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Speaker 1: fun music playing throughout, video game rich melody and harmony in the background].

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Speaker 1: And welcome to Pick Six Movies, the podcast where every season we pick a theme.

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Speaker 1: Then we pick six movies all related to that theme.

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Speaker 1: Then, over the course of six consecutive episodes, we take one of the aforementioned movies and provide some history about how that movie got made.

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Speaker 1: Then we review that movie from start to finish to see if it's any good.

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Speaker 1: We crack jokes, sometimes we do silly voices, all in an effort to entertain you.

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Speaker 1: A more than likely total stranger.

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Speaker 1: I'm Chad Cooper, one of your hosts, and I will later be joined by Mr Bo Ransdell, your other host.

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Speaker 1: This season's theme is Holiday Road, where we're discussing movies that are all about road trips.

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Speaker 1: This season has it all Comedies, fantasies, drama and, in the case of this episode, poorly executed horror.

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Speaker 1: This is a very special episode featuring the remake of the cult classic the Hitcher.

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Speaker 1: Some of you may be thinking since when is the 2005 Will Smith matchmaking rom-com, co-starring Kevin James and Eva Mendes, a cult classic?

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Speaker 1: Well, that's the movie Hitch.

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Speaker 1: This episode is all about the Hitch-er, but I can see how you may have gotten confused, considering the precedents set by dumb and dumb-er-er If you've never seen the original the Hitcher or the remake of the Hitcher.

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Speaker 1: Don't worry, we got you covered.

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Speaker 1: We're probably going to spend a whole lot of time talking about how the remake sucked and the original is pretty damn good.

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Speaker 1: But you may be thinking, chad, I'm unfamiliar with the appropriate etiquette that's associated with hitchhiking.

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Speaker 1: Should I use my left thumb or my right thumb?

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Speaker 1: Is it rude to request a ride take place in the truck bed of a pickup after being offered a spot in the cab?

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Speaker 1: Does hitchhiking with a dog help you get a ride?

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Speaker 1: Well, luckily Mr Bo Randstil is here to answer none of those questions with his introduction to this episode.

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Speaker 1: But what say you?

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Speaker 1: Get in here and fill up the ears of these random strangers listening to this podcast with a bunch of weird tales of highway tomfoolery about folks trying to catch a ride, as well as a little bit of history about the remake of the Hitch-er.

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Speaker 2: This from a guy named Rob who, when asked about his experience hitchhiking, I was at an SNFU show, which was a fairly prolific punk band, back in the day at the starfish room on Seymour in Vancouver.

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Speaker 2: I was 17 or 18 at the time, but it was super easy to sneak into.

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Speaker 2: They didn't ask for ID, they didn't care.

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Speaker 2: It was summer, because I remember taking off my shift in the show.

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Speaker 2: It was so packed and sweaty.

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Speaker 2: I was having a conversation with a guy in the beer line just talking about music.

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Speaker 2: Once the show finishes up I lose track of all my friends in the pit.

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Speaker 2: I was quite wasted.

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Speaker 2: So I just started hitchhiking and the guy I was talking to in the line pulls over.

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Speaker 2: He asked if I needed a ride.

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Speaker 2: I said yeah, dude, totally.

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Speaker 2: I was thinking to myself thank God I didn't get in some random weirdo's car.

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Speaker 2: He seemed nice, maybe he could be a new friend.

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Speaker 2: I was giving him directions, like take a ride on boundary or whatever, and then he pulls over and is just silent.

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Speaker 2: I'm like no, dude, it's still further.

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Speaker 2: He seems super nervous about something.

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Speaker 2: I ask are you okay?

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Speaker 2: Do you have a health problem?

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Speaker 2: He says no, it's fine, and we keep going Wasted.

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Speaker 2: Rob thinks this is kind of weird, but whatever, we go another 5 or 10 blocks and he stops again.

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Speaker 2: He's avoiding eye contact with me, just staring at the steering wheel and I'm worried.

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Speaker 2: I ask are you okay to be driving For a second?

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Speaker 2: I thought he might be wasted, like me.

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Speaker 2: We didn't meet in the beer line.

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Speaker 2: We start driving again and he pulls over a third time.

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Speaker 2: He takes a deep breath, looks at me and says I've always wanted to suck another man's dick.

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Speaker 2: I was like, oh, that's what's happening.

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Speaker 2: I said thank you, I'm flattered, but no, I'm totally good.

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Speaker 2: Thanks, but no thanks.

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Speaker 2: And he started getting really flustered.

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Speaker 2: I said I'm just going to walk and I got out of the car.

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Speaker 2: I was nowhere near home and this was before the days of cell phones.

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Speaker 2: In retrospect I kind of feel bad about how I reacted.

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Speaker 2: That guy probably came out to me.

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Speaker 2: I don't know what happened to that guy, but I hope he's happy.

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Speaker 2: I hope he's come to terms with his identity and feels comfortable.

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Speaker 2: That, listeners, is just a sample of the kinds of stories that litter the landscape of hitchhiking.

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Speaker 2: Just so we're clear, hitchhiking is the time, on our tradition, of walking along the side of the road and hooking a thumb out to catch a ride from a stranger.

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Speaker 2: If you're one of those transactional types, you may recall this old chestnut Ass grass or cash, nobody rides for free.

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Speaker 2: As long as there have been cars, there have been people who need a ride from point A to point B with the aid of a random weirdo.

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Speaker 2: John Steinbeck's the Grapes of Wrath features Tom Joad hitching a ride in Depression-era America, which makes sense.

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Speaker 2: Back in those days, when not everyone could afford a car, hitchhiking was a way to travel great distances on the backs of the richie riches who could afford the cost of a new-fingled invention like a horseless carriage.

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Speaker 2: Even through the Second World War, hitchhiking was commonplace.

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Speaker 2: Not only was it that not everyone could afford a car, there was a war on Rubber, and steel were at a premium and there were lots of would-be soldiers looking to get around.

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Speaker 2: In a country as vast as the United States, stopping for hitchhikers was seen as a sort of patriotic duty in some cases, at the very least, it was considered polite.

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Speaker 2: There was a sense during that time that we were all in this crazy thing called life together, and so why wouldn't you lend a hand to the guy or gal with the thumb out on the side of the road, hitchhiking took on its own mystique.

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Speaker 2: Writer Jack Kerouac chronicled his view of America in his 1957 novel On the Road, helping to define the beat culture and make the freewheeling lifestyle something that felt unique and part of the cultural thread in this American tapestry.

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Speaker 2: That made our sprawling, car-obsessed nation something singular.

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Speaker 2: Even nerds got in on the act when Douglas Adams penned Hitchhikers Guide to the Galaxy, which was inspired on an actual earth-based hitchhiking trip in Innsbruck, austria, in the mid-1970s.

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Speaker 2: Author Tom Robbins penned the book Even Cowgirls Get the Blues, a novel all about a young woman born with the perfect oversized thumbs for hitching, making the act of hitchhiking a metaphysical experience for the protagonist.

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Speaker 2: This golden era of hitchhiking would last all the way until the 1970s, when pop culture and a growing unease in the culture would bring it all crashing down.

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Speaker 2: Well, that and consumerism Beginning in the 1960s, car ownership among American families hit an all-time high, with the nation laying out a grid of highways and interstates.

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Speaker 2: If you had a car, you could conceivably get to any part of the country with little trouble.

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Speaker 2: America was one great big body and these interstates and highways were the veins and capillaries carrying cars to every appendage of the nation.

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Speaker 2: With increased speed limits, not only could you get anywhere, you could get there pretty darn quick.

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Speaker 2: The 1970s, as you may recall, were a pretty tumultuous time in American history.

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Speaker 2: The Vietnam War was winding down and the nation was wounded by bloodshed, loss and a feeling that we'd all been duped.

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Speaker 2: Somehow, a president resigned in shame, unlike the era of good feelings inspired by a sense of purpose and victory after World War II, we were licking our wounds and feeling the hangover of a bitter war and the loss of idealism which peaked in the 1960s.

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Speaker 2: Trust was in shorter supply.

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Speaker 2: Still, there are famous hitchhikers to this day.

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Speaker 2: Most of them are young neo hippies who use their experience hitchhiking as a sort of social experiment in trust.

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Speaker 2: Such a neo hippie is Ludovic Hubler, a French guy who toured the world by hitching from 2003 to 2008, and wrote a book about his experiences.

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Speaker 2: A better version of that for my money is the book Car Sick John Waters Hitchhikes Across America by the Gonzo film director John Waters.

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Speaker 2: He actually did hitchhike a lot and has some fascinating and funny stories about it.

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Speaker 2: And god, what I wouldn't give for a two hour car ride with that glorious weirdo.

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Speaker 2: Back to the horrors of hitching.

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Speaker 2: Hollywood read the room in the 1970s and stepped in and started painting the stranger in society as something dangerous.

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Speaker 2: Through the 1970s and the decade that followed, the idea of psychopathic hitchhikers emerged, perhaps, beginning with a movie called the Texas Chainsaw Massacre.

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Speaker 2: Maybe you've heard of it.

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Speaker 2: That movie's dread begins with a whacked out hitchhiker in a van full of peace and love, hippies.

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Speaker 2: And that's just the warm up to the real horrors.

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Speaker 2: A guy named Alan Pissarski, a transportation consultant who specializes in travel behavior, said quote it really kind of changed the social attitude toward it.

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Speaker 2: We became much more conscious of fear and felt a lot more distressed of your fellow citizen.

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Speaker 2: There were intimations of this change in perspective Way back in 1960,.

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Speaker 2: Both Alfred Hitchcock presents and the Twilight Zone both featured stories about ominous hitchhikers, though neither was directly malevolent.

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Speaker 2: But let's get back to some hitchhiker stories.

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Speaker 2: This from a 36 year old named David.

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Speaker 2: When I hitchhiked, I mostly went with truckers because they're accountable.

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Speaker 2: It's true there are dangers involved, especially if you're not a guy like I am.

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Speaker 2: But truckers have a number, an identity.

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Speaker 2: You can text someone what truck you're on, not saying it's perfect, but it felt safer.

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Speaker 2: Plus, they have little TVs in the back.

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Speaker 2: I was traveling with two women friends, introducing them to train hopping and later hitchhiking From Winnipeg heading west.

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Speaker 2: I think we were going through Field BC.

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Speaker 2: This guy in a small car went by, didn't stop and then, I'm pretty sure, did a U-turn which was the first red flag.

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Speaker 2: He was coming from the wrong direction, going east.

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Speaker 2: We thought it was a U-turn but we weren't sure.

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Speaker 2: There were a lot of cars going by.

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Speaker 2: We thought maybe it wasn't him.

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Speaker 2: He told us he commutes to Fort Mac from Salmon Arm.

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Speaker 2: We get in and his car is spotless, not even a shred of junk food or a coffee cup.

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Speaker 2: And in the trunk he had all these pillows and blankets, neatly stacked and wrapped in plastic.

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Speaker 2: But we thought maybe he's just anal.

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Speaker 2: You know An anal-y, clean, long-distance commuter.

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Speaker 2: He says to my friends oh, so happy to meet you, and he tells me to reach under my seat.

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Speaker 2: He has a gift for them.

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Speaker 2: By this point we're racing at full speed.

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Speaker 2: It's this box with 30 or 40 rocks in there with BC Girls Rock painted on them, which we thought was creepy but I guess not dangerous.

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Speaker 2: I think we were just past Malacqua and he started talking about showing us a cabin in the woods and kept trying to pull off the main highway.

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Speaker 2: And he did pull onto some side road under the guise of wanting us to see the real BC, which was when we decided we may actually die and I decided to take my knife out.

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Speaker 2: Apparently, I blacked out with a knife in my hand and my friends kept hitting me.

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Speaker 2: We all had the same fear of death.

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Speaker 2: Finally, we get to Salmon Arm and he veers into a post office and we get out and just run, we find an RCMP officer, walk up to the window and say we'd like to report a suspicious incident.

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Speaker 2: We believe this guy could be a danger to women hitchhikers.

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Speaker 2: I had his information.

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Speaker 2: I asked could you enter this into your system?

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Speaker 2: He literally replied hitchhiking is illegal in BC.

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Speaker 2: He basically said he wasn't going to write a name or number down and threaten to charge us.

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Speaker 2: It was awful, I think I said under my breath no wonder there are so many missing women in this part of BC and walked away.

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Speaker 2: This sort of story is what we think of now when we think of hitchhiking.

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Speaker 2: While the hitchhiker from Texas Chainsaw was certainly threatening, it would be a movie from 1986 that made the dangerous hitchhiker something truly terrifying.

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Speaker 2: This movie was the brainchild of author Eric Redd, a young would-be filmmaker who had done a short film called Gunman's Blues with the hopes of making it big in Hollywood.

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Speaker 2: As it happened, no one cared.

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Speaker 2: Redd moved from New York to Austin, texas, and took up as a taxi driver.

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Speaker 2: On the drive to Austin he was listening to a song by the doors Writers on the Storm.

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Speaker 2: Something about the line there's a killer on the road stuck with him, along with the idea of a storm as the setting that combination of killer and storm hung with him and Redd began riding his nightmarish tail while plugging away in his taxi.

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Speaker 2: That script would be called the Hitcher.

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Speaker 2: When he was done with his 190-page opus, he sent the script to a bunch of producers along with a letter that read quote it grabs you by the guts and does not let up, and it does not let go when you read it.

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Speaker 2: You will not sleep for a week.

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Speaker 2: When the movie is made, the country will not sleep for a week.

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Speaker 2: An executive named David Bombeck liked the cut of Redd's jib and gave the script a read.

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Speaker 2: It was overly long, the runtime as written would be north of three hours, and it was exceedingly violent.

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Speaker 2: Bombeck and his partner got on the phone with Eric Redd and started to shape the material into something more than an exploitation movie.

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Speaker 2: Redd was eventually moved out to Los Angeles to continue the editing until the script was lean and decidedly mean.

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Speaker 2: The question was how do they keep the horror of the script without turning it into a run-of-the-mill slasher movie?

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Speaker 2: When they had done that hard work, the script was sent to David Maddard, an executive with Warner Brothers, who called the script terrific.

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Speaker 2: Good for them, right.

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Speaker 2: Wb gave the producers a letter of intent to distribute the movie, which would in turn allow them to get financing.

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Speaker 2: Based on the script and WB's commitment to get the movie in theaters, a photographer who went on to be a cameraman, named Robert Harmon, was given a copy of the script and signed on quickly.

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Speaker 2: He envisioned it as a hitchcocky and thriller and wanted to further tone down some of the violence, including a scene in which a young woman is ripped in half With a director on board.

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Speaker 2: It was time to cast the titular hitcher, who was described in the script as tall and lanky, almost skeletal.

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Speaker 2: Red had written the movie with non-actor Keith Richards in mind, who would use an electronic voice box, but thankfully this idea was quickly shelved.

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Speaker 2: Everyone from Sam Elliott, who was too expensive, to Harry Dean Stanton was considered for the role, but it was Dutch actor Rutger Hauer who chased it.

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Speaker 2: He was tired of doing villain roles after numerous turns as the antagonist, including his memorable role as Roy Batty in Blade Runner, but Howard decided if he was going to do one more villain, john Rider of the Hitcher should be it.

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Speaker 2: The protagonist was a young man, and up-and-comers like Matthew Maudine, tom Cruise and Emilio Estevez were considered before the producer settled on C Thomas Howell.

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Speaker 2: At the time, howell was best known for the adaptation of the SE Hinton novel the Outsiders and a movie called Tank with James Garner, which is a real stay-tune for this show.

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Speaker 2: He'd also been one of the Wolverines from Red Dawn and Howell was looking for more roles that would allow him to stretch.

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Speaker 2: He initially passed on the hitcher before Robert Harmon sent Howell the script.

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Speaker 2: Personally, howell was hooked from the first 12 pages and signed on once he heard that Rutger Hauer would be the villain of the piece.

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Speaker 2: Even on set, howell recalled being intimidated by Howard and his fear is tangible on screen.

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Speaker 2: Jennifer Jason Lee, daughter of actor Vic Moro and one of the stars of Fast Times at Richmond High a few years before, took the role of the female lead Nash, wanting to join Rutger Hauer again after having worked with him on the medieval drama Flesh and Blood.

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Speaker 2: Now that they had a script, a director and a cast, the hitcher team went about looking for someone to pay for all of this, and that's where they ran into some trouble.

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Speaker 2: Everyone passed on it, some because of the whole girl getting ripped in half thing, and also there's a scene with an eye and a hamburger, and some people find that kind of thing gross.

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Speaker 2: Other studios would make the movie if the novice director were replaced with someone more experienced, but producers liked Harmon in his vision for the movie.

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Speaker 2: An independent producer by the name of Donna Dubrow got wind of the project and sent it to HBO COO Michael Fuchs to get his thumbs up for some funding.

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Speaker 2: It wasn't really Fuchs's kind of movie, but he liked the script enough to give it a green light with a budget of nearly six million dollars.

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Speaker 2: With a couple of caveats, the girl in the film would not be torn apart and the general violence of the whole movie would be toned down a little bit.

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Speaker 2: After some negotiating, the eyeball in the hamburger was replaced with a finger, which I guess is better Somehow, anyway, the girl being ripped in half.

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Speaker 2: Well, to quote Donna Dubrow, they were trying to make her death not horrible, when by the nature of the script it had to be the money.

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Speaker 2: People relented at the last minute and the hitcher, with a few slight modifications, was a go.

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Speaker 2: When it finally landed in theaters, the hitcher was pretty much DOA, despite some early success in test screenings.

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Speaker 2: It would make its budget back, but only barely, and critics savaged the movie.

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Speaker 2: Thener Baldur but equally dead.

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Speaker 2: Co-host of Pixic's official critic, roger Ebert.

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Speaker 2: Gene Siskel called the movie quote a thinly veiled but more gruesome ripoff of Steven Spielberg's duel.

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Speaker 2: Newsweek took the other side and said it was quote an odyssey of horror and suspense that's as tightly wound as a garot and as beautifully designed as a guillotine.

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Speaker 2: And many of the bad reviews still called out Ruger-Howard's intense performance.

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Speaker 2: The movie has since undergone much reappraisal and it finally came to Blu-ray this year For my money.

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Speaker 2: It is imperfect, but it's tense, it's exciting and Ruger-Howard is incredible as the enigmatic and terrifying John Ryder.

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Speaker 2: There was a sequel called the Hitcher 2, I've Been Waiting which no one was waiting for and disappeared almost as quickly as it came.

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Speaker 2: And of course there's the subject of our episode today, to wit a remake of the Hitcher, another one of those remakes done by Michael Bay's production company, platinum Dunes, who were responsible for the remakes of the Texas Chainsaw Massacre and the Amityville Horror before they took a swing at the Hitcher Boy.

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Speaker 2: We're really bad in a thousand.

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Speaker 2: Huh Bay said of the original.

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Speaker 2: I loved it as a kid and we can add some cool twists and turn it into a rocking film.

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Speaker 2: Ugh Bay also said the remake would have a pretty lady as the lead instead of some boring dude Enter Sophia Bush, who had been in National Lampoon's Zach Wilder and a movie called John Tucker Must Die Of more renown, especially these days, is the guy who would step into the Rucker Hauer role, sean Bean.

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Speaker 2: Bean has been doing work for almost 40 years, starring in everything from video games to Lord of the Rings memes, to Game of Thrones memes, to Silent Hill movies, to James Bond movies.

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Speaker 2: He's a consummate character actor and he's a great addition to almost any film.

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Speaker 2: Even when the movie is crap like this one, he's still pretty good.

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Speaker 2: The director for this misfire is Dave Meyer, who is a very talented music video director, who tried his hand with this feature film and wisely returned to music videos, where he's worked with everyone from Ariana Grande to Ed Sheeran to Pink.

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Speaker 2: So good on him, but please don't make any more feature films, please, ever.

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Speaker 2: The movie opened with little fanfare.

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Speaker 2: One presumes even Michael Bay and his cronies at Platinum Dunes knew this one was a stinker, and the movie opened at number four at the box office and was gone from almost every theater within five weeks of its release.

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Speaker 2: The best review I found is from the New York Post, which called it.

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Speaker 2: Quote the Jessica Simpson of Psycho Killer Flicks, which sounds negative to me.

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Speaker 2: But can any movie where Sean Bean terrorizes pretty young adults be all that bad?

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Speaker 2: For the answers to that, let's bring Chad in to stick out our thumbs and see what pulls over.

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Speaker 2: Ladies and gentlemen, hitchers and drivers, it's 2007's the Hitcher.

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Speaker 2: Hey, and welcome back everyone to the show that never ends.

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Speaker 2: We're so glad you could arrive.

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Speaker 2: Step inside.

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Speaker 2: Step inside, that is lyrics to a song that I don't know the title of.

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Speaker 2: You gotta see the show.

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Speaker 2: I think it's from Jesus Christ Superstar, which can't be accurate.

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Speaker 1: No, that's not.

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Speaker 2: Look, last episode we did an honest to goodness, real movie.

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Speaker 1: Yeah, it won awards, real awards, industry awards yeah yeah, yeah, it's a fantastic movie.

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Speaker 2: Thelma and Louise, terrific movie and we figured we are good for one of those about every 140 episodes.

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Speaker 1: Oh God, it was so nice while it lasted.

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Speaker 2: So let's reset the clock and start with 2007's the Hitcher Chad.

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Speaker 1: This is what it feels like when you fall off the wagon.

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Speaker 1: I've never been on the wagon, but this is what it feels like.

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Speaker 1: Or you're just like fuck it.

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Speaker 1: Remember when Denzel went into that other hotel room in the movie what was it called Flight?

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Speaker 1: And he just got drunk before he had to go in and testify.

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Speaker 1: That's what this is.

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Speaker 2: I thought you were gonna do the man on Fire.

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Speaker 2: Like I wish you had more time.

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Speaker 1: Remember he flew that plane upside down.

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Speaker 2: He did all he had to and he was a drunk.

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Speaker 1: That was a pretty good movie.

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Speaker 1: That was better than this movie.

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Speaker 1: Oh, a lot better.

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Speaker 1: I mean, you have to how did we find ourselves, bow, amongst the Platinum Dunes once again?

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Speaker 1: I thought we would never return.

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Speaker 1: We did that whole deja-oo season with all the horror remakes.

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Speaker 1: That season could've easily just been titled Platinum Dude or something like that.

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Speaker 1: Like, all of these movies are complete and total garbage.

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Speaker 2: They just make crappy movies, but we both watched the original the Hitcher within the past.

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Speaker 2: What 72 hours.

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Speaker 2: Oh, yeah, and so it's worth starting there, I think, because I've seen the Hitcher a bunch, the original Ruger-Howard C Thomas Howdy-Duty movie.

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Speaker 2: I don't know what your opinion of that is.

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Speaker 2: I've told you how I feel about it, but what do you think of the original the Hitcher?

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Speaker 1: The original.

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Speaker 1: It is a relic of its times.

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Speaker 1: It is a little Indie 80s horror film.

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Speaker 1: It's on YouTube.

