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"Come home, Amy. I dare you.”
Shortly after making his arguably unnecessary adaptation of The Girl With the Dragon Tattoo, David Fincher disappeared into TV land and began focusing his attentions to the Netflix TV series House of Cards. With the show’s success and immediate second season planned, it was thrilling to see him return to movies, this time with an adaptation of the incredibly popular book “Gone Girl” by Gillian Flynn. Join us – Pete Wright and Andy Nelson – as we drop our first members-only episode and catch up with our David Fincher series (until Mank comes out later this year) with Fincher’s 2014 Gone Girl.
Shortly after making his arguably unnecessary adaptation of The Girl With the Dragon Tattoo, David Fincher disappeared into TV land and began focusing his attentions to the Netflix TV series House of Cards. With the show’s success and immediate second season planned, it was thrilling to see him return to movies, this time with an adaptation of the incredibly popular book “Gone Girl” by Gillian Flynn. Join us – Pete Wright and Andy Nelson – as we drop our first members-only episode and catch up with our David Fincher series (until Mank comes out later this year) with Fincher’s 2014 Gone Girl.
We talk about why this film and story likely was something that attracted Fincher, and how it fits in with other adaptations and original scripts he’s directed. We look at the nature of unlikeable characters and why they’re still so compelling. We discuss what Flynn may be saying about women – or what she may not be saying, depending on who you listen to – and how the character of Amy is a fascinating case study no matter how you slice it. We talk about Ben Affleck and how perfectly he embodies his character, and how he stopped the production for four days because he refused to wear a Yankees ball cap. We look at a number of the other actors and what they bring to the table. We look into the switch to Adobe for the post-production and how they found it more effective to manage 500 hours of raw footage. And we chat about Trent Reznor and Atticus Ross and why their music works so well in Fincher’s latest creations.
It’s another brilliant entry in Fincher’s filmography, though perhaps not near the top, and we have a great time chatting about it. Check it out and tune in! After this, our members-only episodes are going to be for members only, so make sure you head to thenextreel.com/membership and join us! The Next Reel – when the movie ends, our conversation begins!
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Film Sundries
Creators and Guests
Host
Andy Nelson
With over 25 years of experience in film, television, and commercial production, Andy has cultivated an enduring passion for storytelling in all its forms. His enthusiasm for the craft began in his youth when he and his friends started making their own movies in grade school. After studying film at the University of Colorado Boulder, Andy wrote, directed, and produced several short films while also producing indie features like Netherbeast Incorporated and Ambush at Dark Canyon. Andy has been on the production team for award-winning documentaries such as The Imposter and The Joe Show, as well as TV shows like Investigation Discovery’s Deadly Dentists and Nat Geo’s Inside the Hunt for the Boston Bombers. Over a decade ago, he started podcasting with Pete and immediately embraced the medium. Now, as a partner at TruStory FM, Andy looks forward to more storytelling through their wide variety of shows. Throughout his career, Andy has passed on his knowledge by teaching young minds the crafts of screenwriting, producing, editing, and podcasting. Outside of work, Andy is a family man who enjoys a good martini, a cold beer, a nice cup o’ joe. And always, of course, a great movie.
What is The Next Reel Film Podcast?
A show about movies and how they connect.
We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too.
When the movie ends, our conversation begins.