where you frame the challenge.

00:19:09.210 --> 00:19:10.260
And that's what inspires design.

00:19:11.735 --> 00:19:11.945
It's

00:19:11.945 --> 00:19:12.845
Christian: a great point.

00:19:12.845 --> 00:19:17.685
It's a very different than what everyone
else used to say on the podcast, which

00:19:17.685 --> 00:19:21.615
is well in a way or another, you've
got to link business to this, or does

00:19:21.615 --> 00:19:24.435
that the design and what you're doing
with the business to kind of get

00:19:24.435 --> 00:19:27.775
buy in for the next project or show
the value of design or build trust.

00:19:27.775 --> 00:19:30.355
You, you mentioned earlier yourselves,
you know, data builds trust.

00:19:30.835 --> 00:19:33.475
But this is just a different
approach of how you can do that.

00:19:33.925 --> 00:19:36.895
I think this approach works
really well in companies that are.

00:19:37.360 --> 00:19:39.290
Customer centric  or driven by that.

00:19:40.130 --> 00:19:42.500
But I have had my fair
share of experiences where

00:19:42.500 --> 00:19:43.520
that would not have worked.

00:19:44.030 --> 00:19:47.030
So you join a company where people
have no clue what design is.

00:19:47.030 --> 00:19:50.210
You've just, they just know that product
teams need to have one of these people.

00:19:50.210 --> 00:19:51.170
So they hire one.

00:19:51.680 --> 00:19:56.450
The challenge is there are very different
than the challenges at Spotify or at

00:19:56.450 --> 00:20:01.100
Intuit or at Facebook, because these
are just companies at the top of the.

00:20:02.665 --> 00:20:07.547
So  if you had today join a company
that has your you're the first head of

00:20:07.547 --> 00:20:11.137
design of this company, or how would
you tackle that challenge  of talking

00:20:11.137 --> 00:20:16.057
about design and making it more important
than people historically know it

00:20:16.057 --> 00:20:16.357
Leonardo: is?

00:20:16.837 --> 00:20:17.077
Yeah.

00:20:17.107 --> 00:20:20.107
Well, part of the answer is in your
question, Christian, I think the

00:20:20.107 --> 00:20:21.337
best thing to do out of the gates.

00:20:22.772 --> 00:20:26.732
Speaking to the value that design is
going to bring by showing the work

00:20:27.352 --> 00:20:29.092
and I I've had this opportunity.

00:20:29.092 --> 00:20:32.142
I helped a friend who has a, an
amazing startup of it's, in the,

00:20:32.142 --> 00:20:34.662
um, tax sector is called neo.tax.

00:20:34.662 --> 00:20:37.392
His name's Abraham, and we used
to whiteboard in the coffee

00:20:37.392 --> 00:20:38.262
shop together, and I wasn't.

00:20:38.817 --> 00:20:42.537
Technically his first designer, but this
was before he even founded the company.

00:20:43.137 --> 00:20:44.847
And he would ask me similar questions.

00:20:44.847 --> 00:20:46.407
Like we just need to ship a product.

00:20:46.467 --> 00:20:49.407
Like what's up with all this design
thinking or what, why is it important?

00:20:50.277 --> 00:20:51.687
And it was through the
work that I showed him.

00:20:51.867 --> 00:20:55.827
It was like when we put together his
first pitch deck for investors, that deck

00:20:56.127 --> 00:20:58.737
went from having raw data, that was very.

00:20:59.632 --> 00:21:03.202
To having a story, a narrative,
and it attracted different types

00:21:03.202 --> 00:21:05.992
of investors, like really, really
impressive investing firms.

00:21:06.652 --> 00:21:09.502
And we would circle back and we
would say, this is about design

00:21:09.502 --> 00:21:12.082
thinking because we're understanding
the needs of those investors.

00:21:12.352 --> 00:21:14.962
We're putting ourselves in their
shoes, we're creating a mental model.

00:21:15.292 --> 00:21:17.362
And now we're doing the work in that lens.

00:21:17.782 --> 00:21:19.912
That's customer obsession,
that's design thinking.

00:21:20.482 --> 00:21:22.882
And then we do a time and time
again from like the presentation to

00:21:22.882 --> 00:21:27.412
investors, to the first landing page,
to the first email marketing and that

00:21:27.412 --> 00:21:28.462
to everything else that he needed.

00:21:29.227 --> 00:21:33.157
And when you approach it that way
with every project, you no longer

00:21:33.157 --> 00:21:34.267
have to convince them down the line.

00:21:34.267 --> 00:21:38.137
You've already created that culture
of design thinking by doing the work.

00:21:38.617 --> 00:21:38.797
Yeah.

00:21:39.367 --> 00:21:41.257
So that's how I would begin it.

00:21:41.257 --> 00:21:42.637
That's how I have started it.

00:21:42.727 --> 00:21:45.577
And it seems to be a pretty
effective way, but it also means

00:21:45.577 --> 00:21:46.807
you're doing a lot of extra work.

00:21:47.677 --> 00:21:48.157
Christian: Right.

00:21:48.337 --> 00:21:50.137
But as part of the job, isn't it exactly.

00:21:51.337 --> 00:21:55.897
You said earlier that you like to spend
time with the designers, will you use.

00:21:56.582 --> 00:21:58.162
Your calendar is their calendar in a way.

00:21:58.222 --> 00:21:58.522
Yeah.

00:21:59.122 --> 00:22:00.922
I'm wondering when you have
these conversations with

00:22:00.922 --> 00:22:02.782
them, what is it in general?

00:22:02.782 --> 00:22:07.612
What patterns can you get from there in
what most designers are struggling with?

00:22:08.932 --> 00:22:09.112
Leonardo: Yeah.

00:22:09.142 --> 00:22:09.742
Great question.

00:22:09.742 --> 00:22:10.942
I think it's a couple of things.

00:22:11.812 --> 00:22:16.852
One is given the state of the world and
given all of the craziness that most of us

00:22:16.852 --> 00:22:18.232
are living through some more than others.

00:22:19.162 --> 00:22:22.642
We have to pay attention to the
emotional health of our people.

00:22:23.152 --> 00:22:25.512
And so by starting out the
conversation, the connection with

00:22:25.522 --> 00:22:30.142
the very human touch, just like
literally seriously, how are you?

00:22:30.262 --> 00:22:30.562
How are you?

00:22:31.732 --> 00:22:32.542
How are you feeling?

00:22:32.572 --> 00:22:33.802
How are you showing up this week?

00:22:34.102 --> 00:22:35.272
What baggage are you bringing?

00:22:35.702 --> 00:22:36.922
What have you been working through?

00:22:36.922 --> 00:22:39.802
Like understanding how, where
their emotional state is, and then

00:22:39.802 --> 00:22:43.282
creating a safe space through that
understanding that's super important.

00:22:43.582 --> 00:22:47.752
And, and we should all be doing that
more with our teams, but when it comes

00:22:47.752 --> 00:22:51.132
to design and some of the biggest
issues and what I see as themes,

00:22:51.972 --> 00:22:55.752
especially with bigger companies, the
high-performance companies where you're

00:22:55.752 --> 00:23:00.012
striving to be highly autonomous, highly
aligned decisions get made pretty.

00:23:00.882 --> 00:23:04.422
And sometimes that means
designers get left out or they

00:23:04.422 --> 00:23:05.682
feel like they're left out.

00:23:06.342 --> 00:23:09.192
And I hear it time and time again, like,
Hey, we didn't, nobody called us in here.

