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Speaker 1: Welcome to beardless, dick less me.

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Speaker 2: I'm Kevin Smith, Quinn Smith.

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Speaker 1: All right, So you know, sometimes I don't know if

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Speaker 1: you know the things I've done or not, so I'm

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Speaker 1: just gonna always proceed going like she probably doesn't know.

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Speaker 1: I years ago I made a movie called Clerks. I

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Speaker 1: don't know if you've ever heard of it. How many

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Speaker 1: times do you think you've heard the word clerks in

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Speaker 1: your life? Like since you came out of the woman

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Speaker 1: shit like doctor and s your ass.

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Speaker 2: It was just like Clark basically, yeah, clerk, that's a

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Speaker 2: good metaphor for my life, to be honest, But you

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Speaker 2: would literally you literally used to tell me you're the

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Speaker 2: best thing I did in color, therefore insinuating that Clerks

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Speaker 2: was better than me. I think that was because it's

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Speaker 2: in black and white. I just want everyone to take

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Speaker 2: a moment to understand how that would affect a child's

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Speaker 2: mental health and perception of thyself.

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Speaker 1: Kid can't take a joke, I can't. But if that

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Speaker 1: one does not pilar the other me going like, you're

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Speaker 1: the best thing I ever did in.

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Speaker 2: Color, it's just like some cool like you want to do.

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Speaker 1: In black and White's Clerks. Literally one thing I've ever

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Speaker 1: done in black and white.

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Speaker 2: And you're saying it's better than me.

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Speaker 1: That does not But I don't see how Like I'm honestly,

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Speaker 1: I don't hear that when I say you're the best

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Speaker 1: thing I did in color, No we're not. But it's like,

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Speaker 1: since I never quote unquote did you in black and white,

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Speaker 1: you can't possibly be on that.

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Speaker 2: But I guess then the question lies. It's really just

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Speaker 2: a color and black and white on par with each

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Speaker 2: other of importance.

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Speaker 1: What a great question to me? I would always go

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Speaker 1: with color is what everybody wants. Color is what the world.

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Speaker 2: Of a hole right now?

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Speaker 1: I have no idea, isn't it? Is this something that

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Speaker 1: you literally brought up with the therapist.

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Speaker 3: Going like why am I not blacking? Why you want

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Speaker 3: to be monochromatic?

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Speaker 1: I mean, number one the show, you're the best thing

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Speaker 1: I did period. But saying you're the best thing I

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Speaker 1: did in color lets people go like what does that mean?

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Speaker 1: And then like black and white? You may so any look, hey, sis,

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Speaker 1: you're part of the operation. Any any easy jokes I

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Speaker 1: could score off of you, you got to take the

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Speaker 1: hit up.

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Speaker 2: My whole life is a joke.

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Speaker 1: I share something with you. Yeah, so this is fucking dope.

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Speaker 1: We'll get back to the other thing. Remind me because

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Speaker 1: I sometimes forget. So you're aut Virginia, which sounds so

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Speaker 1: weird for me to say because I had an ant

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Speaker 1: Virginia and she is definitely.

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Speaker 2: Not texting you.

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Speaker 1: Yeah, she's passed, has passed. But first female detective in

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Speaker 1: the police.

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Speaker 2: Depart Oh, I didn't. I never did I ever meet

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Speaker 2: did she? She's like, she's really fucking cool. Honestly, we

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Speaker 2: should we are moving. You know, you're not wrong, She's

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Speaker 2: fucking cool, can.

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Speaker 1: I I'm like, I'm in order to tell the story,

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Speaker 1: I have to say a word. There's a trigger fucking

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Speaker 1: morning to anybody out there's the R word. But she

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Speaker 1: was on the R squad.

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Speaker 2: That's what Yeah, don't say the word.

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Speaker 1: I said. Yeah, that's what they called it. Like that

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Speaker 1: was the the name of it, before they called it

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Speaker 1: vice or before they called it undercover. It was just

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Speaker 1: yeah that her and like her buddy would go out and.

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Speaker 2: Try to catch people.

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Speaker 1: Right, Yeah. The only way you can catch those people

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Speaker 1: and stuff by being that's so, that's like, I'm sorry,

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Speaker 1: this woman was so like you'd never know.

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Speaker 2: What a legend I feel like this is probably like

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Speaker 2: one of the proudest people of the Hard section of

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Speaker 2: the Smith's.

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Speaker 1: Descent is adopted. So this is our older sister, but

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Speaker 1: you know, by adoption. Yeah, so Virginia was like twelve

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Speaker 1: years old.

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Speaker 2: Oh wow, So this is just someone I'm just to

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Speaker 2: be related to, but not even by blood's.

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Speaker 1: Oh my good see you were raised. You were raised

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Speaker 1: by me, and you could tell all because my dad

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Speaker 1: was like blood is thicker than water. Grace, it's that

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Speaker 1: fucking stuck with me, and like forever.

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Speaker 2: You always do say by like.

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Speaker 1: You, I make a differentiation, yeah, which is so weird

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Speaker 1: because like because I'm always I'm doggedly loyal to my

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Speaker 1: home clan so much more than even like now at

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Speaker 1: this stage in life. Periodically when I'm like, well, I'm

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Speaker 1: going home, like Jennifer will be like you live in California,

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Speaker 1: I'll be like, I'm bad where I grew up. I

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Speaker 1: mean home, because yeah, but I said enough where books

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Speaker 1: are like that. But but I you know, for for me,

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Speaker 1: like it's like I've known Nana. Nana is Harley's grandmother,

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Speaker 1: Jen's mom who I call Gail, but we call her

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Speaker 1: colloquial and colloquially nana because that's what Harley's called her

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Speaker 1: whole life. But I've known Gail forever mm hmm, not forever,

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Speaker 1: but for as long as I've known your mother, so

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Speaker 1: twenty six years. Yeah, never call their mom.

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Speaker 2: Yeah, I would never, ever, ever, ever, ever do that.

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Speaker 1: But others do. Yeah, but not others in our family,

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Speaker 1: but others, like live.

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Speaker 2: Your life, I guess, but I I to me, I

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Speaker 2: would never. I would never do that.

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Speaker 1: This is the thing that's only get that's one mom,

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Speaker 1: one dad, And I'm not being prejudiced, like you can't

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Speaker 1: have more than my.

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Speaker 2: Yeah, no, world please, No, it's not a judgment, just

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Speaker 2: my personal preference because wait, I forgot the rest of

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Speaker 2: my thoughts.

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Speaker 3: I don't know kids period.

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Speaker 2: Oh like if you have a child and you're referring

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Speaker 2: to like, how like how nan and Paw refer to

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Speaker 2: you as mom and dad when they talk to me,

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Speaker 2: which is the reverse I guess of what we're talking about,

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Speaker 2: Or you would call them nanon pop.

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Speaker 1: I call them nan and pop whenever you're around. Yeah,

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Speaker 1: when you're not around. I would never say to like, Jen,

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Speaker 1: what do you think Nana Popp are up to? Unless

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Speaker 1: ironic I use their real names, Gallen, Yeah, but you

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Speaker 1: would never use their unless you were being ironic to

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Speaker 1: be like, well me and Gallen Bier.

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Speaker 2: Whenever Pa calls Nana Gail, I'm always like Paw. I'm

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Speaker 2: always like, I don't know, I don't know Gail.

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Speaker 1: Gayl Nana n Jenny. Do you think that? Like, think

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Speaker 1: about it, You're like, you better call her fucking nana. Pop.

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Speaker 1: I'm like, I like to think of her as a hotpi,

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Speaker 1: as an ass bro. Nana is the name of an

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Speaker 1: old goat or a dog in a Disney movie or

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Speaker 1: someone's grandparent. Popes Nana in a very specific way. So

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Speaker 1: when he calls her Gail, you know what that means.

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Speaker 1: He's ot for teacher. And when you forced him to

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Speaker 1: call our nanny's we're old.

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Speaker 2: You have to do the two steps.

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Speaker 1: He's lifted as well.

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Speaker 2: Mam lely callback.

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Speaker 1: So here is speaking of mom?

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Speaker 2: Yeah, so.

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Speaker 4: Ma.

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Speaker 1: But in Virginia side oh yeah, pretty damn press first, yeah,

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Speaker 1: no doubt and family probably like free. I don't have

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Speaker 1: to pay for that story because.

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Speaker 2: It is yeah, and does someone have like it would

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Speaker 2: be probably be Journals of the Sword.

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Speaker 1: We make up the rest. Crime is hard in the city,

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Speaker 1: we can in relatives already righting the ship, he writes itself,

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Speaker 1: what was that?

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Speaker 2: What was the first line?

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Speaker 1: Crime is hard in the city.

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Speaker 2: Okay, cool, I'll screw winner.

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Speaker 1: Look, this is it, this is our moment, this is

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Speaker 1: our our.

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Speaker 2: I have her really really cool cigarette holders Virginia.

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Speaker 1: Yeah, she had classy.

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Speaker 2: Takes and not just shows. I wish I knew this person, bro,

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Speaker 2: you never would.

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Speaker 1: Have known she you want to talk about Hannah Montana

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Speaker 1: separate fucking life because at home she was like, you know,

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Speaker 1: fucking queen or like fucking silks from Japan and ship

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Speaker 1: like that she loved like.

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Speaker 2: Wait did she actually where Yes? Yeah, oh my god.

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Speaker 1: She would wear her hair with a fucking first person

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Speaker 1: ever met tire her hair back and put a stick

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Speaker 1: through it, like way before anybody else. I mean before cavemen,

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Speaker 1: but first human I ever saw. Yeah, chopsticks and chopsticks

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Speaker 1: like that you would use. But it was just this

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Speaker 1: like secret.

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Speaker 2: Yeah, I know, it's.

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Speaker 1: Just not what you know most people. Her ship was

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Speaker 1: everything was like really classy, well done. She had a

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Speaker 1: really nice like living room set and ship like that

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Speaker 1: good dining room set. And when we went to visit her.

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Speaker 1: She would like she wouldn't come down right away because

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Speaker 1: she was coming home from work and work was like

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Speaker 1: fun in hell. She became one of the first female

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Speaker 1: detective in the North Police apartment. Her and her partner Ellie,

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Speaker 1: were eventually put on youth division. And I don't mean

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Speaker 1: like juveniles who I ain't going to school today, Detective Caddillo.

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Speaker 1: That was her name originally, Rary Cardilla. We're talking about

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Speaker 1: like this baby was battered to death.

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Speaker 2: Oh my god, happened to children.

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Speaker 1: That's what she spent her days doing, dealing with the

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Speaker 1: most depressing shit on the planet. So we would go

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Speaker 1: up there for spaghetti's on Wednesday night, right, spaghetti night.

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Speaker 1: You get up there and hanging out downstairs like Gerard

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Speaker 1: and Rosemary. Her kids are my very Jersey hang out

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Speaker 1: with Uncle Jerry and stuff like that. Washington TV and

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Speaker 1: Virginia be nowhere to be seen because she'd be upstairs

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Speaker 1: fucking decompressing, like taking up fucking bath wash in the

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Speaker 1: fucking filter.

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Speaker 2: They can only imagine.

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Speaker 1: And then just be like, think about the horrible things

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Speaker 1: she had to carry and she had to like leave

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Speaker 1: him in the bathroom which had a bidet. Mind you,

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Speaker 1: that's how classy she was.

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Speaker 2: I was held it all together.

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Speaker 1: Was this water fountain I drink out of my No,

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Speaker 1: I was like, why is this tastes like a vagina?

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Speaker 1: So she'd finally come down and this is my be

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Speaker 1: like that's how she would That's how she would greet

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Speaker 1: the room, come here. Oh my gosh. That was She

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Speaker 1: was so like a buoyant honestly, like I mean, I

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Speaker 1: don't mean this is any just like she could have

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Speaker 1: honestly been a fantastic dreg Like that's how she dressed,

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Speaker 1: and she.

