WEBVTT

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Matt Abrahams: Focusing on
relevance and agency can transform

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your communication and connect
your meaning to your audiences.

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My name is Matt Abrahams, and I
teach Strategic Communication at

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Stanford Graduate School of Business.

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Welcome to Think Fast
Talk Smart, the podcast.

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Today I look forward to
speaking with Sinéad Bovell.

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Sinéad is a futurist and the founder
of WAYE, a tech education company

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that prepares businesses and the next
generation of leaders for a future

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shaped by advanced technologies.

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She is an 11-time United Nations
speaker and serves as an expert

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advisor to the UN AI Advisory Body.

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Sinéad helps bridge the gap between
complex technological advancements

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and everyday understanding.

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Welcome, Sinéad.

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Thank you so much for joining me here in
the Theorist Studios in New York City.

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I'm excited for our conversation.

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Sinéad Bovell: Thank you
so much for having me.

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It's great to be here.

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Matt Abrahams: Okay.

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Shall we get started?

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Sinéad Bovell: Yes.

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Let's dive in.

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Matt Abrahams: Excellent.

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Uh, you've been called the AI
educator for the non-nerds because

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of your ability to take complex
information and make it accessible.

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How do you do that?

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Are there certain
frameworks that you rely on?

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How do you take complexity and
make it accessible to people?

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Sinéad Bovell: Hmm.

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Yeah, and I was actually surprised by, by
that, that slogan myself when it came out.

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But I'd say you have to meet people
where they are and with information

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that's actually relevant to them.

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So when it comes to technology, 'cause
that's something that I communicate about

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a lot, uh, it can seem really overwhelming
for people because people inherently

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assume if you don't have the technical
skills or the coding skills or whatever

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it is of the technology you're speaking
about, you're probably disqualified from

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the conversation, and that's not true.

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So you have to show people perhaps an
example of something that would've seemed

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quite radical historically, a technology
that they now use today fluently.

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Uh, and then also how is this technology
or the thing you're communicating

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culturally relevant to somebody's life?

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When things are too abstract and
you don't bring it down, it's hard

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for people to connect with it.

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So I always try to meet
people where they are.

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And then I think there's a
lot to say about the format.

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So is somebody finding you on a
YouTube video or on something that's

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90 seconds or something more formal to
try to fit the medium, because that's

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usually where the audience, that's
how the audience expects some form of

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communication, uh, or some form of style.

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So I try to be cognizant of those things.

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And then I'd say the final thing, if
you're not passionate about the thing

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that you're delivering and you don't
genuinely think it's important for

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people to know, or you're not excited
about it or concerned about it, that

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also comes through in how you try to
get somebody to understand something.

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So if it's not genuine and you are not
actually excited about it or don't really

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feel like it's important, that also shows.

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So I, the things that you see
me talk about publicly are the

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things that I'm, I genuinely care
about, I'm inspired by them, or I

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think that they're important too.

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Matt Abrahams: And your
passion certainly comes out.

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I've seen you present a number of
times, and you clearly are passionate

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and knowledgeable, which are critical.

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So I heard you talk about
several things there.

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One, you have to meet your audience
where they are, which means you have

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to understand and appreciate their
level of knowledge on the topic.

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You have to try to make
it relevant to them.

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They have to be able to see how it works.

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You rely on comparisons
and analogies to connect.

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And then you also think, and I think
this is really smart, to think about

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the channel through which they're
accessing the information and try

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to conform to those expectations.

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So if you're, if you're meeting people
on a, a quick Reel or, or YouTube

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Short, you can't go into too much
detail, so you have to prioritize.

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So excellent, and that advice, I think,
holds true for anybody communicating

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about anything that's complex.

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Uh, you frequently note that soft
skills appreciate over time while

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technical skills depreciate.

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As artificial intelligence takes over
more of our lives, how can we better

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lean into those soft skills, and how can
leaders and managers put an emphasis on

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that for the people that work for them?

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Sinéad Bovell: Yeah.

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And this is a tricky one, right?

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Because we've spent the last 15 years
hearing a lot about the more technical

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skills and how important they are.

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And it's not that they're not
important, it's just that the

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half-life of the average technical
skill is now between 2.5 to 5 years.

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So that just means if you are leaning into
technical skills, you're gonna have to

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expect to continue to upgrade and change.

