Leadership Lessons From The Great Books

Oil! by Upton Sinclair
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Exploring the first 100 pages of Oil! by Upton Sinclair, Jesan Sorrells and Tom Libby dive into the gritty realities of entrepreneurship, the evolving concept of work-life balance, and how leadership demands both killer instinct and humility. They draw parallels between entrepreneurship and film direction, critique society’s shifting attitudes toward work and success, and dissect how true leaders mentor others amidst competitive challenges. Hear lively debates on generational expectations, lessons from pop culture, and the importance of intent and teachability on the entrepreneurial journey.
  • Book: Oil! 
  • Author: Upton Sinclair
  • Guests: Jesan Sorrells (host), Tom Libby (co-host)
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Time Stamped Overview
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00:00 Welcome and Introduction - Oil! by Upton Sinclair.
10:21 "There Will Be Blood Overview."
13:12 "Upton Sinclair's Influence on There Will Be Blood."
20:17 Startup Founder as Visionary Director.
24:26 "Track Record Drives Investment."
30:28 Rethinking Work-Life Balance.
33:28 Work-Life Balance and Societal Evolution.
38:57 "Rethinking Work and Its Role."
44:48 Defining Human Nature and Oil Exploration.
53:36 "Success Requires Sustained Effort."
58:04 "Confronting Uncertainty with Resilience."
01:03:00 "Embracing Uncertainty Through Learning."
01:09:11 Entrepreneurship: Ten Years to be an 'Overnight' Success.
01:12:26 "Defining Legacy: Provider or Visionary?"
01:19:04 "Evolution of NBA Eras."
01:26:18 "Art School: Talent, Drive, and Killer Instinct."
01:31:09 "Fostering Competitive Spirit in Youth."
01:33:54 The Role of Social Media in Opportunity.
01:43:04 Humbling Arrogance Through Jiu-Jitsu.
01:48:11 "Elevating Others Through Leadership."
01:53:12 Staying on the Leadership Path with Oil! by Upton Sinclair.
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Opening theme composed by Brian Sanyshyn of Brian Sanyshyn Music.
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Creators and Guests

Host
Jesan M. Sorrells
Host of the Leadership Lessons from the Great Books podcast!
Host
Thomas Libby
Producer
Leadership Toolbox
The home of Leadership ToolBox, LeaderBuzz, and LeadingKeys. Leadership Lessons From The Great Books podcast link here: https://t.co/3VmtjgqTUz

What is Leadership Lessons From The Great Books?

Understanding great literature is better than trying to read and understand (yet) another business book, Leadership Lessons From The Great Books leverages insights from the GREAT BOOKS of the Western canon to explain, dissect, and analyze leadership best practices for the post-modern leader.

Hello, my name is Jesan Sorrells, and

this is the Leadership Lessons from the Great Books

podcast, episode number 182.

Reading directly from our book today,

ladies and gentlemen, I have traveled over just a about half

our stake to get here this evening. I couldn't get away sooner because my

new well was coming in at Lobos River and I had to see about it.

That well is now flowing 4,000 barrels and paying

me an income of $5,000 a day. I've got 2 others

drilling and I've got 16 producing at Antelope. So ladies and

gentlemen, if I say I'm an oil man, I'm

an oil man. You've got a great

chance here, ladies and gentlemen, but bear in mind you can lose it all. If

you ain't careful. Out of all the fellers that beg you for a chance

to drill your land, maybe 1 in 20 will be oilmen. The rest will be

speculators, fellers trying to get in between you and the oil.

Oilmen to get some of that money that ought by rights come to you.

Even if you find one that has money and means to drill, he'll maybe know

nothing about drilling and have to hire out the job on contract. And then

you're depending on a contractor that's trying to rush the job through so as to

get another contract just as quick as he can.

But ladies and gentlemen, I do my own drilling, and the fellers that work for

me are fellers I know. I make it my business to be there and to

see their work. I don't lose my tools in the hole and spend months

efficient. I don't botch the cementing off and let water into the hole and

ruin the whole lease. And let me tell you, I'm fixed right now like no

other man or company in this field, because my Lobos River well has

just come in. I got a string of tools all ready to put to work.

I can load a rig onto trucks and have them here in a week. I've

got business connections so I can get the lumber for the derrick. Such things go

by friendship in a rush like this. That's why

I can guarantee to start drilling and put up the cash to back my word.

I assure you, whatever the others promise to do, when it comes to the showdown,

they won't be there. Ladies and gentlemen, it's not

up to me to say how you're going to divide up the royalty, but let

me say this. Whatever you give up so as to get together, it'll

be small compared to what you may lose by delay and by falling into the

hands of gamblers and crooks. Ladies and gentlemen, take it from me as an oil

man, there ain't gonna be many gushers here at Prospect Hill. The

pressure under the ground will soon let up and it'll be them that get their

wells down first that'll get the oil. A field plays out very

quick. In 2 or 3 years, you'll see all these here wells on

the pump. Yes, even this discovery well that's got you all crazy.

So take my word for it and don't break up this lease. Take a

smaller share of the royalty if you must, and I'll see that it's a

small share of a big royalty so you won't lose in real money.

That, ladies and gentlemen, is what I have to say.

No one likes to talk about work,

at least not in real terms, right?

When we talk about work, of course, we tend to glamorize

work. We tend to talk about the grind or the hustle, which of

course you can find all about by looking it up

on Instagram or TikTok, you know. Next to

videos of Kobe Bryant talking about how much work he put in as an

athlete, or, well, some other football

star, hockey star, sports star of your choice.

But the real work, the work of showing up every day,

the work of grinding

every day on things that you may not like— work

is a part of growth that we don't talk about because it isn't

glamorous. And if you fail at work, your status

declines in other people's eyes. I think of many people in

my own life who have worked very, very hard and earned

absolutely— well, maybe not absolutely— almost

nothing. But then I think of the people

on the flip side, or on the other side of the continuum, who seemed to

have done almost no work at all and fell

inevitably ass backwards into success.

What warms my heart at the end of the day is

that no growth comes without friction,

and friction comes from work. And putting in the work without

applause or recognition or even acknowledgement, that is

what creates quality.

Quality in writing, quality in acting,

quality in athletics, and even quality in the topic that

we are going to talk about today— quality

in entrepreneurship. We

don't talk too much about entrepreneurship on this show, and it's kind of weird. We've

done 400 and some odd episodes, and we'll talk here and there about

it when it pops up, but directly talking about the entrepreneur, directly

talking about the work that the entrepreneur puts in, we We haven't really

focused on that, but today on the show we're going

to do that. We're going to drill our way deep down

through the exegesis of entrepreneurship and what

that actually means in putting in the work so that other

people can come along and work with you.

We're going to do that today by

framing the work in terms of The first

100 or so pages of our book today,

Oil by Upton Sinclair,

the basis of the 2007 motion picture with

that monster actor Daniel Day-Lewis, There Will Be

Blood. Leaders,

the work of leadership we should be doing in public and everyone

should see us doing it. With all of its potential for

failure, heartache, grief, and even recrimination.

We could either do it gladly or we could do it sadly, but

we have to do it publicly.

And back to Discuss Insights on Entrepreneurship, even though

I did not give him notes for today, so he's going to do this

by the seat of his pants. Is my old friend

off the cuff

and very hush-hush. Now he's going to do it out loud

as usual. Is my good friend Tom Living. How are you doing

today, Tom? I am living my best life, my friend. I am

loving it. Every time. Every time he's living his best life. Every time.

Well, because I can't live anybody else's. Well, exactly. Yeah, they won't let you.

They won't let you live that way. Although I recently watched

a movie. It went slightly under the radar. Keanu

Reeves just came out with a movie with Seth Rogen and Aziz

Ansari called Good Fortune. Okay. It's basically

about a rich guy, poor guy swapping, you know, Freaky Friday thing,

like Trading Places, Trading Places.

Really low key, kind of good. I like— I like that. It was actually a

decent movie because to your point, like, you can't live anybody else's. Well,

these guys switched places and they were living

it. And the whole point was to show the other person, like, okay, so

take the poor guy, put him in the rich guy's shoes, and then basically tell

the poor guy that, that he's missing out by not being the poor guy anymore.

And Aziz Asari went, go fuck yourself, I'm

staying right where I am. I love this now. I love this life. It was

really funny anyway, but I'm not changing places.

It was low-key pretty good. Good deal. I'm glad to hear that, like, Keanu

Reeves is actually like, you know, doing work outside of, you know, John Wick,

you know, 12 or whatever the hell. Back to his roots too, right? Like, like,

if you think about where he came from, he didn't— he wasn't an action star

first. He was Bill and Ted. It was like, come

on, everybody forgets about Bill and Ted. Everybody does.

Everybody forgets about Bill and Ted. Um, this was closer to his roots,

closer to the beginning of his career than, than— good, good.

