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Unknown: And I'm tempted
sometimes to learn the new

2
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cheese diddles and stuff, but I
also realize, do I really need

3
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this? I don't think so, but I
think it's really cool that

4
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what's a cheese

5
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diddle? First and foremost,
it's, well, they

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sell them in the chip aisle,
yeah, are

7
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they? Are they a new item at
buckies Cheese dittles

8
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are like, like, a flam with a
drag and then another. You know?

9
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It's

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like, imagine a paradiddle.
Okay, right, left, right, right.

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So put a flam on the first
right. And as well as a diddle,

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dig it, that, dig at it, that,
dig it, do that. He loves me.

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And then once you get used to
that, now start it the other the

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other hand. Because even though
you're alternating right to

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left, so on and so a lot

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of people think you're just a
leather jacket wearing long

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haired rock drummer that rules,
but no, but you're, you're

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actually the guy that was like,
Okay, now I'm gonna do this

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exercise with my feet. I

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would get, I would get, part of
the reason that I can do a lot

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of the stuff I can do is, like,
I get bored middle school, I was

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playing drums seven hours a day.
Yeah,

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this is the rich Redmond show.

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Hey, man, you know, it's the
drumming and doing what you'd

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love for your life is your youth
pill.

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We did. We have a guy here who
works for us. You met him

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before. His name is DC, and he's
a professional bearder,

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competitive bearding. It's a
thing. And I mean, his beard is

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amazingly beautiful, but the
work,

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the work that goes into that
beard,

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beard grooming, the oil, I

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do that with my beard. Do you do
that? Like the oils? Yeah,

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my wife makes some concoctions
and stuff, and I'll put them in

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there. By the way, those are
amazing

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truffles. It's a box of
truffles, right? The

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main thing is, I wanted to get
them out of my house, yeah?

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I'm like, don't do that. My
mother brought over. I don't

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know why she had them, but she
had those Ferrero shades. Yeah,

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those things are,

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like, those are incredible,
because I got a little crunch in

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them. She don't have the crunch,
but they're richer. Like, the

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milk is like, these cows are
like, princes, kings, or

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whatever she

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brought over the multi pack
original dark chocolate and

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coconut Yeah.

46
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Oh, coconuts, my jam, like
coconut milk, coconut shavings,

47
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coconut shrimp, anything,
coconut carrot cake. I'm with

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coconut flake on top, and it's
got to have the cream cheese

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frosting, not the confession,
not sugar, nope. If you're gonna

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go

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do

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Oh, do do it. Go, big, just do
it. Yeah, do it. You're gonna do

53
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it. Do it, right? I tell you
what, Jim,

54
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what did you think of the

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truffles? Do you like the
truffles were good? I had I had

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one, and only one. That's good,
because I'll eat that whole box.

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You're

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doing your thing. You know where
it came from? It came from my

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friend Stan Z Stan's lot, Koski.
I want to give him some some

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praise on the show, because he's
kind of like a, oh God. He is a

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supporter of the arts, an Erie
PA, Cleveland, you know, I did,

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just did the weekend with him.
He had me in for my kind of,

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whatever you call it, Master
Class clinic, one man show,

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motivational event, and he
hosted, and he had it catered,

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and he was showing me all around
town, and it was just a great

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time. And he said, Here, take
these truffles. And I just

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wanted to get them out of my
house, because sounds like it's

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your kind of party, you know,
you Oh, boy, you gotta. This is

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what I tell everyone. You gotta,
if you don't have to get ready,

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if you stay ready. And our tour
is one month away. So, you know,

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I've been hitting the gym and
drinking tons of water, doing my

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vitamins, doing my stretching,
lifting the weights. Got the

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paradiddles going, so I'm ready
to go, but you need to play on a

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kit, though, right? Yeah, you
know, all my friends at Remo

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love you. Chris Hart, I've been
with Remo since 1995 dinosaurs

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roamed the earth, but I just
ordered a set of those silent

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stroke heads so I can practice,
you know, because I just moved

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into a new crib, and I haven't
built a studio yet, and I want

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to be sensitive to the
neighbors. I just don't want

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00:04:06,360 --> 00:04:08,220
them to be eating me right out
of the gate.

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Is dw, they've got the
electronic kit out now, yes, and

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they offer to send me one, and I
got to take them up on it. There

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you go. Yeah, do it. There's
your answer. There's all sorts

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of answers. Bluetooth thing. So
who's that? Who's that that's

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talking to me across the way
from the Rosenberg 90th

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anniversary drum. Case, you
know, while we're here, let's

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give props to our friend. Mike
Berg, it's an American company,

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90 years in business.
Congratulations, Mike,

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absolutely. And you're also an
artist, right? Chris, I am all

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00:04:39,260 --> 00:04:41,800
right. So here's the deal on
Chris. Christopher Williams,

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hailing from Greenville, South
Carolina, calling Nashville home

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since 2008 he's not even 40
years old. He's a rock star.

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Look at all the people that he's
played with. Gene Simmons, Ace

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freely, except Andrew W K Rex,
brown, Derek, saying homes we

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share. That did a little bit
with Derek. Derek, Mick, Mars,

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Blackfoot, Lee green. Kid Rock.
Peter Stroud, what a player her

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1000 horses. The list goes on
and on. He's played with members

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of P funk, lit love, those guys,
the stones. We have to hear that

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story. Kiss, slaughter
Cinderella. He works a lot

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around town and on the road with
Phil s house and Jeremy as

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Brock. Sort of like the as
Brock, don't say that too fast,

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the kind of like, sort of like
the three kings of like classic

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rock. You guys disagree. Yeah,
doing the thing, man. And we're

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gonna talk about his education
and his background and what he's

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doing. But really, the latest
thing is, since 2015 celebrating

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10 years, he has been the
drummer with the legendary metal

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band, except you got your balls
to the wall kick. We're talking

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about our friend Christopher
Williams, What's up, buddy,

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Brother, how are you rich? I
appreciate you making the trip

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out here. Absolutely.

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Where's you coming down from?
Where do you live in Hermitage?

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Oh, yeah, yeah, yeah. That's a
bit of a drive. That's all

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right, but

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you're right by the airport,
which is great. That's the

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best part. Yeah, and there's
several means to get to the

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airport from Hermitage. Yes,

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it's very, very convenient,
speaking of the three kings,

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when we are all kind of living
in those houses, living in those

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houses, and Donaldson and
Hermitage, you know, we all

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lived in these band houses, and
then we had to get to the

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airport. It was, like, amazing.
And of course, this was pre

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Uber, pre lift. So we would call
those cowboy cabs the the

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minivan, yeah. And we'd be like,
we've got a lot of gear, and we

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have a flight to catch. Don't be
late. They were always every

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like, so it was, there was like
a 20 years ago, it was difficult

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to get reliable transportation.
Now everything is in our pocket.

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Uber Lyft. You can order it the
night before. I always get

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worried, like, I got still late,
dude, 3:45am sometimes my pickup

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is like, 3:45am and I'm like,
Who is going to do this? And you

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can't blame

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them around here, though,
because Nashville became

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Nashville and it's overcrowded.

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Yeah, as soon as those three
through three cabs showed up,

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that's when the game changed,
really. That's when it was when

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you you started seeing them pack
the the parking spaces on broad

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and all that, and the cops would
pull in and have to shove them

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out. That's around that time is
when Uber and all that started

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in the city, yeah, and then it
was completely different. You

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could get what's now a $20 ride.
You could get it for three, four

140
00:07:09,840 --> 00:07:15,120
bucks. Oh, wow. You could go
from I lived in Inglewood for a

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period, and to go from there to
five points. It's like three

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bucks. Wow, really? Yeah, I used
to go to Red Door East all the

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time because of that. So

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what is this? A different thing
that I don't know about, a

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different type of cab. Is what
you're saying. No, no,

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I say. And that's what Uber used
to be, yeah, back when the first

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came in, because all those cabs
were taken over and they were so

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much money, yeah,

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they were trying to get market
share by offering it cheaply.

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But

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now they're just like, we all.
You all love us. You need us.

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We're integrated over your life.
Rape,

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you're gonna, yeah, what part of
your delta sky miles account?

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Because

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as soon as I land in Nashville,
I hurried to the baggage claim,

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and as soon as I physically have
that bag in my hand, I'm

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already, like, pre ordering,
because then it's surges, yeah.

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Yeah. So

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you're doing that from that from
the airport to Spring Hill now,

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00:08:05,640 --> 00:08:09,180
yeah, that's a that's a lofty
price, 70 bucks. Oh, my God

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bless

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00:08:09,480 --> 00:08:13,500
you. I know 70 bucks. Do you get
to expense that tax return?

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00:08:13,620 --> 00:08:16,080
Yeah? Well, yeah, totally

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keep a track on it. But a lot of

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times I'll drive, and then I'll
park at one of the parking flies

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or whatever. And then, while
you're there, you can get your

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car washed, and then you come
back to a nice, clean, tidy car,

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because who wants to wash their
car?

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So basically, you're looking at
$140 to and fro, right? Yeah, I

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wonder how much would be cut to
just park

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that's why I asked for so much
money when I play drums. Well,

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it

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used to be nice.

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It used to be, it was like 27
bucks a day or something for,

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like, the VIP parking. Yeah,

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I actually, I do the off, like
the park and fly, park and fly,

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but I use trade bank. What's
trade bank? Funny, you should

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ask rich trade bank
nashville.com, go check them out

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there. I'm just gonna give them
a little bit of a plug. If you

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have a business and you've got
extra things lingering on the

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shelves. And, you know, you
can't really move them. You can

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trade them with other
businesses. So that's what I do.

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00:09:06,660 --> 00:09:10,500
I trade my voiceover services
such as on hold and automated

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attendant messaging, yeah, with
other businesses who need it,

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and I get trade dollars. And I
could trade those trade dollars

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00:09:16,560 --> 00:09:19,380
in for vacations, for parking,
whatever. It's

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00:09:19,380 --> 00:09:22,640
a great idea, isn't he a promo
sexual it's incredible. Love it.

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No idea what you're talking
Kevin Murphy gave me that

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nickname, and then I almost said

190
00:09:26,780 --> 00:09:30,440
to Jim, and you had to give him
a nickname in return, the

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00:09:30,440 --> 00:09:31,400
delightful curmudgeon,

192
00:09:31,400 --> 00:09:36,320
yes, yeah, that's good. I mean,
he would have a killer podcast,

193
00:09:36,560 --> 00:09:40,040
amazing podcast, because he's
not afraid to say anything. No,

194
00:09:40,160 --> 00:09:43,360
I love Kevin. Kevin. Kevin and I
get along great.

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00:09:43,360 --> 00:09:47,380
He's very entertaining because
of that. Yes, yes. He just

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00:09:47,380 --> 00:09:49,960
doesn't care. Kevin myself and
Russ Whitman.

197
00:09:50,260 --> 00:09:54,280
Russ Whitman, yeah, man, he's in
that click. It's the only time

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I'll ever see him if I see Ben
Caesar, Keo, Kevin and Russ.

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00:10:00,000 --> 00:10:01,200
Yes, crazy, yeah,

200
00:10:01,200 --> 00:10:04,020
Russ and Kevin and I sent some
stuff to each other that will

201
00:10:04,020 --> 00:10:04,920
not be repeated

202
00:10:05,100 --> 00:10:09,600
now, hopefully no one catches
your browser history or your

203
00:10:10,140 --> 00:10:10,440
text

204
00:10:10,440 --> 00:10:11,700
messaging incognito.

205
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Thank you, Google. So you know
how you came

206
00:10:15,180 --> 00:10:18,600
on my radar. I really thought it
was early on, like I moved here

207
00:10:18,600 --> 00:10:21,620
in 97 so I really thought, like
in 2000 or something. Our our

208
00:10:21,620 --> 00:10:24,140
mutual friend Paul, aren't the
bass player the place for Lee

209
00:10:24,140 --> 00:10:27,740
Greenwood was telling me, you
know, he always had some sort of

210
00:10:27,740 --> 00:10:30,680
side metal project, and he's
like, man, there's this new kid.

211
00:10:30,680 --> 00:10:33,440
I've been playing with him. He's
fantastic. He's like, so young.

212
00:10:33,440 --> 00:10:36,020
He's like, 19 or 20 or
something. I'm like, oh, yeah,

213
00:10:36,020 --> 00:10:38,540
cool, cool. And then must have
but it was 2008

214
00:10:39,680 --> 00:10:46,360
2008 Yeah, late, 2008 when I met
him. And what's funny is, I

215
00:10:46,360 --> 00:10:51,400
remember meeting you prior that,
yeah, Danny Archer put us in

216
00:10:51,400 --> 00:10:53,920
touch. And I think we went to
frothy monkey or something like

217
00:10:53,920 --> 00:10:57,160
that, yeah, just briefly, and
you're like, Oh, well, there's

218
00:10:57,160 --> 00:11:00,760
forks. Go there. Meet people. Go
to, you know, third and lensley.

219
00:11:00,760 --> 00:11:03,360
Go to these places around town.
That's where you're gonna start,

220
00:11:03,360 --> 00:11:06,420
the network, the watering holes.
Yeah, it's where you're just

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00:11:06,420 --> 00:11:09,660
gonna meet your community and
get your foot in the door.

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00:11:09,660 --> 00:11:14,040
And you did. Man, yeah, what was
the first non Paul ARNs

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00:11:14,040 --> 00:11:20,180
opportunity if you're listening
to this podcast, it means you're

224
00:11:20,180 --> 00:11:23,420
already looking to improve your
drumming, why not level it up in

225
00:11:23,420 --> 00:11:27,500
person with me, when you book a
one on one day drum tense

226
00:11:27,500 --> 00:11:29,960
drummers from around the world
have traveled to Nashville to

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00:11:29,960 --> 00:11:32,960
study with me. We cover subjects
like reading, rudiments,

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00:11:32,960 --> 00:11:35,900
technique, hand development,
charting the national number

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00:11:35,900 --> 00:11:39,740
system, styles, percussion,
music, biz, insider info, career

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00:11:39,740 --> 00:11:43,420
development, positive mindset
and much more. Of course, we

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00:11:43,420 --> 00:11:46,540
address all your questions, and
my deep curriculum has helped

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00:11:46,540 --> 00:11:50,020
players of all kinds move the
ball down the field to be closer

233
00:11:50,020 --> 00:11:52,780
to their goals, even getting
accepted to college music

234
00:11:52,780 --> 00:11:56,740
programs, moving to that dream
music town, getting gigs and

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00:11:56,740 --> 00:12:00,720
keeping them. Find out more
about my one on one day, drum

236
00:12:00,720 --> 00:12:08,100
tensive go to drumtensive.com D,
R, U, m, t, e, n, s, i, v,

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00:12:08,100 --> 00:12:08,760
e.com.

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00:12:09,900 --> 00:12:11,100
Drumtensive.com

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00:12:14,340 --> 00:12:16,980
What was your first you know,
were you playing around town? Or

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00:12:16,980 --> 00:12:18,660
did you get a road gig right
away? Or,

241
00:12:18,660 --> 00:12:22,340
yeah, well, I moved to town. I
was already planning to move,

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00:12:23,900 --> 00:12:27,680
but a couple weeks ahead of
winter Nam, I was looking around

243
00:12:27,680 --> 00:12:31,520
Nashville Craigslist for jobs
still living in South Carolina,

244
00:12:31,520 --> 00:12:36,020
yeah, and I saw an ad for
percussion specialist wanted,

245
00:12:36,320 --> 00:12:39,800
and I clicked it and said, Oh,
what's sure, you know, and you

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00:12:39,800 --> 00:12:42,940
know, sent in a resume and all
that. Here's what I do. At one

247
00:12:42,940 --> 00:12:46,900
point in Greenville, I worked
for pin tech who manufactures

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00:12:46,900 --> 00:12:50,200
electronic drums and cymbals and
triggers and pads. Yes,

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00:12:50,200 --> 00:12:53,020
I remember those, those trigger
pads. Ray Gray was using them

250
00:12:53,020 --> 00:12:53,140
for

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00:12:53,140 --> 00:12:55,720
a little bit. Were they similar
to heart dynamics back in the

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00:12:55,720 --> 00:12:57,040
day? Very were they Okay?

253
00:12:57,160 --> 00:13:00,840
Dows pads and all that. Yeah,
yeah. Dan, Dows, what's up?

254
00:13:01,020 --> 00:13:01,740
Yeah,

255
00:13:01,800 --> 00:13:05,520
shout out. So I was
manufacturing, and whether it

256
00:13:05,520 --> 00:13:08,460
was drilling aluminum castings
or soldering or doing any of

257
00:13:08,460 --> 00:13:12,120
that stuff. And so I sent that
in, you know, I have a

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00:13:12,120 --> 00:13:15,180
background in this, background
in that. And then it came back.

259
00:13:15,180 --> 00:13:19,980
It was Juan over at minel, Juan
Barrios. And he goes, Oh, and I

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00:13:19,980 --> 00:13:23,420
go, Oh, actually, I'm going to
be at winter Nam in a couple

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00:13:23,420 --> 00:13:27,140
weeks, if you just want to meet
up and talk. Yeah. So I did an

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00:13:27,200 --> 00:13:31,580
unofficial, official interview
for vinyl as a sales rep during

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00:13:31,580 --> 00:13:37,280
winter Nam. And then it becomes,
okay, well, you got the gig. Can

264
00:13:37,280 --> 00:13:44,080
you start March 3? Okay, well,
that's four weeks I have to find

265
00:13:44,080 --> 00:13:49,360
somewhere to live. And I reached
out and met a couple people

266
00:13:49,360 --> 00:13:53,440
online. One of those was the
definite, I'm moving in. Then

267
00:13:53,440 --> 00:13:57,940
that fell through a week before,
like, Okay, who else do I know?

268
00:13:59,020 --> 00:14:03,600
Somebody called somebody that
had a room for a month. I was

269
00:14:03,600 --> 00:14:07,320
like, Okay, that'll just get me
there. I'll start the job the

270
00:14:07,320 --> 00:14:11,220
first what led to the first
opportunity was a co worker of

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00:14:11,220 --> 00:14:16,260
mine was actually playing at
Legends, and I went down to see

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00:14:16,260 --> 00:14:20,780
him one night. They had a
substitute drummer who

273
00:14:21,080 --> 00:14:25,940
introduced me to the power trio
he'd been playing with. He had,

274
00:14:25,940 --> 00:14:29,420
he was expecting a baby, he and
his wife, so he was unable to do

275
00:14:29,420 --> 00:14:34,640
the Summer Tour. Three of us got
on stage, sat in jammed, and

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00:14:34,640 --> 00:14:37,460
then we talked afterwards, and
then it's like, yeah, cool.

277
00:14:37,640 --> 00:14:41,740
Well, let's do it. Yeah, you
know, well, we'll meet at Si,

278
00:14:41,740 --> 00:14:44,440
our room five, and we'll jam
some of the material, just to

279
00:14:44,440 --> 00:14:47,620
make sure. But yeah, if you're
Kane, let's go. And that was

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00:14:47,920 --> 00:14:48,640
Richie Shoal.

281
00:14:49,000 --> 00:14:51,460
Oh yeah. Richie Shoal, like an
American artist, yep.

282
00:14:51,520 --> 00:14:55,660
Yeah. Awesome dude. Ozzy
Queensland, yes, you know, does

283
00:14:55,660 --> 00:14:58,720
he so? Does he live here? Yeah,
okay, and he and I are still in

284
00:14:58,720 --> 00:15:01,800
touch. Good man. That was, but
that was the, the first

285
00:15:01,800 --> 00:15:02,700
Nashville like

286
00:15:02,940 --> 00:15:05,400
gig. Give him my pass, because I
think I've known a lot of

287
00:15:05,400 --> 00:15:07,740
drummers who've come through his
band. Yeah, it's like a rite of

288
00:15:07,740 --> 00:15:12,600
passage. Yeah, you know, it is
cool, man. And your background

289
00:15:12,660 --> 00:15:15,720
in in Greenville, when did,
like, when did you start

290
00:15:15,720 --> 00:15:18,540
playing? Because it says, Here
you remember the Carolina gold

291
00:15:19,320 --> 00:15:23,000
gold, Carolina gold drum and
Bucha amazing on snare drum,

292
00:15:23,180 --> 00:15:26,480
yep. And then you did some you
won a gold medal during the

293
00:15:26,540 --> 00:15:30,740
annual individual and ensemble
competition. Yep, for drum set.

294
00:15:31,220 --> 00:15:34,280
Nice. Yeah. So when did it all
start? Were you coming? Coming

295
00:15:34,280 --> 00:15:36,800
out of the womb? Did you have a
musical family? It was

296
00:15:36,800 --> 00:15:41,140
in the womb. My mother tells
stories of, you know, she and

297
00:15:41,140 --> 00:15:44,020
dad would be spinning records,
and, you know, they'd push the

298
00:15:44,020 --> 00:15:47,380
furniture to the wall and dance
in the living room or whatever,

299
00:15:47,380 --> 00:15:51,340
and I'd be kicking and when the
song stopped, I would stop. Wow,

300
00:15:51,340 --> 00:15:55,060
something going to concerts, and
so, I mean, and then, of course,

301
00:15:55,060 --> 00:15:55,240
what

302
00:15:55,240 --> 00:15:57,580
were they listening to, like
Kenny Rogers Greatest Hits, that

303
00:15:57,580 --> 00:15:59,140
kind of thing, or staying alive,
bit

304
00:15:59,140 --> 00:16:01,980
of that. But it was a bit of
everything, the real one, what,

305
00:16:02,040 --> 00:16:05,580
what mom calls what always gave
her happy feet, long before the

306
00:16:05,580 --> 00:16:10,680
Disney thing was Stevie Ray, oh
yeah. I attribute being able to

307
00:16:10,680 --> 00:16:13,500
swing and shuffle to Chris
Layton all day, every day.

308
00:16:13,500 --> 00:16:16,620
Stevie's. Stevie's, one of my
dudes. What

309
00:16:16,620 --> 00:16:20,340
a great artist, just regardless
of the genre. And they have

310
00:16:20,340 --> 00:16:23,900
Chris Whipper, Layton shuffle,
have you been did you meet him?

311
00:16:23,900 --> 00:16:24,620
Have you ever met him?

312
00:16:24,620 --> 00:16:28,520
Once I met him at the fender
booth. He was playing with Kenny

313
00:16:28,520 --> 00:16:31,640
Wayne Shepherd, nice during an
am show, yeah. And just got to

314
00:16:31,640 --> 00:16:34,280
shake his hand and say, Thanks,
man. Because of you and Stevie

315
00:16:34,280 --> 00:16:37,640
and Tommy, I know how to boogie,
yeah, so I appreciate it, yeah.

316
00:16:38,060 --> 00:16:41,800
And that's what I was playing
and listening to even before I

317
00:16:41,800 --> 00:16:46,360
got my first drum set, you know,
while watching Motley Crue. I've

318
00:16:46,360 --> 00:16:49,900
got a brother that's five years
older than me, so there was that

319
00:16:49,960 --> 00:16:53,500
musical influence from him.
There was mom and dad's record

320
00:16:53,500 --> 00:16:59,260
collection. Dad passed away when
I was really young, and so mom

321
00:16:59,320 --> 00:17:02,640
couldn't listen to that music
anymore hurt her too much. So

322
00:17:02,640 --> 00:17:07,560
then she got into the country of
the late 80s. So Alabama,

323
00:17:07,620 --> 00:17:12,660
Alabama, Tanya, Tucker, Clint,
black. My first concert was

324
00:17:12,660 --> 00:17:14,820
actually the Kentucky head
hunters, the picking on

325
00:17:14,820 --> 00:17:18,120
Nashville too. Yeah, because I
was born and raised in

326
00:17:18,120 --> 00:17:24,140
Greensboro, North Carolina until
I was 11. I think just before my

327
00:17:24,140 --> 00:17:27,680
12th birthday is when we moved
to Greenville, so, and those

328
00:17:27,680 --> 00:17:30,200
were my formative years in
Greenville. So that's why I

329
00:17:30,200 --> 00:17:33,740
always just kind of say that's
home, yeah, even though all the

330
00:17:33,740 --> 00:17:37,820
families in Greensboro, yeah. So
it's two homes. I

331
00:17:37,820 --> 00:17:41,740
always get those, you know. I
get Charlotte and Charleston,

332
00:17:41,860 --> 00:17:44,140
you know? And I get Greenville
and Greensboro. Well, there's

333
00:17:44,140 --> 00:17:47,740
also a Greenville North too.
Yeah, that's really confusing.