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So when we think about the soft skills,
and I don't even know if they're soft

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skills, because skills like self-directed
learning, adaptability, judgment, these

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can, can be more challenging to learn.

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Matt Abrahams: Right.

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They're quite hard.

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Sinéad Bovell: You have
more opportunities to do so.

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You can exercise some of this just
at home or in the grocery store.

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But they do appreciate over value
because these are the, the skills

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that the tools that we're working
alongside can't yet cultivate.

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So when it comes to leaders, first of all,
you have to guide by incentives, right?

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So what type of work
are you incentivizing?

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And this is something I actually
do see in organizations.

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So maybe a KPI or an OKR, um, or some sort
of benchmark doesn't yet account for the

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fact that you want your employees to, to
demonstrate a different type of skill.

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So you suddenly tell them communication's
really important here, and there's no

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opportunity for that employee to deliver
their presentation in a way that they

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can express themselves in a different
format aside from just some sort of

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email or some sort of attachment.

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So you do wanna try to align the
incentives with that directive, um,

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if you can also demonstrate it, and
then also give people examples to

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show what, why that skill is relevant.

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So if we're trying to get people to
build judgment skills or build critical

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thinking, where does that matter in their
workflow and how they get evaluated?

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And again, that comes back to, to the
incentive systems because what people

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don't want to feel like they have to
do is add more on top of something that

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they're not even getting evaluated on.

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I think inspiring people in that way,
uh, giving people examples, those are the

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areas that I think are, are important.

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And then we also just have to start
talking more about the value of,

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of these softer skills, uh, or the
non-technical skills and how centered

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they are, uh, today and going forward.

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Matt Abrahams: Absolutely.

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The, the ability to take these skills
that are non-technical and really learn

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them and apply them is really important.

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And again, very astute to make sure that
it's all about helping people understand

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the relevance of those skills, giving them
opportunities to practice, and incentives.

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It's another thing to support it,
encourage it, and I heard you also

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say role model it so people see it.

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And take the time to discuss it.

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You know so many people, especially
in the realm of communication, just

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assume that people know how to do
it, but we have to take the time

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to acknowledge and reward that too.

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So it's, it's building not just
the mandate, but building the

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infrastructure to support it.

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You have had, uh, amazing
opportunities to communicate in

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lots of different situations.

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You're up in front of Fortune
500 companies, the UN.

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How do you instill your message
around ethical use of technology, the

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importance of AI and foresight, at the
same time, avoid people getting really

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nervous, afraid, and, and just hunkering
down with the way the status quo is?

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How, how do you encourage people to adapt
towards the future without scaring them?

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Sinéad Bovell: Hmm.

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So I'd say there, the blanket
approach, because it does, I do

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change depending if I'm in front of
a Fortune 500 leader, um, or someone

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who's evaluated on different metrics
or has different goals and incentives.

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Um, but I'd say the, the theme behind my,
I don't even have a strategy, but I think

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what suits, fits well with me is if you
scare people too much, if you disempower

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them, they do unsubscribe from the very
activities you need them to lean into.

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So you can only take people so far with
showing the fear and the consequences,

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and you have to trust that when you
are communicating something that is

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uncomfortable, um, something that is
urgent, that people can follow you and

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you don't need to take them off the cliff.

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That they can see what the consequence
is if we continue to go down, let's

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say, the status quo, um, without
taking them to a point where it

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feels like there's no return.

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Then you have to show how clear somebody
does have agency that is listening.

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And so if I'm in a room, let's say, with
world leaders and we're talking about a

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technology that seems like it's moving
really quickly and it seems so foreign and

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out of our control and, and unprecedented
is a term we hear over and over.

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Have we done this before?

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Was there a moment in history that the
same people in this room did something

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similar, as radical, as profound?

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And so when you take people to
those moments, they can start

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to see the path for themselves.

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Uh, when it comes to a Fortune 500
company, uh, again, and I constantly

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connect back to the incentives.

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If you are being evaluated by, um, the
stock market, that matters to you, right?

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And if it's going to show up in your
bottom line, that's something that

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a, a leader, and, and of course, they
also care about fairness and ethics.

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But if you say, you know, you're, you're
also perhaps missing 40% of a market

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by not addressing the bias in these
algorithms, that's really significant.

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So you can attach the fairness
argument in addition, though, this

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is what also matters to you in
quarter one, in quarter two, uh, and

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you're leaving this on the table.

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So there's, I think, different approaches
depending on who's in that room.