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Speaker 3: Was larger than life.

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Speaker 1: And just like, come on, let's go eat, like just fucking.

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Speaker 2: Like glamorous, yeah, like super glamorous, like.

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Speaker 1: Yeah, but not like I wanted to be alone, but

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Speaker 1: just like the hotels.

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Speaker 2: No, no, not that type of glamor Matrod the drag

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Speaker 2: type of glamorous.

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Speaker 1: But she, you know, on her job, was the opposite.

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Speaker 2: That's so interesting.

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Speaker 1: She may have fucking shot people, like, but she didn't

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Speaker 1: talk about it, and you'd never I wouldn't know. I

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Speaker 1: have to I would have to dig deep and ask Rosemary.

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Speaker 1: And I doubt Rosemary would know. My godmother mom might,

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Speaker 1: but I doubt she even shared that ship with mom

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Speaker 1: because she put that ship in a lock box and

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Speaker 1: then went down and you know, pretended like that she

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Speaker 1: didn't hear the most horrible things in the world. So

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00:12:42,320 --> 00:12:45,920
Speaker 1: and Virginia, why don't even bring her up? Wonderful person?

225
00:12:45,960 --> 00:12:49,920
Speaker 1: But she, uh my Virginia, my sister always named.

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Speaker 2: For Oh my gosh, we really went down a hole.

227
00:12:51,920 --> 00:12:54,520
Speaker 2: And now I'm just like thinking about her life and

228
00:12:54,880 --> 00:12:57,240
Speaker 2: just like really, really, you know what.

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00:12:57,160 --> 00:13:00,280
Speaker 1: We got to talk to is your epigen my sister,

230
00:13:00,360 --> 00:13:01,360
Speaker 1: because she knows a.

231
00:13:01,320 --> 00:13:06,400
Speaker 2: Lot about how well I mean, how does she know.

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00:13:06,400 --> 00:13:10,880
Speaker 1: This that her godmother, Yes, because Donald's godmother was Anne

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00:13:10,880 --> 00:13:14,320
Speaker 1: who just passed away, and uncle Wayne is her his

234
00:13:14,440 --> 00:13:19,120
Speaker 1: godfather in Virginia. Her godmother, I believe is in Virginia,

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00:13:19,440 --> 00:13:21,679
Speaker 1: I forget and her godfathers.

236
00:13:21,840 --> 00:13:26,120
Speaker 2: May Virginia is friends with like also do other like

237
00:13:26,200 --> 00:13:29,120
Speaker 2: more of our relative. She does a good job.

238
00:13:28,960 --> 00:13:30,000
Speaker 1: Like my sister Virginia.

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00:13:30,080 --> 00:13:33,200
Speaker 2: Yeah, she just does a good job keeping up, She.

240
00:13:33,160 --> 00:13:36,440
Speaker 1: Keeps the she's yeah, she she has taken on like

241
00:13:36,559 --> 00:13:41,160
Speaker 1: the even though she you know, she lives abroad and

242
00:13:41,240 --> 00:13:43,760
Speaker 1: has lived abroad forever. She's the very like she was

243
00:13:43,760 --> 00:13:45,760
Speaker 1: an expat for a long time. But now they're moving

244
00:13:45,800 --> 00:13:50,319
Speaker 1: back to the state. So anyway, she's home. She is

245
00:13:50,760 --> 00:13:52,360
Speaker 1: when I stay home, I mean back in the States.

246
00:13:52,400 --> 00:13:54,600
Speaker 1: And when I stay home, I mean she's at Mama

247
00:13:54,679 --> 00:13:57,280
Speaker 1: Ley's right now, right now. So what I'm going to

248
00:13:57,360 --> 00:14:03,120
Speaker 1: be doing is Thursday kicked the kick off the Mycastle film.

249
00:14:02,880 --> 00:14:04,560
Speaker 2: Fas is my cousin here no.

250
00:14:07,840 --> 00:14:12,160
Speaker 1: Smartcastle film Festivals. On Thursday, we have a thirtieth anniversary

251
00:14:12,160 --> 00:14:15,520
Speaker 1: of the screening of Clerks happening that night.

252
00:14:16,120 --> 00:14:16,480
Speaker 2: Cute.

253
00:14:16,760 --> 00:14:19,280
Speaker 1: Then the next day I'm going down to see Momley

254
00:14:19,360 --> 00:14:23,680
Speaker 1: going down to Florida. It's Jerry, my brother, Donald's husband's

255
00:14:24,240 --> 00:14:28,720
Speaker 1: sixtieth birthday that night, so what he's turning? What? And

256
00:14:28,880 --> 00:14:32,680
Speaker 1: Virginia's in town. So Mike, my whole family is living

257
00:14:32,720 --> 00:14:35,880
Speaker 1: family on twenty one Jackson Street, because you're my living

258
00:14:35,880 --> 00:14:38,680
Speaker 1: family as well. Family I grew up here. Yeah, the

259
00:14:38,680 --> 00:14:40,360
Speaker 1: ones that are left, they're all give me the same

260
00:14:40,360 --> 00:14:41,360
Speaker 1: place at the same.

261
00:14:41,200 --> 00:14:43,440
Speaker 2: Time have gone.

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00:14:43,480 --> 00:14:45,800
Speaker 1: I mean, but this wasn't playing. I was just like, well,

263
00:14:45,840 --> 00:14:47,800
Speaker 1: I'm gonna be up there, and I've got two days

264
00:14:47,800 --> 00:14:49,840
Speaker 1: bere you know where I could go down and see mom.

265
00:14:49,920 --> 00:14:51,640
Speaker 1: So and then it turns out all the ship's going on,

266
00:14:51,680 --> 00:14:58,320
Speaker 1: so Virginia's there right now, And so Virginia sent a

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00:14:58,480 --> 00:15:11,440
Speaker 1: video of mamally listening to beardless. What do you think that?

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Speaker 4: Yeah? Yeah, is she crying?

269
00:15:31,040 --> 00:15:32,120
Speaker 2: Oh no, she was itching.

270
00:15:35,000 --> 00:15:35,280
Speaker 1: Wait.

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Speaker 2: First of all, I've never heard the show because I'm

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00:15:37,720 --> 00:15:41,640
Speaker 2: so scared to hear my voice. It sounds like everybody's

273
00:15:42,880 --> 00:15:45,640
Speaker 2: some certain people have their things to say about the audio.

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00:15:45,720 --> 00:15:58,200
Speaker 2: But that sounded very clear. But two, but too, it's

275
00:15:58,320 --> 00:16:01,080
Speaker 2: so crazy to hear her voices. I guess this is.

276
00:16:01,080 --> 00:16:04,400
Speaker 1: The funny part. So Virginia wrote, mom is enjoying your podcast,

277
00:16:04,520 --> 00:16:08,640
Speaker 1: and then she wrote the following script, Mom, he's so funny.

278
00:16:08,840 --> 00:16:12,040
Speaker 1: He could have a show of just him and her me. Uh,

279
00:16:12,400 --> 00:16:18,720
Speaker 1: that's what this show is, just Kevin Harley. So there's

280
00:16:18,720 --> 00:16:29,960
Speaker 1: a second video. I don't know what. Let's find out.

281
00:16:33,000 --> 00:16:34,800
Speaker 1: So I can't sing.

282
00:16:39,080 --> 00:16:43,120
Speaker 2: Oh, she's so cute, She's so so cute.

283
00:16:43,360 --> 00:16:43,880
Speaker 3: Oh my gosh.

284
00:16:43,920 --> 00:16:46,520
Speaker 1: She did get emotional. She's like, I can't wait to

285
00:16:46,520 --> 00:16:48,560
Speaker 1: hear him come and sing as if I'm gonna go

286
00:16:48,600 --> 00:16:50,200
Speaker 1: there and be like mom.

287
00:16:53,360 --> 00:16:55,720
Speaker 2: And someone has got to film it and send it

288
00:16:55,720 --> 00:16:55,960
Speaker 2: to me.

289
00:16:56,640 --> 00:16:59,120
Speaker 1: You have to are singing that. She would rather have

290
00:16:59,200 --> 00:17:03,280
Speaker 1: me singing Likearry Manila Her name was Lola. She was

291
00:17:03,320 --> 00:17:07,200
Speaker 1: a show girl. That's what her like Alexi is whenever

292
00:17:07,240 --> 00:17:10,040
Speaker 1: he walks in, She's like, Alexa play Parry Manila, and

293
00:17:10,119 --> 00:17:13,480
Speaker 1: Alexa's playing the best hits of Harry Manela.

294
00:17:13,640 --> 00:17:14,040
Speaker 5: You do it.

295
00:17:14,840 --> 00:17:19,680
Speaker 1: Her name was Lola. She was a show It was

296
00:17:19,720 --> 00:17:24,240
Speaker 1: a very big disco song. So mamily at home listening

297
00:17:24,280 --> 00:17:27,920
Speaker 1: to the show and having a blast. Because Virginia, my sister,

298
00:17:28,080 --> 00:17:30,200
Speaker 1: she sent me something about it the other day. I

299
00:17:30,240 --> 00:17:31,960
Speaker 1: think she said, like, I was listening to your fucking

300
00:17:32,000 --> 00:17:32,840
Speaker 1: show and it was great.

301
00:17:33,240 --> 00:17:37,320
Speaker 2: Really yeah, Oh my god, I can't believe people listen.

302
00:17:37,200 --> 00:17:40,119
Speaker 1: To you, I said, how are you? She's tired and

303
00:17:40,359 --> 00:17:44,280
Speaker 1: sad to be leaving Europe, but looking forward to arriving

304
00:17:44,280 --> 00:17:46,280
Speaker 1: in Orlando with see Mom and apparently you two. I

305
00:17:46,400 --> 00:17:48,080
Speaker 1: meant to tell you that I listened to the Beardless

306
00:17:48,080 --> 00:17:51,720
Speaker 1: Stickless podcast in which you sing like Father Dave and

307
00:17:51,880 --> 00:17:54,560
Speaker 1: talk about Lavernon Shirley. I was in tears from laughter

308
00:17:54,600 --> 00:17:58,200
Speaker 1: and nostalgia. I'm so loving this podcast. Oh that's awesome.

309
00:17:58,280 --> 00:17:59,920
Speaker 1: So we know who's listening my sister.

310
00:18:00,359 --> 00:18:06,440
Speaker 2: Okay, hey girl.

311
00:18:05,920 --> 00:18:09,359
Speaker 1: Okay, So I mean this is weird to do because

312
00:18:09,359 --> 00:18:14,119
Speaker 1: we just like showed a video of my mom but

313
00:18:14,119 --> 00:18:16,359
Speaker 1: at least we heard it and stuff like that. But

314
00:18:18,000 --> 00:18:25,640
Speaker 1: I there's a story attached to this. So Steven Fraser,

315
00:18:25,640 --> 00:18:31,320
Speaker 1: who works at the office at the podcastle our vegan friend.

316
00:18:31,720 --> 00:18:34,879
Speaker 2: He's vegan, yes, oh, yes he is.

317
00:18:35,119 --> 00:18:38,160
Speaker 1: He found, like you know, a year or two ago

318
00:18:38,200 --> 00:18:40,879
Speaker 1: in the basement of the stash, I found this box

319
00:18:41,000 --> 00:18:44,640
Speaker 1: of leftover work print from when we were making clerks.