334
00:17:47,740 --> 00:17:48,160
Greenville

335
00:17:48,160 --> 00:17:51,220
north in North Carolina. Yeah,
it's by the coast.

336
00:17:51,880 --> 00:17:55,120
No, it's, I think it's near
Winston Salem, is it? I think

337
00:17:55,120 --> 00:17:58,840
it's on that on the western
side. I could be wrong. It's

338
00:17:59,860 --> 00:18:02,640
getting back to you mentioned
shuffles before rich, did you

339
00:18:02,640 --> 00:18:08,340
know that Christopher can put a
feather in his cap? By he is my

340
00:18:08,340 --> 00:18:14,220
biggest influence on shuffles.
We discussed, you know, I've

341
00:18:14,220 --> 00:18:17,700
been, I've been deep diving
shuffles because of the Huey

342
00:18:17,700 --> 00:18:22,640
Lewis gig may 28 the city winery
in Nashville. Don't miss it.

343
00:18:22,760 --> 00:18:24,380
Don't miss it. Get your tickets
now,

344
00:18:24,740 --> 00:18:27,500
while it lasts, hey, if you
don't promote yourself, nobody

345
00:18:27,500 --> 00:18:28,040
else will. No

346
00:18:28,160 --> 00:18:30,860
one cares as much about you. I'm
horrible

347
00:18:30,860 --> 00:18:34,280
about right? So he came in
horrible. You know, we practiced

348
00:18:34,280 --> 00:18:36,980
a little bit, and it's kind of
like I appreciate these podcast

349
00:18:36,980 --> 00:18:40,120
episodes, because we keep on
talking about my journey up to

350
00:18:40,120 --> 00:18:43,240
this monumental event, which
happens to you guys all the

351
00:18:43,240 --> 00:18:47,980
time, and learning, you know,
because not it's not a very

352
00:18:47,980 --> 00:18:51,400
typical like, not many drummers
going, Oh, I'm going to pick up

353
00:18:51,400 --> 00:18:54,580
the sticks and learn to shuffle.
You know, it's the boom smack

354
00:18:54,580 --> 00:18:58,060
that they want to get into,
typically, right? Yeah. And I

355
00:18:58,060 --> 00:19:00,100
was told, Well, hey, you get
you're almost there, but you

356
00:19:00,100 --> 00:19:02,620
need to make it bounce. We want
you to kind of fall a little bit

357
00:19:02,620 --> 00:19:05,820
behind. Bit behind the beat. And
I told you this, and you kind of

358
00:19:05,820 --> 00:19:10,080
scoffed a little bit, if you
did, you scoff. I heard a scoff

359
00:19:10,140 --> 00:19:13,200
when, when we were talking
about, like, playing behind the

360
00:19:13,200 --> 00:19:15,360
beat, or ahead the beat, or
something like, I just try to

361
00:19:15,360 --> 00:19:17,940
play in time, right? You know?
And then, and I So Christopher

362
00:19:17,940 --> 00:19:20,100
walks, and I said, you know, I'm
trying to figure out what they

363
00:19:20,100 --> 00:19:22,760
mean. He's like, Oh, it's just
like, this play like a flam, and

364
00:19:22,760 --> 00:19:23,960
I'm going, Oh,

365
00:19:23,960 --> 00:19:26,360
but this, Christopher, did you
guys? You guys already spent

366
00:19:26,360 --> 00:19:27,140
time together today.

367
00:19:27,140 --> 00:19:30,320
We did, like, deep dive, man, I
don't know where you were. Oh,

368
00:19:30,320 --> 00:19:30,620
my God,

369
00:19:30,620 --> 00:19:33,140
I was, well, I was probably
peeing because, you know, the

370
00:19:33,140 --> 00:19:34,160
bladder over 50,

371
00:19:35,360 --> 00:19:38,720
it happens, dude. So, so kudos
to you. Thank you. Thank you.

372
00:19:38,840 --> 00:19:39,860
Christopher, absolutely.

373
00:19:39,860 --> 00:19:42,640
Yeah. Plus, he's got a, probably
a really mean double bay

374
00:19:42,640 --> 00:19:43,060
shuffle.

375
00:19:45,460 --> 00:19:47,800
Teacher, the Simon

376
00:19:47,800 --> 00:19:53,020
Phillips, Jeff Beck, thank you.
Jeff Beck, yeah, and Virgil was

377
00:19:53,140 --> 00:19:57,520
huge for me. Billy Cobham,
spectrum, oh yeah, I, I don't

378
00:19:57,520 --> 00:20:01,560
even know if I had my first
drums. That when my uncle gave

379
00:20:01,560 --> 00:20:05,280
me that album, Uncle Peter
turned me on a Cobham and just

380
00:20:05,280 --> 00:20:05,460
said,

381
00:20:05,580 --> 00:20:09,780
what so many drums that three
floor toms, two bass drums. He

382
00:20:09,780 --> 00:20:12,180
put so many hurdles. He put the
LP

383
00:20:12,540 --> 00:20:16,500
on one side of a cassette. So
there was Billy Cobham spectrum,

384
00:20:16,500 --> 00:20:19,500
and the other side was Herbie
Hancock, head hunters. Oh, wow.

385
00:20:19,560 --> 00:20:22,760
And I don't know if I even had
my first drum set that was

386
00:20:22,760 --> 00:20:27,200
Harvey Mason, yeah, but I
remember at one point just

387
00:20:27,200 --> 00:20:31,280
sitting to the kit and just
jamming those records, because I

388
00:20:31,280 --> 00:20:33,980
knew them from listening to them
for a few years already.

389
00:20:34,280 --> 00:20:36,680
Now, when you do your double
bass shuffle, do you do left

390
00:20:36,680 --> 00:20:42,460
foot lead depends, depends
either one it really, yeah.

391
00:20:42,520 --> 00:20:45,580
If I'm, if I'm doing the Van
Halen stuff, it's always left

392
00:20:45,580 --> 00:20:49,300
foot lead, yeah? Because if you
listen to Al, it's that gallop,

393
00:20:49,540 --> 00:20:52,240
yeah. And that left foot, his
left kick drum was always

394
00:20:52,240 --> 00:20:53,140
important

395
00:20:53,680 --> 00:20:57,880
on the right. That's what I got
from Greg bisni. Because Greg

396
00:20:57,880 --> 00:21:01,440
business, like, here's the
secret, you know, you're always

397
00:21:01,440 --> 00:21:04,260
using syncopated rhythms on the
upbeat, or whatever, on your

398
00:21:04,260 --> 00:21:06,900
right hand, on your right foot,
and then you're always keeping

399
00:21:06,900 --> 00:21:08,940
time with your high hat on.
That's always doing the

400
00:21:08,940 --> 00:21:11,280
downbeat. So now all you got to
do is put your foot over on the

401
00:21:11,280 --> 00:21:14,280
double pedal, and literally you
are doing this, doing the same

402
00:21:14,280 --> 00:21:15,600
thing. Yeah? So

403
00:21:15,660 --> 00:21:20,040
I learned the hot for teacher
shuffle, just the opposite a

404
00:21:20,040 --> 00:21:23,600
buddy of mine. You remember Jeff
vidy, yeah, yeah, up in

405
00:21:23,600 --> 00:21:26,420
Connecticut, right? So he was a
drummer and guitar player, a

406
00:21:26,420 --> 00:21:29,960
big, huge influence from Eddie
Van Eddie Van Helen, and they

407
00:21:29,960 --> 00:21:32,840
had a double bass electronic kit
back when I was starting to

408
00:21:32,840 --> 00:21:35,360
play. And I thought I was like,
maybe salivate to play double

409
00:21:35,360 --> 00:21:37,160
bass, yeah. And he's like, you
know how to play hot for

410
00:21:37,160 --> 00:21:40,300
teacher. I'm like, hell now. He
says, Think about if you if you

411
00:21:40,300 --> 00:21:45,100
only have a single kick, just do
the gun to gun them. Yeah, I'm

412
00:21:45,100 --> 00:21:47,560
like, Oh, I can do that. He's
just didn't add any other foot.

413
00:21:47,800 --> 00:21:49,180
That's nice. He's already a good
teacher.

414
00:21:50,500 --> 00:21:54,040
Oh, okay, that new accept record
that you guys did in 2014 you

415
00:21:54,040 --> 00:21:59,440
tracked the drums your house
sounds amazing. It's got the,

416
00:21:59,500 --> 00:22:05,400
you know, the road so clean
dudes, just driving it, killing

417
00:22:05,400 --> 00:22:09,360
it, driving it. And then when
you go to do the fills, and

418
00:22:09,360 --> 00:22:12,540
that's, that's the challenging
part, keeping that so clean

419
00:22:12,540 --> 00:22:16,380
while you're doing hand stuff.
But you've been doing it a long

420
00:22:16,380 --> 00:22:17,220
time. I mean,

421
00:22:17,220 --> 00:22:21,620
it was, it's just practice. It's
yeah, everybody wants the the

422
00:22:21,620 --> 00:22:25,640
quick and easy, yeah? And what's
the hack? It's not, yeah, you

423
00:22:25,640 --> 00:22:26,180
know how to get

424
00:22:26,180 --> 00:22:28,520
to Carnegie Hall practice, yeah?

425
00:22:30,380 --> 00:22:34,880
But you buy a ticket. But, I
mean, it's, you know, it's the

426
00:22:34,880 --> 00:22:39,560
thing of you practice, you
practice, you practice, and then

427
00:22:39,680 --> 00:22:42,580
at some point the light bulb
just goes off. Yeah, for me

428
00:22:42,580 --> 00:22:46,600
anyway, and I've been fortunate
in that sense, where when the

429
00:22:46,600 --> 00:22:50,740
idea clicks, then it's there,
whether it's doing the virtual

430
00:22:50,740 --> 00:22:57,400
stuff, or just, you know, like
crazy, whatever you can think

431
00:22:57,400 --> 00:23:01,440
of, or the split lick, you know,
right hand, right foot, left

432
00:23:01,440 --> 00:23:07,080
hand, left foot. But that thing
that took forever goes but I

433
00:23:07,080 --> 00:23:10,320
never practiced it, yeah, and
then one day, I sat down with

434
00:23:10,320 --> 00:23:14,640
the double pedal in the pad for
about an hour, walked away, came

435
00:23:14,640 --> 00:23:20,360
back and figured rhythmically
and feeling, not just thinking

436
00:23:20,360 --> 00:23:24,860
about it, but felt the
relationship and those gaps in

437
00:23:24,860 --> 00:23:27,440
your spacing in your body, yeah,
boom. It's

438
00:23:27,680 --> 00:23:30,920
a cool lick too. It's a great
it's a it's like, I've been, I

439
00:23:30,920 --> 00:23:34,220
sit there, like this morning at
my BNI business meeting. I'm

440
00:23:34,220 --> 00:23:37,520
just, like, just just doing that
whole thing. They loved it,

441
00:23:37,520 --> 00:23:40,100
yeah, yeah. Well, that makes
turn. It really does.

442
00:23:40,160 --> 00:23:44,200
But the cool thing with that one
too, as as with anything, you

443
00:23:44,200 --> 00:23:47,500
know, I'm, I'm of the School of,
if you can play it this way,

444
00:23:47,500 --> 00:23:50,740
play it backwards, nice. Oh, you
know, because with drum corps,

445
00:23:50,800 --> 00:23:54,880
that was one thing that we
learned, if you've got 300 guys

446
00:23:54,940 --> 00:23:58,780
auditioning for 10 snare spots,
and you've got seven of those

447
00:23:58,780 --> 00:24:01,620
snare spots returning, even
though they still got a re

448
00:24:01,620 --> 00:24:05,100
audition, it's pretty much a
shoe in, yeah. So there's two

449
00:24:05,100 --> 00:24:08,340
open, three open spots or
something, yep, or right? And 10

450
00:24:08,340 --> 00:24:11,640
snare drummers, yeah. And when
they start making cuts, you

451
00:24:11,640 --> 00:24:15,660
know, you'll have a line of 20
people. And the caption head is

452
00:24:15,660 --> 00:24:20,600
walking up and down and cutting
people stick high, or is looking

453
00:24:20,600 --> 00:24:24,260
at or if everybody's perfect, if
they've got it down to the final

454
00:24:24,260 --> 00:24:28,640
12, they'll go, all right. Play
it off the left, reverse the

455
00:24:28,640 --> 00:24:32,180
sticking in your brain like
that. Go now, oh my

456
00:24:32,180 --> 00:24:34,100
god, do it. That'd be
interesting.

457
00:24:34,100 --> 00:24:36,260
That never had, that never
happened to you. Well, now going

458
00:24:36,260 --> 00:24:39,200
back to, you know, because
you're North Texas, core and

459
00:24:39,200 --> 00:24:41,980
marching band are different
things I did eight years of

460
00:24:41,980 --> 00:24:44,680
marching band, right? But, you
know, I had a conversation with

461
00:24:44,680 --> 00:24:46,900
Greg Bissett about this. I was
like, hey, you know all the, all

462
00:24:46,900 --> 00:24:50,260
the advanced rudiments that the
ones that are 46 and above your

463
00:24:50,320 --> 00:24:52,840
cheese diddles and Flam didles
and all that. I said hybrids.

464
00:24:52,840 --> 00:24:55,840
Those are the real those are the
get you fired rudiments. And he

465
00:24:55,840 --> 00:24:58,360
goes, You're so, right? Yeah,
you know what I mean. So I like

466
00:24:58,360 --> 00:25:01,500
my hands, and I'm. Attempted
sometimes to learn the new

467
00:25:01,500 --> 00:25:04,620
cheese diddle and stuff, but I
also realized, do I really need

468
00:25:04,620 --> 00:25:07,560
this? I don't think so, but I
think it's really cool that

469
00:25:07,560 --> 00:25:07,800
what's

470
00:25:07,800 --> 00:25:09,720
a cheese diddle first and
foremost, it's,

471
00:25:09,720 --> 00:25:11,880
well, they sell them in the chip
aisle, yeah.

472
00:25:12,540 --> 00:25:15,780
Are they a new item at buckies?
Cheese diddles

473
00:25:15,780 --> 00:25:19,440
are like, like, a flam with a
drag and then another. You know?

474
00:25:19,860 --> 00:25:20,180
It's

475
00:25:20,180 --> 00:25:24,320
like, imagine a paradiddle.
Okay, right, left, right, right.

476
00:25:25,040 --> 00:25:29,240
So put a flam on the first
right, and as well as a diddle,

477
00:25:29,300 --> 00:25:34,400
dig it that, dig at it, that,
dig it, do that. He loves me.

478
00:25:34,460 --> 00:25:38,960
And then once you get used to
that, now start it the other the

479
00:25:38,960 --> 00:25:42,580
other hand, because even though
you're alternating right to

480
00:25:42,580 --> 00:25:46,720
left, you're always going to
have the weaker hand and your

481
00:25:46,720 --> 00:25:50,320
brain as soon as you walk start
with the opposite hand. But that

482
00:25:50,320 --> 00:25:51,100
by that training is

483
00:25:51,100 --> 00:25:53,260
universal, which goes back to
George Lauren Stone's book,

484
00:25:53,260 --> 00:25:55,420
which is like, look at if you're
going to go right left, right,

485
00:25:55,420 --> 00:25:57,460
left, you want to go left,
right, left, right. And if

486
00:25:57,460 --> 00:25:59,740
you're going to go right right,
left, left, you're going to want

487
00:25:59,740 --> 00:26:01,260
to go left, left, left, right,
right, and

488
00:26:01,260 --> 00:26:04,320
you better go between the
exercises seamlessly, without

489
00:26:04,320 --> 00:26:07,080
stopping and without changing
tone, because you go

490
00:26:07,080 --> 00:26:09,120
right, right, left, left, right,
right, left, left, right, right,

491
00:26:09,120 --> 00:26:11,400
left, left, right, left, left,
left, left, right, right, left,

492
00:26:11,400 --> 00:26:13,440
right, left, right, left, right,
right, left, right, left, right,

493
00:26:13,440 --> 00:26:13,680
left,

494
00:26:13,680 --> 00:26:15,600
right, right, left, right, yep,
yeah, that's how, that's how I

495
00:26:15,600 --> 00:26:18,840
would build my feet, build my
hands. Nice, all that stuff. Was

496
00:26:18,840 --> 00:26:23,480
doing pyramids, just Yeah,
committed plate, singles,

497
00:26:23,480 --> 00:26:28,700
doubles, triples, quads, Quince,
all the way up to 10 or 12, and

498
00:26:28,700 --> 00:26:32,840
then come back down. And then do
it on the left hand, and then do

499
00:26:32,840 --> 00:26:37,760
it with the feet. Double the
note value, half the note value,

500
00:26:38,420 --> 00:26:39,140
so on. And so

501
00:26:39,140 --> 00:26:41,860
a lot of people think you're
just a leather jacket wearing

502
00:26:41,860 --> 00:26:46,660
long haired rock drummer that
rules, but no, but you're,

503
00:26:46,660 --> 00:26:48,700
you're actually the guy that was
like, Okay, now I'm gonna do

504
00:26:48,700 --> 00:26:51,880
this exercise with my feet. I
would get,

505
00:26:51,940 --> 00:26:56,380
I would get, part of the reason
that I can do a lot of the stuff

506
00:26:56,380 --> 00:27:00,780
I can do is, like, I get bored.
When middle school I was playing

507
00:27:00,780 --> 00:27:04,080
drums seven hours a day, yeah?
Like, wake up, play the pad half

508
00:27:04,080 --> 00:27:06,540
an hour. Go to the bus stop.
Play the pad. Get on the bus.

509
00:27:06,540 --> 00:27:09,840
Play the pad in between classes,
like, Race to the next class.

510
00:27:09,840 --> 00:27:13,500
Play the pad, band room during
lunch break, like, finish up

511
00:27:13,500 --> 00:27:16,680
early. Run in the band room.
Play the drum set, go to the

512
00:27:16,680 --> 00:27:20,420
next class, pad, soon as you got
home. Play the kit for two

513
00:27:20,420 --> 00:27:24,200
hours, get off the camera, do
your homework, get back on the

514
00:27:24,200 --> 00:27:27,920
kit, be done by nine, and in the
evening, as a courtesy, it was

515
00:27:27,920 --> 00:27:31,760
like seven hours a day. Love
that dedication. And then, yes,

516
00:27:31,760 --> 00:27:35,540
I would get bored, and I'd set
the drum set up left handed and

517
00:27:35,540 --> 00:27:38,180
play it like that for a week.
Oh, wow. I'll teach myself how

518
00:27:38,180 --> 00:27:42,940
to play left but my right foot
hi hat still is not great, but

519
00:27:42,940 --> 00:27:44,140
it doesn't need

520
00:27:44,140 --> 00:27:47,320
to be. You ever have your main
kick drum pedal go out on you?

521
00:27:47,320 --> 00:27:48,340
Oh yeah, you know,

522
00:27:48,700 --> 00:27:51,160
several times I've never done
that where you're setting up the

523
00:27:51,220 --> 00:27:54,640
kit backwards, but did you ever
work on that Gary Chester new

524
00:27:54,640 --> 00:27:57,040
breed book? No, yeah, because
you would be great at that.

525
00:27:57,040 --> 00:27:59,380
Because basically you're not
turning the drum set around. But

526
00:27:59,380 --> 00:28:01,860
the whole idea is you have these
systems, like these melodies,

527
00:28:01,860 --> 00:28:04,680
like an ostinato, and then you
do some reading against the

528
00:28:04,680 --> 00:28:06,960
ostinato, and then you also he's
got, like, a counting thing

529
00:28:06,960 --> 00:28:09,780
where your voice is the fifth
limb. So you might want to be

530
00:28:09,780 --> 00:28:12,000
counting down beats. You might
want to be counting up beats.

531
00:28:12,060 --> 00:28:14,880
And then you're leading what
sounds like, it's like what, you

532
00:28:14,880 --> 00:28:17,100
know, we'll win. That's

533
00:28:17,100 --> 00:28:20,160
the stuff that I like. You can
see the smile. That's kind of

534
00:28:20,160 --> 00:28:21,860
stuff I might smile. Yeah,
that's,

535
00:28:21,920 --> 00:28:25,100
that's a Time Eater. I mean,
it's like, oh my god, where did

536
00:28:25,100 --> 00:28:28,100
the last 10 years go? Oh yeah,
the new breed. Yeah, you know

537
00:28:28,100 --> 00:28:29,060
what I mean. I mean,

538
00:28:29,180 --> 00:28:33,740
but, and the thing is, are you
gonna get hired for left hand

539
00:28:33,740 --> 00:28:36,200
out in that chops or any No,
it's not

540
00:28:36,200 --> 00:28:39,380
like the Thomas Lang thing,
right? You know, he's a monster

541
00:28:39,380 --> 00:28:43,120
on the kit, yeah? And he can do
all sorts of Sure, can, you

542
00:28:43,120 --> 00:28:46,720
know, all the things. But when
it comes down to brass tax, he's

543
00:28:46,720 --> 00:28:49,000
just playing what needs to be
played. Yeah,

544
00:28:49,060 --> 00:28:51,880
you know, I mean, Virgil, too.
Virgil had like, the Tina Marie

545
00:28:51,880 --> 00:28:55,420
gig and all these pop gigs in
Australia in the 80s before

546
00:28:55,420 --> 00:28:58,840
anybody knew who he was. Right
for being Virgil, yeah, before

547
00:28:58,840 --> 00:29:02,760
any of that stuff. But you know,
that wasn't really where he

548
00:29:02,760 --> 00:29:07,740
wanted his career to go. He was
just like, Man, this is what I

549
00:29:07,740 --> 00:29:09,660
want to do. That's me.

550
00:29:09,780 --> 00:29:13,680
Haven't heard from Virgil in a
while what he's he's still

551
00:29:13,680 --> 00:29:16,140
doing, clinics, tours, his
original stuff.

552
00:29:17,880 --> 00:29:20,520
I think his last album was,
like, 17 or something.

553
00:29:20,520 --> 00:29:22,820
Well, he's a true artist in the
sense that he puts out, you

554
00:29:22,820 --> 00:29:25,700
know, and that's something I
want to add to my repertoire.

555
00:29:25,760 --> 00:29:28,760
That's something to check off
the list, which is sort of like

556
00:29:28,760 --> 00:29:31,520
a solo drum record, but, you
know, very musical, yeah, you

557
00:29:31,520 --> 00:29:34,280
know, where you where, you know,
it could almost be licensed, and

558
00:29:34,280 --> 00:29:37,400
then it's not gonna be, it's
gonna be a, okay, it's gonna be

559
00:29:37,460 --> 00:29:40,780
a Jazz, Jazz flute record. Yeah,
it's gonna be a jazz fusion

560
00:29:40,780 --> 00:29:43,660
record, but like approachable,
polite fusion, like you could

561
00:29:43,660 --> 00:29:46,300
still clap two and four, that
kind of stuff, just not one and

562
00:29:46,300 --> 00:29:48,520
three. So I want to do that. No.
Well, that's, that's for our

563
00:29:48,520 --> 00:29:50,920
debut at the Grand Ole Opry.
Yeah, exactly. Thank you.