The Matrix and John Wick thing, that was great. And don't get me wrong, Keanu

Reeves is Keanu Reeves, he's awesome. But the beginning stuff, him

being funny, in my opinion, is when he's at his best. He's at his best

when he's being funny. Well, speaking of actors who are at their best,

Daniel Day-Lewis. I opened up with that entire

speech there, which is the opening of There Will Be

Blood from 2007, directed by one of

my favorite modern directors, Paul Thomas

Anderson. I put him up there with

Christopher Nolan, who we talked about on the show. He's coming out with The

Odyssey this year. And the last movie, of course, that I saw with him

was Oppenheimer. But I always

watch whatever it is that Paul Thomas Anderson does ever since he did

that great ensemble

piece in the 1990s, Magnolia. That's

when I sort of stumbled onto him. I know he'd done Boogie Nights

beforehand. I watched Boogie Nights years afterward, but Boogie Nights,

Magnolia, There Will Be Blood, these are—

he seems to have this ability to take on landmark films

and to pull something out of actors. And Daniel Day-Lewis

always brings it. He never mails it

in. He's never sort of just hanging around. I mean, we were

talking about before we were recording, uh, Gangs of New York, which you did

not necessarily particularly care for, um, but, um, but

you did like Daniel Day-Lewis's, uh, acting in that character. In that,

I thought he was fantastic. He was the best part of the movie, in my

opinion. He was absolutely— he was— he— him on screen was the—

was worth watching. I thought the rest of the movie kind of fell apart without

him. Well, and the thing that— wow.

I agree. There's all kinds of third act problems in Gangs of New

York that we don't need to get into right now because that's not the focus

of the show. But There Will Be Blood,

I know it's been a while since you've seen it, so you may not necessarily

remember all the specifics of it, but it is about the oil man J. Arnold

Ross and about his

entrepreneurial journey. All the way from being

a guy who starts out— and

There Will Be Blood opens not with that speech, but it opens

with the music opens and it goes—

it's not even music, it's a sound effect—

and then you're in like the Nevada desert and Daniel Day-Lewis

is in a hole using a pickaxe to

pull silver out of the ground to

establish, um, a silver mine. And

there's no dialogue, there's no music,

it's just the sound of the pickaxe and, and him

pulling dirt out of the hole. And the opening goes on

for 5 minutes, 7 minutes. He's digging, he's pulling, he's digging,

he's pulling, and he thinks he's got it. He finds a piece of silver,

right? And I can't remember all the specific details 'cause it's been a little bit

of a minute, but his, his tools fall down the hole. And so of course

he goes down into the hole to pull out his tools. He slips,

falls back into the hole, breaks his leg.

Again, no sound. Drags himself out of the

hole, drags his silver find back to

town, and the next scene that you see

is them staking his claim and basically saying, yeah, you can

pull silver out of here. And that's the first introduction we get

to J. Arnold Ross. Every

time I watch this movie, and it's been a little bit, I should have

refreshed and watched it beforehand, and it's a good use of your time if you

haven't watched it. Um, and I'll talk about Upton Sinclair

in a minute, and I'll talk about oil. Every time I watch this movie

I think finally a director has actually captured

exactly what entrepreneurship is like and put it on screen. I was gonna say

that one scene is basically it. That's the whole thing. Just that

one scene. Never mind the rest. Never mind the rest of the two. I think

the movie had, uh, 2 hours and 40 minutes or something like that. Oh, it's,

it's a monster. Yeah. It's a long movie. But so take the rest of the

2 and a half hours out of it. That 10 minutes is entrepreneurship all

by itself. Work your ass off, fall

down, break a leg, drag yourself up.

That's entrepreneurship in a nutshell right there.

Um, and it gets to this idea because Paul Thomas Anderson as a director

and as a writer, right, because I think he, he wrote and directed the,

the film, or co-wrote and directed the film if I remember correctly,

um, he He's part of a line that

goes back to Upton Sinclair himself, right? And there's a lot

of things going on in the book Oil. Um, but Sinclair was—

I'll just read directly from his, his Wikipedia page for those of you who

maybe haven't listened to the Shorts episode that precedes this, where we talk a little

bit about Sinclair and his writing. Um, he was born September

20th, 1878, and he died November 25th, 1968.

Um, He was an American author, a muckraker journalist, and a

political activist. And interestingly enough, he was the 1934

Democratic Party nominee for governor of California. He,

um, he wrote nearly 100 books and other works in several genres.

Sinclair's work was known, well known and popular in the first half of the 20th

century, and he won the 1943 Pulitzer Prize for

fiction. His first book was The Jungle, which talked about the

U.S. meatpacking industry, um, in Chicago. And when

he, um, when he published that book

in, in 1906, it caused a public uproar that

contributed in part to the passage a few months later of the

1906 Pure Food and Drug Act and the Meat Inspection Act.

In 1919, he published The Brass Check, a muckraking

exposé of American journalism that publicized the issue of journalistic

malpractice in the United States. 4 years after the publication of

The Brass Check, the first code of ethics for journalists was created.

Time magazine called him, quote, a man with every gift except

humor and silence, based on his wife Mary Frank Sinclair's

book Southern Belle: A Personal Story of a Crusader's Wife.

He also is well remembered for the quote— I love this one—

quote, it is difficult to get a man to understand something when his salary depends

upon his not understanding.

He was a deeply socialist progressive during a

time in America. Tom and I were just talking about this as

well. During a time in America where socialism

wasn't a boogeyman, because in

the West we did not know— we are— not only

did we not know, we did not have accurate reporting on exactly what

was going on inside of Stalin's Russia.

We also had the Great Depression on during the time

of much of Sinclair's writing. And World War II.

Now, what is modern progressivism back in the day would

have just been called social reform. They didn't use the term social

justice, they used the term social reform. And Sinclair

was a social reformer, and he used his

talents, he used his ability to write and turn a phrase,

um, to critique and reform the society around him. He, he had

a vision for a better world, and he used his talents to, to

try to bring that world into into

reality. He wanted to convert his

readers and his fans from a constrained

vision of tragic trade-offs

in a world that just was. If you just worked at a meatpacking plant, well,

it just is. Or if you're a journalist, it just is. Or

in the case of oil, if you're an oil man or a landman,

you're part of a system that just is. You just operate in the system and

there's no way for you to reform it. Sinclair didn't

believe that, and he didn't write from that position.

Um, he, he believed in an unconstrained vision and

utilizing— well, you creating entertainment out of the

paradoxes of human nature. So one of the things you see in Oil

is that J. Arnold Ross, well, he is an

oil man and a land man, and he is, for lack of a better term,

portrayed as being greedy and venal. His son

is portrayed as being a social reformer, basically rejecting all of

that venality and greed and being able

to see through his father's hypocrisy, such as it

were, in order to create a new

world. Now, those things are very interesting about St. Clair, and that

frames sort of the book.

I opened up with differing perspective because unlike Paul

Thomas Anderson, well, no, let me frame it this. Let me use

a different framing. I think that being a movie director

inside of the Hollywood system is about as close as you can come to being

an entrepreneur inside of a system in any

modern system that we have. Because think about what a director has to do, right?

They've got to obviously arrange for things to be on set.

They have to make sure the writing is clear. They have to make sure the

storyboards are correct. They have to make sure the actors hit their lines.

They have to have good relationships with the actors, all of the

members of the crew, everyone from the grip to the caterers. They

also have to have good relationships with the financiers and the money men who

will come by and have an opinion because they're giving money. Case in

point, a meeting that we had this morning, Tom and I, on another project that

we're involved in, right? Money men are going to have an opinion. And

the director sits even more so than the cinematographer who just points

the camera— well, not just, but points the camera and makes sure the shot is

good. Or the writer who writes the words that the actors say.

Heck, even more so than the actors themselves, who quite frankly are puppets on a

string if we're really going to be direct about this. Um, some puppets are

just better than others. Um, the director is the

guy who has to have the vision and keep all of those people on the

straight line towards the vision. And if he deviates

even just a little bit, if he's allowed to be distracted by the money men

or by the actors, or by, um, the

situations that will surround him on the set. If

he deviates even just a little bit from that, you don't

get a masterpiece, you don't get quality, you don't get excellence.

Um, heck, you don't even get a mediocre product. I think of the

movie that came out this week, Maggie— Maggie Gyllenhaal directed Bride,

and it was a $100 million movie And I think it

grossed $9 million.

Brutal. It didn't look exciting to me either. I, I, I, you

know, we talk about— we're both pretty good movie— we're movie people,

and I, I watched the trailer and I went, what are we doing?

Like, I'm sorry, I just didn't get it. And now, by the way,

by the way, the original Bride of Frankenstein, great movie. That was a

great movie, by the way. It's not, you know, it was

just this ver— I didn't, I didn't get it.