320
00:18:44,840 --> 00:18:48,240
Speaker 1: In order to cut back in the day, you took

321
00:18:48,240 --> 00:18:51,639
Speaker 1: your negative, you spit out everything or your select takes,

322
00:18:51,680 --> 00:18:53,600
Speaker 1: and that's what you used to cut. And what you

323
00:18:53,760 --> 00:18:57,760
Speaker 1: use to cut was then taken to the negative so

324
00:18:57,800 --> 00:19:00,320
Speaker 1: they can match the negative cut to it, and then

325
00:19:00,440 --> 00:19:03,080
Speaker 1: everything that was left like the short ends and shit

326
00:19:03,240 --> 00:19:06,919
Speaker 1: like that and just left over. Right, we had it

327
00:19:06,960 --> 00:19:13,040
Speaker 1: forever at RST Videos that's where we cut clerks, and

328
00:19:13,080 --> 00:19:15,359
Speaker 1: so it was in like three garbage bags full of

329
00:19:15,400 --> 00:19:18,040
Speaker 1: all this like work print film, no sound on it,

330
00:19:18,119 --> 00:19:20,480
Speaker 1: just sixteen millimeter film that you put on the thread

331
00:19:20,520 --> 00:19:22,800
Speaker 1: for the steambeck and use that to cut it. So

332
00:19:22,880 --> 00:19:25,800
Speaker 1: one day I go visit Miss Topper and as after

333
00:19:26,040 --> 00:19:29,400
Speaker 1: clerk's been picked up and traveling the festival circuit, and

334
00:19:29,720 --> 00:19:32,280
Speaker 1: I saw the bags in the garbage, like up with

335
00:19:32,320 --> 00:19:33,679
Speaker 1: the work print. I was like, what's this. She's like, oh,

336
00:19:33,680 --> 00:19:35,159
Speaker 1: I threw it out. I thought it was garbage. I

337
00:19:35,200 --> 00:19:37,439
Speaker 1: was like, oh no, god no. So I put in

338
00:19:37,440 --> 00:19:38,800
Speaker 1: the trunk of my car and then I brought it

339
00:19:38,840 --> 00:19:41,800
Speaker 1: back to a had a condo. At that point, there

340
00:19:41,880 --> 00:19:44,840
Speaker 1: was there in the garage Dancy Dance in Red Bank

341
00:19:44,960 --> 00:19:47,960
Speaker 1: Tower Hill Comes. I bought with the look at you.

342
00:19:48,280 --> 00:19:51,040
Speaker 2: Yeah, I was living fat man, you were damn. Now

343
00:19:51,040 --> 00:19:52,200
Speaker 2: you literally sleep.

344
00:19:51,960 --> 00:19:54,359
Speaker 1: In a close I do now when I'm home in Jersey,

345
00:19:54,400 --> 00:19:55,639
Speaker 1: I sleep in a closet.

346
00:19:56,520 --> 00:20:00,720
Speaker 2: Still dead, like not even an exaggeration. It's the closet stopped.

347
00:20:01,920 --> 00:20:04,120
Speaker 2: Like I'm not saying like it's a small room. It's

348
00:20:04,160 --> 00:20:06,879
Speaker 2: like literally intended to be a utility clause.

349
00:20:08,840 --> 00:20:09,880
Speaker 1: It's a clause.

350
00:20:10,400 --> 00:20:13,600
Speaker 2: After damn, Okay, you've done great about it.

351
00:20:15,240 --> 00:20:19,160
Speaker 1: So I found this footage and then it sat around

352
00:20:19,600 --> 00:20:21,840
Speaker 1: like the apartment above the movie theater for like a year.

353
00:20:23,480 --> 00:20:26,920
Speaker 1: Then when all this stuff was being moved out, Steven

354
00:20:27,200 --> 00:20:29,320
Speaker 1: saw it and he was like, I'm like, what the

355
00:20:29,320 --> 00:20:32,160
Speaker 1: hell is this And he's like, I think it's from Clerk.

356
00:20:33,160 --> 00:20:36,000
Speaker 1: And Stephen looked at it. He's like this sixteen milime.

357
00:20:36,640 --> 00:20:39,440
Speaker 2: That's crazy, that's so crazy.

358
00:20:39,440 --> 00:20:42,240
Speaker 1: What we had done for years though, with that bags

359
00:20:42,240 --> 00:20:43,280
Speaker 1: of I can't.

360
00:20:43,080 --> 00:20:46,800
Speaker 2: Believe, just fucking suck us like sign sold it off.

361
00:20:47,359 --> 00:20:49,520
Speaker 1: So we did this thing for years, because this is

362
00:20:49,560 --> 00:20:51,160
Speaker 1: all stuff that wasn't used in the movie.

363
00:20:51,160 --> 00:20:53,000
Speaker 2: You should ask for it, right.

364
00:20:52,880 --> 00:20:54,880
Speaker 1: Can I get all of the backplace. So we would

365
00:20:54,920 --> 00:20:57,159
Speaker 1: take the workprint and just clip off ten frames at

366
00:20:57,160 --> 00:20:59,160
Speaker 1: a time, sticking on a card. I'd sign the card

367
00:20:59,200 --> 00:21:00,800
Speaker 1: and stuff, and we sold them for like ten bucks

368
00:21:00,840 --> 00:21:05,040
Speaker 1: a pop, so bucks. It kept the secret smashing a

369
00:21:05,080 --> 00:21:09,320
Speaker 1: lot for years. Ten bucks for ten frames of sixteen

370
00:21:09,320 --> 00:21:12,560
Speaker 1: milimeters work print, which again, if you ever wanted to strike,

371
00:21:12,600 --> 00:21:14,199
Speaker 1: you just need to go the negative and do it.

372
00:21:14,200 --> 00:21:19,040
Speaker 1: It's not impossible. So we sold it off for years

373
00:21:19,080 --> 00:21:22,600
Speaker 1: and years and years, and all that was left, honestly,

374
00:21:22,680 --> 00:21:26,240
Speaker 1: it was one you know, shopping bag from a food

375
00:21:26,280 --> 00:21:30,959
Speaker 1: store full. That's it footage. Yes, and wisely, so this

376
00:21:31,040 --> 00:21:32,639
Speaker 1: was ship that was going to get thrown out, but

377
00:21:32,720 --> 00:21:33,720
Speaker 1: we made money off of it.

378
00:21:34,119 --> 00:21:35,560
Speaker 2: Yeah, yeah, yeah, But I just.

379
00:21:35,520 --> 00:21:39,440
Speaker 1: Wanted this a little pile that was left. Like Stephen

380
00:21:39,640 --> 00:21:41,879
Speaker 1: was like, would you mind if I got this digitized?

381
00:21:41,920 --> 00:21:44,360
Speaker 1: And I was like, oh my god, that'd be great. Yeah,

382
00:21:44,400 --> 00:21:48,040
Speaker 1: So Steven got digitized and he gave me the file

383
00:21:48,119 --> 00:21:49,520
Speaker 1: and I had the file for two weeks before I

384
00:21:49,520 --> 00:21:51,760
Speaker 1: could pop it in and I had a chance to edit.

385
00:21:52,359 --> 00:21:55,719
Speaker 1: So I put it in the other morning and it

386
00:21:55,840 --> 00:22:01,800
Speaker 1: was fifty six minutes total, and it talked about all

387
00:22:01,880 --> 00:22:04,520
Speaker 1: footage from the making of Clerks, stuff that we haven't

388
00:22:04,560 --> 00:22:06,160
Speaker 1: seen in thirty years.

389
00:22:06,320 --> 00:22:12,000
Speaker 2: May ask a clarifying question, absolutely, how roughly like to second?

390
00:22:12,720 --> 00:22:17,879
Speaker 2: What is the second to frame ratio? Like how many.

391
00:22:18,040 --> 00:22:22,240
Speaker 1: Twenty four frames a second a second?

392
00:22:23,160 --> 00:22:25,320
Speaker 2: So ten frames.

393
00:22:24,840 --> 00:22:28,800
Speaker 1: Would be half a not even a half second, half

394
00:22:28,840 --> 00:22:30,600
Speaker 1: a second of work?

395
00:22:30,720 --> 00:22:33,760
Speaker 2: Okay, period, I know. I feel better about that.

396
00:22:34,040 --> 00:22:36,960
Speaker 1: So I was like, we made a lot of money.

397
00:22:37,000 --> 00:22:40,160
Speaker 2: I didn't I didn't realize how many? How many?

398
00:22:40,560 --> 00:22:43,520
Speaker 1: And again I don't regret it. I'm still cool as

399
00:22:44,240 --> 00:22:48,440
Speaker 1: totally very clever. Use cycling if you will.

400
00:22:48,520 --> 00:22:51,520
Speaker 2: Oh, and I'm so proud of you. Wait when did

401
00:22:51,520 --> 00:22:52,080
Speaker 2: you do that?

402
00:22:52,359 --> 00:22:55,480
Speaker 1: We started the moment we started selling things online, which

403
00:22:55,520 --> 00:22:57,320
Speaker 1: was even before we had a secret stash.

404
00:22:57,359 --> 00:23:01,680
Speaker 2: I think, oh my god, really you're like a business man.

405
00:23:02,280 --> 00:23:03,040
Speaker 2: Look at you.

406
00:23:03,480 --> 00:23:06,919
Speaker 1: So how we sent you to practice school. I'm showing

407
00:23:06,960 --> 00:23:11,480
Speaker 1: ten frames at a time. What was that called? Again?

408
00:23:11,920 --> 00:23:15,080
Speaker 1: I know you hold on, let me try to remember it.

409
00:23:15,080 --> 00:23:17,920
Speaker 3: Hold on, are you archer that.

410
00:23:18,560 --> 00:23:22,000
Speaker 1: It took me a second. The one before that, well

411
00:23:22,000 --> 00:23:22,880
Speaker 1: i'm talking about archer.

412
00:23:22,920 --> 00:23:24,520
Speaker 2: Oh you're talking about the one.

413
00:23:24,359 --> 00:23:25,960
Speaker 1: Wasn't as expensive as archer. Archer.

414
00:23:26,040 --> 00:23:27,920
Speaker 2: Let me tell you, no, don't say the prize please.

415
00:23:28,000 --> 00:23:30,640
Speaker 1: Well I'm not. But when I saw both, I'm like, wait,

416
00:23:30,760 --> 00:23:33,880
Speaker 1: when did they start charging for school? Because I went

417
00:23:33,960 --> 00:23:38,399
Speaker 1: for free and just everybody, I mean, so happy to

418
00:23:38,440 --> 00:23:38,680
Speaker 1: go to.

419
00:23:38,920 --> 00:23:42,040
Speaker 2: So grateful, so so grateful for the level of education.

420
00:23:42,280 --> 00:23:45,520
Speaker 2: Of course, but I would I would have been fine.

421
00:23:45,560 --> 00:23:49,400
Speaker 2: This was not my choice, is not my choice.

422
00:23:52,000 --> 00:23:56,840
Speaker 1: But you know because of the people those frames paid

423
00:23:56,880 --> 00:24:03,440
Speaker 1: for everything. That's this house was built on those fronds. Honestly. Wow.

424
00:24:04,200 --> 00:24:08,200
Speaker 2: So that wait, So there's fifty six minutes.

425
00:24:07,960 --> 00:24:12,040
Speaker 1: Fifty six minutes of footage, which again I haven't seen

426
00:24:12,480 --> 00:24:16,359
Speaker 1: since we were working on the work printed movie, and

427
00:24:16,359 --> 00:24:18,320
Speaker 1: some of it I never saw because me and Scott

428
00:24:18,400 --> 00:24:21,320
Speaker 1: cut separately. So you know, I wouldn't go over things

429
00:24:21,320 --> 00:24:22,680
Speaker 1: that he went over. If he was like, well, we're

430
00:24:22,680 --> 00:24:24,280
Speaker 1: not going to use this take, I would not be like, well,

431
00:24:24,320 --> 00:24:26,480
Speaker 1: let me see it first. And so like, there's some ship.