564
00:29:51,520 --> 00:29:55,120
So between the two of you guys,
hit the

565
00:29:55,120 --> 00:29:56,440
symbol sweatpants,

566
00:29:59,680 --> 00:30:02,760
I'm. And shut up and play two
and four.

567
00:30:03,240 --> 00:30:08,520
So between the two of you guys,
I'd love to see more video

568
00:30:08,520 --> 00:30:12,900
content on all those things that
you guys can do, because people

569
00:30:12,900 --> 00:30:17,280
have, like, that preconceived
notion that this is all you can

570
00:30:17,280 --> 00:30:20,040
do. Rich. You were like, Oh, you
rock, you play country music.

571
00:30:20,040 --> 00:30:24,140
But I'm like, Oh no, yeah, I've
seen him riff before. He is, oh

572
00:30:24,140 --> 00:30:28,100
yeah. He's got a deep well of
knowledge. And his chops are, I

573
00:30:28,100 --> 00:30:31,100
mean, because, I mean all these
guys that are like, dominating

574
00:30:31,100 --> 00:30:35,000
tick tock and the reels and all
this other stuff, they can't

575
00:30:35,000 --> 00:30:37,880
hack it. They didn't put the
time in for the touring and

576
00:30:37,880 --> 00:30:41,980
studio sessions like you guys
have. But they're circus guys on

577
00:30:41,980 --> 00:30:45,700
online and like, hey, you know,
here's this, you know, really

578
00:30:45,700 --> 00:30:47,200
lightning fast riff. We

579
00:30:47,200 --> 00:30:50,680
met Ellis the parrio backstage,
right? Yeah, Alice The party is

580
00:30:50,680 --> 00:30:53,020
the Spanish guy, right? That
smokes weed and plays with,

581
00:30:53,080 --> 00:30:56,440
yeah, with one hand, right? I
didn't even know he was there.

582
00:30:56,440 --> 00:30:59,320
He was playing with somebody
that day. I just came out of our

583
00:30:59,320 --> 00:31:01,980
dressing room and he was in the
hallway. Yeah? Oh shit, dude,

584
00:31:02,280 --> 00:31:04,140
yeah. Photo. Well, we could, we

585
00:31:04,140 --> 00:31:06,360
could you and I could be
creating more content. But, I

586
00:31:06,360 --> 00:31:08,340
mean, he's, he's out there, you
know, playing. He's got his

587
00:31:08,340 --> 00:31:11,280
balls to the wall. He's, like,
playing the 20,000 people. He's

588
00:31:11,280 --> 00:31:13,800
standing up with the kick drum,
getting people. I mean, you're a

589
00:31:13,800 --> 00:31:15,180
freaking rock star. Well,

590
00:31:15,180 --> 00:31:20,420
and, and, well, thank you. But I
it's weird for me, man. I don't,

591
00:31:21,080 --> 00:31:24,140
I don't feel the rock star
thing, you know, I Well,

592
00:31:24,140 --> 00:31:27,200
people tell me, Oh, you're a
rock star. Like, what I, I hang

593
00:31:27,200 --> 00:31:28,040
out with rock stars, or

594
00:31:28,040 --> 00:31:31,880
what we, we were lucky enough
that our dream came true. Yeah,

595
00:31:32,180 --> 00:31:36,800
that shouldn't change who we are
as human beings, no. And I, I've

596
00:31:36,920 --> 00:31:41,500
never felt myself as the person
to just throw myself out there

597
00:31:41,500 --> 00:31:45,220
just because, yeah, like, if
anybody wants to ask a question

598
00:31:45,220 --> 00:31:49,720
or anything great, yeah,
awesome, but I don't want to

599
00:31:49,720 --> 00:31:52,540
bother anybody. Yeah, you know,
I'm terrible about self

600
00:31:52,540 --> 00:31:55,600
promotion, yeah? Well, you did
all right, buddy, yeah, yeah,

601
00:31:55,600 --> 00:31:59,260
but I need to be better. I've
got 10 years worth of drum cam

602
00:31:59,260 --> 00:32:04,500
footage with accept. Well, you
could probably put all that on

603
00:32:04,500 --> 00:32:07,860
YouTube, 15 or 20 terabytes of
raw footage. Would those

604
00:32:07,860 --> 00:32:09,960
guys be okay with you putting it
out there? I don't know.

605
00:32:11,040 --> 00:32:14,520
Maybe. I mean, it's, there's no
board feed, no mix, nothing like

606
00:32:14,520 --> 00:32:19,080
that. It's just, it's two or
three cams on the drums.

607
00:32:19,200 --> 00:32:22,280
Is it one shot? You got to
actually meld the shots? No,

608
00:32:22,280 --> 00:32:27,020
it's, it's, it's three separate
go. So, yeah, I would have to

609
00:32:27,020 --> 00:32:29,960
drop it into they're not
switched. No, okay, and I would,

610
00:32:29,960 --> 00:32:33,260
I've thought about doing that
and throwing in Final Cut and

611
00:32:33,440 --> 00:32:36,500
doing all that. But the other
thing too is, man, when I'm

612
00:32:36,500 --> 00:32:41,260
home, I just want to be home,
right? Yeah, I get, I still, you

613
00:32:41,260 --> 00:32:44,140
know, we have the studio at the
house, which is awesome, so I

614
00:32:44,140 --> 00:32:47,740
can record remote in my pajamas,
and that's fun, or we can just

615
00:32:47,740 --> 00:32:50,320
be creative, you know. And
that's I

616
00:32:51,340 --> 00:32:52,840
want to get into, that. I

617
00:32:52,840 --> 00:32:58,420
weld. I did to your woodworker,
woodworking business, yeah, I'm

618
00:32:58,420 --> 00:33:02,100
getting into a bit of the vinyl
business for drummers.

619
00:33:02,700 --> 00:33:06,540
Okay, okay, so many skill sets.
So you were telling me your big,

620
00:33:06,540 --> 00:33:09,960
gigantic you have several drum
set, drum sets for except you

621
00:33:09,960 --> 00:33:13,620
did the welding for your rack.
That's one huge hill skill set

622
00:33:13,620 --> 00:33:15,960
in the story. But now you're
saying a woodworking business.

623
00:33:15,960 --> 00:33:18,780
Are you like building furniture
for people? Yeah, yeah. Do you

624
00:33:18,780 --> 00:33:20,900
have like, a website like
Christopher Williams

625
00:33:20,900 --> 00:33:22,580
creations.com or something

626
00:33:22,700 --> 00:33:27,500
the it's CDW Woodworks, and
that's with an X on the end,

627
00:33:27,500 --> 00:33:29,600
yeah, W, O, R, X, you're

628
00:33:29,600 --> 00:33:33,200
designing custom furniture for
people. Yeah,

629
00:33:33,320 --> 00:33:36,140
that is key. Recognize the wood
of the table you're

630
00:33:36,140 --> 00:33:38,960
sitting at. Yeah. This is what's
called an ambrosia maple. And

631
00:33:39,380 --> 00:33:39,620
you know

632
00:33:39,620 --> 00:33:43,120
where I got this on auction. I
think we have more of it in the

633
00:33:43,120 --> 00:33:49,420
back shop. I want to talk price.
You You got pay pay attention to

634
00:33:49,420 --> 00:33:51,760
mcmore auction. McCarthy more
auction. Okay,

635
00:33:51,760 --> 00:33:54,400
see, we always breaks the fourth
wall. They used to reload it.

636
00:33:54,580 --> 00:33:56,020
It's that sometimes

637
00:33:56,020 --> 00:33:58,720
they'll have wood that comes up
because we just found rices are

638
00:33:58,720 --> 00:34:02,040
not cheap, and they auction it
off for pennies on the dollar.

639
00:34:02,580 --> 00:34:05,040
So we got a whole bunch of this
stuff. My guy who just worked

640
00:34:05,040 --> 00:34:05,760
here, excited. I

641
00:34:05,760 --> 00:34:10,380
just got wood, but actually, and
they backfilled it and

642
00:34:10,380 --> 00:34:12,660
everything. All the wormholes
are back filled. Well, we

643
00:34:12,660 --> 00:34:15,240
had a guy who worked here who
was a woodworker as well, yeah.

644
00:34:15,240 --> 00:34:17,700
And he put this table together.
I told him how big this

645
00:34:17,700 --> 00:34:21,380
is Star bond adhesive. I know
what that is right, because I'm

646
00:34:21,380 --> 00:34:21,680
a dork,

647
00:34:21,680 --> 00:34:24,200
because those are, those are two
layers of wood that are

648
00:34:24,200 --> 00:34:25,700
sandwiched together. Yeah, you
do this

649
00:34:25,700 --> 00:34:27,500
in your garage. Is that your
Yeah, shop

650
00:34:27,620 --> 00:34:31,760
Nice. We've got so it's a, it's
a two car garage. Half of it is

651
00:34:31,760 --> 00:34:37,760
the shop. And yeah, I mean, I've
got an armoire on the list to do

652
00:34:37,760 --> 00:34:42,220
for my in laws as a wedding
present. Nice as a thank you for

653
00:34:42,220 --> 00:34:47,740
them. Got a bunch of stuff to do
for the house. Next up, some

654
00:34:47,740 --> 00:34:52,780
friends want a custom Island. I
just rebuilt a 20 foot stretch

655
00:34:52,780 --> 00:34:55,840
of fence for a buddy of ours
because I grew up doing

656
00:34:55,840 --> 00:34:59,320
carpentry and stuff outside of
music. I built my first deck

657
00:34:59,320 --> 00:35:02,100
with my uncle. Lee, when I was
12 or 13, your

658
00:35:02,100 --> 00:35:05,460
own hands. See, what did you
have the attitude of, even

659
00:35:05,460 --> 00:35:08,700
though it is a form of a backup
plan, I'm not going to rely on

660
00:35:08,700 --> 00:35:10,140
that. I'm still going to, yeah,
no, it's,

661
00:35:10,140 --> 00:35:13,320
it's, it's just always been a
hobby. Yeah? I mean, I would

662
00:35:13,920 --> 00:35:19,080
watch norm Abram on PBS, whether
it was New Yankee or this old

663
00:35:19,080 --> 00:35:23,720
house. And then when TLC became
a channel, you know, they had

664
00:35:23,780 --> 00:35:28,100
home time and all those shows
and, you know, get in there, get

665
00:35:28,100 --> 00:35:28,760
your hands dirty.

666
00:35:28,760 --> 00:35:31,640
You got to have a knack for it,
though, which you do? Obviously,

667
00:35:31,880 --> 00:35:33,200
yeah, it's great. You've done

668
00:35:33,200 --> 00:35:35,060
electrical work all kinds. Yeah,
I

669
00:35:35,060 --> 00:35:39,560
do electrical. I was in the
trade for a season. But I love

670
00:35:39,560 --> 00:35:42,580
hearing stories like that with
the welding and the woodworking,

671
00:35:42,580 --> 00:35:45,760
because it reminds me of Troy
laketa, yeah? Like we were

672
00:35:45,760 --> 00:35:47,800
interviewing him, and we all of
a sudden, he's like, oh yeah.

673
00:35:47,800 --> 00:35:51,160
And I do a roofing business, and
you kind of went out, you kind

674
00:35:51,160 --> 00:35:53,500
of went back in the drums. I'm
like, no, no, no. Hold on time

675
00:35:53,500 --> 00:35:56,500
out here for a second stop.
What? What did you just say?

676
00:35:56,500 --> 00:35:58,660
You're a roofer? He goes, Oh,
yeah, I've

677
00:35:58,660 --> 00:36:03,240
done that too, right? Hard.
July, many moons. Oh, it sucked.

678
00:36:03,240 --> 00:36:06,360
I did it in August. Oh, I did it
for about

679
00:36:06,720 --> 00:36:09,540
which is the prime season to do
it, because you have to do it.

680
00:36:09,540 --> 00:36:09,720
Talk

681
00:36:09,720 --> 00:36:10,800
about a farmer's hand.

682
00:36:11,040 --> 00:36:14,340
The only part that's where I
developed the fear of heights,

683
00:36:14,400 --> 00:36:18,180
yeah, really, the only part that
ever really bothered me, aside

684
00:36:18,180 --> 00:36:21,860
from that, was just doing tear
off, you know, because you're

685
00:36:21,860 --> 00:36:26,480
tearing off all the shingles and
like, the inside of your elbow

686
00:36:26,480 --> 00:36:29,660
is just coated with asphalt
chips and just

687
00:36:29,720 --> 00:36:35,000
the well, and also it's, it's,
it's a hell of a way you can get

688
00:36:35,000 --> 00:36:35,660
hurt easily.

689
00:36:35,660 --> 00:36:41,140
Oh yeah, that's hard work. And I
left because the company was

690
00:36:41,140 --> 00:36:46,720
taking steeper pitch roofs with
no safety harnesses. I mean,

691
00:36:46,720 --> 00:36:51,700
we're talking toe boards five
feet apart, where you're like,

692
00:36:51,700 --> 00:36:57,220
struggling to make that gap
happen. Wow. And I remember

693
00:36:57,220 --> 00:37:02,220
being on a third story roof with
my brother one day overcast. We

694
00:37:02,220 --> 00:37:05,040
shouldn't have even been up
there. He and I showed up to the

695
00:37:05,040 --> 00:37:08,520
site. First the materials were
there. The supervisor said, go

696
00:37:08,520 --> 00:37:12,360
ahead and he and I are sitting
off, hanging off the edge of

697
00:37:12,360 --> 00:37:15,540
this house, with our feet
dangling, nailing on starter

698
00:37:15,540 --> 00:37:18,600
strip over the gutters, and just
going,

699
00:37:19,740 --> 00:37:22,940
I don't think I'm coming back
after race stories, man, I'm

700
00:37:23,240 --> 00:37:23,540
pretty

701
00:37:23,780 --> 00:37:27,620
and that was like, I was still
in South Carolina, but I was

702
00:37:27,620 --> 00:37:32,480
starting to gig regularly. I had
just gotten picked up by the

703
00:37:32,480 --> 00:37:36,020
booty band to do a fall tour. Is
yo mama's big fat booty band.

704
00:37:36,380 --> 00:37:39,080
I was like, a funk, funk trippy
band kind of thing.

705
00:37:39,200 --> 00:37:42,580
Seven piece, original, seven
piece funk band with a horn

706
00:37:42,580 --> 00:37:45,940
section, yeah, we went out open
for P funk and fish bone Harris

707
00:37:45,940 --> 00:37:49,960
brothers did all kinds of head
festivals and craft brew fest

708
00:37:49,960 --> 00:37:53,920
when craft brew was just kind of
becoming a thing, yeah,

709
00:37:53,920 --> 00:37:55,120
alongside podcasts,

710
00:37:55,180 --> 00:37:58,720
you like the IPA? Oh, I love
IPA. Oh, yeah, if I have to go

711
00:37:58,720 --> 00:38:02,340
craft I like a West Coast IPA,
like a, you know, Sierra Nevada

712
00:38:02,340 --> 00:38:03,360
style. I

713
00:38:03,360 --> 00:38:08,100
dig Well, Chris, the happier the
more bitter. Oh, he wanted, if I

714
00:38:08,100 --> 00:38:10,980
could get away with drinking
space dust all night, I would.

715
00:38:11,040 --> 00:38:13,740
Space dust is nice. It's home
style.

716
00:38:13,740 --> 00:38:17,580
It's just 9% so you can't really
hang out and drink that well,

717
00:38:17,880 --> 00:38:21,380
Voodoo Rangers like that, the
tall boy range, the green one,

718
00:38:21,440 --> 00:38:23,780
they will. They've got you to
freaking sleep. They've got the

719
00:38:23,780 --> 00:38:28,220
7% one, the orange version of
the IPA. Very fruity. That one's

720
00:38:28,220 --> 00:38:31,400
really I love space dust. Yeah,
space dust and also means

721
00:38:31,400 --> 00:38:33,980
a different thing now than it
did back in the day. Oh, yeah,

722
00:38:33,980 --> 00:38:35,840
thankfully Yes. You

723
00:38:36,020 --> 00:38:39,440
want a good podcast to listen
to, the ales and tails podcast.

724
00:38:39,440 --> 00:38:40,100
Make sure you check

725
00:38:40,100 --> 00:38:43,360
that out. Nice. Jim got in his
five promotional points. That's

726
00:38:43,360 --> 00:38:44,680
right at the front of the show.

727
00:38:44,680 --> 00:38:47,380
It's a podcast, a buddy of mine,
Mercurio. We're friends with

728
00:38:47,380 --> 00:38:51,220
Mercuria. He's our financial
advisor and a beer expert. Oh,

729
00:38:51,220 --> 00:38:54,760
he's a nice, very articulate,
very intelligent beer expert.

730
00:38:54,760 --> 00:38:56,680
So you got a guy that drinks a
lot of beer hands,

731
00:38:56,680 --> 00:38:59,680
but he's so thin you're like,
where you put it? Just kidding.

732
00:38:59,680 --> 00:39:04,080
He's He's freaking real. He's a
gymnast in the making. But he

733
00:39:04,080 --> 00:39:06,900
it's, it's makes you have an
appreciation for because I never

734
00:39:06,900 --> 00:39:09,900
did. So like, Okay, what is
this, you know, what kind of

735
00:39:09,900 --> 00:39:12,120
notes are you getting on the
nose? And I'd just be sitting

736
00:39:12,120 --> 00:39:14,340
there looking at the other
people going, I don't know. It's

737
00:39:14,340 --> 00:39:16,440
gotten to the point I was like,
burps. It's

738
00:39:16,440 --> 00:39:19,380
like, it's like, wine and
bourbon, you're right, scotch

739
00:39:19,380 --> 00:39:23,000
and stuff now, where you're just
like, what? Right? But it makes

740
00:39:23,000 --> 00:39:25,280
sense, because if you think
about it, you go to the store,

741
00:39:25,640 --> 00:39:30,380
there's that wall nowadays full
of craft beers. Yeah, you don't

742
00:39:30,380 --> 00:39:33,620
know where to start, but having
something like that's cool. It

743
00:39:33,620 --> 00:39:37,340
is because otherwise you just
reach for the same two or three

744
00:39:37,340 --> 00:39:38,780
standbys, and

745
00:39:38,780 --> 00:39:41,020
you figure out what you like and
everything, even, you know,

746
00:39:41,080 --> 00:39:43,780
with, you know, the whiskey
having a couple of nips every

747
00:39:43,780 --> 00:39:46,360
now and then, I'm like, I'm
getting a taste for this stuff.

748
00:39:46,360 --> 00:39:48,580
This is kind of dangerous. Oh
yeah, it's all dangerous. And

749
00:39:48,580 --> 00:39:50,680
then we got into dude, the Evan
Williams eggnog. We

750
00:39:50,680 --> 00:39:54,100
got, we also got in cigars. I
got in cigars about five years

751
00:39:54,100 --> 00:39:54,460
ago.

752
00:39:56,740 --> 00:39:59,920
Are you an eggnog guy when it
comes to the dude? Neither was.

753
00:40:00,000 --> 00:40:05,580
I I've Evan Williams just, I'm
telling you two words, two

754
00:40:05,580 --> 00:40:09,660
words, China, China. Evan
Williams, Wuhan.

755
00:40:10,140 --> 00:40:13,200
Wuhan. China's the popularity
has dipped. It's

756
00:40:13,200 --> 00:40:16,200
the China virus is terrible,
terrible. Oh, I'm working on my

757
00:40:16,200 --> 00:40:17,280
trump impersonation. Hey,

758
00:40:17,280 --> 00:40:21,080
the kid from Nashville. You know
the does Trump on SNL is spot

759
00:40:21,140 --> 00:40:21,740
on. I

760
00:40:21,740 --> 00:40:24,440
had a guy in here yesterday,
Brian, Austin, whatever his name

761
00:40:24,440 --> 00:40:27,140
is, on my on my podcast, the
mostly Middle Tennessee business

762
00:40:27,140 --> 00:40:29,480
podcast. Check it out. MMT
bp.com, I

763
00:40:29,540 --> 00:40:31,760
love it. It's, I can't wait to
read the show

764
00:40:33,740 --> 00:40:37,820
notes. Jim promotes. Jim
promotes. Jim promotes.

765
00:40:38,900 --> 00:40:41,140
I thought this was the rich,
rich Redmond, oh, my God,

766
00:40:41,140 --> 00:40:45,340
that's so funny. Man. That's
like, he's on fire right now. I

767
00:40:45,400 --> 00:40:50,440
love it. So, so listen, we do
want to hear some we do want to

768
00:40:50,440 --> 00:40:52,900
hear some stories about, like,
you know what? The, you know,

769
00:40:52,900 --> 00:40:55,600
the what it's like working with
except, I mean, and they, I'm

770
00:40:55,600 --> 00:40:57,820
sure you listen to him as a
young man, and now you're on

771
00:40:57,820 --> 00:41:00,640
stage with him, which is, which
is amazing. But you also want to

772
00:41:00,640 --> 00:41:03,480
hear about, you know, some gene
and a stories. You know, you're

773
00:41:03,480 --> 00:41:05,880
working with your rhythms. Did
you ever get to work with Paul?

774
00:41:05,880 --> 00:41:09,900
He seems like he's, no, you know
he's, he's like, less out there,

775
00:41:10,080 --> 00:41:13,800
yeah, but he'll go and he'll be,
my mom saw him in Toronto. He

776
00:41:13,800 --> 00:41:16,260
was, he did the Phantom of the
Opera, yeah? Like, he'll

777
00:41:16,260 --> 00:41:21,440
do that was 99 Yeah, yeah. 99 I
remember notes and everything.

778
00:41:21,440 --> 00:41:24,740
Okay? I guess he went into, he
went into voice training for

779
00:41:24,740 --> 00:41:28,520
that, and when they did the
farewell tour with the original

780
00:41:28,520 --> 00:41:31,940
lineup in 2000 you could
definitely tell the difference

781
00:41:31,940 --> 00:41:33,800
in his voice, really, yeah,
because

782
00:41:33,800 --> 00:41:38,060
it was Michael Crawford in the
original cast, and he hits that

783
00:41:38,060 --> 00:41:41,800
one note when they're down in
his area, the Phantoms basement,

784
00:41:41,800 --> 00:41:44,440
whatever. Yeah, and he's got
Christine talking about at the

785
00:41:44,440 --> 00:41:48,280
end, you know, no, it's actually
in, I want to say the first he

786
00:41:48,280 --> 00:41:50,020
takes her down, first time he
takes her down,

787
00:41:55,120 --> 00:41:59,260
yeah, my wife will watch that,
and the hair will stand up on

788
00:41:59,260 --> 00:42:02,400
her arms. Yeah, that's that kind
of a note, yeah. So, I mean, for

789
00:42:02,400 --> 00:42:04,380
someone to hit that with the
power

790
00:42:04,860 --> 00:42:09,000
Gerard, Gerard Butler in that
movie, nothing were awesome. No,

791
00:42:09,060 --> 00:42:09,420
no,

792
00:42:09,600 --> 00:42:11,340
no, he could not hit that.
Remember

793
00:42:11,340 --> 00:42:14,400
when le Miz, all the actors, the
big Highland actors, did le Miz,

794
00:42:14,400 --> 00:42:17,040
you know, Hugh Jackman. Hugh
Jackman is a song and dance man,

795
00:42:17,040 --> 00:42:17,160
for

796
00:42:17,160 --> 00:42:21,260
sure. Yeah, even the greatest
showman. I mean, they had,

797
00:42:21,260 --> 00:42:24,380
there's a video on YouTube where
they're playing, they're

798
00:42:24,380 --> 00:42:33,980
rehearsing from now on, which is
a great song, very deep. And he

799
00:42:33,980 --> 00:42:37,280
just wanted to stop by,
encourage the cast and make an

800
00:42:37,280 --> 00:42:42,160
appearance. And he just had,
like, sinus surgery or some sort

801
00:42:42,160 --> 00:42:44,860
of cancer removed from his nose,
and they told him not to sing,

802
00:42:44,860 --> 00:42:48,820
and he did it anyway. Oh, and he
just belts the crap out of it.