But back to your analogy here though. So, and, and pulling— yes, back to the

analogy, pulling this back to entrepreneur, uh, entrepreneurship.

If you think of that, so the director in your analogy is the startup

founder, and keeping that North Star to their

mission and what their plan is and what they're trying to build can get very

easily get distracted by the developers

that are producing the software. Let's just say on the left-hand side, you've got

a whole slew of operational things, whether they're developers, your first

hire, hiring the right team, etc., etc.

On the right-hand side, you got all the money people, right? So, the VCs and

the angels that once they give you their money, they want to have an

opinion. So, to your analogy there,

it's interesting to me that you chose the movies and the director

is basically the startup founder. The director is that person that's supposed to have the

North Star, that's supposed to have the steering compass

to steer the startup in the

movies that is the director. So that, like, to your point, it's the closest to

entrepreneurship in the movie industry is that director. I agree with that.

I didn't really put those two and two together, but it's a good analogy.

So I look at directors like, you know, we're not going to talk all about

directors this episode, but we're going to talk more about entrepreneurs. We're going to sort

of lean into that. And I want to talk about the work too. I want

to tie it into what I said there in the opening because I think there's

something something valuable. Not something— there is something valuable there, 100%.

Um, but I think of directors like, um, directors I, I

particularly care for, and directors who are— who have been

acknowledged as creatives who produce something of quality, right?

They all had the ability— and I'm going to name 5 of

them, right? Actually, I'm going to name 3 more because I already named Paul

Thomas Anderson. And I named, uh, Christopher Nolan. I'm going to name

3 other ones, okay? All 5 of these

men, quite frankly— oh no, I'll throw a woman in there actually,

um, had strength of vision, to your point, and they had strength of singular

vision. So

the man at the top of that mountain was Orson Welles.

I mean, he created Citizen Kane at what, like the age of like

26? Yeah, that's nuts.

By the way, Michelangelo also created the David at like, you know, 20-some-odd

years old. So like, you know, genius in youth is

not just limited to like— you're telling me that Mark

Zuckerberg wasn't the first, wasn't the first child genius?

It's been done before, Mark. And

by individuals who— anyway, doesn't matter. I won't go down that road. Don't you

tempt me. So you got Orson Welles, Um,

then you have, of course, the great British master. I have two

Britishers on this list. Alfred Hitchcock. Oh yeah, I mean,

please. From the silent films, um, that

he directed, um, in the, um, in the '20s and '30s—

or not, sorry, not '20s and '30s, in the '40s and '50s. Um, and then

the remakes that he did, um, in the, uh, in the '60s and later

on into the '70s. The man was just— the man was just ridiculous. So you've

got Orson Welles, You've got Alfred Hitchcock. And I said

I was gonna throw a woman on there because, you know, I'm not gender-specific here.

Kathryn Bigelow, you know, The Hurt Locker, Point

Break. I mean, those are singularly visionary,

visionary films. And then of course, Christopher Nolan, like I said, Paul

Thomas Anderson. Those are 5 directors I can name just off the top of my

brain. And I know that our listeners can name more where they had that

vision. And they drove the vision. Sometimes I think of

Stanley Kubrick, actually, a man, by the way, whose vision I could not understand

on most of his movies. I just could not.

Um, but I cannot deny that he had a vision. He

absolutely did. It's just one I didn't understand. You know, the interesting thing too here

is, if again, pulling it, pulling it back to entrepreneurship,

film— the film directors and entrepreneurs are very similar in this respect as

well. If you've done it once and you've made a lot of money at

it, you are less likely to get those

left-right side influences trying to change your vision if you've

already been there, done that. So, yes. So, second, you know, second-time

entrepreneurs, third-time entrepreneurs, when you hear people talk about having 2

or 3 successful exits and they want to start another company, I mean,

funders will just throw money at them because they think that if they've been successful

3 times already, it's like The same thing with the film,

right? Like, so Christopher Nolan— now don't get me wrong, I

wouldn't say I'm in love with every movie he's ever done, but the fact

of the matter is most of them produce a lot of money. Like, let's just

be realistic, with his name on it alone, even the

bad movies that he has made have made a lot of money because his name's

on it. So it's like that. But the

entrepreneurship journey is very similar in that respect as well.

Like, a first, a first-time founder is very hard to get money. I

hate to tell you guys this, but it is what, statistically speaking,

it is now in the current landscape, less than 1% of,

of companies that start actually get significant funding. I'm not

talking about your uncle or your grandparents that give you a couple hundred thousand

dollars. I'm talking about significant influen— influential

money, uh, anything over 7 figures. It's

less than 1%. But if you've kind of, if you've done this

and you've exited once or twice, let's say

twice, now you're starting a new company when you got this new idea,

you are not 1% chance of getting

money. That

exponentially grows. Like, you're talking probably a 50-50

shot on whether you get money. Which is unheard of

in the startup world. But those producers, those filmmakers are the same

way. My, my only part to this tangent

is— No, you're right. Yeah, this jog we're doing around the block. Yeah,

there's a direct correlation, I guess, is my— There is. There is. Well, and

it's not just on, on the money and on the exits, which is a good

point. It's also on the work. Yeah. So I had

a meeting today with somebody where I said to them, and this

person probably in their late 20s, and after I

said it, he was like, I've never actually heard that before. I said

to him, advice is easy. Getting money, or no,

getting money is easy. Getting good advice and acting on it is hard.

And he didn't understand that. He's like, that's, oh, okay, that's an interesting position.

I think there are a lot of people who would disagree with you on that.

And I said, that's fine. They could disagree with me on it, but it's true.

Getting money is easy.

Getting good advice, notice I said good, not bad, good

advice and acting on it is hard.

And the reason why it's hard is because

we forget about the part that unites the advice to

the money. And that's the work. Yeah.

Work is hard. And so I already sort of went

on my tangent about that. What is the important part of work? This is

my question in red, which you would have seen it if I sent you the

notes today. What is the important part of work

in getting an idea from napkin to reality that we don't talk about as

leaders?

Good Lord, there's probably 100 different, like, cliché comments

that people make here, right? That are— I know all of them are true. And

at the same time, like, we don't understand how to put them into practice, right?

Like, for example, and we— the one of the conversations

that we, um, that we had, uh, this

morning, we— you and I had a brief conversation. I won't bring up the— but

it was a brief conversation about it. But so about this particular comment,

which is you know, don't let perfection get in the way of

good enough, right? Like, right. So, like, but, but what, like, so you can

say that to a startup founder and that's good advice, by the

way, but acting on that good advice is not

that easy because it's, it still leaves too much up to the

interpretation, right? Like, so what, what is good enough to

you and good enough to me may be very different. So it goes back

to your point about the the whole, the founder's vision

and reaching for that vision.

It's like, well, it's very

difficult. So again, my kind of like, there's a lot of cliché things in here.

What I will say is this, the biggest problem in

my opinion about people starting businesses today

is this, and I'm going to use the word ridiculous people and

I'll explain in a minute what I mean by this. The ridiculous

notion of work-life balance.

You will never start your own company to work less.

That just doesn't happen. And if you think you're going to, then you're

insane to start with, right? Like, so when you're talking about

like what is the work that needs to be done, the idea—

listen, I know you've started companies in the past, Hazar.

I've started companies in the past. I remember the very first company I ever started.

I, I didn't take a solid day off. Not

a solid day, meaning, meaning I didn't look at an email, I didn't

look at social media, I didn't look to— I didn't look at anything. I didn't

think about the company. I didn't think about it for a whole day. One

day. Not once in the first probably 2

years of the company. Now, did that mean that I worked 24/7?

No. What it meant— what it means is on a Saturday when I was supposed

to be with my family an email would come in and I would tell

them, I'm really sorry, but I have to address this. Give me 5 minutes.

So maybe it was only 5 minutes of work on that day. But I'm telling

you, every single day for 2 years, there wasn't a single day

that I took off to get that company off the ground.

Now, I successfully exited that company about 5 or 6,

6 years ago now and started another company.

Started from square one, just started doing it all over again. But, uh, but the

point, the point I think that, I, I think that people

misunderstand, I think that that statement of work-life balance, I

want to find work-life balance, I, I want work-life balance, I think

people misunderstand what that term means. Or let me

rephrase, my definition of that is very different

than most people's, I'll put it that way. To me, work-life

balance is not a 50/50 amount of day and

time that you work versus not work, or— no, to

me, work-life balance just means one of two things

that you accomplish. Sometimes it's both, but one of two things:

what you do for work aligns with the person that

you are so well that they just kind of blend in, and

you're not worried about how many hours of the day you're working. It's just

kind of like, it is what it is, right? Like, Like I just said, like,

and even now at this point, if I have to

interrupt my wife's— I'm at a christening with my

wife. If I tell her I have to excuse myself, she knows it's really

important. That's balance. If it's a run-of-the-mill email,

I don't care. But if it's something that really, like, is unbelievable, earth-shattering,

like emergency, I will still take the time out of my day to answer

it on a Saturday or a Sunday or in the evening or whatever. It doesn't

matter. Because to me, that balance is

if I lose that client, then my work sucks. Like,

and I'm not willing to lose that balance of work.

