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Speaker 1: Welcome back to Beard. The stickles was me, Yes, I'm

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Speaker 1: Kevin Smith Smith. Look.

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Speaker 2: The only reason I even remembered it.

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Speaker 1: Is because we recorded yesterday. In order to make this

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Speaker 1: show work.

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Speaker 2: I'm still on the road the touring with Jay on the.

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Speaker 1: Oral Sex Tour. A U R A L S U S.

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Speaker 1: I have to spell it. They wouldn't let me say

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Speaker 1: it on TV.

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Speaker 2: They like, you can't have you say it. I was like,

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Speaker 2: you can put it on the screen. Everyone can see

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Speaker 2: that it's spelled.

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Speaker 1: Funny.

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Speaker 2: You said, well, not to us, yes, but to the audience,

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Speaker 2: like he said that a week ago.

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Speaker 1: That's the only reason I remember, right, welcome back now.

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Speaker 2: This is the last show will record for two weeks,

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Speaker 2: but they'll have shows.

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Speaker 1: They'll never the dicklets. Oh and you know what, fucking

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Speaker 1: now I'm looking at the held on. I got to

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Speaker 1: turn this down.

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Speaker 3: A little bit, are you because you're screaming.

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Speaker 1: Yeah? Homeboys told me I was coming up hot. Well, hey,

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Speaker 1: hey man, this is Kevin Smith.

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Speaker 2: Welcome by give me your hike, give me welcome.

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Speaker 1: So this this we won't talk for a minute.

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Speaker 2: So when we come back in two weeks, I wonder

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Speaker 2: if I'll remember.

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Speaker 3: Oh yeah, we'll see. Let's a little game.

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Speaker 1: You know what I'm saying.

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Speaker 2: As it stands, it is February thirteenth, Thursday, February thirteen.

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Speaker 3: Oh, happy Valentine states.

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Speaker 1: But absolutely will you be doing something special for all

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Speaker 1: times day with your bow? I think, what are you

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Speaker 1: guys doing?

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Speaker 3: I think if if it's still.

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Speaker 1: Stuff up, like if you can't shut up, what are

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Speaker 1: you doing if it.

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Speaker 3: Still stands at the Tyler the Creator concert.

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Speaker 1: Oh that's right, why wouldn't it still?

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Speaker 3: I don't know, it's been a minute.

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Speaker 1: I bought these tickets a while ago. I know, when

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Speaker 1: is that? Thank you?

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Speaker 3: By the way, I did think they were they were

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Speaker 3: free until.

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Speaker 1: You were like, oh they were free to you.

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Speaker 3: I didn't. I didn't know.

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Speaker 1: But I think I've got that kind of sway with

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Speaker 1: Tyler the Creator. Yo, Tie, it's be no but lucky enough,

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Speaker 1: luckily enough.

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Speaker 2: I used to be repped by a big agency, used

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Speaker 2: to be Endeavor, then it became William Morris Endeavor, and

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Speaker 2: I think the biggest right now in the business. But

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Speaker 2: then I took off when my guy boy Jordan left,

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Speaker 2: and he left before the like during that purging a

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Speaker 2: couple of years ago. I think it was during the

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Speaker 2: writer's strike where Eason before that, it was here before

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Speaker 2: that where people got shitty about agents writers particularly and stuff,

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Speaker 2: and so WM like had to let go of a

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Speaker 2: bunch of agents. But before they could even make a

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Speaker 2: decision to let go of him, Boy Jordan was like,

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Speaker 2: forck it, I'm going over to Mosaic. And he became

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Speaker 2: a manager just like that. And managers make five percent

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Speaker 2: more than agents generally speaking. Oh yeah, does your manager

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Speaker 2: make him ten percent or fifteen percent?

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Speaker 3: Ten ten? And my agent makes ten.

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Speaker 2: Back in the day, I never had a manager forever

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Speaker 2: because it was fifteen percent.

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Speaker 1: I'm like, well, they fucking do. And somebody explained it

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Speaker 1: having a manager.

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Speaker 2: I needed an agent. Can't be in this business of that,

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Speaker 2: And well, you know what I mean.

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Speaker 1: I learned you can.

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Speaker 2: But in the beginning you needed and you wanted an

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Speaker 2: agent too because it made you feel like a professional.

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Speaker 2: But I never had a manager historically.

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Speaker 1: And then Boy Jordan when he became.

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Speaker 2: A manager, when he left w ME, I was like, well,

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Speaker 2: I guess I don't need I mean, technically I don't

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Speaker 2: have an agent for motion pictures and television. All of

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Speaker 2: my TV and movie stuff goes through boy Jordan, who

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Speaker 2: is a manager.

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Speaker 3: Yeah.

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Speaker 2: I wanted to be like, this is fucking boring, but

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Speaker 2: you know what it's yeah, for a lot of people

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Speaker 2: will be like, how does it work? Yeah, I'm sure

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Speaker 2: a lot of people are hung up on like, wait

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Speaker 2: a second, ten and another ten, twenty percent off the

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Speaker 2: top of your salary before fucking.

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Speaker 1: And this ain't me judging. This is the audience. I'm

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Speaker 1: playing the part of.

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Speaker 3: The audio, of course.

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Speaker 2: But I saw it in your eyes. I saw in

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Speaker 2: your eyes that you were like, why is he judging me?

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Speaker 2: Right here on there? And then I also saw you

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Speaker 2: go like I forgot how good of an actor my

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Speaker 2: father is?

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Speaker 1: He tricked me. I was blown away. But I'm not

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Speaker 1: going to tell.

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Speaker 3: Him that's exactly why would I give.

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Speaker 1: Him the satisfaction?

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Speaker 3: How do you know you read my I saw.

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Speaker 1: It play out across your eyes.

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Speaker 2: So, uh, twenty percent right off the top of what

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Speaker 2: you do.

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Speaker 4: Whatever you make, and then five percent for a lawyer, brah, twenty.

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Speaker 3: I'm getting it wrong, but I don't think I know

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Speaker 3: you're right. I think I'm right.

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Speaker 1: I've been telling her for years.

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Speaker 2: I was like, you need a fucking manager, I said,

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Speaker 2: you know you need an agent at this point in

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Speaker 2: your career and stuff, but your fucking manager and stuff.

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Speaker 5: And she's like yeah, and you please, all hands on deck.

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Speaker 1: Help.

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Speaker 2: We are on February thirteenth, the day before Valentine's Day.

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Speaker 2: Has Hardy pointed out.

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Speaker 1: Where I'm about to get on stage in Indianapolis. Oh wow,

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Speaker 1: that's right.

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Speaker 2: I'm on stage time with Jay in Indianapolis tomorrow night

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Speaker 2: Valentine's Day, on stage with my first husband.

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Speaker 1: In Saint Louis at the pageant. Thank you. But meanwhile,

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Speaker 1: in real time, it is a Thursday night where two

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Speaker 1: weeks in the past, Oh yeah, where I.

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Speaker 2: Am going to go to love it or leave it?

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Speaker 1: Now, there's some people who are like, why wasn't she

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Speaker 1: what happened? And they're waiting two weeks to find out,

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Speaker 1: fucking scoop, here's what happened. They somebody reached through our

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Speaker 1: good friends at.

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Speaker 2: iHeart Daniel, who by the way, oh shit, oh yeah,

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Speaker 2: I gotta I gotta reread the things that are shure.

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Speaker 1: I might have to do that before we go. Yeah.

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Speaker 2: The whole time we've been on our hearts are home.

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Speaker 2: Whole time we've been there.

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Speaker 1: We went early. We asked Daniel hey Man, can.

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Speaker 2: We go fucking early, so get it up there because

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Speaker 2: I was gonna be on Steph Meyers. It was a

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Speaker 2: great time to talk about it and ship like that.

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Speaker 2: He said, yeah, but we're not a marketing budget until February.

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Speaker 2: I was like, I don't give a shit.

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Speaker 1: So February is here, and now they're going to start.

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Speaker 2: Telling people we exist on their other shows on the

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Speaker 2: network and ship.

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Speaker 3: Oh my god.

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Speaker 2: So they yeah, so they asked us to get up

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Speaker 2: there and do some stuff. So Daniel had been talking

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Speaker 2: to us about like can you do other podcasts, you know,

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Speaker 2: and fucking like that'll expose people of your podcast.

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Speaker 1: I was like, I know, I know the fucking game, Daniel.

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Speaker 1: I'm a plan of game. Since you were in short

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Speaker 1: paints Daniel short.

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Speaker 2: Pants, Yeah, underwears Mickey mask for short pants.

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Speaker 1: So you know, I uh was I talking about.

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Speaker 3: Don't even worry about it.

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Speaker 2: I was really transfixed by Daniel short Pants. So what

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Speaker 2: happened was.

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Speaker 1: I got Chelsea, you know who works with Jordan, Chelsea

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Speaker 1: who's worked with us for years. Chelsea shout out, yeah,

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Speaker 1: she's excellent at her job, and uh, Chelsea was like

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Speaker 1: a lot of build up for Chelsea, and now I

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Speaker 1: forget that. What the funk I was gonna say? Oh,

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Speaker 1: Chelsea was like, hey, love he or leave it once.

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Speaker 2: I want to know if you want to do the show,

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Speaker 2: these are the available dates. And I thought this came

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Speaker 2: through Daniel, so I thought this was a Beardless stickless

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Speaker 2: me thing. So I responded with, like, you know, because

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Speaker 2: I was like, all right, we have to promote the show.

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Speaker 2: So I was like, all right, me and Harley, will

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Speaker 2: you know, go do it?

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Speaker 1: Blah blah blah.

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Speaker 3: Oh so you volunteered me.

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Speaker 1: I thought it was for Beardless, stick with me. I

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Speaker 1: thought it was promotion for beardlesstick with me. But what

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Speaker 1: I realized.

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Speaker 2: Now through like I I made the assumption that this

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Speaker 2: was through iHeart. The love he to leaving people just

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Speaker 2: fucking cold emailed to be like, hey, you want to

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Speaker 2: be on a show. I guess probably because I was

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Speaker 2: at a thing a Dynasty typewriter like a couple months ago.

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Speaker 2: So maybe somebody was like, Kevin Smith rolled up for

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Speaker 2: the thing, maybe you want to get him for a guest.

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Speaker 2: But I thought it was through iHeart, So I was like, yeah,

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Speaker 2: me and Harley will be there, and I'm sure the

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Speaker 2: people that love it or leave.

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Speaker 1: It were like, who the fuck's Harley.

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Speaker 2: He's bringing his daughter, Like somebody said this is bring

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Speaker 2: your daughter to work, and they were like, well he's

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Speaker 2: got a podcast with a daughter.

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Speaker 1: And they're like, all right.

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Speaker 3: I'm so glad that this is how you think people

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Speaker 3: think of me.

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Speaker 2: No, I'm sure they were like, you know, oh my god,

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Speaker 2: somebody young, because I'm an old fossil. And anytime they

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Speaker 2: were talking about this thing and they kept going blah

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Speaker 2: blah blah.

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Speaker 1: Gen X blah blah blah blah gen X blah blah blah,

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Speaker 1: I'm like.

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Speaker 2: You know, yes, yes I am gen X, but I

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Speaker 2: haven't heard myself referred to as gen X in a

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Speaker 2: long time. But I think they were just like, well,

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Speaker 2: nobody here knows you. We just know you from You're

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Speaker 2: from gen X, right, the planet gen X. I was like, yes,

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Speaker 2: I come in peace from the planet gen X. And

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Speaker 2: then they're like, we have total nirvana.

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Speaker 1: Thank you.

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Speaker 3: They're like, why why is he bringing his daughter?

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Speaker 2: Why is he talking like that a B Why is

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Speaker 2: he bringing his fucking So when I realized this morning

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Speaker 2: I was putting it together, I was like, oh shit,

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Speaker 2: this is.

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Speaker 1: All my fault.

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Speaker 2: I conflated two different things, and now she's trapped on

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Speaker 2: this pocket and Harley is getting ready to go.

