Subscribe
Share
Share
Embed
Southeast Sounds is a radio show, on-air showcase, and podcast series that celebrates and promotes Southeast Alaska singers and songwriters. It's a celebration of the rich musical heritage and diverse cultures that shape our unique part of the world. Southeast Sounds explores the heart of Southeast Alaska's music scene, featuring interviews with local musicians and live performances. As a Southeast Alaska artist, submit your songs to KINYRADIO.com for consideration and airplay on our radio stations in Juneau, Sitka and Ketchikan.
Welcome to Southeast Sounds, where we dive into the heart of Southeast Alaska's music scene, bringing you interviews with local musicians, breaking down their music, and exploring what makes their sound unique. From indie vibes to rock and everything in between, we've got it all right here. Listen for fresh tracks and deep conversations. This is Southeast Sounds. Let's kick it off.
Speaker 2:And welcome to Southeast Sounds with the Juno Media Center. I'm Jess Miller hanging out with y'all. And I got a couple very exciting guests today. They've been making moves in the social media realm with their content and just making a name. So I'm going to let them introduce themselves first with our main star of attraction today.
Speaker 3:Hi. I'm Harmony. And with my songs, I play the guitar and sing.
Speaker 4:Awesome. I'm Josh. A lot of people call me Jbo. Some people call me Jbo Audio. And I just am the background guy.
Speaker 4:Just do the recording and mixing on the audio and then recording and editing on the video.
Speaker 2:Well, that's a huge part of it still. So I wouldn't call yourself the background guy because there wouldn't be any sort of sound without background guy. Harmony, how old are you?
Speaker 3:I'm 11.
Speaker 2:You're 11. So that you'd be a fifth grader then, right? A sixth grader? Six. You're a sixth grader.
Speaker 2:So you're going to be in middle school next year,
Speaker 3:Yep.
Speaker 2:Awesome. Are you excited about that?
Speaker 3:Yes, very.
Speaker 2:So I wanted to start off just kind of learning more about you Harmony. So not necessarily about your sound, but more so what music means to you. So I wanted to ask, do you remember the very first time you ever played music for someone or performed it? And what was that like?
Speaker 3:I think the first time that I remember, like, my probably first performance was at the Rookery for, I think it was Folk Fest. And I was scared, but then I got through it because well, I like doing music since yeah. And so, yeah, was my, like, first performance that I think I remember doing.
Speaker 4:With Marion Call, right?
Speaker 3:Yeah.
Speaker 4:Yeah. Marion Call. Oh, awesome.
Speaker 2:Yeah. Marion Call, as we all know, part of Music Alaska, a huge part of elevating Alaska music. So it was very cool that she brought you in on that. How old were you when you very first started doing music?
Speaker 3:When I started doing music was six, was when I started like making my songs. But when I first started playing guitar was when I was five.
Speaker 2:Cool. And did you have a guitar teacher to get you started or were you learning on your own? Who was your My
Speaker 3:guitar teacher was Alex K.
Speaker 2:Yeah. Awesome. From Bards of Mendenhall. He's been solo artists and all that. Eventually we'll get Alex and his band here on the show too.
Speaker 2:But this is about Harmony and J Bo today. I also wanted to ask, since your dad's a huge into music, did you ever feel like you were surrounded by music for a lot of your upbringing, right? Like, were you hanging out in the studio with the dad at a very young age and just kind of seeing other folks create?
Speaker 3:Yes. I'm usually in the studio with him making my songs and writing stuff. But we also just do like we practice, like, some chords and stuff and, like, just, I guess, freestyle our practice. But I'd also sometimes see him, like, have some clients in to record.
Speaker 2:And does that motivate you to be surrounded by that kind of creation, like, on the basis? Yeah. And I also want and so we kind of talked about Alex and whatnot, but do you have any other mentors that you feel like are a huge part of your music creation process?
Speaker 3:I think Marion Cole, I guess, because I've I've seen her perform a lot. So I guess she's kind of like an inspiration to me to play.
Speaker 2:Oh, great. And do you see a possible collaboration with Mary in one day? Yeah. Well, let's try to make that happen sooner than later. I to would see more collaboration with a fellow artist here in town.
Speaker 2:That kind of brings me to your main collaborator next to you. What's it like creating music with your father?
Speaker 3:It's actually pretty fun because there are some serious moments where we have to, like, focus on the work, and then there's some where it's like we're laughing.