432
00:24:26,600 --> 00:24:29,439
Speaker 1: I didn't really and what it is in order to

433
00:24:29,600 --> 00:24:34,399
Speaker 1: sync up your dailies, your film footage with the sound

434
00:24:34,960 --> 00:24:37,439
Speaker 1: you know, that's why there's a clapper and stuff. So

435
00:24:37,520 --> 00:24:39,639
Speaker 1: you would have to roll the fucking sound of the

436
00:24:39,680 --> 00:24:42,640
Speaker 1: sound head to hear the root snap, you know when

437
00:24:42,680 --> 00:24:45,639
Speaker 1: it hits. Yeah, and then mark on a with a

438
00:24:45,680 --> 00:24:49,240
Speaker 1: grease pen on the work print where the actual clap

439
00:24:49,680 --> 00:24:53,159
Speaker 1: board hit. And then it was nuts, bro, Like, now

440
00:24:53,200 --> 00:24:55,840
Speaker 1: it's all digital, you can do the show. It was

441
00:24:55,840 --> 00:24:56,360
Speaker 1: pretty cool.

442
00:24:56,400 --> 00:24:57,440
Speaker 2: That's like magical.

443
00:24:57,640 --> 00:24:59,480
Speaker 1: It was crazy. It was actually working with.

444
00:24:59,400 --> 00:25:01,359
Speaker 2: The tools so cool.

445
00:25:02,640 --> 00:25:06,359
Speaker 1: Lots of the footage of the fifty six minutes is this,

446
00:25:07,440 --> 00:25:11,880
Speaker 1: it's it's not even this, it's just after the clapper.

447
00:25:12,359 --> 00:25:13,240
Speaker 2: Then you're.

448
00:25:15,720 --> 00:25:18,360
Speaker 1: In the footage. Yes, Well, first off, before we get there,

449
00:25:19,040 --> 00:25:23,439
Speaker 1: just seeing images from this era that I have not

450
00:25:23,720 --> 00:25:27,600
Speaker 1: seen for the last thirty years is a mind fuck

451
00:25:28,040 --> 00:25:30,480
Speaker 1: because you got to remember, there are only certain amount

452
00:25:30,480 --> 00:25:32,600
Speaker 1: of pictures other than the movie itself, a certain amount

453
00:25:32,600 --> 00:25:35,560
Speaker 1: of pictures behind the scenes. We weren't shooting. We didn't

454
00:25:35,600 --> 00:25:36,960
Speaker 1: think it was going to be a thing, so it

455
00:25:37,000 --> 00:25:38,719
Speaker 1: wasn't like we didn't document anything.

456
00:25:38,880 --> 00:25:42,080
Speaker 2: And are they are they all takes or are there

457
00:25:42,200 --> 00:25:45,560
Speaker 2: is there like footage of you guys like in between.

458
00:25:45,240 --> 00:25:50,840
Speaker 1: Takes, all takes, but sometimes more than just the yeah yeah,

459
00:25:50,880 --> 00:25:52,280
Speaker 1: like you'll see life happen.

460
00:25:52,440 --> 00:25:52,680
Speaker 2: Yeah.

461
00:25:52,720 --> 00:25:55,600
Speaker 1: What was crazy was seeing like you know these are

462
00:25:56,119 --> 00:25:58,760
Speaker 1: number one. We did more takes than I ever imagined,

463
00:25:59,000 --> 00:26:02,200
Speaker 1: because in my head I was sometimes we didn't. There's

464
00:26:02,240 --> 00:26:04,960
Speaker 1: one thing we got to eleven takes on a low

465
00:26:04,960 --> 00:26:05,639
Speaker 1: budget movie and.

466
00:26:05,640 --> 00:26:08,080
Speaker 2: I was like, do you know didn't that one guy

467
00:26:08,160 --> 00:26:11,960
Speaker 2: in the in the Batman movie. It's a guy that

468
00:26:11,960 --> 00:26:15,920
Speaker 2: played the Riddler. Didn't he take like a hundred takes?

469
00:26:16,080 --> 00:26:19,040
Speaker 1: Yeah, that has no bearing on Don't give a fuck

470
00:26:19,080 --> 00:26:19,880
Speaker 1: about that guy.

471
00:26:20,600 --> 00:26:22,359
Speaker 3: It's not in this movie, not a Clerks.

472
00:26:22,560 --> 00:26:25,920
Speaker 1: But talk to that Affleck. He was in Chili. He'll

473
00:26:25,960 --> 00:26:27,840
Speaker 1: tell you the story about how Marty Brest made him

474
00:26:27,840 --> 00:26:30,800
Speaker 1: and Jennifer Lopez do one hundred and twenty fucking takes.

475
00:26:33,119 --> 00:26:34,560
Speaker 1: I said that as if like it was a life

476
00:26:34,600 --> 00:26:39,240
Speaker 1: lesson take that take that he told that story, and

477
00:26:39,240 --> 00:26:42,480
Speaker 1: I was like, what he did. And by the time

478
00:26:42,520 --> 00:26:44,080
Speaker 1: we got to take one hundred, we were like, Marty,

479
00:26:44,119 --> 00:26:45,439
Speaker 1: what are you looking for? And he was like, just

480
00:26:45,480 --> 00:26:48,359
Speaker 1: keep going. And when he finally got to the place

481
00:26:48,400 --> 00:26:51,800
Speaker 1: he's like, that's the one. Ben was like, what we

482
00:26:52,320 --> 00:26:55,240
Speaker 1: what was to be fair? He goes, I just wanted

483
00:26:55,240 --> 00:26:56,480
Speaker 1: you guys to sound tired.

484
00:26:58,800 --> 00:27:00,440
Speaker 2: Okay, that's a little psychoic, but.

485
00:27:02,560 --> 00:27:02,960
Speaker 1: Process.

486
00:27:03,119 --> 00:27:06,760
Speaker 2: I also did like one hundred and two vocal takes

487
00:27:06,760 --> 00:27:09,680
Speaker 2: of this one section of a verse the other day,

488
00:27:09,800 --> 00:27:13,320
Speaker 2: so although it would take much longer, Well, actually, no,

489
00:27:14,240 --> 00:27:16,120
Speaker 2: I guess I'm just as crazy as that guy.

490
00:27:19,359 --> 00:27:22,960
Speaker 1: There is no wrong unless you're hurting somebody physically. But

491
00:27:23,600 --> 00:27:26,320
Speaker 1: in a world where it's like we're going to do

492
00:27:26,320 --> 00:27:28,639
Speaker 1: as many takes as it takes, you know, it's not

493
00:27:28,760 --> 00:27:31,960
Speaker 1: my way. I had to bail a long time before that.

494
00:27:32,040 --> 00:27:33,440
Speaker 1: But like, that's so true.

495
00:27:33,480 --> 00:27:36,760
Speaker 2: We are different in that way. I feel one or

496
00:27:36,800 --> 00:27:41,320
Speaker 2: two take out you're like happy, Yeah, I know. Well

497
00:27:41,359 --> 00:27:43,320
Speaker 2: I guess it's just because I have OCD and you don't.

498
00:27:43,720 --> 00:27:44,880
Speaker 2: Maybe that's just a difference.

499
00:27:45,080 --> 00:27:46,280
Speaker 1: Well, I'm the director and you're not.

500
00:27:48,720 --> 00:27:49,040
Speaker 2: Right there.

501
00:27:49,920 --> 00:27:52,280
Speaker 1: When you direct a film, come back and tell me.

502
00:27:52,400 --> 00:27:52,679
Speaker 2: I just.

503
00:27:54,520 --> 00:27:54,760
Speaker 1: Sing.

504
00:27:56,640 --> 00:27:58,959
Speaker 2: You're still talking about I just want about like music

505
00:27:59,119 --> 00:28:02,320
Speaker 2: to I don't know, just as many tis whatever.

506
00:28:02,800 --> 00:28:05,080
Speaker 1: I know you were compared directing and I was like,

507
00:28:05,119 --> 00:28:06,120
Speaker 1: when did you.

508
00:28:05,840 --> 00:28:07,560
Speaker 2: No no directing to like singing?

509
00:28:07,680 --> 00:28:08,040
Speaker 1: Takes.

510
00:28:08,240 --> 00:28:09,640
Speaker 2: Yeah, I don't know anyways.

511
00:28:10,440 --> 00:28:13,800
Speaker 1: But getting back to the main fucking point here, I'm

512
00:28:13,800 --> 00:28:16,919
Speaker 1: seeing this footage I have never fucking seen before, and

513
00:28:17,080 --> 00:28:21,640
Speaker 1: there is baby Dad who took us on the journey,

514
00:28:23,200 --> 00:28:27,919
Speaker 1: and he is not happy. He is in all the takes.

515
00:28:27,920 --> 00:28:33,800
Speaker 6: He's like, it's he closes the clapper, He's like, just

516
00:28:34,080 --> 00:28:38,320
Speaker 6: no excitement for he really your dream's coming true?

517
00:28:38,720 --> 00:28:41,320
Speaker 1: Yeah, it's that's nuts because I was on logic set

518
00:28:41,320 --> 00:28:42,080
Speaker 1: and every take he was.

519
00:28:42,080 --> 00:28:44,600
Speaker 2: Like, wow, boy, which is now?

520
00:28:45,480 --> 00:28:46,560
Speaker 1: Which is like me now? Yeah?

521
00:28:46,600 --> 00:28:47,400
Speaker 2: Which is you now?

522
00:28:47,560 --> 00:28:51,160
Speaker 1: But like it's crazy, and as my dreams are coming true,

523
00:28:51,240 --> 00:28:56,240
Speaker 1: I'm not. I'm like, I'm I think it's fear. I

524
00:28:56,240 --> 00:28:58,440
Speaker 1: think I'm like, I'm I'm in so much debt and

525
00:28:58,440 --> 00:29:00,560
Speaker 1: I don't know what I'm doing here. I asked Anderson.

526
00:29:00,640 --> 00:29:03,400
Speaker 1: He's like, oh my god, he's gone. You're terrified that

527
00:29:03,520 --> 00:29:05,920
Speaker 1: every fucking dime you sank into this movie is gonna

528
00:29:05,920 --> 00:29:08,440
Speaker 1: be tanked by the chucklehead you're working with. I was like,

529
00:29:08,480 --> 00:29:11,760
Speaker 1: I don't know that that was it. However, the most

530
00:29:12,000 --> 00:29:18,560
Speaker 1: telling story in this fifty six minutes of footage, and

531
00:29:18,680 --> 00:29:21,200
Speaker 1: you know, it's like alternate takes of Lisa who's passed

532
00:29:21,240 --> 00:29:23,200
Speaker 1: on and stuff. So it's kind of moving and whatnot.

533
00:29:24,600 --> 00:29:29,960
Speaker 1: But mister fucking nineties, like, hey man, this is a

534
00:29:30,000 --> 00:29:32,560
Speaker 1: serious business. You could tell. I don't think of myself

535
00:29:32,640 --> 00:29:35,160
Speaker 1: as a comedy filmmaker. I think of myself as a filmmaker,

536
00:29:35,360 --> 00:29:39,160
Speaker 1: and I'm serious as a filmmaker. The only time I smile,

537
00:29:40,120 --> 00:29:42,960
Speaker 1: the only time I break and I laugh and I

538
00:29:43,000 --> 00:29:45,920
Speaker 1: seem to be having a good time is with Jason.

539
00:29:46,480 --> 00:29:47,440
Speaker 2: That's really beautiful.

540
00:29:47,520 --> 00:29:49,760
Speaker 1: It is kind of sweet. So there's us standing next

541
00:29:49,800 --> 00:29:51,880
Speaker 1: to each other and I'm breaking up. Although there is

542
00:29:51,920 --> 00:29:54,880
Speaker 1: a moment where I talk and I put it in

543
00:29:55,000 --> 00:29:57,240
Speaker 1: this thing I was working with cutting the footage.