So, it's that allowing that

what you do to marry and match who you are

as a person, that's balance.

Or the other side of it is that when you are

at work, you are focused on work and your personal life does not

interrupt you as much as when you are in your

personal life, you don't allow your work to interrupt you.

That's balance. Now, whether you work 8 hours a day or 12 hours a day

is irrelevant. That, that is not— that's not what I'm talking about. I'm

talking about being in the moment and working through whatever's in front of you

and not allowing interruptions so that you can actually focus on it.

That's balance. And when you allow that balance— when what, what creates

the balance is when you allow it to happen on both sides of the coin.

So again, that scenario, like when you are with your family, you are with your

family. You do not allow your work to interrupt that. When you're at work, you're

at work. Now again, in both cases, emergencies are

emergencies. You can't— there's nothing you could do about that. There are going to be

times where you interrupt one of those things because it's just absolute

necessity. That does not mean you don't have balance.

That just means that you have an order of importance in your life.. And I

think from an entrepreneur standpoint, that's where I think they start

to fail in today's world. That order of importance

and misunderstanding what work-life balance is, is the surefire

way to failure, in my opinion. So

I also think, so I think two things. One, the

idea of work-life balance is the way you're talking about it, the way

it's conceptualized, not what you have defined. The way the

popular culture conceptualizes work-life balance, is a

direct outgrowth of the work of Upton Sinclair and the other social reformers of the

'20s and '30s who looked

at work through the lens of a society that

was transitioning from being primarily farming to

being primarily manufacturing, where the

manufacturing conditions and the industry conditions

were demonstrably worse than what would have been

on the farm. And

then the social reformers

failed. The progressive social reformers failed

to update their software when the transition was

made post-World War II from a

manufacturing society to a mostly white-collar working

society. Where work shifts from being a

physical thing to being a mental and emotional

thing. And the only update the social reformers

had was the popular conception of work-life

balance, because work looks different

when it is emotional or

intellectual versus when it is physical.

That's right. So, um,

case in point, right? The Jungle. The Jungle was written about meatpacking

plants. Um, I lived in Chicago for about 5 seconds when I was in

my early teenage years, long enough to remember it and long enough

to talk about it and long enough to forget it, except when it comes up

in examples like this. And when you would drive

through, uh, and they still had slaughterhouses in Chicago back in the early '90s, like

that, that whole culture hadn't yet sort of all completely

transitioned over. And you could, if you were stuck in traffic on certain

parts of the expressway, whichever one it was, I can't

remember, you would smell

the slaughterhouses and the meatpacking plants. You could smell them driving by

the highway. When I went to high school in

northern Louisiana, at that time in northern Louisiana, there were paper

mills all over the place and you could smell paper mills. Oh God,

it's horrible. I'd rather drive through

a— I'd rather drive through a fertilizer, like cow manure,

than a paper mill. Closing the loop on a previous conversation that we've had. Okay,

now we're talking about manure again. This is

great. But these are the kinds of jobs, whether it's a

fertilizer plant, a papermaking

mill, or a meatpacking plant,

where The, the work that is being done is physical and

messy and smelly and, and for many people,

disgusting. They associate that with work. No

one, no one associates, for

black, for good or ill, no one until recently, and by recently I mean

within the last 30 years in our culture, associates the

white-collar effort of

Being mentally and emotionally focused on making a decision, either

in a startup environment or a white-collar corporate environment or a white-collar medium-sized

business environment. Nobody associates that with

work. Most people throughout the history of the 20th century associated that

with ease because that was the bourgeois class. That was

the capitalist class. Those were the folks that Sinclair was writing against. Those

were the owners. They were And that's— and this is how he frames

J. Arnold Ross. He frames him as an owner, but he frames him

as an owner who is willing to get down in the

dirt, but he's working really hard to make sure his

son doesn't have to get down in the dirt. And

Sinclair critiques this in Oil, using the

son to critique the assumptions of the

father and to call out the father and say, to your point about

work, How dare you not have work-life balance? How dare you not this? And

how dare you not that? Which is, of course, is the lament of every child

whose father works 24/7,

365, and doesn't see them. I was talking with my wife,

totally different context, but it applies here. I was talking with my wife about liquor

stores the other day. You would think that owning a liquor store would be

an easy kind of retail. Thing

to do. Uh-huh. I would— I'm going to go on

record right now. I would never— and never is a long

time— never want to own a liquor store. I don't want to be a part

of a liquor store. Don't come to me with any ideas about liquor stores.

No. Distilleries, distribution, that's a different thing. But the

actual retail store

itself— the reason liquor store— owning a liquor store is hard is because

everyone's trying to rip you off. From the people who are, from

the people who are doing the customer service to

your customers, to your distributors, to the

landlord. You have to be there 24 hours a day, 7 days a week to

make sure no permit, the government. Oh, and I haven't even talked about the government

and taxes yet. I haven't gotten into that yet. Right. Um, just

the people on the ground trying to rip you off. Forget the other people, like

3 levels up trying to rip you off. And guess what? If you— oh, and

by the way, the government, if you do anything wrong with like the stamps on

the liquor, oh, forget it, your life is over,

right? And you know how I know this? Because Gary

Vaynerchuk, who is the son of, I believe, a

Russian Jewish immigrant, talked about how when his parents came

over, he never saw his father until he was in

his 20s. Because his father owned a liquor

store and coming over from what was terrible conditions

in Eastern Europe or in Russia, wherever the Vaynerchuk came out

of, coming here, work in a liquor

store looked like paradise in

comparison to what they came from and emigrated

from. Work. This is the thing. We have to change

our conceptions around work. So I'm supporting your point around

work-life balance, but I also think we have— and not but—

and I think we have to take into consideration that we have to

reconceptualize what work actually is, which is part of our struggle that we're having right

now. No, and I agree. And we both have children in

their 20s, and that's another fight. Oh, yeah. I

mean, the whole idea—

so without giving away too much and without talking too deeply about whatever,

so We have a very large house, right? And so my house

is about 5,000 square feet. This

disillusion— they're delusional in thinking— my

kids, I'm not saying everybody's kids. Yeah, yeah, yeah, yeah, yeah. My kids

are delusional in thinking that they should be

afforded the ability to go work 40 hours a week and

live the way they want to live or the way that they were accustomed to

living living in my house. So, you know, 3

acres of land, 5,000 square feet, 2, you know, 3,

4 cars in the driveway. They, you know, when they turn 16, they could just

take the car whenever they want, like, whatever, right? They want to work 40 hours

a week and live the way they want to live. And I keep trying to

explain to them, you can't start like that. Like,

you want to run like Usain

Bolt when you're— you haven't even learned how to crawl yet.

Like, when I, when I came into the workforce, I had to work two jobs.

And they always have this, like, they always get this— they always try to get

very analytical on me and talk about how inflation is,

like, isn't there— their salaries are not keeping up with inflation, etc., etc.,

right? Whatever. And that might be true. I don't really care, to be honest with

you. I don't, I don't care because I,

I don't care that my first apartment that I ever rented was

only $450 a month. I

made $3.25 an

hour. And I understand that, you know, that,

that, that math may not math for, for my kids,

but I remember when I lived on my own, very first time I lived on

my own, I, I had to work 2 jobs.

So you're right, the idea of work-life balance to me at that

time was just simply I didn't have to live at my parents' house anymore. I

was happy. The balance to me was living on my own,

working 75 hours a week. Didn't matter. I lived on my own. Didn't matter.

That's the balance was there was always like a give and take, right? Balance is

about give and take. They don't understand

that today. So, when I tell my kids like, well, if you want to earn

more money, just go get a second job. I shouldn't have to do that. I

should be allowed to work. Well, why? Because I can work 40 hours a week

and afford my— well, I've got 30 years of experience behind me. I've

done the— I've scrubbed the toilets. I, I've wiped the

floors and picked up kids' puke off the bathroom floor.