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Speaker 3: Not that I wouldn't want to do the podcast, you know,

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Speaker 3: but like.

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Speaker 2: You know, she was just like, she was like, what

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Speaker 2: is it. I was like, it's a game show podcast, it's.

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Speaker 1: Not at all.

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Speaker 6: So so I told Harlot at one point today I

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Speaker 6: was like, you know, honestly, like you can totally go

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Speaker 6: and I'd be happy to have you there, I said,

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Speaker 6: but I just figured out that they are that I

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Speaker 6: kind of foisted you on them because I assumed it.

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Speaker 1: Was this other thing. I was like, so you don't

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Speaker 1: have them. Before I can finished the sentence, she was like, oh, great,

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Speaker 1: don't have to go back. Click. No, it's not what

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Speaker 1: I did.

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Speaker 3: I would I would be so happy to be on

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Speaker 3: the show. I just I didn't want to. I don't

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Speaker 3: want to be there if I was hoisted upon them

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Speaker 3: and that twisted.

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Speaker 1: What foisted something you get on a guitard. Yeah, I

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Speaker 1: can't be bringing in to her.

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Speaker 2: Leave it with you going, well, John, I feel like

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Speaker 2: I was hoisted upon you.

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Speaker 1: It's like, what the fuck are you talking about? Fisted

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Speaker 1: this dumb ass, your kid.

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Speaker 3: That's so.

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Speaker 1: Where was she educated? I'm like, sure, it costs so

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Speaker 1: much money. Let's go back to talking about agents and managers.

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Speaker 3: No, I have an agenda.

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Speaker 1: I'm sorry. I thought for a second I was having

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Speaker 1: a stroke.

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Speaker 7: Instead, I was just having this reaction where everything in

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Speaker 7: my brain froze and broke, shattered and fucking reassembled at

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Speaker 7: the same time because you said me unthinkable.

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Speaker 1: I have an agenda.

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Speaker 3: I do.

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Speaker 1: I can drive, bitch, take the wheels. I'm happy to

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Speaker 1: pop in the back, put my feet up on the

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Speaker 1: seat and ship. This is We're number fourteen nationwide. What's

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Speaker 1: that from coal Miner's Daughter?

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Speaker 3: Um? What a what a deep pole?

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Speaker 2: At one point in the movie, have you ever seen

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Speaker 2: fucking fire film? It was directed by Michael Apted, who

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Speaker 2: did the seven Up series of documentaries. He followed kids

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Speaker 2: seven up, fourteen up, twenty one up. He followed them

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Speaker 2: all the way to whatever do it by seven and

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Speaker 2: they're in their fucking seventies now, those people. So he'd

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Speaker 2: been doing like that series. But he has also directed

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Speaker 2: feature films. I think his first feature film is coal

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Speaker 2: Miner's Daughter, and it's the story of Loretta Lynn is

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Speaker 2: Sissy spacek plays a young Loretta Lynn. Tomm Lee Jones

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Speaker 2: plays Doolittle Linn, her husband. It is the seminal American

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Speaker 2: rags to riches story, and it is a story incredible

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Speaker 2: story of self empowerment for like a girl who is

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Speaker 2: never going to leave Butcher Holler to become like internationally

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Speaker 2: fucking famous for singing songs that she wrote herself about

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Speaker 2: her personal experience. The movie is spellbindingly good, like it's great,

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Speaker 2: it's and I was honored when they a clerks in

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Speaker 2: the what is it called the.

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Speaker 1: That was honored. I couldn't remember what the thing was, Library.

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Speaker 2: Of Congress when they put a clerk's on the National

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Speaker 2: Film Registry, which had so much to do.

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Speaker 1: With fans out there, thank you.

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Speaker 2: But we also went in the same time as coal

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Speaker 2: Miner's daughter, and that fucking did it for mix. I've

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Speaker 2: always loved that movie. It's so well made. Now I

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Speaker 2: would have never seen that movie if my father wasn't

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Speaker 2: such a Louretta Lynn fan. So naturally there's a component

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Speaker 2: to that movie which is very sentimental because watching my

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Speaker 2: father watch.

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Speaker 1: That movie and watched like one of his heroes, you.

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Speaker 2: Know what I'm saying, Like the way I would go

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Speaker 2: see a fucking iron man and be like, he's the

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Speaker 2: best guy in the world, like, and people like he's

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Speaker 2: fucking fictional. My dad could watch this person's story and

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Speaker 2: be like, that's how it happened because he read like

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Speaker 2: all the material.

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Speaker 1: He was a fanboy, wow, and he loved like the songs.

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Speaker 2: No man would like lock himself in his room on

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Speaker 2: the weekends and records and fucking sang Catterwall if you will.

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Speaker 1: So Coal Miner's daughter at one point, like you know,

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Speaker 1: she she meets I mean, it's kind of scandalous when

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Speaker 1: you think about it. She was like fourteen when she

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Speaker 1: meets you.

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Speaker 2: A little who's like, I believe, in his twenties and

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Speaker 2: he just come back from overseas he was fighting in

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Speaker 2: the war. But it is different in Virginia and also

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Speaker 2: different and back then and some places it's still I mean, no,

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Speaker 2: I can't be that way anymore.

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Speaker 1: Back well, back then, like fucking like fucking mi my

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Speaker 1: mom got married at what eighteen?

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Speaker 2: Yeah, okay, so the Red Aline gets married like only

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Speaker 2: four years earlier, which is scandalous, I know. But like

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Speaker 2: you were also talking about a time when not everyone

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Speaker 2: went to high school, like you would get a primary

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Speaker 2: school education. Then it just ended, and so most women

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Speaker 2: didn't go to work. Most women got married. And in

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Speaker 2: Butcher Holler, which is in Kentucky and note Virginia, Kentucky,

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Speaker 2: I think it's Virginia, West Virginia or something like in uh,

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Speaker 2: you know, it was coal mining country. So like her

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Speaker 2: dad was a coal miner, and shared everybody was a

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Speaker 2: coal miner and coal mining according to this movie.

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Speaker 1: I know nothing about the actual mining of coal.

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Speaker 2: However, a lot of coal miners get what it's called

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Speaker 2: black lung because you're down in the center of the

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Speaker 2: earth mining coal all that coal dust. A lot of

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Speaker 2: them didn't live very long lives, like fifty sixty, maxing

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Speaker 2: out because you know, breathing and your lungs are fucking

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Speaker 2: being bogged down with this fucking coal dust. So, you know,

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Speaker 2: she was one of like a hundred kids, which, of course,

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Speaker 2: you know might insult somebody, but there were a lot. Honestly,

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Speaker 2: I think they were into double digit kids. I think

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Speaker 2: she had like nine brothers and sisters, including a young

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Speaker 2: Crystal Gale, who would also become a famous country Western singer,

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Speaker 2: completely unrelated to her sister. Like she had a completely

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Speaker 2: different name than the red Elenn.

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Speaker 3: You're really taking me off a full journey of the

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Speaker 3: coal miner's daughter agenda.

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Speaker 2: I know your agenda as we finish our cal Now

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Speaker 2: we'll jump into what you're gonna say, But let me

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Speaker 2: get to the point. She meets this guy, do a

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Speaker 2: little Lynn and shit like that, and they wind up

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Speaker 2: getting together and they get married, and like, she's incredibly

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Speaker 2: fucking young, and her father's like, you know, don't you

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Speaker 2: don't you never hit her boy, and don't you.

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Speaker 1: Never take her far away from home? In the first

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Speaker 1: year of their marriage, she does both of those things.

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Speaker 3: Oh damn, it's.

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Speaker 1: Pretty horrible, but do little yeah, because it's like it's

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Speaker 1: you know, it's very easy nowadays to be like, well,

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Speaker 1: this person's a fucking bastard, you know, anyone who would

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Speaker 1: lay his hands on a fucking woman, naturally, it's like

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Speaker 1: not my kind of person or anyone, but particularly fucking woman,

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Speaker 1: particularly when you see like do the little Linn and

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Speaker 1: Laura Lynn. She's tiny, so and she was a kid,

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Speaker 1: like literally a fucking kid, right, but.

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Speaker 2: Do a little in like listens to her fucking singing

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Speaker 2: to her kids and all these songs, you know, that

350
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Speaker 2: she sings from the radio, but songs that she just

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Speaker 2: starts writing and ship and he's like, we should, we

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Speaker 2: should record you. And he takes her in and makes

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Speaker 2: her record a song and then fucking like takes a

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Speaker 2: picture of him, puts the album the single together, and

355
00:18:22,520 --> 00:18:25,800
Speaker 2: then spends like all night mailing out copies the single

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Speaker 2: to every radio station across America and shit like that,

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Speaker 2: and gets no responses.

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Speaker 1: So he's like, you know what, We're gonna go on.

359
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Speaker 2: A road trip, Like you know, we're gonna go to

360
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Speaker 2: all these radio stas.

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Speaker 1: We leave the babies with.

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Speaker 2: Your mama and we're gonna go on a road trip

363
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Speaker 2: all these radio stations. And see why I'm thinking of

364
00:18:40,600 --> 00:18:44,240
Speaker 2: play our rate ours And Tommy Lee Jones is fucking excellent.

365
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Speaker 1: Spellbonding.

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Speaker 2: Look, both Sissy's Facer and Tommy Lee Jones both nominated.

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Speaker 1: For Academy Words.

368
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Speaker 3: Tommy Lee Jones.

369
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Speaker 1: He plays her husband. He plays Doolottle.

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Speaker 2: That was his like big star making performance and he

371
00:18:55,920 --> 00:19:01,640
Speaker 2: is fucking fantastic, like so absolute fire. So they take

372
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Speaker 2: this road trip where they go radio station radio station,

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Speaker 2: and they go to this one radio station where ob

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Speaker 2: while they're in the road on the road like they're

375
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Speaker 2: living cheeps. They got no fucking money, so they stop

376
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Speaker 2: it like a little deli convenience store, and you know,

377
00:19:14,920 --> 00:19:17,720
Speaker 2: he's like, can we get fifteen cents worth of baloney

378
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Speaker 2: or whatever?

379
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Speaker 1: And uh, he's a lady's like.

380
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Speaker 2: Cutting the fucking blooney and Lorette Lynn's I'm tired of

381
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Speaker 2: bloneye do? She called him, dude, I was tired of

382
00:19:26,920 --> 00:19:29,920
Speaker 2: boloney do. I was always baloney, baloney, we're always eating

383
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Speaker 2: and he goes, you know what they say.

384
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Speaker 1: About baloney makes your horny?

385
00:19:33,240 --> 00:19:35,280
Speaker 2: And like the chick behind the fucking counter is like

386
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Speaker 2: smiling because she's an older lady and stuff like that,

387
00:19:37,600 --> 00:19:41,119
Speaker 2: and Sissy's basics, well, Loretta Lynn, you know is I

388
00:19:41,119 --> 00:19:43,919
Speaker 2: wouldn't call her ignorant myself, but she calls herself ignorant

389
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Speaker 2: because she's a butcher holler and doesn't in proper education,

390
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Speaker 2: so she doesn't know what horny means.

391
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Speaker 1: So she's like, what does it mean? Do?

392
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Speaker 2: And he thinks that's really funny, and so is the

393
00:19:51,840 --> 00:19:54,040
Speaker 2: other lady and stuff, and she's like, what tell me?

394
00:19:54,440 --> 00:19:56,960
Speaker 2: So then they're at a radio station. She's doing an interview,

395
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Speaker 2: and this is nineteen fifty five or whatever, right, And

396
00:20:01,520 --> 00:20:03,560
Speaker 2: so she's talking to the DJ about like, you know,

397
00:20:03,640 --> 00:20:06,080
Speaker 2: recording her own song and shit, and he's like, so

398
00:20:06,200 --> 00:20:08,879
Speaker 2: I understand you're driving across the country with your husband.

399
00:20:09,359 --> 00:20:12,639
Speaker 2: She said, yeah, me and dude, we'd be driving around

400
00:20:12,760 --> 00:20:14,400
Speaker 2: we beating them baloney sandwiches.