Speaker 2:Good. That's how it should be in the studio. It should be pretty focused, but also a good time. And I feel like if we're not having a good time in the studio, what's the point? Do you feel me harming?
Speaker 2:Yeah. I also wanted to think, ask you, do you see yourself starting a band or a group one day and then also still doing the duo stuff with your dad?
Speaker 3:Yeah. Because some of my friends actually do wanna be, like, part of a band. So I've talked to them, like, like a lot, like, about if we actually want to do a band maybe in middle school. But if that doesn't work out, then, I'd still want to do the duo with my dad.
Speaker 2:Awesome. Is there kind of a music program at, like what school do you go to first off?
Speaker 3:I go to Harborview Elementary School.
Speaker 2:And who's your music teacher there?
Speaker 3:Mr. Unzicker.
Speaker 2:Oh, awesome. You got Mr. Unzicker, who was also my high school band teacher growing up. So yeah, he's a great mentor. He taught me a lot.
Speaker 2:I hope he's taught you a lot, either be on the guitar, like pick his brain. I motivate you to pick his brain as much as you can before you leave Harborview because he is a wealth of knowledge and he'll give you a lot of different tools if he hasn't done so already. And then I also wanted to think towards if there are other artists that you wanna collaborate. I know you said Marion's one of that you might wanna collaborate. Is there other, like It doesn't have to be someone your age.
Speaker 2:It could be an adult or anyone across Alaska that you've kinda had your eye on that you think it's like, I wanna share a stage with this person, or at least try to create music with them.
Speaker 3:Not really on the top of my head, but I feel like if I discover more musicians here in Alaska, then yeah.
Speaker 2:Okay. So now let's jump into more about your style and kind of inspiration as far as music goes. What kind of music do you like to play on the regular? Like, what do you what would you classify your genre being?
Speaker 3:Somewhere between R and B and pop because I listen to SZA, but I also listen to this global girl group called Cat Sai. Okay. And they're probably my favorite.
Speaker 2:Awesome. So maybe a possible girl group down the road with Harmony. That'll be I'll I'll pay tickets to go see that. That'll be awesome. What kind of music or musicians make you excited to go pick up your instrument?
Speaker 2:Like if you're sitting around, listening to music at home or whatever it be, or whether it be in your headphones on the bus, like as soon as I get home, I need to go grab my guitar and do something. Is there some more like music artists or genres that kind of inspire you?
Speaker 3:Yeah. I'd say if I, like, hear heard one of Taylor Swift's songs concerning me, then I'd be like, oh, I kinda wanna try playing this on, like, the time when I get home or sometimes there's a
Speaker 2:Okay. If someone has never heard of you before, how would you describe your music to them?
Speaker 3:I describe my music as, like, definitely for children and, like, pop and, like, kind of like a fun kind of music.
Speaker 2:So you would say you kind of make your music more relatable to your age group.
Speaker 3:Yeah.
Speaker 2:And I had this question later on, but I want to ask it now. Are you kinda like a celebrity at school just due to your music creation? Like, do people come up to you as like, when's your next song coming out, Harmony?
Speaker 3:I'd say, yeah. My teachers, they do know about my music stuff. And my math teacher, he usually asked me, like, so when's the song coming out? Or my friends, they'd be like they'd sing some of my songs, like, randomly.
Speaker 2:Okay. And I always have to ask this question to every artist that comes into the studio because as we all know, there's differences of musicians either as a hobby or a pastime, but do you see yourself more of like a serious musician where this could take you into the future as far as as you grow?
Speaker 3:Yeah.
Speaker 2:So you want to become a professional musician one day? Yeah. Have you thought about going to a music school or doing stuff like that?
Speaker 3:Yeah. I was actually talking with my dad, I think, a few days ago about in high school, going to a music academy.
Speaker 2:That'll be awesome. Well, there's a lot of different resources in Alaska, for sure. I always have to plug the Sick of Fine Arts Camp because it's such a cool camp. You're there for two weeks, doing nothing but your art for two weeks every day. As soon as you wake up to the time you go to bed, you're in it.
Speaker 2:So you grow and you learn a lot by going to that camp. And there's so many different avenues, scholarships. They usually hook first time campers with a full ride scholarship, which is really cool to hear that they do that. So maybe the coming summer or the next Well, I know they fill up pretty quick with this fine arts camp, but next year, for the next summer, maybe try to hop on that, because I always encourage that so much.