Like, what are you talking about? Like, you— to your point about the whole difference

between white collar and like— so let me get this straight. You want to walk

in the door at— you have a psychology degree. You want to walk in the

door as the director of HR with never having HR experience? Yes,

yes, that's exactly that. Yes, that's exactly— that's exactly it. Yes. And make

$150,000 $140,000, $150,000 a year. No, it doesn't work that way. You have

to earn that. You have to go work your ass off to

earn that. You have to go

scrub toilets, if that— whatever, whatever the equivalent. And I

apologize for HR professionals here, that's not my— my intent is not to crap on

HR. It was just the one that popped into my head because of the psychology

degree that she has. Anyway, but like, whatever the equivalent to that is, you

have to take that $50,000, $60,000 a year job, maybe

it's $40,000, I don't know. You need experience before you can

demand those salaries. But because we put so much emphasis on higher

education and the fact that when we were coming out of higher

education, the jobs were better for people who had that

degree, no doubt, no doubt. When I graduated high

school, at the time I graduated high school, the workforce

was probably closer to

70-30 of college degrees, like about 30%. And it

was going up. It was definitely on the upward swing. By the time I was

about in my early 30s, it was probably closer to about 40-45%

of jobs that were— that required degrees. Now it's much higher than

that. So guess what happens to you, the value of your college degree, now

that 90% of the jobs out there require college degrees? The value

of that college degree goes down, not up, right? Which

means that now they can offer that $40,000 a year job to

the college graduate instead of the person who never went to college.

Well, and this is— and this is— they don't get that. They don't get that.

They want $100,000 out the gate. Well, because we just told them that

a $200,000 education is going to be worth it for them. Well,

and this— and, and the thing— well, the thing we also don't consider

is, um, human nature in this, right? So one of the things that, that Sinclair

does really, really well in his book, right, um, is

he describes and defines human nature,

right? So whether it's Bunny's nature, um, whether it's

the nature, which is the son, um, if it's the nature

of, um, the, um, the, the dad, right, J. Arnold Ross, or

if it's the nature of— and I'm going to talk a little bit about this

because this gets directly to what you're talking about here— the

society, right, that

is consumed with this new product, right? This new thing called

oil, which we

forget— in the early 20th century, oil drilling in and

of itself was

as dangerous— and no, more dangerous

and harder than mining, because people have been mining

for millennia, thousands of years by, by that, by the point the 20th century

showed up. By that point. But oil, oil was a

totally new thing. Totally new product, pulling it up out of the

ground, refining it, which no one ever talks about refining. You know, we have

this, we talked about the show Landman. We have this idea that

it's just, oh, you go, you, you find a spot in the ground,

you drill it, boom, like there's oil that pops up.

Now, that's no longer the case. We now have fracking and a whole bunch of

other processes that exist. And by the way, the reason I know about all this,

ladies and gentlemen, is because I live in Texas. And I'm going to talk

about my dealings with landmen in a minute. I've dealt with

landmen. I've dealt with guys like J. Arnold Ross. I've dealt with these

guys. And so we forget that in the early 20th

century, wildcatting, you know, making

bets on wells, making bets on this new

commodity, all of the speculation, all of that that existed that

Sinclair critiques All of that existed

because there were people who were, to your point about

education, who were what we would consider to

be poorly educated people who were looking

for, um, a way to get rich. How?

Not slow, but get rich

quick. And they wanted their kids, to Tom's point about his

children, They wanted their kids to get rich quick so their kids could be in

a better spot. No, I want them to work their ass off. Right, exactly.

I want— 100 years later, we're like, no, you got to go to work. You

got to go get a job. Well, so like with my

children, um, I will say this. My children

have been raised with the principle of work, right?

So small case of this. My wife and I have gone off and on

on like allowances, right, with kids, right?

And when we're off, we're really off. And when we're on, it's in a spurt,

kind of like an oil well, and then we're back off again because we

can't. And it's not that we disagree on it, it's just that our minds shift

and change based on whatever happens to be going on.

And so we were having a conversation, gosh, probably about a month ago about this

with our youngest kid, and he's

9, and he's gotten to the point where you can start

doing work, right? And I don't mean work

like chores. So for us in our family, chores are— particularly for

younger children, I always used to tell my kids, chores are preparation for

you going out working in the real world. Yeah. Your

pay is that you get to live here. That's the pay.

Your, your, your compensation is

that, um, you get to feel good about having a clean room

or clean kitchen or clean whatever, right? A clean

bowl and plate. That's your compensation, right? And let me tell

you, when I was a kid, it was framed in a lot harder terms

for me. My father was old school

blue collar, so it wasn't, you know, do

this and I'll pay you, or do this chore and you can complain. It was,

no, shut up and wash the dishes. Or, you know, are you going

to get something and you're not going to like it? Oh, you're right, sir. Yes,

sir. All right. May I go over there and dry that dish? Yes. Thank you.

And my mother was the same way. So let's not be— let's be clear. It

wasn't just my father. Okay. And so

the principle of

work, but not tied to compensation, right? Not tied

to material compensation is something that I've tried to pass on to my children. Because

at the end of the day, our children are going to— like your

20-year-old daughter. I've got a 20-year-old daughter. You know, I've

got, I got another daughter who's in her— she's getting ready to be 16 here

in about a spit of a minute. And my 9-year-old boy, and then

my oldest, my oldest son is, he's in his late 20s.

He's already in the work world, thank God, and doing the

work. My 20-year-old is transitioning into the work world and is putting in the effort

of doing the work. Because what I think the next thing is, particularly with

our LLMs and all of that, is that

the ways to get money have become so easy

that people think the work should be easy

too. And I take the position that Dana White takes of the UFC. He's been

quoted, I see this quote all over Instagram and he's right. Somebody talked to him

in an interview and he said, he tells his kids kind of the same way

I tell my kids, all you have to do is just be a little bit

better than the next person because everybody's just so, he uses the term weak. I

don't use that term. Everybody's so flat. They want everything so

easy. All you have to do is just work a little bit harder, just a

little bit, and you will just be a monster.

So I'm raising monsters. I'm raising them not to be a little bit

harder, but to work a lot harder because the

compensation level between the people who have chosen to not do the work or who

just want it handed to them, the gap between them and the people who

are just willing to put in this massive amount of work. That compensation gap is

going to be huge. It's just going to be huge. Yeah, I

agree. And it's just going to get bigger and bigger as our digital

tools continue to delude us into this idea that work is something

that just doesn't matter. Well, they're— the

digital tools are commoditizing it. Right.

Yeah. Essentially, we're commoditizing entry-level work. Right.

That's what we're doing. So to your point, So, the work harder,

et cetera. But it's not just about, to your point a few

minutes ago, it's not just about the physical work harder. You have to mentally

work harder. You just have to

be— when you tell your kids you have to be better than everybody

else, you're not talking about— I used Usain Bolt a few minutes ago as

the reference. So, again, you're not telling them that you have to go beat Usain

Bolt in a race. No, but, you know, my kid

being the wise guy that he is, he'll be like, I'll beat Usain Bolt in

a race any day and twice on Sunday. He can run all he wants. I'm

getting in my car. You know what I'm saying? Like, so to

your point, it doesn't always have to be the physicality of it. You just have

to be better. You have to be better than the next guy or girl. Yeah.

Whichever. Yeah. And, and, and that, and that's where

I find, that's where I think The creativity of being better is

going to really accelerate people because, again, to your

point, can it be physically better? Absolutely. Of course, you can be physically

better. I spent the first 10 years of my career in a restaurant and my

knife skills were better than most people's. I could fly

by people with knife skills. Not today, by the way, just so you know, not

today, but I haven't done it in a long time.

But it's so there are physical skills like that,

sure.. But if there are also mental skills,

there are not just mental, but there's, there's

creative skills. There's like the

ability to problem solve, problem solving skills. If you are better at

any one of those than the next person, you'll

accelerate. You'll accelerate your, your— and by the way, getting back to

the entrepreneurial conversation, that's half of entrepreneurship right there is

figuring out the better mousetrap or the new mousetrap or

the faster mousetrap, whatever, bigger, better, faster, stronger, smarter, whatever

that is. That's the entrepreneurial journey. You just have to decide whether

you're doing it for someone else or for yourself. So let me ask you

this question. What is the scariest thing about entrepreneurship that very few people

consider before they

jump in? I think I— to me, I think this is

going to sound counterintuitive here. I think everybody thinks the

fear of failure is the biggest problem,

and I don't agree with that. I think the fear of failure is actually a

halfway decent motivator. I think

people underestimate— to your point, if you— throughout this whole conversation so far, I

think people underestimate the sheer volume and level

of work they're going to have to do when

successful, not if, because all the work you do to get

to do, if you're trying to be successful, if you're not quite there

yet, is expected. You're expected to continue pounding your head against

the wall. You're expected to continue running uphill. You're expected—

no, you're— that's— that work is expected of you. When you hit

the pinnacle, when you hit the top and you say, now my

startup is successful, I think people underestimate

how much work there is from that

point forward. There's a tremendous amount of work that needs to be done after

that fact. And I think that, I think the fear

of success is actually very real. People,

once people can start seeing the skyline and they go,

oh crap, if I get to this point that's in front of

me, oh boy. Maybe I'm not sure I want that. And that's

what— maybe they exit out their company before they hit it, which is fine too,

by the way. So maybe you don't exit at $200 million or $300 million.