401
00:20:14,440 --> 00:20:16,960
Speaker 1: And the more boloney eats, the horny er he gets.

402
00:20:17,080 --> 00:20:21,399
Speaker 2: And you cannot say horny on the radio in nineteen

403
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Speaker 2: fifty five. And the DJ is like fucking faces like

404
00:20:24,560 --> 00:20:27,120
Speaker 2: and she's just like and he keeps saying like, Loretta,

405
00:20:27,680 --> 00:20:30,479
Speaker 2: make me another one in the baloney sandwiches again, and

406
00:20:30,520 --> 00:20:33,879
Speaker 2: he's in the car freaking out because like he's just destroyed.

407
00:20:34,359 --> 00:20:37,000
Speaker 2: She's just destroyed any chances at a fucking career because

408
00:20:37,040 --> 00:20:39,120
Speaker 2: it's equivalent to going on the radio and being like fuck,

409
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Speaker 2: fuck mother mother fuck.

410
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Speaker 1: So then they showed the guy who went the station

411
00:20:43,760 --> 00:20:46,239
Speaker 1: like fucking yelling at her and shit like that, just

412
00:20:46,280 --> 00:20:50,200
Speaker 1: like you get goddamn, please, lady, cut off. You better

413
00:20:50,200 --> 00:20:53,120
Speaker 1: stop that hicck act. And he goes, oh, sir, if

414
00:20:53,119 --> 00:20:55,359
Speaker 1: you knew Loretta, you know that's no act. And she's like,

415
00:20:55,440 --> 00:20:59,400
Speaker 1: thank you, dude, and uh, he's like, you'll never work

416
00:20:59,400 --> 00:21:01,960
Speaker 1: in his business, doesn't share. He walks away. Then the

417
00:21:02,000 --> 00:21:04,280
Speaker 1: other guy who's the DJ, is just like, hey, don't

418
00:21:04,320 --> 00:21:07,040
Speaker 1: listen to him. He's going, you guys are in cash

419
00:21:07,080 --> 00:21:10,440
Speaker 1: Box magazine. Don't you know? You really are a dumb

420
00:21:10,520 --> 00:21:11,960
Speaker 1: hill ability that ain't no act.

421
00:21:12,040 --> 00:21:17,359
Speaker 2: He goes and he he shows him like their version

422
00:21:17,400 --> 00:21:22,000
Speaker 2: of variety is cash Box and her song is number

423
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Speaker 2: fourteen nationwide and they had no fucking idea.

424
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Speaker 3: Oh, this is how we got here, and that's.

425
00:21:27,240 --> 00:21:29,200
Speaker 1: How we got there because you were like how the fuck?

426
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Speaker 3: I was like, what in the fuck is going on?

427
00:21:32,240 --> 00:21:35,879
Speaker 2: And he says like she's like all apologetic because you

428
00:21:35,920 --> 00:21:37,359
Speaker 2: know she didn't know about saying horny.

429
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Speaker 1: He goes, it don't matter, baby, He's like, we number fourteen. Oh.

430
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Speaker 1: They go to the fucking Grand Old Opry, which is

431
00:21:43,400 --> 00:21:43,840
Speaker 1: the rhyme and.

432
00:21:43,880 --> 00:21:47,159
Speaker 2: Auditorium where I played in Tennessee, and uh, you know,

433
00:21:47,240 --> 00:21:48,919
Speaker 2: she wakes up at the car and looks out and

434
00:21:48,960 --> 00:21:51,520
Speaker 2: sees the Grand Ole Opry, which is where the shot

435
00:21:51,640 --> 00:21:53,879
Speaker 2: from James how Bob Reboot comes from when you get

436
00:21:53,880 --> 00:21:55,760
Speaker 2: out of the van and you see the Hollywood sign

437
00:21:55,920 --> 00:21:59,080
Speaker 2: like we made it stolen from that movie. So she's

438
00:21:59,080 --> 00:22:00,800
Speaker 2: in front there in front of the Grand Old operator.

439
00:22:00,840 --> 00:22:03,359
Speaker 2: She's like, dude, we can't, we can't use the grand

440
00:22:03,359 --> 00:22:06,400
Speaker 2: old opery. They're not gonna let us in. He's like, yeah,

441
00:22:06,440 --> 00:22:08,159
Speaker 2: they're going to let us in. He's going they have to.

442
00:22:08,280 --> 00:22:10,199
Speaker 2: He's like, I'll spend our last money on this donut

443
00:22:10,200 --> 00:22:12,960
Speaker 2: and this coffee. He's like, I ain't worried. And he's

444
00:22:13,040 --> 00:22:14,560
Speaker 2: leaning against the car and he's looking at the Grand

445
00:22:14,600 --> 00:22:19,480
Speaker 2: Old Opery. He goes, we're number fourteen nation wide, and she.

446
00:22:19,480 --> 00:22:21,280
Speaker 1: Gets to go on the Grand Ole operat and the

447
00:22:21,359 --> 00:22:27,720
Speaker 1: journey really begins. That's the first. That's all the first,

448
00:22:27,760 --> 00:22:30,360
Speaker 1: Like forty thirty five, I was gonna.

449
00:22:30,119 --> 00:22:31,960
Speaker 3: Say, I guess they don't have to see it because

450
00:22:32,000 --> 00:22:33,800
Speaker 3: I just saw it. Write your play out for me.

451
00:22:34,080 --> 00:22:36,360
Speaker 2: So much more happens. It is worth watching for their

452
00:22:36,400 --> 00:22:40,760
Speaker 2: two performances alone. And Michael Laptid kind of like Michael Ritchie,

453
00:22:40,880 --> 00:22:45,760
Speaker 2: had a very naturalistic directorial style where you don't feel

454
00:22:45,760 --> 00:22:48,680
Speaker 2: your watching performances. You feel like you're watching a documentary

455
00:22:49,119 --> 00:22:52,600
Speaker 2: like Bad News Bearers. Those kids are not acting like

456
00:22:52,680 --> 00:22:56,160
Speaker 2: it's fucking nuts. How their performances are so preternatural. And

457
00:22:56,240 --> 00:23:01,160
Speaker 2: Sissy Spazag and Tominley Jones in a coal miner's daughter.

458
00:23:01,960 --> 00:23:04,480
Speaker 2: It feels like you're a fly on the wall. Doesn't

459
00:23:04,560 --> 00:23:06,919
Speaker 2: necessarily feel like, oh, these are two people pretending to

460
00:23:06,920 --> 00:23:07,520
Speaker 2: be other people.

461
00:23:09,560 --> 00:23:10,680
Speaker 1: Wow, not sure.

462
00:23:10,680 --> 00:23:17,280
Speaker 2: Agenda if you add, if you're if you've got if

463
00:23:17,280 --> 00:23:19,480
Speaker 2: you're watching the show on that Kevin Smith cub.

464
00:23:19,440 --> 00:23:22,960
Speaker 3: You're watching me just in a daze looking out.

465
00:23:24,080 --> 00:23:26,479
Speaker 1: What happens? Is he having a stroke? Why are we

466
00:23:26,480 --> 00:23:30,480
Speaker 1: going this deep into this movie? What we're twenty minutes? Oh,

467
00:23:30,800 --> 00:23:36,320
Speaker 1: just to explain that line, Oh it is? I see?

468
00:23:36,680 --> 00:23:40,640
Speaker 1: All right, So I'm talked out. And when I sat down,

469
00:23:40,720 --> 00:23:42,480
Speaker 1: I was like, I don't think I have anything to say.

470
00:23:42,920 --> 00:23:44,120
Speaker 3: You got something to say?

471
00:23:44,400 --> 00:23:47,359
Speaker 1: So now I turned the show over to my co.

472
00:23:47,320 --> 00:23:49,840
Speaker 3: Host, Oh my lord, my co.

473
00:23:49,800 --> 00:23:52,679
Speaker 1: Hostess with most Harley Quinn Smith.

474
00:23:53,040 --> 00:23:54,840
Speaker 3: It took us a minute to get here, but here

475
00:23:54,880 --> 00:24:00,960
Speaker 3: we are. I created an agenda because yesterday's last week.

476
00:24:01,359 --> 00:24:09,040
Speaker 3: You there in the future, sorry last week you Oh yeah,

477
00:24:09,640 --> 00:24:10,280
Speaker 3: the future?

478
00:24:10,400 --> 00:24:11,800
Speaker 1: There in the president past.

479
00:24:17,920 --> 00:24:24,120
Speaker 3: I've created a few more new categories. The present.

480
00:24:26,560 --> 00:24:29,560
Speaker 1: Okay, shut up, I'm trying to will us there.

481
00:24:31,720 --> 00:24:36,800
Speaker 3: The present. I've added a few more categories.

482
00:24:36,960 --> 00:24:38,280
Speaker 1: You come up with categories.

483
00:24:38,359 --> 00:24:40,639
Speaker 3: I did kids.

484
00:24:42,080 --> 00:24:44,520
Speaker 2: You thought I was proud last week when she figured

485
00:24:44,560 --> 00:24:47,800
Speaker 2: out T shirts and ship Uh, you're gonna hear for

486
00:24:47,840 --> 00:24:52,760
Speaker 2: the first time ever, some new beardless, dickless categories.

487
00:24:53,480 --> 00:24:58,320
Speaker 3: I am what you got. I have a proposal first.

488
00:24:59,520 --> 00:25:02,639
Speaker 3: This is the proposal section, the proposal category.

489
00:25:03,240 --> 00:25:04,520
Speaker 1: Do you have a name this department?

490
00:25:05,000 --> 00:25:05,600
Speaker 3: I think it did.

491
00:25:05,680 --> 00:25:07,840
Speaker 1: Actually it's fair enough.

492
00:25:08,119 --> 00:25:12,920
Speaker 3: Oh no, just proposal time. We I think it's called.

493
00:25:15,160 --> 00:25:15,920
Speaker 1: Pitch season.

494
00:25:16,160 --> 00:25:22,399
Speaker 3: Pitch season. Nice. I think every other episode, like one episode,

495
00:25:22,520 --> 00:25:25,520
Speaker 3: I should plan it, next episode you plan, I love it,

496
00:25:25,880 --> 00:25:27,719
Speaker 3: and then we'll switch off so you can make me

497
00:25:27,760 --> 00:25:29,879
Speaker 3: do whatever you want, and then I can make you

498
00:25:29,960 --> 00:25:30,920
Speaker 3: do whatever I want.

499
00:25:31,440 --> 00:25:33,840
Speaker 2: I'm bored of that. I've been doing that for twenty

500
00:25:33,840 --> 00:25:35,119
Speaker 2: five twenty six years.

501
00:25:37,280 --> 00:25:37,600
Speaker 1: All right.

502
00:25:38,400 --> 00:25:42,159
Speaker 3: The first new category is my.

503
00:25:50,520 --> 00:25:57,639
Speaker 2: I I I don't know what Marriman's poppet of my.

504
00:26:00,480 --> 00:26:03,199
Speaker 1: Look. These are fire lyrics that I'm just coming up

505
00:26:03,400 --> 00:26:06,239
Speaker 1: all the time my head. Dude, I just made that

506
00:26:06,359 --> 00:26:06,800
Speaker 1: song up.

507
00:26:07,000 --> 00:26:11,399
Speaker 3: Oh really? Yeah? Sometimes you just sing songs I don't know,

508
00:26:11,440 --> 00:26:13,040
Speaker 3: and I just stare at you and I'm like, and.

509
00:26:12,960 --> 00:26:15,919
Speaker 2: Then sometimes I had meant songs that nobody's ever fucking

510
00:26:15,920 --> 00:26:18,320
Speaker 2: heard before telling you I missed my calling. I should

511
00:26:18,320 --> 00:26:19,560
Speaker 2: have been like Andrew Lloyd.

512
00:26:19,320 --> 00:26:21,679
Speaker 1: Webber or some say, shit, that's so true, or no,

513
00:26:21,720 --> 00:26:23,720
Speaker 1: who's the dude of the moment, Stephen fucking.