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Speaker 1: I recommend it.

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Speaker 1: You can check it out.

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Speaker 1: It was uploaded by someone named Little Hitler Mm-hmm.

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Speaker 1: Different name, that turned you off, but that's who uploaded it, At least the version I saw.

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Speaker 2: I think he meant because he's a painter.

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Speaker 2: Ha, ha, ha, ha, ha For people of our generation.

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Speaker 1: But this movie ran in heavy rotation on HBO and Cinemax.

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Speaker 1: Like you'd just come home from school and plop down in front of the TV with a big bowl of cereal, kill a couple of hours rather than go outside and do something physical, that's how I was really introduced to this movie, as well as disorderly, starring the fat boys and Sleepy Boy Camp, naturally.

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Speaker 1: Or, to bring it closer to home, lady Hawk starring Rucker-Howard or Soul man starring C Thomas Howell movie about a white guy who takes a bunch of pills so he has black skin to get into law school.

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Speaker 1: It is the most unintentionally, intentionally racist movie I've ever seen.

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Speaker 1: That clip you sent me was jaw-dropping.

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Speaker 2: I've never seen Soul man.

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Speaker 2: What yeah, I never watched it what?

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Speaker 1: Oh my God.

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Speaker 1: So, listeners, I'm working on notes and I didn't wanna talk about this movie.

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Speaker 1: So I looked up the scene from Soul man where C Thomas Howell, who now has black skin, he's in blackface.

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Speaker 2: I mean kind of it's blackface, it's blackface, but no one would ever buy it.

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Speaker 2: No, he looks like a white guy in blackface, absolutely the equivalent of that SNL sketch where Eddie Murphy made everybody white as part of a social experiment.

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Speaker 2: That makeup is as convincing as Soul.

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Speaker 1: Man and in the clip he's having dinner with his new white girlfriend at their rich white house and the scene goes around the dinner table where the mother, younger brother and father as played by the incredibly unfunny Leslie Nielsen they each give their perspective on having a young black man at their dinner table.

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Speaker 1: And the mom sees him as a jungle native with a knife in his teeth who rips off her shirt to ravish her and she about passes out from spontaneous orgasm.

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Speaker 1: And then the younger brother sees him as this prince knockoff playing a guitar.

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Speaker 1: And then Leslie Nielsen, who's not very funny.

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Speaker 1: He is the racist dad.

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Speaker 1: And he sees C Thomas Howell in blackface as Bo, would you like to describe what he sees?

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Speaker 1: I mean, it's a pimp.

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Speaker 2: It is a velvet suit wearing pimp.

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Speaker 2: Go on Eating a watermelon.

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Speaker 1: Sitting beside his now incredibly pregnant daughter.

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Speaker 2: Right, yes.

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Speaker 1: Where the pimp in his purple outfit tells her to go get his hypodermic needle and his heroin.

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Speaker 1: He calls her a fat slut.

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Speaker 1: That's right.

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Speaker 1: It is jaw-droppingly racist.

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Speaker 2: The thing is Chad.

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Speaker 2: I can see what they were thinking the idea of like oh, everyone at the table is going to have this stereotypical perception of who this young black man is Right, and it might even work if the actor weren't white.

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Speaker 2: That's really where everything falls apart.

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Speaker 2: I'm not saying it would be great.

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Speaker 2: But if you had a black actor who had seemed, if not complicit in the scene, at least like there's a tacit approval of a black actor being in a scene that addresses black stereotypes.

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Speaker 2: But when no one in the scene is actually a black actor and you were dealing with stereotypes that raw and offensive, that is where things go off the rails.

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Speaker 1: I don't want to split hairs here, but in the background I think there's a black maid serving them dinner.

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Speaker 1: So did that make it okay?

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Speaker 1: No, no, no, no.

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Speaker 1: That's one of the most unintentionally racist, racist movies I've ever seen.

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Speaker 1: White man's burden that was pretty racist.

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Speaker 1: What about white chicks starring a couple of Wayans brothers?

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Speaker 1: That's got to have some racism in it, right?

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Speaker 1: I have never seen that either.

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Speaker 1: When Soul man came out in the year 1986, it made more money than Goldie Hawn in Wildcats, robin Williams in Club Paradise, john Cusack in One Crazy Summer, kurt Russell in Big Trouble in Little China, gene Hackman in Dennis Hopper in Hoosiers.

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Speaker 1: And it made more money in a little-known movie, also starring C Thomas Howe and Rutger Howard, called the Hitcher.

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Speaker 1: The original Hitcher Boe pulled in 5.8 million bucks.

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Speaker 1: Soul man made $27 million.

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Speaker 1: What does that tell us?

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Speaker 1: America is full of people who have poor judgment and they are racist.

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Speaker 2: I'm undeniably speaking of the original the Hitcher, though the thing that I really like about it other than Rutger Howard, who I think is amazing in the Hitcher I think he's sinister and intimidating and seems to be sort of like gleefully evil in a way that does not translate into this movie.

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Speaker 1: No, and I think that C Thomas Howe is pretty good at it Like shit.

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Speaker 1: For that matter.

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Speaker 1: I'd rather talk about the collected works of C Thomas Howe rather than review this movie, because that would ultimately lead to a discussion of the films of Patrick Dempsey, which would then, of course, segue into a round table debating the?

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Speaker 1: Uvra of Anthony Michael Hall, et cetera, et cetera.

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Speaker 1: I dislike this movie so much, bo.

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Speaker 1: It's so unnecessary.

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Speaker 1: Everything about this remake that differentiates it from the original is a mistake, and every reference they make to the original movie feels lazy and uninspired Like.

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Speaker 1: No matter what decision they make, they're wrong.

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Speaker 2: The thing that works for me about the Original Hitcher is it's so stripped down.

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Speaker 2: It is this character picks up this guy.

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Speaker 2: There's never a completely clean answer to the big question of the movie, which is why are you doing this?

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Speaker 2: There are some hints here and there, but at no point does the villain say this is why I'm a villain.

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Speaker 2: Which I like I think that makes the movie better, and the fact that it really is just C Thomas Howe, V Rucker Howard, like Jennifer Chasenley, hops on board for 10 minutes, but the fact that it is this young guy who, again, he says it in the original movie.

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Speaker 2: Hey, I was just tired and the guy needed help, so I gave him a ride.

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Speaker 2: That was the whole thing.

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Speaker 1: You asked me about my history with this movie and, as I said, just like watching it on pay movie channel, the Original, as you said.

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Speaker 1: The intro it starts on a dark and stormy night, c Thomas Howe.

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Speaker 1: He's out in the rain, lightning, thunder.

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Speaker 1: He picks up this dude, this pseudo albino, and he learns that the Hitcher has killed some people.

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Speaker 1: And then C Thomas Howe's like get out of my car, out, he goes in the rain and then for the rest of the movie he's basically just stalked by this maniac who is demanding that C Thomas Howe kill him so that he, the Hitcher, doesn't kill again.

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Speaker 1: It's simple, it's straightforward.

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Speaker 1: It's a campfire ghost story told in long form, and it works.

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Speaker 1: It also has real whiffs of the Terminator.

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Speaker 1: The dude's, this unstoppable force, no matter what you throw at him, except he's not a robot.

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Speaker 1: But that's the whole movie.

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Speaker 1: You don't need much more.

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Speaker 1: This movie just fucks it up every which way possible.

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Speaker 2: It's head-scratching, Like you said.

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Speaker 2: We'll get into some of those individual decisions, but it just is a fine example of how an original film that's so singular, even though the Hitcher definitely borrows from the Terminator and reviews at the time constantly referred to this being like the movie Duel, the Spielberg movie with Dennis Weaver, and that's true, but it's a little nastier than that.

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Speaker 2: It's got kind of a mean spirit to it, but it's sort of elegant in its design.

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Speaker 2: And Rucker Howe's creepy and he's so good that whole scene at the beginning, the opening of the original the Hitcher when C Thomas Howell picks up Rucker Howe, from the time he picks him up to the time he is kicked out of the car, is some of the most compelling tense moments of any movie, I can think of.

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Speaker 1: I like that part where.

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Speaker 2: The.

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Speaker 1: Hitcher takes his switchblade and he puts a blade back in it.

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Speaker 1: And then they go through a construction zone and the Hitcher has a switchblade but it's retracted and he puts it up against C Thomas Howell's balls Like you make a wrong move, I'm gonna poke you in the ding, ding.

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Speaker 1: And then the construction worker walks over.

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Speaker 1: He's like hey guys, hold on a minute, you gotta go around traffic.

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Speaker 1: And he looks in the car and he sees the Hitcher has his hand down there, c Thomas Howell's dick.

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Speaker 1: And the construction worker's like all right, you couple of Froot Loop fairies, enjoy your evening, ladies.

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Speaker 2: All right, sweetheart, keep it moving.

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Speaker 1: That unabashed, not even homophobia, just anti-gay from the 1980s of like.

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Speaker 1: What is going on here, Like, yeah, we know what you two are up to.

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Speaker 2: Why is this in your movie?

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Speaker 2: Well, because it was the mid-80s.

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Speaker 1: It doesn't add anything.

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Speaker 1: We could sit here and talk about C Thomas Howell on blackface and a guy getting poked in the dick with a switchblade for hours.

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Speaker 1: Let's jump into this movie because the sooner we start talking about it, the sooner we can stop.

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Speaker 2: It opens on a Platinum Dunes logo, because once again we play our dangerous game.

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Speaker 2: And then we get an insert that says according to the US Department of Transportation, an estimated 42,000 people are killed on the highway every year.

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Speaker 1: And now that number is accurate and it is surprisingly consistent over the last four decades, despite the growth in US population.

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Speaker 1: Why is that Seatbelt?

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Speaker 1: Save lives.

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Speaker 1: Buckle up a safety message from.

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0:32:31,996 --> 0:32:37,978
Speaker 2: Pick Six Movies Also when they say 42,000 people a year are killed on the highways and interstates.

349
0:32:38,450 --> 0:32:41,299
Speaker 2: That's also not from hitchers.

350
0:32:41,710 --> 0:32:49,639
Speaker 1: No, it involves speeding, alcohol, bicyclists, pedestrians, people on motorcycles choosing not to wear a helmet.

351
0:32:49,790 --> 0:32:52,459
Speaker 1: This movie is not about the safety of the interstates.

352
0:32:52,710 --> 0:32:54,878
Speaker 1: It's about a guy killing people out on the road.

353
0:32:55,050 --> 0:33:01,877
Speaker 2: These issues are not one and the same at all the number of people killed every year by hitchers drastically overstated.

354
0:33:02,290 --> 0:33:06,098
Speaker 2: Yeah, I think it's like negative two Hitchers actually save two lives a year.

355
0:33:06,210 --> 0:33:11,596
Speaker 1: Right, I think they killed four, but then they perform CPR on two people and the math works out or something.

356
0:33:12,330 --> 0:33:16,297
Speaker 2: So if you see hitchers, don't immediately be afraid of them as well.

357
0:33:16,317 --> 0:33:23,799
Speaker 1: No, this movie shows this expansive shot of middle America, making me long for the days of Thelma and Louise.

358
0:33:24,030 --> 0:33:28,838
Speaker 1: And then, if you're paying attention to the credits, you do see a Michael Bay production.

359
0:33:28,950 --> 0:33:30,336
Speaker 1: You're like, ah shit.

360
0:33:31,010 --> 0:33:34,020
Speaker 1: And then the camera pans over and we see some terrible CGI.

361
0:33:34,210 --> 0:33:38,436
Speaker 1: It's this burnout or rusted out car frame and a bunny comes a hoppin' by.

362
0:33:38,597 --> 0:33:39,420
Speaker 1: And this is a horror movie.

363
0:33:39,470 --> 0:33:46,751
Speaker 1: So you're like, well, that bunny's gonna die, because bunnies are the most adorable animal that audiences are okay with seeing, killed on screenbow Cause.

364
0:33:46,831 --> 0:33:51,096
Speaker 1: Dogs are a no and cats can be killed, but cats are known for being assholes.

365
0:33:51,450 --> 0:33:55,137
Speaker 1: So a lot of times when you see a dead one in a movie you're like, ah, that cat probably had it coming.

366
0:33:55,250 --> 0:34:03,178
Speaker 1: But bunnies Bo, they are innocent and sweet, but audiences are cool with them getting killed, as seen in Fatal Attraction of Mice and Men.

367
0:34:03,350 --> 0:34:05,051
Speaker 1: Monty Python and the Holy Grail cause.

368
0:34:05,071 --> 0:34:11,700
Speaker 1: They blew up a rabbit and remember when that rabbit beat that bunny to death with a pipe or a stick in the Michael Moore documentary?

369
0:34:11,830 --> 0:34:14,934
Speaker 1: Roger and Me oh, that's right, we saw that in the theater.

370
0:34:15,014 --> 0:34:16,801
Speaker 1: We did, we were like 16.

371
0:34:16,821 --> 0:34:19,189
Speaker 1: We were man Barton, fink, barton.

372
0:34:19,210 --> 0:34:19,310
Speaker 2: Fink.

373
0:34:19,772 --> 0:34:21,057
Speaker 1: Fucking weird man.

374
0:34:21,690 --> 0:34:25,214
Speaker 1: We drove an hour to go see that Jesus Christ.

375
0:34:25,470 --> 0:34:27,075
Speaker 2: Yeah, we did the same for days.

376
0:34:27,095 --> 0:34:27,938
Speaker 2: That confused.

377
0:34:28,670 --> 0:34:32,345
Speaker 2: A nostalgia piece for people a decade older than us.

378
0:34:33,894 --> 0:34:47,399
Speaker 1: So this bunny rabbit's hoppin' around and goes out into the road and get squished by a car which, truth be told, I think this rabbit wanted to die, cause it just jumps right into an oncoming car and then it gives us the title the Hitcher, which, by the way.

379
0:34:47,630 --> 0:34:58,457
Speaker 1: But I wanna thank you for picking this movie, cause it is an hour and 17 minutes long, without credits, coming close to, but not undercutting, one of the worst movies that we've ever recorded, with the shortest run time.

380
0:34:58,658 --> 0:35:05,558
Speaker 1: It's Pat, and I think that the movie it's Pat starring Julia Sweeney is more entertaining than this movie, but that movie's worse for different reasons.

381
0:35:05,850 --> 0:35:08,857
Speaker 2: That presents an interesting question Is the Hitcher better than it's Pat?

382
0:35:09,050 --> 0:35:14,938
Speaker 2: Probably, technically it is a better movie, but I would rather watch it's Pat again than watch the Hitcher 2007 again.

383
0:35:15,191 --> 0:35:19,295
Speaker 1: I completely agree, which sounds like the Hitcher's a worse movie, but it's like no, it's not.

384
0:35:19,410 --> 0:35:21,198
Speaker 1: It's a better movie, but I would watch it's Pat.

385
0:35:21,218 --> 0:35:25,579
Speaker 2: Right, I can't, so we start with Shaggy.

386
0:35:25,870 --> 0:35:29,395
Speaker 1: Our movie's hero who at first I was like is that Dane Cook?

387
0:35:29,670 --> 0:35:30,775
Speaker 1: Is that Theo Vaughn?

388
0:35:30,990 --> 0:35:37,099
Speaker 1: Is that some guy phoning in some shitty cosplay as Shaggy from Scooby-Doo at the Cincinnati Comic Con?

389
0:35:37,240 --> 0:35:37,661
Speaker 1: What's going?

390
0:35:37,761 --> 0:35:38,062
Speaker 2: on here.

391
0:35:38,250 --> 0:35:41,019
Speaker 2: He's got the shitty little goatee and everything.

392
0:35:41,230 --> 0:35:45,201
Speaker 1: He looks like Shaggy Rogers from Mystery Inc.

393
0:35:45,470 --> 0:35:48,504
Speaker 2: He has no dog sidekick, which is unfortunate that would be good.

394
0:35:48,725 --> 0:35:49,849
Speaker 1: That would have made it better.

395
0:35:49,989 --> 0:35:53,530
Speaker 1: If you did the hitcher with Shaggy and Scooby-Doo, I'd be down for that.

396
0:35:53,686 --> 0:36:00,817
Speaker 1: Zoinks, this guy's gotta kill a Scoob and at the end he ties up Scooby-Doo between the 18-wheeler.

397
0:36:00,857 --> 0:36:05,235
Speaker 1: He's like Rumpro Raggy the hitcher got a Scooby-Doo.

398
0:36:05,545 --> 0:36:07,412
Speaker 1: They ripped that great dane in half.

399
0:36:07,653 --> 0:36:09,304
Speaker 1: Scoob, now you got a movie.

400
0:36:09,465 --> 0:36:12,475
Speaker 1: Yeah, somebody give him a Scooby snack man.

401
0:36:12,828 --> 0:36:13,805
Speaker 1: Whatever his name is Shaggy.

402
0:36:13,966 --> 0:36:28,119
Speaker 1: He's standing in front of an Oldsmobile 442, this faded blue muscle car and he gets on his cell phone and he's outside, maybe a college campus or a museum or the DMV or something, and he gets on the phone like, hey, it's me, are you sleeping or something?

403
0:36:28,159 --> 0:36:30,733
Speaker 1: I'm outside, it's time to go, hurry up your leap man.

404
0:36:31,206 --> 0:36:34,061
Speaker 1: And Shaggy's kind of an asshole in this scene.

405
0:36:34,081 --> 0:36:34,785
Speaker 1: He's real demanding.

406
0:36:34,947 --> 0:36:36,365
Speaker 1: And then his girlfriend, her name's Grace.

407
0:36:36,566 --> 0:36:44,985
Speaker 1: She comes running out of her dorm, slash county lockup, and she's got a travel bag and a pillow and a bunch of blankets and I was like where are these people going?

408
0:36:45,206 --> 0:36:49,485
Speaker 1: Which also I'm not sure if I respect people who bring their own pillow on a trip or not.

409
0:36:49,505 --> 0:36:50,594
Speaker 1: It feels a bit much.

410
0:36:50,686 --> 0:36:54,739
Speaker 1: But when you get to your final destination I'm always kind of jealous because I'm like, oh man, they got their own pillow.

411
0:36:54,986 --> 0:36:59,608
Speaker 2: I don't know that I'm that blown away by my own pillows, that I mean.

412
0:36:59,648 --> 0:37:02,516
Speaker 2: As long as there are pillows, I think I'm okay.

413
0:37:02,765 --> 0:37:09,111
Speaker 1: But some places have real shitty pillows, like real thin pillows, nothing and when you have your own pillow you're like, oh man, that's a better pillow than shitty ones.

414
0:37:09,231 --> 0:37:09,813
Speaker 1: It's insurance.

415
0:37:10,127 --> 0:37:14,808
Speaker 2: Yeah, but if you're staying places where the poor's, do sure you're gonna get some bad pillows, but that ain't me, Chad.

416
0:37:14,829 --> 0:37:15,792
Speaker 2: That's not how I travel.

417
0:37:15,993 --> 0:37:16,615
Speaker 2: Good for you.

418
0:37:17,285 --> 0:37:26,277
Speaker 1: Grace has that thing in movies where she leaps into the air and wraps her arms and her legs around shaggy and he just holds her up along with all of her travel bags.

419
0:37:26,505 --> 0:37:32,198
Speaker 1: I've only seen that in movies and in billboards for Newport cigarettes, alive with pleasure.

420
0:37:32,986 --> 0:37:34,733
Speaker 2: He compliments her PJs.

421
0:37:35,325 --> 0:37:36,168
Speaker 2: Compliments.

422
0:37:36,328 --> 0:37:40,713
Speaker 1: He's like, like nice PJs man, get in the car, let's go, you're late.

423
0:37:40,885 --> 0:37:44,055
Speaker 2: What a dick, and so they take off in the 442.

424
0:37:44,305 --> 0:37:47,435
Speaker 2: She's changing clothes in the car so we get a little flash of skin.

425
0:37:47,475 --> 0:37:50,433
Speaker 2: Because, lest we forget, this is a Michael Bay movie.

426
0:37:50,634 --> 0:37:54,335
Speaker 2: Yeah, I mean, he didn't direct, but you know, the ethos is there.

427
0:37:54,665 --> 0:38:00,145
Speaker 1: You mentioned that Sophia Bush plays Grace in this and she looks like so many other actresses.

428
0:38:00,265 --> 0:38:02,012
Speaker 1: I mean she's a lovely woman.

429
0:38:02,173 --> 0:38:08,265
Speaker 1: But I was like, is that Jennifer, I love Hewitt or Kate Mara or Rooney Mara or one of the Olsen twins?

430
0:38:08,425 --> 0:38:15,079
Speaker 1: Like I could not pick this woman out of a lineup of any five brunettes from any CWWB show.

431
0:38:15,326 --> 0:38:20,655
Speaker 2: I've just watched this movie a couple of days ago and if you showed me a picture of Sophia Bush right now, I would not recognize her.

432
0:38:20,966 --> 0:38:27,817
Speaker 1: No, they're off to somewhere and then shaggy looks over at her and he goes like I know that, look, man, you got a pee.

433
0:38:28,165 --> 0:38:30,753
Speaker 1: Wait, you know her look when she has to pee.

434
0:38:30,933 --> 0:38:31,896
Speaker 1: That's gross.

435
0:38:32,106 --> 0:38:36,023
Speaker 1: I don't think I've ever known someone that has a I have to pee.

436
0:38:36,144 --> 0:38:38,533
Speaker 1: Look, I've seen it when somebody has to throw up.

437
0:38:38,705 --> 0:38:40,670
Speaker 1: I've seen it when somebody has to take a shit.

438
0:38:40,770 --> 0:38:43,457
Speaker 1: But I've never seen a look that says I have to go pee.

439
0:38:43,785 --> 0:38:48,337
Speaker 2: Zoinks Grace, I guess we're getting into water sports early on this trip, man.

440
0:38:48,626 --> 0:38:58,225
Speaker 1: It turns out she does have to pee, so the movie grinds to a halt, so this woman can go take a pee, and then he finds a penny, picks it up, so all day long I'll have good luck.

441
0:38:58,265 --> 0:39:01,905
Speaker 1: I was like, well, oh, this is going to come into play later, doesn't it doesn't?

442
0:39:02,126 --> 0:39:02,326
Speaker 2: Right.

443
0:39:02,607 --> 0:39:07,812
Speaker 2: I guess we got to get this movie to a feature length runtime and that's why you're seeing things like Zoinks.

444
0:39:07,872 --> 0:39:08,755
Speaker 2: Here's a pity.

445
0:39:09,785 --> 0:39:16,437
Speaker 2: There's a point where a bug hits the windshield when they get back on the road and there's a lot of to do about Zoinks.

446
0:39:16,678 --> 0:39:17,865
Speaker 2: Give me some water, man.

447
0:39:18,066 --> 0:39:26,884
Speaker 2: We got to get this bug off the windshield, and so they do, and then they just pass a sign showing that they're in New Mexico and that's five minutes of the movie.

448
0:39:27,105 --> 0:39:32,276
Speaker 1: As they drive along to get a little bit of the hit rock, ballad, move along by that band.