00:23:09.222 --> 00:23:11.622
We don't feel like we have a seat
at the table, or we don't feel like

00:23:11.622 --> 00:23:15.792
our inputs being acknowledged or
the MVP got whittled down to nothing

00:23:15.822 --> 00:23:17.232
and we haven't even iterated on it.

00:23:17.232 --> 00:23:18.252
We haven't gone back to it.

00:23:19.032 --> 00:23:22.302
And I think that that's evidence of a
product led company, which isn't a bad

00:23:22.302 --> 00:23:26.742
thing, but that's an issue like when
designers feel like they're left behind.

00:23:27.537 --> 00:23:29.817
It means that designers don't have
a good relationship with our PM

00:23:29.817 --> 00:23:31.497
partners or their enjoy partners.

00:23:32.157 --> 00:23:35.967
And so w where I guide and where I
give advice and where I give tactical

00:23:36.037 --> 00:23:39.817
go dues is building rapport and
building bridges to those counterparts.

00:23:39.817 --> 00:23:42.817
So the product counterpart or entropy
counterpart, and that's where I

00:23:42.817 --> 00:23:43.957
spent a lot of my time advice.

00:23:44.407 --> 00:23:45.097
It's like, I understand.

00:23:45.097 --> 00:23:46.117
Well how did you try it before?

00:23:46.117 --> 00:23:46.537
Like, what does.

00:23:47.437 --> 00:23:49.987
What is the process that
this pianos is looking at?

00:23:50.257 --> 00:23:50.587
Great.

00:23:50.647 --> 00:23:53.827
Well, maybe there's an opportunity to
change the process itself, or maybe

00:23:53.827 --> 00:23:57.427
there's an opportunity to change your
approach, but I, I try to get to,

00:23:57.517 --> 00:24:00.667
what's broken about the relationship
between you and your counterparts,

00:24:00.667 --> 00:24:01.837
and then focus on fixing that

00:24:02.617 --> 00:24:06.247
Christian: someone said to
me, every problem, every word

00:24:06.247 --> 00:24:07.447
problem is a people problem.

00:24:08.317 --> 00:24:11.377
So I guess that's kind of what,
you're, what you're hinting at.

00:24:12.457 --> 00:24:15.457
Almost anything can be solved
by building rapport and.

00:24:16.522 --> 00:24:17.002
Talking to

00:24:17.002 --> 00:24:17.332
Leonardo: people.

00:24:17.932 --> 00:24:18.202
Yeah.

00:24:18.592 --> 00:24:21.622
And look, there's always going to
be people problems, but I think to

00:24:21.622 --> 00:24:24.832
take your quote, one step further,
every challenge in an office, or

00:24:24.832 --> 00:24:28.402
every challenge in a business can
be solved through a relationship by

00:24:28.402 --> 00:24:29.962
fixing something, improving something.

00:24:30.412 --> 00:24:31.912
But you're always going
to have bad actors.

00:24:31.912 --> 00:24:33.592
You're always going to have
different personalities.

00:24:33.862 --> 00:24:36.622
Hopefully you're working in a place
where it's a culture of many cultures

00:24:37.282 --> 00:24:39.292
and it's not your place to change people.

00:24:39.502 --> 00:24:41.722
It's your place to change
relationships with those people.

00:24:43.327 --> 00:24:48.367
Christian: I find a very effective thing
to do when you join our organization

00:24:48.397 --> 00:24:54.427
is to take a bit of time to meet with
your most important stakeholders for 15

00:24:54.427 --> 00:24:57.157
minutes, but make that meeting about them.

00:24:58.117 --> 00:24:59.167
How can I help you?

00:24:59.737 --> 00:25:01.207
What are your goals here?

00:25:01.357 --> 00:25:03.277
How can design help you reach your goals?

00:25:03.457 --> 00:25:06.787
What has the previous designer
done that I could do better?

00:25:06.787 --> 00:25:08.617
Or what has the previous
designer done that?

00:25:09.697 --> 00:25:14.437
You enjoyed and you liked, and
I could continue doing, how can

00:25:14.437 --> 00:25:15.697
I help you reach your goals?

00:25:15.787 --> 00:25:20.977
All these questions, not only help
you understand where everyone is

00:25:20.977 --> 00:25:26.017
coming from, which we touched upon
earlier, but they also automatically

00:25:26.017 --> 00:25:30.067
straight away built trust because
everyone who joins companies.

00:25:31.082 --> 00:25:34.582
Oh, that was, or rather should I say
no one who joins companies does that.

00:25:34.702 --> 00:25:36.472
So you're setting yourself apart.

00:25:36.732 --> 00:25:40.752
Everyone will soon understand this
person is here to be part of the team

00:25:41.352 --> 00:25:46.482
and to help everyone reach their goals
rather than, or this is a as a new

00:25:46.482 --> 00:25:49.542
designer who joined and wants to change
everything like all designers want to do.

00:25:49.932 --> 00:25:50.442
So.

00:25:50.472 --> 00:25:50.742
Yeah.

00:25:51.162 --> 00:25:51.822
I love that.

00:25:52.132 --> 00:25:56.022
I always say I always say to designers
who were about to start their jobs.

00:25:57.252 --> 00:26:01.502
Take five to seven stakeholders
and schedule 15  minutes meetings

00:26:01.562 --> 00:26:02.732
and ask them these questions.

00:26:03.062 --> 00:26:07.212
And you will see the change
in their attitude towards you

00:26:07.212 --> 00:26:08.502
and attitude towards design.

00:26:09.462 --> 00:26:10.482
Leonardo: Yeah, I, I couldn't agree.

00:26:10.482 --> 00:26:14.592
More wonderful advice and I'll push
that one step further and tell you that.

00:26:15.657 --> 00:26:19.257
Additionally successful is to
create a space of vulnerability.

00:26:19.617 --> 00:26:22.257
So if you're, if you're doing a
good job of connecting with people

00:26:22.257 --> 00:26:24.957
and you're helping them understand
that you're there to help.

00:26:25.257 --> 00:26:25.827
That's great.

00:26:26.007 --> 00:26:26.517
And you're right.

00:26:26.577 --> 00:26:30.507
It leads to great relationships, but
what leads to even better relationships

00:26:30.507 --> 00:26:33.537
or they understand that they can
be vulnerable around you because

00:26:33.537 --> 00:26:34.497
you're vulnerable around them.

00:26:35.157 --> 00:26:38.007
And it's, it's a gamble,
but I found success.

00:26:38.832 --> 00:26:40.302
Saying look, I'm here to help you.

00:26:40.302 --> 00:26:43.332
And here's what I can offer,
but also here's what I can cause

00:26:43.332 --> 00:26:45.942
some growth opportunities for
me are this, this and this.

00:26:46.272 --> 00:26:48.282
Maybe there's some coaching that
you can provide on that front.

00:26:48.612 --> 00:26:51.792
So you're not asking, you're not
only asking, you're only offering

00:26:51.792 --> 00:26:55.002
your help, but you're giving them
an opportunity to help you back

00:26:55.182 --> 00:26:56.262
in something that they're good at.

00:26:56.742 --> 00:26:58.662
And so you're kind of jumping
the line and building that

00:26:58.662 --> 00:27:00.642
rapport by creating that arable.

00:27:01.512 --> 00:27:01.842
Yeah.

00:27:02.232 --> 00:27:05.562
Christian: Well, this is also
about talking and about asking.