514
00:26:23,480 --> 00:26:25,120
Speaker 3: Schwartz, right, oh true?

515
00:26:25,320 --> 00:26:29,960
Speaker 1: Where I'm like, so well, fah bye, I like to raise.

516
00:26:29,840 --> 00:26:32,760
Speaker 3: Yeah a, you're already doing that all day?

517
00:26:33,840 --> 00:26:35,760
Speaker 1: All right, So what's the pitch season?

518
00:26:35,880 --> 00:26:38,680
Speaker 3: All right? That was pitch season? Pitch season is over now?

519
00:26:38,840 --> 00:26:41,720
Speaker 1: Oh that every other show we alternate, Yeah, fucking great,

520
00:26:41,880 --> 00:26:43,000
Speaker 1: drive go ahead, all right?

521
00:26:43,040 --> 00:26:47,440
Speaker 3: Cool. This is the second newest category. It's a game.

522
00:26:47,800 --> 00:26:48,240
Speaker 1: A game.

523
00:26:48,440 --> 00:26:50,480
Speaker 3: It's called do you know your daughter?

524
00:26:51,680 --> 00:26:54,840
Speaker 1: I love it? I love it? Did you write down

525
00:26:54,840 --> 00:26:55,600
Speaker 1: a bunch of questions?

526
00:26:55,640 --> 00:26:55,880
Speaker 7: Yep?

527
00:26:56,720 --> 00:26:59,679
Speaker 1: Really? Is there another category after this? Because this is

528
00:26:59,720 --> 00:27:01,280
Speaker 1: all old fucking show bro.

529
00:27:01,720 --> 00:27:06,879
Speaker 3: The first question is wait, wait, wait, meaning.

530
00:27:09,000 --> 00:27:19,240
Speaker 8: Yeah, kids again, Well wonder's never seen motherfucker's finally driving

531
00:27:19,280 --> 00:27:19,719
Speaker 8: the bus.

532
00:27:20,240 --> 00:27:21,040
Speaker 1: It's just fun.

533
00:27:21,200 --> 00:27:23,480
Speaker 3: After last week, so I was like, I got her.

534
00:27:24,280 --> 00:27:26,280
Speaker 3: I gotta do something about this.

535
00:27:26,520 --> 00:27:29,919
Speaker 1: We just watched her go from like Lori Partridge to

536
00:27:30,080 --> 00:27:33,800
Speaker 1: Keith Parker. She's ready to take over the band. She's like,

537
00:27:33,880 --> 00:27:36,160
Speaker 1: I think I love you.

538
00:27:36,280 --> 00:27:38,080
Speaker 3: My first question is wait.

539
00:27:37,920 --> 00:27:41,399
Speaker 1: All right, So the category is do you know your daughter.

540
00:27:41,480 --> 00:27:43,360
Speaker 1: All right, do you know.

541
00:27:44,840 --> 00:27:52,280
Speaker 2: Your daughter? D why k why d d y k

542
00:27:52,440 --> 00:27:55,160
Speaker 2: y d d y k y d nice Dick.

543
00:27:56,600 --> 00:27:58,960
Speaker 1: You're like you ready to get dick dad, And I'm like, yeah,

544
00:27:59,160 --> 00:28:00,320
Speaker 1: dick me Harley.

545
00:28:00,240 --> 00:28:04,000
Speaker 3: No, nope, nope.

546
00:28:05,000 --> 00:28:07,199
Speaker 1: Do you know your dad the department? Do you know

547
00:28:07,240 --> 00:28:07,600
Speaker 1: your dad?

548
00:28:07,720 --> 00:28:07,800
Speaker 2: No?

549
00:28:07,920 --> 00:28:10,560
Speaker 1: Doing Ralph garment proud? Now do you know your daughter?

550
00:28:10,640 --> 00:28:14,639
Speaker 1: My bad, you're doing Ralph proud. Fucking This is radio

551
00:28:14,720 --> 00:28:15,400
Speaker 1: thinking right here.

552
00:28:15,480 --> 00:28:17,399
Speaker 3: First question is what color are my eyes?

553
00:28:17,640 --> 00:28:19,040
Speaker 1: Brown? Like mine?

554
00:28:19,440 --> 00:28:23,399
Speaker 3: Nice? One time you didn't know that and exposed. And

555
00:28:23,920 --> 00:28:27,960
Speaker 3: next question, there are three acceptable answers for this question.

556
00:28:28,080 --> 00:28:33,440
Speaker 3: Fair enough, what's my favorite food? Just got to get

557
00:28:33,440 --> 00:28:34,320
Speaker 3: one of the three.

558
00:28:35,080 --> 00:28:42,480
Speaker 1: All right, let's see favorite food, favorite food. You're not

559
00:28:42,520 --> 00:28:45,560
Speaker 1: like your mother who are like me, but but you

560
00:28:45,640 --> 00:28:58,520
Speaker 1: also eat share that I don't mmm mm hmmm. All right,

561
00:28:58,560 --> 00:28:59,280
Speaker 1: so hold on.

562
00:29:06,040 --> 00:29:06,560
Speaker 3: Silence.

563
00:29:08,360 --> 00:29:10,680
Speaker 1: I mean, it's so weird. I got three tries, and

564
00:29:10,680 --> 00:29:13,760
Speaker 1: I'm like, just here.

565
00:29:13,880 --> 00:29:16,480
Speaker 3: You can you can out. Yeah, you have three tries,

566
00:29:16,760 --> 00:29:17,880
Speaker 3: so just go ahead.

567
00:29:17,920 --> 00:29:20,280
Speaker 2: And I know, but I'm like, I'm trying to think

568
00:29:20,280 --> 00:29:25,000
Speaker 2: of what you've eat, oh ramen.

569
00:29:26,160 --> 00:29:29,280
Speaker 3: That that isn't one of the three acceptable answers. But

570
00:29:29,520 --> 00:29:31,160
Speaker 3: that is an honorary answer.

571
00:29:31,720 --> 00:29:32,880
Speaker 1: You do eat a lot of ramen.

572
00:29:32,960 --> 00:29:34,080
Speaker 3: I do eat a lot of ramen.

573
00:29:39,680 --> 00:29:40,640
Speaker 1: I'm still on the board.

574
00:29:41,320 --> 00:29:44,000
Speaker 3: Yes, you have two more tries.

575
00:29:44,280 --> 00:29:45,479
Speaker 1: No ramen.

576
00:29:45,640 --> 00:29:48,000
Speaker 3: You know roman is an honorary mentioned, but not one

577
00:29:48,040 --> 00:29:48,880
Speaker 3: of the three answers.

578
00:29:48,960 --> 00:29:50,560
Speaker 1: Right, so I still get three chances.

579
00:29:50,600 --> 00:29:53,520
Speaker 3: I think, oh, you have two more.

580
00:29:53,840 --> 00:29:56,320
Speaker 2: Well, I think three because I hit closest ramen to

581
00:29:56,400 --> 00:29:58,280
Speaker 2: the point where you're like, well it's on the list, Baker.

582
00:29:58,280 --> 00:30:02,280
Speaker 3: Okay, fine, fu.

583
00:30:01,720 --> 00:30:03,160
Speaker 1: Let's see.

584
00:30:05,880 --> 00:30:06,880
Speaker 3: Me boom.

585
00:30:10,960 --> 00:30:11,720
Speaker 1: You got this.

586
00:30:13,560 --> 00:30:14,680
Speaker 3: Is one of them.

587
00:30:15,400 --> 00:30:16,480
Speaker 1: That is one of them?

588
00:30:16,560 --> 00:30:16,960
Speaker 8: He does?

589
00:30:17,080 --> 00:30:26,920
Speaker 2: No, daughter, you want to give me the other two? Oh,

590
00:30:27,280 --> 00:30:28,520
Speaker 2: I don't have to guess all three?

591
00:30:29,040 --> 00:30:33,160
Speaker 1: One no, No, you're making the rules, you're changing the rules.

592
00:30:36,800 --> 00:30:38,200
Speaker 1: Let's see.

593
00:30:39,240 --> 00:30:47,200
Speaker 4: One of them is one of yours? One of No,

594
00:30:49,040 --> 00:30:50,760
Speaker 4: but you do eat by Omberg, But I do.

595
00:30:50,960 --> 00:31:00,120
Speaker 3: That's an honorary answer. Wow, you're just like primary.

596
00:31:03,600 --> 00:31:08,240
Speaker 2: You're not a sweets person, which sometimes makes me think

597
00:31:08,280 --> 00:31:09,480
Speaker 2: you're Malcolm's daughter.

598
00:31:10,760 --> 00:31:12,720
Speaker 3: Really, I'm not a sweets person.

599
00:31:13,760 --> 00:31:18,320
Speaker 1: He's more savory. And also, you'd rather eat fucking vegetables.

600
00:31:18,160 --> 00:31:22,000
Speaker 3: Oh my god, which is that's crazy? I wouldn't rather

601
00:31:23,160 --> 00:31:29,560
Speaker 3: I wouldn't rather eat vegetables. One of them is yours

602
00:31:29,720 --> 00:31:30,520
Speaker 3: is one of yours.

603
00:31:31,440 --> 00:31:33,840
Speaker 1: I don't know what that means. But one of my

604
00:31:33,880 --> 00:31:37,360
Speaker 1: favorite foodsshed potato.

605
00:31:37,560 --> 00:31:40,479
Speaker 3: Yeahsh potatoes and vegan gravy.

606
00:31:41,480 --> 00:31:45,280
Speaker 1: But I I've slowed down on mashed since becoming a vegan.

607
00:31:45,360 --> 00:31:47,760
Speaker 2: Well, no that's not true. I've slowed down a mash

608
00:31:47,920 --> 00:31:49,480
Speaker 2: since I had the heart attack. Because I had that,

609
00:31:49,560 --> 00:31:51,280
Speaker 2: I was on the potato diet and then after that,

610
00:31:52,000 --> 00:31:53,400
Speaker 2: mother fucking potato.

611
00:31:53,560 --> 00:31:58,200
Speaker 1: But I do with mash and get them from Doomies. Yeah,

612
00:31:58,400 --> 00:32:01,040
Speaker 1: graight out the cafeteria. Good tastes like.

613
00:32:01,080 --> 00:32:04,280
Speaker 2: Rory Rogers Wow wrote you know they used to sell

614
00:32:04,320 --> 00:32:05,520
Speaker 2: fucking mashed as well.

615
00:32:05,800 --> 00:32:08,120
Speaker 1: They made a damn fine roast beef sandwich. Back in

616
00:32:08,160 --> 00:32:08,440
Speaker 1: the day.

617
00:32:08,480 --> 00:32:11,280
Speaker 2: It was a whole last franchise and ship Arby. It

618
00:32:11,320 --> 00:32:14,000
Speaker 2: was like Arby's, but Arby's outlived it and now it

619
00:32:14,000 --> 00:32:15,640
Speaker 2: looks like maybe it's just here.

620
00:32:15,840 --> 00:32:17,880
Speaker 1: The Arby's closed here, but they're all over.

621
00:32:18,080 --> 00:32:20,640
Speaker 3: Do you know the Arby's drive through or what was

622
00:32:20,680 --> 00:32:21,600
Speaker 3: the Arby now?

623
00:32:21,720 --> 00:32:22,600
Speaker 1: Like fire Pizza?

624
00:32:22,840 --> 00:32:23,920
Speaker 3: Yeah that's vegan.

625
00:32:24,040 --> 00:32:25,200
Speaker 1: Yeah, it's our boy. Man.

626
00:32:25,440 --> 00:32:29,800
Speaker 2: We did fucking all the movies with Derek really, yeah,

627
00:32:30,080 --> 00:32:31,680
Speaker 2: he set that up. I don't know if he's still

628
00:32:31,680 --> 00:32:33,600
Speaker 2: working it because he sets things up and then goes

629
00:32:33,600 --> 00:32:37,080
Speaker 2: sets up and he's always fucking doing interesting ship.