449
0:39:32,316 --> 0:39:33,258
Speaker 1: Who gives a shit?

450
0:39:33,387 --> 0:39:34,424
Speaker 1: Where are they going?

451
0:39:34,666 --> 0:39:36,132
Speaker 1: Again, you said they're in New Mexico.

452
0:39:36,346 --> 0:39:40,294
Speaker 1: I don't know who these people are, I don't know where they're headed or why.

453
0:39:40,569 --> 0:39:41,425
Speaker 1: Then it starts to rain.

454
0:39:41,505 --> 0:39:42,207
Speaker 1: You're like okay.

455
0:39:42,408 --> 0:39:53,517
Speaker 1: So now we're in original movie territory and Grace is reading Cosmo and the article is Rate your Boyfriend and she says oh my God, I am so excited for the girls to meet you.

456
0:39:53,766 --> 0:39:56,355
Speaker 1: And Shaggy says, like, I can't wait to meet them either.

457
0:39:56,485 --> 0:39:58,011
Speaker 1: Like, do you think they're going to like me?

458
0:39:58,111 --> 0:39:58,854
Speaker 1: Like, like.

459
0:39:59,126 --> 0:40:01,915
Speaker 1: And Grace says oh my God, they are definitely going to love you.

460
0:40:02,165 --> 0:40:04,511
Speaker 1: What girls, bo, are these two dating?

461
0:40:04,645 --> 0:40:05,570
Speaker 1: Are they swingers?

462
0:40:05,786 --> 0:40:07,372
Speaker 1: Is she being human trafficked?

463
0:40:07,525 --> 0:40:09,393
Speaker 1: Is she trading her friends for her freedom?

464
0:40:09,527 --> 0:40:10,564
Speaker 1: That'd make a better movie.

465
0:40:10,926 --> 0:40:12,512
Speaker 2: Oh, kind of a reverse taken.

466
0:40:12,753 --> 0:40:13,134
Speaker 1: Yeah.

467
0:40:13,446 --> 0:40:17,475
Speaker 2: Oh, I would like that, like I've got a very special set of skills man.

468
0:40:17,785 --> 0:40:33,157
Speaker 1: So while Shaggy and Grace are chit-chatting away during a downpour and they're traveling at a very high rate of speed, so naturally Shaggy is just staring directly at Grace, not watching the road as you do when it's night and pouring down rain at a high rate of speed.

469
0:40:33,325 --> 0:40:35,153
Speaker 1: And then Grace ever the alert passenger.

470
0:40:35,345 --> 0:40:39,717
Speaker 1: She looks up at the road ahead and she screams oh my God, there's a guy on the road.

471
0:40:40,025 --> 0:40:44,057
Speaker 1: So the car swerves around, almost hitting Bo the hitcher.

472
0:40:44,207 --> 0:40:49,665
Speaker 1: They got themselves a hitcher in the road, Chad he's standing in the middle of the damn road and not even on the side of the road.

473
0:40:49,806 --> 0:40:51,292
Speaker 1: Again, I know we're going to reference the original.

474
0:40:51,606 --> 0:40:53,885
Speaker 1: In the original it is a cautionary tale.

475
0:40:54,005 --> 0:40:57,192
Speaker 1: See Thomas Howell pulls over, helps a man in the rain.

476
0:40:57,412 --> 0:41:01,798
Speaker 1: As a good deed that goes extremely punished and it starts slowing.

477
0:41:01,838 --> 0:41:02,304
Speaker 1: It builds.

478
0:41:02,545 --> 0:41:06,476
Speaker 1: This movie starts with a contrived jump scare and it's just downhill from there.

479
0:41:06,765 --> 0:41:10,115
Speaker 2: Where the first movie is sort of like bad things happen to good people.

480
0:41:10,446 --> 0:41:13,615
Speaker 2: It is sort of the theme question mark of the original the hitcher.

481
0:41:13,825 --> 0:41:22,993
Speaker 2: This one is very much derivative things happen to boring people or just like, hey, if you don't stop and help your fellow man, you're going to get fucked for it or something.

482
0:41:23,247 --> 0:41:25,325
Speaker 2: But even that doesn't hold up to much scrutiny.

483
0:41:25,526 --> 0:41:32,974
Speaker 2: The hitcher really feels like this moralistic tale of just because you're doing the right thing doesn't mean that good things are going to come from that.

484
0:41:33,014 --> 0:41:35,784
Speaker 2: That danger lurks around every corner, Sort of thing.

485
0:41:35,944 --> 0:41:36,085
Speaker 1: Yes.

486
0:41:36,326 --> 0:41:38,834
Speaker 2: Even when you're trying to be a good and decent person.

487
0:41:39,286 --> 0:41:41,451
Speaker 2: And this is just a bunch of shit that happens.

488
0:41:41,511 --> 0:41:42,313
Speaker 2: And then credits.

489
0:41:42,393 --> 0:41:44,618
Speaker 2: But we'll get to credits soon enough.

490
0:41:44,785 --> 0:41:50,418
Speaker 1: Shaggy says like I should go talk to that guy and explain that you shouldn't hitchhike in the middle of the road man.

491
0:41:50,806 --> 0:41:54,291
Speaker 1: And Gray says I have a better idea, let's just leave.

492
0:41:54,446 --> 0:42:00,305
Speaker 1: And then the hitcher, who we have only seen in silhouette he starts to approach the car from the rear and then the car won't turn over.

493
0:42:00,486 --> 0:42:01,530
Speaker 1: It's real suspenseful.

494
0:42:01,590 --> 0:42:02,614
Speaker 1: But then it does and they leave.

495
0:42:02,745 --> 0:42:11,172
Speaker 2: This is one of those moments where the hitcher, who has been standing in the road beside this car with its emergency lights on, standing in the middle of the road.

496
0:42:11,313 --> 0:42:13,465
Speaker 2: They spin around a couple of times.

497
0:42:14,909 --> 0:42:25,331
Speaker 2: So we're doing donuts, man, and then the hitcher starts to walk towards them and Gray just freaks out about like we've got to get out of hair and with the car being flooded.

498
0:42:25,371 --> 0:42:30,133
Speaker 2: Like you said, it's supposed to be this moment of tension and it's just like so what are they afraid of?

499
0:42:30,314 --> 0:42:32,271
Speaker 2: Exactly A guy in the rain.

500
0:42:34,088 --> 0:42:35,766
Speaker 2: Again, comparing it to the original, but what?

501
0:42:35,966 --> 0:42:45,055
Speaker 2: At first Rick or Howard is kind of friendly and is sort of disarming, whereas immediately this movie is like be sure you're afraid of the hitcher.

502
0:42:45,345 --> 0:42:47,102
Speaker 2: The original movie doesn't do that.

503
0:42:47,246 --> 0:42:48,752
Speaker 2: You just don't know what to make of it.

504
0:42:48,946 --> 0:42:51,124
Speaker 1: You know what the original movie reminds me of?

505
0:42:51,325 --> 0:43:00,139
Speaker 1: Remember that episode of Six Feet Under where the younger brother picks up that dude and he just torments him for the whole episode?

506
0:43:00,719 --> 0:43:01,280
Speaker 1: It's that.

507
0:43:01,546 --> 0:43:02,811
Speaker 1: Why are you doing this?

508
0:43:03,106 --> 0:43:04,512
Speaker 1: And there is no reason.

509
0:43:04,705 --> 0:43:07,875
Speaker 1: It's just because I'm a fucked up person.

510
0:43:08,125 --> 0:43:15,159
Speaker 2: I always think of the movie the Strangers, which is not a great movie, but it's a pretty good horror film.

511
0:43:15,265 --> 0:43:23,422
Speaker 2: But the thing that everyone knows about the Strangers, even if you've never seen it, is the thing that came from the ads, which was hey, why are you doing this to us?

512
0:43:23,602 --> 0:43:24,365
Speaker 1: because you were home.

513
0:43:24,547 --> 0:43:32,979
Speaker 2: Which is a terrifying line, right, the whole idea that somebody shows up at your house and they just torments you and murders you because you happen to answer the door.

514
0:43:33,186 --> 0:43:35,313
Speaker 2: Like I said, kind of a this terrifying notion.

515
0:43:35,545 --> 0:43:48,020
Speaker 2: But this movie skips all that, no, and just is like, hey, don't worry about being scared of this guy for any other reason than the characters are telling you to be scared of him.

516
0:43:48,246 --> 0:43:52,785
Speaker 1: As they drive away, we see another set of headlights coming up behind the hitcher.

517
0:43:52,926 --> 0:43:54,572
Speaker 1: So you're like, well, he'll be okay.

518
0:43:54,765 --> 0:43:59,297
Speaker 1: And, more importantly, if this is based on the original, he's going to torment that person when he gets in the car.

519
0:43:59,445 --> 0:44:00,951
Speaker 1: So roll credits now.

520
0:44:01,051 --> 0:44:01,694
Speaker 2: We're done.

521
0:44:01,845 --> 0:44:06,057
Speaker 2: The car does finally start here and they take off while the hitcher just watches them leave.

522
0:44:06,725 --> 0:44:11,397
Speaker 2: So they're on the road and Shaggy is like come on, man, we got to call somebody.

523
0:44:11,565 --> 0:44:13,513
Speaker 2: That guy stuck out in the middle of nowhere.

524
0:44:13,825 --> 0:44:16,054
Speaker 2: Grace is like what are you talking about?

525
0:44:16,145 --> 0:44:17,692
Speaker 2: That guy seemed like an asshole.

526
0:44:17,965 --> 0:44:19,832
Speaker 2: You're like on account of.

527
0:44:20,346 --> 0:44:23,856
Speaker 1: He was standing in the rain in the middle of the night asking for help.

528
0:44:24,127 --> 0:44:25,689
Speaker 1: What a piece of shit, god.

529
0:44:25,709 --> 0:44:27,085
Speaker 2: did you see what he was wearing?

530
0:44:27,246 --> 0:44:28,231
Speaker 2: He looked poor.

531
0:44:29,585 --> 0:44:33,857
Speaker 2: But unfortunately Shaggy doesn't have a signal on his cell phone so he can't call anybody.

532
0:44:34,166 --> 0:44:35,431
Speaker 1: We got to check that box.

533
0:44:35,666 --> 0:44:37,833
Speaker 1: We don't have any cell service out here.

534
0:44:38,186 --> 0:44:43,225
Speaker 2: After a moment, Shaggy is like hey, did you see, man, that I did a full 360?

535
0:44:43,425 --> 0:44:44,910
Speaker 2: Was that crazy or what?

536
0:44:44,950 --> 0:44:45,372
Speaker 1: man?

537
0:44:45,773 --> 0:44:47,470
Speaker 1: Oh my God, of course I did.

538
0:44:47,726 --> 0:44:48,837
Speaker 1: I was in the car right next to you.

539
0:44:49,079 --> 0:44:49,645
Speaker 1: It was amazing.

540
0:44:49,786 --> 0:44:51,273
Speaker 1: I never thought you could do that in a car.

541
0:44:51,434 --> 0:44:53,485
Speaker 1: And then you did Guess what I have to pay.

542
0:44:53,645 --> 0:44:56,493
Speaker 1: So they find a convenience store called Bufords.

543
0:44:56,673 --> 0:45:02,216
Speaker 2: It's still raining, it's still night and then we do some quality product placement chat yeah.

544
0:45:02,466 --> 0:45:06,664
Speaker 1: He's like, hey, do you want some Fritos or Cheetos or Doritos?

545
0:45:06,926 --> 0:45:09,663
Speaker 1: And she's like you know me, I love Cheetos.

546
0:45:09,925 --> 0:45:12,033
Speaker 1: He's like you want Ding Dongs or Twinkies.

547
0:45:12,206 --> 0:45:15,773
Speaker 1: Give me some Ding Dong, Maybe later some Twinkies or something.

548
0:45:15,985 --> 0:45:17,731
Speaker 1: Look, I got a piece so bad.

549
0:45:17,771 --> 0:45:19,007
Speaker 2: Look at my face Also.

550
0:45:19,068 --> 0:45:20,779
Speaker 2: Be sure to get me some Pepsi.

551
0:45:20,946 --> 0:45:22,593
Speaker 2: It's the choice of a new generation.

552
0:45:23,625 --> 0:45:28,605
Speaker 1: Shaggy walks over to the store clerk and he says like there's a guy broken down a few miles back.

553
0:45:28,745 --> 0:45:30,513
Speaker 1: Could you send someone to help him, man?

554
0:45:30,765 --> 0:45:36,755
Speaker 1: And the store clerk says uh, yeah, that's a no go, that truck belongs to Buford and this is his place.

555
0:45:36,946 --> 0:45:40,840
Speaker 1: He'll be back around 7 o'clock and I was like man, look at Buford coming at 7 am.

556
0:45:40,880 --> 0:45:46,390
Speaker 1: But then I thought you know what, maybe at 7 pm, after he sobers up and up to keep between the lines, I'm like I'm good either way.

557
0:45:46,586 --> 0:46:08,254
Speaker 2: My take on Buford, the guy that we never meet who has the tow truck my take on Buford is he works a day job and the tow business is kind of his at night, so between like 4.30 and 7, it's time to get some dinner, knock back a six pack probably tall boys and then get to work at the convenience store because nobody is calling for a tow.

558
0:46:08,646 --> 0:46:14,334
Speaker 2: And so the fact that he's got it occasionally drive drunk is not that big a deal, because it just doesn't happen every night.

559
0:46:14,506 --> 0:46:15,048
Speaker 1: You mean on his?

560
0:46:15,088 --> 0:46:15,510
Speaker 2: way to work.

561
0:46:15,766 --> 0:46:18,314
Speaker 2: Oh no, he's driving drunk every day on his way to work.

562
0:46:18,925 --> 0:46:25,597
Speaker 2: Well, of course, Buford Right, but as far as then having to drive drunk in the course of his duties.

563
0:46:25,906 --> 0:46:28,666
Speaker 2: Right, that part is not so much necessary, Sure.

564
0:46:28,847 --> 0:46:33,392
Speaker 1: Grace says oh my God, I've got to pee so bad because it's kind of my thing in this movie.

565
0:46:33,566 --> 0:46:38,050
Speaker 1: And then the clerk gives her a key to go to the bathroom which is attached to a Barbie doll.

566
0:46:38,171 --> 0:46:38,592
Speaker 1: Gross.

567
0:46:38,713 --> 0:46:48,350
Speaker 1: And Grace leaves and the clerk says to Shaggy, if your car, if 442 is a bad ass, fucking ride, man, that's a regular pussy wagon and I was like there it is.

568
0:46:48,566 --> 0:46:51,745
Speaker 1: That's the kind of dialogue you expect from a platinum dudes production.

569
0:46:51,825 --> 0:46:55,282
Speaker 2: As soon as the word pussy wagon was used, I was like all right.

570
0:46:55,403 --> 0:46:55,905
Speaker 2: Now I feel like.

571
0:46:56,005 --> 0:46:57,993
Speaker 1: Did you recognize the store clerk in the movie?

572
0:46:58,285 --> 0:47:00,273
Speaker 1: He seemed familiar, but I can't say why.

573
0:47:00,506 --> 0:47:04,205
Speaker 1: He's that guy who played Lil Kevin and it's always Sunny in Philadelphia.

574
0:47:04,366 --> 0:47:06,585
Speaker 1: Remember he was that rapper that D dated.

575
0:47:06,826 --> 0:47:20,712
Speaker 1: They all couldn't tell if he was a rapper or if he was like special needs, uh-huh, okay, all right, that makes me think he was also the redneck in that barn in the platinum dunes remake of Friday the 13th that we reviewed a few weeks months, years back.

576
0:47:20,925 --> 0:47:24,416
Speaker 2: This guy's just nailing down all the parts where he is slightly mentally challenged.

577
0:47:25,185 --> 0:47:30,999
Speaker 2: This is like corky from life goes on getting typecast as the kid with Down syndrome.

578
0:47:31,485 --> 0:47:35,736
Speaker 2: Shaggy asks the store clerk like what kind of car do you have, man?

579
0:47:36,386 --> 0:47:40,205
Speaker 1: And this store clerk's like I'm fixing up a Camaro in my backyard.

580
0:47:40,386 --> 0:47:42,093
Speaker 1: You can come over, you can see it if you want.

581
0:47:42,366 --> 0:47:46,285
Speaker 1: And I got a couple of donkeys in my backyard me and my cousin we ride those around.

582
0:47:46,446 --> 0:47:47,410
Speaker 1: I got kicked in the eye.

583
0:47:47,585 --> 0:47:50,894
Speaker 1: I tried to milk that donkey, but you can't milk a fucking donkey though.

584
0:47:50,995 --> 0:47:51,717
Speaker 1: You know what I'm saying.

585
0:47:51,865 --> 0:47:54,374
Speaker 1: That is all actual dialogue from this movie.

586
0:47:54,646 --> 0:47:56,192
Speaker 1: It means nothing.

587
0:47:56,466 --> 0:47:57,711
Speaker 1: It's meant to be funny.

588
0:47:57,912 --> 0:47:59,330
Speaker 1: It is and it's not.

589
0:47:59,510 --> 0:48:00,233
Speaker 1: It's terrible.

590
0:48:00,405 --> 0:48:26,613
Speaker 1: The way they get out of this scene is Shaggy gives a little side eye to a hot dog on the Weenie roller machine and then it hard cuts to him outside, jam it in his mouth Like he's fourth of July Right Like he's in the Nathan's hot dog eating contest and then a semi pulls up as he's feeding both the car and himself in a manner that is sure to get him the Nara virus.

591
0:48:26,987 --> 0:48:28,625
Speaker 1: And Shaggy looks a little concerned.

592
0:48:28,746 --> 0:48:32,595
Speaker 1: I was like why he didn't even get a good look at the guy he almost hit.

593
0:48:32,745 --> 0:48:36,576
Speaker 1: Why would he assume that the dude getting out of this 18 Wheeler is that guy?

594
0:48:37,026 --> 0:48:38,351
Speaker 2: Also he did the right thing.

595
0:48:39,425 --> 0:48:43,725
Speaker 2: Like the way to play this immediately is hey man, we saw you on the road back there.

596
0:48:43,886 --> 0:48:46,378
Speaker 2: We just told the guy inside that you need to live.

597
0:48:46,419 --> 0:48:47,665
Speaker 2: Glad that you made that way.

598
0:48:47,786 --> 0:48:50,563
Speaker 2: You completely absolved yourself of any wrongdoing.

599
0:48:50,784 --> 0:48:50,925
Speaker 1: Yeah.

600
0:48:51,146 --> 0:48:52,371
Speaker 2: So the hitcher shows up.

601
0:48:52,626 --> 0:48:55,424
Speaker 2: Like you said, shaggy kind of looks away like zoinks man.

602
0:48:55,686 --> 0:48:56,771
Speaker 2: I don't want him to see me.

603
0:48:57,027 --> 0:49:06,424
Speaker 1: But Shaggy has to go inside to pay for the gas he pumped and the hitcher is inside the gas station with our donkey milking Camaro special needs guy.

604
0:49:06,444 --> 0:49:09,374
Speaker 2: Right who got kicked in the head trying to milk a donkey?

605
0:49:09,647 --> 0:49:13,652
Speaker 1: And by that we mean jerk off a donkey, absolutely, that is what we are implying here.

606
0:49:13,787 --> 0:49:15,165
Speaker 1: I don't think we were even implying it.

607
0:49:15,366 --> 0:49:18,475
Speaker 1: I don't think we were inferring this, suggesting.

608
0:49:18,706 --> 0:49:30,136
Speaker 2: So the hitcher is making a call on a pay phone when Shaggy rolls back inside and the guy behind the counter, donkey boy, says like this must be the guy that you wanted the truck for.

609
0:49:30,317 --> 0:49:31,479
Speaker 1: Who is he, poirot?

610
0:49:31,746 --> 0:49:33,051
Speaker 1: How did he deduce this?

611
0:49:33,305 --> 0:49:46,675
Speaker 1: Based on everything this movie has told us, this store clerk is the kind of person that lets customers make their own change from the cash register, based on the honor system and his lack of understanding, subtraction and the concept of currency.

612
0:49:46,985 --> 0:49:52,398
Speaker 2: It's a real oldling murders in the convenience store kind of situation here where he's cracking the case.

613
0:49:52,645 --> 0:50:01,165
Speaker 1: Shaggy Jeffs and he's like like sorry for not picking you up back there, man, and the hitcher's like don't worry about it, I wouldn't have picked me up either out there in the store.

614
0:50:01,386 --> 0:50:04,017
Speaker 1: And let me just say Sean Bean who plays the hitcher.

615
0:50:04,279 --> 0:50:05,745
Speaker 1: He is incredibly good looking.

616
0:50:05,885 --> 0:50:10,785
Speaker 1: He does not come close to the creepy, dead eyed Rutger Hauer in the original.

617
0:50:10,926 --> 0:50:17,091
Speaker 1: If you're going to cast a murdering hitchhiker, don't go for someone who could easily be the next James Bond.

618
0:50:17,225 --> 0:50:19,594
Speaker 1: You go get your Jake Busey right.

619
0:50:20,026 --> 0:50:27,976
Speaker 1: Maybe, if you want to go older, get Clancy Brown, mickey Rourke, kid Rock, hell, I'll make it easy for your remake of the hitcher, michael Shannon.

620
0:50:28,350 --> 0:50:30,130
Speaker 2: Oh my god, on Michael Shannon.

621
0:50:30,371 --> 0:50:34,631
Speaker 2: Even this is probably in the sky kind of casting right, but like a Willem Dafoe.

622
0:50:34,952 --> 0:50:35,474
Speaker 1: Yes.

623
0:50:35,727 --> 0:50:36,964
Speaker 2: Why don't you pick me up?

624
0:50:37,186 --> 0:50:38,050
Speaker 2: Why don't you?

625
0:50:38,626 --> 0:50:39,450
Speaker 1: Any of those.

626
0:50:39,725 --> 0:50:45,018
Speaker 1: You don't get this like guy who should be selling you Cologne on the back of a magazine.

627
0:50:45,766 --> 0:50:49,921
Speaker 2: I know I'm kind of a male model type, but I would have picked me up either.

628
0:50:50,082 --> 0:50:53,092
Speaker 1: And then the hitcher's like ah, is there a motel nearby?

629
0:50:53,272 --> 0:50:54,516
Speaker 1: I've got somebody coming to get me.

630
0:50:54,745 --> 0:50:59,097
Speaker 1: And then the clerk's like, oh yeah, there's one about 15 miles down the road that way.

631
0:50:59,326 --> 0:51:04,832
Speaker 1: And then the hitcher looks over at Shaggy and he's like, hey, if you're headed north, can I get your ride to that motel.

632
0:51:05,026 --> 0:51:10,631
Speaker 1: And Shaggy says like sure, man, I can help you out, considering I was a jerk who left you in the rain earlier.