00:27:05.862 --> 00:27:09.552
I find that whenever there's something
I don't understand in the analytics of

00:27:09.552 --> 00:27:13.212
a product, if I go to the product and at
least that we've got on a team, he would

00:27:13.212 --> 00:27:14.832
be more than happy to explain it to me.

00:27:14.832 --> 00:27:15.852
Cause that's his daily job.

00:27:15.882 --> 00:27:18.342
He loves everybody's daily jobs,
just like I love it all my design.

00:27:18.342 --> 00:27:18.612
Right.

00:27:19.002 --> 00:27:24.162
So I think we need to get out of this
little cubicles that we're sitting

00:27:24.162 --> 00:27:27.552
in, dude, there's design and there's
engineering and then there's testing.

00:27:27.552 --> 00:27:27.732
And then.

00:27:28.497 --> 00:27:32.967
And have more conversation across these
teams to try to understand each other.

00:27:33.027 --> 00:27:37.527
And the moment you do that, people
are more likely to do things

00:27:37.527 --> 00:27:39.327
back for you is as you said.

00:27:39.777 --> 00:27:44.437
And I find those to be the
best teams to work with.

00:27:45.047 --> 00:27:45.877
I couldn't run it more.

00:27:46.557 --> 00:27:49.257
So you've been around for 15, 20 years.

00:27:49.887 --> 00:27:53.397
And I can only assume that you
have seen the role of a designer

00:27:53.397 --> 00:27:56.157
evolve into what it is today.

00:27:56.367 --> 00:28:00.567
What's your take on  where it's going
with, new technologies emerging and

00:28:00.567 --> 00:28:04.167
all of these uncertainties around,
you know around the world and around

00:28:04.267 --> 00:28:07.277
web 3.0 and all of these things
that nobody knows anything about.

00:28:07.747 --> 00:28:09.247
How do you see the role
of designers fitting.

00:28:10.427 --> 00:28:13.127
Leonardo: Well, first of all,
I'm super excited with how

00:28:13.157 --> 00:28:15.557
quickly the landscape changes.

00:28:16.862 --> 00:28:18.212
I know that can be frustrating.

00:28:18.512 --> 00:28:22.112
Uh, like five, maybe seven years
ago when everyone was like,

00:28:22.562 --> 00:28:24.242
holy crap sketches, amazing.

00:28:24.812 --> 00:28:25.682
I want to discuss that.

00:28:25.712 --> 00:28:27.632
And then two years later was
like, oh crap, here's Figma.

00:28:28.142 --> 00:28:30.632
And we all had to relearn like there.

00:28:30.692 --> 00:28:31.562
Yes, it's frustrating.

00:28:31.562 --> 00:28:33.182
But there's something
really special about that.

00:28:33.182 --> 00:28:37.832
Like, we're changing so much so
quickly that in and of itself is

00:28:37.832 --> 00:28:39.752
signal that there's value in what.

00:28:40.627 --> 00:28:44.227
There's an industry behind it and
people want it to be faster and better.

00:28:44.587 --> 00:28:47.077
So that should be signaled to designers
who are listening to this, that

00:28:47.077 --> 00:28:48.487
you are valuable, you're important.

00:28:48.817 --> 00:28:52.447
And you're a big part of
businesses, whether they agree

00:28:52.447 --> 00:28:54.877
or don't like it, that's just,
the industry is showing us that.

00:28:55.627 --> 00:28:58.507
And I'm going to date myself
for a second, but to go from.

00:28:59.657 --> 00:29:03.467
Cold fusion studio, which was
a macro media product, which

00:29:03.467 --> 00:29:06.677
eventually was purchased by a Adobe.

00:29:06.737 --> 00:29:07.607
And then it was sunset.

00:29:07.607 --> 00:29:11.057
Like that's when I started building
products and it was literally two

00:29:11.057 --> 00:29:14.117
different, three different tools
that I would use to create an

00:29:14.117 --> 00:29:17.897
experience, not to mention using
flash to make that experience a little

00:29:17.897 --> 00:29:20.267
bit more approachable or funner.

00:29:21.137 --> 00:29:24.527
And so to have all of that change
to have go from like four different

00:29:24.527 --> 00:29:25.687
tools that you're using to create a.

00:29:26.882 --> 00:29:32.882
To not even needing a tool and using
a UI or just a IDE and write your

00:29:32.882 --> 00:29:35.642
code and it's done, it's amazing.

00:29:35.672 --> 00:29:37.592
That's tremendous growth for any industry.

00:29:37.922 --> 00:29:41.192
So it excites me so much in
terms of where it's going.

00:29:41.912 --> 00:29:45.632
I, and who knows, like I don't even know
much about the metaverse and I'm pretty

00:29:45.632 --> 00:29:47.482
close to the companies that are making it.

00:29:48.082 --> 00:29:51.982
But I think for designers,
the advice there, the learning

00:29:51.982 --> 00:29:54.622
there, the maybe the insight is.

00:29:55.792 --> 00:29:58.982
To pay attention more than you ever
have understand what tools people are

00:29:58.982 --> 00:30:02.882
using, why they're using them and go
and beyond your own design tools look

00:30:02.882 --> 00:30:05.942
at the product development tools,
look at the communication tools.

00:30:06.422 --> 00:30:07.892
Um, oh, I forget that.

00:30:07.892 --> 00:30:10.652
I can't think of the name of a tool
that I've been using to take notes,

00:30:10.952 --> 00:30:14.912
but even look at like documentation
tools and then start to piece together.

00:30:14.912 --> 00:30:15.392
What's good.

00:30:15.392 --> 00:30:19.172
What's bad where your friends are going
and where companies are going and you'll

00:30:19.172 --> 00:30:20.582
start to be able to apply yourself.

00:30:21.547 --> 00:30:23.347
This massive change because it's not done.

00:30:23.617 --> 00:30:24.547
We're going to see even more.

00:30:25.087 --> 00:30:25.387
Yeah.

00:30:26.317 --> 00:30:31.807
Christian: Knowing the industry changes
so fast, how can we prepare future

00:30:31.807 --> 00:30:35.407
designers in a better way to be adaptable?

00:30:36.332 --> 00:30:37.412
To be able to change.

00:30:37.682 --> 00:30:38.312
Leonardo: Yeah, damn.

00:30:38.312 --> 00:30:40.482
That's a million dollar question and

00:30:41.072 --> 00:30:41.372
Christian: knew,

00:30:43.772 --> 00:30:44.762
Leonardo: and I kind of am.

00:30:44.792 --> 00:30:47.192
I'm not personally, but
I'm using a product.

00:30:47.192 --> 00:30:48.452
I'm part of an ecosystem.

00:30:48.572 --> 00:30:51.212
Uh, many of our listeners
might know this already.

00:30:51.302 --> 00:30:52.502
It's called ADP list.

00:30:53.042 --> 00:30:54.542
Awesome design people's lists.

00:30:55.142 --> 00:30:59.432
And I think that's at the core of
how to equip future generations

00:30:59.552 --> 00:31:01.862
to be amazing when you pair.

00:31:02.597 --> 00:31:05.627
People with mentorship that's
meaningful and specific.

00:31:05.927 --> 00:31:08.027
And this goes back to a previous
point you were making like, how can we

00:31:08.027 --> 00:31:12.857
help designers get that experience to
navigate and to converse and to speak

00:31:12.857 --> 00:31:16.307
executive, to speak PM and to tell
stories to engineers that inspire them.

00:31:16.937 --> 00:31:20.837
You can find mentors now so easily
through platforms like ADP list, and

00:31:20.837 --> 00:31:24.557
I'm sure others, and then ask those
questions like, Hey, can we role play?