544
00:29:57,280 --> 00:29:58,880
Speaker 2: Oh, I thought you were just about to cry. I

545
00:29:58,920 --> 00:30:00,000
Speaker 2: was like, oh my gosh, she's so.

546
00:30:00,080 --> 00:30:04,600
Speaker 1: Move So I saw like this thing where I talked

547
00:30:04,600 --> 00:30:06,920
Speaker 1: to him. I'm leaning backwards in a way that I

548
00:30:06,920 --> 00:30:09,840
Speaker 1: didn't in the movie, and I talked to Jason, and

549
00:30:09,920 --> 00:30:11,200
Speaker 1: I was like, oh, that's going in. But then I

550
00:30:11,200 --> 00:30:13,360
Speaker 1: looked at it real closely and I saw what I say.

551
00:30:14,680 --> 00:30:19,120
Speaker 1: I go. I turned to him and I go, act motherfucker.

552
00:30:20,680 --> 00:30:23,520
Speaker 2: Oh Chad, he goes.

553
00:30:25,040 --> 00:30:28,880
Speaker 1: He starts to line again. I mean, it was the

554
00:30:28,880 --> 00:30:31,880
Speaker 1: first film but he was. He was just kind of

555
00:30:31,920 --> 00:30:35,360
Speaker 1: reading the lines. And that's when I was like, ah, beer.

556
00:30:35,400 --> 00:30:38,520
Speaker 2: Can I guess no camera can see the photo behind

557
00:30:38,560 --> 00:30:41,920
Speaker 2: you of Jay wearing lipstick after he just kissed you.

558
00:30:41,960 --> 00:30:44,320
Speaker 2: But it's just he's staring at me right now.

559
00:30:46,640 --> 00:30:48,200
Speaker 1: I sent you the video, but you didn't get to

560
00:30:48,200 --> 00:30:51,360
Speaker 1: see it, right No, So I'm gonna let you watch it.

561
00:30:51,400 --> 00:31:01,400
Speaker 1: What the fuck? Corruption problem? No? No, no, yeah, that

562
00:31:01,560 --> 00:31:06,200
Speaker 1: can't that can not be. What the hell?

563
00:31:06,240 --> 00:31:08,240
Speaker 2: Wait? What does you What do you mean do we

564
00:31:08,280 --> 00:31:10,160
Speaker 2: need to stop the show?

565
00:31:10,640 --> 00:31:14,920
Speaker 1: But oh my god, all right, no, I got it.

566
00:31:14,920 --> 00:31:21,240
Speaker 1: It works now you watch it. You press the little

567
00:31:21,280 --> 00:31:25,120
Speaker 1: thing in the middle. This is gonna be.

568
00:31:25,920 --> 00:31:27,600
Speaker 2: Do I show the camera or no?

569
00:31:27,800 --> 00:31:28,760
Speaker 1: They can watch it online.

570
00:31:29,000 --> 00:31:30,640
Speaker 2: But can you hear it though, Oh.

571
00:31:30,680 --> 00:31:36,960
Speaker 1: They can hear it? Pointy, Wait until you see how

572
00:31:37,280 --> 00:31:38,760
Speaker 1: fucking young everybody is.

573
00:31:51,760 --> 00:31:53,640
Speaker 2: Oh no, why am I gonna cry?

574
00:31:54,480 --> 00:31:55,920
Speaker 1: I don't know. Watch. We'll keep your eyes on it.

575
00:31:55,920 --> 00:31:58,920
Speaker 1: Don't take your eyes off it. It's all quick though.

576
00:31:59,000 --> 00:32:01,080
Speaker 1: It's all very quick shot, so you can't take your

577
00:32:01,120 --> 00:32:01,640
Speaker 1: eye through.

578
00:32:10,320 --> 00:32:18,520
Speaker 5: M it's so bad.

579
00:32:18,840 --> 00:32:27,560
Speaker 1: So I'm laughing.

580
00:32:27,640 --> 00:32:28,560
Speaker 7: You don't cry.

581
00:32:29,920 --> 00:32:33,080
Speaker 1: Watch Jay?

582
00:32:40,080 --> 00:32:58,560
Speaker 8: So, oh my god, it's so it's not so it's crazy, right, Yeah,

583
00:32:59,320 --> 00:33:02,600
Speaker 8: that one.

584
00:33:04,400 --> 00:33:07,240
Speaker 2: Is that Jay in the hot room doubles Jersey.

585
00:33:07,720 --> 00:33:10,760
Speaker 1: No, it's at half second. Oh my god, you guys

586
00:33:10,840 --> 00:33:15,360
Speaker 1: are so little. Look how little we are.

587
00:33:17,440 --> 00:33:22,680
Speaker 3: Oh, Roy, you're so little.

588
00:33:24,280 --> 00:33:25,480
Speaker 2: You're just a pig.

589
00:33:26,400 --> 00:33:30,760
Speaker 1: I know I'm younger than you are right now, like

590
00:33:30,840 --> 00:33:35,720
Speaker 1: I was twenty three.

591
00:33:35,480 --> 00:33:36,600
Speaker 2: Gun I say something?

592
00:33:36,880 --> 00:33:40,560
Speaker 1: Yeah good, I don't want to say go ahead.

593
00:33:41,600 --> 00:33:44,320
Speaker 2: Jeff Anderson was kind of when he was scared?

594
00:33:44,720 --> 00:33:44,840
Speaker 8: Was he?

595
00:33:44,920 --> 00:33:46,160
Speaker 3: He was young?

596
00:33:46,320 --> 00:33:58,000
Speaker 2: Okay? We recreated so much of these things and rebood.

597
00:33:57,880 --> 00:34:05,640
Speaker 1: Like and clerks through as well. That the car.

598
00:34:07,520 --> 00:34:09,200
Speaker 2: I love the car.

599
00:34:10,640 --> 00:34:19,319
Speaker 1: M This is the real emotional part right here. Oh

600
00:34:19,560 --> 00:34:21,720
Speaker 1: why because she passed away?

601
00:34:22,440 --> 00:34:24,480
Speaker 2: Oh shure, No, it's not right.

602
00:34:25,280 --> 00:34:27,160
Speaker 1: It's about to be here.

603
00:34:29,160 --> 00:34:38,800
Speaker 8: Yeah, that's so sad she passed away.

604
00:34:39,280 --> 00:34:40,200
Speaker 1: She was young too.

605
00:34:41,440 --> 00:34:43,040
Speaker 2: Oh I'm so sorry.

606
00:34:43,520 --> 00:34:44,399
Speaker 1: She's one of us.

607
00:34:46,800 --> 00:34:48,640
Speaker 2: This is such a sad podcast.

608
00:34:48,680 --> 00:34:53,799
Speaker 1: It is. But then gonna kick in, it's gonna be fun. Well,

609
00:34:54,000 --> 00:34:54,920
Speaker 1: it gets fun again.

610
00:34:58,160 --> 00:35:02,000
Speaker 2: We're just fucking fry. Who's said, Oh wait, I forgot

611
00:35:02,040 --> 00:35:05,360
Speaker 2: this alternate ending. I was like, who the fuck died?

612
00:35:12,320 --> 00:35:16,160
Speaker 2: Smell so serious?

613
00:35:18,600 --> 00:35:27,560
Speaker 1: Ah, here's where he cracks me up about.

614
00:35:29,440 --> 00:35:32,160
Speaker 3: Oh yeah, look you're smiling.

615
00:35:31,880 --> 00:35:32,880
Speaker 2: You Never smoke?

616
00:35:44,239 --> 00:35:48,080
Speaker 9: Oh j I wish I.

617
00:35:48,239 --> 00:35:51,439
Speaker 2: No, I actually no, I don't. I wish I knew

618
00:35:51,480 --> 00:36:07,959
Speaker 2: Jay when he was a kid. Never mind, Oh wow,

619
00:36:08,640 --> 00:36:12,080
Speaker 2: everyone was getting their chance at the clapper.

620
00:36:33,719 --> 00:36:46,840
Speaker 1: M just so little you left.

621
00:36:48,280 --> 00:36:49,360
Speaker 4: I was really good.

622
00:36:50,160 --> 00:37:00,279
Speaker 1: I did the other morning. Thank you something cry seek knew?

623
00:37:00,280 --> 00:37:08,240
Speaker 2: What videos? Can you expensive?

624
00:37:08,320 --> 00:37:12,600
Speaker 1: Kid? Isn't it wonderful? What I love about it? You're

625
00:37:12,640 --> 00:37:18,160
Speaker 1: really good. You're used to seeing that movie for thirty years,

626
00:37:18,480 --> 00:37:22,080
Speaker 1: and it's suddenly because of that. There are moments where

627
00:37:22,320 --> 00:37:25,279
Speaker 1: they turn to look at you, like look at the

628
00:37:25,280 --> 00:37:29,360
Speaker 1: camera and they break character. And that's something that nobody

629
00:37:29,400 --> 00:37:34,279
Speaker 1: has ever seen, but something that I even forgot, Like,

630
00:37:34,400 --> 00:37:35,840
Speaker 1: you know, I knew we would be like cut and

631
00:37:35,840 --> 00:37:38,400
Speaker 1: people would break and look and stuff like that. But

632
00:37:38,560 --> 00:37:42,080
Speaker 1: those moments and little baby Jay, and that was the

633
00:37:42,120 --> 00:37:44,560
Speaker 1: other thing, Like Number one for those who are like,

634
00:37:45,080 --> 00:37:48,359
Speaker 1: what is this, It's a short film called We Never

635
00:37:48,440 --> 00:37:49,560
Speaker 1: Smiled in the nineties.

636
00:37:49,719 --> 00:37:50,919
Speaker 2: When are you going to put it out?

637
00:37:51,400 --> 00:37:55,000
Speaker 1: We're showing it in the beginning of Clerk's the thirtieth

638
00:37:55,040 --> 00:37:57,759
Speaker 1: anniversary screening at this Macastle Film Festival. And then I

639
00:37:57,760 --> 00:38:00,000
Speaker 1: think I'm gonna put it up on the YouTube channel

640
00:38:00,480 --> 00:38:03,279
Speaker 1: because I think for the thirty anniversary Clerks, because I

641
00:38:03,320 --> 00:38:05,880
Speaker 1: think like people would dig it, like that movie is

642
00:38:05,920 --> 00:38:10,239
Speaker 1: now part of the fabric the pop culture, and it's

643
00:38:10,280 --> 00:38:13,680
Speaker 1: like suddenly, this is like seeing the movie from this

644
00:38:14,080 --> 00:38:16,400
Speaker 1: perspective and like, oh my god, look at the kids

645
00:38:16,440 --> 00:38:21,000
Speaker 1: who did it and stuff. So I mean, I'm not regretful,

646
00:38:21,040 --> 00:38:22,600
Speaker 1: but could you imaginef I'd had that when we were

647
00:38:22,640 --> 00:38:24,399
Speaker 1: making Clerks three, like holy fuck.

648
00:38:24,520 --> 00:38:28,080
Speaker 2: Oh. But I think when they're in the movie.

649
00:38:27,840 --> 00:38:33,479
Speaker 1: Theater, Oh, it would have impact others the same way

650
00:38:33,760 --> 00:38:36,759
Speaker 1: it impacts, like it was more meaningful. I think to

651
00:38:36,880 --> 00:38:39,600
Speaker 1: use clips from the actual movie Clerks in that moment

652
00:38:39,680 --> 00:38:43,600
Speaker 1: in Clerks three, because people have an affection or center

653
00:38:43,760 --> 00:38:44,439
Speaker 1: that's so true.

654
00:38:44,880 --> 00:38:46,680
Speaker 2: That's actually for this they would.