Maybe you exit at $2 million and you're perfectly fine with

that because you don't want to do the work.

Like, that's just to let you know, people, $2 million, if you're in your 20s,

is not going to last you the rest of your life. It's not going to

last you the rest of your life. It'll barely

last you. Well, it won't even last you through retirement these

days. So that— I, I think there's a big piece of that that people don't

think about. I remember when I first made my

first $100,000, um, and that was a big milestone for

me. Sure. Um, and I

remember watching the invoice come in where it clicked over right

in my, um, in my bank account, and I sat there and looked at it

for about I don't know, maybe a minute. And

I thought, hmm, that's interesting. And then I went right back.

I went right back to doing the things that I needed to

do in order to make the next $100,000 and the

next $100,000 and the next

$100,000. And I'm a weird entrepreneur because I'm

not driven by, or my entrepreneurial mindset is

not driven by, um,

the normal benchmarks of success,

uh, or failure, quite frankly, you

know. So I've had the nights where like I've laid awake and like it's

Wednesday and I've got to make payroll on Friday and I have no idea how

I'm going to cover. I've had that happen, right, more times than I

can count. I have

had the creditors chasing me around the block and

I'm pushing invoices and moving things around.

Rob and Peter to pay Paul. Rob and Peter to pay Paul. You know, yeah.

I've had the— Tom's previous point, I've

had to prioritize what are the things that I'm going to

do this week or today. And trying to figure

out without knowing what the answer is, what are the things that are going to

produce the most money, or they're going to— that are going to knock down

the most dominoes. So by the end of the week, the thing that has to

be knocked down gets knocked down. I've done all that. I've done all

of that. None of

those things, um, none of those things scared me, but all of

those things drive me. Weirdly enough,

I found— not weirdly enough, interestingly enough— talking to entrepreneurs, talking to people

who are entrepreneurial adjacent, those are the things that

scare people. Those are the things that I remember talking to an employee years

and years and years ago, and I was telling

him, listen, I haven't taken a check from this company to feed my family in

like 3 months. And he was stunned. He's like,

I'm getting a check every week. Like, yeah, I know. Because it's important that you

get a check every week so you can show up and do

the thing. Now you may ask, well, how are you feeding your family? We don't

need to get into all that. I figured out ways to do that. My

point is that thing that I had

committed to, that thing— and not Peter Thiel,

another entrepreneur has said it this way, I can't remember who, but I was able

to stare that thing in the face and not

flinch. And I think that's the scariest thing for people. To

your point, it's not even success, I wouldn't even say, or failure. It's

can you stare into the

abyss of uncertainty day in,

day out for multiple weeks and then months and

then sometimes years? Can you stare into the abyss of

uncertainty and never lose your optimism? And by the way, optimism doesn't

mean like Rebecca of Sunnybrook Farm, everything's going to be

sunshiny tomorrow. Optimism just means— I used

to think this, actually, I still think this, not as sharply as I

used to because things have changed, but I still get up every morning and I

think, okay, nobody alive has

lived today. Nobody. Like the next minute

that I'm going to be talking, no one's lived in that next minute

yet. So there's still all kinds of things that can open up, just like

we're recording this in, in, in

early March, uh, 2026, right? No

one's lived in April of 2026 yet. Not any human being,

you know, not one. And actually I got that idea from a

boss of mine who I absolutely despised and had a

problem with. But that was one good lesson that he taught me.

And when he said it and then he walked it out, I

thought, huh, I do not respect any other thing about you,

but that is correct. You are correct

on that. And so as an entrepreneur, I've been

able to channel that into getting up

every day and staring into the abyss of uncertainty. Company and doing it

for years and being okay. I think somebody with a mindset

who is more, shall we say, socially, social, more of a

social reformer or more of an employee, which I think, not I think, the

statistics are 99% of people will never start a business. They just never will. They'll

never start because they can't. They had that expression on

their face. I'll never forget it from that employee. Like he looked

like he would, he couldn't, It was like I was talking to him

in a foreign language. I was like, I was talking to him in Chinese at

that moment. Like somehow we'd switched from English to Chinese in the conversation. He didn't

understand what I was saying. And I think the people who have a mindset of

I have to get paid because my bills have to get paid. If my bills

don't get paid, then somehow the

world collapses into this ignominy of like lack of status and

I'll be homeless and I

don't know, searching for gum underneath, like, you know, benches on the

side of the street, like, whatever. Like, whatever the thing is that people think is

a horrible thing, they go right to that. And then they— the fear of

going right to that is what drives them to, to working for people

like me, because the fear of being kicked to the

curb and, like, living in a cardboard box doesn't— I mean,

that's not optimal. I wouldn't want that. But it's not scary.

That's not the scariest outcome. There's other scary outcomes

that are scarier to me

than that. And I don't think— I think that's just the distinction with the difference

between an entrepreneur mindset and an employee

mindset. Yeah, no, that's true. Like, and I don't disagree with any of

that because I also

think like if you If you take Stephen

Covey's theory of beginning with the end in mind, right? Like, if you

look at Stephen Covey's 7 Habits book and you think of like

at the end of your life and you're all— everyone's standing around and

talking about your eulogy. What do you want them to

say? Do you want them to say like he was a good provider for his

family? Right. If that's your end goal, then you're

right. Stay an employee, get a decent job, and just keep providing for

your family. At whatever that level is that you feel. Now, at what

level do you provide for them? Sure. That, you know, like we talked about a

few minutes ago, you know, you started the bar, by the time you retire,

you're making six-figure, whatever. That's fine again. And if that's

your goal. But if you're at the end of the eulogy, you want people to

be saying things like, my God, he was such a risk-taker. He

always did like he threw caution to the wind. He wanted like, you're

probably going to be an entrepreneur. Like, you're going to probably you're going to

be. But to your point, and that's why I

did— that's why I don't equate the uncertainty thing. I don't think I view

it that same way because

to me, the uncertainty doesn't make or break me, right?

Like, like whatever is uncertain, to your point, I'll just go figure

it out. Like, I'm— I've never worried

about— and by the way, the same— to me, the same rule applies about just

about anything in my life. Anything. So my daughter made an

observation of me when she was about 16 or 17

years old. She had asked me a question about a particular sport we

were watching, and I was showing her. I was like, no, but if you do

this and you look at the way they're doing that, and she goes, oh, have

you played this sport before? I went, no. She's like, how do you— how the

hell do you know, like, about— and I go, well, because if I don't know,

I go learn it. Like, I Education to me does

not happen in four walls in some high

school or college, university. No, education happens when you

seek out knowledge. Seeking out that knowledge is the

most important thing. So, to me, I've never viewed uncertainty

as a problem or a fear because if I don't

know it, I'll go figure it out. I'll go find out. I'll go learn it,

right? So, there's not a lot of problems you can throw at me that will

scare me. What I think, like I said, in my little

spiel on this topic,

I would be more fearful of how I would react—

one of the projects that you and I are involved in, if somebody

came to us tomorrow and said, I'll give you guys $500 million

for that right now,

that would scare me more than uncertainty. So I

would laugh. No, no, no, I know. No, no, I would, I would, I would

lie, I would laugh. It wouldn't be— I would laugh and then I'd be like,

uh, where's the other shoe?

All right, again, again, I know that. But yes, I know you're— I know your

point. Yeah, I know that project is not worth that right now. I just thought

a very large number to just— no, no, just to throw it out. Yeah,

but my, my thing would be, okay, so does that

mean that we're out? Like, we're bought? We're selling it to them? Are, are

we staying in? Like The fear of that success,

that successful conversation, that has more to do

with my hesitation than anything else. Because I wouldn't— interesting—

I would not— I'd be nervous to what the rest of the

people involved in that, in that project with us. Yeah, I'd be more

concerned about what they would do. Well, because,

because I can't dictate what they do. No, you can't. There's no— I have

no control over That's— so your uncertainty,

mine is the lack of control. It's control. Once you

get to the success point where you no longer control

the outcomes, that's a problem for me. And I'm not a control freak either, by

the way. I'm not one of those people that have to control every little detail

and every little aspect of every little thing in life. I'm not a

control freak. I'm just saying that that's what would— Well, and I

would be like, So

first, after I got past the whole, like, is this like, am I on

Candid Camera? Like, is there a camera around somewhere? Like, do I need to be—

I need to worry about Green. Is Draymond Green to pop

out? Sorry, if he is, I got, I got some words for you

too. But, um, after I got past that, my initial

thought would be I

don't care about the money. Now, I'm not— this

is not from a moral high horse perspective. I want to be very clear, this

is not from a moral high horse perspective. If somehow I

were able to, to, to, to make off of this,

this thing that we're involved in, if somehow I were able to make, I don't

know, $50 to $75 million after taxes,

that's for someone like myself in my position, in my life, what I've

got going on, that would indeed be at the stage of

life I'm at life-changing money for at least a couple

of generations. Nothing to sneeze at. I got to be very honest about that. So

it's not from a, I'm on a moral high horse perspective,

right? That's not what I'm talking about at

all. The reason I would go to, I don't care about the money is

because what's way more interesting to me in thinking about the people that are

on this project, what's way more interesting to me is the shenanigans that

are going to jump off because of

that offer. And so

for me, the curiosity on that is, wait a minute, wait

a minute. So we're not being candid camera'd. Draymond Green isn't going to show

up. Okay, that's cool. That's fine. Drew Carey's not going

to somehow run around screaming Cleveland rocks or something. Okay. All right. So this is

legitimate. Okay. We vetted it. It's a legitimate deal. Now let

me watch everybody's around the table, like in those old Westerns where like, it's all

like, as my wife would say, it's all just eyes and looking. Everybody's just looking.