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But I'd say the, the theme
is not to disempower people,

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because then you do lose them.

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And that's the, the exact wrong
action that you're trying to,

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to inspire people to take.

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Matt Abrahams: And a quick reminder
to make sure you're following our show

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This is the best way to help
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And now back to our conversation.

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There's a lot there I want to dig into
It starts with really appreciating

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that what you're talking about can be
perceived as scary  and as threatening.

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And once you understand that, then I think
many of the techniques you mentioned are

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really important, making sure people have
a sense of agency, connecting it to things

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that they might have done in the past
when they've been challenged, helping them

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to see the incentives are in alignment.

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All of those make a lot of sense.

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You've built a massive digital platform to
educate youth on the future of technology.

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What have you found to be the most
effective storytelling techniques

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to reach that generation or, or
storytelling techniques in general?

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Sinéad Bovell: I mean, and this would,
again, come back to what are the

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things that matter for that audience?

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So storytelling around education,
skills, jobs, choices that they would

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be making in their day-to-day life.

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I tend to have that through line between,
you know, whether it's Substack or

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whether it's something that I'm doing
that's a 90-second video, again, meeting

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that audience where they are, but also
showing them the path to the decisions

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that they're gonna make today, connecting
the storyline to their future, right?

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'Cause the, the future that we're
building today, we're actually

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giving it to that generation.

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So I think showing them that, that
this is why this is something that's

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important to you, even though it
may feel like you're not in that

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decision-making room, by the time you
get there, these are the decisions

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today that you're going to inherit, and
this is why you need to pay attention,

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and this is how you can make a change.

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Uh, and then also making things fun
and not always overly intellectualized

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just for the sake of it.

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Get to the point as well.

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People have things to do.

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You're also competing with a lot of
other pieces of content or, or media

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streams, so respecting people's time.

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And I actually see it as that.

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Not just, uh, to communicating quickly
because the, the medium says 90 seconds

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or less, but if someone's gonna stop and
listen to you and take that time, respect

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the time that they're giving you, right?

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Communicate the fact clearly, say the
important thing, and strip away everything

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else, uh, and, and deliver it in a way
that makes sense to the audience that

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you're asking to, to lean in and listen.

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Matt Abrahams: That respect piece I think
is really important, especially when

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talking to younger folks who might feel
they're left out or not respected in this.

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So taking the time to respect that you're
listening, demonstrating or showing them

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how getting involved now will help with
their futures, and the decisions being

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made now, to understand those will help
you to determine that future that you,

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that you live in and hopefully co-create.

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Sinéad Bovell: I think there can be
the temptation to think, "Well, I'm

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speaking to a really young audience.
I have to change the tone, and

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they're only gonna understand some
things." And that's actually not true.

00:13:18.392 --> 00:13:22.271
Sometimes, you know, they also wanna be
spoken to like the rest of the adults in

00:13:22.271 --> 00:13:26.771
the room, 'cause the message is just as
serious for them, uh, or they feel like,

00:13:26.771 --> 00:13:30.442
you know, "This matters for me, too, so
you don't have to cut off half of the

00:13:30.442 --> 00:13:33.561
important message because you think I'm
too young to hear it. If it's important

00:13:33.562 --> 00:13:37.562
for my future, I qualify to listen to
it." So sometimes my message is actually

00:13:37.562 --> 00:13:39.302
quite similar and so is the delivery.

00:13:39.641 --> 00:13:40.472
Matt Abrahams: Amen to that.

00:13:40.492 --> 00:13:44.841
We, we, we don't have to talk down to
people who are younger or who don't have

00:13:44.842 --> 00:13:46.531
the technical background, et cetera.

00:13:47.562 --> 00:13:48.822
Find ways to connect.

00:13:48.932 --> 00:13:50.312
Find ways to make it relevant.

00:13:51.182 --> 00:13:54.092
We'll be right back to finish our
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And now, back to our conversation.

00:15:01.792 --> 00:15:05.102
I want to switch gears and talk a
little bit about you and your career.

00:15:05.121 --> 00:15:07.001
Uh, you've made several career leaps.

00:15:07.062 --> 00:15:09.702
Uh, you started in finance
and management consulting.

00:15:09.892 --> 00:15:11.772
You did a little modeling in your career.

00:15:12.091 --> 00:15:15.341
What advice do you have to
someone who's trying to rebrand

00:15:15.341 --> 00:15:19.502
themselves and communicate the,
the new way they are in the world?