655
00:38:46,520 --> 00:38:48,080
Speaker 1: Have been like wait, what is that? What is that?

656
00:38:48,160 --> 00:38:50,759
Speaker 1: But for anyone else, like I showed Mom, and you know,

657
00:38:50,840 --> 00:38:54,799
Speaker 1: Mom's pretty fucking cold fish. But Mom was like mom,

658
00:38:55,040 --> 00:38:56,799
Speaker 1: like when we got some Lisa parts, she was like,

659
00:38:56,880 --> 00:39:01,080
Speaker 1: Jesus Christ, what a gift this is and she started crying.

660
00:39:01,320 --> 00:39:03,800
Speaker 1: She was like but not for like young me, she

661
00:39:03,880 --> 00:39:06,480
Speaker 1: was like whatever, But when she saw Lisa, she was like,

662
00:39:06,680 --> 00:39:12,560
Speaker 1: this is incredible. I was the shit I love her,

663
00:39:12,880 --> 00:39:16,000
Speaker 1: and it made me. I sent him a video where

664
00:39:16,160 --> 00:39:19,359
Speaker 1: I was like, bro, I just watched like footage I've

665
00:39:19,400 --> 00:39:23,319
Speaker 1: never seen of the making of fucking Clerks, and I

666
00:39:23,400 --> 00:39:27,279
Speaker 1: am so fucking serious throughout it, Like I almost look

667
00:39:27,360 --> 00:39:29,319
Speaker 1: like I'm having a bad time, but I know I'm

668
00:39:29,360 --> 00:39:32,080
Speaker 1: just trying to be Yeah, I'm just trying to be

669
00:39:32,120 --> 00:39:35,080
Speaker 1: a serious filmmaker. And ship I said, but the only

670
00:39:35,239 --> 00:39:38,000
Speaker 1: times that like I'm laughing or having a good time

671
00:39:38,320 --> 00:39:42,520
Speaker 1: is when you and I are together, you know. And

672
00:39:42,600 --> 00:39:45,520
Speaker 1: I was like, and that's why, probably why I've always

673
00:39:45,760 --> 00:39:48,560
Speaker 1: like kept Jason around or always put him in things,

674
00:39:48,560 --> 00:39:52,279
Speaker 1: because he's always the good time. But he's also like,

675
00:39:52,800 --> 00:39:55,200
Speaker 1: you know, in my memory of it, like Jason was

676
00:39:55,239 --> 00:39:58,560
Speaker 1: barely there, but that footage proves that he was there

677
00:39:58,120 --> 00:40:00,360
Speaker 1: was multiple days, not just he's.

678
00:40:00,280 --> 00:40:04,880
Speaker 2: A credit what you did to my face.

679
00:40:06,200 --> 00:40:09,600
Speaker 1: He stopped doing the makeup before you come on the show. Okay,

680
00:40:10,000 --> 00:40:12,520
Speaker 1: if anyone's sitting at sitting home listening, going like, what

681
00:40:12,560 --> 00:40:14,040
Speaker 1: do you mean, how can I see it? If you

682
00:40:14,080 --> 00:40:16,960
Speaker 1: go to that Kevin Smith club, you can actually see

683
00:40:16,960 --> 00:40:21,280
Speaker 1: the video. Yeah, join that Kevin Smith club and watch beards,

684
00:40:21,920 --> 00:40:25,279
Speaker 1: watch the kid cry. I knew it too. As as

685
00:40:25,280 --> 00:40:26,719
Speaker 1: soon as I handed to you, I was like, she's

686
00:40:26,719 --> 00:40:29,680
Speaker 1: probably gonna break. It didn't take you very long since

687
00:40:29,680 --> 00:40:30,680
Speaker 1: you saw what else?

688
00:40:30,719 --> 00:40:31,960
Speaker 2: Did I recently cry.

689
00:40:33,520 --> 00:40:33,680
Speaker 1: Out?

690
00:40:34,560 --> 00:40:43,279
Speaker 2: Yes, I don't know why. Hearing about you from.

691
00:40:43,040 --> 00:40:46,279
Speaker 1: The past, you why, I don't know.

692
00:40:46,960 --> 00:40:47,640
Speaker 4: I don't know.

693
00:40:49,280 --> 00:40:51,800
Speaker 2: I'm just like, he was just such a baby.

694
00:40:52,400 --> 00:40:54,120
Speaker 1: It was I was a total baby.

695
00:40:54,360 --> 00:40:55,920
Speaker 2: It was just a little guy.

696
00:40:57,880 --> 00:41:01,600
Speaker 1: Oh that little guy. Just start a little guy.

697
00:41:02,800 --> 00:41:06,200
Speaker 2: Oh my god, it's so crazy. I got it, and

698
00:41:06,440 --> 00:41:07,680
Speaker 2: the show come on.

699
00:41:07,880 --> 00:41:10,600
Speaker 1: All right? Well, you know how we on the show

700
00:41:11,120 --> 00:41:14,400
Speaker 1: we have to passion or ration it ration?

701
00:41:14,719 --> 00:41:18,120
Speaker 2: You fucking making me cry like this I show.

702
00:41:18,280 --> 00:41:20,640
Speaker 1: I didn't realize it would take that. I thought you

703
00:41:20,640 --> 00:41:21,840
Speaker 1: maybe nostalgic.

704
00:41:21,880 --> 00:41:23,000
Speaker 8: I have you fuck.

705
00:41:23,680 --> 00:41:25,160
Speaker 1: Nostalgic for something you weren't alive.

706
00:41:28,440 --> 00:41:29,080
Speaker 2: I don't know.

707
00:41:30,719 --> 00:41:32,200
Speaker 1: We never smiled in the nineties.

708
00:41:32,360 --> 00:41:33,760
Speaker 2: I just wish I was alive.

709
00:41:35,160 --> 00:41:38,040
Speaker 1: But isn't it? Is it weird too? You know this

710
00:41:38,160 --> 00:41:41,000
Speaker 1: is a thing that you've like interacted with across your life.

711
00:41:41,000 --> 00:41:43,160
Speaker 1: You were in clerks too. You're in clerks. I've been

712
00:41:43,200 --> 00:41:46,160
Speaker 1: in so many of the movies and stuff. Clerk's paid

713
00:41:46,200 --> 00:41:48,279
Speaker 1: for a lot of your ship. You saw clerks like

714
00:41:48,640 --> 00:41:49,319
Speaker 1: your whole life.

715
00:41:49,320 --> 00:41:52,000
Speaker 2: B Yeah, oh this is where the fucking question at

716
00:41:52,040 --> 00:41:55,320
Speaker 2: the beginning. Oh my god, we made a full circle.

717
00:41:55,400 --> 00:42:02,080
Speaker 1: You made me cry. Fuck you teller always knows where

718
00:42:02,120 --> 00:42:03,040
Speaker 1: things are going.

719
00:42:04,800 --> 00:42:06,839
Speaker 2: I was so bitter at the beginning, like how many

720
00:42:06,920 --> 00:42:08,800
Speaker 2: times I have heard chorus.

721
00:42:09,680 --> 00:42:12,520
Speaker 1: But perhaps more time.

722
00:42:16,520 --> 00:42:21,560
Speaker 2: He was so lit all oh my god, full of

723
00:42:21,760 --> 00:42:24,600
Speaker 2: so much not happiness, just.

724
00:42:25,320 --> 00:42:26,840
Speaker 1: I mean, but that's the thing. It's like, I was

725
00:42:26,880 --> 00:42:30,480
Speaker 1: not unhappy person. I was trying to be so serious,

726
00:42:30,560 --> 00:42:32,960
Speaker 1: like I'm a serious filmmaker man, Like you saw it

727
00:42:32,960 --> 00:42:35,160
Speaker 1: when I was on the John Store Show. I'm like, yeah, man,

728
00:42:35,560 --> 00:42:38,840
Speaker 1: it's crazy. I gotta make movies. Man, it hurts to

729
00:42:38,880 --> 00:42:46,200
Speaker 1: be an artist, be a happy artist, even though even

730
00:42:46,239 --> 00:42:50,000
Speaker 1: when you're singing songs where people sound sad, just make

731
00:42:50,040 --> 00:42:50,640
Speaker 1: sure you're.

732
00:42:50,600 --> 00:43:01,640
Speaker 2: Like yeah, okay, passionate, ration, fucking rah me crying and

733
00:43:01,840 --> 00:43:03,759
Speaker 2: looking like this, you.

734
00:43:03,800 --> 00:43:07,000
Speaker 1: Don't look bad. Did you have something to do after this?

735
00:43:08,120 --> 00:43:08,560
Speaker 2: Yeah?

736
00:43:08,680 --> 00:43:14,680
Speaker 1: We're going I fucking did. We're going only a really.

737
00:43:14,280 --> 00:43:17,480
Speaker 2: Important fucking thing where I'm going to a studio to

738
00:43:17,600 --> 00:43:19,239
Speaker 2: check it out and meet with that can.

739
00:43:19,280 --> 00:43:21,880
Speaker 1: Still, it's not like they're going to decide whether or

740
00:43:21,920 --> 00:43:23,719
Speaker 1: not to let you record there based on how your

741
00:43:23,719 --> 00:43:28,360
Speaker 1: makeup looks. So you're okay, that's really they're going to

742
00:43:28,400 --> 00:43:29,759
Speaker 1: walk in. They're going to be like, we can't have

743
00:43:29,760 --> 00:43:33,719
Speaker 1: her here a cry baby. We'll be doing multiple takes.

744
00:43:34,120 --> 00:43:36,880
Speaker 2: It's more like her eyeliners. Even that's.

745
00:43:38,400 --> 00:43:45,120
Speaker 1: Like crooked cat. That cat's got crossed us. What did

746
00:43:45,120 --> 00:43:45,560
Speaker 1: you say?

747
00:43:45,920 --> 00:43:46,920
Speaker 2: Look at this cat?

748
00:43:47,280 --> 00:43:50,520
Speaker 1: I know that's that's the cat. Is a photo of

749
00:43:51,440 --> 00:43:53,759
Speaker 1: cat I never met the cat you never met, but

750
00:43:53,800 --> 00:43:56,479
Speaker 1: you still feel affection towards by virtue of the fact

751
00:43:56,480 --> 00:44:00,440
Speaker 1: that it is a cat that cat walked. So that

752
00:44:00,520 --> 00:44:03,279
Speaker 1: fucking move Man could could take steroids? You want to

753
00:44:03,280 --> 00:44:04,239
Speaker 1: tell him what's going on with.

754
00:44:07,320 --> 00:44:13,440
Speaker 5: I got many? Put me on the Royds road rage.

755
00:44:14,200 --> 00:44:17,720
Speaker 5: I'm sorry, Ryds?

756
00:44:18,200 --> 00:44:20,680
Speaker 1: Why are they giving them steroids? Move Man? For those

757
00:44:20,680 --> 00:44:23,080
Speaker 1: who are like, who the fuck is that? He is

758
00:44:23,120 --> 00:44:26,680
Speaker 1: one of Harley's nineteen cats four.

759
00:44:27,440 --> 00:44:28,920
Speaker 2: As for the legal women.

760
00:44:28,800 --> 00:44:33,399
Speaker 1: And man's nickname, no mo is, his name is officially Moon.

761
00:44:33,440 --> 00:44:34,440
Speaker 2: Now is his name?

762
00:44:37,080 --> 00:44:39,359
Speaker 1: How many names as he had? Motherfucker? He's got more

763
00:44:39,440 --> 00:44:39,959
Speaker 1: fucking hate.

764
00:44:40,000 --> 00:44:43,200
Speaker 2: He started as mouse and no, no, no, every honestly

765
00:44:43,280 --> 00:44:46,600
Speaker 2: he has the least amount, right, Yeah, he went from

766
00:44:46,640 --> 00:44:51,920
Speaker 2: mouse to move Is that too complicated for you. Carl

767
00:44:52,040 --> 00:44:53,279
Speaker 2: went from Minnie.