633
0:51:10,865 --> 0:51:23,795
Speaker 1: And then, bo, here comes, grace, walking back kind of bow legged, and she's like, look, nobody should go into the girl's bathroom because that toilet is clogged with a shit the size of a honeybaked ham.

634
0:51:24,065 --> 0:51:30,865
Speaker 1: Also, probably somebody who wasn't me had to make an encore performance in the men's room and destroy that place like a champ.

635
0:51:31,107 --> 0:51:35,413
Speaker 1: I don't know who's on cleanup detail in this place, but you are going to need a pressure washer for sure.

636
0:51:35,605 --> 0:51:38,374
Speaker 1: So, whoa, who is this handsome stranger?

637
0:51:38,846 --> 0:51:41,695
Speaker 2: It really is like who is this tall drink of water?

638
0:51:41,926 --> 0:51:51,932
Speaker 1: Like it's the guy we almost hit earlier in the movie Remember, this is a Platinum Dunes movie there's only like five or six actors that get to speak lines because they don't want to pay anybody.

639
0:51:52,107 --> 0:51:53,204
Speaker 1: They get in the car man.

640
0:51:53,686 --> 0:51:55,834
Speaker 2: All three of them pile into the 442.

641
0:51:55,854 --> 0:51:56,907
Speaker 2: Yeah, all they go.

642
0:51:57,227 --> 0:52:02,318
Speaker 2: Grace is in the backseat headphones in listening to the latest party heads.

643
0:52:02,567 --> 0:52:03,944
Speaker 1: She's got her iPod plugged in.

644
0:52:04,125 --> 0:52:06,694
Speaker 2: The new new Minuto is what she's listening to.

645
0:52:06,968 --> 0:52:08,065
Speaker 1: Shaggy makes some small talking.

646
0:52:08,206 --> 0:52:10,353
Speaker 1: He says like where are you from, man?

647
0:52:10,606 --> 0:52:12,734
Speaker 2: And the hitcher is just like uh, fuck all that.

648
0:52:14,105 --> 0:52:19,943
Speaker 2: Say that Grace back there, good looking girl, how long you been fucking her A song.

649
0:52:20,728 --> 0:52:28,477
Speaker 2: Shaggy notices that the hitcher has a wedding ring on and he says uh like, how long you been fucking your wife man?

650
0:52:29,427 --> 0:52:33,585
Speaker 2: And the hitcher is like wife, uh, oh, this, I don't have one.

651
0:52:33,806 --> 0:52:37,325
Speaker 1: I just wear a wedding ring to make people think I'm trustworthy.

652
0:52:38,007 --> 0:52:41,076
Speaker 1: Now that I say it out loud, that makes me seem untrustworthy.

653
0:52:41,526 --> 0:52:42,489
Speaker 1: But wait, did you notice?

654
0:52:42,549 --> 0:52:44,756
Speaker 1: I'm wearing a wedding ring, check and mate.

655
0:52:44,966 --> 0:52:47,233
Speaker 1: That's some tautological like thinking there.

656
0:52:47,253 --> 0:52:48,075
Speaker 1: But I gotcha.

657
0:52:48,406 --> 0:52:54,631
Speaker 1: Also, in case you're curious, I also wear a cock ring to make people know that I'm really into you know, weird shit.

658
0:52:54,925 --> 0:52:57,174
Speaker 2: Sometimes I pair it with a ball stretcher.

659
0:52:57,486 --> 0:52:58,330
Speaker 2: It's quite a rush.

660
0:52:58,686 --> 0:53:00,453
Speaker 1: So you aren't trustworthy then.

661
0:53:00,645 --> 0:53:05,574
Speaker 1: And then the hitcher reaches into the glove box, he brings out their flip phone and he snaps it in half.

662
0:53:05,766 --> 0:53:13,645
Speaker 1: And then the hitcher pulls out a switchblade, he jumps in the back and like sticks it up to Grace Shaggy's like, hey, do what you want, man.

663
0:53:13,806 --> 0:53:15,392
Speaker 1: Do you want money or my car?

664
0:53:15,666 --> 0:53:17,825
Speaker 1: The clerk back there said this was a real pussywagon.

665
0:53:17,966 --> 0:53:19,138
Speaker 1: That's gotta count for something.

666
0:53:19,259 --> 0:53:19,865
Speaker 1: He went and lied.

667
0:53:20,067 --> 0:53:23,418
Speaker 1: He just kind of ran around on donkeys and I think she jerked one of them off.

668
0:53:23,620 --> 0:53:25,384
Speaker 1: Is that what you want, a donkey massage?

669
0:53:25,546 --> 0:53:26,390
Speaker 1: I'll do that for ya.

670
0:53:26,587 --> 0:53:27,704
Speaker 1: Get your ball stretcher out.

671
0:53:27,865 --> 0:53:29,031
Speaker 1: Whatever you want, man.

672
0:53:29,266 --> 0:53:30,130
Speaker 2: Here's what I want.

673
0:53:30,285 --> 0:53:32,612
Speaker 2: I want you to say four words.

674
0:53:33,254 --> 0:53:34,056
Speaker 2: Say I-.

675
0:53:34,265 --> 0:53:35,631
Speaker 1: Donkey massage now.

676
0:53:36,768 --> 0:53:38,273
Speaker 2: No wait, I'll tell you the words.

677
0:53:38,906 --> 0:53:40,452
Speaker 1: Extra long ball stretcher.

678
0:53:40,766 --> 0:53:43,745
Speaker 2: It's not a picture area, you idiot, hang on, it's-.

679
0:53:43,886 --> 0:53:45,071
Speaker 1: It's a pussywagon.

680
0:53:45,326 --> 0:53:46,732
Speaker 1: What am I supposed to say?

681
0:53:46,985 --> 0:53:50,045
Speaker 2: First of all, it's a pussywagon, not four words.

682
0:53:50,185 --> 0:53:51,551
Speaker 2: That's technically a contract.

683
0:53:51,591 --> 0:53:54,694
Speaker 2: Never mind it's, I want to die.

684
0:53:55,067 --> 0:53:59,693
Speaker 2: And this, of course, is a callback to the original movie, but a much shittier version of it.

685
0:53:59,834 --> 0:54:02,935
Speaker 2: Yeah, so Shaggy sees that they're passing by this motel, that-.

686
0:54:03,065 --> 0:54:03,346
Speaker 1: What?

687
0:54:03,447 --> 0:54:04,671
Speaker 1: Why do we need to see that Bo?

688
0:54:04,892 --> 0:54:05,555
Speaker 1: I don't know.

689
0:54:08,105 --> 0:54:20,425
Speaker 2: Shaggy revs the engine and says like I don't want to die man, and then slams on the brake, which bounces the hitcher's head off the windshield Uh-huh, cracking the windshield, and probably his head, yes.

690
0:54:20,586 --> 0:54:27,816
Speaker 2: And then he starts kicking him against the door, but he doesn't go out, and so he's like like Grace, come on man open the door.

691
0:54:28,186 --> 0:54:30,173
Speaker 1: Oh my god, do I have to do everything here?

692
0:54:30,273 --> 0:54:32,009
Speaker 1: C-clunk, and then the door opens up.

693
0:54:32,090 --> 0:54:34,723
Speaker 1: They kick the hitcher out and the movie is over.

694
0:54:34,764 --> 0:54:37,185
Speaker 1: Bo, this is where it shit in, because this guy would be dead.

695
0:54:37,327 --> 0:54:40,934
Speaker 1: They're not stopping, they're doing a good 30 miles down the road.

696
0:54:41,106 --> 0:54:43,153
Speaker 1: There's no way he comes out of this uninjured.

697
0:54:43,426 --> 0:54:48,825
Speaker 2: So they decide they're going to call the cops and Grace is like wait a second, I don't have my phone.

698
0:54:49,046 --> 0:54:50,599
Speaker 2: What kind of bullshit is this?

699
0:54:50,942 --> 0:54:51,265
Speaker 1: The hold on.

700
0:54:51,447 --> 0:54:53,265
Speaker 1: Let me remember the last time I used it.

701
0:54:53,446 --> 0:54:55,052
Speaker 1: You were about to get stabbed.

702
0:54:55,387 --> 0:54:57,584
Speaker 1: You were screaming something about donkey semen.

703
0:54:57,785 --> 0:55:00,314
Speaker 1: Then you kicked that handsome, good-looking guy.

704
0:55:00,545 --> 0:55:10,437
Speaker 1: I grabbed my phone and I used it to open the door and then it went outside and it was raining and I thought, oh my gosh, I need to throw this in the grass so it'll stay dry.

705
0:55:10,558 --> 0:55:14,394
Speaker 1: And oh shit, my phone's in the dry grass about two miles back.

706
0:55:14,646 --> 0:55:19,785
Speaker 2: Sure enough, it starts ringing by the side of the road where the hitcher is lying on the pavement.

707
0:55:19,965 --> 0:55:21,110
Speaker 2: Who opens his eyes?

708
0:55:21,250 --> 0:55:21,853
Speaker 2: You know, blink.

709
0:55:22,386 --> 0:55:23,331
Speaker 1: So should I answer it.

710
0:55:23,465 --> 0:55:25,173
Speaker 1: It's not my phone, but it could be important.

711
0:55:25,366 --> 0:55:27,276
Speaker 2: Well, I mean, what if I just answer with her name?

712
0:55:27,337 --> 0:55:28,061
Speaker 2: Did I get her name?

713
0:55:28,161 --> 0:55:28,865
Speaker 2: I didn't get her name.

714
0:55:29,047 --> 0:55:30,710
Speaker 1: Hold on, let me see who's calling Marie.

715
0:55:30,993 --> 0:55:32,185
Speaker 1: She had the number saved.

716
0:55:32,388 --> 0:55:33,425
Speaker 1: It's gotta be someone she knows.

717
0:55:33,546 --> 0:55:35,143
Speaker 1: What if, oh god, what if it's her mom?

718
0:55:35,365 --> 0:55:36,791
Speaker 1: What if it's a I'm gonna kill her later.

719
0:55:36,965 --> 0:55:40,017
Speaker 1: If I talk to her now, it's gonna spoil the she's gonna be already worried.

720
0:55:40,125 --> 0:55:42,968
Speaker 1: I want her to be dead, and then the mom's really so I'm not gonna answer.

721
0:55:42,988 --> 0:55:43,631
Speaker 1: I'm not gonna answer.

722
0:55:43,765 --> 0:55:44,870
Speaker 2: But I'm gonna hang on to it.

723
0:55:45,065 --> 0:55:45,889
Speaker 2: No wait, should I?

724
0:55:46,125 --> 0:55:47,672
Speaker 2: What if she comes back for it?

725
0:55:47,806 --> 0:55:49,272
Speaker 1: Wait, I want her to come back for it.

726
0:55:49,545 --> 0:55:50,168
Speaker 1: What if I waited?

727
0:55:50,188 --> 0:55:50,811
Speaker 2: here with the phone.

728
0:55:50,925 --> 0:55:52,010
Speaker 2: What if I take the phone with me?

729
0:55:52,326 --> 0:55:55,616
Speaker 2: Oh, hitcha you are just constantly dealing with life's worst.

730
0:55:55,885 --> 0:55:59,556
Speaker 1: And Grace also says this is like those second worst spring break ever.

731
0:55:59,745 --> 0:56:01,512
Speaker 1: Wait, we're going on spring break now.

732
0:56:02,928 --> 0:56:14,039
Speaker 2: Shaggy pulls off the road while don't give up on his baby plays, and he just drinks a beer as he's doing this, like the hitcher's hands bust through the windshield.

733
0:56:14,205 --> 0:56:18,491
Speaker 2: It's a little jump scare, right, but it's a dream bow, because he wakes up on a sunny morning.

734
0:56:18,511 --> 0:56:19,154
Speaker 2: It's all inks.

735
0:56:19,465 --> 0:56:23,216
Speaker 2: Grace, meanwhile, has gotten out to go watch the sunrise.

736
0:56:23,566 --> 0:56:27,857
Speaker 1: Mm-hmm, and that means do her impression of a horse emptying its bladder before the Kentucky Derby.

737
0:56:28,887 --> 0:56:32,637
Speaker 2: Shaggy is like say what are you doing out here in the middle of nowhere, man?

738
0:56:32,885 --> 0:56:34,071
Speaker 1: I want to go home.

739
0:56:34,265 --> 0:56:36,133
Speaker 1: Okay, that's what I want to do.

740
0:56:36,365 --> 0:56:40,712
Speaker 1: Shaggy's like like, let's just go to the next town, We'll get some breakfast and we'll call the cops.

741
0:56:40,773 --> 0:56:46,057
Speaker 1: Man, Like, we'll be at your friend's place by tonight and you can tell him how I saved your life.

742
0:56:46,245 --> 0:56:51,117
Speaker 2: We'll get some breakfast and tell the cops who will be drinking more beers by the end of the night man.

743
0:56:51,445 --> 0:56:52,530
Speaker 1: So they get back on the road.

744
0:56:52,625 --> 0:56:57,611
Speaker 1: They drive until they come across this old school station wagon the family truckster yes.

745
0:56:57,906 --> 0:57:06,979
Speaker 1: It is the family truckster and in fact it is a callback to the original, because this looks to be the exact same make, model and color of the same car used in the original film.

746
0:57:07,145 --> 0:57:20,897
Speaker 1: And this station wagon passes and there's a mom and a dad in front, there's a younger kid in the middle seat, but in the far back, the seat that faces in reverse, is a second kid and Grace looks over at Shaggy hey, have you ever thought about having kids?

747
0:57:21,205 --> 0:57:24,655
Speaker 1: And I was like, oh, is she peeing so much because she's pregnant?

748
0:57:25,065 --> 0:57:26,612
Speaker 1: But that's not the case at all, Beau.

749
0:57:26,925 --> 0:57:31,977
Speaker 1: It's just dialogue in this movie and her main characteristic is that she pees all the time.

750
0:57:32,085 --> 0:57:37,458
Speaker 2: That it turns out not really like a character trait is just the heavy urination.

751
0:57:37,625 --> 0:57:51,233
Speaker 1: Yeah, the station wagon gets in front of the pussy wagon and in the back we see someone holding up an oversized green stuff frog and it's like a stuffed animal from a carnival and it's kind of waving its hand how cute, except that it gets lower down.

752
0:57:51,273 --> 0:57:54,048
Speaker 1: In Beau it's the hitcher holding the frog Son of a bitch.

753
0:57:54,108 --> 0:57:55,233
Speaker 2: that hitcher gets around.

754
0:57:55,525 --> 0:57:59,897
Speaker 1: And this is a callback from the original movie, almost a shot for shot remake of it.

755
0:58:00,166 --> 0:58:09,658
Speaker 1: And I have an issue with this scene in both movies, because I don't know who in the hell would let a hitchhiker ride in the very backseat of a station wagon with your elementary school-aged child.

756
0:58:09,805 --> 0:58:13,095
Speaker 2: But also there's a lot of Jesus stickers all over this thing.

757
0:58:13,345 --> 0:58:15,353
Speaker 1: Yeah, they pull that shit a lot in this movie.

758
0:58:15,505 --> 0:58:22,739
Speaker 1: And look, I'm not going to be pro or anti Jesus in religion, but that's in this movie for no damn good reason whatsoever.

759
0:58:22,985 --> 0:58:33,335
Speaker 1: It feels like a Stephen King brushstroke of you just sort of unilaterally come in and shit all over organized religion, which if that's one of the purposes of your movie, then fine, do that.

760
0:58:33,485 --> 0:58:35,152
Speaker 1: But here it's just, it doesn't matter.

761
0:58:35,486 --> 0:58:37,814
Speaker 1: But then they put it in there, so it does matter but it doesn't.

762
0:58:37,945 --> 0:58:41,453
Speaker 2: This is just the filmmaker inserting a little bit of commentary here.

763
0:58:41,714 --> 0:58:43,458
Speaker 2: That doesn't really go anywhere.

764
0:58:43,786 --> 0:58:45,252
Speaker 2: It feels very Ricky Gervais.

765
0:58:46,067 --> 0:58:50,232
Speaker 1: I'm just like check it out, man, I'm an atheist isn't it wild.

766
0:58:51,788 --> 0:58:55,437
Speaker 2: I'm a died-in-the-wool atheist, but I'm not an asshole about it.

767
0:58:55,497 --> 0:58:59,034
Speaker 2: You know there are people out there ruining the good name of atheism.

768
0:58:59,315 --> 0:59:07,758
Speaker 2: Sure and Ricky Gervais and whoever decided to put this Jesus sticker on the family truckster are two of the bad ones, the bad eggs ruining it.

769
0:59:07,778 --> 0:59:10,593
Speaker 2: For the rest of us they're just like hey, what if we just don't talk about it?

770
0:59:10,685 --> 0:59:12,473
Speaker 1: Just shut up and keep your beliefs to yourself.

771
0:59:12,605 --> 0:59:13,690
Speaker 1: There's a novel idea.

772
0:59:14,046 --> 0:59:14,890
Speaker 1: Shut the fuck up.

773
0:59:15,105 --> 0:59:18,636
Speaker 2: It's the best part of being an atheist is you don't have to care about any of that shit.

774
0:59:18,906 --> 0:59:25,734
Speaker 1: So Shaggy and Grace, they see what's going on in the back of the station wagon and Shaggy says Zoinks like we gotta warn those people, man.

775
0:59:25,865 --> 0:59:40,239
Speaker 1: They pull up beside the station wagon and Grace screams out hey, the guy in the back of your car is crazy, he's dangerous and I totally didn't clog up both toilets and bubereds garage, no matter what any DNA evidence is.

776
0:59:40,585 --> 0:59:48,256
Speaker 1: And then an 18-wheeler drives Shaggy and Grace's car off the road where the pussy wagon crashes into a tree, a branch, punctures the windshield.

777
0:59:48,546 --> 0:59:49,689
Speaker 1: Rip pussy wagon.

778
0:59:49,709 --> 0:59:53,433
Speaker 1: That car is going nowhere, bo they're just gonna have to walk.

779
0:59:53,685 --> 0:59:59,958
Speaker 2: So Shaggy gets out of the car, climbs up this hill in time to see the family truckster heading down the road.

780
1:00:00,098 --> 1:00:04,376
Speaker 2: Yeah, because they're not gonna stop for these crazy people that were shouting about taking a shit.

781
1:00:04,496 --> 1:00:06,833
Speaker 2: No, at Buford's, a couple of miles back.

782
1:00:07,045 --> 1:00:10,589
Speaker 1: You see Grace is wearing cowboy boots and, I'm guessing, without socks.

783
1:00:10,809 --> 1:00:14,346
Speaker 1: She is going to have some epic blisters on those toes Also.

784
1:00:14,406 --> 1:00:16,213
Speaker 2: those boots are gonna stink to high heaven.

785
1:00:16,325 --> 1:00:17,290
Speaker 2: They're just gonna be gross.

786
1:00:17,425 --> 1:00:23,556
Speaker 2: But I think that Shaggy's thing is hey man, make sure those are good and stinky when you pull them off, man.

787
1:00:23,865 --> 1:00:29,329
Speaker 1: He's huffing them like Kevin Klein in a fish called Wanda Absolutely.

788
1:00:30,990 --> 1:00:31,391
Speaker 2: Zikes.

789
1:00:32,606 --> 1:00:34,713
Speaker 2: Oh, that's the good stuff, man.

790
1:00:37,851 --> 1:00:40,197
Speaker 1: Like those are some ripe tootsies.

791
1:00:40,745 --> 1:00:53,270
Speaker 1: Shaggy and Grace are walking down the highway and they come upon the said station wagon and inside bow, it's just full of dead parents and dead kids and an oversized dead green stuff Froggy'd win at a carnival.

792
1:00:53,465 --> 1:00:57,231
Speaker 1: And Shaggy looks in and he shouts back at Grace Like don't come over here, man.

793
1:00:57,465 --> 1:00:59,909
Speaker 2: It's a real mess, I'm not coming over there.

794
1:00:59,970 --> 1:01:01,849
Speaker 2: Look at that car, it looks poor.

795
1:01:02,305 --> 1:01:11,614
Speaker 1: So Shaggy opens the driver's door, he finds that the dad is only mostly dead, which is partly alive, but he's got the hitch or switchblade stabbed in his belly.

796
1:01:11,765 --> 1:01:12,870
Speaker 1: So that's not a good sign.

797
1:01:13,045 --> 1:01:23,294
Speaker 1: And Grace says oh my God, we need to get these people to a hospital when they have those industrial flush toilets, the ones that are always bragging about how they can suck down 20 golf balls.

798
1:01:23,414 --> 1:01:41,017
Speaker 2: We'll see about that, you getting the back with the almost dead dad I'm driving baby, and so they're on their way to take this guy to the hospital and, of course, they leave behind a bloody copy of a kid's book called Will I Go to Heaven, because we got to have a little more Gervais-esque commentary about whatever.

799
1:01:41,385 --> 1:01:51,234
Speaker 1: As they drive a red pickup truck that they saw earlier that passes them, returns and smashes into the back of the station wagon and Grace screams out oh my God, it's him.

800
1:01:51,445 --> 1:01:52,671
Speaker 1: What does he want now?

801
1:01:53,045 --> 1:01:54,852
Speaker 1: How does she know this is the hitcher?

802
1:01:55,085 --> 1:01:59,214
Speaker 1: Like she doesn't, she can't see who's driving, she has no knowledge.

803
1:01:59,265 --> 1:02:01,273
Speaker 1: Like it's got to be that son of a bitch.

804
1:02:01,565 --> 1:02:04,054
Speaker 2: I wish he would pull up beside him and like roll down the window.

805
1:02:04,245 --> 1:02:05,511
Speaker 2: Yeah, you've been hitchered.

806
1:02:05,785 --> 1:02:07,631
Speaker 1: And then get back behind him just so.

807
1:02:07,852 --> 1:02:12,415
Speaker 1: He leaves his calling card and then the hitcher just drives off onto a side road and disappears.

808
1:02:12,545 --> 1:02:20,257
Speaker 1: Grace pulls into a truck stop not a hospital and Shaggy's like Zoinks go inside and like call the police and bring back some towels.

809
1:02:20,525 --> 1:02:25,116
Speaker 1: So Grace runs inside and she's like excuse me, I need you to call 9-11.

810
1:02:25,276 --> 1:02:26,138
Speaker 1: I mean 9-1-1.

811
1:02:26,305 --> 1:02:27,651
Speaker 1: I always get those confused.

812
1:02:27,865 --> 1:02:29,010
Speaker 1: 9-11 sent people to Heaven.

813
1:02:29,385 --> 1:02:30,931
Speaker 1: 9-1-1 is when things stop being fun.

814
1:02:30,971 --> 1:02:31,874
Speaker 1: That's how I remember it.

815
1:02:32,125 --> 1:02:37,477
Speaker 1: Anyway, there are some mostly dead people and some definitely dead children in the car outside.

816
1:02:37,925 --> 1:02:39,328
Speaker 1: I did not kill them, but I need some towels.

817
1:02:39,489 --> 1:02:40,391
Speaker 1: And do you have a bathroom?

818
1:02:40,411 --> 1:02:40,711
Speaker 1: You know what?