Speaker 4:She's also in JAM right now. Oh, you're in jam.
Speaker 2:Oh, awesome. I was just talking to someone about it, and maybe jam might be my next guest here on the Oh, nice. And get the jam program here in the studio.
Speaker 4:She's graduated to a full size violin now. Oh, wow. We have to find a full size.
Speaker 2:Oh, so you're playing so well, there. Well, now it's back up now. So you play guitar. You play violin. What other instruments do you kinda dabble in?
Speaker 3:I try playing ukulele, but then I kind of, like, kind of drifted away from it a bit. So I do have a ukulele, but I don't play as much. And I played bass for, I think, last summer.
Speaker 2:Oh, nice.
Speaker 3:Yeah. And then I've played, the piano.
Speaker 2:Who needs four strings when you have six strings? Exactly. So I wanted to go into some of coolest things that you may have experienced while doing music. Like, what do you think has been the coolest thing that's happened to you because of music?
Speaker 3:The coolest thing that's happened to me, I'd say probably this and being on Mix 106.
Speaker 2:That's awesome. So, like, comes to my next question. How did it feel when you heard your music play on Mix?
Speaker 3:It felt actually really shocking for me. And at the end, I felt really happy.
Speaker 2:Cool. Did other people tell you that they heard your song on the radio?
Speaker 3:Yeah, actually all of my friends did.
Speaker 2:Awesome. That is so cool. I also heard that you do guitar instruction videos tailored for youth. How did that come about?
Speaker 3:Oh, it's actually going good. Me and my dad, it's called Strumbelievable Beginners. Yeah.
Speaker 2:That's the name of the YouTube channel that people could find?
Speaker 3:Yeah.
Speaker 2:Okay. And have you released a recent video lately, or is it kinda like a collection and then folks could kinda revisit to it if they need, like, beginner instruction?
Speaker 3:Well
Speaker 4:It's a combination of, like, long form and short form content. So that's pretty much how we kind of start making the originals from those videos. Okay. And it just stretches out for like, we schedule, like, all these short posts out like two and a half weeks, so that we can just take our time just creating the new videos. Yeah, that's pretty much just it.
Speaker 4:She'll tell me what to write. So it should be like, place your middle finger on the second fret, place your ring finger. And so I'm typing it out and I have to do my dialogue just to, so that the monetization happens. And that's pretty much kind of the gist of how we create that.
Speaker 2:Okay. It's definitely an interesting way of like, I always like learning different people's methods of writing music, because some people do it completely different. Sometimes they write their lyrics first, and then the chords, and then the melody, and then the bass and drums. Like, it was very cool that you guys start like, here's our chord progression, let's build on it. And then it starts growing and building and transforms into a full track.
Speaker 2:And so it's always cool to hear what people start with. Like, obviously me being a drummer, if I were to write a song, I'm gonna write the drum part first and build upon the drums. So that's it's always kinda cool to hear how different folks create their music. Also, even though we're kinda a little bit into 2026, what are a few of your music goals for this year?
Speaker 3:Learning more riffs on my guitar and I think just getting better at the violin.
Speaker 2:Have you thought about incorporating both a violin and guitar into a song?
Speaker 3:Yeah. Have you
Speaker 2:done that already?
Speaker 3:No. Well, me and my dad would, like, use we'd use this, like, thing that has violins.
Speaker 4:Oh, it's a virtual instrument, like Kontakt. Yeah.
Speaker 2:So you just use a MIDI kinda Yeah. Keyboard for the violin part.
Speaker 4:Yeah. Until she starts mastering the full size violin. There you go.
Speaker 2:I'll be recording her. Well, I'd love definitely send that track our way as soon as you get a violin into a song, because I love when I hear, like, even if it's R and B or pop songs, when they throw saxophone into it or a violin, I love hearing different elements into different genres. So I highly encourage you guys try to do something like that sometime soon. Next off, what is your dream performance someday? Like, it could be here in Juneau.
Speaker 2:Like, what stage would you like to hop on and perform? Or it could be it could be extravagant. It could be something bigger than that. The 02 in London.
Speaker 3:Honestly, like, any stage because I'd like to have my own concert, but just sharing my music, like, on the stage anywhere is fine for me.