768
00:44:53,080 --> 00:44:55,520
Speaker 1: To Carl, Lucky went from Lucky to Lucky.

769
00:44:56,160 --> 00:44:59,439
Speaker 2: Linus went from Prince to Linus, making him the cat

770
00:44:59,520 --> 00:45:00,880
Speaker 2: formally this prince.

771
00:45:03,160 --> 00:45:04,160
Speaker 1: How was he for prince?

772
00:45:04,840 --> 00:45:07,600
Speaker 2: For like a few weeks when I got him, I

773
00:45:07,640 --> 00:45:09,600
Speaker 2: was like prince, and then I was like.

774
00:45:12,040 --> 00:45:13,319
Speaker 1: The big leap between.

775
00:45:13,680 --> 00:45:17,200
Speaker 2: And Tea has had the most. Now she's wieners.

776
00:45:17,960 --> 00:45:20,239
Speaker 1: She's had wieners from tea.

777
00:45:21,360 --> 00:45:23,040
Speaker 2: I'll bring you along on the journey.

778
00:45:23,640 --> 00:45:25,200
Speaker 1: You can have a cup of tea. You have.

779
00:45:28,239 --> 00:45:39,080
Speaker 2: Mama Cita Ceda tea winners, yeah, mouse, yeah, and now and.

780
00:45:39,080 --> 00:45:43,480
Speaker 1: Then by all right? So why is he on steroids?

781
00:45:44,280 --> 00:45:47,160
Speaker 3: I gotta big get bigger rips.

782
00:45:47,160 --> 00:45:48,400
Speaker 2: Oh he has osthma.

783
00:45:48,880 --> 00:45:53,439
Speaker 5: I gotta I gotta win at the Nationals, my Ris,

784
00:45:54,800 --> 00:45:56,120
Speaker 5: I love you, my man.

785
00:45:56,400 --> 00:45:57,919
Speaker 3: I'm gonna be an f week.

786
00:45:58,680 --> 00:46:03,640
Speaker 2: He's just a country Asma.

787
00:46:04,000 --> 00:46:07,160
Speaker 3: Put them roids in my but mammaid, put the right

788
00:46:07,239 --> 00:46:08,000
Speaker 3: bear my butt.

789
00:46:09,000 --> 00:46:12,600
Speaker 5: I'm gonna get shredded with my maid the next storal

790
00:46:12,680 --> 00:46:15,560
Speaker 5: schwarz leg He's shredded.

791
00:46:15,760 --> 00:46:18,120
Speaker 2: Why don't you get what if you gets shredded.

792
00:46:27,800 --> 00:46:37,480
Speaker 9: I'm screaming, screaming, I come back from rginrmumm why you

793
00:46:37,520 --> 00:46:42,760
Speaker 9: give me them rods?

794
00:46:42,880 --> 00:46:47,279
Speaker 2: And oh my god, movie comes the hog.

795
00:46:48,280 --> 00:46:54,360
Speaker 1: Just like I have anything sarcastic, let me say.

796
00:46:54,200 --> 00:46:57,880
Speaker 2: That, may I didn't don't have anything to say about this.

797
00:46:58,360 --> 00:47:01,240
Speaker 1: He's pretty marble.

798
00:47:03,760 --> 00:47:05,480
Speaker 2: Holy fuck, that's Susan.

799
00:47:05,640 --> 00:47:07,120
Speaker 1: What does he called Austin?

800
00:47:08,920 --> 00:47:15,279
Speaker 3: Does he bubber daddy in my male?

801
00:47:15,960 --> 00:47:22,600
Speaker 2: Bomber Mommy pauper fee five four fun, mommay.

802
00:47:26,000 --> 00:47:28,360
Speaker 3: You got any the roids in your purse?

803
00:47:28,560 --> 00:47:36,200
Speaker 5: Mommy, I wasn't adding now, bro, this is scene.

804
00:47:37,080 --> 00:47:40,960
Speaker 3: From me, Get me beer, some macan cheese.

805
00:47:42,840 --> 00:47:45,080
Speaker 2: Move my size and this not like has he grown

806
00:47:45,120 --> 00:47:46,239
Speaker 2: to be my fucking bag?

807
00:47:46,320 --> 00:47:49,120
Speaker 1: He's bossing around telling get him a beard's maga cheese.

808
00:47:49,960 --> 00:47:53,640
Speaker 7: Tell you what mommayats plus some ham in that maga jeese.

809
00:47:54,080 --> 00:47:56,400
Speaker 3: But what I'm thinking, mommie, you will be what I

810
00:47:56,600 --> 00:47:57,520
Speaker 3: tell you to be.

811
00:47:57,600 --> 00:47:58,000
Speaker 1: Bomber.

812
00:48:03,840 --> 00:48:07,279
Speaker 2: We're ending the show. This show's over.

813
00:48:07,520 --> 00:48:09,440
Speaker 1: Why did I give him those raids?

814
00:48:12,120 --> 00:48:13,960
Speaker 2: Because he has fucking asthma.

815
00:48:14,760 --> 00:48:16,799
Speaker 1: So they're like instead of being it's like that comic

816
00:48:16,840 --> 00:48:18,960
Speaker 1: book ad from when I was a kid, like tired

817
00:48:19,000 --> 00:48:21,040
Speaker 1: of having sand kicked in your face, Like tired of

818
00:48:21,080 --> 00:48:23,240
Speaker 1: being a pip squeak with asthma.

819
00:48:23,239 --> 00:48:24,240
Speaker 3: Get on the roads.

820
00:48:24,360 --> 00:48:28,560
Speaker 7: Ma mercy, No one's gonna make fun of my asthmadic

821
00:48:28,760 --> 00:48:33,560
Speaker 7: body ever again. Mammy Mama, here's the head of a

822
00:48:33,600 --> 00:48:36,279
Speaker 7: man that once made fun of me for having asthma.

823
00:48:37,880 --> 00:48:40,080
Speaker 3: I left the body in the middle of the one

824
00:48:40,160 --> 00:48:40,640
Speaker 3: oh one.

825
00:48:41,080 --> 00:48:43,040
Speaker 2: I'm quite literally speechless.

826
00:48:44,920 --> 00:48:46,719
Speaker 3: Oh this is me.

827
00:48:48,280 --> 00:48:50,440
Speaker 2: I just don't even know how to feel right now.

828
00:48:56,080 --> 00:49:00,560
Speaker 2: Oh my god. He's literally just a little guy, just

829
00:49:00,640 --> 00:49:01,080
Speaker 2: like you.

830
00:49:01,040 --> 00:49:04,840
Speaker 1: In the video. He's climbed to the top of what's

831
00:49:04,880 --> 00:49:07,520
Speaker 1: that tower that you want to live in with, Jane.

832
00:49:07,320 --> 00:49:09,560
Speaker 2: George, Hollywood Town.

833
00:49:09,880 --> 00:49:15,600
Speaker 1: He's climbing and your cat's climb at the top of Hollywood. No,

834
00:49:15,760 --> 00:49:17,520
Speaker 1: he's not there. He's at the top of the Capitol.

835
00:49:18,400 --> 00:49:33,640
Speaker 2: Yeah yeah, mob regular Dale, Yeah yeah. I'm like, there's

836
00:49:33,640 --> 00:49:34,400
Speaker 2: some steroids.

837
00:49:35,680 --> 00:49:40,840
Speaker 1: Moomsh knocks the needle off the top of the building.

838
00:49:40,840 --> 00:49:46,240
Speaker 2: People like, well, we get in. He was like, awesome,

839
00:49:46,840 --> 00:49:48,040
Speaker 2: he's mob.

840
00:49:49,200 --> 00:49:54,560
Speaker 1: Juice and off he is juice. Oh my god, how

841
00:49:54,560 --> 00:49:55,480
Speaker 1: do you give him his roids?

842
00:49:56,040 --> 00:49:57,399
Speaker 2: I have to give him a pill.

843
00:49:58,239 --> 00:50:01,319
Speaker 1: Oh he's got to somehow eat it. It's more like

844
00:50:01,400 --> 00:50:16,919
Speaker 1: a yeah pository.

845
00:50:06,040 --> 00:50:12,920
Speaker 3: No, never mind, No, it's not.

846
00:50:13,280 --> 00:50:25,480
Speaker 2: I just you're going to do I'm leaving. You're taking

847
00:50:25,640 --> 00:50:30,800
Speaker 2: a lot of funny comments about my son's medical condition.

848
00:50:32,200 --> 00:50:34,719
Speaker 2: That is your living.

849
00:50:34,480 --> 00:50:40,600
Speaker 3: Through signs, she says. Bucket me, my stir.

850
00:50:42,080 --> 00:50:43,839
Speaker 2: I'm out out.

851
00:50:44,160 --> 00:50:47,520
Speaker 1: I got muscles on my muscles.

852
00:50:51,080 --> 00:50:55,360
Speaker 2: He's literally just an innocent boy. Please get themorids, please

853
00:50:55,440 --> 00:50:56,200
Speaker 2: leave them alone.

854
00:50:57,360 --> 00:50:59,840
Speaker 1: And it's like he went on a rampage man my

855
00:51:02,560 --> 00:51:04,320
Speaker 1: slash mommy, and everyone's.

856
00:51:04,080 --> 00:51:07,120
Speaker 2: Just oh my god.

857
00:51:07,200 --> 00:51:09,600
Speaker 3: Yeah, he's like like you have to stop him.

858
00:51:10,200 --> 00:51:11,799
Speaker 1: Only one person gets stopped.

859
00:51:11,480 --> 00:51:16,160
Speaker 2: And he's just a little move Just.

860
00:51:17,760 --> 00:51:18,919
Speaker 1: Shoot him with this track gun.

861
00:51:20,320 --> 00:51:23,719
Speaker 2: Now I'm officially out of this podcast.

862
00:51:24,160 --> 00:51:26,440
Speaker 1: You don't track him. They're like, the government will take

863
00:51:26,520 --> 00:51:29,799
Speaker 1: him down. He's at the top of the records. Come

864
00:51:29,880 --> 00:51:34,080
Speaker 1: down to mom has gone way past. Like he's a

865
00:51:34,200 --> 00:51:40,040
Speaker 1: fucking monstrous freaking thing. No, no, is Godzilla, modern day Godzilla.

866
00:51:40,600 --> 00:51:42,359
Speaker 2: Down from it. He'll come down from it.

867
00:51:42,520 --> 00:51:43,359
Speaker 1: That's what they all say.

868
00:51:43,520 --> 00:51:44,200
Speaker 2: He'll come down.

869
00:51:44,280 --> 00:51:46,360
Speaker 1: Sounds like the mother of an addict right there, ladies

870
00:51:46,400 --> 00:51:47,279
Speaker 1: and gentleman, he'll come down.

871
00:51:49,640 --> 00:51:50,440
Speaker 2: I'm gold that was.

872
00:51:53,200 --> 00:51:55,320
Speaker 3: Never covered down anyways.

873
00:51:55,320 --> 00:51:58,320
Speaker 2: Thank you so much for joining us on Weirdless Dick Liss.

874
00:51:58,520 --> 00:51:59,640
Speaker 2: You're a dick me.

875
00:52:01,760 --> 00:52:03,879
Speaker 1: Wait wait, how long is getting on steroids.

876
00:52:04,239 --> 00:52:04,960
Speaker 2: I don't know.

877
00:52:05,440 --> 00:52:06,120
Speaker 3: I didn't tell you.

878
00:52:06,160 --> 00:52:08,440
Speaker 2: I have to go pick pick them up after this.