00:31:24.827 --> 00:31:29.567
Can we just do this interview or do this
a design crit, or do this product review?

00:31:30.232 --> 00:31:32.782
That's how you're going to get
good at having those conversations

00:31:32.782 --> 00:31:33.622
with cross-functional partners.

00:31:33.622 --> 00:31:37.522
And that's how we're going to as
leaders help future generations remain.

00:31:38.357 --> 00:31:38.627
Yeah, for

00:31:38.627 --> 00:31:38.867
Christian: sure.

00:31:38.867 --> 00:31:40.817
ADP list is an amazing tool.

00:31:40.997 --> 00:31:45.477
I'm there myself and, you also get
something in return as a, as a mentor, uh,

00:31:45.507 --> 00:31:50.517
which is you can't really put a price on
just knowing you contributed to someone's

00:31:50.517 --> 00:31:55.307
career just in a tiny little way, but you
know, you've, you've contributed that.

00:31:55.307 --> 00:31:59.007
I remember growing up in designer.

00:31:59.587 --> 00:32:02.137
Really had any mentors, there was
no platform where he could find

00:32:02.137 --> 00:32:03.457
people that was all of these things.

00:32:03.457 --> 00:32:04.597
I've kind of learned on my own.

00:32:04.897 --> 00:32:08.437
I can imagine how much faster you
can learn and accelerate today.

00:32:08.467 --> 00:32:11.167
If you just use some of these tools,
whether it's mentoring, whether it's

00:32:11.527 --> 00:32:14.317
podcasts, whether it's articles,
whether it's books, whatever it is.

00:32:14.647 --> 00:32:18.097
Um, none of this was around when I
started and certainly when we started.

00:32:18.097 --> 00:32:18.577
So, uh,

00:32:18.667 --> 00:32:18.847
Leonardo: yeah.

00:32:19.147 --> 00:32:19.507
Yeah.

00:32:20.227 --> 00:32:23.137
And really quickly you touched on
something that I think is also valuable.

00:32:23.797 --> 00:32:25.117
The, the amount of COVID.

00:32:25.917 --> 00:32:30.627
Podcast content that we have
access to is just remarkable.

00:32:31.107 --> 00:32:33.887
And in addition to the mentoring
I do, and like the guidance

00:32:33.887 --> 00:32:36.137
I give with design, like.

00:32:36.872 --> 00:32:40.862
Probably do I also advise what are the
podcasts that are teaching me things?

00:32:41.552 --> 00:32:42.452
And it's funny.

00:32:42.452 --> 00:32:45.392
Like what, what I learned from
now is not what I expected.

00:32:45.392 --> 00:32:49.442
Like I learned from 99%
invisible I'm Roman Mars podcast

00:32:49.742 --> 00:32:50.672
out of Oakland, California.

00:32:51.362 --> 00:32:52.682
It's amazing.

00:32:52.682 --> 00:32:54.572
And he talks about
design, but it's abstract.

00:32:55.217 --> 00:32:57.737
In a way that gives you insights.

00:32:57.737 --> 00:32:59.957
It gleans into something that
you weren't even thinking about.

00:33:00.407 --> 00:33:05.027
And I can't tell you how many times I've
gone into an executive meeting room with

00:33:05.027 --> 00:33:10.457
like Roman Mars is amazing soothing voice
in the back of my head telling a story and

00:33:10.457 --> 00:33:12.407
bringing insights to life the way he does.

00:33:12.797 --> 00:33:15.077
So, there's things to be gleaned
from, from all of the podcast

00:33:15.077 --> 00:33:16.157
content that exists out there.

00:33:16.157 --> 00:33:21.167
And I think that's something we should
build as designers and like a repository,

00:33:21.167 --> 00:33:22.637
a directory of some sort, that guy.

00:33:23.462 --> 00:33:26.492
Alongside mentors, guides
designers to the content.

00:33:26.492 --> 00:33:28.862
That's going to help fortify
some of the dimensions there's

00:33:28.862 --> 00:33:29.672
trying to get better at.

00:33:30.422 --> 00:33:32.312
Christian: So talking about
content because there is a

00:33:32.312 --> 00:33:33.452
lot of content out there.

00:33:33.812 --> 00:33:37.652
And I said that today is probably one
of the better times to become a designer

00:33:37.652 --> 00:33:40.802
because there is so much out there
for free that you can just learn from.

00:33:41.312 --> 00:33:43.922
And someone counter argued.

00:33:45.017 --> 00:33:48.347
And said, well, actually I think
this is one of the harder times to

00:33:48.347 --> 00:33:51.377
becomes a designer, but to become
a designer because yeah, you've

00:33:51.377 --> 00:33:52.667
got all this information for sure.

00:33:52.667 --> 00:33:54.857
But first of all, you don't know
what's legit and what's not.

00:33:55.337 --> 00:34:00.167
And second of all, the barrier
of entry is much higher than

00:34:00.167 --> 00:34:01.877
it used to be 10, 15 years ago.

00:34:01.877 --> 00:34:05.477
It's when, as a junior designer,
you're expected to just move mountains.

00:34:06.107 --> 00:34:06.887
What's your take on that?

00:34:06.887 --> 00:34:07.367
Is it easier?

00:34:07.427 --> 00:34:09.167
Is it harder to become a designer today?

00:34:09.317 --> 00:34:09.557
What would.

00:34:11.097 --> 00:34:12.387
Leonardo: I think that's fair.

00:34:12.507 --> 00:34:13.017
and I'll be honest.

00:34:13.017 --> 00:34:17.307
I haven't given it much thought, but it's
a great thing to explore and just shooting

00:34:17.307 --> 00:34:18.987
from the hip or thinking out loud.

00:34:20.607 --> 00:34:24.597
I think there's definitely
expectations that are unrealistic.

00:34:24.657 --> 00:34:29.877
I've seen job descriptions for startups,
and they're asking for like 10 years

00:34:29.877 --> 00:34:35.367
of experience in Figma, it's like
relaxed, but, and then when you get

00:34:35.367 --> 00:34:39.617
to the job, There's also unrealistic
expectations to take things end to end

00:34:39.647 --> 00:34:42.527
without having done that before and
without having any guidance to do so.

00:34:43.457 --> 00:34:48.337
And I think it starts with schools, D
design schools and just universities

00:34:49.747 --> 00:34:54.097
smartly redesigning their curriculum
to meet the demands of the companies

00:34:54.097 --> 00:34:55.687
that's where the change needs to start.

00:34:56.317 --> 00:35:00.397
But I think to help designers in
this really high bar, this different,

00:35:00.547 --> 00:35:03.127
if it is difficult, which I trust
it is, or more difficult than it

00:35:03.127 --> 00:35:04.897
ever was to become a designer.

00:35:05.992 --> 00:35:09.472
The guidance that I've given folks is
to be an expert at something like find

00:35:09.472 --> 00:35:13.912
the niche or that, that bar that goes
down in the T shape of your designer

00:35:13.912 --> 00:35:19.612
life and hone that craft become valuable
in something more specific, and then

00:35:19.612 --> 00:35:22.822
go after the roles that are looking
for that thing more than anything else.

00:35:23.422 --> 00:35:27.232
And if they get that one good
thing from you, whether it's motion

00:35:27.232 --> 00:35:32.287
designer or the UX designer, And
then you have the opportunity

00:35:32.287 --> 00:35:33.067
to build the trust, to do that.