Speaker 2:Okay. I always have to ask that question because some people are like, I want to sell out Centennial Hall and I want to fill up the jack. And this is like So I always like hearing different folks' goals. So coming up, we're actually going to be playing one of your songs here in the program. Can you tell us a little bit about it?
Speaker 2:Talking to Myself is the song we're gonna be playing. So can you give us just a short breakdown? We'll break it down more after we play the song, but I just want you to tell what you want people to take away from this song.
Speaker 3:Well, what I want people to, like, think about it is, like, as think of, like, talking to your little self, like, saying, like, oh, you're enough. Like, don't let people talk you down.
Speaker 2:I love that message. So ten years from now, Harmony were to listen back to that song. Do you think she would totally like, yep. You're right on the right page. Yeah?
Speaker 2:Yeah. Awesome. So we're gonna shift gears. We're gonna play that song here on Southeast Sounds. This is Talking To Myself by Harmony and produce and coproduce and produce with Jabil Audio.
Speaker 1:You're listening to Southeast South. We're back with more music and more stories from some of Southeast Alaska's finest musicians. Let's dive right back in.
Speaker 2:And welcome back to Southeast Sounds with the Juno Media Center. I'm Justin Miller, and I'm hanging out with Harmony and J Bo Audio. Today, we've been breaking down Harmony and her sound, sound, her style, and all that great stuff we just listened to Talking To Myself. And yeah, we played that song a couple of times already on Mix 106. So it's been out there.
Speaker 2:The community's heard it. For But folks that are going to be tuning in to listen to this episode to kind of learn more about you Harmony, I kind of want to talk about what the We already kind of explained what that song says about you, but what's the part of that song is your favorite?
Speaker 3:Yeah. So I think my favorite part of that is the bridge because the lyrics are, I see you now, I got you too, I'll be waiting I'll be waiting here for you.
Speaker 2:And kinda a little bit about the process of writing that song. So I know you guys kinda was this kinda drafted from doing, not obviously the guitar lesson songs, but how did this song kinda come about? Did you come up with the lyrics first, or were you, like, feeling a beat first and then you wrote the lyrics to it?
Speaker 3:Well, usually how we make our songs, I write in my journal, and then my dad would take it and then put it into the song. Like, I wouldn't rhyme it. I'd just, like, write ideas in my head, then he'd form it into a song.
Speaker 2:Oh, awesome. So, Jabil, can you tell me a little bit about your process on this song?
Speaker 4:It's a very systematic approach. So so I'll take a picture of it, and then I'll have it transcribed into text, so I don't have to sit there and just type everything out. Yeah. And then I'll just read through it, and I'll take like, one line is usually, if not always, like, two bars. So you get four lines, and that's eight bars.
Speaker 4:And then you get, like, two bars or two lines for a pre chorus is four bars. So I'll take that same approach. And each line, I try to have it between seven to 12 syllables or seven to 11 syllables. Anything under seven, she's gonna be doing a lot more sustains. Yeah.
Speaker 4:And then anything that's like 12 or above is gonna be like more like a rap vocal because it's faster rhythm depending on the tempo. So I try to have sweet spot of between like seven to like 11 syllables
Speaker 1:Okay.
Speaker 4:Per line. And then when we go into tracking it, she'll so she'll have like the iPad or her phone in front of her. And I'll have we'll have the lyrics on each of us, like on my phone and her phone. So at at that time, she'll be editing stuff here and there, like saying, I need to take this word out, or I need to add something else to fit the the bar that I'm trying to record in. So, but that's pretty much how it starts.
Speaker 4:And then we just fix it along the way.
Speaker 2:Oh, wow. That's definitely like a really cool approach to like do it because I don't hear a bunch of folks who's writing music. I gotta make it this amount of syllables or anything. It's very methodical way of doing it, which is really good, honestly, because that way you're more structured, you're kind of building it to be able to fit within the beat, but also you're not over straining yourself with like a bunch of vowels and a bunch of different words that are just not gonna flow right together. So I really like that approach.
Speaker 2:It's really cool. I think if anyone could take away from this interview, think about doing syllables in your lyric, right? For sure, I like that.
Speaker 4:There's an app we used to use called Lyric Studio. Okay. The part that we take from it is, after every line that we type in, on the left side, we'll show how many syllables it is. Oh. So that we pretty much got it from from that website.