803
00:42:48,820 --> 00:42:51,700
Man, gorgeous performance.
Sebastian

804
00:42:51,700 --> 00:42:55,600
Bach did Jekyll and Hyde. Yeah,
I think on Broadway.

805
00:42:56,860 --> 00:43:00,100
Wow. People will go out of just
out of curiosity to see how they

806
00:43:00,100 --> 00:43:02,640
do, yeah, totally. And it's
like, they're like, Hey, I don't

807
00:43:02,640 --> 00:43:05,040
care, like, if they nail it,
they just want to go see it. I

808
00:43:05,040 --> 00:43:08,400
just found out recently, your
boss did a rendition of, I

809
00:43:08,400 --> 00:43:11,640
remember you. Do you recall
that? Wow, oh yeah.

810
00:43:11,640 --> 00:43:16,080
It was one of the first things
that we ever recorded with Dean

811
00:43:16,080 --> 00:43:18,540
in 99

812
00:43:19,560 --> 00:43:23,840
Yeah, yeah. Speaking of Aldean,
yeah, I've talked to you about

813
00:43:23,840 --> 00:43:26,180
it before, but how loud

814
00:43:26,180 --> 00:43:28,760
my click is? No, it's because
remember what? Remember one time

815
00:43:28,760 --> 00:43:32,000
you said I heard the click
coming from your ears.

816
00:43:32,360 --> 00:43:35,540
They're one feet away. There's
that we produce the

817
00:43:36,140 --> 00:43:39,080
volume now we, I'm on, like,
straight up at like noon, on the

818
00:43:39,080 --> 00:43:40,400
ears, on the pack.

819
00:43:40,460 --> 00:43:44,560
I'm I start there and go down as
the show goes, nice, bro, yeah,

820
00:43:44,620 --> 00:43:49,600
I mix. I put the pack on noon,
set the mix myself on an iPad,

821
00:43:49,660 --> 00:43:53,140
yeah. And then just try to bring
it as the night goes. Just let

822
00:43:53,140 --> 00:43:55,780
my ears re attenuate so I don't
blow them out. Great.

823
00:43:55,900 --> 00:43:59,020
I don't usually go above 1pm on
the on the

824
00:43:59,080 --> 00:44:02,460
that's, that's overkill. If you
need to. You're vibrating your

825
00:44:02,460 --> 00:44:03,180
brain. Then don't go

826
00:44:03,180 --> 00:44:06,360
to two. Don't do it. Your
cochlea is being rocked. This

827
00:44:06,360 --> 00:44:07,140
goes to one

828
00:44:09,840 --> 00:44:13,920
major, I got to give major
props. We've talked about it

829
00:44:13,920 --> 00:44:17,880
before, and I listened to it
again in the car. Your drum part

830
00:44:18,240 --> 00:44:19,740
on back in this cigarette.

831
00:44:20,760 --> 00:44:23,720
Oh, fucking brilliant. Oh,
thanks fucking bro. So long,

832
00:44:23,780 --> 00:44:24,440
long ago,

833
00:44:24,620 --> 00:44:28,520
but I remember hearing that
shortly after moving to town and

834
00:44:28,520 --> 00:44:34,460
just going, this is a new breed
of like sessions country,

835
00:44:34,460 --> 00:44:40,340
because there's like you're lick
going into the second verse. But

836
00:44:40,900 --> 00:44:46,600
Acton. But the way you execute
it, the Hi Hat foot splash on

837
00:44:46,600 --> 00:44:49,480
the outro, where you're playing
on the rim, and then you go to

838
00:44:49,480 --> 00:44:53,440
the snare March and all that
stuff, just swampy, almost like

839
00:44:53,440 --> 00:44:57,700
second line outro thing, dude.
Thanks. Before you kind of

840
00:44:57,700 --> 00:45:01,440
gracefully bow out with the
symbols and. Little side stick

841
00:45:01,440 --> 00:45:04,800
on the edge of the cymbals. Nice
man. Appreciate Phil's

842
00:45:04,800 --> 00:45:07,860
everything in that song is just
perfect.

843
00:45:07,860 --> 00:45:10,140
I appreciate it, man. You know
what's so funny is, is that it

844
00:45:10,140 --> 00:45:13,740
was all done in like, under an
hour. And, you know, I got to

845
00:45:13,740 --> 00:45:17,280
give props also to Michael Knox
for being so encouraging and

846
00:45:17,280 --> 00:45:20,160
open minded to percussion,
because for the first nine

847
00:45:20,160 --> 00:45:23,180
records we would get. I mean, he
would say, Yeah, bring in your

848
00:45:23,180 --> 00:45:26,060
stuff. And I would dump out my
toy box of all my interesting

849
00:45:26,180 --> 00:45:31,880
stuff that tracks got like an
like some shakers and

850
00:45:31,880 --> 00:45:35,180
tambourines, finger snaps and
suspended symbol rolls, and

851
00:45:35,180 --> 00:45:37,160
got that constant right off the
get go.

852
00:45:41,360 --> 00:45:46,540
Shakers are so powerful. I mean,
for 20 bucks, or an old Advil

853
00:45:46,540 --> 00:45:49,840
bottle that you fill with rice,
it's just one of my favorite

854
00:45:49,840 --> 00:45:50,740
instruments. That's

855
00:45:50,740 --> 00:45:53,740
the cool thing with it too, is
you can have so much fun. You

856
00:45:53,740 --> 00:45:58,540
can go out. And I remember going
into forks a couple years ago.

857
00:45:58,960 --> 00:46:04,140
There was a minor double row,
uh, brass jingle. That's like

858
00:46:04,140 --> 00:46:08,280
the 10 inch one with the little
inset handle. And getting so

859
00:46:08,280 --> 00:46:11,880
excited over that, because it
was the first time I remember

860
00:46:11,880 --> 00:46:15,540
hearing such a clean tone for
your tambourine, yeah, for a

861
00:46:15,540 --> 00:46:21,680
tambourine. No mics, no nothing.
Just in the corner, just it,

862
00:46:21,680 --> 00:46:25,340
just Oh. And then I got you a
minor guy. No, oh, Sabian.

863
00:46:25,640 --> 00:46:26,300
Sabian.

864
00:46:26,360 --> 00:46:29,720
Okay, we're both with Sabian.
Shout out, Chris. Thank you.

865
00:46:29,780 --> 00:46:32,360
Yeah, isn't it nice, like to be
able to have a friend in the

866
00:46:32,360 --> 00:46:35,060
business where you're like, Who
you calling? Who you on the

867
00:46:35,060 --> 00:46:37,640
phone with? Oh, just my buddy
and Burbank. I'm just getting

868
00:46:37,640 --> 00:46:39,740
some new symbols. I mean, it's
just so cool.

869
00:46:39,980 --> 00:46:44,080
Yeah, man, yeah, I love stinky.
He's just, he's a lifer. He, he

870
00:46:44,080 --> 00:46:46,540
took a chance on me when I was,

871
00:46:47,980 --> 00:46:49,360
I don't know younger, yeah,

872
00:46:50,800 --> 00:46:52,360
20 in your 20s, 2011

873
00:46:53,140 --> 00:46:56,200
I was with Leroy Powell, yeah,
we had just gotten a tour

874
00:46:56,260 --> 00:46:59,740
opening with Kid Rock and stuff,
because he used to come down on

875
00:46:59,740 --> 00:47:03,900
Broadway and jam and stuff. And,
you know, Leroy had, I guess, I

876
00:47:03,900 --> 00:47:05,940
don't know if it was through
shooter Jennings, yeah, but

877
00:47:05,940 --> 00:47:07,800
Leroy had some connection in
there

878
00:47:08,100 --> 00:47:12,780
now, now, Pearl is celebrating
75 years in business today,

879
00:47:13,440 --> 00:47:16,680
yesterday or today, we had Jason
Hartless on, yeah, some of your

880
00:47:16,680 --> 00:47:19,680
colleagues, Keo, um, so you've
been with them, and you got a

881
00:47:19,680 --> 00:47:22,200
lot of drama. So when you order
a new kid, it's like, I need a

882
00:47:22,200 --> 00:47:27,020
1020, need a 1012, 1316, 18,
220, fours. Call

883
00:47:27,020 --> 00:47:31,460
the bank, get a loan, second
mortgage. Yeah, yeah, it's a,

884
00:47:31,700 --> 00:47:33,140
it's a big drum set lot.

885
00:47:33,140 --> 00:47:37,160
And then you're, I mean, you're
going like, like, 15 inch hats,

886
00:47:37,160 --> 00:47:38,060
16 inch hats,

887
00:47:38,360 --> 00:47:43,840
14 inch hats. Oh, why use the AX
accelerators. Oh, nice, but big

888
00:47:43,840 --> 00:47:48,700
crashes, but it's double hats.
Because I don't I could do the X

889
00:47:48,700 --> 00:47:52,060
hat thing over here, but the
honest truth is, when you have

890
00:47:52,060 --> 00:47:55,600
an X hat here versus playing
cross, believe it or not, you

891
00:47:55,600 --> 00:47:59,800
hit the symbols differently, and
now you've got a secondary mic

892
00:47:59,860 --> 00:48:02,820
that's got all this additional
bleed from whatever else is over

893
00:48:02,820 --> 00:48:06,540
it. And sometimes your band
mates don't want a pan or any so

894
00:48:06,540 --> 00:48:10,020
I do the Tommy Aldridge thing
where I've got the closed hat on

895
00:48:10,020 --> 00:48:14,760
top of the open the pedal hat.
Yeah. So if we're doing double

896
00:48:14,760 --> 00:48:18,300
bass, I don't do a drop clutch
or any of that. I just have it

897
00:48:18,660 --> 00:48:23,600
barely sizzling for French
kissing, yep, and just do that.

898
00:48:23,600 --> 00:48:26,780
But they're both right here, so
I can play open or crossed on

899
00:48:26,780 --> 00:48:30,260
them, yeah, depending on what
I'm doing. But I've got two

900
00:48:30,260 --> 00:48:35,120
nineteens and the and the models
change year to year, but two

901
00:48:35,120 --> 00:48:39,560
nineteens up front, 219 inch
China's hovering over that 80s

902
00:48:39,560 --> 00:48:43,360
style, yeah, and then 220s
usually thinner. Crashes back

903
00:48:43,360 --> 00:48:46,960
here, the big wash, but then
they're all pitched, you know,

904
00:48:46,960 --> 00:48:51,220
bing, bing, bing, bing. So
depending what riff is being

905
00:48:51,220 --> 00:48:53,920
played, or whatever, I'll play
the symbols. Nice attention to

906
00:48:53,920 --> 00:48:57,580
detail. Not that anybody's gonna
hear that, but I hear it when I

907
00:48:57,580 --> 00:49:00,540
record the song. Yeah, anyway.
And that's kind of the muscle

908
00:49:00,540 --> 00:49:01,380
memory and

909
00:49:01,620 --> 00:49:04,380
everything with a band like,
except you need a giant mega

910
00:49:04,560 --> 00:49:06,240
bill, the mega Bill ride,

911
00:49:06,360 --> 00:49:09,660
the HH power bill, yeah, Vinnie
Paul ride. So that

912
00:49:09,660 --> 00:49:13,020
used to be, that's kind of like
sabian's equivalent of the zill

913
00:49:13,020 --> 00:49:14,760
Bell, yeah. I mean, no,

914
00:49:14,760 --> 00:49:18,120
that's, that's like the Zildjian
mega belt. Zildjian did a 21

915
00:49:18,660 --> 00:49:21,560
right? And they still do. They
just reintroduced the Z custom

916
00:49:21,560 --> 00:49:26,360
line. But Z thinks that's nice.
I think that's kind of where it

917
00:49:26,360 --> 00:49:30,020
started. And then Vinnie went to
Sabian, and they did that for

918
00:49:30,020 --> 00:49:32,540
him. I could be wrong, but if
I'm not mistaken, I

919
00:49:32,540 --> 00:49:36,860
finally got to break some bread
with will Calhoun. I mean, I had

920
00:49:36,860 --> 00:49:42,280
vivid, living colors, vivid on
cassette Yeah, in 1988

921
00:49:43,480 --> 00:49:46,360
or 89 visit and time's up.
Amazing,

922
00:49:46,780 --> 00:49:49,780
yeah, dude, sorry, but he had
that mega Bell ride. Yeah, it

923
00:49:49,780 --> 00:49:52,840
was just all Bell. The whole
thing was a bell cult

924
00:49:52,840 --> 00:49:54,640
of personality got me fired from
a bit.

925
00:49:54,640 --> 00:49:59,500
Well, no, he was using back then
he was using either the earth

926
00:49:59,500 --> 00:50:04,620
ride. Or he was using the Z
heavy power. I've got a couple

927
00:50:04,620 --> 00:50:09,420
of those 20 fours, and I, I'm
just waiting for the Sabian

928
00:50:09,420 --> 00:50:12,780
custom shop to open up so I can
get the Roy Mayorga ride. Ooh,

929
00:50:12,780 --> 00:50:15,420
because it's, it's basically
that, it'll give you tennis

930
00:50:15,420 --> 00:50:20,120
elbow and break all your sticks.
But you will hear that ride the

931
00:50:20,120 --> 00:50:21,320
next county over.

932
00:50:21,500 --> 00:50:25,880
Oh, I used to even at a younger,
younger weighs 14 pounds.

933
00:50:26,120 --> 00:50:29,780
Oh, my gosh, it's a 24 inch
ride, though, 24

934
00:50:30,200 --> 00:50:33,140
inch 14 pound ride symbol,
because I

935
00:50:33,140 --> 00:50:36,260
used to have the 24 the AA bash
ride,

936
00:50:38,180 --> 00:50:39,860
but it wasn't 14 pounds.

937
00:50:40,220 --> 00:50:43,240
Yeah, go. Just look up Roy
Mayorga, whether it's with stone

938
00:50:43,240 --> 00:50:49,540
sour or ministry or eighth inch
easily. Oh, that's crazy, yeah.

939
00:50:49,840 --> 00:50:54,760
So it's dumb, and I've been
telling stanky for years. I'm

940
00:50:54,760 --> 00:50:58,960
like, Dude, come on. Come on. He
goes once custom shops pumping

941
00:50:58,960 --> 00:51:00,960
out. We'll get you on nice,

942
00:51:02,340 --> 00:51:05,340
because I had, back in the day
when limited to green, green

943
00:51:05,400 --> 00:51:07,980
tractor hit the airwaves. I
think it was like oh eight or oh

944
00:51:07,980 --> 00:51:15,120
nine. I had a 24 inch Sabian,
heavily a rock ride. Very Pinky,

945
00:51:15,120 --> 00:51:18,600
huge bell. You can still wash it
a little bit, but mostly ping

946
00:51:18,960 --> 00:51:21,680
you late. You know, you shoulder
crash it. That was, was that

947
00:51:21,680 --> 00:51:24,800
when you, that was when you had
the natural kit, wasn't it the

948
00:51:24,800 --> 00:51:26,120
natural flats tour, yeah,

949
00:51:26,180 --> 00:51:28,760
yeah. I don't know who's got
that. Now, you know, I sold a

950
00:51:28,760 --> 00:51:32,180
lot of my sonar stuff to Gary
Asher, the drum collector. Yeah,

951
00:51:32,240 --> 00:51:36,020
slash drum. I don't even call
him the drum pusher. They called

952
00:51:36,020 --> 00:51:39,320
Don, they called Don Bennett the
drum pusher, because he buys, he

953
00:51:39,320 --> 00:51:41,620
bought car mines, Kitty bought,
you know, ringos kits. Today,

954
00:51:41,620 --> 00:51:44,320
it's the last big purchase that,
because I just got to spend some

955
00:51:44,380 --> 00:51:48,760
time with Don. He bought all of
aerosmith's their warehouse. He

956
00:51:48,760 --> 00:51:52,900
bought everything, wow, in the
Aerosmith warehouse. And then

957
00:51:52,900 --> 00:51:55,840
slowly but surely, took the time
to trickle everything out and

958
00:51:55,840 --> 00:52:00,300
sell each item one by one. And
of course, he's patient, and he

959
00:52:00,300 --> 00:52:02,880
was able to, like, quadruple his
profit.

960
00:52:03,120 --> 00:52:09,360
Oh yeah. I knew he had, he had
Kramer's, the purple swirl DW

961
00:52:09,360 --> 00:52:13,080
with the white hardware for
ever, yeah. And I always was

962
00:52:13,080 --> 00:52:15,120
like, man, love that color
combo.

963
00:52:15,300 --> 00:52:18,120
Were you into the aposy a piece
brothers? Did you like those

964
00:52:18,360 --> 00:52:19,140
guys? Yeah, yeah,

965
00:52:19,140 --> 00:52:21,740
yeah, respectively, on their
own. I mean, I mean, I had the

966
00:52:21,800 --> 00:52:25,160
realistic rock book with the
poster totally, you know, with

967
00:52:25,160 --> 00:52:28,940
his leopard Pearl syndrome,
yeah, concert, Tom's right up

968
00:52:28,940 --> 00:52:29,600
front. I love

969
00:52:29,600 --> 00:52:33,980
Carmen. I love, I love his, you
know, his vocabulary is his

970
00:52:34,520 --> 00:52:37,940
vernacular. Yeah, it's good
stuff. Absolutely, he invented

971
00:52:37,940 --> 00:52:40,340
all that shit. Okay, well, what
about some of these stories? You

972
00:52:40,340 --> 00:52:42,580
got any funny stories here?
Working with Gene, working with

973
00:52:42,580 --> 00:52:45,700
ace, working with Mick Mars
lives in town. Of course, you

974
00:52:45,700 --> 00:52:47,920
can always tell the Lee
Greenwood story about how you

975
00:52:47,920 --> 00:52:49,780
how you had to prepare for that.
There's

976
00:52:49,780 --> 00:52:51,100
that one. Yeah,

977
00:52:53,020 --> 00:52:55,660
we could start with that one.
Start with that one. It's

978
00:52:55,660 --> 00:52:58,780
kind of odd though. Even like
all you have all these heavy

979
00:52:59,260 --> 00:53:02,820
acts John Karabi, except Gene
Simmons, ace, really? And then

980
00:53:02,820 --> 00:53:06,000
you have the one that stands
out, Lee Greenwood, yeah, this,

981
00:53:06,060 --> 00:53:08,040
one of these things is not like
the other.

982
00:53:08,160 --> 00:53:12,300
So that came about with our
buddy Paul arts, who was, I

983
00:53:12,300 --> 00:53:15,780
think he still is with
Greenwood, I think so. But

984
00:53:15,780 --> 00:53:20,720
forever, what's up? Paul? Paul
arts, woo, woo, but I was

985
00:53:20,720 --> 00:53:26,840
renting out his house, and there
was a studio downstairs. We had

986
00:53:26,840 --> 00:53:30,140
a band together, like a little
metal side project. We jam and

987
00:53:30,140 --> 00:53:36,440
stuff. And there was a casino
gig, I think in Oregon, maybe it

988
00:53:36,440 --> 00:53:41,920
was where, last minute, whoever
their artist for that weekend

989
00:53:41,920 --> 00:53:46,420
was got sick and bailed and they
needed a band ASA, bless you.

990
00:53:48,820 --> 00:53:50,500
Lesson, yeah, so

991
00:53:50,800 --> 00:53:55,840
Andy wasn't available. Their
their drummer at the time, and

992
00:53:55,840 --> 00:53:59,200
Andy Hall, yeah, yeah. And their
keyboard player wasn't available

993
00:53:59,200 --> 00:54:05,940
either. So Paul calls me and
goes, Hey, they just called

994
00:54:05,940 --> 00:54:08,880
Greenwood and asked, What's up
with this gig. Can you do it?

995
00:54:09,120 --> 00:54:11,880
You know, well, I'm missing a
couple people, but let me see.

996
00:54:11,880 --> 00:54:15,300
And Paul calls me, and I said,
Yeah, man, cool. He goes, All

997
00:54:15,300 --> 00:54:19,680
right, let me confirm it. I'll
call you back. So I'm like,

998
00:54:20,040 --> 00:54:21,920
eating nachos, watching TV.

999
00:54:22,520 --> 00:54:25,700
Paul calls nachos. Yeah. Paul
calls back. A half

1000
00:54:25,700 --> 00:54:30,020
hour later. He goes, Okay, the
gigs on. I'll send you the set

1001
00:54:30,020 --> 00:54:37,880
list as soon as I get it. Okay,
so now it's like 10am 10

1002
00:54:37,880 --> 00:54:42,340
o'clock, something like that.
And he goes, Okay, here's the

1003
00:54:42,340 --> 00:54:49,300
set list rehearsal tomorrow, 9am
S I R, God, get like 22 songs

1004
00:54:49,840 --> 00:54:52,780
we're doing. 20 of them get 11
hours. Learn this, learn these

1005
00:54:52,780 --> 00:54:57,460
other two. Yeah. And I go, okay.
He goes, go downstairs to the

1006
00:54:57,460 --> 00:55:01,740
studio. The center drawer on the
desk there's. Two iPods. One has

1007
00:55:01,740 --> 00:55:05,040
the board tapes, the other one
has the album versions. What's

1008
00:55:05,040 --> 00:55:10,440
an iPad? Yeah, he goes listen to
the board tapes, but reference

1009
00:55:10,440 --> 00:55:15,480
the album versions as well. So I
did, and just did the best I

1010
00:55:15,480 --> 00:55:17,160
could, skeleton charting, but

1011
00:55:17,220 --> 00:55:20,040
specifically you read specific,
you obviously read notation.

1012
00:55:20,100 --> 00:55:21,620
Yeah, yeah. Big, help,

1013
00:55:21,980 --> 00:55:25,220
massive, massive. But I didn't
have enough time to actually do

1014
00:55:25,220 --> 00:55:28,100
a full transcription of every
song. It's a guide chart, so it

1015
00:55:28,100 --> 00:55:31,640
was, yeah, skeleton sheet,
certain licks, you know,

1016
00:55:31,640 --> 00:55:35,960
signature parts, whatever. Bang.
Bang. Just got through it. Slept

1017
00:55:36,080 --> 00:55:42,040
a few hours, got up, Paul came
over, and we went through tunes,

1018
00:55:42,040 --> 00:55:46,300
basically, ins and outs, and
he's like, okay, went to, sir,

1019
00:55:46,360 --> 00:55:50,620
do the rehearsal. Lead. Didn't
even play through the full

1020
00:55:50,620 --> 00:55:54,520
songs. We get, like, up to the
bridge, maybe halfway through

1021
00:55:54,520 --> 00:55:56,920
the bridge, and you go, all
right, that's good, fine. Yep.

1022
00:55:56,980 --> 00:56:01,140
We're like, Becky on keys. She
and I are like, Becky priest,

1023
00:56:01,200 --> 00:56:07,980
yeah, sorry. And we're like, No,
we need to do this for our sake.