819
1:02:40,752 --> 1:02:42,375
Speaker 1: I'll get paper towels from the bathroom, don't worry about it.

820
1:02:43,445 --> 1:02:45,245
Speaker 1: And I'm not the person who destroyed the toilets at Beaver's Garage.

821
1:02:45,245 --> 1:02:53,378
Speaker 1: That was someone else who looks like me, maybe Jennifer Love-Hewitt or one of the Myra sisters, or maybe Joy-Louis Dreyfus or Zoe Deschanel.

822
1:02:53,565 --> 1:02:54,650
Speaker 1: It was definitely Zoe Deschanel.

823
1:02:55,205 --> 1:02:57,270
Speaker 2: Actually thinking to myself like wait a second.

824
1:02:57,370 --> 1:03:03,011
Speaker 2: So who was the person in Pick 6, lore, who was constantly shitting up the toilets?

825
1:03:03,091 --> 1:03:04,575
Speaker 2: And I forgot it was Zoe Deschanel.

826
1:03:04,715 --> 1:03:07,833
Speaker 2: Yeah, in the happening she was shitting everywhere, yeah.

827
1:03:08,365 --> 1:03:13,454
Speaker 1: In fact, in multiple episodes other people reference shitting as they got to take a Deschanel.

828
1:03:13,734 --> 1:03:16,199
Speaker 1: It's classy, yeah Well, it's a classy show.

829
1:03:16,805 --> 1:03:20,633
Speaker 1: So the waitress picks up the phone and she's like you know, poop, poop, poop, ring, ring.

830
1:03:20,773 --> 1:03:23,578
Speaker 1: Hello, hey hun, it's me Darlene Joe Bethenna.

831
1:03:23,785 --> 1:03:26,334
Speaker 1: You down here at Big Rick's Greasy Spoon Hotel Truck Stop?

832
1:03:26,485 --> 1:03:27,791
Speaker 1: Can you see in Harlan down here?

833
1:03:28,005 --> 1:03:31,730
Speaker 1: No, not the rapist from Thelma and Louise, we need Harlan, the sheriff from this movie.

834
1:03:31,831 --> 1:03:32,654
Speaker 1: Thank you, hun.

835
1:03:33,005 --> 1:03:34,571
Speaker 1: So the sheriff's on his way sort of.

836
1:03:34,965 --> 1:03:40,317
Speaker 2: And then Grace is in the head once more choking up the porcelain.

837
1:03:40,645 --> 1:03:44,718
Speaker 1: She's doing like Eenie, meenie, miney, moe, with the toilet, a trash can and the sink.

838
1:03:44,999 --> 1:03:46,042
Speaker 1: I best be careful.

839
1:03:46,082 --> 1:03:46,905
Speaker 2: I might need all three.

840
1:03:48,049 --> 1:03:49,413
Speaker 1: Well, that's just where she's going to start.

841
1:03:50,045 --> 1:03:51,590
Speaker 2: Where do I draw first blood?

842
1:03:53,205 --> 1:03:55,492
Speaker 2: And I mean blood, because I'm menstruating.

843
1:03:56,134 --> 1:03:56,836
Speaker 1: Gross.

844
1:03:57,406 --> 1:04:02,277
Speaker 1: So Grace looks out the window and she sees that red truck that was banging into him earlier as an outside.

845
1:04:02,545 --> 1:04:06,295
Speaker 1: So she hides by sitting on the floor of this bathroom at a truck stop.

846
1:04:06,925 --> 1:04:10,615
Speaker 1: There is nothing that could get me to sit down on the floor of a truck stop bathroom.

847
1:04:10,965 --> 1:04:12,490
Speaker 2: She's got sepsis at the end of this.

848
1:04:12,751 --> 1:04:13,855
Speaker 1: Grace locks the door.

849
1:04:13,985 --> 1:04:27,112
Speaker 1: Well, that's just what you do when you use a public restroom and then mysterious shadows Bo a feet, walk over to the door and jiggle the handle Like someone's got a pee pee or poo poo, and then they walk away Like that's what happens in a bathroom.

850
1:04:27,605 --> 1:04:29,168
Speaker 2: Finally, these footsteps go away.

851
1:04:29,329 --> 1:04:39,438
Speaker 2: After she's sweating bullets on the floor of this bathroom stall, we cut to the car where Shaggy is holding the dying father in his arms.

852
1:04:39,826 --> 1:04:46,136
Speaker 2: Oh, like don't die on me, man, like we didn't take the knife out of you, so nothing more would come out, man.

853
1:04:46,485 --> 1:04:48,385
Speaker 1: And this dad just barfs up blood.

854
1:04:48,707 --> 1:04:50,335
Speaker 1: Some of it goes in Shaggy's mouth.

855
1:04:50,355 --> 1:04:51,099
Speaker 1: I'm like uh, gross.

856
1:04:51,239 --> 1:04:52,204
Speaker 2: Yeah, he's a zombie.

857
1:04:52,264 --> 1:04:53,289
Speaker 2: Now, that's how that works.

858
1:04:53,725 --> 1:05:03,584
Speaker 1: Grace peeks out the window and the red truck is gone, so she unlocks the door and exits the bathroom into the restaurant Bo, where she finds diners eating.

859
1:05:04,306 --> 1:05:05,128
Speaker 1: That's very count.

860
1:05:05,209 --> 1:05:06,071
Speaker 2: Floyd scary.

861
1:05:08,905 --> 1:05:11,494
Speaker 2: They have to pay their own taxes.

862
1:05:12,187 --> 1:05:21,093
Speaker 1: Oh so then, as Grace leaves the diner, some sheriff's officer just grabs her and pulls a gun, frees you're under arrest.

863
1:05:21,365 --> 1:05:24,715
Speaker 1: And then another cop tackles Shaggy for what, who knows.

864
1:05:25,105 --> 1:05:30,752
Speaker 1: And then immediately, Shaggy and Grace get taken down to the cellar of the sheriff's office for interrogation.

865
1:05:31,186 --> 1:05:33,786
Speaker 2: He just like oh, it is the drunk Immediately.

866
1:05:33,806 --> 1:05:34,187
Speaker 2: Grace is like.

867
1:05:34,348 --> 1:05:36,274
Speaker 2: I don't know why you guys are messing around with us.

868
1:05:36,605 --> 1:05:39,334
Speaker 2: There's this really gross, poor hitcher guy.

869
1:05:39,665 --> 1:05:43,536
Speaker 1: Yeah, this movie actually has two Harlins, according to the credits.

870
1:05:43,885 --> 1:05:47,233
Speaker 1: There's Sheriff Harlin Bremer Sr, who's this old man?

871
1:05:47,374 --> 1:05:51,574
Speaker 1: And he's interrogating Grace, and also Grace should just say I want a lawyer and all of this stops.

872
1:05:51,985 --> 1:06:08,217
Speaker 1: And then Shaggy gets put into a cell by Deputy Harlin Bremer Jr, who was played by actor Travis Schultz, who you may remember, bo, as been the soldier from it's Always Sunny in Philadelphia, the one for whom they bought the jean shorts, or shorts, oh, wow.

873
1:06:08,377 --> 1:06:15,336
Speaker 1: Okay, never expected such a heavy, always sunny connection, but I dig it.

874
1:06:15,376 --> 1:06:16,177
Speaker 2: I'm glad.

875
1:06:16,317 --> 1:06:17,519
Speaker 2: Yeah, that's great.

876
1:06:21,854 --> 1:06:27,688
Speaker 1: Do you remember when you found out that Charlie's mom was Miss Yvonne from the movie Yvonne from Pee Wee's?

877
1:06:27,729 --> 1:06:28,231
Speaker 2: Playhouse.

878
1:06:28,485 --> 1:06:33,976
Speaker 2: I remember that happening way after I had seen like every episode of Always Sunny by that point.

879
1:06:34,157 --> 1:06:38,194
Speaker 2: Yeah, it's one of those things that, yeah, like people get old and they just don't look like you think.

880
1:06:38,645 --> 1:06:43,903
Speaker 1: One of the earliest versions of that happening to me was years after Airplane.

881
1:06:43,923 --> 1:06:52,633
Speaker 1: The Movie came out, that the jive talking old lady that I realized that was Beaver Cleaver's mom from Leave it to Beaver, because I'd never seen her in color and she got much older.

882
1:06:52,885 --> 1:06:55,594
Speaker 2: But I think her voice is what clued me in on this.

883
1:06:55,614 --> 1:06:57,501
Speaker 1: Yeah, but I was stupid, I didn't know anything.

884
1:06:57,662 --> 1:06:58,585
Speaker 1: Well not like now.

885
1:07:00,558 --> 1:07:09,732
Speaker 2: Not like now, when we're so erudite Talking about menstrual pooping Pussy wagons and whatever else.

886
1:07:10,085 --> 1:07:12,494
Speaker 1: Shit in the size of a ham to clog up a toilet.

887
1:07:12,745 --> 1:07:23,538
Speaker 2: This is sort of that hierarchy of needs kind of thing, where we've reached a real top of the pyramid as far as intellectual curiosity and personal satisfaction.

888
1:07:23,885 --> 1:07:26,795
Speaker 1: We try to work both ends of the spectrum.

889
1:07:27,005 --> 1:07:28,692
Speaker 1: We go high and we go low.

890
1:07:28,965 --> 1:07:33,476
Speaker 2: Michelle Obama would be very disappointed at us, but not just for that, sure as with Donald.

891
1:07:33,516 --> 1:07:35,899
Speaker 2: Trump, that's kind of the genius of our show, right.

892
1:07:36,445 --> 1:07:37,387
Speaker 1: Is that we?

893
1:07:37,428 --> 1:07:44,635
Speaker 2: disappoint people on both sides of the political spectrum Parents, relatives, loved ones, friends.

894
1:07:44,925 --> 1:07:48,151
Speaker 1: I hear about all that, Whoever you are we've disappointed you.

895
1:07:48,525 --> 1:08:00,737
Speaker 1: As Grace is down in her holding cell, she looks over and sees a video screen and she is being recorded as part of her interrogation and she also notices that there's a two-way mirror in the room and Grace says ah, hello.

896
1:08:01,065 --> 1:08:13,093
Speaker 1: I know there's someone there listening to me and I don't know what you read in the papers about Bufords being kind of an epicenter of a massive plumbing situation caused by a cute girl's slightly oversized shits.

897
1:08:13,253 --> 1:08:14,196
Speaker 1: But that was not me.

898
1:08:14,425 --> 1:08:20,096
Speaker 1: I mean, I'm cute, obviously, but I only poop like once a year on Groundhog today, so stop spreading rumors.

899
1:08:20,365 --> 1:08:22,811
Speaker 2: By the way, where's the bathroom in this police station?

900
1:08:23,011 --> 1:08:25,356
Speaker 1: Wait, there's the corner, never mind, I got it.

901
1:08:26,085 --> 1:08:32,011
Speaker 1: On the other side of the interrogation room window is Beau the hitcher, and he's drawing a smiley face in blood.

902
1:08:32,325 --> 1:08:39,172
Speaker 1: Which how did he get inside this Sheriff's office police station and why is he there, and how could this make less sense?

903
1:08:39,647 --> 1:08:43,485
Speaker 2: Again, there's kind of a similar scene in the original.

904
1:08:43,927 --> 1:08:46,954
Speaker 1: A couple of things we always talk about, like how they could make this movie better.

905
1:08:47,145 --> 1:08:48,590
Speaker 1: I don't, but just don't make it.

906
1:08:48,751 --> 1:08:53,956
Speaker 1: Okay, make it closer to the original and maybe make it a little more violent or something.

907
1:08:54,165 --> 1:09:06,614
Speaker 1: But in the original when C Thomas Howe gets arrested and put in jail not wearing black base, he's in jail and then he's like shouting for an officer to come see him and when he leans on the cell door it opens.

908
1:09:07,085 --> 1:09:13,035
Speaker 1: And this all happens after he wakes up, like that he's fallen asleep and it's very surreal in a way that it's like, why would this be open?

909
1:09:13,125 --> 1:09:17,416
Speaker 1: Then he just walks into the Sheriff's office and sees all of these officers have been killed.

910
1:09:17,605 --> 1:09:29,934
Speaker 1: It's one of those moments in the original where it feels more like the Terminator, that this person is just an unstoppable killing machine that is here to kill everyone except C Thomas Howe because he wants C Thomas Howe to kill him.

911
1:09:30,525 --> 1:09:36,478
Speaker 1: So it kind of works that you just sort of have this ghostlike murdering nightmare of a character.

912
1:09:36,765 --> 1:09:43,135
Speaker 1: But in this movie it's like wait, we just saw officers upstairs, now this guy's in the basement finger painting faces on the wall.

913
1:09:43,405 --> 1:09:46,535
Speaker 1: The logistics of this are so wacky and out of place.

914
1:09:46,885 --> 1:09:52,194
Speaker 2: It doesn't make sense and also we don't know who we're supposed to be following here.

915
1:09:52,315 --> 1:09:55,632
Speaker 2: To compare it to the original, it's Rucker Howe or C Thomas Howell.

916
1:09:55,965 --> 1:09:57,732
Speaker 2: Those are the yin and yang of that movie.

917
1:09:58,026 --> 1:09:59,993
Speaker 1: Yeah, they screwed up making this a guy and a girl.

918
1:10:00,205 --> 1:10:02,090
Speaker 1: It should just be one person, right.

919
1:10:02,170 --> 1:10:03,574
Speaker 2: And if it's the girl, that's fine.

920
1:10:03,775 --> 1:10:13,916
Speaker 2: Right, if it's the guy, that's fine too, but it needs to be one or the other, because when you're splitting them up like this, you're segmenting the focus of the movie and it should be this person V this person.

921
1:10:14,205 --> 1:10:15,892
Speaker 2: That's kind of what made the original so good.

922
1:10:16,145 --> 1:10:22,353
Speaker 2: By plunking in this other character, whether it's Shaggy or Grace, like get rid of one of them and you've got to clean her mood Absolutely.

923
1:10:22,905 --> 1:10:27,396
Speaker 2: So Shaggy's like in his cell, like hey man, we were just trying to help this family.

924
1:10:27,885 --> 1:10:31,213
Speaker 2: After the hit, your draws like the bloody face on the glass.

925
1:10:31,333 --> 1:10:43,772
Speaker 2: Grace ends up leaving the room and then again this is very similar to the original where she sees this dog wandering by and is like oh my God, maybe that dog knows where to poop, and so she follows the dog out.

926
1:10:44,126 --> 1:10:46,839
Speaker 1: I have never shit outdoors on purpose.

927
1:10:47,120 --> 1:10:50,270
Speaker 1: Maybe it's the days of first day of the rest of my life.

928
1:10:50,600 --> 1:10:54,111
Speaker 2: I have to admit I've never just squat down and did it like that.

929
1:10:54,240 --> 1:10:56,449
Speaker 1: I'm gonna sing like no one's listening.

930
1:10:56,520 --> 1:11:01,750
Speaker 1: I'm gonna dance like no one's watching and I'm gonna shit like I'm king of the goddamn world.

931
1:11:02,221 --> 1:11:04,329
Speaker 1: Out of the way, dog, I'm shitting in the yard.

932
1:11:04,520 --> 1:11:06,588
Speaker 1: Here's your little shillin' bone a calendar of your own.

933
1:11:06,700 --> 1:11:08,728
Speaker 1: We had the dog shitting calendar for a year.

934
1:11:09,001 --> 1:11:09,985
Speaker 1: I've got it this year.

935
1:11:10,105 --> 1:11:10,828
Speaker 1: Do you good for?

936
1:11:10,868 --> 1:11:11,089
Speaker 2: you.

937
1:11:11,190 --> 1:11:13,066
Speaker 2: Yeah, Hell, look, I know how to treat myself.

938
1:11:13,106 --> 1:11:13,327
Speaker 2: Chad.

939
1:11:13,501 --> 1:11:25,480
Speaker 1: Yeah, for those of you out there who don't know what we're talking about, there are certain organizations that print calendars where every month you get a different picture of a dog hunkered up shitting in the wild, and all of the money goes for no-kill shelters.

940
1:11:25,600 --> 1:11:30,746
Speaker 1: So do yourself a favor go buy a dog shitting calendar and help save a dog and shit out in the yard if you want.

941
1:11:30,940 --> 1:11:34,391
Speaker 2: Ideally, you're shitting in the yard while you're looking at the calendar.

942
1:11:34,621 --> 1:11:39,427
Speaker 1: I had to have a colonoscopy once and if you've ever had that you know you gotta clean out your pipes.

943
1:11:39,661 --> 1:11:49,328
Speaker 1: And I'd pooped a few times and my wife and I were there and then I just got up and walked outside and just shitting our backyard like a dog it's one of the hardest times I've ever seen her laugh.

944
1:11:51,441 --> 1:12:01,928
Speaker 1: I stripped down totally nude and just shitting our backyard like a dog and when I did it I did the knee wobble like you really shake, and she saw it and I mean and it was just like liquid.

945
1:12:02,181 --> 1:12:04,109
Speaker 2: I don't know that you've ever told me that before.

946
1:12:04,821 --> 1:12:06,006
Speaker 1: Here's a one-two punch for that.

947
1:12:06,261 --> 1:12:25,948
Speaker 1: One time at Halloween we had some Halloween candy left over and it was on a back room and I grabbed a miniature baby Ruth and stuck it in my ass crack, and she was in there watching TV and I walked in I was like well, I don't feel good and I just pulled out of my pants and squat and shit in the living room and I think she was both horrified and proud and disappointed and questioning all of her life choices.

948
1:12:26,161 --> 1:12:27,848
Speaker 1: I'm not sure where the pride comes in.

949
1:12:27,909 --> 1:12:30,460
Speaker 1: Horrified, I guess you know what.

950
1:12:30,580 --> 1:12:32,688
Speaker 1: I think I'm confusing my emotions with hers.

951
1:12:32,821 --> 1:12:33,946
Speaker 1: I think the pride came from me.

952
1:12:34,140 --> 1:12:36,569
Speaker 1: I think I picked it up and I was like giving it a little sniff.

953
1:12:37,001 --> 1:12:40,020
Speaker 1: It was a real catty shack moment in the Cooper household.

954
1:12:40,242 --> 1:12:41,376
Speaker 2: I don't see what the big deal is.

955
1:12:41,416 --> 1:12:41,720
Speaker 2: It's fine.

956
1:12:42,763 --> 1:12:45,070
Speaker 1: I did not eat it because I knew it had just come from my crack.

957
1:12:45,361 --> 1:12:47,254
Speaker 1: Even I have a line that I won't cross Bo.

958
1:12:47,455 --> 1:12:53,092
Speaker 2: Let's be honest, it's not the crack part as far as the origin story of this particular item.

959
1:12:53,280 --> 1:12:54,225
Speaker 2: That's the problem.

960
1:12:54,462 --> 1:12:57,412
Speaker 1: It's that it was still Halloween candy that it was a baby Ruth.

961
1:12:57,553 --> 1:12:58,360
Speaker 2: Yeah, that's kind of gross.

962
1:12:58,882 --> 1:13:01,430
Speaker 2: Baby Ruth is a poor candy bar at best.

963
1:13:01,800 --> 1:13:04,610
Speaker 1: You would never see Grace eating a baby Ruth.

964
1:13:05,122 --> 1:13:06,607
Speaker 2: No, she is Kit Kat or bust.

965
1:13:06,808 --> 1:13:08,123
Speaker 1: Yeah, you look at her purse.

966
1:13:08,143 --> 1:13:12,830
Speaker 1: You're going to find some dove candy bars, a half a roll of toilet paper, as well as some X-Lacks.

967
1:13:13,060 --> 1:13:17,832
Speaker 2: The poorest I go is a Caramello, because it sounds Italian.

968
1:13:18,100 --> 1:13:19,366
Speaker 1: Toblerone baby.

969
1:13:19,640 --> 1:13:26,113
Speaker 2: So anyway, she follows this dog and finds it licking the bloody face of this cop that's been murdered.

970
1:13:26,474 --> 1:13:26,674
Speaker 1: Yeah.

971
1:13:26,820 --> 1:13:32,390
Speaker 2: The whole place has just been massacred and Grace grabs a gun from one of the dead cops.

972
1:13:32,640 --> 1:13:35,765
Speaker 2: This movie is almost over Bo yeah shockingly.

973
1:13:36,061 --> 1:13:47,080
Speaker 2: But again, the whole movie is an hour and 16 minutes and the first 15 of it is jerking off talking about taking poops and pee faces and it's just the worst.

974
1:13:47,241 --> 1:13:51,480
Speaker 2: But the hitter shows up at Shaggy Cell, who starts screaming.

975
1:13:52,363 --> 1:13:53,789
Speaker 1: Oh Grace, I'm down here.

976
1:13:54,021 --> 1:13:54,845
Speaker 2: It's the hitter.

977
1:13:55,121 --> 1:13:57,810
Speaker 2: And the hitter is like you scream like a little bitch.

978
1:13:58,981 --> 1:14:07,369
Speaker 2: And this is the first time that we get the question asked in the movie where Shaggy says like hey, man, like why are you doing this?

979
1:14:07,781 --> 1:14:11,231
Speaker 2: He says do you seem like a smart kid or smarter than the other one?

980
1:14:11,461 --> 1:14:12,265
Speaker 2: You can figure it out.

981
1:14:12,621 --> 1:14:15,058
Speaker 2: Shaggy is like hey, grace watch out.

982
1:14:15,098 --> 1:14:15,219
Speaker 1: Man.

983
1:14:15,501 --> 1:14:16,955
Speaker 1: The hitter's down here.

984
1:14:17,258 --> 1:14:18,865
Speaker 1: What the toilet's down there.

985
1:14:19,547 --> 1:14:21,032
Speaker 1: I'm coming.

986
1:14:22,861 --> 1:14:33,778
Speaker 2: She comes down like she is fresh out of CSI Flashlight in one hand, gun in the other and she's holding the flashlight perpendicular to her forearm.

987
1:14:34,019 --> 1:14:37,150
Speaker 1: Yeah, do you know how normal people hold a flashlight like down low?

988
1:14:37,401 --> 1:14:38,787
Speaker 1: She's kind of got it up eye level.

989
1:14:39,081 --> 1:14:43,329
Speaker 1: She's sweeping the room and shit Like she has gone through Quantico.

990
1:14:43,680 --> 1:14:49,926
Speaker 1: She should have been holding her gun sideways to really pull off the look, west side bitches, she goes downstairs.

991
1:14:50,160 --> 1:14:53,230
Speaker 2: Let's shaggy out of the cell to no fanfare.

992
1:14:53,440 --> 1:14:54,445
Speaker 2: Let's go buddy.

993
1:14:54,620 --> 1:15:03,160
Speaker 2: And then they just escape through the back, while other cops show up at the front to find this police station absolutely devastated.

994
1:15:04,082 --> 1:15:07,872
Speaker 2: So they're off on their own out in the woods or in the desert.

995
1:15:08,022 --> 1:15:11,385
Speaker 1: Grace does say you know what, we should go back and talk to those cops.