00:15:19.912 --> 00:15:23.162
Sinéad Bovell: It really comes down to
the fundamentals of business, right?

00:15:24.182 --> 00:15:28.321
The thing that makes you different, that
is actually your competitive advantage.

00:15:28.321 --> 00:15:33.902
So sometimes we can feel like when we're
changing lanes to what would seem on the

00:15:33.942 --> 00:15:37.782
outside towards a path that seems like
it is nothing, it doesn't connect to

00:15:37.782 --> 00:15:41.221
the thing that you're doing, or you're
making an con- entirely right turn

00:15:41.282 --> 00:15:42.782
when everybody else is going straight.

00:15:43.002 --> 00:15:46.532
That actually puts you at a unique
intersection that nobody else operates on.

00:15:46.611 --> 00:15:48.721
That is a superpower in and of itself.

00:15:49.042 --> 00:15:52.652
Uh, so I think that is one area that
I try to tell people it doesn't matter

00:15:52.662 --> 00:15:56.232
how many zigs and zags in your  in,
in your career you wanna make.

00:15:56.362 --> 00:16:00.112
There's a way to connect those dots
that make you unique, and that's

00:16:00.112 --> 00:16:01.872
what also can make you stand out.

00:16:02.232 --> 00:16:07.472
And you also learn a lot about
the world and different markets

00:16:08.312 --> 00:16:11.702
based on the different audiences
and worlds you interact with.

00:16:11.722 --> 00:16:18.392
It wasn't until I left business and
went into fashion that I was inspired

00:16:18.392 --> 00:16:21.622
to talk more about business and
more about technology and more about

00:16:21.622 --> 00:16:25.282
strategy because I realized who was
being left out of that conversation.

00:16:25.591 --> 00:16:29.362
So sometimes it can surprise you
what you discover about yourself and

00:16:29.362 --> 00:16:33.002
your skill set when you step into
the unexpected, and that's what I

00:16:33.002 --> 00:16:35.452
have found consistently in my career.

00:16:35.762 --> 00:16:40.982
And, you know, it's, the more I'm
in a position that seems like it's,

00:16:40.982 --> 00:16:44.772
it's entirely unrelated to the one
before it, the more the previous

00:16:44.772 --> 00:16:48.942
experience, uh, comes into play
and the more it becomes a strength.

00:16:49.502 --> 00:16:52.212
Uh, so that's how I've connected
some of the dots in my career.

00:16:53.002 --> 00:16:55.732
Matt Abrahams: I really like this
notion of step into the unexpected.

00:16:55.792 --> 00:17:00.042
Look for the intersectionality and
what that does to make you unique.

00:17:01.550 --> 00:17:03.520
How have you communicated that though?

00:17:03.609 --> 00:17:07.480
I can understand the, the items that
you would want to communicate as

00:17:07.480 --> 00:17:11.760
a result, but how have you thought
through how best to communicate that?

00:17:11.990 --> 00:17:15.329
'Cause many people listening,
I think, have had some pivots,

00:17:15.349 --> 00:17:16.970
maybe not as dramatic as yours

00:17:16.970 --> 00:17:23.322
Sinéad Bovell: I mean, I think everybody
can relate to being passionate about

00:17:23.322 --> 00:17:28.492
something or super curious about
something and making the decision not

00:17:28.502 --> 00:17:31.212
to pursue it, and perhaps regretting it.

00:17:31.882 --> 00:17:37.811
So for me, I chose to take
that risk and make the decision

00:17:37.821 --> 00:17:39.092
to step into the unknown.

00:17:39.092 --> 00:17:41.492
And so I think that there's a through
line that we've all, or we've all

00:17:41.492 --> 00:17:44.822
been at a point in our life in some
way that we faced a trade-off, or we

00:17:44.822 --> 00:17:49.562
faced a decision, uh, and it seemed
like one was a lot more foreign and

00:17:49.562 --> 00:17:52.931
one was a lot more unknown, and we
all dealt with it in different ways.

00:17:53.272 --> 00:17:56.741
Uh, so for me, I think I communicate,
you know, these were my curiosities,

00:17:56.741 --> 00:18:00.192
these were my passions, and I
knew I had to follow that line.

00:18:00.192 --> 00:18:03.802
I knew that I had to take that leap,
uh, and that was the risk that I was

00:18:03.802 --> 00:18:05.902
comfortable and I was willing to take.