630
00:32:37,240 --> 00:32:39,240
Speaker 1: Good guy. All right?

631
00:32:40,720 --> 00:32:43,120
Speaker 3: Would you like me to tell you the third one?

632
00:32:43,160 --> 00:32:43,600
Speaker 3: Or would you.

633
00:32:43,600 --> 00:32:47,200
Speaker 1: I'll guess it because I like the gamifi.

634
00:32:46,800 --> 00:32:52,440
Speaker 4: Aspect of this Italian pizza speak good but honorary pasta

635
00:32:53,440 --> 00:32:54,480
Speaker 4: it is specific?

636
00:32:54,960 --> 00:32:59,680
Speaker 1: Be specific? What kind of pasta? I don't know? Angel there,

637
00:33:00,040 --> 00:33:03,560
Speaker 1: mm hmmm. What is your favorite post? Is that?

638
00:33:03,680 --> 00:33:07,680
Speaker 2: Really like one of your favorite food? I love like

639
00:33:08,160 --> 00:33:09,440
Speaker 2: I like meochi.

640
00:33:09,040 --> 00:33:10,280
Speaker 1: But not I never called.

641
00:33:11,760 --> 00:33:12,840
Speaker 3: I really love it.

642
00:33:13,040 --> 00:33:14,840
Speaker 1: I mean I knew you like just little.

643
00:33:14,880 --> 00:33:18,600
Speaker 3: It's my two favorite things, potatoes and pasta. True, I

644
00:33:18,680 --> 00:33:19,320
Speaker 3: love it.

645
00:33:19,440 --> 00:33:20,200
Speaker 1: Good fucking point.

646
00:33:20,320 --> 00:33:21,120
Speaker 3: I love it, all right?

647
00:33:21,280 --> 00:33:22,080
Speaker 1: Hit me up, all right?

648
00:33:22,160 --> 00:33:24,640
Speaker 3: Next one, what is the name of the drink that

649
00:33:24,680 --> 00:33:25,600
Speaker 3: I drink every day?

650
00:33:26,560 --> 00:33:28,680
Speaker 1: Macha? It's a Macha drink.

651
00:33:29,480 --> 00:33:35,440
Speaker 3: No, but it's kind of sounds like Herba mate. Yeah doesn't, Yeah,

652
00:33:35,440 --> 00:33:45,960
Speaker 3: it isn't. What age did I start therapy?

653
00:33:46,480 --> 00:33:46,840
Speaker 1: Twelve?

654
00:33:47,880 --> 00:33:49,240
Speaker 3: And correct?

655
00:33:49,320 --> 00:33:49,760
Speaker 1: Again?

656
00:33:50,920 --> 00:33:52,840
Speaker 3: What band changed the course of my life?

657
00:33:58,640 --> 00:34:01,480
Speaker 1: Well, it's one of two, but I'm going to go

658
00:34:01,560 --> 00:34:03,800
Speaker 1: with Mike Kim Yeah.

659
00:34:03,840 --> 00:34:04,160
Speaker 3: Correct.

660
00:34:04,200 --> 00:34:06,200
Speaker 1: The other one I would have went with changed the

661
00:34:06,240 --> 00:34:13,839
Speaker 1: course of made me ohole. But I felt like it

662
00:34:13,880 --> 00:34:15,479
Speaker 1: was Mike Kim were anything else.

663
00:34:15,600 --> 00:34:18,919
Speaker 3: Mike m changed the whole has definitely had a huge

664
00:34:18,920 --> 00:34:22,160
Speaker 3: impact on my life. But Mike him, Mike Kim is

665
00:34:22,200 --> 00:34:27,520
Speaker 3: how I got to mindless self indulgence. Gerardway's wife's band,

666
00:34:27,680 --> 00:34:30,680
Speaker 3: which is Lindsay Way. Which do you have.

667
00:34:30,520 --> 00:34:33,120
Speaker 1: The Lindsay Way artwork piece in your house?

668
00:34:33,320 --> 00:34:33,480
Speaker 8: No?

669
00:34:33,520 --> 00:34:34,439
Speaker 3: I think you have it here.

670
00:34:34,600 --> 00:34:36,239
Speaker 1: It's still here in the bathroom. Yeah.

671
00:34:36,360 --> 00:34:37,160
Speaker 3: She's an artist.

672
00:34:37,239 --> 00:34:40,560
Speaker 1: She predicts she's going to be a star. Yeah. I

673
00:34:40,600 --> 00:34:41,760
Speaker 1: was just texting with Gerard.

674
00:34:42,120 --> 00:34:45,640
Speaker 3: I know, I know, but she's.

675
00:34:45,680 --> 00:34:48,680
Speaker 1: Figure out which show you want to go to all

676
00:34:49,440 --> 00:34:55,239
Speaker 1: anywhere this summer this summer. Yeah, he's a good man.

677
00:34:55,640 --> 00:34:59,319
Speaker 2: He just started blowing like we were going back and forth,

678
00:34:59,360 --> 00:35:02,600
Speaker 2: and then he dove back into my mental health and

679
00:35:02,640 --> 00:35:04,640
Speaker 2: he was like, I just rewatched your video and like

680
00:35:04,680 --> 00:35:07,120
Speaker 2: it was really good man, how are you feeling? He's

681
00:35:08,480 --> 00:35:10,319
Speaker 2: fucking good people. But I told him, I was like, dude,

682
00:35:10,360 --> 00:35:12,080
Speaker 2: your announcement video was fucking fire.

683
00:35:12,080 --> 00:35:13,000
Speaker 1: He's like, that was fun.

684
00:35:13,480 --> 00:35:14,080
Speaker 3: It was so fun.

685
00:35:14,120 --> 00:35:15,480
Speaker 2: I was like, you look forward to it because, like

686
00:35:16,360 --> 00:35:18,439
Speaker 2: you know, when he came over back in the day

687
00:35:18,480 --> 00:35:21,080
Speaker 2: and whatnot. He was kind of, hey, man, I'm done

688
00:35:21,120 --> 00:35:23,600
Speaker 2: with my chemical romance. But he goes, Honestly, the last

689
00:35:23,640 --> 00:35:25,600
Speaker 2: time we all played together that was the most fun

690
00:35:25,640 --> 00:35:27,839
Speaker 2: I've ever had in the band. So he's like, I

691
00:35:27,880 --> 00:35:30,920
Speaker 2: feel like it'll be like that here. And he's like,

692
00:35:30,960 --> 00:35:34,200
Speaker 2: we're sad because somebody's missing somebody.

693
00:35:34,640 --> 00:35:37,040
Speaker 3: Yeah, their drummer, Bob he passed.

694
00:35:37,239 --> 00:35:39,480
Speaker 1: So he mentioned that he's going, but like, you know,

695
00:35:40,600 --> 00:35:41,960
Speaker 1: he's looking forward to having a good time.

696
00:35:42,800 --> 00:35:43,600
Speaker 3: I can't wait.

697
00:35:44,360 --> 00:35:45,600
Speaker 1: I'm like twenty years now.

698
00:35:46,320 --> 00:35:49,560
Speaker 3: I think it was like, wasn't it even more.

699
00:35:50,960 --> 00:35:57,520
Speaker 9: No, because you're twenty Yeah, I guess twenty yeah, yeah, yeah.

700
00:35:56,080 --> 00:35:58,799
Speaker 1: So you discovered that album years after it was out.

701
00:35:59,239 --> 00:36:02,920
Speaker 1: Oh yeah, it was already all the movement.

702
00:36:03,360 --> 00:36:06,839
Speaker 3: There are four biggest albums, their first four albums all

703
00:36:06,880 --> 00:36:09,920
Speaker 3: came out before I discovered My.

704
00:36:10,040 --> 00:36:11,960
Speaker 1: Count Change Your life changed mine?

705
00:36:12,000 --> 00:36:12,160
Speaker 7: Man.

706
00:36:12,239 --> 00:36:14,240
Speaker 1: Fucking that's how Clerk's Three opens.

707
00:36:14,239 --> 00:36:16,640
Speaker 2: One of my favorite pieces of filmmaking I've ever done

708
00:36:16,719 --> 00:36:18,920
Speaker 2: is the opening credits of Clerk's Three, which is essentially

709
00:36:19,040 --> 00:36:25,680
Speaker 2: just a fucking music video music video for fucking black Parade. Yeah,

710
00:36:25,719 --> 00:36:28,720
Speaker 2: and also, you introduced me to Gerard's music, and Gerard

711
00:36:28,760 --> 00:36:36,000
Speaker 2: did the Waters Wide, which I used twice. Yes, it's

712
00:36:36,200 --> 00:36:38,200
Speaker 2: good and still one of my favorite podcasts I ever

713
00:36:38,239 --> 00:36:41,600
Speaker 2: did is that him and Mikey sat down and went

714
00:36:41,800 --> 00:36:44,880
Speaker 2: line by line in Black Parade. We play it and

715
00:36:44,880 --> 00:36:45,879
Speaker 2: I'd stopped, like, what does.

716
00:36:45,800 --> 00:36:47,480
Speaker 3: That mean that?

717
00:36:48,239 --> 00:36:49,960
Speaker 1: It's like, well, came from this?

718
00:36:50,360 --> 00:36:53,640
Speaker 2: And so every line I was able to break it down,

719
00:36:54,040 --> 00:36:57,000
Speaker 2: you know, because that song, like most songs, is more

720
00:36:57,040 --> 00:37:00,160
Speaker 2: poetry and it's not like, you know, you don't know

721
00:37:00,160 --> 00:37:02,880
Speaker 2: if you're being told a linear story or not. So

722
00:37:04,000 --> 00:37:09,440
Speaker 2: it was a weird like kind of experiment of processing

723
00:37:10,520 --> 00:37:15,600
Speaker 2: a song through the mind of somebody who can't process

724
00:37:15,640 --> 00:37:17,880
Speaker 2: it the way a musician processes it. So I was like,

725
00:37:17,920 --> 00:37:20,200
Speaker 2: what does that mean? Where'd that come from? Why did

726
00:37:20,239 --> 00:37:21,840
Speaker 2: you say that this line is dope?

727
00:37:22,200 --> 00:37:26,080
Speaker 1: Why did that happen? Who are you singing about? You know?

728
00:37:26,120 --> 00:37:30,560
Speaker 3: And that's what he's like, my grandma, Oh yeah, Helena, Helena.

729
00:37:32,160 --> 00:37:40,239
Speaker 1: So yeah, that was fascinating. Anyway, back to my cam.

730
00:37:38,160 --> 00:37:40,279
Speaker 3: Mike Cam, Yes, you got it?

731
00:37:40,920 --> 00:37:42,960
Speaker 1: Uh, what's my favorite?

732
00:37:45,440 --> 00:37:47,399
Speaker 3: What's my favorite TV show of all time?

733
00:37:49,960 --> 00:37:52,400
Speaker 1: The Office? Correct? Again?

734
00:37:52,600 --> 00:37:57,600
Speaker 3: I can't believe besides you, mom would get any of

735
00:37:57,640 --> 00:38:04,719
Speaker 3: these Yes, really, yes, I think she would.

736
00:38:04,960 --> 00:38:06,920
Speaker 2: After the show, we go up there and do a

737
00:38:07,000 --> 00:38:08,480
Speaker 2: rapid the lightning on the ground with her.

738
00:38:08,600 --> 00:38:09,359
Speaker 3: Okay, let's do it.

739
00:38:11,600 --> 00:38:14,360
Speaker 1: People like do that on your fucking show. We'd like

740
00:38:14,400 --> 00:38:15,520
Speaker 1: to watch a family fight.

741
00:38:15,719 --> 00:38:18,440
Speaker 3: Maybe we'll do it next time, but but it is

742
00:38:18,560 --> 00:38:18,960
Speaker 3: up to you.

743
00:38:19,040 --> 00:38:22,359
Speaker 1: Next week that would be we'd be back in real time.

744
00:38:22,760 --> 00:38:24,760
Speaker 3: Yeah oh wow wow.