996
1:15:11,566 --> 1:15:14,112
Speaker 1: And shaggy says Like no way, man, I'm not going back.

997
1:15:14,281 --> 1:15:15,727
Speaker 1: He killed all those officers.

998
1:15:15,901 --> 1:15:22,371
Speaker 1: And Grace says you know, this is all your fault, You're the one who gave the hitter a ride and you know what else?

999
1:15:22,600 --> 1:15:26,031
Speaker 1: I'll bet he's the one who clogged up all those toilets and buffers.

1000
1:15:26,441 --> 1:15:28,067
Speaker 2: Oh, so is this how we're going to play it?

1001
1:15:28,107 --> 1:15:29,886
Speaker 2: Man, Start pointing fingers.

1002
1:15:30,121 --> 1:15:31,386
Speaker 1: Who's the one who had to shit?

1003
1:15:31,720 --> 1:15:40,378
Speaker 1: And then, from out of the sky, the red truck just comes falling from the heavens, like Wiley Coyote is trying to kill the road runner below Dude yes.

1004
1:15:40,580 --> 1:15:42,588
Speaker 1: And he just crashes on the ground.

1005
1:15:42,901 --> 1:15:44,989
Speaker 2: I have no idea how this happens.

1006
1:15:47,561 --> 1:15:48,706
Speaker 2: You are exactly right.

1007
1:15:48,940 --> 1:15:53,412
Speaker 2: Into the movie Chad walks one Neil McDonough.

1008
1:15:54,001 --> 1:15:56,053
Speaker 1: Neil, these sure are good cereal flakes McDonough.

1009
1:15:56,596 --> 1:16:12,599
Speaker 1: Not that one, a character that we have seen how many times over the course of I only remember once he was running around and time traveling in the Michael Crichton novel adaptation of timeline.

1010
1:16:12,921 --> 1:16:16,851
Speaker 2: Oh, he was also in the Chun Lee Street Fighter movie.

1011
1:16:17,221 --> 1:16:18,165
Speaker 2: Oh, I don't remember that.

1012
1:16:18,441 --> 1:16:22,992
Speaker 2: Oh yeah, I know we've done enough now that some of these just start to fade into obscurity.

1013
1:16:23,161 --> 1:16:25,580
Speaker 1: He's got this freaky white hair and piercing blue eyes.

1014
1:16:25,721 --> 1:16:28,012
Speaker 1: Hell, he would have been a better the Hitcher than the.

1015
1:16:28,052 --> 1:16:29,037
Speaker 2: Hitcher in this movie.

1016
1:16:29,258 --> 1:16:31,413
Speaker 2: Absolutely, neil McDonough is a great character actor.

1017
1:16:31,540 --> 1:16:37,083
Speaker 1: Why neither Hitcher and you get handsome McStrongjaw to play the cop Flip flop role.

1018
1:16:37,124 --> 1:16:39,826
Speaker 2: Reversal Criss cross and yeah, I don't have any way.

1019
1:16:40,200 --> 1:16:44,151
Speaker 2: So he shows up as, like, the local ranger or something.

1020
1:16:44,361 --> 1:16:50,488
Speaker 1: He goes down into the interrogation room and looks at the two-ray mirror and he sees the smiley face on blood and he says these kids here.

1021
1:16:50,649 --> 1:16:51,511
Speaker 1: They didn't do this.

1022
1:16:51,760 --> 1:16:54,469
Speaker 1: It was someone else, probably an amateur finger painter.

1023
1:16:54,529 --> 1:16:56,526
Speaker 1: Enthusiast, Give me air, support, boys.

1024
1:16:56,681 --> 1:16:57,946
Speaker 1: We got ourselves a third suspect.

1025
1:16:58,140 --> 1:17:01,711
Speaker 2: So how old were the kids here who done perpetrated this crime?

1026
1:17:02,062 --> 1:17:03,692
Speaker 1: Oh well, it says here, sir.

1027
1:17:03,894 --> 1:17:08,310
Speaker 1: According to eyewitnesses, they were anywhere between the ages of 17 and 44.

1028
1:17:08,540 --> 1:17:12,792
Speaker 2: You requisition us a helicopter because we've got ourselves a third suspect.

1029
1:17:13,000 --> 1:17:15,108
Speaker 1: Yeah, we don't really have a helicopter.

1030
1:17:15,260 --> 1:17:16,626
Speaker 1: We've got a car out back.

1031
1:17:16,961 --> 1:17:19,428
Speaker 1: I got my kids drone in the trunk of the car.

1032
1:17:19,469 --> 1:17:20,010
Speaker 1: Would that help?

1033
1:17:20,180 --> 1:17:22,128
Speaker 1: Is it the kind that's got the screen on it?

1034
1:17:22,361 --> 1:17:23,545
Speaker 1: No, it doesn't have a camera.

1035
1:17:23,565 --> 1:17:24,188
Speaker 1: It's small.

1036
1:17:24,341 --> 1:17:26,520
Speaker 1: He wanted an elementary school carnival.

1037
1:17:26,701 --> 1:17:28,828
Speaker 1: He gets the most jelly beans in a jar.

1038
1:17:29,161 --> 1:17:30,005
Speaker 2: It'll have to do.

1039
1:17:30,401 --> 1:17:33,472
Speaker 1: If you could strap your cell phone to it they'd do it Real quick there.

1040
1:17:33,857 --> 1:17:35,508
Speaker 1: Ranger, do you have any AAA batteries?

1041
1:17:35,568 --> 1:17:36,915
Speaker 1: Because it needs AAA batteries.

1042
1:17:36,975 --> 1:17:37,578
Speaker 1: Not on me, aaa batteries.

1043
1:17:37,900 --> 1:17:39,387
Speaker 1: That's why we haven't really played with it too much.

1044
1:17:39,521 --> 1:17:41,877
Speaker 1: Go through the drawers of these here desks.

1045
1:17:42,099 --> 1:17:42,280
Speaker 1: I did.

1046
1:17:42,422 --> 1:17:42,949
Speaker 1: Yeah, we already.

1047
1:17:42,970 --> 1:17:47,151
Speaker 1: We went through them all Double A's, we got more double A's and you know what to do with Nine volts.

1048
1:17:47,320 --> 1:17:49,168
Speaker 1: For some reason, we got a lot of B batteries.

1049
1:17:49,341 --> 1:17:51,649
Speaker 1: How did you do you make things with B batteries anymore?

1050
1:17:51,860 --> 1:17:53,907
Speaker 1: I think those are only things from Hong Kong.

1051
1:17:54,028 --> 1:17:54,750
Speaker 1: You know what I'm going to do.

1052
1:17:54,921 --> 1:17:55,805
Speaker 1: I got Amazon Prime.

1053
1:17:55,860 --> 1:17:57,828
Speaker 1: Let me order some AAA batteries.

1054
1:17:58,080 --> 1:18:00,227
Speaker 1: They will be here between ooh.

1055
1:18:00,407 --> 1:18:01,691
Speaker 1: Don't want to pay 2.99 for.

1056
1:18:01,820 --> 1:18:03,794
Speaker 1: I'm going to pay 2.99 for express shipping.

1057
1:18:03,895 --> 1:18:04,700
Speaker 1: You can pay me back later.

1058
1:18:04,820 --> 1:18:09,307
Speaker 1: They're going to be here between 10 o'clock and midnight tonight, so we got some time to kill.

1059
1:18:09,467 --> 1:18:11,307
Speaker 1: Huh, does anybody have a harmonica?

1060
1:18:11,640 --> 1:18:17,513
Speaker 2: So while that's going on back at the station, we cut to our heroes question mark.

1061
1:18:18,100 --> 1:18:22,672
Speaker 2: You have found a trailer in the middle of nowhere and are just banging on the door trying to get in.

1062
1:18:22,860 --> 1:18:24,206
Speaker 1: Like, let us in man.

1063
1:18:24,440 --> 1:18:26,066
Speaker 2: My girlfriend here needs a toilet.

1064
1:18:26,106 --> 1:18:27,069
Speaker 2: Real bad man.

1065
1:18:27,401 --> 1:18:29,320
Speaker 2: Grace, I'm telling you, just use the desert.

1066
1:18:29,480 --> 1:18:31,488
Speaker 2: It's just like a big litter box man.

1067
1:18:31,900 --> 1:18:41,889
Speaker 1: They don't get in the trailer, but they end up inside of a creepy shed and then the movie shows us a big spider web boat with a spider on it, and then we see a scorpion on the ground.

1068
1:18:42,020 --> 1:18:43,406
Speaker 1: That's creepy and scary.

1069
1:18:43,740 --> 1:18:44,162
Speaker 2: Dude.

1070
1:18:44,504 --> 1:18:51,651
Speaker 2: The thing that blows my mind is this moment of like ooh, look kids, creepy, creepy spider.

1071
1:18:51,760 --> 1:18:54,304
Speaker 2: Whoa and a scorpion Did see that coming.

1072
1:18:54,345 --> 1:18:55,624
Speaker 2: Did ya A cockroach?

1073
1:18:56,529 --> 1:18:57,379
Speaker 1: Oh, and a rat.

1074
1:18:58,243 --> 1:19:01,507
Speaker 1: Oh, put your hand in this bucket, they're eyeballs.

1075
1:19:01,901 --> 1:19:03,627
Speaker 2: It's incredibly stupid.

1076
1:19:03,880 --> 1:19:08,492
Speaker 2: Sure enough, they're peeking through the door and they see the hitcher coming around the corner with a shotgun.

1077
1:19:09,022 --> 1:19:10,507
Speaker 1: Hey, I got a gun, guys.

1078
1:19:10,840 --> 1:19:21,726
Speaker 1: A sheriff's car pulls up and a deputy gets out and then Shaggy hands Grace the gun that they stole from the sheriff's station and Shaggy says, like I'm going to go talk to this guy, man, he seems pretty reasonable.

1079
1:19:21,820 --> 1:19:32,200
Speaker 1: And then Shaggy steps out of the shed and he immediately gets tackled by this guy like a linebacker and the deputy calls back to HQ and he says deputy to HQ, I've got the male suspect in custody.

1080
1:19:32,361 --> 1:19:33,867
Speaker 1: The female remains at lodge.

1081
1:19:34,081 --> 1:19:40,926
Speaker 1: And then there's a click and Grace is standing there holding the gun that they stole from the sheriff's office earlier and she's pointing at this deputy.

1082
1:19:41,040 --> 1:19:47,052
Speaker 1: Now, until this point, Bo, there is no real evidence that Shaggy and Grace have done anything illegal.

1083
1:19:47,353 --> 1:19:49,900
Speaker 1: Okay, but now she's in a spot of trouble.

1084
1:19:50,000 --> 1:19:55,334
Speaker 1: She's pulled a gun on a sheriff's deputy and Grace says get off, my boyfriend weirdo, and put your hands in the air.

1085
1:19:55,535 --> 1:19:57,966
Speaker 1: But not like you, just don't care, Just put them in the air regular.

1086
1:19:58,782 --> 1:19:59,826
Speaker 1: And I have a gun now.

1087
1:19:59,967 --> 1:20:02,100
Speaker 1: Pew, pew and whoa, this thing is heavy.

1088
1:20:02,321 --> 1:20:03,672
Speaker 1: You know, I feel powerful.

1089
1:20:03,713 --> 1:20:07,009
Speaker 1: With this gun in my hands, I'm commanding respect and authority through fear.

1090
1:20:07,181 --> 1:20:08,627
Speaker 1: This is intoxicating.

1091
1:20:08,800 --> 1:20:10,083
Speaker 2: While this is going on.

1092
1:20:10,144 --> 1:20:17,983
Speaker 2: There's a cutaway scene to Neil McDonough Uh-huh, look, I've been going over this case in my mind again and again, what I have determined.

1093
1:20:18,103 --> 1:20:20,411
Speaker 2: These kids absolutely did not do this.

1094
1:20:20,601 --> 1:20:33,147
Speaker 2: There is no way that they had anything to do with the violence that we have seen so far, and you could take that to the bank, or my name ain't Neil McDonough and immediately Chad.

1095
1:20:33,709 --> 1:20:36,789
Speaker 2: Uh-huh, she's got this gun pointed at this cop's head.

1096
1:20:37,241 --> 1:20:38,947
Speaker 1: Shaggy take his gun.

1097
1:20:39,160 --> 1:20:44,766
Speaker 1: It's awesome having guns, greta gun, you feel like a superhero, like I could take a life.

1098
1:20:44,960 --> 1:20:46,126
Speaker 1: This is nuts.

1099
1:20:46,441 --> 1:20:49,600
Speaker 1: Can you imagine sitting on the toilet with a gun in your hand?

1100
1:20:50,102 --> 1:20:52,464
Speaker 1: Oh, oh jeez, I know what I'm doing.

1101
1:20:52,504 --> 1:20:56,640
Speaker 1: Later today, and then, out of nowhere, we hear capow Headshot.

1102
1:20:56,862 --> 1:20:58,680
Speaker 1: The hitcher shoots the deputy in the head.

1103
1:20:58,841 --> 1:21:02,457
Speaker 1: Now, bo, you might think, uh-oh, this is bad for Shaggy and Grace, but it's not.

1104
1:21:02,577 --> 1:21:03,160
Speaker 1: It's a good thing.

1105
1:21:03,341 --> 1:21:06,360
Speaker 1: All they gotta do is wipe their prints off those guns you stole and run off.

1106
1:21:06,500 --> 1:21:13,514
Speaker 1: The only witness that knew you held a deputy at gunpoint is now suffering from a severe case of missing head disorder.

1107
1:21:13,820 --> 1:21:18,309
Speaker 2: Somebody radios the backup arrives just in time and they're like, oh my god, these kids.

1108
1:21:18,510 --> 1:21:25,449
Speaker 2: The girl she just shot Frank in the head Blue is god damn brains out for everywhere and Neil McDonough is just like son of a bitch.

1109
1:21:25,941 --> 1:21:27,287
Speaker 2: I know what I just said.

1110
1:21:27,520 --> 1:21:29,348
Speaker 2: Nobody has to repeat it to me.

1111
1:21:29,640 --> 1:21:34,873
Speaker 1: If one of you MF'ers says I told you so it's over, you understand me, it's over.

1112
1:21:35,182 --> 1:21:37,000
Speaker 1: No more donuts on Friday boys.

1113
1:21:37,221 --> 1:21:39,890
Speaker 1: Keep your lips closed if you know what's good for when you like donuts.

1114
1:21:40,280 --> 1:21:44,812
Speaker 2: Also, the hitcher used some kind of assault rifle we've never seen before.

1115
1:21:45,060 --> 1:21:46,827
Speaker 2: Don't know where he got this thing.

1116
1:21:47,027 --> 1:21:47,288
Speaker 1: Yeah.

1117
1:21:47,620 --> 1:21:51,771
Speaker 2: But with dead accuracy from an angle, shoots this guy in the head.

1118
1:21:51,931 --> 1:21:53,727
Speaker 2: Yeah, it's incredibly dumb.

1119
1:21:53,901 --> 1:21:58,258
Speaker 1: Also, this movie's real cheap because when he shoots the guy, the bullet that hits him is CGI yeah.

1120
1:21:58,720 --> 1:22:02,180
Speaker 1: And then all the deputies start firing off their guns but nothing gets hit.

1121
1:22:02,320 --> 1:22:03,386
Speaker 1: It's all sound effects.

1122
1:22:03,560 --> 1:22:06,550
Speaker 1: And then Grace and Shaggy, they hop in the sheriff's car and they take off.

1123
1:22:06,780 --> 1:22:12,113
Speaker 1: And then the hitcher steals a black 1981 Pontiac Firebird Transam.

1124
1:22:12,321 --> 1:22:16,392
Speaker 1: It is almost identical to the one that the bandit drove in Smoky and the Bandit.

1125
1:22:17,120 --> 1:22:20,950
Speaker 1: Very much is Instead of it being 1977, it's an 81.

1126
1:22:21,221 --> 1:22:22,908
Speaker 1: Otherwise, in that they are identical.

1127
1:22:23,140 --> 1:22:34,372
Speaker 1: So what we have here is a black Transam chasing a sheriff's car, essentially flipping the script on Smoky and the Bandit, turning it into Smoky and the Bandit 3.

1128
1:22:34,621 --> 1:22:40,692
Speaker 1: Smoky is the Bandit From dum-dums like me the Bandit, and Smoky Smoky is the Bandit.

1129
1:22:40,861 --> 1:22:43,560
Speaker 1: It's my favorite line from Bill and Ted's bogus journey.

1130
1:22:43,741 --> 1:22:46,109
Speaker 1: Whenever I can wedge that joke in, I'm gonna do it.

1131
1:22:46,280 --> 1:22:50,351
Speaker 1: When death is watching them play charades.

1132
1:22:50,451 --> 1:22:54,431
Speaker 1: Yeah, and he's throwing out guesses for the movie that they're doing.

1133
1:22:54,760 --> 1:22:58,937
Speaker 1: The first one he throws out is Butch on Sundance, the.

1134
1:22:59,038 --> 1:22:59,620
Speaker 2: Early Years.

1135
1:23:00,242 --> 1:23:02,249
Speaker 2: That's also very good.

1136
1:23:02,520 --> 1:23:05,770
Speaker 1: And then his next guest is Smoky and the Bandit 3.

1137
1:23:06,022 --> 1:23:07,299
Speaker 1: Smoky is the Bandit.

1138
1:23:07,461 --> 1:23:09,087
Speaker 1: He throws out the tagline.

1139
1:23:11,822 --> 1:23:16,293
Speaker 2: Also, this is just a little William Sadler love from bogus journey because he's amazing in that movie.

1140
1:23:17,041 --> 1:23:20,570
Speaker 2: Well, they're about to do the big rap at the end of the movie.

1141
1:23:20,731 --> 1:23:21,601
Speaker 2: Yeah, and he does the.

1142
1:23:21,821 --> 1:23:27,551
Speaker 2: You Might to be a King on Little Street Sweeper, but sooner or later you dance with Oripah.

1143
1:23:28,553 --> 1:23:29,955
Speaker 2: So good, william Sadler.

1144
1:23:31,104 --> 1:23:32,388
Speaker 1: Always a wonderful character.

1145
1:23:32,528 --> 1:23:35,705
Speaker 1: Actor Always makes a movie better Would have been a better the.

1146
1:23:35,745 --> 1:23:42,971
Speaker 2: Hitcher Would have been a great the Hitcher, as a matter of fact, but his turn as death and bogus journey may be the highlight of his career.

1147
1:23:43,120 --> 1:23:44,404
Speaker 1: Did you ever see that part three?

1148
1:23:44,624 --> 1:23:45,667
Speaker 1: I did, I never saw it, it's okay.

1149
1:23:45,788 --> 1:23:46,570
Speaker 2: Yeah, was he in it?

1150
1:23:46,670 --> 1:23:47,332
Speaker 2: I think so.

1151
1:23:48,200 --> 1:23:49,665
Speaker 2: Like it wasn't super memorable.

1152
1:23:50,147 --> 1:23:50,649
Speaker 2: That third one.

1153
1:23:50,801 --> 1:23:58,030
Speaker 2: Like there were moments that were fine, there were some decent jokes in there, but the thing I remember most is just like oh, everybody's really old.

1154
1:23:58,240 --> 1:24:01,651
Speaker 1: Like that Pee Wee's big adventure where he was running around with Big Dick Richie.

1155
1:24:01,961 --> 1:24:06,192
Speaker 2: I understand why there is a reason to make this, but but please don't.

1156
1:24:06,340 --> 1:24:11,288
Speaker 2: But it's also how I feel about that new Indiana Jones, which, by the way, apparently not the only one.

1157
1:24:11,328 --> 1:24:13,726
Speaker 2: Chad People stayed away from that movie in droves.

1158
1:24:14,107 --> 1:24:17,006
Speaker 1: I saw it and he's old and they travel in time.

1159
1:24:17,241 --> 1:24:17,742
Speaker 2: You went about.

1160
1:24:17,963 --> 1:24:19,489
Speaker 2: 15 other people saw that movie.

1161
1:24:19,800 --> 1:24:22,169
Speaker 1: I think that maybe two of those movies are decent.

1162
1:24:22,421 --> 1:24:24,580
Speaker 1: I think parts of the other ones are okay.

1163
1:24:24,761 --> 1:24:25,665
Speaker 1: You can pick and choose.

1164
1:24:25,920 --> 1:24:37,647
Speaker 1: I don't think that the finale of the third Indiana Jones, where Indiana Jones does a somersault he basically takes a DUI roadside heel to toe test and picks up an old cup is a wonderful finale for part three.

1165
1:24:37,901 --> 1:24:42,810
Speaker 2: I only like the first two, and the second one is more of a guilty pleasure than an actual like.

1166
1:24:43,040 --> 1:24:45,649
Speaker 1: Three, four, five are all equally good and equally bad.

1167
1:24:45,801 --> 1:24:47,560
Speaker 1: They have moments that are entertaining.

1168
1:24:47,720 --> 1:24:51,892
Speaker 2: I would say last crusade is the third best.

1169
1:24:52,100 --> 1:24:55,246
Speaker 2: And then there's a big drop off, and then there's crystal skull.

1170
1:24:55,380 --> 1:25:00,855
Speaker 1: Well, you haven't even seen Indiana Jones and the time traveling tales of adventure, whatever it's called.

1171
1:25:01,001 --> 1:25:02,047
Speaker 2: You can't say anything.

1172
1:25:02,221 --> 1:25:06,668
Speaker 2: I've had that movie fully spoiled for me now Like I know everything that happens in the movie.

1173
1:25:06,861 --> 1:25:09,174
Speaker 2: And I'm like, I'm good, I don't need to see that.

1174
1:25:09,301 --> 1:25:11,480
Speaker 1: That's how I am with almost every movie that's out there.

1175
1:25:12,062 --> 1:25:20,489
Speaker 1: So, yeah, there are so many movies that I see the trailer and I immediately just go to Wikipedia and read the plot and I'm like, just save myself two hours, let's keep going.

1176
1:25:20,640 --> 1:25:30,109
Speaker 1: So Shaggy is driving the sheriff's car and he tells Grace, like the hitcher is not going to stop, man, and I think he's framing us for all these murders and crimes.

1177
1:25:30,430 --> 1:25:30,951
Speaker 1: You know what?

1178
1:25:31,282 --> 1:25:32,419
Speaker 1: That's what he's doing.

1179
1:25:33,142 --> 1:25:37,472
Speaker 1: Oh, and then three patrol cars start to give chase, along with a helicopter.

1180
1:25:37,640 --> 1:25:42,065
Speaker 1: Grace gets on the police radio and she says hello, can anybody hear me?

1181
1:25:42,280 --> 1:25:44,970
Speaker 1: This is Grace, who has famously tiny poops.

1182
1:25:45,141 --> 1:25:48,900
Speaker 1: That guy who shot the sheriff's deputy is the hitcher.

1183
1:25:49,141 --> 1:25:51,108
Speaker 1: It is definitely not us.