Speaker 4:We don't use it anymore because we could just count the syllables on the Notes app. But yeah, it would always show it. And that's that's how I was able to see, like, okay, if it's too fast for her, it's usually around like 12 syllables or more. Awesome.
Speaker 2:I really like that. I really like that approach. So that's definitely a nice breakdown of talking to myself. Where can folks hear this song?
Speaker 4:Pretty much just Pandora. I mean, every DSP, I guess. Apple to iTunes, YouTube Music, so on and so forth. Okay. And of course, Mix one zero six.
Speaker 2:Oh, yeah. And then we also kind of mix it in on KINY as well. So we have mixtures of stations. KINY covers all the Southeast Sounds artists, but depending on the genre, we're shifting it to the appropriate stations. For like harmony, we'll be on mix.
Speaker 2:Then like another band, for example, Bars of Men, Hell's on our lineup as well. So they would be more KXJ, which is our rock station. So yeah, the more folks we get mixed up, we're gonna actually put them to the appropriate genre. So your stuff will live on Mix 106. I'm gonna be working on getting a constant rotation of your music on Mix 106, so be hearing for it.
Speaker 2:I'll try to make sure it's during times that you may hear it. Also, I wanted to kind of closing up our time here shortly, but I did have a few things I wanted to run through with you guys real quick. And especially for folks within your demographic, Harmony, why do you think it's fun for kids to learn music?
Speaker 3:I think it's fun for kids to learn music because, well, the music can help like express emotions and get those emotions out.
Speaker 2:I like that answer. So if you're feeling sad or happy, do you kind of find yourself gravitating towards music to kind of relieve some of those feelings that you're having? Yeah. Also, how can friends or family help someone who's learning music?
Speaker 3:Well, of course, there's like a bunch of programs to help learn how to play music, but also like you could sign up for a private lesson.
Speaker 2:Okay. So let's wipe everything off of Jay Bo. Let's pretend he's not an audio producer guy, but he still supports you in the same way he does. How would you see that, that still level of support without all the, hate to use the word bells and whistles from J Mo, but if he was just her dad and not producer, how does that support look like to you?
Speaker 3:I'd say motivation.
Speaker 2:Yeah. So he's like pushing you to like do some practice or like push yourself and learn some new things? Yeah. Okay. I always have to ask this question to every artist that comes on the program.
Speaker 2:How can Juneau and Southeast Alaska support more young artists like yourself?
Speaker 3:Well, I just like recognizing.
Speaker 2:Recognizing them that they're creating music. Yeah. I like that one. You know, Conn, I'm sure you would have answered this yourself, but the main one I've always heard, an all age venue.
Speaker 4:Yeah. Yeah. I I probably would say underneath the iceberg to have something where you can do open gym. Kinda like I used to play basketball. Mhmm.
Speaker 4:So any kind of open gym, I would do runs every day. Oh, yeah. If there were spaces for kids to just come in and practice every day, even fifteen, thirty minutes, it builds up that consistency. But that's what I see with, that's how Harmony's able to do what she does at this point, because we take this approach Monday to Friday, and then she'll play on Saturday at this church, and then I'll run the the mix board at the church on Saturdays, and it's just consistent, you know? So if there was like if there was a gym for musicians, artists, engineers, that was like a JRC or the Dalaska Club, then I think that's that's probably what I'd see would be important to have.
Speaker 2:I really like that idea. And I you were at you were at the music summit as well. And, honestly, we're across from other. So we were able to really dive into that a whole lot. And I feel like that's that group that you and I were in, J Bo, were really focused on folks within Harmony's realm and trying to build more folks or build an area where more youth and just anyone, really, not just youth, it could be adults, to be able to come together, create music, and even be able to collaborate with You Harmony.
Speaker 2:So I think the more like minds we get on that, and especially other motivating artists, like I'm sure you were saying that like, Oh, my friends wanna start a band. So that's, that right there is the motivation that you are spreading out to the community, which is really awesome to see. So we're about to wrap things up. Is there anyone you want to shout out on the program right now for your support in music or just people you're supporting your life?
Speaker 3:Shout out to my friends, of course, and my parents.
Speaker 2:And your cousins. And your friends.
Speaker 3:Yes. And my cousins.