745
00:38:25,400 --> 00:38:28,120
Speaker 2: So we wouldn't be able to fucking see if she

746
00:38:29,600 --> 00:38:32,680
Speaker 2: agreed or if we if she beat me until two

747
00:38:32,680 --> 00:38:33,400
Speaker 2: weeks from now.

748
00:38:33,440 --> 00:38:37,759
Speaker 3: I mean, you're so far you're you've got them all right,

749
00:38:38,520 --> 00:38:44,799
Speaker 3: you can't miss Besides you, of course, who is the

750
00:38:44,800 --> 00:38:48,759
Speaker 3: filmmaker I'd like to work with the most.

751
00:38:47,960 --> 00:38:51,040
Speaker 2: You would like to work with the most? Or so

752
00:38:51,239 --> 00:38:53,640
Speaker 2: Quentin's off that list because you've already worked with him. Yeah,

753
00:38:57,920 --> 00:39:02,400
Speaker 2: I mean, I know you liked fucking Super eight, but

754
00:39:02,480 --> 00:39:04,279
Speaker 2: not enough to be like, I gotta work with J. J.

755
00:39:04,320 --> 00:39:04,840
Speaker 1: Abrams.

756
00:39:05,040 --> 00:39:12,080
Speaker 3: That is an amazing movie. There are two that come

757
00:39:12,160 --> 00:39:12,600
Speaker 3: to mind.

758
00:39:12,680 --> 00:39:18,160
Speaker 1: First, hold on, I kept thinking.

759
00:39:18,480 --> 00:39:21,279
Speaker 3: I think one of them you love, and one of

760
00:39:21,320 --> 00:39:23,040
Speaker 3: them I don't think you like.

761
00:39:26,760 --> 00:39:32,120
Speaker 1: I mean, Quentin is the only one that I really knew.

762
00:39:32,320 --> 00:39:33,480
Speaker 1: Is Wes Anderson one of.

763
00:39:34,120 --> 00:39:45,319
Speaker 5: No But I mean yes, I mean obviously, yes, career.

764
00:39:48,040 --> 00:39:51,880
Speaker 3: Obviously a huge gs. But not the two of them.

765
00:39:52,000 --> 00:39:52,520
Speaker 3: Thinking of.

766
00:39:54,440 --> 00:40:01,000
Speaker 1: Do both filmmakers have large bodies of work? Yes, I

767
00:40:01,040 --> 00:40:02,840
Speaker 1: mean one's not Spielberg, is it.

768
00:40:03,640 --> 00:40:07,160
Speaker 3: Yes, but well no, but yes, no, but of.

769
00:40:07,160 --> 00:40:12,319
Speaker 2: Course, and one's not squarse is no, but of course yes,

770
00:40:12,719 --> 00:40:15,160
Speaker 2: of course. I certainly hope one is not David Lynch.

771
00:40:15,160 --> 00:40:17,800
Speaker 2: You're a little late for that, sadly, rest in power.

772
00:40:18,760 --> 00:40:22,239
Speaker 3: I just watched Mulholland Drive. You've never seen I had

773
00:40:22,239 --> 00:40:23,960
Speaker 3: never I'd never finished it.

774
00:40:24,320 --> 00:40:26,279
Speaker 1: When they when they come out from under the door, like,

775
00:40:29,040 --> 00:40:29,640
Speaker 1: oh my.

776
00:40:29,480 --> 00:40:34,560
Speaker 2: Gosh, you in the hospital when you're a kid.

777
00:40:36,520 --> 00:40:39,440
Speaker 1: I don't. I'm sny not Judd.

778
00:40:39,239 --> 00:40:42,320
Speaker 3: Apatow, No, I need no, but yes.

779
00:40:43,239 --> 00:40:44,120
Speaker 1: Of course, Look.

780
00:40:46,840 --> 00:40:48,799
Speaker 3: Somebody who wants to work, let's go.

781
00:40:49,920 --> 00:40:52,719
Speaker 2: Any director, the longest part of their direction is not

782
00:40:52,840 --> 00:40:56,520
Speaker 2: like the lubs over there, towels are over there.

783
00:40:58,200 --> 00:40:58,719
Speaker 3: Exactly.

784
00:40:59,560 --> 00:41:03,080
Speaker 1: I don't. I don't know who who's one.

785
00:41:03,160 --> 00:41:07,760
Speaker 3: Of them has a huge movie coming out this year, huge,

786
00:41:08,000 --> 00:41:17,479
Speaker 3: probably your most anticipated movie of this year that's coming out.

787
00:41:18,239 --> 00:41:22,680
Speaker 3: Remembering this is January, Sash, we're in the future, so

788
00:41:22,719 --> 00:41:23,480
Speaker 3: it's February.

789
00:41:24,760 --> 00:41:27,239
Speaker 1: I don't know. I'm at a loss give me another.

790
00:41:31,800 --> 00:41:33,640
Speaker 1: What movie am I looking forward to this year?

791
00:41:34,080 --> 00:41:34,440
Speaker 3: Cape?

792
00:41:36,600 --> 00:41:40,319
Speaker 1: Oh? James Gunn? Yes, really, I mean, look, I'm down

793
00:41:40,320 --> 00:41:40,560
Speaker 1: with that.

794
00:41:40,680 --> 00:41:44,000
Speaker 2: James Gunn makes like all them tucking Guardian pictures or

795
00:41:44,000 --> 00:41:46,200
Speaker 2: Fire Superman looks fucking amazing.

796
00:41:45,880 --> 00:41:51,120
Speaker 1: So Fire really? Yeah, that's why that? Yeah, that's the.

797
00:41:51,000 --> 00:41:52,759
Speaker 3: Man behind Scooby Doo.

798
00:41:52,800 --> 00:41:55,600
Speaker 1: Of course that makes sense. I really should have pieced

799
00:41:55,600 --> 00:41:57,200
Speaker 1: it together from there. Fuck.

800
00:41:57,560 --> 00:42:00,080
Speaker 3: My my dream is that one day he writes an

801
00:42:00,080 --> 00:42:01,920
Speaker 3: other Scooby Doo script.

802
00:42:03,800 --> 00:42:06,480
Speaker 2: All right, so that's one. So is that the one

803
00:42:06,520 --> 00:42:08,440
Speaker 2: that I would like? And then there's one that I

804
00:42:08,480 --> 00:42:09,000
Speaker 2: wouldn't like?

805
00:42:09,160 --> 00:42:09,319
Speaker 1: Well?

806
00:42:09,360 --> 00:42:12,680
Speaker 3: I think one. You are a fan of this person's films,

807
00:42:12,680 --> 00:42:13,440
Speaker 3: but I think.

808
00:42:13,360 --> 00:42:15,920
Speaker 1: Personally, you know what the fuck?

809
00:42:17,440 --> 00:42:19,920
Speaker 3: I don't think you've told me he doesn't like you.

810
00:42:21,239 --> 00:42:26,759
Speaker 3: So my chances of working with it. My chances of

811
00:42:26,880 --> 00:42:27,440
Speaker 3: working with.

812
00:42:27,480 --> 00:42:32,640
Speaker 1: Him are not huge. Is he old? Young?

813
00:42:32,840 --> 00:42:40,359
Speaker 3: He's older now. I believe he had something to do

814
00:42:40,440 --> 00:42:45,680
Speaker 3: with Spider Man. I mean not sorry, not spider Man,

815
00:42:45,840 --> 00:42:52,480
Speaker 3: Superman your Superman script?

816
00:42:52,840 --> 00:42:55,719
Speaker 1: Yeah? Oh really no, I would support you. Fucking oh

817
00:42:55,760 --> 00:43:03,000
Speaker 1: my god, get me a job. Why the nightmare? What

818
00:43:03,160 --> 00:43:04,359
Speaker 1: is your fucking.

819
00:43:04,320 --> 00:43:05,680
Speaker 3: Oh my god? Everything?

820
00:43:05,920 --> 00:43:06,840
Speaker 1: What do you mean everything.

821
00:43:07,080 --> 00:43:11,960
Speaker 3: I mean Nightmare, I mean Edward Scissorhands, I mean scissor Hands.

822
00:43:12,239 --> 00:43:14,239
Speaker 1: Yeah, the last semi watched Swen time.

823
00:43:14,800 --> 00:43:17,600
Speaker 3: I literally made Austin watch it earlier.

824
00:43:19,200 --> 00:43:19,439
Speaker 4: Yeah.

825
00:43:19,880 --> 00:43:22,560
Speaker 1: Do you ever fuck with the Angela Lansbury Live Broadway version?

826
00:43:23,040 --> 00:43:24,000
Speaker 3: I have not seen that one.

827
00:43:28,200 --> 00:43:31,360
Speaker 1: Wow, I didn't know that you went hard on his

828
00:43:31,960 --> 00:43:34,759
Speaker 1: Sweeney Todd. That sounds so filthy. I didn't know that you.

829
00:43:36,520 --> 00:43:41,800
Speaker 3: I mean, that's just his overall.

830
00:43:41,960 --> 00:43:45,200
Speaker 1: What about what about the best movie he ever made?

831
00:43:46,080 --> 00:43:49,839
Speaker 3: What let me guess, go ahead, like the best movie

832
00:43:49,920 --> 00:43:50,279
Speaker 3: he has.

833
00:43:50,360 --> 00:43:54,160
Speaker 1: Tim Burton ever directed? My favorite Tim Burton movie.

834
00:43:55,000 --> 00:43:56,920
Speaker 3: Do you like big Fish?

835
00:43:57,440 --> 00:44:01,719
Speaker 2: I mean, oh, look, not for nothing. Here's my big

836
00:44:01,800 --> 00:44:04,600
Speaker 2: Fish story. So we're watching We're watching big Fish, Me

837
00:44:04,719 --> 00:44:10,560
Speaker 2: and your fucking mother, and the whole time I am trash.

838
00:44:10,360 --> 00:44:14,719
Speaker 1: Talking it like why didn't fucking like this? Like, oh

839
00:44:14,800 --> 00:44:16,920
Speaker 1: my god, this is so fucking what a waste of

840
00:44:17,000 --> 00:44:19,680
Speaker 1: Albert Finney. This guy can't ever be trusted with a

841
00:44:19,760 --> 00:44:22,840
Speaker 1: good fucking script. Why the fuck would he do in

842
00:44:23,000 --> 00:44:27,279
Speaker 1: the last ten minutes of that movie? Destroyed me? Like

843
00:44:27,440 --> 00:44:28,120
Speaker 1: you know that movie?

844
00:44:28,280 --> 00:44:30,440
Speaker 3: Yeah, yeah, he's like.

845
00:44:30,800 --> 00:44:32,560
Speaker 1: Oh my god, him like with his.

846
00:44:34,400 --> 00:44:35,200
Speaker 3: You're the asshole.

847
00:44:35,400 --> 00:44:38,719
Speaker 1: The like theater. We were at home watching it. I

848
00:44:38,840 --> 00:44:45,160
Speaker 1: was talking. Everybody eyes on me. I don't like Tim

849
00:44:45,239 --> 00:44:47,480
Speaker 1: Burdon movies, like what are you doing here?

850
00:44:48,160 --> 00:44:50,000
Speaker 2: Oh, we're watching an oscar screen at home, but that

851
00:44:50,160 --> 00:44:53,400
Speaker 2: last ten minutes with his father is like that is cinema,

852
00:44:53,640 --> 00:44:56,600
Speaker 2: and like instantly I was like apologizing to the TV

853
00:44:56,719 --> 00:44:58,279
Speaker 2: where it's like, I'm sorry, I didn't know where we

854
00:44:58,320 --> 00:45:02,239
Speaker 2: were going. I'm sorry, I'm sorry, crazy wonderful, but that's

855
00:45:02,280 --> 00:45:02,520
Speaker 2: not it.

856
00:45:02,800 --> 00:45:06,040
Speaker 3: Are you talking about Alice in Wonderland? Because that I

857
00:45:06,200 --> 00:45:08,239
Speaker 3: actually that was not my.