00:35:33.067 --> 00:35:36.067
Well, then you're going to grow in the
other dimensions that you need to, so

00:35:36.247 --> 00:35:39.547
maybe, yeah, if it's harder, hone in
on the thing that you think is the most

00:35:39.547 --> 00:35:43.957
valuable for the types of jobs you want
to go after and focus on growing there.

00:35:44.677 --> 00:35:44.937
I, I

00:35:44.947 --> 00:35:47.557
Christian: forgive, I will take
that even further I always give

00:35:47.557 --> 00:35:49.747
that advice to people who ask.

00:35:50.752 --> 00:35:53.512
Oh, what is your advice on
how to design portfolios?

00:35:53.512 --> 00:35:57.202
And I say, don't necessarily put
your best work there, put the

00:35:57.202 --> 00:35:58.492
work that you want to do more of.

00:35:59.092 --> 00:36:04.582
So if you want to do business to business
software as a service, Put all the

00:36:04.582 --> 00:36:07.792
businesses business or not all, you know,
put the best business to business software

00:36:07.792 --> 00:36:11.782
as a surface experience you've got there
because in my experience, whenever we

00:36:11.782 --> 00:36:15.112
go and look at the portfolio, you go and
look at portfolio with a problem in mind.

00:36:15.172 --> 00:36:16.342
You've you've in your team.

00:36:16.342 --> 00:36:19.282
You've got a problem to solve,
which is we need someone to do X.

00:36:19.852 --> 00:36:23.032
And who are you more likely to
want to have a conversation with

00:36:23.032 --> 00:36:24.112
off the back of a portfolio?

00:36:24.112 --> 00:36:28.102
Someone who's done X a million times
before or someone who's dabbled in

00:36:28.102 --> 00:36:29.962
a, B and C and a little bit of X.

00:36:30.292 --> 00:36:30.472
Yeah.

00:36:31.377 --> 00:36:33.987
So I only say focus.

00:36:34.467 --> 00:36:36.747
Leonardo: I don't think you're
wrong, Christian, but let me

00:36:37.137 --> 00:36:38.367
maybe challenge that a little bit.

00:36:38.427 --> 00:36:42.387
And there's two things I want to say
one, I've heard the feedback and I've

00:36:42.387 --> 00:36:46.047
given the feedback of having a liquid
portfolio, one that adapts to the

00:36:46.047 --> 00:36:47.667
needs of what you're applying for.

00:36:47.967 --> 00:36:50.717
So you might have various pages
in your portfolio that speaks

00:36:50.717 --> 00:36:51.987
to different things, right?

00:36:52.017 --> 00:36:52.797
That's not bad advice.

00:36:52.797 --> 00:36:53.367
I think that's good.

00:36:53.367 --> 00:36:56.817
And it's a lot of work, but like you
said, that's the job, like do the

00:36:56.817 --> 00:37:00.807
work, show the work, but the thing
that's controversial that I'll say is.

00:37:02.757 --> 00:37:09.207
I don't agree that showing only the
best pieces or to your point, nuanced

00:37:09.207 --> 00:37:13.527
pieces, like a handful of them five
to 10 is the right approach anymore.

00:37:14.007 --> 00:37:17.817
And I think showing as much
as you can, as quickly as.

00:37:18.802 --> 00:37:19.642
Is a better approach.

00:37:19.732 --> 00:37:21.762
And  I have a hypothesis why that's true.

00:37:21.832 --> 00:37:23.962
And you can blow it out of the
water if you, if you feel like it.

00:37:23.992 --> 00:37:29.872
But the way that we consume information as
hiring managers, as executives, frankly,

00:37:29.872 --> 00:37:33.652
as people like, if we're on Tik TOK
or Instagram, and we scroll so quickly

00:37:33.652 --> 00:37:38.692
through things, we are grokking harder
concepts so much faster than ever before.

00:37:39.352 --> 00:37:41.872
And I think we haven't applied that
thinking to when we're doing our

00:37:41.872 --> 00:37:43.372
own storytelling, our own selling.

00:37:43.942 --> 00:37:45.142
And when I look at portfolio.

00:37:45.907 --> 00:37:51.217
Like you or any design leader it's usually
in between meetings, um, TMI, but it's

00:37:51.217 --> 00:37:55.297
also maybe when you're on the toilet, it's
when you have those split seconds of time.

00:37:55.747 --> 00:37:57.907
So what's better in that mental
model or what's better in that

00:37:57.907 --> 00:38:02.827
use case to show deep, thoughtful,
well, articulated multi-page.

00:38:03.997 --> 00:38:07.387
Or to just show all of the amazing
swagger that you're able to produce.

00:38:07.657 --> 00:38:11.887
And then when I'm interested, let me dig
in, but that principle of progressively

00:38:11.887 --> 00:38:16.927
revealing, but starting by showing
everything seems like it's going to

00:38:16.927 --> 00:38:20.077
land you or serve you better than not.

00:38:20.807 --> 00:38:23.367
Christian: We had on a podcast a
director of design at Salesforce.

00:38:24.162 --> 00:38:30.202
And she said that she only
has, anywhere between 15 and 20

00:38:30.202 --> 00:38:34.872
seconds for each portfolio, she
sees it as an initial opinion.

00:38:34.872 --> 00:38:35.112
Right.

00:38:35.142 --> 00:38:35.832
But that's how you met.

00:38:35.862 --> 00:38:38.802
That's how much time you've got
to make the first impression.

00:38:38.802 --> 00:38:44.022
And he said, oh, she said one of the,
one of the aspects of a portfolio that

00:38:44.022 --> 00:38:47.562
attracts my attention straight away
is when someone can write really well.

00:38:48.432 --> 00:38:51.402
What the project is about
in two or three sentences.

00:38:51.912 --> 00:38:53.202
And then that acts as a.

00:38:54.267 --> 00:38:55.647
But it interests me or not.

00:38:55.827 --> 00:38:58.347
That's a whole different,
you as a designer, don't

00:38:58.347 --> 00:38:59.457
have any control over that.

00:38:59.947 --> 00:39:04.327
But what you can, what you do have
control over is how well you can

00:39:04.327 --> 00:39:05.977
write that hook, that introduction.

00:39:06.157 --> 00:39:07.087
So maybe it's a bit

00:39:07.087 --> 00:39:08.767
Leonardo: similar to
what you're saying it is.

00:39:08.767 --> 00:39:12.757
And I'll build on that point and
say, cause 90 sounds very smart.

00:39:12.787 --> 00:39:13.567
It's a great advice.

00:39:13.987 --> 00:39:14.647
And it's very true.

00:39:14.647 --> 00:39:17.617
I don't think it's an
exaggeration if you're able to.

00:39:18.817 --> 00:39:22.447
Tell your story in a traditional
three-part way, the way that cinema tell

00:39:22.447 --> 00:39:27.397
stories, you introduce the characters, you
introduce drama and tension, and then you

00:39:27.397 --> 00:39:28.897
get to this resolution and close it out.

00:39:29.287 --> 00:39:33.817
The faster you can give me as a
hiring manager, that three-part story.

00:39:34.177 --> 00:39:35.977
The more likely I am
to read another story.

00:39:36.037 --> 00:39:36.127
Okay.

00:39:36.907 --> 00:39:38.947
And then start earning trust that yeah.

00:39:38.947 --> 00:39:40.607
This person got

00:39:40.627 --> 00:39:40.717
what

00:39:40.717 --> 00:39:40.897
Christian: it takes.

00:39:41.467 --> 00:39:41.827
Yeah.

00:39:41.917 --> 00:39:42.337
Do you know what?