00:18:06.121 --> 00:18:09.501
And I think also, you know, I
had equipped myself with a bit

00:18:09.501 --> 00:18:12.891
of a foundation so I could take a
leap, uh, and so that's something.

00:18:12.892 --> 00:18:17.252
But, you know, sometimes I'm also, these
are the decisions that I made, and as

00:18:17.292 --> 00:18:20.442
Steve Jobs says, you know, the dots
only connect when you look back, and

00:18:20.442 --> 00:18:22.332
that's one of those examples, I'd say.

00:18:22.572 --> 00:18:25.882
Matt Abrahams: I like how you
immediately connected this to

00:18:25.882 --> 00:18:27.371
something that other people are doing.

00:18:27.381 --> 00:18:30.942
Lots of us, uh, have passions
that we, we might regret.

00:18:31.022 --> 00:18:34.612
And, and that's a, that's a great way
to start, and it shows that you're

00:18:34.612 --> 00:18:39.002
somebody who's passionate and willing
to, to investigate and explore those.

00:18:39.012 --> 00:18:41.002
Sinéad Bovell: And we have
varied multied interests, right?

00:18:41.002 --> 00:18:42.852
No one is just one thing.

00:18:43.062 --> 00:18:43.272
Matt Abrahams: Right.

00:18:43.272 --> 00:18:46.032
Sinéad Bovell: We, we're coming
out of this industrialized economy

00:18:46.032 --> 00:18:48.912
where it feels like you are your job
title, but that's actually not true.

00:18:49.161 --> 00:18:52.672
Most of us have many different
interests, uh, and, and varied

00:18:52.672 --> 00:18:56.322
interests at that, that seem unrelated
to other people, but not to us.

00:18:56.352 --> 00:18:58.742
We are the through line in those ideas.

00:18:59.121 --> 00:19:00.122
Matt Abrahams: We are the through line.

00:19:00.682 --> 00:19:01.262
I, I like that.

00:19:02.112 --> 00:19:04.842
Before we end, I like
to ask three questions.

00:19:04.842 --> 00:19:07.712
One I make up just for you, and the other
two I've been asking for a long time.

00:19:07.722 --> 00:19:08.292
Are you up for that?

00:19:08.331 --> 00:19:08.972
Sinéad Bovell: Let's do it.

00:19:09.831 --> 00:19:14.032
Matt Abrahams: I am very impressed with
not only your thinking, but the way

00:19:14.032 --> 00:19:15.702
in which you articulate your ideas.

00:19:16.132 --> 00:19:21.372
How did you learn, and how do you continue
to learn to communicate effectively?

00:19:21.392 --> 00:19:21.982
What do you do?

00:19:22.772 --> 00:19:24.702
Sinéad Bovell: I am constantly doing it.

00:19:25.062 --> 00:19:29.872
So whether that is making a social media
video, and sometimes you are actually

00:19:30.472 --> 00:19:34.112
moving through the knots of, how do
I actually say this in 60 seconds?

00:19:34.572 --> 00:19:37.191
And so continuing to try
to master that craft.

00:19:37.442 --> 00:19:42.631
I'm on stages quite a bit discussing
some of these ideas, uh, communicating

00:19:42.632 --> 00:19:43.962
them passionately with friends.

00:19:43.962 --> 00:19:48.152
And you don't have to be a professional
communicator and get paid for it, but

00:19:48.152 --> 00:19:53.412
if there are things that interest you,
a news story, geopolitics, sharing those

00:19:53.412 --> 00:19:58.271
ideas with people can start to force you
to communicate them in a way that that

00:19:58.272 --> 00:20:01.501
audience, even if it's one person in
the coffee shop, is going to understand.

00:20:02.001 --> 00:20:03.252
I'd say that that's one thing.

00:20:03.782 --> 00:20:07.422
Uh, the things I communicate are the
things I am genuinely very passionate

00:20:07.422 --> 00:20:09.692
about, so I think that really helps.

00:20:10.464 --> 00:20:12.864
Um, and I, I practice.

00:20:12.864 --> 00:20:16.704
I think that there's, for some people,
they can grab a mic and it's very

00:20:16.734 --> 00:20:19.394
ad hoc, and sometimes I do that.

00:20:19.444 --> 00:20:24.014
But I also have no problem with
rehearsing something that's really

00:20:24.014 --> 00:20:28.204
important to me and getting it down pat
in a way that I feel comfortable with.