858
00:45:08,320 --> 00:45:10,960
Speaker 2: Look, I'm all for him, you know, because they made

859
00:45:11,000 --> 00:45:12,800
Speaker 2: like a billion the first one made like a billion

860
00:45:12,840 --> 00:45:16,239
Speaker 2: dollars or more. So I get it wasn't necessary for me,

861
00:45:16,280 --> 00:45:18,520
Speaker 2: and I loved that, and I think he's imaginative as

862
00:45:18,560 --> 00:45:20,600
Speaker 2: fucking you know. Clearly, I've worked with him the Ship,

863
00:45:20,640 --> 00:45:24,000
Speaker 2: but like the Alice movies weren't necessarily for me.

864
00:45:24,120 --> 00:45:27,960
Speaker 3: Alice is the animated Ali It's my favorite movie of

865
00:45:28,040 --> 00:45:32,640
Speaker 3: all time in my bar. My favorite thing about it

866
00:45:32,800 --> 00:45:36,759
Speaker 3: is the color and Tim Burton's esthetic is the opposite

867
00:45:36,800 --> 00:45:42,600
Speaker 3: of colors. So I he's perfect for Sweeny Toddy, absolutely perfect.

868
00:45:43,360 --> 00:45:48,800
Speaker 3: But it wasn't my favorite adaptation of Alison.

869
00:45:48,960 --> 00:45:50,480
Speaker 1: I'm still waiting for you to figure out what my

870
00:45:50,600 --> 00:45:51,840
Speaker 1: fucking Tim Burton movie is.

871
00:45:53,280 --> 00:45:56,000
Speaker 3: I give me a hint.

872
00:45:56,160 --> 00:45:56,800
Speaker 1: Is my hairstick?

873
00:45:57,239 --> 00:46:02,840
Speaker 3: No, you can face it. Wait, give me a hint. No,

874
00:46:04,080 --> 00:46:04,680
Speaker 3: no hints.

875
00:46:05,160 --> 00:46:06,600
Speaker 1: No, you just gotta think real hard.

876
00:46:06,760 --> 00:46:09,040
Speaker 2: Where do you Where do you start fucking with Tim Burton?

877
00:46:09,120 --> 00:46:11,160
Speaker 2: What's your earliest Tim Burtney memory?

878
00:46:12,080 --> 00:46:13,240
Speaker 3: The Nightmare before Christmas?

879
00:46:13,239 --> 00:46:14,560
Speaker 1: Okay, this happened before that.

880
00:46:15,600 --> 00:46:17,040
Speaker 3: This happened before that.

881
00:46:17,920 --> 00:46:19,520
Speaker 1: It is one of my all time favorite movies.

882
00:46:20,719 --> 00:46:23,280
Speaker 3: Oh my gosh, Oh, Peewe's Big Adventure.

883
00:46:23,440 --> 00:46:25,320
Speaker 1: No, but you're getting warmer. It was the one he

884
00:46:25,520 --> 00:46:27,319
Speaker 1: did after that pee Wee's.

885
00:46:27,400 --> 00:46:29,879
Speaker 3: Oh oh, Beetlejuice.

886
00:46:32,360 --> 00:46:36,359
Speaker 1: No, but yeah, but you're I'm sorry, my bad. You're right.

887
00:46:36,480 --> 00:46:38,160
Speaker 2: It wasn't the one he did right after that, but

888
00:46:38,280 --> 00:46:40,799
Speaker 2: he didn't do it after Peewe's and it was not Beetlejuice.

889
00:46:40,880 --> 00:46:43,120
Speaker 2: But I do absolutely love beetle Juice.

890
00:46:43,840 --> 00:46:48,879
Speaker 3: Oh oh, oh, so close? Oh my gosh, fuck, Wait,

891
00:46:49,040 --> 00:46:52,279
Speaker 3: what is it? I feel like I'm so close. Give

892
00:46:52,320 --> 00:47:01,960
Speaker 3: me a hint, give me a hint. Mmm, oh my gosh,

893
00:47:02,120 --> 00:47:04,120
Speaker 3: I don't know, I don't know.

894
00:47:05,160 --> 00:47:07,879
Speaker 2: Really, it's got one of the greatest scores of all time,

895
00:47:08,280 --> 00:47:12,360
Speaker 2: one of the greatest performances of all time. It was

896
00:47:12,400 --> 00:47:16,080
Speaker 2: a massive fucking hit cultural phenomena.

897
00:47:16,360 --> 00:47:20,200
Speaker 1: People wore the T shirt, cut.

898
00:47:20,120 --> 00:47:23,680
Speaker 3: It into their head, cut it into their head.

899
00:47:24,440 --> 00:47:28,880
Speaker 1: It gave birth to rebirth to an entire fucking genre.

900
00:47:29,080 --> 00:47:32,440
Speaker 3: Oh my god, I don't want I'm blinking completely.

901
00:47:35,880 --> 00:47:41,080
Speaker 1: It's the story of a little boy who loses everything.

902
00:47:43,640 --> 00:47:56,760
Speaker 1: I literally don't know in an alley. Oh, Harley Quinn got.

903
00:47:59,840 --> 00:48:04,319
Speaker 3: It going for a second. All of those also, all

904
00:48:04,400 --> 00:48:08,480
Speaker 3: of those awesome Little Boy, that's all you have to say.

905
00:48:09,320 --> 00:48:13,000
Speaker 1: I was like, I don't know. That is my favorite

906
00:48:13,040 --> 00:48:16,680
Speaker 1: Tim Burton movie still, and it is far from a

907
00:48:16,719 --> 00:48:20,160
Speaker 1: perfect It's so good. Ye, so many.

908
00:48:20,840 --> 00:48:23,320
Speaker 3: He has so many iconic movies. It's crazy.

909
00:48:23,360 --> 00:48:28,279
Speaker 1: He has definitely fucking affected the culture. Change the culture. Yeah, yeah,

910
00:48:28,280 --> 00:48:28,840
Speaker 1: i'd support that.

911
00:48:29,440 --> 00:48:32,320
Speaker 3: Is it crazy that he didn't direct The Nightmare before Christmas?

912
00:48:32,400 --> 00:48:33,920
Speaker 3: But everybody associates him.

913
00:48:34,320 --> 00:48:39,880
Speaker 1: Yes, we did. Coraline and James and the Giant.

914
00:48:39,640 --> 00:48:49,120
Speaker 3: Peach, Caroline, Coraline Scars. Yes, the other Mother. Oh, the

915
00:48:49,200 --> 00:48:50,480
Speaker 3: other Mother's too, gloso.

916
00:48:54,160 --> 00:48:55,000
Speaker 1: I forgot.

917
00:48:59,560 --> 00:49:02,239
Speaker 3: The uh yeah all right, so wait, oh my god,

918
00:49:02,280 --> 00:49:05,600
Speaker 3: I can't believe I forgot that. Man, Oh my god,

919
00:49:05,640 --> 00:49:07,480
Speaker 3: it took me so long to get there.

920
00:49:08,920 --> 00:49:11,680
Speaker 1: I was thinking. I was like, all right, well she's

921
00:49:11,680 --> 00:49:12,640
Speaker 1: gonna remember Michael King.

922
00:49:12,760 --> 00:49:14,759
Speaker 3: I was like, Sleepy Hollow.

923
00:49:16,520 --> 00:49:18,520
Speaker 1: I love, and that's her best work.

924
00:49:19,400 --> 00:49:21,000
Speaker 3: Honestly, I like that movie.

925
00:49:21,080 --> 00:49:25,160
Speaker 1: So I saw once. I like, when I first came out,

926
00:49:25,200 --> 00:49:27,279
Speaker 1: it was not my like I thought it was well done,

927
00:49:27,320 --> 00:49:28,479
Speaker 1: but not like, let's wash.

928
00:49:28,440 --> 00:49:31,920
Speaker 3: It again, run it back again.

929
00:49:33,320 --> 00:49:35,720
Speaker 1: All right? Is that the end of your fucking quiz?

930
00:49:39,040 --> 00:49:41,840
Speaker 3: What is my biggest fear? There are two acceptable answers.

931
00:49:43,920 --> 00:49:47,719
Speaker 3: One of them should be pretty easy for you to needles. Yeah, well,

932
00:49:47,760 --> 00:49:50,640
Speaker 3: it's it's more things going into my veins is my

933
00:49:50,800 --> 00:49:51,600
Speaker 3: specific fear.

934
00:49:52,920 --> 00:49:56,400
Speaker 1: But how many things go into your veins? Just needs?

935
00:49:58,280 --> 00:50:02,319
Speaker 3: Yeah, but it's the thought like it's like a shot

936
00:50:02,440 --> 00:50:08,640
Speaker 3: doesn't really bother me, but because in your veins yeah yeah,

937
00:50:08,719 --> 00:50:11,200
Speaker 3: yeah yeah, but like the veins that you can really

938
00:50:11,320 --> 00:50:16,040
Speaker 3: see the getting a shot doesn't bother me as much

939
00:50:16,080 --> 00:50:18,799
Speaker 3: because the veins not like sticking out and it's really

940
00:50:18,840 --> 00:50:22,720
Speaker 3: obvious and stuff. But getting your blood drawn, the veins

941
00:50:23,080 --> 00:50:25,200
Speaker 3: gotta stick out and it's right there.

942
00:50:25,280 --> 00:50:25,879
Speaker 1: That's what it does.

943
00:50:27,160 --> 00:50:33,399
Speaker 3: No, Yeah, that's exactly what I say.

944
00:50:34,600 --> 00:50:37,320
Speaker 2: I just went and had framed today. I went on

945
00:50:37,440 --> 00:50:41,759
Speaker 2: eBay a bad News Bears poster Amanda specific.

946
00:50:42,200 --> 00:50:45,480
Speaker 3: In Spanish, amazing that.

947
00:50:47,480 --> 00:50:48,320
Speaker 1: I was proud of myself.

948
00:50:48,360 --> 00:50:52,080
Speaker 3: Anyway, what's my other biggest fear? I don't know if

949
00:50:52,120 --> 00:50:58,120
Speaker 3: you actually know this or not. Ronald McDonald is pretty easy.

950
00:50:58,200 --> 00:51:00,400
Speaker 1: You did. You did kind of come out against Ronald McDonald.

951
00:51:00,400 --> 00:51:02,560
Speaker 2: I was like, I can, we'll never get that McDonald's

952
00:51:02,560 --> 00:51:04,839
Speaker 2: sponsorship ship in the clown's mouth.

953
00:51:04,960 --> 00:51:05,160
Speaker 1: Fuck.

954
00:51:08,400 --> 00:51:10,640
Speaker 2: You know, one of your mother's is being like fucking

955
00:51:10,680 --> 00:51:12,759
Speaker 2: locked up against her will, like in a second board

956
00:51:12,840 --> 00:51:13,120
Speaker 2: or something.

957
00:51:13,120 --> 00:51:17,360
Speaker 1: Anytime there's a super inconvenience, I know, my god, damn it,

958
00:51:19,040 --> 00:51:21,360
Speaker 1: but anytime there's a movie where something like that happened,

959
00:51:21,400 --> 00:51:26,200
Speaker 1: she's like, no, no, no, no, no, it's not happening.

960
00:51:26,280 --> 00:51:34,600
Speaker 3: No no, sharks, no no no. Do you have the

961
00:51:34,680 --> 00:51:35,279
Speaker 3: biggest fear?

962
00:51:37,680 --> 00:51:42,360
Speaker 2: Yeah, oh yeah, but it's not, oddly enough, it's nothing

963
00:51:42,440 --> 00:51:45,320
Speaker 2: to do with like my well being having almost died.

964
00:51:46,400 --> 00:51:48,239
Speaker 1: The kind of fear. Believe me, I want to live,

965
00:51:48,360 --> 00:51:50,120
Speaker 1: but like the fear of death thing was kind of

966
00:51:52,040 --> 00:51:54,239
Speaker 1: purged from the heart attack where I.