1024
00:56:07,980 --> 00:56:11,760
And he goes, No, you'll be fine,
nice. Okay, so the gig comes,

1025
00:56:12,660 --> 00:56:12,900
so

1026
00:56:12,900 --> 00:56:16,980
we leave, yeah, we leave, sir,
at 6pm we've got a 6am flight to

1027
00:56:17,100 --> 00:56:21,560
Oregon. Yeah, get there. Quick
line check, and then just again,

1028
00:56:21,560 --> 00:56:27,260
just study study study study
study do the gig. Two minor

1029
00:56:27,260 --> 00:56:31,220
mistakes the whole time. One was
a rhythmic figure I played

1030
00:56:31,220 --> 00:56:35,000
backwards on a fill, and it was
something quite literally like

1031
00:56:35,060 --> 00:56:38,180
instead of Pat Boone, Debbie
Boone, Debbie Boone, Debbie

1032
00:56:38,240 --> 00:56:43,180
boom. Pat Boone. The only other
mistake which was not

1033
00:56:43,480 --> 00:56:47,500
technically a mistake. Yes, Lee
would start this ballad

1034
00:56:47,500 --> 00:56:53,080
downstage, right on a keyboard,
and he starts it himself, all

1035
00:56:53,080 --> 00:56:58,660
the board tapes I referenced, he
just starts free form. He turns

1036
00:56:58,660 --> 00:57:04,080
around and looks at me and goes,
give me a tempo. Brain fart,

1037
00:57:04,200 --> 00:57:08,400
yeah, deer in the headlines felt
like 20 minutes. Yeah, it's

1038
00:57:08,400 --> 00:57:13,920
probably like two seconds. He's
give me a tempo and go, you got

1039
00:57:13,920 --> 00:57:18,180
it. And he just, he laughed, and
just started coming in play,

1040
00:57:18,420 --> 00:57:21,860
just playing pads. You're
playing pad chords while you're

1041
00:57:21,860 --> 00:57:24,380
talking to the audience. You
don't need a tempo like, are you

1042
00:57:24,380 --> 00:57:25,100
just messing with

1043
00:57:25,100 --> 00:57:27,620
so great to be here again. This
is a beautiful theater that was

1044
00:57:27,620 --> 00:57:29,180
literally it beautiful crowd.
But

1045
00:57:29,180 --> 00:57:32,120
he wanted me to, he wanted me
to, to count him in for that.

1046
00:57:32,120 --> 00:57:35,720
Yeah, and I didn't have it free.
It's, I didn't have a tempo

1047
00:57:35,720 --> 00:57:38,540
marking on that one because I
didn't play on that song. Yeah?

1048
00:57:38,720 --> 00:57:41,620
So I'm like, Cool. He's good. He
starts it himself. He's got it.

1049
00:57:41,620 --> 00:57:44,920
So did you only do one gig with
him? Yep. But the main thing is,

1050
00:57:44,920 --> 00:57:47,140
is that you were given that
opportunity. The door was

1051
00:57:47,140 --> 00:57:50,080
cracked. You end up kicking the
door open. Then now you have

1052
00:57:50,080 --> 00:57:53,020
Paul, who's championing you. All
the other people that were in

1053
00:57:53,020 --> 00:57:56,320
the band are championing you.
And that's that thing that just

1054
00:57:56,320 --> 00:57:59,620
gets that ball roll. Absolutely.
Yeah, man, do your homework.

1055
00:57:59,620 --> 00:58:03,600
Kids, preparation. And I say
over preparation is the key to

1056
00:58:03,600 --> 00:58:06,420
success. But the thing is, is
you were willing to not sleep

1057
00:58:06,420 --> 00:58:10,020
for one evening of your life,
yeah, to get the ball rolling

1058
00:58:10,200 --> 00:58:11,760
through your career. And

1059
00:58:11,760 --> 00:58:15,900
I and played with a Grammy Award
winning artist like, yeah, man,

1060
00:58:15,900 --> 00:58:18,840
after being in Nashville less
than a year, yeah, I think it

1061
00:58:18,840 --> 00:58:21,740
was 11 months at that point,
1011. Months, were you doing

1062
00:58:21,740 --> 00:58:24,860
the day job over at the mineral
at that time I was out. Yeah.

1063
00:58:25,040 --> 00:58:28,100
Now tell us how you came across
Phil and Jeremy, your brother,

1064
00:58:28,100 --> 00:58:30,020
rhythm section brothers, yeah.
So

1065
00:58:30,020 --> 00:58:34,280
that was, I was playing with an
artist at the time. Her name was

1066
00:58:34,280 --> 00:58:37,880
Missy Johnson. Missy McCarthy,
now married to shaker, who was

1067
00:58:37,880 --> 00:58:42,280
with Southland shaker. Yeah.
What's he doing? I don't know. I

1068
00:58:42,280 --> 00:58:45,400
haven't talked to him in years.
Yeah, me either. But I was

1069
00:58:45,400 --> 00:58:48,760
playing with Missy, doing her
original stuff, and she and I

1070
00:58:49,060 --> 00:58:53,020
are also like, major Zeppelin
heads. Yeah, we have a tattoo.

1071
00:58:53,140 --> 00:58:58,420
Yeah, I got the I got the rings,
yeah? But so we had this tribute

1072
00:58:58,420 --> 00:59:02,880
night coming up where we were
calling the band Roberta plant,

1073
00:59:03,600 --> 00:59:07,740
you know, nice, and that's
great. We'd worked up all the

1074
00:59:07,740 --> 00:59:11,880
material, and the mighty Dan
halen was going to be

1075
00:59:11,880 --> 00:59:15,960
headlining. And that was Phil.
That was Phil schus on guitar,

1076
00:59:16,020 --> 00:59:20,780
Paulie Simmons on drums. Phil's
wife, Raquel, who played with

1077
00:59:20,780 --> 00:59:25,640
Maggie rose for a while, nice.
She was on base. And then rest

1078
00:59:25,640 --> 00:59:28,580
in peace, our friend Matt
Harris, who did a lot of writing

1079
00:59:28,580 --> 00:59:33,800
with Leon Russell. Wow was our
Dave, and he was Dave, like,

1080
00:59:33,860 --> 00:59:35,060
like the ashless chaps,

1081
00:59:35,780 --> 00:59:39,740
not that far. But, I mean, just,
but like talking to him in

1082
00:59:39,740 --> 00:59:44,680
general, he was Dave, and he
could do the wow, that split

1083
00:59:44,680 --> 00:59:49,480
vocal thing. Oh, but so anyway,
we're all set. They're gonna

1084
00:59:49,480 --> 00:59:53,440
headline. We're gonna open flood
hits, May of 2010

1085
00:59:53,920 --> 00:59:57,820
May of 2010 the 100 year flood.
Yep, flood hits.

1086
00:59:58,540 --> 01:00:02,640
And you. I guess Polly's
something at Polly house had

1087
01:00:02,640 --> 01:00:06,060
gotten flooded. Phil's basement,
where they rehearsed on 12th

1088
01:00:06,180 --> 01:00:11,700
South had gotten flooded, and
they pulled out of the gig, and

1089
01:00:11,700 --> 01:00:15,600
I I called in desperation. I got
Phil's number because I had met

1090
01:00:15,600 --> 01:00:18,600
him once or twice before playing
with when he was with Karabi.

1091
01:00:19,440 --> 01:00:24,320
And I was like, Dude, I know
that that Dave era, like the

1092
01:00:24,320 --> 01:00:27,980
back of my hand. Let's do this.
And he goes, Nah, man, that's

1093
01:00:27,980 --> 01:00:31,820
cool. And, you know, to his
credit, if you don't know

1094
01:00:31,820 --> 01:00:36,980
somebody, that's, that's a lot.
So he's no thanks. So we ended

1095
01:00:36,980 --> 01:00:41,140
up just, we still did the gig,
but we did a mixture of Zeppelin

1096
01:00:41,140 --> 01:00:46,120
and missy's original material,
but those guys still showed up

1097
01:00:46,540 --> 01:00:50,980
to support at the Rutledge,
yeah, and that's where I met

1098
01:00:50,980 --> 01:00:55,180
Jeremy for the first time, and
Matt and Raquel, and they were

1099
01:00:55,180 --> 01:01:00,840
just like, Damn dude, yeah, we
should hang out. We should, like

1100
01:01:00,960 --> 01:01:03,240
do some more playing. And that's
where, sorry, I doubted you.

1101
01:01:03,300 --> 01:01:06,300
Yeah, yeah. And that's where
that started. And a week or so

1102
01:01:06,300 --> 01:01:11,040
later, Phil invited me over to
the house. We're hanging out and

1103
01:01:11,520 --> 01:01:15,240
talking music. And you know,
what's your favorite record? Oh,

1104
01:01:15,240 --> 01:01:18,240
blah, blah, blah, blah, blah.
And it's my turn. And I go,

1105
01:01:18,660 --> 01:01:24,560
Well, nobody really knows it, I
said, but it's King biscuit live

1106
01:01:24,560 --> 01:01:31,040
flower hour 1973 at Winterland,
humble pie, wow. And Phil

1107
01:01:31,040 --> 01:01:35,000
Frampton, oh, no, I know. After
Frampton, post Frampton, Clem

1108
01:01:35,780 --> 01:01:38,840
Clemson and he had the
blackberries, which were Ray

1109
01:01:38,840 --> 01:01:42,700
Charles backup singers. Marriott
had started playing lead guitar

1110
01:01:42,700 --> 01:01:44,200
again and harmonica and b3

1111
01:01:44,740 --> 01:01:47,860
totally obscure, but he was down
with it. He knew Phil

1112
01:01:47,860 --> 01:01:52,480
knew it. And he goes, dude,
what? And goes over and throws

1113
01:01:52,480 --> 01:01:56,440
it on the turntable. And I go,
you know that records just

1114
01:01:56,440 --> 01:01:59,140
freaking out. And next thing you
know, we're air guitaring and

1115
01:01:59,140 --> 01:02:03,360
jumping off the couch like
children, and it always reminds

1116
01:02:03,360 --> 01:02:06,240
me of the scene from Step
Brothers. Did we just become

1117
01:02:06,240 --> 01:02:09,960
best friends? Yes, do you want
to do karate in the garage? Yes,

1118
01:02:09,960 --> 01:02:13,020
look at all this room for
activities. It was that, hey, do

1119
01:02:13,020 --> 01:02:20,040
you like guacamole? It was that
moment, and that solidified the

1120
01:02:20,040 --> 01:02:26,120
bond. And then through Phil and
Jeremy, I was brought into that

1121
01:02:26,120 --> 01:02:29,600
rock and roll community, which
really threw the doors open.

1122
01:02:29,600 --> 01:02:32,120
Yeah. I mean, because, you know,
I mean, I fancy myself an

1123
01:02:32,120 --> 01:02:36,380
overeducated rock drummer, but
there is this underbelly of rock

1124
01:02:36,380 --> 01:02:39,380
and roll in Nashville more than
ever. But I mean, you three guys

1125
01:02:39,380 --> 01:02:42,640
have really made a name for
yourself in a country town being

1126
01:02:42,640 --> 01:02:46,960
the go to rock guys, absolutely.
And what was, what was the Rock

1127
01:02:46,960 --> 01:02:49,000
and Roll residency? Is that
still happening?

1128
01:02:49,120 --> 01:02:51,580
Sometimes they're, they're
actually doing what, I'm not

1129
01:02:51,580 --> 01:02:53,620
sure when this will air, but
they're doing one Friday

1130
01:02:53,620 --> 01:02:54,100
actually,

1131
01:02:54,160 --> 01:02:56,560
okay, this is probably come out
in what, seven weeks, or

1132
01:02:56,560 --> 01:02:58,900
something like that. Okay, yeah,
yeah. Well, never mind Strike

1133
01:02:58,900 --> 01:03:02,460
that. But anyways, this Friday
would have happened. So this

1134
01:03:02,460 --> 01:03:04,440
Friday is where East

1135
01:03:04,440 --> 01:03:06,900
Side bowl, oh, the East Side
bowl, because now they they do

1136
01:03:06,900 --> 01:03:08,700
it once, twice a year.

1137
01:03:08,700 --> 01:03:11,520
Hey, man, that East Side bowl is
becoming quite a popular venue,

1138
01:03:11,520 --> 01:03:13,380
like rad. Man, a lot of music.

1139
01:03:13,380 --> 01:03:15,840
There's three different stages
in that place, and they're all

1140
01:03:15,840 --> 01:03:19,080
completely different. Who owns
it? Does Grammy own? That chark

1141
01:03:19,380 --> 01:03:24,500
Ken solving, I don't know him.
So chark built and designed the

1142
01:03:24,500 --> 01:03:27,440
sound and the stage and
everything over at basement east

1143
01:03:27,440 --> 01:03:31,340
with grimy Gotcha. But chark
also did cannery mercy, high

1144
01:03:31,340 --> 01:03:33,560
watt and several other venues.
So

1145
01:03:33,560 --> 01:03:36,980
he's a total venue entrepreneur,

1146
01:03:37,100 --> 01:03:43,240
and he is, you can ask him any
question about any band, and he

1147
01:03:43,240 --> 01:03:44,920
can give you all the details.
He's

1148
01:03:44,920 --> 01:03:48,640
that guy. He's that guy. So he's
a student and fan of the genre

1149
01:03:48,640 --> 01:03:49,360
Absolutely,

1150
01:03:49,360 --> 01:03:53,920
and he's a killer guitar player
too. Shark, yep, something.

1151
01:03:53,920 --> 01:03:55,000
Hopefully doesn't listen

1152
01:03:55,000 --> 01:03:58,120
to this and go red man, you're
an asshole. I met you two years

1153
01:03:58,180 --> 01:04:00,840
ago, like, but I don't know
well, he still might call you an

1154
01:04:00,840 --> 01:04:03,600
asshole either way. But yeah, I
mean, I get, I'm sure I'm being

1155
01:04:03,600 --> 01:04:07,800
called things as we speak. So
well, that's great, man, man.

1156
01:04:07,800 --> 01:04:10,260
And so you guys have got this
thing, and so where you kind of

1157
01:04:10,260 --> 01:04:12,540
like, lift each other up, and
you got this three headed Hydra,

1158
01:04:12,540 --> 01:04:13,740
you know, and

1159
01:04:13,740 --> 01:04:17,820
then you've also got, I've got
to give a major shout out Jared

1160
01:04:17,820 --> 01:04:20,960
Pope, because he's actually,
he's the drummer for

1161
01:04:20,960 --> 01:04:24,080
the rising role residency. Yeah,
who did do some work with

1162
01:04:24,080 --> 01:04:25,700
Thompson square? Yep, he was

1163
01:04:25,700 --> 01:04:28,400
with Thompson square for a
while. Brother Kane whiskey

1164
01:04:28,400 --> 01:04:33,680
falls Tom Kiefer's drummer,
yeah, for years now. Jared,

1165
01:04:33,680 --> 01:04:36,980
what's up? Man, we'll get you in
here. Damon Johnson, we had

1166
01:04:36,980 --> 01:04:41,440
David Johnson early. Okay, yeah,
yeah. Man, Jared killer, too.

1167
01:04:41,440 --> 01:04:46,720
Man, total rocker, but Vinny
chops, oh, nice, like, yeah,

1168
01:04:46,720 --> 01:04:50,320
he's a bad dude. Nice, yeah.
What's up? Jared? Whoo, we'll do

1169
01:04:50,320 --> 01:04:53,080
the thing. Man, yeah. So who
else dude?

1170
01:04:54,400 --> 01:04:55,420
Funny stories here,

1171
01:04:56,800 --> 01:04:59,920
ace, I guess I mean, Ace is a
character. Come on.

1172
01:05:02,460 --> 01:05:07,140
Yeah, anybody that's ever been
around ace can do aces voice,

1173
01:05:07,200 --> 01:05:10,500
it's like that guy, but like a
serious, Long Island accent.

1174
01:05:10,560 --> 01:05:12,300
Yeah, deep. He's

1175
01:05:12,300 --> 01:05:16,260
from the Bronx. He's Bronx

1176
01:05:16,500 --> 01:05:20,360
boy tuxedo junction in
Connecticut all the time. Yeah,

1177
01:05:20,600 --> 01:05:24,500
and buddies of mine, the guy I
told you about, Billy Willie,

1178
01:05:24,980 --> 01:05:28,340
yeah, yeah. They used to go see
him all the time and do the

1179
01:05:28,340 --> 01:05:30,500
exact things that we're doing
now, kind of, yeah, mimicking

1180
01:05:30,500 --> 01:05:33,260
them and stuff like that. He's
greatly comet. Fraley's

1181
01:05:33,260 --> 01:05:38,840
Comet, yeah, with Anton, yeah.
But yeah, we were in Japan with

1182
01:05:38,840 --> 01:05:43,780
ace. We did three nights in
Tokyo double shows, and then a

1183
01:05:43,780 --> 01:05:48,940
night in Osaka double show. And
so the last night in Tokyo, we

1184
01:05:48,940 --> 01:05:53,620
had finished the final
performance there. And, you

1185
01:05:53,620 --> 01:05:56,620
know, Ace is all over the place.
I've got one of those Gene

1186
01:05:56,620 --> 01:05:59,440
Simmons vaults, because we had
just played with gene in

1187
01:05:59,440 --> 01:06:02,700
Australia. And Ace opened, and
then he would come out at the

1188
01:06:02,700 --> 01:06:06,540
end of the night, and we were
the band for both gene and Ace.

1189
01:06:06,540 --> 01:06:10,680
Yeah, myself, Phil s, Jeremy
asbrook, and Ryan cook. What's

1190
01:06:10,680 --> 01:06:17,940
up, Ryan? So I get this 40 pound
wooden box full of all these

1191
01:06:18,000 --> 01:06:22,760
unreleased CDs of demos and
stuff, fly it to Japan, because

1192
01:06:22,760 --> 01:06:25,580
there's no way I can ship it
home, and it's cheaper just to

1193
01:06:25,580 --> 01:06:31,220
pay the extra baggage fee. So
I've got it backstage last

1194
01:06:31,220 --> 01:06:34,700
night, and Ace sees it and goes,
Oh, what's that? I go, Oh, it's,

1195
01:06:34,760 --> 01:06:39,740
you know, Gene's vault. You want
me to sign it? And I go, Yeah,

1196
01:06:39,740 --> 01:06:44,620
man, that'd be great. This is
great. I roll it over and Gene

1197
01:06:44,920 --> 01:06:49,480
when he would, when you'd
purchase one, he would sign the

1198
01:06:49,480 --> 01:06:52,180
top of it and do this little
meet and greet and stuff. Well,

1199
01:06:52,180 --> 01:06:55,840
mine was a gimme from the record
label. You know, hey, we've got

1200
01:06:55,840 --> 01:07:01,080
some extra ones. And I pestered
the rep long enough there. He's

1201
01:07:01,080 --> 01:07:05,340
like, here, I don't want to ship
this home. You take it so a sees

1202
01:07:05,340 --> 01:07:09,840
it, and he goes, Oh, Gene didn't
sign it. I go, No, Gene doesn't

1203
01:07:09,840 --> 01:07:12,660
know I have it. And it goes,
good for you. Don't give him any

1204
01:07:12,660 --> 01:07:13,920
more money.

1205
01:07:14,940 --> 01:07:18,240
Those guys are like, still,
yeah, right. They love each

1206
01:07:18,240 --> 01:07:18,660
other, but

1207
01:07:18,660 --> 01:07:21,440
it's still they got to give each
other crap, knowing full well,

1208
01:07:21,440 --> 01:07:23,540
could probably come back to him.
So gene

1209
01:07:23,600 --> 01:07:27,740
you know or so ace signs the
whole thing you know, Keith

1210
01:07:27,740 --> 01:07:32,540
LaRue, who you know works like
day to day, Paul Stanley's guy.

1211
01:07:32,540 --> 01:07:35,840
But he also is their official
photographer with Kiss. He runs

1212
01:07:35,840 --> 01:07:39,740
the website, does the contest,
conventions, all this stuff.

1213
01:07:40,340 --> 01:07:44,500
Awesome dude. He's asking ace.
He goes, acety, you have Oh

1214
01:07:44,500 --> 01:07:47,920
yeah, jank, I made one of these.
Have you listened to it yet?

1215
01:07:48,760 --> 01:07:54,820
Listen to what the box set the
vault. It's a box

1216
01:07:54,940 --> 01:07:57,220
ace. There's 10 DS and 10

1217
01:07:57,220 --> 01:08:01,740
discs in there. Why the hell do
I want to listen to his crap he

1218
01:08:01,740 --> 01:08:10,140
didn't put out like just die and
laugh. And so ace signs it. We

1219
01:08:10,140 --> 01:08:12,840
all say, you know, good night,
because the next day, we're

1220
01:08:12,840 --> 01:08:18,960
flying to Osaka, packing our
bags, and ACE has decided that

1221
01:08:19,020 --> 01:08:22,400
this band is going to go on the
kiss cruise in a couple months.

1222
01:08:22,580 --> 01:08:26,240
And so ace is leaving. He goes,
All right, fellas, we'll see on

1223
01:08:26,240 --> 01:08:29,960
the cruise. And I go, No ace,
we'll see you at the airport

1224
01:08:29,960 --> 01:08:34,220
tomorrow. And he goes, what? I
go, we'll see you tomorrow

1225
01:08:34,220 --> 01:08:37,700
morning at the airport. We have
two shows in Osaka tomorrow

1226
01:08:37,700 --> 01:08:43,780
night, sold out. And he goes,
Wow, we'll figure it out. So

1227
01:08:44,080 --> 01:08:44,320
wait,

1228
01:08:46,479 --> 01:08:50,979
so you're cool enough there to
figure out he wouldn't mind you

1229
01:08:50,979 --> 01:08:52,599
doing this impersonation. No,

1230
01:08:52,660 --> 01:08:57,400
okay, any anybody that knows ace
Does he still ace is great. I

1231
01:08:57,400 --> 01:09:02,460
see anytime. No, he's been clean
and sober, probably like 15

1232
01:09:02,520 --> 01:09:03,120
years good

1233
01:09:03,119 --> 01:09:07,499
for him, yeah. Now gene and gene
never touched a thing that is

1234
01:09:07,499 --> 01:09:08,279
insane. I

1235
01:09:08,280 --> 01:09:12,300
think the only time that gene
ever got messed up he there was

1236
01:09:12,300 --> 01:09:17,280
some after party early on in the
kiss, days like pre destroyer,

1237
01:09:17,280 --> 01:09:20,720
you know, first two or three
records, it was an after party

1238
01:09:20,720 --> 01:09:23,480
or something like that. And
there's jeans. Have got a major

1239
01:09:23,480 --> 01:09:27,920
sweet tooth. Ah, that's his
thing, sugar. There's two trays

1240
01:09:27,920 --> 01:09:31,940
of brownies. Oh no, yeah, hot
brownies. One's fully leaded,

1241
01:09:31,940 --> 01:09:34,880
the other one's unleaded. Well,
he starts digging into the

1242
01:09:34,880 --> 01:09:38,960
fully, you can't eat the full.
And he apparently had to ride

1243
01:09:38,960 --> 01:09:44,860
that out for a long time. Yes,
yeah. But according to him,

1244
01:09:44,860 --> 01:09:47,080
that's, that's the only time
he's ever been messed up.

1245
01:09:47,080 --> 01:09:49,540
What a businessman and were
those guys? Are those guys like

1246
01:09:49,540 --> 01:09:52,420
task masters to work for? Are
they pretty much like you guys?