00:20:28.504 --> 00:20:32.684
Uh, it doesn't work for everyone, but
for me, I like to come prepared, and

00:20:32.684 --> 00:20:33.964
that's something that I tend to do.

00:20:34.454 --> 00:20:38.053
Matt Abrahams: So the preparation, the
repetition, the passion is what leads

00:20:38.064 --> 00:20:42.604
you to continue to develop the skills,
and that's a good lesson for everybody.

00:20:43.204 --> 00:20:46.873
Question number two: Who is a
communicator that you admire, and why?

00:20:47.574 --> 00:20:51.764
Sinéad Bovell: Steve Jobs is someone
who I, I re-watch his speeches.

00:20:52.304 --> 00:20:55.194
I re-watch his announcements.

00:20:55.984 --> 00:20:59.103
And I'm, I'm noticing the
through line is people who, who

00:20:59.114 --> 00:21:01.814
make very intentional pauses.

00:21:02.213 --> 00:21:05.014
And whether that's planned or
whether that's because they

00:21:05.023 --> 00:21:08.064
are genuinely thinking, I think
President Obama does it as well.

00:21:08.684 --> 00:21:11.854
Uh, and so those are the types of
styles, I don't think I communicate

00:21:11.904 --> 00:21:15.843
anything like either of those
two, but they are, they are voices

00:21:15.843 --> 00:21:17.913
that I could listen to on repeat.

00:21:18.343 --> 00:21:21.874
And there's a rhythm, and it feels
like there's a call to action even if

00:21:21.874 --> 00:21:25.134
there isn't one in the actual message.

00:21:25.574 --> 00:21:28.584
Uh, the call to action to come back and
to listen and to learn and to be inspired.

00:21:28.614 --> 00:21:31.614
So I'd say those are two, two
voices that I could put on repeat.

00:21:32.254 --> 00:21:35.533
Matt Abrahams: The intentionality
and the presence are what

00:21:35.533 --> 00:21:36.254
I hear you talking about.

00:21:36.454 --> 00:21:40.114
The ability to pause, the ability to
make it sound like there's, there's

00:21:40.174 --> 00:21:42.394
action to be done even if there isn't.

00:21:43.694 --> 00:21:45.824
We've, we've heard those names before for,

00:21:46.074 --> 00:21:46.264
Sinéad Bovell: Have you?

00:21:46.264 --> 00:21:47.084
Matt Abrahams: For very similar reasons.

00:21:47.084 --> 00:21:47.754
Yes, absolutely.

00:21:47.954 --> 00:21:49.573
Sinéad Bovell: And can I
ask you about the pause?

00:21:49.584 --> 00:21:49.604
Yeah.

00:21:49.604 --> 00:21:51.504
So what is it with the power of the pause?

00:21:51.854 --> 00:21:55.474
Uh, uh, is, is it intentional, or does
it seem like it's natural, or should,

00:21:55.494 --> 00:21:57.313
do you encourage people to pause more?

00:21:57.854 --> 00:22:02.484
Matt Abrahams: What we know is
when somebody pauses it allows the

00:22:02.484 --> 00:22:07.364
audience to reflect and catch up, so
it does a service to the audience.

00:22:07.754 --> 00:22:11.953
It certainly can help a speaker to
collect their thoughts and move forward.

00:22:12.534 --> 00:22:17.494
And we know from research in status
and power that those who pause

00:22:17.593 --> 00:22:20.754
typically are perceived as having
higher status and power as well.

00:22:20.764 --> 00:22:21.274
Sinéad Bovell: Interesting.

00:22:22.054 --> 00:22:24.834
Matt Abrahams: So one of the
recommendations, uh, to somebody who's

00:22:24.844 --> 00:22:29.413
wanting to bolster their standing in
a group might be to speak more slowly,

00:22:29.764 --> 00:22:34.234
to pause a little longer, because we
typically assume somebody in a, in a

00:22:34.234 --> 00:22:37.114
position of power and status, uh, do that.

00:22:37.374 --> 00:22:40.364
The other thing that pausing does is it
allows you to regulate your breathing.

00:22:40.884 --> 00:22:44.844
And a lot of the nervous tics that we
have, speaking too quickly, having our

00:22:44.844 --> 00:22:49.434
voice change, saying lots of filler words,
is a result of breathing too quickly.