967
00:51:54,280 --> 00:51:55,640
Speaker 2: Was like, oh my god, I thought I was dead,

968
00:51:55,719 --> 00:51:58,520
Speaker 2: but I didn't die, So it feels like I'm just

969
00:51:58,719 --> 00:52:00,600
Speaker 2: like playing on house money at the point, living on

970
00:52:00,640 --> 00:52:04,400
Speaker 2: a borrow time, so to speak. So I don't think

971
00:52:04,440 --> 00:52:07,600
Speaker 2: about the thing that I fear probably the most is

972
00:52:07,800 --> 00:52:10,919
Speaker 2: like losing it all, not being able to beat Kevin

973
00:52:10,960 --> 00:52:14,799
Speaker 2: Smith any wow, because now I've been that longer than

974
00:52:14,840 --> 00:52:18,520
Speaker 2: I was. Not that Like, I've been an entertainer for

975
00:52:18,800 --> 00:52:22,880
Speaker 2: thirty one years thirty two if you include the making

976
00:52:23,080 --> 00:52:26,880
Speaker 2: of clerks and everything happened to me when I was

977
00:52:26,920 --> 00:52:31,040
Speaker 2: twenty three, So I had less years as a normal

978
00:52:31,200 --> 00:52:33,000
Speaker 2: human being than I've had as.

979
00:52:32,920 --> 00:52:41,880
Speaker 1: A bang, as a a over enthusiastic camp counselor.

980
00:52:41,560 --> 00:52:46,000
Speaker 3: Being that Kevin Smith at that Kevin Smith that Kevin.

981
00:52:45,840 --> 00:52:49,359
Speaker 1: Smith club where you can watch the show. But yeah,

982
00:52:50,040 --> 00:52:52,480
Speaker 1: it was yeah wow.

983
00:52:53,880 --> 00:52:57,160
Speaker 3: Mine's a mind's some more casual answer. As for my

984
00:52:57,280 --> 00:53:04,919
Speaker 3: fear bears, I love theirs. No, not an actually yes,

985
00:53:05,920 --> 00:53:10,439
Speaker 3: dark water. It's dark water because I fear. I fear

986
00:53:10,520 --> 00:53:15,880
Speaker 3: for what's under the water, Like what water that I

987
00:53:15,920 --> 00:53:19,759
Speaker 3: could see through is all good, But like a lake, No,

988
00:53:20,400 --> 00:53:20,680
Speaker 3: you may.

989
00:53:20,680 --> 00:53:22,000
Speaker 1: Don't have to be afraid of that because you don't

990
00:53:22,000 --> 00:53:24,520
Speaker 1: have to go. Nobody's going like get in the lake.

991
00:53:24,840 --> 00:53:27,000
Speaker 1: But like, I don't know if you don't have to

992
00:53:27,040 --> 00:53:27,200
Speaker 1: go in.

993
00:53:27,520 --> 00:53:28,759
Speaker 3: I feel like I don't know if I could do

994
00:53:28,960 --> 00:53:31,120
Speaker 3: something like film a movie and water.

995
00:53:31,920 --> 00:53:34,480
Speaker 1: Don't you don't have to I don't think, I mean.

996
00:53:34,680 --> 00:53:37,880
Speaker 3: Not, opportunity hasn't struck yet.

997
00:53:37,960 --> 00:53:39,920
Speaker 1: I don't. I don't think it has to be. Like

998
00:53:40,000 --> 00:53:41,839
Speaker 1: That's why I'm not afraid of sharks, because I'm like, well,

999
00:53:41,880 --> 00:53:45,600
Speaker 1: I'll never being the Yeah, that's true. Now they start,

1000
00:53:45,960 --> 00:53:46,759
Speaker 1: you know, fucking.

1001
00:53:48,800 --> 00:53:52,000
Speaker 3: You know, for those who are listening and aren't watching,

1002
00:53:52,120 --> 00:53:53,879
Speaker 3: that was a shark getting out of the water.

1003
00:53:56,480 --> 00:53:57,560
Speaker 1: Let's not be ridiculous.

1004
00:53:57,600 --> 00:53:57,800
Speaker 2: He was.

1005
00:54:00,719 --> 00:54:01,480
Speaker 3: I thought he was like.

1006
00:54:05,440 --> 00:54:09,799
Speaker 1: I'm a hungry mostert. He was.

1007
00:54:11,280 --> 00:54:13,920
Speaker 2: Like a seal, and seals like, no use their bellies

1008
00:54:13,960 --> 00:54:18,520
Speaker 2: up in the I saw a fucking video on TikTok

1009
00:54:18,600 --> 00:54:20,879
Speaker 2: the other day and it said this is how life

1010
00:54:20,920 --> 00:54:23,680
Speaker 2: should be. And there were people on a boat, like,

1011
00:54:24,160 --> 00:54:28,040
Speaker 2: you know, a fucking like cruiser, a fishing boat, not

1012
00:54:28,120 --> 00:54:31,120
Speaker 2: a fishing boat, but like having a good not a

1013
00:54:31,200 --> 00:54:33,840
Speaker 2: pontoon though, but like a speedboat but not a speedboat,

1014
00:54:33,880 --> 00:54:35,000
Speaker 2: but like you can.

1015
00:54:34,960 --> 00:54:37,480
Speaker 1: Fish off it, but it ain't a yacht, but like, hey,

1016
00:54:37,600 --> 00:54:40,120
Speaker 1: we got a boat for the weekend. And ship like that. Okay,

1017
00:54:40,480 --> 00:54:43,240
Speaker 1: like mini party boat but not huge parties, maybe.

1018
00:54:43,080 --> 00:54:50,480
Speaker 9: Like eighty let's say sick okay, fucking uh was a

1019
00:54:50,640 --> 00:54:56,160
Speaker 9: pelican just lands and sits with them on like the

1020
00:54:56,280 --> 00:54:59,560
Speaker 9: couch in the back of the boat, and he's just chilling.

1021
00:54:59,360 --> 00:55:02,480
Speaker 10: Out, and you're like, that's fucking this is how it

1022
00:55:02,520 --> 00:55:05,720
Speaker 10: should Then all of a sudden, if somebody goes holy

1023
00:55:05,920 --> 00:55:10,120
Speaker 10: shit and they pan over and a fucking seal bellies

1024
00:55:10,200 --> 00:55:13,160
Speaker 10: up onto the back of the boat, hits the deck

1025
00:55:13,320 --> 00:55:14,360
Speaker 10: and just goes to sleep.

1026
00:55:15,640 --> 00:55:16,560
Speaker 1: I was like, what.

1027
00:55:18,239 --> 00:55:18,960
Speaker 10: Where is this?

1028
00:55:19,680 --> 00:55:22,840
Speaker 1: I'm going to do this?

1029
00:55:23,320 --> 00:55:23,480
Speaker 2: God?

1030
00:55:23,600 --> 00:55:24,640
Speaker 3: Wait, that's amazing.

1031
00:55:24,760 --> 00:55:26,640
Speaker 1: But it was like the caption of this is how

1032
00:55:26,800 --> 00:55:31,160
Speaker 1: life should be. It was awesome, so true. Oh my god?

1033
00:55:31,800 --> 00:55:33,879
Speaker 1: All right, what else? What's your final question?

1034
00:55:34,880 --> 00:55:36,640
Speaker 3: How old am I?

1035
00:55:37,960 --> 00:55:40,280
Speaker 1: You're gonna be twenty six? You're twenty five right this second?

1036
00:55:40,480 --> 00:55:44,879
Speaker 3: Good job? You scored, you kid.

1037
00:55:45,040 --> 00:55:47,319
Speaker 1: I can't wait to see what Jennifer does.

1038
00:55:48,200 --> 00:55:51,759
Speaker 3: You're gonna be like, well, I not all of them.

1039
00:55:52,000 --> 00:55:59,040
Speaker 1: I don't know that caps. Yeah, I feel pretty good

1040
00:55:59,040 --> 00:55:59,360
Speaker 1: about that.

1041
00:55:59,680 --> 00:56:01,240
Speaker 3: Are you for your next category?

1042
00:56:01,480 --> 00:56:02,640
Speaker 1: No, it's the end of the show.

1043
00:56:03,000 --> 00:56:04,040
Speaker 3: It's the end of the show.

1044
00:56:04,360 --> 00:56:06,840
Speaker 1: You wasted all our time. Just talking about coal miner's

1045
00:56:06,880 --> 00:56:13,520
Speaker 1: fucking daughter. Hold on to that for next episode. Okay,

1046
00:56:14,120 --> 00:56:16,320
Speaker 1: it's not like it evaporates and you can never do

1047
00:56:16,440 --> 00:56:18,080
Speaker 1: it again. There's no expiration date on that.

1048
00:56:18,160 --> 00:56:21,320
Speaker 3: I there's a there's a final task though, what's the

1049
00:56:21,360 --> 00:56:22,840
Speaker 3: final I'm going to.

1050
00:56:22,880 --> 00:56:26,800
Speaker 2: Text it to you why to see if I prove it?

1051
00:56:27,160 --> 00:56:28,359
Speaker 2: Or are we going to bring it up on air

1052
00:56:28,880 --> 00:56:32,440
Speaker 2: as we speak. It's adorable because you don't seem to

1053
00:56:32,520 --> 00:56:35,680
Speaker 2: think that you could like just say it. We can

1054
00:56:35,760 --> 00:56:36,600
Speaker 2: cut it if needs be.

1055
00:56:37,000 --> 00:56:38,879
Speaker 3: No, got it? Text it too?

1056
00:56:40,040 --> 00:56:42,120
Speaker 4: Okay, you can don't.

1057
00:56:41,920 --> 00:56:44,400
Speaker 1: Read it out loud, won't talk while I'm reading.

1058
00:56:44,239 --> 00:56:46,360
Speaker 3: It, So that's not buy our shirts?

1059
00:56:46,480 --> 00:56:47,880
Speaker 1: Please do that?

1060
00:56:48,320 --> 00:56:59,040
Speaker 3: Oh you got what? Please buy our shirts that Kevin

1061
00:56:59,080 --> 00:57:09,600
Speaker 3: Smith club. Well, kids, this is called the confessional.

1062
00:57:10,080 --> 00:57:14,959
Speaker 1: Why is it confessional? Maybe forced confessional? Because you're making

1063
00:57:15,040 --> 00:57:19,120
Speaker 1: me say this fair enough? Can I do? I get

1064
00:57:19,160 --> 00:57:24,400
Speaker 1: to address it? Just do it? Hopefully people understand that

1065
00:57:24,560 --> 00:57:31,480
Speaker 1: this is not my choice. Okay, we will be a

1066
00:57:31,640 --> 00:57:35,520
Speaker 1: concluding this episode because I made a poop poop in

1067
00:57:35,680 --> 00:57:40,400
Speaker 1: my pants and I've got to go because it's so mushy.

1068
00:57:44,040 --> 00:57:47,120
Speaker 3: And thanks for listening to beardless diggles me I'm Harley

1069
00:57:47,160 --> 00:57:48,960
Speaker 3: quin Smith and I was the.

1070
00:57:49,000 --> 00:57:52,520
Speaker 1: Guy that used to have dignity Kevin Smith. Go have

1071
00:57:52,640 --> 00:57:56,320
Speaker 1: a beardless Douglas. Bye.

1072
00:58:08,360 --> 00:58:12,880
Speaker 2: This has been a podcast production s podcast podcast using

1073
00:58:12,920 --> 00:58:20,040
Speaker 2: our mouths on you since two thousand and seven. Hey kids,

1074
00:58:20,080 --> 00:58:21,320
Speaker 2: did you like what you just heard?

1075
00:58:21,400 --> 00:58:21,880
Speaker 1: Well, guess what.

1076
00:58:22,080 --> 00:58:25,560
Speaker 2: We've got tons more man thousands of hours of podcasts

1077
00:58:25,640 --> 00:58:28,720
Speaker 2: waiting for you at that kevinsmithclub dot com.

1078
00:58:29,000 --> 00:58:30,000
Speaker 1: Go sign up now.