Speaker 2:Could drop some names if you want so they hear their name on the Yeah. I
Speaker 3:have a lot. So I guess I'll just start listing my, like, close friends. Mara, Callie, Nyla, Gabby, Kimberly, and Micah. And then my cousins, EJ, Maddie, Max, Jared, and Talia, Indiana.
Speaker 2:So if you're hearing your name on the program, this is a podcast at the moment, but we'll get these on the air soon. So that's why I like doing these breakdowns, so they're ever standing. So five months from now, we could come back to this episode and still be relevant today because it's learning about you Harmony. So I like the shout outs. One thing I always like to push on folks is trying to motivate others and like to get to make you feel that you're part of the group.
Speaker 2:How would what would you tell another kid who wants to start music?
Speaker 3:I tell them that if you wanna play an instrument, then go ahead. Like, I'm not gonna stop you from doing it, but I would say that take care take take good care of, like, your instrument. Like, it could be your vocals or, like, guitar violin.
Speaker 2:Yes. As you will find out in middle school band class, not everyone takes care of their instruments, especially the rentals. You'll get dinged up trumpets and dinged up saxophones. So keep take care of your instruments, people. You heard it here first from Harmony.
Speaker 2:Clean the spit valves. Clean. Clean the valves. Clean your drum heads, whatever it may be. What's one word you would use to describe music in your life?
Speaker 3:I'd say inspirational.
Speaker 2:Inspirational. Yeah. As I feel like a lot of us could agree to that. Alright. So how can people stay up to date with what's going on with J Bo and Harmony?
Speaker 4:On Facebook, we have Harmony and J Bo audio. Anything that's regarding, like, kind of learnable moments, strum believable beginners on YouTube and Facebook. And that's it's pretty much yeah, Harmony and J. Bo audio on on Facebook.
Speaker 2:Awesome. Well, you're gonna have to definitely send me all the links so I could add it to this episode's description. So it's easy peasy for people to just go to description, click it, and be able to check you guys out for sure.
Speaker 4:Nice. Nice. Can I do a shout out?
Speaker 2:Yeah. You go go ahead.
Speaker 4:Yeah. I wanna shout out and thank all the people that I've been in contact with that helped me along this journey, and Harmony's opportunities from like Marion Call, Alex Kay, who was a teacher, yourself as well, on the early early stages of Oh, yeah. When I came back. You were one
Speaker 2:of the
Speaker 4:first people, you and AirJazz. So pretty much got the ball rolling for me and what I do.
Speaker 2:Awesome. I appreciate that. And now that we're doing shameless not shameless plugs, we're doing plugs, I have to plug you as well, Jabil, because honestly, you invited me into your studio back when I was just a high school drummer to play drums in your studio back when you were second to none sound.
Speaker 4:That's right.
Speaker 2:That was a huge eye opener. At the barn. That was a cool spot. And honestly, that was such a cool experience to be able to do that and collaborate with different artists. So yeah, I have to give you a big shout out to where I'm at as well to this day, just for that experience.
Speaker 2:Think not being exposed to that, I might not have really thought about a career in audio or even like engineering or anything. So thank you so much for being an inspiration, not only to your daughter, but to a lot of different musicians here in town.
Speaker 4:Thanks. Thanks.
Speaker 2:Alrighty, folks. That's a wrap up. Southeast Sounds with Harmony and J Bo. Thank you guys so much for joining me here in the studio today and bearing the snow and all that stuff. It is February right now.
Speaker 2:So we got some snow on the ground. One last push, I guess. Yep. I guess it's trying to push that winter out. But yet again, you guys could always subscribe to Southeast Sounds.
Speaker 2:Sadly, we're not on Spotify because this is a music program. So it's a huge copyright thing, and Spotify doesn't like it because we're playing other people's music. So sadly, Southeast Sounds is not Spotify, but we are on Apple Music, Amazon Music. And of course, you can always find us on any station's website, kinyradio.com, mixfmalaska.com. And you can always subscribe and tune in that way.
Speaker 2:Again, thank you guys so much for joining me. That should do it for Southeast Sounds with Alaska First Media.
Speaker 1:That's it for Southeast Sounds. Thanks for listening and supporting local music. Be sure to catch more amazing interviews and live performances right here, and follow us on social media for updates. Plus, if you're an artist looking to share your music, reach out to us through kinyradio.com. Stay tuned and keep supporting Southeast Alaska's vibrant music scene.