1184
1:25:51,420 --> 1:25:57,800
Speaker 1: And then, lieutenant McDonough, he comes on the radio and he says I have a witness who says you did kill that sheriff's deputy.

1185
1:25:57,960 --> 1:26:00,409
Speaker 1: Pull over, or my officers are going to pull you over.

1186
1:26:00,460 --> 1:26:04,068
Speaker 1: And Grace says he's a liar, we can't pull over, it's not safe.

1187
1:26:04,420 --> 1:26:10,813
Speaker 2: At this point, one of the cops chasing them just starts taking shots at them Headshots.

1188
1:26:10,953 --> 1:26:17,795
Speaker 2: Yeah, but before any of this can come to anything, the hitcher shows up Chad in his transient.

1189
1:26:20,866 --> 1:26:22,609
Speaker 1: It's me the hitcher driving a fast car.

1190
1:26:23,231 --> 1:26:25,617
Speaker 1: Yeah Well, you got.

1191
1:26:26,358 --> 1:26:26,799
Speaker 1: You got some.

1192
1:26:26,880 --> 1:26:33,992
Speaker 1: You got some beer back of that door car, maybe an elephant spark to some metaphor for mortality over here.

1193
1:26:34,152 --> 1:26:34,735
Speaker 2: Is that what I'm doing?

1194
1:26:35,350 --> 1:26:38,935
Speaker 1: Put a large stuffed Marlon on top of the Sheriff's Patrol Jones car.

1195
1:26:38,955 --> 1:26:41,753
Speaker 1: That's what happens in part three smoking the matter.

1196
1:26:41,913 --> 1:26:45,714
Speaker 1: People don't think I'm in that movie, but I make a weird cameo at the end.

1197
1:26:46,495 --> 1:26:50,452
Speaker 2: He just starts picking off these cops left and right.

1198
1:26:50,733 --> 1:26:54,792
Speaker 2: Yeah, he just starts murdering these officers, just one after the other.

1199
1:26:54,852 --> 1:26:56,978
Speaker 2: Just kapow, kapow, yeah.

1200
1:26:57,379 --> 1:27:00,599
Speaker 2: And then Chad, there's a helicopter following.

1201
1:27:00,800 --> 1:27:05,538
Speaker 2: He shoots this helicopter out of the sky in motion in the Transam.

1202
1:27:05,658 --> 1:27:09,444
Speaker 2: Yeah, it is one of the craziest things I've ever seen in a movie.

1203
1:27:09,765 --> 1:27:11,424
Speaker 1: And excluding the Transamp art.

1204
1:27:11,536 --> 1:27:16,002
Speaker 1: This is all lifted from the original, excluding the Transam and also I don't think.

1205
1:27:16,083 --> 1:27:18,414
Speaker 2: Does Rutger Howard shoot a helicopter out of the side?

1206
1:27:18,534 --> 1:27:19,397
Speaker 2: Yes, he does.

1207
1:27:19,818 --> 1:27:39,932
Speaker 1: Oh man, yeah, he blows up a helicopter in that one and then the hitcher just drives off and shaggy and grace, who are now driving a car, that's just on the rims blowing sparks everywhere, they stop and the cars all smoke in and partially on fire and then they just walk off into a field to go where who knows I'm like I'll bet they're hungry.

1208
1:27:40,073 --> 1:27:41,999
Speaker 1: They got to be in a grumpy, bad mood.

1209
1:27:42,139 --> 1:27:44,557
Speaker 1: I get grumpy, in a bad mood, thiving in for a whole day.

1210
1:27:44,778 --> 1:27:53,153
Speaker 1: And then day turns tonight and they wander down the side of this hill to a sketchy motel with a big neon sign out front that says luxury motel.

1211
1:27:53,253 --> 1:27:58,952
Speaker 1: And the only way that this sign would be put up in front of a place like this is if there were three X's in the word luxury.

1212
1:27:59,092 --> 1:28:00,176
Speaker 2: We've talked about this before.

1213
1:28:00,437 --> 1:28:11,393
Speaker 2: It's just a good rule of thumb If anything advertises itself as quality, luxury, elite, any of those things it's not unless if it's classy and it's spelled with a K.

1214
1:28:11,614 --> 1:28:14,413
Speaker 1: Well then, you got a double negative which doesn't make a positive.

1215
1:28:14,453 --> 1:28:15,859
Speaker 1: You just double down on the shittiness.

1216
1:28:16,030 --> 1:28:18,065
Speaker 1: Like classy nails with a K.

1217
1:28:18,145 --> 1:28:18,629
Speaker 1: You don't go there.

1218
1:28:18,649 --> 1:28:21,257
Speaker 1: Get your classy tattoos with a K, you don't do that.

1219
1:28:21,418 --> 1:28:27,452
Speaker 2: No, although if I were gonna get tattooed, I prefer to do it the old fashioned way, in a jail.

1220
1:28:27,633 --> 1:28:27,893
Speaker 2: Yes.

1221
1:28:28,154 --> 1:28:34,378
Speaker 1: There's a nail salon in the town where I live that's called decent nails.

1222
1:28:34,659 --> 1:28:35,501
Speaker 1: You know what you're in for.

1223
1:28:35,681 --> 1:28:37,275
Speaker 1: Excuse me, I'd like to get my nails done.

1224
1:28:37,355 --> 1:28:38,399
Speaker 1: There's gonna be decent.

1225
1:28:38,590 --> 1:28:40,335
Speaker 1: Okay, I guess that's not wrong.

1226
1:28:40,536 --> 1:28:41,679
Speaker 1: Did you bring a coupon?

1227
1:28:41,980 --> 1:28:43,312
Speaker 1: No, here we'll give you one.

1228
1:28:43,453 --> 1:28:46,252
Speaker 1: We only do nails for people what got a coupon.

1229
1:28:46,472 --> 1:28:48,880
Speaker 1: Okay, we don't want to get sued, that's what I'm saying.

1230
1:28:48,970 --> 1:28:52,601
Speaker 2: The last time I did nails, it was just to earn some extra money on the streets.

1231
1:28:53,671 --> 1:28:54,433
Speaker 2: Where are we in this?

1232
1:28:54,674 --> 1:28:55,216
Speaker 2: Oh, yeah, yeah.

1233
1:28:55,637 --> 1:28:57,352
Speaker 1: Shaggy breaks into a motel room.

1234
1:28:57,413 --> 1:28:58,456
Speaker 1: He just opens a window.

1235
1:28:58,717 --> 1:29:04,918
Speaker 2: Good thing it's not occupied pervert Grace wants to call home, like, oh my god, I need to call my parents and tell them I'm okay or something.

1236
1:29:05,070 --> 1:29:07,791
Speaker 2: She picks up the phone and she's like God, we can't even do that.

1237
1:29:07,811 --> 1:29:14,392
Speaker 2: This goes straight to the front desk and I'm like what kind of shitty motel is this that you're ringing the front desk to get out?

1238
1:29:14,592 --> 1:29:19,636
Speaker 1: So they do the next best thing they climb into the shower together and have sex, I assume.

1239
1:29:19,837 --> 1:29:22,412
Speaker 2: What a misplace sex scene this is.

1240
1:29:22,733 --> 1:29:31,637
Speaker 1: And it's not full on like they're bouncing off one another, but they're both naked in the shower and something's gonna pop up.

1241
1:29:31,677 --> 1:29:37,038
Speaker 2: Finally, shaggy is like hey man, now that I've popped a nut, I'm gonna go check for a payphone.

1242
1:29:37,199 --> 1:29:38,712
Speaker 1: I'll be back in 15 minutes.

1243
1:29:38,772 --> 1:29:39,113
Speaker 1: Man.

1244
1:29:39,314 --> 1:29:44,997
Speaker 1: And then Grace climbs in bed and starts watching the Alfred Hitchcock film the Birds.

1245
1:29:45,579 --> 1:29:46,441
Speaker 1: Why do this?

1246
1:29:46,822 --> 1:29:49,879
Speaker 1: Why bring a Hitchcock movie into this garbage remake?

1247
1:29:50,099 --> 1:29:56,576
Speaker 2: We have said it millions of times on this show at this point do not put a better movie in your shitty movie.

1248
1:29:56,777 --> 1:29:59,457
Speaker 1: Yeah, or don't make me think about a better movie in your shitty movie.

1249
1:29:59,577 --> 1:30:01,996
Speaker 1: And for what it's worth, I think the Birds is a shitty movie.

1250
1:30:02,337 --> 1:30:03,060
Speaker 1: I don't like it.

1251
1:30:03,571 --> 1:30:04,554
Speaker 1: Are you out of your mind?

1252
1:30:04,975 --> 1:30:05,697
Speaker 1: No, I'm not.

1253
1:30:05,838 --> 1:30:07,993
Speaker 1: I have my opinions and I'm firm on this.

1254
1:30:08,314 --> 1:30:09,096
Speaker 2: The Birds is great.

1255
1:30:09,136 --> 1:30:12,736
Speaker 2: I've watched it within the past year and the Birds is a great movie.

1256
1:30:13,779 --> 1:30:15,672
Speaker 1: I like the birds to the burdening.

1257
1:30:15,872 --> 1:30:21,452
Speaker 1: Grace falls asleep in the bed and she wakes up and sees that there's some hostess ding dongs on the nightstand.

1258
1:30:21,512 --> 1:30:28,673
Speaker 1: That's a callback to the Bufords where she shit earlier and she kind of smiles, making you think that Shaggy's there with her.

1259
1:30:28,834 --> 1:30:32,876
Speaker 1: But then she just gets attacked by the hitcher who's in the hotel room.

1260
1:30:32,916 --> 1:30:35,292
Speaker 1: He's like I'm fucking horny.

1261
1:30:35,472 --> 1:30:36,736
Speaker 1: And then the two of them tussle.

1262
1:30:36,937 --> 1:30:38,652
Speaker 1: She hides in the bathroom.

1263
1:30:38,873 --> 1:30:39,414
Speaker 2: If I may?

1264
1:30:39,695 --> 1:30:42,122
Speaker 2: What she says is you're making me horny.

1265
1:30:42,210 --> 1:30:44,677
Speaker 2: And he's like yeah, yeah, I'm horny too.

1266
1:30:45,219 --> 1:30:50,053
Speaker 1: And then they tussle which let me just say I don't want to ping pong between the original and this one.

1267
1:30:50,113 --> 1:31:04,556
Speaker 1: Yeah, in the original C Thomas Howell and Jennifer Jason Lee team up and they're together and they go to a shitty hotel and then they're in a pretty desperate place and it's not nearly as awful as this horseshit remake and he says I need to go take a shower.

1268
1:31:04,616 --> 1:31:06,151
Speaker 1: So he goes and takes a shower.

1269
1:31:06,412 --> 1:31:08,259
Speaker 1: Even when you see him, he's taking off his shirt.

1270
1:31:08,319 --> 1:31:12,935
Speaker 1: His body is so beaten by the torture that he's gone through he can barely get undressed.

1271
1:31:13,035 --> 1:31:17,631
Speaker 1: He's cleaning off blood and dirt on his hands and she's in the bedroom just kind of laying there.

1272
1:31:17,791 --> 1:31:24,672
Speaker 1: And then while C Thomas Howell is in the shower, there are headlights that kind of wash across the room throughout this scene.

1273
1:31:24,772 --> 1:31:32,532
Speaker 1: And once he's gone, the headlines wash across and you see Rudker Howe the hitcher, standing in the shadows and being illuminated.

1274
1:31:32,673 --> 1:31:34,458
Speaker 1: It is a very ominous scene.

1275
1:31:34,619 --> 1:31:40,754
Speaker 1: And then you see him walk over and climb into bed with Jennifer Jason Lee and she kind of thinks it's him.

1276
1:31:40,834 --> 1:31:49,052
Speaker 1: He reaches over and holds her hand, she holds his hand and then she realizes these are not the hands of C Thomas Howell and then he just kind of like puts his hand on her mouth.

1277
1:31:49,092 --> 1:31:49,654
Speaker 2: There's none of this.

1278
1:31:49,835 --> 1:31:57,737
Speaker 1: I'm horny too, baby Right, none of that happens and it is a truly suspenseful and frightening moment in that movie and this.

1279
1:31:57,998 --> 1:32:07,976
Speaker 1: It's just confusing and it's sexual assault 100% she hides in the bathroom with the gun and instead of shooting six times through the door, she's just like get out of here.

1280
1:32:08,016 --> 1:32:11,698
Speaker 1: I got a gun and if I know how to use it, I would shoot you, mr.

1281
1:32:11,818 --> 1:32:13,794
Speaker 2: Man, get out of here, hitcher.

1282
1:32:14,075 --> 1:32:14,858
Speaker 2: Nobody wants you.

1283
1:32:15,331 --> 1:32:17,577
Speaker 2: Scott shoot, be gone with you.

1284
1:32:17,897 --> 1:32:20,813
Speaker 2: Stupid hitcher, always trying to sneak around.

1285
1:32:20,994 --> 1:32:30,032
Speaker 1: So Grace is in the bathroom, she gets dressed because that's what you do in a movie like this and then she leaves the bathroom which, by the way, though this bathroom didn't have a lock on the door, the hitcher could have walked right in.

1286
1:32:30,112 --> 1:32:49,280
Speaker 1: They kind of overlook that detail and she cautiously like tiptoes outside and she goes into the parking light and here she finds that shaggy is chained up with his hands tied to a tractor trailer and his feet are chained up and tied to the cab of the truck and they're separate.

1287
1:32:49,360 --> 1:32:52,378
Speaker 1: So he's like a little human bridge between the two.

1288
1:32:52,438 --> 1:32:55,076
Speaker 1: And this is the famous scene you mentioned in the original movie.

1289
1:32:55,297 --> 1:33:05,339
Speaker 1: But in that movie it's just see Thomas Howell, the one who's torn in the whole time, right, and it is the waitress, jennifer Jason Lee, who is kind of in this damsel in distress role.

1290
1:33:05,459 --> 1:33:07,235
Speaker 1: But in this movie, though, they flip the script.

1291
1:33:07,476 --> 1:33:09,996
Speaker 1: They put the guy between the truck and the trailer.

1292
1:33:10,190 --> 1:33:10,571
Speaker 2: They do.

1293
1:33:10,651 --> 1:33:31,299
Speaker 2: Indeed, and I get it, you're doing something a little different with this, I suppose, and if you're gonna have this character, the fact that you're kind of rolling with two characters now, if you're gonna do that, at least you're giving some kind of reason for it in this moment, but you don't care about either of these characters enough for this matter.

1294
1:33:31,511 --> 1:33:39,754
Speaker 1: She gets in the cab of the truck with the hitcher and she's like Listen, mr man, turn off the truck, I'm gonna shoot you if I figure out how this gun works.

1295
1:33:40,075 --> 1:33:45,832
Speaker 1: And the hitcher says you shoot me, my foot comes off the clutch and shaggy back there, dies.

1296
1:33:46,153 --> 1:33:48,720
Speaker 1: And Grace is like Damn, you really got me there.

1297
1:33:48,821 --> 1:33:50,258
Speaker 1: Then just turn off the truck.

1298
1:33:50,439 --> 1:33:52,472
Speaker 1: He's like I can't, I want you to kill me.

1299
1:33:52,532 --> 1:33:59,632
Speaker 1: And then the hitcher he grabs the barrel of the gun and he puts it to his own forehead and he says Do it shoot me, I want to die.

1300
1:33:59,853 --> 1:34:05,754
Speaker 1: And Grace says you are crazy, but you are handsome, you're a bad boy, aren't you?

1301
1:34:05,875 --> 1:34:08,994
Speaker 2: Do you think you could like come to learn what I look like when I pee?

1302
1:34:09,135 --> 1:34:11,421
Speaker 2: Because that's really what I'm missing in life.

1303
1:34:11,630 --> 1:34:14,005
Speaker 1: I'm just gonna ask this Are you into scat?

1304
1:34:14,066 --> 1:34:16,416
Speaker 1: And I'm not talking about improv jazz singing, mr.

1305
1:34:16,456 --> 1:34:17,972
Speaker 1: You know what I'm talking about, I think.

1306
1:34:18,012 --> 1:34:23,138
Speaker 2: I know what you're talking about and the answer is only when I'm drunk, kill me, kill me.

1307
1:34:23,940 --> 1:34:29,412
Speaker 1: Also during this scene it doesn't cut much back to shaggy being tortured or tormented.

1308
1:34:30,054 --> 1:34:38,117
Speaker 1: And then the hitcher looks over Grace and he's like Ah yo just a useless waste and he lets the clutch off of the truck.

1309
1:34:38,398 --> 1:34:40,912
Speaker 1: And this whole time a sheriff's deputies have shown up.

1310
1:34:40,952 --> 1:34:44,174
Speaker 1: That's kind of an important thing that they see her with the gun to his head.

1311
1:34:44,375 --> 1:34:51,242
Speaker 1: As he lets off the clutch, the cab rolls forward and it just snaps shaggy in two quite violently.

1312
1:34:51,370 --> 1:34:54,097
Speaker 1: You see it and RIP shaggy from our movie.

1313
1:34:54,278 --> 1:35:03,116
Speaker 2: In fairness, shad, the amount of torso that you get to see here is not bad in terms of like when he actually fully eats it.

1314
1:35:03,337 --> 1:35:04,951
Speaker 2: Yeah, kind of on board with it.

1315
1:35:05,192 --> 1:35:10,678
Speaker 2: I mean it's quick, but for a movie that doesn't have a lot more to recommend it, it's all right.

1316
1:35:10,938 --> 1:35:11,460
Speaker 1: It's quick.

1317
1:35:11,620 --> 1:35:14,064
Speaker 1: You definitely see his body ripped in two.

1318
1:35:14,265 --> 1:35:15,571
Speaker 1: Again, to go back to the original.

1319
1:35:15,712 --> 1:35:18,891
Speaker 1: When they rip Jennifer Jason Lee in half, you do not see it.

1320
1:35:19,012 --> 1:35:26,475
Speaker 1: You see her starting to get ripped in half and then it goes to black and you just hear her screaming, which one could argue is way more effective.

1321
1:35:26,656 --> 1:35:41,499
Speaker 1: And that scene is so much more tense than this one, because when see Thomas Howell realizes, like I am dealing with this maniac and crosses a line, and at that time in both movies they're surrounded by the cops, this dude truly does not give a shit whatsoever.

1322
1:35:41,599 --> 1:35:42,772
Speaker 1: So back to this shitty movie.

1323
1:35:42,893 --> 1:35:46,114
Speaker 1: We see Grace and she's been examined by a scientist or something.

1324
1:35:46,134 --> 1:35:46,936
Speaker 1: She's all in shock.

1325
1:35:47,117 --> 1:35:50,404
Speaker 1: And then, Lieutenant McDonough, he shows up and he's like how to grace that?

1326
1:35:51,049 --> 1:35:52,233
Speaker 1: Sorry, I didn't believe you earlier.

1327
1:35:52,334 --> 1:35:53,097
Speaker 1: My bad, I really.

1328
1:35:53,177 --> 1:35:54,251
Speaker 1: I dropped the ball on that one.

1329
1:35:54,271 --> 1:35:55,013
Speaker 1: That is on me.

1330
1:35:56,517 --> 1:36:00,014
Speaker 1: We ran fingerprints on the hitcher and I'll be damned.

1331
1:36:00,154 --> 1:36:01,117
Speaker 1: He's like a ghost.

1332
1:36:01,277 --> 1:36:02,381
Speaker 1: He's got no background.

1333
1:36:02,450 --> 1:36:03,601
Speaker 1: But look, I'm gonna walk in there.

1334
1:36:03,742 --> 1:36:05,132
Speaker 1: We're gonna have a little man to man.

1335
1:36:05,172 --> 1:36:06,457
Speaker 1: I'm gonna interrogate him a little bit.

1336
1:36:06,537 --> 1:36:08,334
Speaker 1: You just hang tight right here, young Missy.

1337
1:36:08,534 --> 1:36:10,741
Speaker 2: Also, he has no corporeal form.

1338
1:36:10,950 --> 1:36:16,738
Speaker 2: We tried to fingerprint him and his thumb passed through the thumb pad, so he may truly be a ghost.

1339
1:36:16,998 --> 1:36:17,560
Speaker 1: Check this out.

1340
1:36:17,680 --> 1:36:18,615
Speaker 1: Here's his mugshot.

1341
1:36:18,735 --> 1:36:19,319
Speaker 1: Nobody's in it.

1342
1:36:19,400 --> 1:36:21,251
Speaker 1: He might be a vampire, we don't know.

1343
1:36:21,451 --> 1:36:22,855
Speaker 1: All right, but look, I got.

1344
1:36:23,236 --> 1:36:25,742
Speaker 1: I got a empty power bottle.

1345
1:36:25,782 --> 1:36:26,999
Speaker 1: I filled up with holy water.

1346
1:36:27,120 --> 1:36:31,832
Speaker 1: Well, it's water from the water fountain, but I had Padre out there give a little inka dinka do on it.

1347
1:36:31,952 --> 1:36:32,775
Speaker 1: So it's good to go.

1348
1:36:32,995 --> 1:36:33,918
Speaker 1: I got some pencils.

1349
1:36:34,099 --> 1:36:37,320
Speaker 1: These are wooden stakes and you know what I'm gonna roll the dice.

1350
1:36:37,340 --> 1:36:38,373
Speaker 1: We're gonna see what happens here.

1351
1:36:38,393 --> 1:36:39,698
Speaker 1: Alright, so just hang tight.

1352
1:36:39,859 --> 1:36:43,572
Speaker 1: If you need to use the bathroom, there's the men's room, there's the ladies room.

1353
1:36:43,793 --> 1:36:45,739
Speaker 1: Over here is one of them restrooms.

1354
1:36:45,779 --> 1:36:48,197
Speaker 1: If you need to like assisted help, use one, all three.

1355
1:36:48,297 --> 1:36:50,876
Speaker 1: I know you got issues, ibs or whatever you got going on.

1356
1:36:50,896 --> 1:36:51,599
Speaker 1: You just take care of that.

1357
1:36:51,710 --> 1:36:52,312
Speaker 1: I'm gonna go in there.

1358
1:36:52,332 --> 1:36:54,178
Speaker 1: So here we go and break man.

1359
1:36:54,198 --> 1:36:54,499
Speaker 1: Here we go.

1360
1:36:55,830 --> 1:36:57,717
Speaker 1: So he goes into interrogate the hitcher, mm.

1361
1:36:57,757 --> 1:37:02,613
Speaker 1: Hmm, these weren't handcuffs Uh huh, naturally Mcdonald's he's like listen up here, where are you from?

1362
1:37:02,673 --> 1:37:04,791
Speaker 1: And then she's like oh, I'm from all over.

1363
1:37:05,112 --> 1:37:06,918
Speaker 1: Oh man, this is one sick puppy.

1364
1:37:07,058 --> 1:37:08,071
Speaker 1: Well, you tortured that fella.

1365
1:37:08,131 --> 1:37:08,914
Speaker 1: You knew you could call.