1247
01:09:52,420 --> 01:09:54,340
Sound great. We'll see you at
the gig. Done. Gene

1248
01:09:54,340 --> 01:09:59,200
was great. Gene was totally you
guys are the band. You guys know

1249
01:09:59,200 --> 01:10:02,880
what you're doing. You're great,
awesome. I had a blast with

1250
01:10:02,880 --> 01:10:06,900
Gene, yeah, like from day one,
because Eric Singer is a good

1251
01:10:06,900 --> 01:10:09,420
friend of mine. Yeah, I was
gonna ask you, if you ever met

1252
01:10:09,420 --> 01:10:12,120
Eric. Oh, yeah, yeah. We text
all the time North Hollywood

1253
01:10:12,120 --> 01:10:15,180
guy, right? Yeah. He's, uh,
Vegas now. Oh, in Vegas. Okay.

1254
01:10:15,300 --> 01:10:21,260
Oh, really, yeah. So Eric really
that that may, that, in May of

1255
01:10:21,260 --> 01:10:27,140
that year, was at a we were at a
kiss convention, and Brent Fitz

1256
01:10:27,140 --> 01:10:30,980
was on the gig. He was, he was
Jean's guy. Love Brent, but

1257
01:10:30,980 --> 01:10:35,060
slash was getting ready to go
out and do the thing again solo.

1258
01:10:35,360 --> 01:10:42,160
And that's his gig. That's his
money maker. So Eric goes, dude,

1259
01:10:42,400 --> 01:10:45,040
Christopher, why don't you do
the gig? You know, all the

1260
01:10:45,040 --> 01:10:47,380
stuff, it's perfect for you. Why
aren't you on the gig? And I go,

1261
01:10:47,380 --> 01:10:52,000
Well, if you know Ryan and the
guys call me, Sure, great. Like,

1262
01:10:52,420 --> 01:10:55,120
you know, initially I was
supposed to do the gig and I was

1263
01:10:55,120 --> 01:11:01,800
on tour with accept, you know,
whoa is me. Yeah. So, yeah, then

1264
01:11:01,800 --> 01:11:05,460
that came about for doing the
gig. But Eric said, you know,

1265
01:11:05,940 --> 01:11:09,120
when you work with Gene right
out of the gate, just bust his

1266
01:11:09,120 --> 01:11:12,480
balls. Oh, he likes that. And I
was like, No, I can't, man,

1267
01:11:12,480 --> 01:11:15,660
that's, that's the dude, that's
the demon. I can't do that. And

1268
01:11:15,660 --> 01:11:19,320
he goes, No, trust me, do it or
he's gonna walk all over you.

1269
01:11:19,320 --> 01:11:23,540
He'll respect the hell out of
you for it. So he the first gig

1270
01:11:23,540 --> 01:11:27,320
we did. Gene walks into the
dressing room, sees the other

1271
01:11:27,320 --> 01:11:31,760
guys. He doesn't know me yet,
and, you know, I've got the long

1272
01:11:31,760 --> 01:11:35,060
hair down and everything. And
he's like, hey, guys dotted Oh,

1273
01:11:35,600 --> 01:11:39,920
Jesus, so good for you to join
us. And I go, behold, bu, I have

1274
01:11:39,920 --> 01:11:43,540
risen just for you. And he goes,
Ah, you know, you're one of us,

1275
01:11:43,540 --> 01:11:46,960
right? Meaning Jesus are Jewish
and everything. And I go, Yeah,

1276
01:11:46,960 --> 01:11:52,000
him, but me, not so much. Booby,
you know? And immediately, just

1277
01:11:52,000 --> 01:11:54,820
the rest of the night just
started ripping each other,

1278
01:11:54,880 --> 01:11:59,140
great. And then from then on,
traveling through airports, he

1279
01:11:59,140 --> 01:12:03,360
enjoys that. Oh, yeah, he's a
practical joker. Ah, Eric is

1280
01:12:03,360 --> 01:12:06,960
too. Eric's like, they just
constantly mess with, yeah,

1281
01:12:06,960 --> 01:12:10,620
yeah, a slapstick and stuff, you
know. I mean, if you ever left

1282
01:12:10,620 --> 01:12:16,560
your coffee around gene, he's
like, you paid $5 for a cup of

1283
01:12:16,560 --> 01:12:20,780
coffee and left it sitting
there, and he would just dump a

1284
01:12:20,780 --> 01:12:25,700
bunch of salt in it, you know.
Look at this, you know, like

1285
01:12:25,700 --> 01:12:29,960
Gene always keeps his phone
tucked down into his boot, yeah,

1286
01:12:30,260 --> 01:12:35,480
and then puts the leather pants
over the boot, and he goes, Look

1287
01:12:35,480 --> 01:12:41,440
at this. This is a $1,200 hand
computer, and people just leave

1288
01:12:41,440 --> 01:12:45,400
them laying around. But Paul
walks into a room and just sets

1289
01:12:45,400 --> 01:12:48,880
it down, as well as the keys to
his Porsche, and walks off.

1290
01:12:49,660 --> 01:12:53,800
Somebody could just take the
you're like, You got a point?

1291
01:12:53,980 --> 01:12:56,560
Yeah, he's not a point. Why does
he put in his back pocket? It's

1292
01:12:56,560 --> 01:12:59,380
harder to answer if it's tucked
into your boot. Leather pants.

1293
01:13:00,160 --> 01:13:04,020
Gotcha tight leathers. Tight
leather pants. I got my tight

1294
01:13:04,020 --> 01:13:06,600
pants. I got my tight pants on.

1295
01:13:07,740 --> 01:13:10,440
Now you see the leather pants,
don't you? Well,

1296
01:13:10,440 --> 01:13:14,760
yeah, Gene was a blast to two
are with man. He was absolute,

1297
01:13:14,760 --> 01:13:17,700
and he's a gentleman too,
believe it or not, yeah, believe

1298
01:13:17,700 --> 01:13:20,180
it or not. He's a really, really
good dude. And,

1299
01:13:20,180 --> 01:13:22,820
well, that's great to hear. And
then how did this accept thing

1300
01:13:22,820 --> 01:13:25,220
come along and give me the
history of accept? Because I

1301
01:13:25,220 --> 01:13:28,160
know that. You know the I know
that you've got your balls to

1302
01:13:28,160 --> 01:13:32,600
the wall 1983 which was like a
year or two before you were

1303
01:13:32,600 --> 01:13:37,040
born, and now you're playing
with this band, right? So that's

1304
01:13:37,040 --> 01:13:37,220
my

1305
01:13:37,220 --> 01:13:40,600
ball buster, by the way, because
I'm the youngest in the band by

1306
01:13:40,600 --> 01:13:42,640
10 years. Yeah, so. But

1307
01:13:42,640 --> 01:13:44,980
I mean, is it the original
singer, the original guitar

1308
01:13:44,980 --> 01:13:47,380
player? Like, what? What is made
up of Wolf's the

1309
01:13:47,380 --> 01:13:49,180
last original dude that's there,

1310
01:13:50,680 --> 01:13:54,940
Mark turnello from TT quick
marks, been there since 2009

1311
01:13:55,660 --> 01:13:59,320
when they reformed the band
after about 1015, years.

1312
01:13:59,320 --> 01:14:02,580
Is that the singer the original
guy? Yeah, look like, turn the

1313
01:14:02,580 --> 01:14:07,140
oil. So Joy Z boy, yeah. So he's
the original fellow, Sparky,

1314
01:14:07,200 --> 01:14:10,440
yeah, the way union guy. So it's
becoming,

1315
01:14:12,240 --> 01:14:13,620
um, sort of a foreigner,

1316
01:14:15,360 --> 01:14:18,480
kind of a there's only one
original member that's was

1317
01:14:18,480 --> 01:14:21,320
either Mick or Lou, yeah, and
then everybody else's side,

1318
01:14:21,320 --> 01:14:22,220
guys, yeah, yeah,

1319
01:14:23,360 --> 01:14:28,040
pretty much, yeah. With the
exception of, though, Mark, when

1320
01:14:28,040 --> 01:14:32,120
he joined the band, they put out
a record called Blood of the

1321
01:14:32,120 --> 01:14:35,660
nations, yeah, which still to
this day is one of their biggest

1322
01:14:35,660 --> 01:14:40,160
sellers, really and completely
reshaped the sound of the band,

1323
01:14:40,220 --> 01:14:46,600
yeah. So it went from, you know,
the Udo type vocals, so now

1324
01:14:46,600 --> 01:14:50,860
you've got a guy that can still
do all that, but this guttural,

1325
01:14:50,920 --> 01:14:52,480
powerful just

1326
01:14:52,960 --> 01:14:55,000
is that you're drumming in the
blood of the nations.

1327
01:14:55,120 --> 01:14:59,800
No, I joined. I joined midway
through the blind rage tour.

1328
01:15:00,000 --> 01:15:04,920
First studio record was rise of
chaos. Then we did too mean to

1329
01:15:04,920 --> 01:15:09,060
die at my place. And then we did
humanoid, which is the record we

1330
01:15:09,060 --> 01:15:11,160
just finished the touring cycle
on. Okay,

1331
01:15:11,940 --> 01:15:13,920
so those years are so I can look
them

1332
01:15:14,940 --> 01:15:22,880
up. Let's see. Rise of chaos was
2017, to mean to die, came out

1333
01:15:23,060 --> 01:15:31,640
January of 21 I think. And
humanoid was 24 nice. And then

1334
01:15:31,640 --> 01:15:37,100
there's two, I think it's two.
Might be three. No, yeah,

1335
01:15:37,460 --> 01:15:42,040
there's definitely two live
albums I'm on. We did a record

1336
01:15:42,100 --> 01:15:47,920
that came out early 2017 called
restless and live,

1337
01:15:48,040 --> 01:15:52,120
live record, yep. So how did you
guys? Was it truly live, like

1338
01:15:52,120 --> 01:15:55,240
you didn't touch it? Did you
just like a mobile recording?

1339
01:15:55,240 --> 01:15:56,140
Here's the set.

1340
01:15:56,200 --> 01:15:59,680
So, pretty much, yeah. I

1341
01:15:59,680 --> 01:16:02,040
mean, you have the technology.
If you want to tune a vocal a

1342
01:16:02,040 --> 01:16:03,480
little bit, you should the
vocal,

1343
01:16:03,480 --> 01:16:04,980
all that stuff was there, yeah,

1344
01:16:06,300 --> 01:16:10,740
minor stuff, if a guitar was
out. We did a festival in 2015

1345
01:16:11,280 --> 01:16:15,240
in balling in Germany called
bang your head, yeah? So when

1346
01:16:15,240 --> 01:16:19,500
you get restless and live, you
get the DVD of that show. That

1347
01:16:19,500 --> 01:16:24,680
thing's Full Tilt, yeah, the
audio from that, because there's

1348
01:16:24,680 --> 01:16:28,820
one moment where there's this
giant, long catwalk, this big

1349
01:16:28,820 --> 01:16:33,020
thrust going into the audience.
Peter baltis and Wolf are out on

1350
01:16:33,020 --> 01:16:35,660
the end of it. Peter's the
original bass player who's no

1351
01:16:35,660 --> 01:16:40,420
longer with the band. Peter and
Wolf are out there jamming, and

1352
01:16:40,600 --> 01:16:43,840
Wolf turns around and heads back
because, you know, we got to

1353
01:16:43,840 --> 01:16:47,620
sing. And Peter just jams a
little bit too long and realizes

1354
01:16:47,620 --> 01:16:53,680
it last minute. No, there's
about four steps going down from

1355
01:16:53,680 --> 01:16:56,980
the main stage level to the
thrust, and Peter's up there in

1356
01:16:57,160 --> 01:17:02,520
in shit kickers and cowboy
boots, runs like the wind to get

1357
01:17:02,520 --> 01:17:08,520
back up and caught the tip of
his boot on the top step at

1358
01:17:08,520 --> 01:17:14,820
stage level, face planted, slid
all the way up to the riser on

1359
01:17:14,820 --> 01:17:20,240
his base, and then just sat up
on his knees and threw his Hands

1360
01:17:20,240 --> 01:17:20,660
up,

1361
01:17:20,780 --> 01:17:22,940
like I meant to do that. If

1362
01:17:22,940 --> 01:17:25,940
you watch the DVD, I don't
remember what song that happened

1363
01:17:25,940 --> 01:17:30,080
in, but if you watch that DVD,
you'll see it shows Peter on the

1364
01:17:30,080 --> 01:17:34,160
catwalk. I think it cuts the
wall for Mark, then it cuts to

1365
01:17:34,160 --> 01:17:36,380
me, and I'm dying.

1366
01:17:37,580 --> 01:17:41,920
I am just in tears. And every
time he wasn't, he wasn't hurt.

1367
01:17:41,920 --> 01:17:42,700
No, he was

1368
01:17:42,700 --> 01:17:46,360
fine, and everybody else is in
tears. But the crazy thing was,

1369
01:17:46,540 --> 01:17:49,060
he got up and his base was still
in tune.

1370
01:17:49,360 --> 01:17:53,440
Amazing. Oh, wow. So did you
hear it like, oh yeah,

1371
01:17:53,500 --> 01:17:56,260
oh yeah. So we cut that part
out, yeah, we fixed that,

1372
01:17:58,180 --> 01:18:01,140
yeah. But amazingly enough, it
stayed playing. But

1373
01:18:01,140 --> 01:18:05,580
then there's also, there's two
CDs that come with it, which is

1374
01:18:05,580 --> 01:18:10,980
live audio board tapes from the
full year. So it was like, I

1375
01:18:10,980 --> 01:18:14,340
think there was a show or two in
Russia that we recorded that

1376
01:18:14,340 --> 01:18:16,740
year. There's some stuff in
Greece. There's stuff throughout

1377
01:18:16,740 --> 01:18:20,480
Europe, South America, maybe all
kinds of stuff. So it's, cool.

1378
01:18:20,480 --> 01:18:26,780
So that's restless. And live
from 2017 and then in 20 later,

1379
01:18:26,780 --> 01:18:32,780
2017 we headlined the vaak
festival in Germany. So that's

1380
01:18:32,780 --> 01:18:37,280
the biggest heavy metal festival
in the world. Wow. It's

1381
01:18:37,760 --> 01:18:42,640
something like over four or five
days, it's 300 bands or

1382
01:18:42,640 --> 01:18:45,640
something like that. Distortion,
the main, the

1383
01:18:45,640 --> 01:18:49,360
then, when you ran into anvil,
the story of anvil, yeah, one of

1384
01:18:49,360 --> 01:18:49,540
them,

1385
01:18:51,100 --> 01:18:54,040
the main. And it's one of these
where they do, you know, Europe

1386
01:18:54,100 --> 01:18:56,860
has its stuff together when it
comes to festivals. They know

1387
01:18:56,860 --> 01:19:01,560
what they're doing. Two giant
main stage, stages right beside

1388
01:19:01,560 --> 01:19:05,220
each other, and what they call
the infield. So that's the main

1389
01:19:05,220 --> 01:19:11,520
big act headliner. Stage, 85,000
people in the field beyond that

1390
01:19:11,520 --> 01:19:16,980
barricade, though you have all
the like elevated platforms that

1391
01:19:16,980 --> 01:19:20,180
can hold a handful of 1000s, and
they're scattered all over the

1392
01:19:20,180 --> 01:19:25,220
place, plus their delay towers
in the other field at different

1393
01:19:25,220 --> 01:19:30,020
stages, whatever bands not
playing on that stage, they're

1394
01:19:30,020 --> 01:19:36,020
streaming the live one the main
stage we played when we

1395
01:19:36,020 --> 01:19:38,480
headlined. We did it with the
Czech National Symphony

1396
01:19:38,480 --> 01:19:43,240
Orchestra, full on 60 piece
orchestra. Wow. Bombs fire. The

1397
01:19:43,240 --> 01:19:47,260
whole deal. 85,000 people in the
field. Over a million people

1398
01:19:47,260 --> 01:19:50,260
live streamed it, and it was
simulcast in seven different

1399
01:19:50,260 --> 01:19:56,440
countries. It's amazing. And my
mom and my now wife, yeah, you

1400
01:19:56,440 --> 01:19:57,640
know, were there to witness it.

1401
01:19:57,640 --> 01:20:00,360
So that was cool. Hey, tell us
about that. That COVID. Going to

1402
01:20:00,360 --> 01:20:02,880
get your Musk off the show. So

1403
01:20:03,420 --> 01:20:08,820
my wife, Ainsley, is an artist
rock and roll Americana, but she

1404
01:20:08,820 --> 01:20:12,360
also has a company called
ainslie's essential blends,

1405
01:20:12,360 --> 01:20:16,320
where she does all natural
cleaning products, smells and

1406
01:20:16,320 --> 01:20:21,500
you name it. And we came up with
this. It's a roll on scent for

1407
01:20:21,500 --> 01:20:25,220
him and her called Rock See,
he's breaking the fourth

1408
01:20:25,220 --> 01:20:28,160
wall now, yes, yeah, leather

1409
01:20:28,220 --> 01:20:28,580
tits.

1410
01:20:29,900 --> 01:20:32,300
It smells like leather. And I

1411
01:20:32,300 --> 01:20:36,380
joke, I said, just because you
look like a rock star doesn't

1412
01:20:36,380 --> 01:20:39,500
mean you have to smell like one
or no, just because you party

1413
01:20:39,500 --> 01:20:41,860
like a rock star doesn't mean
you should smell like one, ah,

1414
01:20:41,860 --> 01:20:45,520
it's great. But, yeah, it's,
it's leather and and a bit of

1415
01:20:45,520 --> 01:20:48,880
musk, but it's soft enough to
where, you know you smell it on

1416
01:20:48,880 --> 01:20:50,740
a woman like, Oh, hey. Well,

1417
01:20:50,740 --> 01:20:54,400
how do you get a leathers? How
do you get a scent of leather

1418
01:20:54,400 --> 01:20:56,560
into a bottle? Talk

1419
01:20:56,560 --> 01:20:59,980
to her. She knows all that
magic. I don't think she's gonna

1420
01:20:59,980 --> 01:21:03,000
divulge details that's
incredible. Is there a website

1421
01:21:03,000 --> 01:21:06,540
or anything? Ainsley central
blends.com? There we go, look

1422
01:21:06,540 --> 01:21:10,200
into the camera and say it now,
ainslie's essential blends.com.

1423
01:21:14,400 --> 01:21:15,120
Now say it

1424
01:21:16,200 --> 01:21:18,840
this, ainslie's essential
blends.com.

1425
01:21:20,640 --> 01:21:23,660
That's right, rock and roll on
yes

1426
01:21:24,860 --> 01:21:26,720
for him, and

1427
01:21:27,920 --> 01:21:31,580
yeah, dude, we even made, we
made a cheesy commercial because

1428
01:21:31,580 --> 01:21:34,520
we make fun of, like the perfume
and cologne commercials all the

1429
01:21:34,520 --> 01:21:38,120
time, like so dramatic like the
one where Johnny Depp buries his

1430
01:21:38,120 --> 01:21:41,200
damn jewelry in the desert and a
wolf house. What does that have

1431
01:21:41,200 --> 01:21:46,420
to do with a Sauvage? Sauvage,
yeah, or, like, the sausage,

1432
01:21:47,440 --> 01:21:50,560
what's her name, walking
through, like, the Egyptian

1433
01:21:50,560 --> 01:21:55,300
temple, and Joe del deal, yeah,

1434
01:21:55,900 --> 01:21:59,560
yeah, Natalie Portman, you know,
yeah, all that stuff, yeah.

1435
01:21:59,860 --> 01:22:02,040
I so we're like, man,

1436
01:22:03,060 --> 01:22:07,320
let's just get silly. We'll make
one of those, and we'll both dub

1437
01:22:07,320 --> 01:22:10,140
the voices, and I'll do the
super low, sexy,

1438
01:22:12,060 --> 01:22:15,180
and we'll just make it as silly
as possible. But it

1439
01:22:15,180 --> 01:22:17,580
works, yeah, man, that's like,
get remind you ever see the hype

1440
01:22:17,580 --> 01:22:21,200
reels of certain you know, like,
do you follow any of these like

1441
01:22:21,200 --> 01:22:26,840
gurus online now? No, so Well,
okay, I'll look at cats Cafe is

1442
01:22:26,900 --> 01:22:30,500
thought leader. Thought
Leadership type of videos. I

1443
01:22:30,500 --> 01:22:34,340
follow a lot of these guys. And
they'll do these things where

1444
01:22:34,340 --> 01:22:38,120
everything's in slow mo. They'll
have the the car, the Porsche,

1445
01:22:38,120 --> 01:22:41,140
will pull up and the the door
opens slowly, and they're

1446
01:22:41,140 --> 01:22:43,840
getting out and putting the
sunglasses on for some reason,

1447
01:22:43,840 --> 01:22:46,420
and then going to their and, you
know, and they're going to their

1448
01:22:46,420 --> 01:22:49,960
private everything, slow mo. And
it's just life, man, this is

1449
01:22:49,960 --> 01:22:53,020
just, this is just me every day.
And it's like, I want to make

1450
01:22:53,020 --> 01:22:56,380
one where I'm doing the same
exact thing, looking how I look,

1451
01:22:56,740 --> 01:23:01,440
getting out of my banged up 2008
Honda Odyssey. And just, you

1452
01:23:01,440 --> 01:23:05,700
know, if you want to learn more
about success, follow Jim,

1453
01:23:05,700 --> 01:23:06,360
that's really

1454
01:23:06,360 --> 01:23:07,860
funny. There's one out there,

1455
01:23:09,180 --> 01:23:13,080
you know, the the like Russian
blonde with the Bentley, or

1456
01:23:13,080 --> 01:23:17,100
whatever, scratching like the
ASMR AMS, whatever that thing

1457
01:23:17,580 --> 01:23:21,200
is, she's like scraping her
nails across the grill and bent

1458
01:23:21,260 --> 01:23:29,360
le, flicking, you know, the hood
ornament, bent le. There's been

1459
01:23:29,360 --> 01:23:32,180
so many parodies of that where
somebody comes up and, like,

1460
01:23:32,240 --> 01:23:35,000
knocks on the hubcap and

1461
01:23:38,480 --> 01:23:40,040
goes or slams the door.

1462
01:23:41,300 --> 01:23:46,720
Yeah. Like the knockoff of a
Honda. Man, yeah, hey, they came

1463
01:23:46,720 --> 01:23:49,900
a long way. Man, yeah. Man, Kia,
so you got C Williams,

1464
01:23:49,900 --> 01:23:53,620
drums.com, for people to reach
out to you, and you guys got to

1465
01:23:53,620 --> 01:23:54,700
tour this year, right?