00:39:42.397 --> 00:39:44.017
It just, it just clicked with me now.

00:39:44.497 --> 00:39:47.917
Cause you said tick-tock earlier, which
I don't use, but uh, you know, I am on

00:39:47.917 --> 00:39:51.547
Instagram and you know, kind of the same
algorithm are behind it kind of the same

00:39:51.967 --> 00:39:55.297
user behavior of scrolling endlessly.

00:39:55.987 --> 00:39:56.257
Sure.

00:39:57.127 --> 00:40:01.507
Your portfolio or a study case
of your portfolio in tick-tock

00:40:01.507 --> 00:40:05.437
format or an Instagram or whatever
people can just scroll through.

00:40:05.497 --> 00:40:07.297
Oh, great.

00:40:07.297 --> 00:40:07.747
You know what?

00:40:08.127 --> 00:40:09.227
I might cut this up now.

00:40:09.227 --> 00:40:09.957
I won't, I won't.

00:40:10.557 --> 00:40:11.657
I was like, whoa.

00:40:11.917 --> 00:40:16.057
If people are on Instagram anyway,
and it's just so happens that

00:40:16.057 --> 00:40:17.047
they're looking for a designer.

00:40:17.872 --> 00:40:20.182
Well, how about them
scrolling through study cases

00:40:21.382 --> 00:40:23.062
Leonardo: and let the
algorithm work for you?

00:40:23.062 --> 00:40:27.442
Like if you've been on LinkedIn and
they have some of that tracking data,

00:40:27.742 --> 00:40:31.132
maybe they know that you're an executive
or you're in a business, right.

00:40:31.162 --> 00:40:33.982
And then you can even boost and
promote your posts, like spend exactly

00:40:34.012 --> 00:40:37.252
spend the 10 bucks on Instagram to
boost your post and let it be like

00:40:37.252 --> 00:40:41.152
a multi-page swiping, Which is your
screens from your portfolio, for sure.

00:40:41.222 --> 00:40:41.522
Christian: Yeah.

00:40:43.312 --> 00:40:43.612
Yeah.

00:40:44.032 --> 00:40:47.822
So there's something that I really want
to talk about, before the end, because

00:40:48.782 --> 00:40:53.462
if years ago I was planning a talk about
design ethics, and I just put it together.

00:40:53.462 --> 00:40:54.422
I put the narrative together.

00:40:54.422 --> 00:40:55.592
I just couldn't make it stick.

00:40:56.012 --> 00:40:57.012
And I find very few days.

00:40:57.012 --> 00:40:57.062
Yeah.

00:40:57.607 --> 00:40:58.447
Talk about this.

00:40:58.447 --> 00:41:00.517
I mean, we know Mike
Montero that's all the time.

00:41:00.547 --> 00:41:03.907
He's probably the most well-known
cause he's, you know abrasive

00:41:03.937 --> 00:41:05.137
and loves talking about it.

00:41:05.137 --> 00:41:06.967
So that's, that's why it's
so great to follow him.

00:41:07.297 --> 00:41:07.867
He is the man.

00:41:08.677 --> 00:41:13.417
Uh, so you also talk about design
ethics in one of your articles, and

00:41:13.477 --> 00:41:15.607
I thought it would be an interesting
matter to discuss with you.

00:41:15.607 --> 00:41:18.337
So let's dive a bit into ethics and.

00:41:18.942 --> 00:41:22.962
What is for everyone who doesn't
haven't hasn't thought about this

00:41:22.992 --> 00:41:28.302
what's ethics and how does one practice
ethical design on a daily basis?

00:41:28.872 --> 00:41:30.342
Leonardo: Um, it's a great question.

00:41:30.342 --> 00:41:34.422
It's a complex one too, because you
can like Mike Montero does, you could

00:41:34.422 --> 00:41:39.222
talk about design ethics for days and
you should, because designers have.

00:41:40.217 --> 00:41:45.427
A lot of responsibility  in terms of
keeping society on a healthy path,

00:41:45.727 --> 00:41:47.887
because we're the ones that are
putting the products in their hands.

00:41:48.277 --> 00:41:51.927
And we're the ones that are
potentially causing or creating

00:41:52.077 --> 00:41:53.517
an ability for misuse cases.

00:41:53.757 --> 00:41:56.367
And that's the core of
what design ethics is.

00:41:57.147 --> 00:42:02.937
A good designer has the ability to look
beyond the use cases they're solving.

00:42:03.942 --> 00:42:08.892
And to almost do postmortems, rather
pre-mortems on how their product

00:42:08.922 --> 00:42:10.932
is going to be used and misused.

00:42:11.712 --> 00:42:16.092
And it's a dark experience to go through
this with your team, but because you're

00:42:16.092 --> 00:42:19.542
going through some really serious
things, like what if somebody uses

00:42:19.542 --> 00:42:25.192
your targeting UI in the, in an app
platform to divide two zip codes  or

00:42:25.192 --> 00:42:26.332
two different parts of the city.

00:42:27.022 --> 00:42:29.252
One where there's a lot
of underserved under.

00:42:30.107 --> 00:42:35.237
Minorities and one where there's affluent,
you know, more homogenized communities and

00:42:35.237 --> 00:42:39.677
you're able to target them with different
messages at the same time to the same end.

00:42:40.487 --> 00:42:41.477
That is a misuse case.

00:42:41.957 --> 00:42:42.557
That's awful.

00:42:43.157 --> 00:42:48.107
And unless you think about how can
my solution be, who is for bad,

00:42:48.767 --> 00:42:52.777
you're not doing a good job in design
ethics, and you're frankly not.

00:42:53.797 --> 00:42:55.807
At the level of designing
that you should be.

00:42:56.527 --> 00:43:01.567
And so design ethics is more of a practice
and being able to look beyond the use

00:43:01.567 --> 00:43:03.537
cases and look at things more broadly.

00:43:04.407 --> 00:43:06.777
I think when I think about design
ethics, just for, to give you a more

00:43:06.777 --> 00:43:11.127
tactical or your listeners, more tactical
advice on how to implement it starts

00:43:11.127 --> 00:43:12.567
with the core of what you're building.

00:43:12.957 --> 00:43:16.047
I think what's important to do is
have design ethics conversation.

00:43:17.112 --> 00:43:20.152
At the design system level, when
you're building components when you're

00:43:20.152 --> 00:43:23.122
looking at the atoms of what you're
about to build, how can each of the

00:43:23.122 --> 00:43:27.892
pieces be misused or be misinterpreted
or be ignored when they shouldn't be?

00:43:28.192 --> 00:43:32.602
And if you build that into your platform,
if you will like where that kind of work

00:43:32.602 --> 00:43:36.022
is happening, as well as accessibility
and inclusion, best practices, build

00:43:36.022 --> 00:43:39.982
that into where you're building the
building blocks of your products.

00:43:40.252 --> 00:43:43.072
Then inherently the products that
you build are going to have designer.

00:43:44.077 --> 00:43:48.307
And accessibility and inclusion
built in, but then you also need

00:43:48.307 --> 00:43:49.867
to do checkpoints along the way.

00:43:50.467 --> 00:43:52.867
At Spotify, we have an amazing
product development process

00:43:52.867 --> 00:43:54.547
with what we call phase gates.

00:43:54.547 --> 00:43:57.307
So everyone's familiar with the
phases of a product dev process.

00:43:57.787 --> 00:44:00.637
Understand it, think it,
build it, ship it, tweak it.