All of a sudden I start looking around and everybody's seeing who's going to do

what, who's going to jump on what. Because for me as an entrepreneur, I go,

well, yeah, that's life-changing money. And even if it's not $50 to $75, let's

say it's $25 to $30 million. That's still a pretty good chunk of

change. I could think of things to do with that that will last me

my entire life. Because I have very small appetites. I live

very conservatively. Same. My point

is the ways in which people react for me are

that abyss. That's what's in the abyss of uncertainty. You

know, my master's degree is in conflict resolution and

reconciliation and negotiation and all that kind of stuff. And what drew me to all

of that was I am

a control freak. I do like to be

in charge, particularly when it's stressful. I get more of that, like more

of that pops out. And so I've had to

really, and I'm not a master of it, ask my wife and kids, but I've

had to teach myself to let go of

control and be okay with uncertainty

in that abyss. And an offer

like that creates massive uncertainty. It just does.

It creates massive uncertainty. And so the easiest thing is to just, for me anyway,

the easiest thing is because to your point about, well, we haven't really talked about

money here, but to your point about entrepreneurs, people associate entrepreneurs with a

lot of money because of these big exits and things like that. And the reality

is most entrepreneurs wind up broke. They

don't wind up with a huge amount of life-changing money. That is the

reason you read about those things in Fortune magazine or you see them on LinkedIn

or you see them on posts on Facebook or on Instagram or wherever it is

you go and look at, um, is because they are

rare. Most entrepreneurs wind up either broke

or they, or they barely break even for what they put in on

a 10-year project. And by the way, kids, all

of you listening, it is 10 years. It

is 10 years before you see a dime in profit as

an entrepreneur. 10 years to be an overnight success. Yeah, I was just gonna say,

and every time you hear the term overnight success, it's It's a bunch— it's crap.

There's no such thing. No such— every, every single,

every single time you see the words overnight

success, it's— yeah, it's because you didn't know their name yesterday, you

now know it today, so that's overnight. I get that. So overnight

success to you, but that doesn't negate the 5, 8, 10

years that they've just put into their blood, sweat, and tears to build to the

point where yesterday happened. Like, right, well, and

that's— and that's part of what Sinclair sort skips over because

the social reformer doesn't put any value on that. Like

the first part of Oil, if you read the first

few chapters, one of the points that he definitely is trying to build as

he's building this

character of J. Arnold Ross, he's

building him into a character where

he invites corruption. He's looking

for a shortcut. He's resentful that the government is taking

his money and not spending it correctly on the roads. He wants to drive

as fast as he could possibly drive, and he wants to run over everybody to

get to where he's going. He understands the value to

us, to our point earlier about education. He understands the value of education because he

wants his son to be educated, but he himself does not need to be educated

because he knows everything he needs to know about pulling oil up out of

the ground. He is framed as a person who will bribe

an official, a local official— not framed. He is a person who will bribe a

local official to get a shortcut to make

things move. And the local official is the one that is the victim of this

bribery, not Mr. Ross, of the system that has

been created around him that encourages the need for bribery. And

so Sinclair definitely takes a position that is in opposition

to the entrepreneur. And by the way, I think this is what attracted Paul Thomas

Anderson initially to There Will Be Blood, because we've always had a problem in

this country with people who build things and

have that ruthless vision. We've always had a problem

with that. Um, and I think the reason why is it genuinely

scares people who, quite frankly, to my point earlier, have

to get up and go to work for

somebody else. It's, it's to your point about your

point early that you made about You know, who do you want at your eulogizing

you when you're dead, right? He was a great provider. I think most people are

fine with that. I think 99% of the 99% of people who have employee

mindset are absolutely fine with the great provider at the end

of their lives sort of eulogy. I think the people

with that mindset are

absolutely stone scared of the

person who was ruthlessly focused like this

General Ross

character, or, um, I'm gonna say a few names, or, uh, the

Mark Zuckerberg type, or the Elon Musk type,

or the, um, the Henry Ford

type, right? Um, or any of the folks who did build the big

oil businesses, the Andrew Carnegie types. I think those

people Like Andrew Carnegie, Thomas Edison, these guys started working when they were 8, 9,

10 years old. They didn't care about school. They

were ruthlessly focused on business and

making money. And they did not lose

the North Star of that because they didn't care about the provider

thing at the end of their lives. They cared about— and there's another great scene

in There Will Be Blood. I'm going back to the movie here for

just a second. There's a great scene where Daniel Day-Lewis is sitting with a man

who claims to be his brother. And he's actually a grifter trying to

hustle him. But before he finds out that he's a grifter, they're

sitting by a fire outside on an oil field.

You know, he's pulling oil out of the ground or something like that. Or maybe

it was a home. I can't remember the specifics of the

scene. But Daniel Day-Lewis has this line and it is the line

of the entrepreneur. He says, actually, I should look

it up. I should look it up because I don't want to miss it. It's

actually a really good line. And it defines what entrepreneurship

is for the entrepreneur, but it defines it in such a way

that it, it, it sets it up as being

scary and horrific to someone of an employee mindset,

right? He says, yep, there it is. There Will Be

Blood. Yes. Beautiful. Just typed it in. It came right up. Look at

you, IMDb. Goose credits,

storyline, taglines, quotes. Here we go. And I'm not getting into, by

the way, the religious elements of the book. I'm not getting into the

parts about higher education. Those are some of those are explored in the movie as

well. I'm just focusing on

the entrepreneurship. This is the variation of it. But it's at the end

of his speech, he says basically, There

are times when I see people and I see nothing worth liking. I

want to earn enough money where I can get away from everyone. I

have this thing inside of me that doesn't want other people, and

now I'm paraphrasing, but doesn't want other people, doesn't want other men to

succeed. Daniel Day-Lewis says this, and I think that that's the

way the employee, a person with an employee mindset, looks at a person with

an entrepreneurship mindset. What they fail to understand

is that, and this is the Hollywoodization a little bit of this idea, what they

fail to understand is that many

entrepreneurs, yes, don't want other folks to succeed, but just as

many do want others to succeed, and that's why they're leaders. They want

to bring people along.

And the challenge they have is

other people I'm going to paraphrase from Michael Jordan in The Last Dance. Other people

don't want to be led. Michael Jordan said most infamously in The Last

Dance, he said, was I a horrible— the interviewer

asked him, people call you a tyrant, right?

And Michael Jordan goes, maybe I was a tyrant.

Maybe I was. Maybe I led people where they didn't want to go.

Maybe I did get up into them, right? Maybe I did force them to do

things that they didn't want to do. But you know what? That's the way I

played the game. You don't want to play the game that way? Fine. Don't play

it that way. But like, you're just saying these things because you've never

won anything. And to Michael

Jordan's point, we are a results-oriented society. I've been saying

this since college. We can talk all we want about process, and we love to

talk about process. The result is what we actually like. This is

why Tom Brady— no one's ever going to step over Tom Brady.

No one's ever— God bless you, LeBron. No one's ever going to step over

Michael Jordan. It's not going to happen. It's just not. Not in my

lifetime anyway. Because the result is the thing that

we value. Good, bad, ugly, or indifferent. We'll talk a lot all day about

process, but the result is the thing that we value, and it's the thing we

put money on. And entrepreneurs produce results. But along

the way, They want to hire A-players to help produce those results. And when all

they see are players from their perspective that

aren't A-players, they really do struggle with how do I raise these people up?

That's what Steve Jobs struggled with. How do I raise these people up? That's what

Michael Jordan struggled with. How do I raise these other players

up? Right? So there's a number of different threads that come together here. But at

the end of it, I think there is a horror that a person has who

comes from that employee mindset. When they look at that entrepreneurship mindset, when it's

actually laid bare for them. Yeah, there's also—

I think there's, there's, there's, there— I think there's a lot more.