1366
1:37:09,015 --> 1:37:09,798
Speaker 1: How many hours you killed.

1367
1:37:09,898 --> 1:37:11,375
Speaker 1: You know, in New Mexico we got the death penalty.

1368
1:37:11,496 --> 1:37:12,351
Speaker 1: You don't seem to be worried.

1369
1:37:12,452 --> 1:37:12,733
Speaker 1: You know what?

1370
1:37:12,753 --> 1:37:13,014
Speaker 1: You look?

1371
1:37:13,034 --> 1:37:14,138
Speaker 1: Comfy in them, handcuffs.

1372
1:37:14,278 --> 1:37:15,273
Speaker 1: What if I tighten them up?

1373
1:37:15,334 --> 1:37:16,157
Speaker 1: Click, click, click, click, click.

1374
1:37:16,470 --> 1:37:19,197
Speaker 1: He's like oh, oh, you got me.

1375
1:37:19,338 --> 1:37:21,692
Speaker 1: You put the handcuffs real tight around my wrists.

1376
1:37:21,893 --> 1:37:24,381
Speaker 1: That's how we do it here, New Mexico style.

1377
1:37:24,711 --> 1:37:33,936
Speaker 2: Later on, mcdonald is telling Grace, we're gonna take you to Albuquerque and I guarantee you we're gonna listen to that weird song the entire way.

1378
1:37:34,116 --> 1:37:34,939
Speaker 2: You're gonna love it.

1379
1:37:35,079 --> 1:37:38,118
Speaker 2: It's sort of a free form parody, but it's quite funny.

1380
1:37:38,138 --> 1:37:39,212
Speaker 2: I think you're gonna enjoy it.

1381
1:37:39,332 --> 1:37:44,092
Speaker 2: And then you'll be released to your parents and by then you'll know all the words and you can kind of pass it along to them.

1382
1:37:44,435 --> 1:37:45,886
Speaker 1: You know I'm gonna pull it up on my phone.

1383
1:37:45,966 --> 1:37:49,500
Speaker 1: There's a couple of videos that fans made of it that are pretty funny.

1384
1:37:49,630 --> 1:37:50,132
Speaker 1: They're pretty good.

1385
1:37:50,152 --> 1:37:50,735
Speaker 1: You're gonna like it.

1386
1:37:50,875 --> 1:37:52,413
Speaker 1: The ending of this movie is real boring.

1387
1:37:52,574 --> 1:37:57,900
Speaker 2: From the moment Neil Mcdonald tells Grace that she is going to Albuquerque to be released to her parents.

1388
1:37:58,050 --> 1:37:59,655
Speaker 2: There are eight minutes left in the film.

1389
1:37:59,836 --> 1:38:00,659
Speaker 1: On their way out.

1390
1:38:00,859 --> 1:38:08,752
Speaker 1: As Mcdonald is leaving with Grace, she is getting into a patrol car and she looks over and sees the hitcher being put in the back of a transport van.

1391
1:38:09,133 --> 1:38:25,932
Speaker 1: Awkward, and so these officers are transporting the hitcher to Albuquerque and he's in the back of this van with a deputy and for some reason the only living person he tortured is in a different patrol car, following close behind both.

1392
1:38:26,073 --> 1:38:26,855
Speaker 2: Like what?

1393
1:38:26,995 --> 1:38:28,359
Speaker 2: Why is Neil Mcdonald?

1394
1:38:28,540 --> 1:38:33,771
Speaker 2: He's kind of right behind him and there's not a great reason for him to like.

1395
1:38:33,931 --> 1:38:34,813
Speaker 2: Like, why do this?

1396
1:38:34,974 --> 1:38:40,437
Speaker 2: Why go through the trouble of having them follow behind like this?

1397
1:38:40,597 --> 1:38:41,279
Speaker 2: You know what I mean.

1398
1:38:41,600 --> 1:38:43,975
Speaker 2: Like this close, I guess, is what I'm saying.

1399
1:38:44,035 --> 1:38:46,752
Speaker 2: Like, why not break it up a little bit?

1400
1:38:46,973 --> 1:38:47,174
Speaker 2: Have?

1401
1:38:47,214 --> 1:38:48,819
Speaker 1: them leave 10 minutes earlier Right.

1402
1:38:48,899 --> 1:38:51,762
Speaker 2: Yeah exactly, you guys go at 12.

1403
1:38:51,923 --> 1:38:53,389
Speaker 2: We're gonna leave at 1230.

1404
1:38:53,409 --> 1:38:56,203
Speaker 1: We're gonna stop and grab lunch at a subway.

1405
1:38:56,384 --> 1:38:59,023
Speaker 1: I've got a coupon, not for subway but for decent nails.

1406
1:38:59,144 --> 1:39:00,452
Speaker 1: The woman needs to get her nails done.

1407
1:39:00,552 --> 1:39:02,399
Speaker 1: She wants to look pretty when she sees her parents.

1408
1:39:02,851 --> 1:39:07,453
Speaker 2: Anything Chad like it just seems incredibly irresponsible, at minimum.

1409
1:39:07,593 --> 1:39:10,301
Speaker 1: Here's the end of the long story short, the hitcher.

1410
1:39:10,550 --> 1:39:12,897
Speaker 1: I think he breaks his own wrist, or?

1411
1:39:13,097 --> 1:39:19,772
Speaker 2: something breaks the skin on his wrist for sure, and uses that to like lubricate the cuffs and he gets out.

1412
1:39:20,093 --> 1:39:33,417
Speaker 1: The best part about this is that the deputy who's watching him he's literally two feet away from this guy like their knees are touching and the wiggling that the hitcher is doing is pretty obvious that he's getting out of his cuffs and this deputy is like what are you doing there?

1413
1:39:33,598 --> 1:39:34,691
Speaker 1: You up to something.

1414
1:39:34,972 --> 1:39:35,934
Speaker 2: It's totally.

1415
1:39:36,135 --> 1:39:36,456
Speaker 2: Hey.

1416
1:39:36,736 --> 1:39:39,142
Speaker 2: Are you just doing a little shimmy?

1417
1:39:39,470 --> 1:39:41,376
Speaker 2: Are you happy to be arrested?

1418
1:39:41,456 --> 1:39:42,520
Speaker 1: I'm looking at your face.

1419
1:39:42,660 --> 1:39:46,172
Speaker 1: It doesn't look like you have to pee, but you're wiggling like you have to pee.

1420
1:39:46,333 --> 1:39:47,697
Speaker 1: So what's going on over there?

1421
1:39:47,898 --> 1:39:49,112
Speaker 2: This is some poor police work.

1422
1:39:49,192 --> 1:39:51,291
Speaker 2: You know what do you expect from New Mexico, I guess?

1423
1:39:51,512 --> 1:39:54,052
Speaker 1: Whoa throwing some shade at the New Mexico Police Department.

1424
1:39:54,112 --> 1:39:54,774
Speaker 2: They know what they did.

1425
1:39:54,814 --> 1:39:55,156
Speaker 2: Chad.

1426
1:39:55,597 --> 1:39:57,233
Speaker 1: Why don't you want to go to New Mexico, Bo?

1427
1:39:57,273 --> 1:39:58,718
Speaker 1: Why don't you want to go to New Mexico?

1428
1:39:59,280 --> 1:40:02,411
Speaker 2: We got to get to Mexico, but you can't go through New Mexico, Chad.

1429
1:40:03,293 --> 1:40:19,538
Speaker 1: The hitcher gets out of his handcuffs and he whips it around to where they're open and he uses it like a blade and he splits the throat of this deputy who's not very good at his job, and you get some real practical bloody throat effects here, if that's your thing, so congratulations.

1430
1:40:19,759 --> 1:40:30,397
Speaker 1: And then the hitcher grabs a shotgun from that deputy, shoots the passenger officer in the front of the car, but then the whole transport van flips over multiple times.

1431
1:40:30,637 --> 1:40:31,800
Speaker 1: Everyone should be dead.

1432
1:40:31,981 --> 1:40:38,617
Speaker 1: No one survives a crash like this Right, like it's 70 miles an hour in the interstate and your car just rolls over.

1433
1:40:38,898 --> 1:40:40,072
Speaker 1: No seatbelts know nothing.

1434
1:40:40,232 --> 1:40:42,731
Speaker 1: You are dead, you're not walking away from that.

1435
1:40:42,771 --> 1:40:43,875
Speaker 2: You're absolutely right, Chad.

1436
1:40:43,895 --> 1:40:45,813
Speaker 2: This is all just utter nonsense that we are.

1437
1:40:45,873 --> 1:40:48,512
Speaker 1: And then and then, an El Camino crashes into the van.

1438
1:40:48,612 --> 1:40:50,758
Speaker 2: Well, I mean, it's an El Camino Chad.

1439
1:40:51,500 --> 1:40:55,038
Speaker 2: We get to the point where the crashes happen.

1440
1:40:55,138 --> 1:41:02,314
Speaker 2: The van's turned over and over and the SUV that Neil McDonough and Grace are in gets hit by an El Camino.

1441
1:41:03,336 --> 1:41:06,503
Speaker 2: And then Neil McDonough's leg is trapped.

1442
1:41:06,650 --> 1:41:07,153
Speaker 1: For gosh.

1443
1:41:07,214 --> 1:41:08,823
Speaker 1: Done, done, my legs pinched.

1444
1:41:08,924 --> 1:41:10,471
Speaker 1: Grace, I got a call for backup.

1445
1:41:10,592 --> 1:41:11,535
Speaker 2: I'm gonna call for backup.

1446
1:41:11,816 --> 1:41:12,679
Speaker 2: You stay right here.

1447
1:41:13,010 --> 1:41:15,859
Speaker 2: She's like no, no, no, I'm gonna end this right now.

1448
1:41:16,200 --> 1:41:18,174
Speaker 1: I'm done running from the hitcher.

1449
1:41:18,255 --> 1:41:19,519
Speaker 1: Give me your gun, mister.

1450
1:41:19,719 --> 1:41:20,792
Speaker 1: Is this how you make it go?

1451
1:41:20,873 --> 1:41:23,132
Speaker 1: The bullets come out and the bullets come out of this part.

1452
1:41:23,373 --> 1:41:24,095
Speaker 1: Okay, I got it.

1453
1:41:24,175 --> 1:41:25,791
Speaker 2: He says you don't know what you're doing.

1454
1:41:25,831 --> 1:41:28,831
Speaker 2: And she's like I know exactly what I'm doing, mister.

1455
1:41:29,112 --> 1:41:35,774
Speaker 1: She walks up to the back of the transport van it's all flipped over or something and she's like boom, boom, boom, open up, mister the hitcher.

1456
1:41:36,095 --> 1:41:38,301
Speaker 1: It's me, you're a worst nightmare.

1457
1:41:38,510 --> 1:41:40,988
Speaker 1: Don't worry, lieutenant McDonough, I got this.

1458
1:41:41,008 --> 1:41:44,433
Speaker 1: And then the hitcher just opens it up, balks her on the head, throws her inside and he jumps out.

1459
1:41:44,573 --> 1:41:47,141
Speaker 2: Right, she does a terrible job here.

1460
1:41:47,470 --> 1:42:02,693
Speaker 2: Anyway, he pops out with this shotgun and walks over to Neil McDonough, who at this point gives him a particularly witty bon-mote of hey, how about you go fuck yourself, that you're just like, all right.

1461
1:42:03,135 --> 1:42:04,358
Speaker 2: And then just shoots him yeah.

1462
1:42:04,459 --> 1:42:07,998
Speaker 2: But then out comes Sophia Bush kicking her way.

1463
1:42:08,199 --> 1:42:10,375
Speaker 2: Oh, wait, wait, wait, we've left out an important part.

1464
1:42:10,415 --> 1:42:28,259
Speaker 1: Yeah, there's leaking gas lane on the ground and the hitcher shoots his gun at the gasoline, which makes the entire transport van explode, with Grayson sited, thus driving Neil deGrasse, tyson, bill Nye, the science guy and the entire crew of mythbusters.

1465
1:42:28,339 --> 1:42:32,319
Speaker 2: crazy, because that's how shit works, so it sets it ablaze.

1466
1:42:32,399 --> 1:42:46,596
Speaker 2: Grayse, meanwhile, has gotten a shotgun from the front seat of this transport because she like pulled down the wire mesh that something separates the prisoner transport from the cab and pulls that free and dude.

1467
1:42:46,816 --> 1:42:57,071
Speaker 2: She kicks the back door of this thing open while it's on fire and leaps out with this shotgun Like she is John McClain from one of the later diehards equals.

1468
1:42:57,352 --> 1:43:00,259
Speaker 1: Hey the hitcher, it's time to say grace.

1469
1:43:01,181 --> 1:43:06,782
Speaker 2: If only she had said that oh, that's a good line, I'm so proud of that.

1470
1:43:07,350 --> 1:43:09,176
Speaker 2: Talk about making your movie less worse.

1471
1:43:09,758 --> 1:43:17,751
Speaker 2: If she had said it's time to say grace and then cock the shotgun with one hand and then just started blasting him nonstop, which is kind of what happened.

1472
1:43:17,791 --> 1:43:21,615
Speaker 1: She shoots him a couple of times, but he's wearing a bulletproof vest, yeah.

1473
1:43:21,835 --> 1:43:28,315
Speaker 1: And then she walks over and he looks up and he's like oh it feels good, doesn't it, to shoot a stranger, to murder somebody.

1474
1:43:28,515 --> 1:43:37,834
Speaker 1: Gray says look, mr the Hitcher, I don't feel a thing except a turtle head poking out, and then she blasts him in the head.

1475
1:43:38,315 --> 1:43:40,541
Speaker 2: And then I mention I'm menstruating.

1476
1:43:40,890 --> 1:43:43,116
Speaker 2: I call it a raspberry sundae.

1477
1:43:43,497 --> 1:43:45,551
Speaker 1: Jesus Christ, if that's what you call it.

1478
1:43:45,571 --> 1:43:47,959
Speaker 1: I'll have to go check Urban Dictionary on that.

1479
1:43:48,079 --> 1:44:00,291
Speaker 1: So she shoots him in the head and then we get a POV shot from up in the air and we hear the song how we Operate by Gomez, some British indie rock band that sounds like a watered down Pearl Jamp.

1480
1:44:00,512 --> 1:44:06,293
Speaker 1: One little detail we missed earlier was the scene where the hitcher kills everybody and shoots down the helicopter and kills all the cops.

1481
1:44:06,493 --> 1:44:09,972
Speaker 1: They play Trent Reznor's I want to fuck you like an animal.

1482
1:44:09,992 --> 1:44:15,097
Speaker 1: Oh, yeah, yeah, yeah, remember that this seems wholly inappropriate for a cop murdering.

1483
1:44:15,177 --> 1:44:18,975
Speaker 1: chase scene on the interstate 100% closer by nine inch.

1484
1:44:19,075 --> 1:44:31,352
Speaker 2: Nails is not a car chase song, it is a angry fucking song, and the only time you should use that is when you are angrily fucking someone or you're in the movie seven.

1485
1:44:31,412 --> 1:44:32,316
Speaker 2: Those are the only times.

1486
1:44:32,570 --> 1:44:34,456
Speaker 1: Yeah, that guy did angry fuck some people.

1487
1:44:35,319 --> 1:44:36,672
Speaker 1: You kidding me, that was gross.

1488
1:44:36,812 --> 1:44:41,320
Speaker 1: And then he put it on me and he put it on me, and then this movie rolls credits.

1489
1:44:41,682 --> 1:44:42,105
Speaker 1: That's it.

1490
1:44:42,186 --> 1:44:43,956
Speaker 1: It's a really really bad movie.

1491
1:44:44,699 --> 1:44:47,271
Speaker 2: But you know, we talked about it in record time.

1492
1:44:47,472 --> 1:44:48,274
Speaker 1: That's pretty good.

1493
1:44:48,455 --> 1:44:49,759
Speaker 2: Yeah, I mean it's something.

1494
1:44:50,019 --> 1:44:54,993
Speaker 1: So I'm gonna do something I've never done before, bo, in the history of pick six movies.

1495
1:44:55,394 --> 1:44:57,853
Speaker 1: I'm gonna put my pants back on before the episode is over.

1496
1:44:58,395 --> 1:45:06,901
Speaker 1: And I received numerous recommendations for episodes for one of our discussions for this season.

1497
1:45:07,743 --> 1:45:08,432
Speaker 1: I received a bunch.

1498
1:45:08,693 --> 1:45:09,918
Speaker 1: I did, I mean I checked the email.

1499
1:45:09,938 --> 1:45:21,201
Speaker 1: I want to else check, but I was just like bored and there were a bunch and I had one of our interns go in and pull out all the recommendations and I have them in a bowl or something.

1500
1:45:21,421 --> 1:45:26,175
Speaker 1: It's our container, it's like a plastic container and they're all folded up, the ones that I read through.

1501
1:45:26,235 --> 1:45:37,094
Speaker 1: I remember there was movies like Wild Hogs is in there, that space alien movie Paul was in there, the Darjeeling Limited one of my personal favorites road to perdition.

1502
1:45:37,415 --> 1:45:42,980
Speaker 1: There was a recommendation for an any pots Mark Hamill movie called Corvette Summer.

1503
1:45:43,241 --> 1:45:44,332
Speaker 1: Sure Never heard of that.

1504
1:45:44,352 --> 1:45:51,382
Speaker 1: Yeah, we got a lot of choices, so I'm gonna shake this up and I am going to pick out a movie for episode five.

1505
1:45:51,510 --> 1:45:53,937
Speaker 1: Oh, this is very exciting, kind of a lottery.

1506
1:45:54,058 --> 1:45:56,153
Speaker 1: Yeah, never before been done.

1507
1:45:56,454 --> 1:45:58,712
Speaker 1: I have a piece of paper, ladies and gentlemen.

1508
1:45:58,932 --> 1:46:03,433
Speaker 1: Yeah, shit, it's over the top with Sylvester Stoll.

1509
1:46:03,494 --> 1:46:05,347
Speaker 2: Wait, I didn't even hear you mention that.

1510
1:46:05,528 --> 1:46:06,412
Speaker 1: Well, I didn't mention them all.

1511
1:46:06,452 --> 1:46:09,052
Speaker 1: There was there's like 25 of them or something in here.

1512
1:46:09,072 --> 1:46:10,417
Speaker 1: Those are the ones I remembered.

1513
1:46:10,598 --> 1:46:12,092
Speaker 1: You ever pick a different one.

1514
1:46:12,213 --> 1:46:13,757
Speaker 1: I mean, we can't do that.

1515
1:46:13,998 --> 1:46:19,976
Speaker 2: You gotta let the chips fall where they may, right, like you can't just look at the face of fate and deny it.

1516
1:46:20,156 --> 1:46:33,522
Speaker 2: You gotta accept the lot that's given to you in life and I'm like, if nothing else, Chad I'm a fatalist and I know I know, but over the top, this is the arm wrestling father son, get to know you trip.

1517
1:46:33,803 --> 1:46:37,177
Speaker 1: Canon films yeah, extravaganza.

1518
1:46:37,359 --> 1:46:40,338
Speaker 2: Boy, are we just working our way through the Canon Films catalog?

1519
1:46:40,378 --> 1:46:41,666
Speaker 2: Is that I mean for what we?

1520
1:46:41,727 --> 1:46:41,908
Speaker 1: do.

1521
1:46:42,009 --> 1:46:42,772
Speaker 1: How could we not?

1522
1:46:43,134 --> 1:46:44,721
Speaker 2: Yeah, I guess that's true.

1523
1:46:45,364 --> 1:46:55,954
Speaker 1: It seems like that's a main vein of shitty movies that we would be talking about, and you've already talked with our lawyers about episode six, so I can't pull out another name because that's already in the hopper.

1524
1:46:56,156 --> 1:46:58,173
Speaker 1: Yeah, to make sure we're not gonna get in trouble for that.

1525
1:46:58,394 --> 1:47:00,127
Speaker 2: Well, we're gonna get in trouble for that, chad.

1526
1:47:00,388 --> 1:47:03,250
Speaker 1: So five and six, or they're in the books, yeah, they're on their way.

1527
1:47:03,371 --> 1:47:05,343
Speaker 1: We can't do anything about it, so tune in.

1528
1:47:05,383 --> 1:47:12,359
Speaker 1: In two weeks we will be talking about over the top, which includes arm wrestling and more 18 wheelers.

1529
1:47:12,480 --> 1:47:16,242
Speaker 1: It does not involve a strapping a human being between those two 18 wheelers.

1530
1:47:16,544 --> 1:47:17,490
Speaker 1: We should be so lucky, mm.

1531
1:47:17,712 --> 1:47:26,450
Speaker 1: Hmm, it does involve strapping two men's hands together as they look deeply into one another's eyes and sweat and grunt, not in the way I would want to see that happen.

1532
1:47:26,772 --> 1:47:27,558
Speaker 2: Over the top.

1533
1:47:27,880 --> 1:47:33,383
Speaker 2: One of the better films based on a prepositional phrase under the rainbow is there over the top.

1534
1:47:33,992 --> 1:47:39,060
Speaker 2: Into the wild, up the creek, through the woods, yeah, into the woods about Schmidt.

1535
1:47:39,301 --> 1:47:43,463
Speaker 2: I don't know that about Schmidt is technically a prepositional phrase.

1536
1:47:43,704 --> 1:47:44,790
Speaker 1: It's close enough.

1537
1:47:45,333 --> 1:47:50,435
Speaker 2: It's about a boy, I think would be a prepositional phrase behind the candelabra.

1538
1:47:53,774 --> 1:47:55,418
Speaker 1: Smoky is the bandit.

1539
1:47:55,558 --> 1:47:56,861
Speaker 1: Smoky is the bandit.

1540
1:47:57,993 --> 1:48:00,566
Speaker 1: Ah, alright, shit Over the top.

1541
1:48:00,666 --> 1:48:02,357
Speaker 1: Alright, come back and see us in two weeks time.

1542
1:48:02,558 --> 1:48:04,797
Speaker 1: You can email us and tell us that you're pissed off.

1543
1:48:04,817 --> 1:48:06,352
Speaker 1: We didn't pick your movie and we're so sorry.

1544
1:48:06,393 --> 1:48:13,324
Speaker 1: Thank you for playing, but we can only have a one winner, and and all you win is that you can have bragging rights to whatever people you brag about.

1545
1:48:13,364 --> 1:48:15,320
Speaker 1: Something like this, I don't even know who submitted this one.

1546
1:48:15,582 --> 1:48:18,742
Speaker 2: If you chose over the top, which had long odds.

1547
1:48:18,762 --> 1:48:19,767
Speaker 2: You were now a rich man.

1548
1:48:19,788 --> 1:48:24,899
Speaker 1: Right, I don't care, great Bo, any final thoughts that you have on the hitch or the remake.

1549
1:48:25,140 --> 1:48:29,080
Speaker 2: Zoinks, now that I've been pulled apart, I can see how flat my ass is.

1550
1:48:30,325 --> 1:48:32,271
Speaker 1: We'll see everybody in two weeks time.