00:44:01.597 --> 00:44:05.167
That's great, but what's better
is to have phase gates where

00:44:05.167 --> 00:44:06.517
you have design emphasis in the.

00:44:07.582 --> 00:44:08.782
Running these kinds of workshops.

00:44:08.782 --> 00:44:11.422
So after the understand phase,
before you go into the thinking,

00:44:12.172 --> 00:44:15.772
you're sinking with design ethics,
thinkers, and you're getting their

00:44:15.772 --> 00:44:17.482
input before you go to the next phase.

00:44:17.482 --> 00:44:19.672
And then again, before you go to the
building, and then again, before you

00:44:19.672 --> 00:44:24.442
go to the shipper, I think that's
world-class design ethics practice and

00:44:24.502 --> 00:44:25.882
what we're striving to do at Spotify.

00:44:26.512 --> 00:44:29.362
Christian: Yeah, that sounds
awesome too, to be able to

00:44:29.362 --> 00:44:31.642
have those person in the room.

00:44:32.407 --> 00:44:36.427
To counsel or guide you or guide
the product development process.

00:44:36.937 --> 00:44:37.507
The other.

00:44:38.467 --> 00:44:41.887
Aspect of this that I've heard before
is what you just need to create some

00:44:41.887 --> 00:44:46.237
sort of guidelines, some sort of
design values, and then make sure that

00:44:46.507 --> 00:44:48.007
every single day you follow those.

00:44:48.007 --> 00:44:52.147
But I find that whenever you do that,
it's so easy to get lost in a day

00:44:52.147 --> 00:44:56.197
to day that you kind of forgetting
about it, but I find your approach to

00:44:56.197 --> 00:45:00.037
say, well, let's get a team together
and talk about how could this.

00:45:01.377 --> 00:45:01.977
Misused.

00:45:02.187 --> 00:45:05.787
I find that to be a much more accessible
approach, something you can do as part

00:45:05.787 --> 00:45:09.987
of your product development process,
much easier to tackle than just every

00:45:09.987 --> 00:45:11.607
single thing I move in in Figma.

00:45:11.607 --> 00:45:17.337
I have to think through these 10 values
and principles and it's just too complex.

00:45:17.397 --> 00:45:20.427
So I find your approach to
be that much more accessible.

00:45:20.997 --> 00:45:21.237
Yeah.

00:45:21.687 --> 00:45:25.407
You've also written an article
about design critiques.

00:45:25.437 --> 00:45:27.717
Um, probably should have talked
about this a bit earlier, but.

00:45:28.532 --> 00:45:32.682
You're saying how these are a
fundamental part of the design process.

00:45:32.682 --> 00:45:35.742
So let's talk about design
critiques, because I find a lot

00:45:35.742 --> 00:45:39.072
of companies are not doing them or
maybe not doing them as well as.

00:45:40.227 --> 00:45:41.517
Leonardo: Yeah, well,
I think you're right.

00:45:41.517 --> 00:45:44.657
I think design crits for, if it's
new to you, it's commonly referred

00:45:44.657 --> 00:45:48.107
to the design crits, but they are
critiques there, their sessions.

00:45:48.107 --> 00:45:51.767
When you get your team together
to understand the challenge that

00:45:51.767 --> 00:45:54.887
you're working on as an individual
contributor, and then you show

00:45:54.887 --> 00:45:59.057
them your approach and solutioning,
and then they're there to offer.

00:45:59.972 --> 00:46:00.482
Critiques.

00:46:00.542 --> 00:46:03.332
And I think that's where
some of the problem lies.

00:46:03.902 --> 00:46:05.612
It shouldn't feel like you're critiquing.

00:46:05.852 --> 00:46:07.502
It should feel like
you're asking questions.

00:46:07.892 --> 00:46:11.432
And so in, in, I think the article you're
referring to was kind of a guide to a

00:46:11.432 --> 00:46:17.762
good, to running a good crit that starts
with provocations that feel healthy,

00:46:17.852 --> 00:46:20.702
not that feels like you're attacking the
designer that you're in the critique with.

00:46:21.152 --> 00:46:22.922
And so framing, everything is a question.

00:46:23.372 --> 00:46:27.272
And I'll give you an example, like I
can tell you Christian amazing use of.

00:46:28.322 --> 00:46:32.772
But I think blue is going to work
better for the CTA, because red is

00:46:32.772 --> 00:46:37.242
just like a negative situation for
a lot of cultures probably makes

00:46:37.242 --> 00:46:40.602
sense and probably good advice, but
that framing being prescriptive and

00:46:40.602 --> 00:46:45.252
saying you should use is the wrong
approach and you'll get defensive.

00:46:45.492 --> 00:46:45.732
Yeah.

00:46:45.732 --> 00:46:46.452
You'll get defensive.

00:46:47.022 --> 00:46:49.512
And you create this air of
defensiveness for the entire team.

00:46:49.962 --> 00:46:51.132
A better approach would be Christian.

00:46:51.372 --> 00:46:53.022
I love the way the button looks.

00:46:53.052 --> 00:46:55.142
I love the type style that we're choosing.

00:46:55.142 --> 00:46:56.312
I love the evolution of the CTA.

00:46:57.452 --> 00:47:01.002
I wonder, have you tried different
color palettes and you can, and

00:47:01.002 --> 00:47:02.262
then you can say actually, yeah.

00:47:02.292 --> 00:47:02.772
And you know what?

00:47:02.772 --> 00:47:07.302
We tested everything and what tested
the best was this red suddenly

00:47:07.782 --> 00:47:10.272
I'm like, all right, I just got
educated and now I have an insight.

00:47:10.512 --> 00:47:12.132
And now I know why Chris
had made that decision.

00:47:12.552 --> 00:47:15.492
So that's step one is framing things
as a question then being constructive.

00:47:15.492 --> 00:47:19.182
But step two obviously is back
on the presenter of the critique

00:47:19.482 --> 00:47:20.352
you Christian could have.

00:47:22.082 --> 00:47:26.192
We've tested these dimensions and
this design and give us, equip us with

00:47:26.192 --> 00:47:27.662
all of the background that you can.

00:47:27.992 --> 00:47:29.942
That's another really good
step to take the critiques.

00:47:30.422 --> 00:47:32.042
Come show up with background.

00:47:32.372 --> 00:47:35.672
Assume nobody knows anything
about your solution and take

00:47:35.672 --> 00:47:36.722
the time to educate them.

00:47:36.962 --> 00:47:38.042
You're going to get better feedback.

00:47:38.042 --> 00:47:38.102
Yeah.

00:47:39.282 --> 00:47:42.672
Christian: And this also helps build
transparency into the design process

00:47:42.672 --> 00:47:46.032
in your organization, which in turn
also builds more trust down the line.

00:47:46.032 --> 00:47:47.302
We've talked a lot about trust today.

00:47:47.302 --> 00:47:52.312
So I think whenever you open up and
you start to explain to people, not

00:47:52.312 --> 00:47:54.952
what you don't give them the result,
but you talk about the process, so they

00:47:54.952 --> 00:47:56.272
know how you got to the end result.

00:47:56.632 --> 00:47:59.512
There are also sometimes
that as you just get.

00:48:00.202 --> 00:48:05.272
Exemplified earlier gets rid of a
lot of the concerns or a lot of the

00:48:05.512 --> 00:48:08.902
critiques, because now I understand
where this decision is coming from.

00:48:09.232 --> 00:48:12.442
Therefore, there's no reason for
me to ask about the color palette.

00:48:12.892 --> 00:48:13.762
Leonardo: That's exactly right.