879
00:52:08,920 --> 00:52:10,480
Speaker 1: So do you think he'll take them every day for

880
00:52:10,520 --> 00:52:15,680
Speaker 1: like thirty days? Yeah? Probably he's going to be musty stop.

881
00:52:24,280 --> 00:52:26,800
Speaker 2: Is not even gonna believe that this happened.

882
00:52:27,640 --> 00:52:30,759
Speaker 1: But this conversation, all right, In order to get off this,

883
00:52:30,800 --> 00:52:31,839
Speaker 1: we have to passionate ration.

884
00:52:32,840 --> 00:52:39,600
Speaker 2: Oh my god, passion ration, steroids, steroids. I'm gonna go ration,

885
00:52:39,760 --> 00:52:49,759
Speaker 2: I like my little man. No passion more, please, no, please, all.

886
00:52:49,719 --> 00:52:51,840
Speaker 1: Right, passionate ration. Let's see what's going on.

887
00:52:51,920 --> 00:52:52,720
Speaker 2: Dopple gangers.

888
00:52:53,520 --> 00:52:57,359
Speaker 1: Okay, dopple gangers. Ration. I don't want another hard enough

889
00:52:57,400 --> 00:53:02,320
Speaker 1: being me with another one period passion irration.

890
00:53:02,920 --> 00:53:07,240
Speaker 2: Period like the dot a sentence.

891
00:53:06,880 --> 00:53:08,960
Speaker 1: No using it the way people do know the way.

892
00:53:08,840 --> 00:53:11,800
Speaker 2: You Oh, I say period all the time.

893
00:53:12,760 --> 00:53:14,440
Speaker 1: So passionate irration sounds like.

894
00:53:14,800 --> 00:53:17,919
Speaker 2: It's passion for me. It just comes out of my mouth.

895
00:53:18,000 --> 00:53:22,120
Speaker 2: I don't even know what's opting, but yeah.

896
00:53:21,360 --> 00:53:25,719
Speaker 1: All right, passion irration. The veterinarian's office.

897
00:53:26,560 --> 00:53:32,120
Speaker 2: Oh huge, I mean huge gratitude, huge gratitude, but also

898
00:53:32,239 --> 00:53:35,920
Speaker 2: huge rationing because the pets are always so.

899
00:53:35,280 --> 00:53:37,279
Speaker 1: So upset to be that I took lucky to the

900
00:53:37,360 --> 00:53:40,279
Speaker 1: doctor today. Doctor Kamar has been like the doctor for

901
00:53:40,360 --> 00:53:43,640
Speaker 1: all of our dogs. And because she had this, I

902
00:53:43,719 --> 00:53:47,839
Speaker 1: felt like a lump under and so he put a

903
00:53:47,880 --> 00:53:50,960
Speaker 1: needle into it and he was like, well, liquid came out,

904
00:53:51,000 --> 00:53:55,319
Speaker 1: so it's not really toma or something. Basically it wasn't cancer.

905
00:53:55,360 --> 00:53:59,759
Speaker 2: I was like, thank god, oh right behind me with

906
00:53:59,800 --> 00:54:00,200
Speaker 2: the of.

907
00:54:00,200 --> 00:54:05,480
Speaker 1: A shaved neck. For all he's been covering it. Yeah,

908
00:54:05,600 --> 00:54:08,680
Speaker 1: Bertie keeps looking at it. Lucky what Yeah?

909
00:54:08,920 --> 00:54:12,920
Speaker 3: I like you, where'd you go? What's wucky?

910
00:54:13,080 --> 00:54:13,680
Speaker 1: Cover up?

911
00:54:13,760 --> 00:54:16,759
Speaker 2: I'm just a baby, That's what. That's what Bertie said.

912
00:54:18,000 --> 00:54:19,200
Speaker 1: Close my eyes and see if it works.

913
00:54:19,800 --> 00:54:21,600
Speaker 2: I'm just a baby. I Lucky.

914
00:54:21,840 --> 00:54:27,320
Speaker 1: What's up? But that last you? Lucky? That?

915
00:54:28,840 --> 00:54:29,080
Speaker 4: Yeah?

916
00:54:30,800 --> 00:54:31,600
Speaker 1: Yeah? Goodbye?

917
00:54:31,640 --> 00:54:31,680
Speaker 4: That?

918
00:54:32,320 --> 00:54:37,040
Speaker 2: And walk He's like you're no, you're you do wucky walk.

919
00:54:37,080 --> 00:54:40,640
Speaker 2: He's like the girl, the girl move a country bear.

920
00:54:40,800 --> 00:54:45,560
Speaker 1: Walkie is like girl e or it's okay, yeah, that's

921
00:54:45,600 --> 00:54:47,360
Speaker 1: so they just fall off again.

922
00:54:47,520 --> 00:54:49,839
Speaker 2: Anyway, that's a thousand percent true.

923
00:54:49,920 --> 00:54:53,120
Speaker 1: She is girl. Or he's like she's laying on the

924
00:54:53,120 --> 00:54:56,200
Speaker 1: floor like I'm girling you. Yeah. I know.

925
00:54:57,880 --> 00:54:59,680
Speaker 2: That sounds like Birdie, which.

926
00:54:59,480 --> 00:55:06,160
Speaker 1: One say, Hey, Lookie, it's Thursday. Hey, lucky.

927
00:55:06,239 --> 00:55:07,120
Speaker 3: It's Thursday.

928
00:55:08,280 --> 00:55:09,760
Speaker 1: You gotta be even more amazed though.

929
00:55:11,800 --> 00:55:15,120
Speaker 3: Hey Thursday, Hey Lucky's Thursday.

930
00:55:16,080 --> 00:55:19,320
Speaker 1: Right there? My god. Now I want to animate the dogs.

931
00:55:19,760 --> 00:55:22,560
Speaker 2: I want to animate move so bad. No, I want

932
00:55:22,600 --> 00:55:27,640
Speaker 2: to me. I want to animate. Take a bag. I

933
00:55:27,680 --> 00:55:28,320
Speaker 2: want to animate.

934
00:55:28,400 --> 00:55:34,919
Speaker 3: Carmated mess would be the best maniac.

935
00:55:36,280 --> 00:55:39,479
Speaker 2: We're not We're done with move on steroids happen next?

936
00:55:40,920 --> 00:55:43,040
Speaker 2: So done with mo on steroids.

937
00:55:43,120 --> 00:55:46,520
Speaker 3: By Moosh.

938
00:55:48,280 --> 00:55:50,960
Speaker 1: Telling me I'm trying to find.

939
00:55:55,000 --> 00:55:56,239
Speaker 2: But I was crying into the.

940
00:55:56,239 --> 00:55:59,640
Speaker 1: Mary if anyone had, you're the one letting liquid out

941
00:55:59,640 --> 00:56:00,000
Speaker 1: of your face.

942
00:56:00,080 --> 00:56:01,200
Speaker 2: Someone thinks this.

943
00:56:03,760 --> 00:56:06,360
Speaker 1: All right, man, there it is all right? Yeah, feeling it.

944
00:56:07,880 --> 00:56:10,120
Speaker 1: It's under an hour, That's all I asked for, trying

945
00:56:10,120 --> 00:56:11,000
Speaker 1: to get to under and out.

946
00:56:11,520 --> 00:56:12,200
Speaker 2: How many minutes?

947
00:56:12,239 --> 00:56:14,399
Speaker 1: Fifty seven? Right now we get out. Now we pull

948
00:56:14,440 --> 00:56:17,440
Speaker 1: the rip. It's time to go before people like they

949
00:56:17,480 --> 00:56:18,120
Speaker 1: ever stayed there.

950
00:56:18,120 --> 00:56:20,280
Speaker 2: Welcome, No, I have five more passionate rachet.

951
00:56:21,360 --> 00:56:23,600
Speaker 1: Do you have a good time kids? Of course? Like,

952
00:56:23,640 --> 00:56:25,160
Speaker 1: what do you mean have a good time? For most

953
00:56:25,160 --> 00:56:27,920
Speaker 1: of the show, we listened to her watch something literally

954
00:56:28,120 --> 00:56:29,440
Speaker 1: what a podcast? What a time?

955
00:56:29,560 --> 00:56:29,640
Speaker 2: Man?

956
00:56:29,760 --> 00:56:31,920
Speaker 1: I saw? What a time? You get what you paid for?

957
00:56:32,080 --> 00:56:35,200
Speaker 1: You can see that video probably on my YouTube channel

958
00:56:35,200 --> 00:56:38,480
Speaker 1: by the time you hear this next week. It's not

959
00:56:38,640 --> 00:56:38,960
Speaker 1: up yet.

960
00:56:39,440 --> 00:56:43,279
Speaker 2: But your YouTube channel you mean that Kevin Smith Club.

961
00:56:43,960 --> 00:56:45,440
Speaker 1: No, I put it on my I want everyone to

962
00:56:45,480 --> 00:56:45,719
Speaker 1: see it.

963
00:56:45,840 --> 00:56:47,800
Speaker 2: You put it on the YouTube too.

964
00:56:48,360 --> 00:56:49,479
Speaker 1: I will. I haven't.

965
00:56:50,280 --> 00:56:51,760
Speaker 2: Oh my god, these videos.

966
00:56:52,320 --> 00:56:57,600
Speaker 1: No, just that clerk's video, not this fuck.

967
00:56:59,120 --> 00:57:01,400
Speaker 3: This is what the show's up an hour. I need

968
00:57:01,480 --> 00:57:05,000
Speaker 3: the last twenty to come on the previous forty Fuck you.

969
00:57:06,320 --> 00:57:12,799
Speaker 2: My name is Harley Quinn Smith. Pants dick asthmas poo

970
00:57:12,920 --> 00:57:14,480
Speaker 2: poop bitch ass, have.

971
00:57:14,480 --> 00:57:18,080
Speaker 1: A good time. Bye bitch ass, coming at you, bitch ass,

972
00:57:18,160 --> 00:57:22,280
Speaker 1: and the kidden poo poop dick as and poopoo pants

973
00:57:22,320 --> 00:57:22,800
Speaker 1: coming at you.

974
00:57:22,920 --> 00:57:25,160
Speaker 3: Live case smitty.

975
00:57:26,600 --> 00:57:28,960
Speaker 1: There it is because there's your beardless dickless me for

976
00:57:29,040 --> 00:57:31,000
Speaker 1: this week. If you want to hear more, if you

977
00:57:31,080 --> 00:57:35,040
Speaker 1: want to hear beardless dickless plus or watch beardless dickless me,

978
00:57:35,320 --> 00:57:37,880
Speaker 1: go to that Kevin Smith Club. Join up, you can

979
00:57:37,960 --> 00:57:39,440
Speaker 1: watch it. You get to see it.

980
00:57:40,040 --> 00:57:41,000
Speaker 2: Is it over an hour now?

981
00:57:42,320 --> 00:57:44,080
Speaker 1: We're still under are about to make it so for

982
00:57:44,160 --> 00:57:44,920
Speaker 1: bedless sickless me.

983
00:57:44,920 --> 00:57:46,439
Speaker 2: I'm Kevin Smith, I'm Harley Quinn Smith.

984
00:57:46,640 --> 00:57:49,480
Speaker 3: Have a beardless diickless day more.

985
00:58:01,680 --> 00:58:06,160
Speaker 1: This has been a podcast production some podcast podcast using

986
00:58:06,240 --> 00:58:13,320
Speaker 1: our mouths on you since two thousand and seven. Hey kids,

987
00:58:13,400 --> 00:58:15,160
Speaker 1: did you like what you just heard? Well, guess what.

988
00:58:15,360 --> 00:58:18,840
Speaker 1: We've got tons more, man thousands of hours of podcasts

989
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Speaker 1: waiting for you at that kevinsmithclub dot com. Go sign

990
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Speaker 1: up now