1466
01:23:54,940 --> 01:23:56,860
Yeah, we actually accept
worldwide.com

1467
01:23:57,460 --> 01:23:58,600
Yep, except worldwide.com/tour

1468
01:24:02,440 --> 01:24:06,000
beautiful. I gotta say, I'm
looking at the website now, and

1469
01:24:06,000 --> 01:24:09,720
you guys look so metal. You're
not gonna bruise, you're gonna

1470
01:24:09,720 --> 01:24:13,380
rust. Well, you know what? The
the rule of heavy metal photos

1471
01:24:13,380 --> 01:24:14,220
is, smoke

1472
01:24:14,520 --> 01:24:17,700
back lighting, and you're not
really you're missing. You're

1473
01:24:17,700 --> 01:24:20,040
missing all of it. I'm but I'm
this is what I'm seeing. I'm

1474
01:24:20,040 --> 01:24:22,820
describing what I'm seeing.
You're not really smiling, but

1475
01:24:22,820 --> 01:24:26,000
you're not grimacing or looking
mean at me. You're kind of

1476
01:24:26,000 --> 01:24:28,160
smirking. All of you guys are
kind of like, like, you're

1477
01:24:28,160 --> 01:24:29,180
almost crazy, where

1478
01:24:29,180 --> 01:24:32,120
the Phil likes to joke that
we're the happiest metal band in

1479
01:24:32,120 --> 01:24:33,620
the world. Yeah, that's great.
And I love the

1480
01:24:33,620 --> 01:24:36,860
fact that you're not holding
drumsticks, yeah, you know,

1481
01:24:36,860 --> 01:24:39,440
because that it's like, I just
want to make sure that, you

1482
01:24:39,440 --> 01:24:42,940
know, I'm the drummer. Yeah,
those in shirt and the fact that

1483
01:24:42,940 --> 01:24:47,380
you also have a font that has a
voice Sabi on it, well, it's not

1484
01:24:47,380 --> 01:24:48,700
like that. It's more like

1485
01:24:51,880 --> 01:24:54,760
except is a German heavy metal
band

1486
01:24:56,740 --> 01:25:00,300
with legendary impact and an
iconic reputation. Nation

1487
01:25:00,300 --> 01:25:03,300
spanning over four decades. You
too can get

1488
01:25:06,120 --> 01:25:11,040
your thoughts to the proverbial
wall, yeah,

1489
01:25:11,280 --> 01:25:14,880
but that's it has that voice.
It's like a Trajan font. I want

1490
01:25:14,880 --> 01:25:15,780
to say, but I was going

1491
01:25:15,780 --> 01:25:19,920
to say the most important part
about taking photos with a heavy

1492
01:25:19,920 --> 01:25:25,400
metal band, the the underlying,
unspoken rule, first one that

1493
01:25:25,400 --> 01:25:27,980
smiles gets kicked in the nuts,

1494
01:25:28,160 --> 01:25:30,500
really? Yeah, no smiling. This
is working. You have to look

1495
01:25:30,500 --> 01:25:32,960
like you're holding a secret.
You're

1496
01:25:32,960 --> 01:25:35,120
holding you, or you just have to
go full on. But

1497
01:25:36,440 --> 01:25:40,100
it's really, it's really hard to
get a great press shot for so

1498
01:25:40,100 --> 01:25:41,440
many drinks, my last

1499
01:25:41,500 --> 01:25:44,860
beer, right? Did I just it's
like, you know, did I just drink

1500
01:25:44,860 --> 01:25:47,500
piss? Yeah, because that the
look.

1501
01:25:48,640 --> 01:25:51,640
It's like, you can't be by the
railroad tracks, you can't be in

1502
01:25:51,640 --> 01:25:53,080
the alley or against the

1503
01:25:53,080 --> 01:25:55,060
brick wall. Skid Row already did
all. It's like, Are

1504
01:25:55,060 --> 01:25:57,820
you guys familiar with the
building in Chattanooga? You

1505
01:25:57,820 --> 01:26:01,620
guys familiar with Chattanooga?
Yeah, that's the multi like, as

1506
01:26:01,620 --> 01:26:04,560
you make the curd the cover on
the river, it's on the right

1507
01:26:04,560 --> 01:26:07,440
side. They're destroying it now.
But every time I drive by it,

1508
01:26:07,440 --> 01:26:09,780
I'm like, That's a perfect place
for a heavy metal video. Yeah,

1509
01:26:09,780 --> 01:26:13,680
perfect. Yeah, just an old run
down industrial mill. Windows

1510
01:26:13,680 --> 01:26:13,740
are

1511
01:26:13,740 --> 01:26:19,020
broken somewhere in Franklin.
There's a building like that

1512
01:26:19,020 --> 01:26:23,000
that actually is a photo shoot
place where they've actually

1513
01:26:23,060 --> 01:26:26,420
curved the bottom of the wall
and painted it solid white so

1514
01:26:26,420 --> 01:26:29,660
they don't have to hang the
fabric. Oh, really. We did a

1515
01:26:29,660 --> 01:26:34,040
video shoot in there, like as a
promo release. When UVA and I

1516
01:26:34,040 --> 01:26:39,320
joined the band in 2015 we just
did a half of a song called fall

1517
01:26:39,320 --> 01:26:43,060
of the Empire. We did that
there, and we did the all the

1518
01:26:43,060 --> 01:26:45,100
press photos there as well.

1519
01:26:45,160 --> 01:26:48,160
What's a music video? Come to
think of it, now that we're

1520
01:26:48,160 --> 01:26:52,180
we're getting visually
descriptive, like, for some

1521
01:26:52,180 --> 01:26:57,340
reason I'm thinking like the old
war for territories video from

1522
01:26:57,340 --> 01:27:00,280
Sepultura. What's the one that
kind of resonates in your mind

1523
01:27:00,280 --> 01:27:02,940
as a favorite that kind of
inspired you as a drummer,

1524
01:27:02,940 --> 01:27:06,000
because, I mean, Igor was a
freaking beast. You mean? Video,

1525
01:27:06,000 --> 01:27:09,480
yeah, I don't, you know. I don't
know. Well, odd question. The

1526
01:27:09,480 --> 01:27:14,040
one that sticks out when I think
like metal. Video, just the

1527
01:27:14,040 --> 01:27:17,880
overall look and theme was Skid
Row monkey business, great,

1528
01:27:17,880 --> 01:27:20,660
where baz is standing out on the
railroad tracks, and then

1529
01:27:20,660 --> 01:27:21,500
they're jamming. How

1530
01:27:23,120 --> 01:27:26,780
about rat? Bobby, blots are
round and round. Funny. Well,

1531
01:27:26,780 --> 01:27:27,260
even

1532
01:27:27,500 --> 01:27:34,640
blots is like the king of the
Doom. Lay it down. I want to

1533
01:27:34,640 --> 01:27:37,640
bring that groove back, dude.
It'd be good missing that. Bring

1534
01:27:37,640 --> 01:27:40,900
that back. But yeah, the
shuffle, the mega, massive,

1535
01:27:40,900 --> 01:27:44,860
iconic one for me as a kid, was
wild side Motley, oh yeah,

1536
01:27:44,980 --> 01:27:48,100
watching that and the drums, and
just like I like

1537
01:27:48,100 --> 01:27:50,800
that shout at the devil video,
because the girls are just so

1538
01:27:50,860 --> 01:27:54,280
ready to go and looks. I was, I
was like, I was like, a, you

1539
01:27:54,280 --> 01:27:58,120
know, a horny pubescent teen. I
was like, Oh my gosh, she does

1540
01:27:58,120 --> 01:27:58,240
have

1541
01:27:58,240 --> 01:28:01,560
the looks that kill and she's
crawling over the rock

1542
01:28:01,740 --> 01:28:04,860
King Bell being Bing bell.

1543
01:28:05,280 --> 01:28:08,400
And I love it that he actually
hit a bell. The clock strikes

1544
01:28:08,400 --> 01:28:13,020
midnight, even though the bells
this big dude, Tommy.

1545
01:28:13,440 --> 01:28:15,720
Tommy is just such a rock. He's

1546
01:28:15,720 --> 01:28:18,540
such a drazor monster. Another

1547
01:28:18,540 --> 01:28:21,920
cool story born to be a rock.
So, you know, they always say,

1548
01:28:21,920 --> 01:28:24,920
don't meet your heroes and
everything. And for years and

1549
01:28:24,920 --> 01:28:28,940
years, like Tommy's top five for
me, I

1550
01:28:28,940 --> 01:28:32,180
was gonna ask you, so he's in
the top five, who? What's the

1551
01:28:32,180 --> 01:28:33,380
what's the list? Tommy

1552
01:28:33,380 --> 01:28:38,540
Lee, Randy, Castillo, Jerry
Shirley, uh, Bonzo, of course.

1553
01:28:39,980 --> 01:28:43,780
And then probably Vinnie,
because you just have to Vinny

1554
01:28:43,780 --> 01:28:47,920
Collier, Vinnie Paul. I mean,
Paul's in there, but if you're

1555
01:28:47,920 --> 01:28:52,660
talking about top five that
have, like, shaped me, it's

1556
01:28:52,660 --> 01:28:53,620
those dudes about

1557
01:28:53,620 --> 01:28:57,760
that Joe's Garage record.
Brother, oh, let me so we don't

1558
01:28:57,760 --> 01:28:59,440
go down either. What

1559
01:29:02,200 --> 01:29:07,740
is the Lars hate justified? Do
you think? I mean, he's not. I

1560
01:29:07,740 --> 01:29:11,340
mean, back when I used to listen
to them, like pre Black Album,

1561
01:29:11,340 --> 01:29:14,580
and even the documentary they
did, he was solid, man, is he

1562
01:29:14,580 --> 01:29:16,560
just kind of phoning it in. Now
he thinker,

1563
01:29:16,620 --> 01:29:20,420
no, I mean, it's just his meter.
You know, that's the thing. Like

1564
01:29:20,420 --> 01:29:24,200
his drum parts are solid, right?
He's great in that, but it's,

1565
01:29:24,200 --> 01:29:28,700
it's just his meter. Everybody
bags on, which, you know is

1566
01:29:28,700 --> 01:29:33,560
true, but there's no Metallica
without him, right? He's the

1567
01:29:33,560 --> 01:29:37,940
brainchild, yes, both he and
James, but Lars probably more.

1568
01:29:37,940 --> 01:29:40,900
So yeah, is the driving force
and

1569
01:29:40,900 --> 01:29:42,940
a spokesman for the band,
absolutely,

1570
01:29:43,180 --> 01:29:44,620
he's the business guy too,

1571
01:29:45,100 --> 01:29:47,680
you know, and it's, he's the
gene Absolutely,

1572
01:29:47,680 --> 01:29:48,280
isn't it funny

1573
01:29:48,280 --> 01:29:51,160
that, as drummers, usually have
some sort of second, third or

1574
01:29:51,160 --> 01:29:54,880
fourth, hustle, slash skills,
something else that we bring to

1575
01:29:54,880 --> 01:29:58,540
the band, whether it be like our
marketing or our socials or our

1576
01:29:58,660 --> 01:30:02,640
graphic design or. Or something,
you know. Voice, absolutely.

1577
01:30:03,120 --> 01:30:03,540
VoiceOver,

1578
01:30:03,540 --> 01:30:07,860
well, the thing with about Lars
is the fact that I think he he's

1579
01:30:07,860 --> 01:30:11,280
got to be aware of, you know,
with social media roasting and

1580
01:30:11,280 --> 01:30:12,420
stuff like that, he's letting

1581
01:30:12,420 --> 01:30:13,140
him all the way to the

1582
01:30:13,140 --> 01:30:16,620
bank. Does he care? He still
takes it? Well,

1583
01:30:18,120 --> 01:30:20,840
the pool, I get it, having a
cocktail, I

1584
01:30:20,840 --> 01:30:23,540
know, but you still, there's got
to be a level of where, you

1585
01:30:23,540 --> 01:30:26,840
know, it kind of stings, but he
takes it, at least on the

1586
01:30:26,840 --> 01:30:29,720
surface, he's a good sport about
it. You know, you got to give

1587
01:30:29,720 --> 01:30:32,240
him that, yeah, I'm sure, you
know, yeah. Because, I mean, you

1588
01:30:32,240 --> 01:30:34,820
see him on stage, he's pulling
kids out of the audience,

1589
01:30:34,820 --> 01:30:37,340
letting them sit with them.
It's, that's cool, man. I mean,

1590
01:30:37,340 --> 01:30:38,720
I don't have to do that. And

1591
01:30:38,720 --> 01:30:42,400
the other thing too, is, like,
think about it, and in this

1592
01:30:42,400 --> 01:30:48,640
sense, Tama drums, he single
handedly, drove the ship for

1593
01:30:48,640 --> 01:30:52,060
them, and still does
realistically, like, you know

1594
01:30:52,060 --> 01:30:56,260
how many 10s of 1000s or
hundreds of 1000s of drum sets

1595
01:30:56,260 --> 01:30:58,600
that guy's probably sold because
company, he is

1596
01:30:58,600 --> 01:31:03,360
kind of like the Ringo star of
that brand. Because, I mean,

1597
01:31:03,480 --> 01:31:06,780
sure, you love Billy cotton, you
love Simon Phillips, you love

1598
01:31:06,780 --> 01:31:09,900
Kenny Aronoff. They, they might
sell some Stuart Copeland, but

1599
01:31:09,960 --> 01:31:11,520
like Lars. Lars,

1600
01:31:11,580 --> 01:31:15,780
yeah, he's the back in the 80s,
it was the two top, the Pepsi

1601
01:31:15,780 --> 01:31:19,740
and Coke, if you will, were tama
and Pearl. You remember back,

1602
01:31:19,800 --> 01:31:23,780
that's what I got into. Yeah,
yep. Pearl was my first entry

1603
01:31:23,780 --> 01:31:26,180
into brand new drums, yeah, man.
And then you

1604
01:31:26,180 --> 01:31:30,560
had Ludwig. Was Ludwig was 70,
somewhere in there, trying to

1605
01:31:30,560 --> 01:31:32,840
compete, but they had

1606
01:31:32,840 --> 01:31:37,880
a big presence in the 70s thanks
to Zeppelin. You know, Neil was

1607
01:31:37,880 --> 01:31:42,220
a Slingerland guy at first. Then
he went to Tama he went to tam

1608
01:31:42,220 --> 01:31:47,560
two. And then, of course, you
had Alex playing Ludwig gene.

1609
01:31:48,460 --> 01:31:48,820
Alex

1610
01:31:48,820 --> 01:31:51,100
was always Tama hardware too.
Well. I thought

1611
01:31:51,100 --> 01:31:53,440
he was playing, I remember
reading an article with him. He

1612
01:31:53,440 --> 01:31:56,740
played ghost bass drum pedals.
And I've always wanted to look

1613
01:31:56,740 --> 01:31:57,700
those up. Those were

1614
01:31:57,700 --> 01:32:02,280
the tama pedals. Were they idea?
I think those were the the, if

1615
01:32:02,280 --> 01:32:05,880
I'm not mistaken, I I've got a
pair of Stefan Kaufman's old

1616
01:32:05,880 --> 01:32:09,780
Tama pedals, really, where it's,
you know, it's that 70s design

1617
01:32:09,840 --> 01:32:15,120
strap, leather strap, yeah, but
it's, but the spring assembly is

1618
01:32:15,120 --> 01:32:17,100
actually going up, and it's,

1619
01:32:17,160 --> 01:32:20,480
oh, yeah, but you're not going
to Ludwig for hardware. Let's

1620
01:32:20,480 --> 01:32:20,900
face it,

1621
01:32:21,140 --> 01:32:24,140
no, well, not back then anyway,
yeah, the Alice stuff's pretty

1622
01:32:24,140 --> 01:32:28,760
solid. But, I mean, he was all
Ludwig drums, but as soon as

1623
01:32:28,760 --> 01:32:31,640
they started making some cash,
it was Tama hardware, and that's

1624
01:32:31,640 --> 01:32:34,880
where the octa bands came in,
the bombs. Well, Tama was also

1625
01:32:34,880 --> 01:32:36,200
the rosewood snare. Did you

1626
01:32:36,200 --> 01:32:40,100
say Stuart Copeland? Yeah, okay,
yeah. Because he's the one who

1627
01:32:40,100 --> 01:32:43,420
kind of brought that to the
forefront too. And Tama became

1628
01:32:43,420 --> 01:32:46,900
aligned with being, well, Kenny
Aronoff was a Tama

1629
01:32:46,900 --> 01:32:51,700
guy. But what's cool though,
that a lot of people overlook,

1630
01:32:51,760 --> 01:32:54,820
you know, Stuart gets the credit
for the octo bonds or whatever.

1631
01:32:54,820 --> 01:32:57,760
It's actually Billy Cobham
really. COVID was the very first

1632
01:32:57,760 --> 01:33:01,440
one in the 70s to have the gong
drum and the octagons. And they

1633
01:33:01,440 --> 01:33:04,500
were the acrylic ones. Those
were the first ones for the

1634
01:33:04,500 --> 01:33:06,240
clear acrylic tubes. He's got

1635
01:33:06,240 --> 01:33:08,880
the history of drums right here,
man, hey, I tell you what. You

1636
01:33:08,880 --> 01:33:12,240
know, our friend Bart, Vander
Zee, he's got that drum History

1637
01:33:12,240 --> 01:33:15,780
podcast, oh yes, a couple couple
of 100 episodes. And what he

1638
01:33:15,780 --> 01:33:18,420
does is, I gotta, I gotta reach
out to him, or see him at a

1639
01:33:18,420 --> 01:33:21,560
trade show, or just get him on
the phone. I think it's a great

1640
01:33:21,560 --> 01:33:23,780
show. It's very it's very
buttoned up, it's very

1641
01:33:23,780 --> 01:33:26,720
researched. But he'll be like,
they'll do a focus like the drum

1642
01:33:26,720 --> 01:33:30,680
gear of Alex Van Halen, the drum
gear of of Nico McCarthy, the

1643
01:33:30,680 --> 01:33:33,260
drum gear of Ringo Starr. And
they do a deep dive. And he

1644
01:33:33,260 --> 01:33:36,260
brings on experts, and they talk
about what that guy had through

1645
01:33:36,260 --> 01:33:39,200
the different eras. And they'll
do like, the history of the bass

1646
01:33:39,200 --> 01:33:42,520
drum pedal, the history of the
high had something like the

1647
01:33:42,520 --> 01:33:47,500
history of electronic drums.
It's a really educational

1648
01:33:47,500 --> 01:33:48,340
podcast. That's

1649
01:33:48,340 --> 01:33:52,120
another world that I'm really,
really into is the electronic

1650
01:33:52,120 --> 01:33:53,020
drum world. Yeah,

1651
01:33:53,200 --> 01:33:56,200
love it. Did you guys follow?
Remember when we had How did I

1652
01:33:56,200 --> 01:34:00,900
unfollow this guy? That's weird,
vintage drum catalogs. You

1653
01:34:00,900 --> 01:34:03,120
follow that on Instagram.
Remember we had him on? Yeah?

1654
01:34:03,120 --> 01:34:06,660
Maxwell shaft. You know Maxwell
from person from KHS apex, and

1655
01:34:06,660 --> 01:34:11,160
then he plays down at Roberts
Western world. So much cool. He

1656
01:34:11,160 --> 01:34:13,080
collects all these vintage

1657
01:34:13,140 --> 01:34:16,440
they're great. It's such a great
walk down memory lane. It's

1658
01:34:16,440 --> 01:34:17,160
incredible. Hey,

1659
01:34:17,160 --> 01:34:20,660
what's your favorite color? We
got a red. Yeah, what's your

1660
01:34:20,780 --> 01:34:25,100
food or dish? Mexican, dude, Tex
Mex, or just straight up mole,

1661
01:34:25,100 --> 01:34:28,280
mole. Straight up Mexican.
Mexican. Where do you go in

1662
01:34:28,280 --> 01:34:29,540
Nashville? Where's the spot? Is

1663
01:34:32,180 --> 01:34:35,600
it? Nolensville road. I mean,
yeah, Galton road. It depends on

1664
01:34:35,600 --> 01:34:40,480
what I'm getting. Yeah, believe
it or not, like there's a spot

1665
01:34:40,600 --> 01:34:43,600
toward Mount Juliet. I don't
remember the name of it, but

1666
01:34:44,020 --> 01:34:47,440
it's one of the few places I've
had that have killer tamales.

1667
01:34:48,160 --> 01:34:51,400
Tamales, yeah, I like the green
around Christmas. Oh, my God,

1668
01:34:51,400 --> 01:34:53,560
because I grew up in El Paso,
yeah, yeah. I mean, it's, like,

1669
01:34:53,560 --> 01:34:55,960
fantastic, yeah. What about your
favorite cocktail? Favorite

1670
01:34:55,960 --> 01:34:56,320
cocktail?

1671
01:34:56,740 --> 01:35:02,580
Hmm, it used to be. Vodka
crayons used to be, yeah, went

1672
01:35:02,580 --> 01:35:05,760
to that phase. And then
something happened around 35

1673
01:35:06,240 --> 01:35:11,700
where this thing called the
hangover started, yes, yeah.

1674
01:35:11,880 --> 01:35:14,580
Ainsley was the same way. It was
right around the same time,

1675
01:35:14,640 --> 01:35:20,300
oddly enough, just like, Oh,
Jesus, what? How, yeah, you

1676
01:35:20,300 --> 01:35:21,560
know, and those hang around for
a

1677
01:35:21,560 --> 01:35:24,140
few days. She needs to make
something for that, right?

1678
01:35:25,160 --> 01:35:26,300
Tell me about, yeah,

1679
01:35:28,400 --> 01:35:32,420
I'm a Scotch dude. Oh, wow,
scotch and tequila. Don't mix

1680
01:35:32,420 --> 01:35:33,440
them. I haven't

1681
01:35:33,440 --> 01:35:34,640
experimented with

1682
01:35:34,640 --> 01:35:36,920
the scotch, but it's, you're
very sophisticated, and

1683
01:35:36,920 --> 01:35:38,120
something you could sip. It

1684
01:35:38,120 --> 01:35:43,180
is, yeah, it is. That's why I
dig it. Because, man, again, the

1685
01:35:43,180 --> 01:35:47,020
hangovers, yeah? Like great
movies. You can, you can give me

1686
01:35:47,020 --> 01:35:51,160
beers and it's like four or five
right off the bat, and then

1687
01:35:51,160 --> 01:35:55,480
mellow, yeah, and then just take
it slow. Can't do that with

1688
01:35:55,480 --> 01:35:58,900
liquor, yeah? You got to respect
it, or it'll kick you in the

1689
01:35:58,900 --> 01:36:05,820
face. Yes. So, I guess
margaritas, yeah, yeah, what

1690
01:36:05,820 --> 01:36:09,420
they would call skinny
margaritas, but a real

1691
01:36:09,420 --> 01:36:13,560
Margarita, yeah, where it's lime
juice, you know, some form of a

1692
01:36:13,560 --> 01:36:14,220
triple sec,

1693
01:36:14,220 --> 01:36:17,220
yeah. And do you like the
reposado or the BLANCO when

1694
01:36:17,220 --> 01:36:19,440
you're just doing your tequila?
Uh, we'll do reposado,

1695
01:36:19,500 --> 01:36:23,480
yeah. And then I'll sip on your
host and mezcan,

1696
01:36:23,540 --> 01:36:26,600
hey, get this. I got a friend,
Greg Sobel. He's I met him like

1697
01:36:26,600 --> 01:36:30,200
over 20 years ago in Southern
California. We were playing the

1698
01:36:30,200 --> 01:36:36,080
Galaxy Ballroom in Santa Ana,
and kept in touch on and off all

1699
01:36:36,080 --> 01:36:41,440
these years. And he just
developed the first kosher, the

1700
01:36:41,440 --> 01:36:46,060
world's first kosher tequila,
and he sent me a bot, two

1701
01:36:46,060 --> 01:36:50,140
bottles of stuff, a reposado and
a Blanco killer. It's kosher.

1702
01:36:50,800 --> 01:36:54,760
What makes it kosher, though?
Um, he's gonna explain that, but

1703
01:36:54,760 --> 01:36:57,640
it's basically the idea,
whatever that process is where,

1704
01:36:57,880 --> 01:37:00,660
you know, like, involved in
animals whatsoever. There's no

1705
01:37:01,020 --> 01:37:01,620
clovid feet.