00:48:13.852 --> 00:48:16.282
Um, let me make that last point
though, or the last point that I was

00:48:16.282 --> 00:48:19.282
going to make, and I wanted to start
with, this was words matter a lot.

00:48:19.282 --> 00:48:20.122
We, we know that.

00:48:20.782 --> 00:48:23.852
So we actually just switched away
from calling design crits, or

00:48:23.852 --> 00:48:25.972
critiques, and we call it design hour.

00:48:26.782 --> 00:48:30.722
But that suddenly just softens
it's so much better for sure.

00:48:31.052 --> 00:48:35.372
And so I just wanted to give that insight
as well as it is what you call it.

00:48:35.552 --> 00:48:37.802
So call it what it is, call
it what you want it to be.

00:48:38.192 --> 00:48:39.002
It's a design hour.

00:48:39.062 --> 00:48:39.902
It's collaborative.

00:48:39.932 --> 00:48:40.682
It's informative.

00:48:41.282 --> 00:48:42.452
It's it should be fun.

00:48:42.812 --> 00:48:44.492
So call it something that resonates.

00:48:45.002 --> 00:48:46.292
Christian: I love that, right?

00:48:46.292 --> 00:48:46.662
Leonardo.

00:48:46.682 --> 00:48:47.492
We're nearing the end.

00:48:47.612 --> 00:48:49.772
I've got two more questions,
which everyone gets asked

00:48:49.772 --> 00:48:50.642
at the end of the podcast.

00:48:50.642 --> 00:48:53.732
So the first one is what is
one soft skill that you wish

00:48:53.762 --> 00:48:54.962
more designers would possess?

00:48:55.937 --> 00:48:56.117
That's

00:48:56.117 --> 00:48:56.627
Leonardo: a good one.

00:48:57.077 --> 00:49:00.407
Um, I think designers are mostly
good at this, but what we talked

00:49:00.407 --> 00:49:03.947
about earlier in like building
up on empathy means listening.

00:49:04.877 --> 00:49:11.117
It means hearing more than you say,
giving more than you take and that that's

00:49:11.117 --> 00:49:14.057
a soft skill or that translates to a
soft skill, just being a good listener.

00:49:14.687 --> 00:49:18.287
And, but we're also creative than I
am one too, or I will interject and

00:49:18.287 --> 00:49:19.337
I will cut off if I have something.

00:49:20.687 --> 00:49:21.767
It's bad behavior.

00:49:21.827 --> 00:49:25.247
And I think it's good behavior
to figure out how can I become a

00:49:25.247 --> 00:49:27.527
better listener because it's going
to make you a better designer.

00:49:27.587 --> 00:49:30.077
You're going to get more information
it's going to fuel you sure.

00:49:30.407 --> 00:49:32.597
Christian: But the other one is
what's one piece of advice that has

00:49:32.597 --> 00:49:34.217
changed your career for the better.

00:49:35.207 --> 00:49:38.627
Leonardo: Well, aside from the metrics
mindedness that, uh was instilled

00:49:38.627 --> 00:49:42.617
in me early in my career, I'll
build on something I said earlier

00:49:42.617 --> 00:49:48.377
and say having a strong point of
view that is data backed, but also.

00:49:50.112 --> 00:49:54.492
Comes with passion and it comes with
experience is going to give you a lot

00:49:54.492 --> 00:49:56.532
of opportunities in your career growth.

00:49:57.072 --> 00:50:01.872
And I don't say that to mean be a
bully, be the loudest voice in the room.

00:50:02.452 --> 00:50:06.142
Obviously that's not going to help
you, but if you're decisive and you're

00:50:06.142 --> 00:50:10.012
intentional and you have a strong
point of view, and then you say why

00:50:10.012 --> 00:50:12.562
you have that strong point of view,
even if the point of view is wrong, or

00:50:12.562 --> 00:50:16.122
even if somebody challenges it, you're
kind of showing that you have this.

00:50:17.127 --> 00:50:22.347
To navigate really complex spaces
with passion and strong ability,

00:50:23.367 --> 00:50:24.537
and you're going to get shit done.

00:50:25.017 --> 00:50:27.927
And I think at the end of the
day, designers, that exude that

00:50:27.927 --> 00:50:30.147
energy of like, I'm ready to rock.

00:50:30.177 --> 00:50:31.137
I'm ready to go.

00:50:31.557 --> 00:50:32.337
Give me a challenge.

00:50:32.337 --> 00:50:35.127
And I'm going to tell you what I think
we should do about it is better than

00:50:35.127 --> 00:50:36.627
being the silent voice in the room.

00:50:37.947 --> 00:50:38.547
Christian: I love that.

00:50:38.997 --> 00:50:41.307
I love that analogy at the
end that you made here.

00:50:41.397 --> 00:50:42.447
I'm ready to rock and roll.

00:50:42.507 --> 00:50:43.907
Let's go there.

00:50:43.907 --> 00:50:45.807
Another, this has been
an absolute pleasure.

00:50:45.867 --> 00:50:49.167
I think I've learned a lot and I'm
pretty sure the listeners have as well,

00:50:49.167 --> 00:50:52.647
but just in case they want to follow
up just in case they want to follow

00:50:52.647 --> 00:50:55.077
you on whatever social media you're on.

00:50:55.167 --> 00:50:56.247
How can they get ahold of you?

00:50:57.522 --> 00:51:00.822
Leonardo: I'm an oversharer and I'm
an open book and, uh, I am active

00:51:00.822 --> 00:51:04.632
on Instagram, mostly with art and
design that I curate and collect.

00:51:04.722 --> 00:51:06.192
And it's Delarosa with the zero.

00:51:06.492 --> 00:51:09.142
And then obviously you can find me
on LinkedIn, Leonardo De La Rocha.

00:51:09.192 --> 00:51:11.202
I come up and yeah, connect with me.

00:51:11.262 --> 00:51:12.912
And you can also find me on ADP list.

00:51:12.912 --> 00:51:17.692
I don't have a lot of time these days, but
whenever I unlock my calendar my calendar.

00:51:18.577 --> 00:51:18.877
Christian: For sure.

00:51:18.907 --> 00:51:19.987
We'll put this in the show notes.

00:51:19.987 --> 00:51:21.997
So it's easy for our
listeners to find you.

00:51:22.327 --> 00:51:24.307
They're not, now this has
been an absolute pleasure.

00:51:24.307 --> 00:51:27.367
So thank you one more time for being
part of the Design Meets business

00:51:27.367 --> 00:51:28.477
journey as I like to call it.

00:51:28.867 --> 00:51:30.187
And, um, we'll be in touch soon.

00:51:30.907 --> 00:51:31.327
Leonardo: Wonderful.

00:51:31.327 --> 00:51:31.597
Christine.

00:51:31.597 --> 00:51:32.587
It's been my pleasure as well.

00:51:32.617 --> 00:51:33.427
Thanks for inviting me.

00:51:36.667 --> 00:51:37.867
Christian: That's a wrap for today.

00:51:38.167 --> 00:51:41.797
I hope you found this episode useful and
that you've learned something that you're

00:51:41.797 --> 00:51:43.507
ready to implement that work tomorrow.

00:51:44.077 --> 00:51:45.067
If you've enjoyed this.

00:51:45.762 --> 00:51:48.162
It would mean the world to me,
if you'd share it with your

00:51:48.162 --> 00:51:50.082
community, if you'd leave a review.

00:51:50.202 --> 00:51:54.012
And of course, if you'd remember
to tune in for the next one, peace.