00:22:49.443 --> 00:22:54.893
So pausing can be very important, not just
for you, but for the audience that you're

00:22:54.894 --> 00:22:56.994
speaking to, but it has to be genuine.

00:22:56.994 --> 00:23:01.344
You can tell somebody who's purposely
putting in pauses when they speak.

00:23:01.654 --> 00:23:05.054
So, uh, again, through practice,
repetition, getting feedback,

00:23:05.054 --> 00:23:07.464
as you mentioned, uh, you
can find what works for you.

00:23:07.924 --> 00:23:11.363
Without pausing, I'd like to
ask you, uh, a final question.

00:23:11.933 --> 00:23:16.594
What are the first three ingredients that
go into a successful communication recipe?

00:23:16.844 --> 00:23:19.834
Sinéad Bovell: The topic has to,
has to matter to you or be something

00:23:19.834 --> 00:23:22.154
that you feel called to speak about.

00:23:22.284 --> 00:23:29.963
I'd say the second, what is the take
home message that you want people to be

00:23:29.974 --> 00:23:32.493
leaving with if there was just one idea?

00:23:33.233 --> 00:23:38.114
Uh, and sometimes I even say that in my,
my talks, if there was one thing that

00:23:38.114 --> 00:23:39.993
you listened, and I announce the thing.

00:23:41.214 --> 00:23:46.144
And I would say the third
in effective communication,

00:23:46.884 --> 00:23:49.534
for me, a sense of calmness.

00:23:51.574 --> 00:23:57.724
Uh, people can really feel if you feel
uncertain or if you feel somewhat anxious.

00:23:57.724 --> 00:24:02.374
So I try to be as calm as possible,
uh, and that's what has worked for me.

00:24:02.374 --> 00:24:07.093
So I'd say being passionate about the
topics, the take home message, uh, and

00:24:07.093 --> 00:24:11.154
delivering it with a sense of being
comfortable with the things you're saying.

00:24:11.404 --> 00:24:15.674
Not necessarily comfortable in front
of people or on live television, but

00:24:15.674 --> 00:24:17.144
with the things that you're delivering.

00:24:17.144 --> 00:24:18.113
I think that that helps.

00:24:19.014 --> 00:24:23.144
Matt Abrahams: Those listening in know
I love, uh, acronyms and alliteration.

00:24:23.144 --> 00:24:26.513
And so if you allow me, I'm gonna
take the third thing you said

00:24:26.514 --> 00:24:28.434
and, and reframe it a little bit.

00:24:28.454 --> 00:24:31.044
But it's about topic, something
you're passionate about.

00:24:31.264 --> 00:24:35.074
It's being clear on the takeaway, and
it's finding the tone that fits for you.

00:24:35.154 --> 00:24:36.484
So it's the three T's.

00:24:36.644 --> 00:24:37.804
So thank you for that.

00:24:38.044 --> 00:24:40.534
And thank you for this
entire conversation.

00:24:41.423 --> 00:24:45.103
You've opened my mind, and hopefully
the mind of those listening in, to

00:24:46.394 --> 00:24:50.484
the power of possibility, but the
responsibility we have to think

00:24:50.484 --> 00:24:55.004
about how we bring others along and
how we can have a sense of agency.

00:24:55.314 --> 00:24:59.464
And your focus on really helping
make things be relevant to people

00:24:59.914 --> 00:25:03.803
and inspiring while being honest
and direct are really important.

00:25:04.184 --> 00:25:05.174
So thank you so much for your time.

00:25:05.174 --> 00:25:05.594
Sinéad Bovell: Thank you so much.

00:25:05.624 --> 00:25:07.024
Thanks for the thoughtful questions.

00:25:07.034 --> 00:25:07.794
This has been a pleasure.

00:25:09.164 --> 00:25:11.084
Matt Abrahams: Thank you for
joining us for another episode of

00:25:11.084 --> 00:25:12.924
Think Fast Talk Smart, the podcast.

00:25:13.423 --> 00:25:17.014
To hear more interesting and insightful
episodes like this one, be sure to check

00:25:17.014 --> 00:25:22.413
out our back catalog of episodes in your
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00:25:23.034 --> 00:25:27.464
This episode was produced by Katherine
Reed, Ryan Campos, and me, Matt Abrahams.

00:25:27.824 --> 00:25:29.434
Our music is from Floyd Wonder.

00:25:29.724 --> 00:25:35.114
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