1706
01:37:01,620 --> 01:37:04,140
There's a process where it has
to do with the ingredients, and

1707
01:37:04,200 --> 01:37:08,340
then what, you know, what they
approve the priest, there's a

1708
01:37:08,340 --> 01:37:10,980
priest involved. Or, like, you
know, unless there's some sort

1709
01:37:10,980 --> 01:37:13,740
of a process, I know it's, it's
like, super clean, there's a lot

1710
01:37:13,740 --> 01:37:18,600
of rules. And so anyways, we
figure maybe we'll get him on

1711
01:37:18,600 --> 01:37:21,800
the show, because he's a true,
you know, he has an

1712
01:37:21,800 --> 01:37:23,000
entrepreneurial spirit.

1713
01:37:23,120 --> 01:37:26,300
He bring you some samples. Call
your boy. I'll tell you what.

1714
01:37:26,360 --> 01:37:28,760
Yeah, you know, I just can't
wait. That's I got the tequila

1715
01:37:28,760 --> 01:37:32,240
Jones from our Singer, Mark,
yeah, except he's a tequila

1716
01:37:32,300 --> 01:37:36,920
head. I see he's so there's for
for beer drinkers. There's an

1717
01:37:36,920 --> 01:37:40,040
app called untapped, yeah, where
you can kind of sign in, do all

1718
01:37:40,040 --> 01:37:45,400
that. There's one for tequila,
where, wherever we are in the

1719
01:37:45,400 --> 01:37:48,400
world, he gets on there and
looks at the map and finds

1720
01:37:48,400 --> 01:37:53,800
what's near us, because that's
that's our game, myself, Mark

1721
01:37:53,860 --> 01:37:58,840
and our rhythm guitar player.
UVA, if it's not Mexican, we

1722
01:37:58,840 --> 01:38:02,280
will find the Irish Pub. Ah, we
can be in the middle of a

1723
01:38:02,280 --> 01:38:04,740
desert, yeah, and around the
corner, there's somewhere with

1724
01:38:04,740 --> 01:38:07,800
Guinness on tap, and the lines
are clean so it doesn't taste

1725
01:38:07,800 --> 01:38:10,260
skunked. We will find that

1726
01:38:10,260 --> 01:38:13,800
place. Give Guinness another
shot, if we're

1727
01:38:13,800 --> 01:38:18,600
playing in your city, yeah?
Either, like, where, you know,

1728
01:38:18,960 --> 01:38:22,820
the grandmother is in the
kitchen, cooking, yeah? We're

1729
01:38:22,820 --> 01:38:25,640
either going to be eating that
Mexican food, yeah, or we're

1730
01:38:25,640 --> 01:38:27,440
going to be at the Irish Pub a
little

1731
01:38:27,440 --> 01:38:29,420
some fish and chips and a
Guinness. Have you been to the

1732
01:38:29,420 --> 01:38:30,740
Guinness factory in Ireland?

1733
01:38:31,820 --> 01:38:36,800
I was in Dublin once, yeah. But
we got in at like, six o'clock,

1734
01:38:36,800 --> 01:38:40,180
yeah. So I missed it, but I
went, I went drinking an Old

1735
01:38:40,180 --> 01:38:44,980
Town, which was maybe a half a
mile from our hotel, where all

1736
01:38:44,980 --> 01:38:48,880
that is, yeah, and it was the
most delicious Guinness I've

1737
01:38:48,880 --> 01:38:52,960
ever had in my life. It's also
where I discovered, like the

1738
01:38:53,140 --> 01:38:56,680
Jameson castmates before they
came here, and then, like the

1739
01:38:56,680 --> 01:39:00,660
Jameson single barrel, like the
Black Label, that's like, super

1740
01:39:00,660 --> 01:39:04,080
smooth and little bit sweet, but
not too much. Yeah,

1741
01:39:05,340 --> 01:39:07,440
what are your some of your
favorite spots to visit in

1742
01:39:07,440 --> 01:39:10,680
Europe? You're probably being
there so often that you have

1743
01:39:10,680 --> 01:39:15,480
your favorite go to spots in
each city, country, states, you

1744
01:39:15,480 --> 01:39:16,020
know, like,

1745
01:39:17,100 --> 01:39:22,940
I love Hamburg. It's a water
city. So just walking along, you

1746
01:39:22,940 --> 01:39:26,000
know, the docks and everything,
just, I love water in general.

1747
01:39:26,060 --> 01:39:29,660
It gives me peace, yeah,
especially in this crazy, hectic

1748
01:39:29,660 --> 01:39:33,860
thing that, that we do, that we
do, yeah, Hamburg is great.

1749
01:39:33,920 --> 01:39:39,140
There's a city called Leipzig in
Germany that they've got one of

1750
01:39:39,140 --> 01:39:42,700
these old beer halls that's a
couple 100 years old underground

1751
01:39:43,240 --> 01:39:49,360
called Auerbach Keller, and it
is the most amazing meal I've

1752
01:39:49,360 --> 01:39:53,440
ever had. Awesome. It's
reindeer. Oh, I've had reindeer.

1753
01:39:53,500 --> 01:39:57,340
Yeah, slow roasted, marinated
with the gravy. They've got the

1754
01:39:57,340 --> 01:40:01,560
red cabbage and canola, which is
like this. Puffed up potato

1755
01:40:01,560 --> 01:40:05,580
dumpling type thing, amazing.
You want to go to sleep right

1756
01:40:05,580 --> 01:40:07,680
after you eat it, but it's the
best thing. Yeah,

1757
01:40:07,680 --> 01:40:10,440
I had the reindeer in Stockholm.
Yeah, yep,

1758
01:40:11,880 --> 01:40:15,480
uh, Munich's great because of
hofbrow house. Yeah, I love

1759
01:40:15,480 --> 01:40:17,160
that. One of my favorite beers.
Have you

1760
01:40:17,160 --> 01:40:20,300
been there for Vegas? Did you go
to hofbra house, Vegas by

1761
01:40:20,300 --> 01:40:20,600
chance?

1762
01:40:20,660 --> 01:40:24,500
No, no, I didn't know they had
one. I knew there was, there was

1763
01:40:24,500 --> 01:40:29,660
like a replica in like Chicago
area, kind of like Rosemont, or

1764
01:40:29,660 --> 01:40:30,560
somewhere around there.

1765
01:40:32,120 --> 01:40:34,880
I play like Rome. We

1766
01:40:35,000 --> 01:40:37,160
not Rome. We've played PISA

1767
01:40:37,880 --> 01:40:44,740
Florence. What's Napoli? I
Milan. We played lots were the

1768
01:40:44,740 --> 01:40:47,140
most handful of times well
dressed people in the world, in

1769
01:40:47,140 --> 01:40:48,100
the cathedral, yeah, we

1770
01:40:49,180 --> 01:40:50,800
played there a handful of times.

1771
01:40:51,820 --> 01:40:57,220
Not much in Italy. And a great
spots to buy fashion, forward

1772
01:40:57,340 --> 01:40:57,940
fashion.

1773
01:40:58,540 --> 01:40:58,720
I

1774
01:40:58,720 --> 01:41:03,960
saw a pair of overalls, yeah?
Like a Versace label, or one of

1775
01:41:03,960 --> 01:41:09,240
these, like Mega monies, with
factory grass stains and scuffs.

1776
01:41:09,360 --> 01:41:13,320
And it was like five grand for a
pair of overalls. And looking at

1777
01:41:13,320 --> 01:41:17,640
it going, Dude, we can just go
to Goodwill and I'll walk on

1778
01:41:17,640 --> 01:41:19,440
them, yeah, if you want this

1779
01:41:19,800 --> 01:41:22,820
car hard it up. We'll just, you
gotta put, we gotta put Tractor

1780
01:41:22,820 --> 01:41:24,020
Supply in the map. We just

1781
01:41:24,320 --> 01:41:26,960
gotta buy, gosh, it, right? I
wouldn't do that, but I'm just

1782
01:41:26,960 --> 01:41:29,360
saying it's like, um, grow if
you're in Paris or Rome or

1783
01:41:29,360 --> 01:41:32,060
Milana, you're gonna, you're
gonna find some nice threads,

1784
01:41:32,060 --> 01:41:33,740
man, yeah,

1785
01:41:33,800 --> 01:41:35,180
no, I'll lose me. I'd

1786
01:41:35,180 --> 01:41:36,620
rather, I'd rather buy drums.

1787
01:41:38,000 --> 01:41:40,160
Snare drums are gonna last
longer, and they'll actually

1788
01:41:40,160 --> 01:41:41,140
appreciate, Hey,

1789
01:41:41,140 --> 01:41:43,960
Jim, ask your question, and we
then we have a bass player

1790
01:41:43,960 --> 01:41:46,780
coming in. Ooh, amazing, ooh.

1791
01:41:47,320 --> 01:41:51,460
So my question would be, what
part of a kids movie completely

1792
01:41:51,460 --> 01:41:55,060
scarred you? I'm sorry,

1793
01:41:57,100 --> 01:42:01,560
ouch. Of a kids it could be like
that. Could be like Pixar or or,

1794
01:42:01,560 --> 01:42:01,680
you

1795
01:42:01,680 --> 01:42:03,840
know, something you watched when
you were a kid. That was a kid's

1796
01:42:03,840 --> 01:42:04,140
movie.

1797
01:42:04,200 --> 01:42:07,860
Oh, I see, you know, that
scarred me. I don't know,

1798
01:42:07,920 --> 01:42:08,340
bambi's

1799
01:42:08,340 --> 01:42:10,320
mother gets killed, yeah, that
kind of thing. Now,

1800
01:42:11,880 --> 01:42:12,960
okay, how about this one,

1801
01:42:14,040 --> 01:42:16,620
stinker, I don't know it was
like horror. It makes

1802
01:42:16,620 --> 01:42:19,140
you think that does, dude, pet
cemetery scared

1803
01:42:19,140 --> 01:42:20,660
the hell out. Hi, there you go.

1804
01:42:21,380 --> 01:42:22,040
Upstairs.

1805
01:42:24,440 --> 01:42:29,300
My, my, my brother loved that
movie again. Five years older,

1806
01:42:30,020 --> 01:42:33,020
scared the hell out of me. I
didn't go to sleep that night. I

1807
01:42:33,020 --> 01:42:37,160
couldn't see the cassette tape
without getting scared. So my

1808
01:42:37,160 --> 01:42:41,440
mother would hide it on top of
the refrigerator. VHS, yeah. But

1809
01:42:41,440 --> 01:42:44,020
then my brother would also pull
crap, like, if he was

1810
01:42:44,020 --> 01:42:48,160
babysitting me, you know, I'd be
in mom's room watching TV, and

1811
01:42:48,160 --> 01:42:51,760
he'd reach in and cut off the
light and pull the door close

1812
01:42:51,760 --> 01:42:57,760
and go, Oh, wow, and scratch the
door. And I'm, you know, you're

1813
01:42:57,760 --> 01:43:00,660
like, five years old. You're not
thinking, I can get off this bed

1814
01:43:00,660 --> 01:43:04,740
and just go turn on the light.
It's just him, like, That was

1815
01:43:04,800 --> 01:43:08,460
Friday the 13th, right? Yeah,
all of those. He had the full

1816
01:43:08,460 --> 01:43:11,340
box set when they came out. Oh,
yeah, Freddie, all of them.

1817
01:43:11,340 --> 01:43:13,320
Jason takes Manhattan, all of
that stuff.

1818
01:43:13,320 --> 01:43:15,840
Michael Myers is quite a
character. But, I mean, that

1819
01:43:15,840 --> 01:43:18,180
question. Michael Myers, but,

1820
01:43:18,180 --> 01:43:21,380
but he grew up, you know,
watching it like Freddy Krueger

1821
01:43:21,380 --> 01:43:22,040
was hilarious

1822
01:43:22,040 --> 01:43:24,920
too. Yeah, I'm your boyfriend
now and

1823
01:43:24,920 --> 01:43:29,300
through the phone. Yeah,
hilarious, but yeah, it wasn't

1824
01:43:29,300 --> 01:43:32,480
until years later I got into
that genre. Now I love it. Oh, I

1825
01:43:32,480 --> 01:43:36,500
love it. Just messed me up.
Messed me up. I've seen them

1826
01:43:36,500 --> 01:43:36,620
all,

1827
01:43:36,620 --> 01:43:39,860
see that was a good question. It
yielded fruit, yeah? How dare

1828
01:43:39,860 --> 01:43:41,240
you throw shade. That was
fruitful. Yeah?

1829
01:43:41,240 --> 01:43:43,660
But the first one was, that was
a stand was, that was

1830
01:43:43,660 --> 01:43:44,740
a stinker. Yeah, it wasn't.

1831
01:43:45,040 --> 01:43:47,920
That was it went into a
different version of the

1832
01:43:47,920 --> 01:43:50,560
question, Hey, man, I'm just
Gene Simmons, and you, I know

1833
01:43:50,740 --> 01:43:53,860
you're freaking roughing me up
here. What's an issue you got?

1834
01:43:53,860 --> 01:43:56,140
We got to talk about something.
What do you

1835
01:43:56,140 --> 01:43:59,200
mean? I'm funny. What's so funny
about me? No,

1836
01:43:59,200 --> 01:44:03,420
no, no, he's a big boy. Do you
said it? He knows what. Let him

1837
01:44:03,420 --> 01:44:04,440
talk. Let him talk

1838
01:44:04,560 --> 01:44:08,880
when he's when he stabs him in
the trial, yeah, God, brutal. My

1839
01:44:08,880 --> 01:44:11,280
just go have then they just go
eat dinner. Sunday

1840
01:44:11,280 --> 01:44:14,520
dinner. Yeah, not much. It's
the, what do you call it? The

1841
01:44:14,520 --> 01:44:17,460
Paw, the paw, the hoof, the
hoof. Ma, it's a sin. It's a

1842
01:44:17,460 --> 01:44:20,300
sin. Great movie, all the good
fellas

1843
01:44:20,300 --> 01:44:24,080
and all the godfathers, dude,
I'm telling you, this was so

1844
01:44:24,080 --> 01:44:26,900
long overdue. Yeah, man. And I
appreciate you coming out.

1845
01:44:26,900 --> 01:44:29,780
Appreciate you having me have an
amazing tour this year. Thank

1846
01:44:29,780 --> 01:44:31,880
you, brother. Yeah, I get to
hope you get to visit. Are you

1847
01:44:31,880 --> 01:44:34,220
gonna be able to visit those
spots you're talking about?

1848
01:44:34,400 --> 01:44:34,940
Yeah, yeah,

1849
01:44:34,940 --> 01:44:36,500
yeah. Hopefully. So I know we're
doing,

1850
01:44:37,880 --> 01:44:40,720
we got like, four or five weeks
in Europe this summer. Now you

1851
01:44:40,720 --> 01:44:43,240
guys go to Asia. We're doing
Japan

1852
01:44:44,260 --> 01:44:46,840
couple weeks. Tokyo isn't gonna
be a bus. Haven't done it. I

1853
01:44:46,840 --> 01:44:47,980
love Tokyo the other planet,

1854
01:44:47,980 --> 01:44:50,860
right? Osaka is my favorite
other place in the world. If I

1855
01:44:50,860 --> 01:44:52,660
could live anywhere else, I'd
move to Osaka. We

1856
01:44:52,660 --> 01:44:56,560
got the Osaka Japanese
steakhouse up the street. It

1857
01:44:56,560 --> 01:44:57,940
looks actually little different,

1858
01:44:58,360 --> 01:45:01,020
topical. But by the time this
goes. Is out. It's not going to

1859
01:45:01,020 --> 01:45:04,320
be so topical. I want to go
visit Bangkok. Yeah,

1860
01:45:05,280 --> 01:45:07,260
never been to Thailand. Have

1861
01:45:07,260 --> 01:45:09,180
you guys seen the videos? I
connected

1862
01:45:09,180 --> 01:45:14,160
Shanghai once in China. That
sucked. Yeah, you mentioned we

1863
01:45:14,160 --> 01:45:17,460
had a flight connection. We were
flying to Australia from Tokyo.

1864
01:45:17,460 --> 01:45:20,900
Again. Connected in Shanghai,
China. Oh, wow. That sucked.

1865
01:45:21,740 --> 01:45:23,600
That was not fun. Did you guys

1866
01:45:23,600 --> 01:45:26,000
see those videos this week that
came out from the big earthquake

1867
01:45:26,000 --> 01:45:29,720
over there? Oh, my God. You see
like, all the like, the, oh, is

1868
01:45:29,720 --> 01:45:33,380
that the building? The building?
Yeah, the pools were splashing

1869
01:45:33,380 --> 01:45:34,700
out and falling down, and

1870
01:45:34,700 --> 01:45:38,120
all this happened so far away,
and the effects came all those

1871
01:45:38,120 --> 01:45:43,060
miles. Yeah. So get this one,
of, one of my gals went on the

1872
01:45:43,060 --> 01:45:46,000
roof, good friends, Sophie monk,
she's a celebrity. She's a huge

1873
01:45:46,000 --> 01:45:48,880
celebrity in Australia. She
hosts like, you know, Australia

1874
01:45:48,880 --> 01:45:53,740
has got this and, you know, the
dating shows over there. And she

1875
01:45:53,740 --> 01:45:57,160
was in Bangkok when it happened,
really, and survived, okay. She

1876
01:45:57,280 --> 01:45:58,120
got out of there. Yeah, yeah.

1877
01:45:58,120 --> 01:46:00,480
Because it reminded me when you
were talking about earlier,

1878
01:46:00,480 --> 01:46:03,840
being three stories up now, I
mean, imagine being up on a

1879
01:46:03,840 --> 01:46:05,280
building, and it starts swaying,

1880
01:46:05,460 --> 01:46:09,360
man, there was a video of, there
was a couple in, you know, it's

1881
01:46:09,360 --> 01:46:12,300
an infinity pool on top of a
roof, but at least there's a

1882
01:46:12,300 --> 01:46:14,820
glass wall, but they're on the
top of the building, yeah,

1883
01:46:15,300 --> 01:46:17,520
swimming. And then you see the
water

1884
01:46:17,700 --> 01:46:21,500
start swinging around. Don't
swim, guys kids, the guys

1885
01:46:21,500 --> 01:46:23,600
holding on for dear life. Yeah,
don't

1886
01:46:23,600 --> 01:46:24,440
do Nope.

1887
01:46:24,800 --> 01:46:28,100
There's this glass wall on the
edge. On the Edge,

1888
01:46:28,100 --> 01:46:32,180
yeah, in the infinity pools, it
gives the illusion of an edge,

1889
01:46:32,180 --> 01:46:35,120
but there's actually a splash
area on

1890
01:46:35,120 --> 01:46:39,020
a proper infinity pool. Yeah, it
flows over and there's actually

1891
01:46:39,020 --> 01:46:43,960
a basin, but it looks like it
just goes forever. Yeah, this

1892
01:46:43,960 --> 01:46:49,720
was that theme, but a giant,
thick, I guess, Plexi or acrylic

1893
01:46:49,840 --> 01:46:53,680
wall, probably the depth of the
pool, and maybe another four or

1894
01:46:53,680 --> 01:46:57,880
five feet above the deck, so not
that big, and you're swimming

1895
01:46:57,880 --> 01:47:03,000
and looking down at the Earth as
the water is no, I'm good, get

1896
01:47:03,000 --> 01:47:05,100
out of that pool. Are they
literally getting in that thing

1897
01:47:05,100 --> 01:47:06,120
anyway? You kidding me? They

1898
01:47:06,120 --> 01:47:09,600
got videos of the pool water
splashing down. I think one of

1899
01:47:09,600 --> 01:47:12,000
the pools, like, emptied
completely, and people on the

1900
01:47:12,000 --> 01:47:14,100
ground got like, washed away
like a tidal wave,

1901
01:47:14,100 --> 01:47:17,580
broken necks, probably, no, no,
God, that's horrible. I won't

1902
01:47:17,580 --> 01:47:21,740
even do the Chicago the ledge or
whatever, with the cracked

1903
01:47:21,740 --> 01:47:25,820
floor. And then there's, is it
in Vegas? There's like a room

1904
01:47:25,820 --> 01:47:28,820
you stand in that actually tips?
Oh, yeah, I think

1905
01:47:28,820 --> 01:47:31,760
that's Chicago too. It's not for
me. Yeah. No,

1906
01:47:32,000 --> 01:47:34,580
not for me. I'll keep my feet on
the ground. Christopher

1907
01:47:34,580 --> 01:47:38,420
Williams, C Williams drums.com,
also check out his woodworking

1908
01:47:38,420 --> 01:47:41,920
business. Check out his brides
business. It's just called

1909
01:47:41,920 --> 01:47:42,520
wensley's

1910
01:47:42,520 --> 01:47:44,980
essential blends. Yeah, love it.
Anglesley Music official.com.

1911
01:47:45,640 --> 01:47:49,780
Amazing. My personal socials,
YouTube, Facebook, all that

1912
01:47:49,780 --> 01:47:55,960
stuff is at C Williams, drums,
CDW, Woodworks with an X. CDW,

1913
01:47:56,260 --> 01:48:00,720
metal works with an X. Hey, bro.
And soon to be launched,

1914
01:48:01,380 --> 01:48:04,740
kick logos.com Oh, so you're
gonna start doing logos.

1915
01:48:05,280 --> 01:48:08,940
I've been doing custom heads for
myself and for years and years.

1916
01:48:08,940 --> 01:48:14,280
Great. What happens? You're a
remote guy, yeah, right. You're

1917
01:48:14,280 --> 01:48:19,080
a DW guy, right? You got a red
kit, right? You want a red logo

1918
01:48:19,140 --> 01:48:24,380
on a fiber skin head. But who's
got it? Where do you go? You got

1919
01:48:24,380 --> 01:48:26,960
anybody in town? No, not anybody
in town. You want custom

1920
01:48:26,960 --> 01:48:30,740
graphics to go along with that?
No, call your boy. How you doing

1921
01:48:30,740 --> 01:48:33,800
it? Like laser printing or
something, or is like, dicotter.

1922
01:48:33,800 --> 01:48:36,680
We gotta talk off and then
offline, and then graphics.

1923
01:48:36,680 --> 01:48:37,580
Yeah, I'm doing out

1924
01:48:37,940 --> 01:48:40,360
as well. Smart buddy. See,
you're really smart, and if one

1925
01:48:40,360 --> 01:48:42,700
of your revenue streams goes
away. You're cool because you

1926
01:48:42,700 --> 01:48:43,660
got five others, yep,

1927
01:48:44,080 --> 01:48:47,020
and Lord and out of the house.
Lanc studio, that's right.

1928
01:48:47,320 --> 01:48:47,680
Third. How

1929
01:48:47,680 --> 01:48:50,020
many inputs? 24 inputs. 3232

1930
01:48:51,280 --> 01:48:54,580
inputs of drums to your inbox.
By Christopher Williams, thanks

1931
01:48:54,580 --> 01:48:57,100
for being here, buddy. Thanks
for having I appreciate it, man.

1932
01:48:57,100 --> 01:48:59,620
Good to meet you. Likewise,
yeah, Jim, thanks for all you do

1933
01:48:59,620 --> 01:49:01,920
is brother. And to all the
listeners, we appreciate it. Be

1934
01:49:01,920 --> 01:49:05,040
sure to subscribe, share, rate
and review we there's you know,

1935
01:49:05,040 --> 01:49:07,560
it helps people find the show,
and we've been noticing that you

1936
01:49:07,560 --> 01:49:11,220
guys have been believing some
nice reviews. So keep it up. We

1937
01:49:11,220 --> 01:49:14,340
appreciate it. We'll see you
next time. Thanks so much.

1938
01:49:14,340 --> 01:49:16,200
Thanks. Chris, thanks, Jim, this

1939
01:49:16,200 --> 01:49:21,020
has been the rich Redmond show.
Subscribe, rate and follow along

1940
01:49:21,200 --> 01:49:24,560
at rich redmond.com, forward
slash podcasts. You.