I think there's a lot to it as well from a different vantage point. Like,

I also think that there's, like, there's this

weird, like, misnomer that comes with entrepreneurship.

Like, people think, oh, you own your own company, you must be wealthy. Like,

they, like, they immediately think that you're in a

different financial status just because you own your own company or you

have a— And I'm like,

listen, people, to your point a little while ago, it's not the case.

Like a very good majority of these people are never going to make it. They're

not wealthy to begin with and they're not going to be wealthy afterwards. It's not

about wealth. It's about building something that

you can be proud of. But to your point

about entrepreneurs, not hoping for success for other entrepreneurs. I

think you're— I think in today's landscape, that's actually more

likely than not. I think entrepreneurs want to see other

entrepreneurs win. I think that's a very thing. Now, but, but I think there's a

caveat to it. I think they want them to be in different industries than

they're in. Okay. So what you're talking about is, is the I call

it the— it's the thing that happened in the

NBA post-Kobe. So there's the Michael Jordan era, there's the Kobe era, and now we

live in the LeBron era. And in the

LeBron era, everybody's friends, everybody sub-tweets each other,

everybody's friends on Instagram, nobody's trying to dunk on

each other. We're all going to be collaborative together. We're all going to high-five and

jump, and maybe I might beat you by 1 point or whatever.

The thing that, and tell me if

I'm wrong, I think it's also happening in entrepreneurship and I think it's because of

the internet and social media has allowed for globalization of

this. But when you are a person who has that Jordan

or Kobe level in entrepreneurship or

the J. Arnold Ross level, Daniel

Plainview level of killer instinct. I don't think there's a place

for you anymore. I think you get run out of town. I

think you get called all kinds of names. I think people accuse

you of, to Upton Sinclair's point, bribery, grifting, manipulating

the system, whatever. Like, I think, so Mark Zuckerberg's a good example.

I look at him and yeah, he's a weaselly guy for sure. And yes,

he's a, he's a whatever in Brazilian jiu-jitsu. It's fine. I'm a thing in

Brazilian jiu-jitsu. Mark can come find me anytime. We can work it out on the

mats. Tell Mark where I live. It's fine. Actually, he could find it out anyway.

I got a Facebook account. He can find me. I'm not worried

about it because here's the thing. I think Mark has that thing inside of

him that Daniel Plainview has. I don't think he likes other people.

I don't think he wants to roll and subtweet like LeBron wants to roll and

subtweet with everybody and maybe kind of make a $100 million business on the side

and maybe be a celebrity too. And he wants to do all these other things

and be— No. Killer instinct. He doesn't

have it, and I know he doesn't have it, and he knows he doesn't

have it. Jordan had the killer instinct. Jordan would roll around

with John Starks in the offseason, and that was fine. They would

go gamble in Vegas or whatever, but when it got on

the court, he was going to touch his kid. He was going to cut your

heart out, and then he was going to go to work

on you. And that's what I see happening in entrepreneurship. Or maybe I'm

wrong. No, no, I think you're— like I said, I think you're right to a

degree. But again, I think it's like— and we've seen it, right? Like, so

you and I have been judges on pitch competitions and stuff like that,

right? So, and you're right. It's almost like this,

like they're in the room together and they're like, oh my God, you did so

well. It's good for you. And I'm like, I remember, I'm telling you

my first company, I didn't give a rat's,

you know what, about any other— like, no, I wanted to

go and succeed and I didn't care if I stepped over

somebody. Right. So, to your point, I do think it takes a certain type

of person to be that person for sure. Like,

but I also think that you're right with the whole globalization of things because the

Olympics was a good example of this. Too. Think about this for

a second. The US hockey team just won gold. US men's hockey team hasn't won

gold since 1980. 46 years, they finally won gold again.

They come back to the US, now they're back in the NHL. The

first time around, players on opposite

benches were pulling each other onto the ice to wave to the crowd. Now

it's a week later and they're basically checking each other through

the boards, right? Like, it's like they don't care that they were on the same

team a week 2 weeks ago. That's all done. Like, that's all

done. We high-fived each other, we hugged it out, we're good. Now guess what? You

have a different color jersey on than I do. I'm gonna knock your teeth out

because that's how, that's how hockey is. That's just— but, but,

and I think entrepreneurs— I, but again, I think to your point,

like, that, that is a good representation of what you're talking about in

the entrepreneur landscape right now, where if there's, if there's 5 people in

a pitch comp— oh, better yet, And I'm not gonna

single out the— I can't even say that word because you'll know exactly who

I'm talking about. We recently watched

a group of entrepreneurs pitch to us

that are very kumbaya. Oh yeah. Okay,

they're very kumbaya. And I know for damn

certain that there's one or two of those people that should be killers. And

if they were killers, they would be successful the day they stepped out

of college. Yep. Like, or the day they stepped out of the environment

that they were in or whatever, wherever they are right

this minute, they're going to be successful. They've got to stop

the kumbaya BS because if they turn on

that killer instinct, there's at least 2 of them that I think

would be wildly successful right out the gate. But they have

got to stop looking at their peers

as peers and start looking at them as people they can step over

to get where they want to go. So I will tell you that

the level of smothering that occurs

of that instinct from other people

is a dynamic that I've experienced myself. So

I'll tell a small story here. 20-some-odd years ago, I was in

art school. I was not a great artist. It doesn't matter. I went to art

school because I loved art. I'd done a few art projects, blah, blah, blah. It's

something I've been doing ever since I was like 10, 11, 12 years old. Decided

I was going to go to college for it. By the way, I paid for

my own school out of my own pocket. Didn't take on

any loans, whatever. Okay.

In art school, I got into so much trouble when I would say

to people, and I was a little bit older than all these folks, who were

like 18, 19 years old, but I would say to them,

we're in competition against each other. We're

in competition for an A.

We're in competition for the professor's attention and

good critique. We're in competition for who can put

up the best, the best

display of our art. And quite frankly, in some cases, we're in competition for

who can sell the most art. And do you know what the

feedback was that I would get from people? They would say, oh, hey, son, you

don't understand. We're just all here hanging out. I remember one— We're building a community.

We're building a community. We're not in competition with each other. We're not in competition

with each other. We can't be in competition with each other. I remember one person

who I considered a very dear friend at the time, he said, we can't be

in competition, man. We're like, we're like just— And he was sort

of like a little bit like the dude in The Big

Lebowski. He was a little bit like that guy. He was like, dude, we're

just, Like hanging out, man, just vibing,

man. And I learned from that interaction

that the people around you smother

the instinct. And so you could hold it, hold it

like a— I learned for me, I have to hold it like a, like

a weapon, right? And I have to figure out where

I can deploy it. Either to cut

those people off, right, or to,

in some cases, like in art school, try to ruthlessly

crush them, or to combine it with a talent

and skill that they may not possess because

they're all kumbaya over here, but I'm going by a

different metric. And the close of that story is, when I was in art school,

I put on my Bachelor of Fine

Arts printmaking show. I sold almost every single one of my prints that was in

that show. Almost every single one of the other folks who

was in a, in that printmaking program struggled to sell a print.

And these are all people that said it wasn't a competition and they were just

hanging out. And I went, I understand business and you don't, but

you just told me it wasn't a competition. You have a good day.

I win and I clear the deck. Right? And

that's where— and like, I've never lost that thing, but I learned, and

even through entrepreneurship, I learned

like, okay, this is where I have to navigate it because the smothering from

others, once you reveal that, is so

intense sometimes that it can almost smother the fire out. It can almost smother the

killer instinct out if you don't have it well developed enough. Well, or,

or you redirect it into— so there's something to be said on the flip side

of this that you go from,

from competing to mentoring, right? Like, that's a, that's

a good use of that creative energy. So you get to a certain point

where you're successful enough that you don't need to compete with anybody anymore, but

now you're gonna redirect your— that same competitiveness

goes into your mentorship. Which, by the way, so in one

of those conversations with that group of people that we were— that I was just

talking to, first thing I said to this

gentleman was, I'm not your parent. I'm not, I'm not your— I'm not your

uncle, your brother, your mother. I'm not your family member. I'm not a

college professor. My job is not here to go rah-rah, you're the

best. I'm gonna tell you like it is. I'm going to tell you what's wrong

with your stuff, and if you don't like it, you

don't like I would have appreciated that when I was his age.

He did too, by the way, at that point. I think at that point

I saw something change in his eye. I saw

him go— and I asked him, I said, "So what do you do next?

What you do next is the most important decision you're ever going to

make. If you decide that what you're building right now is

never going to be a company, then what are you

doing? Then this conversation is irrelevant unless you really want to

make this into something. So you have to decide,

is this real or is it not? Are you playing around with this or are

you not? And if you're going to make it real, then you're going to listen

to some good advice and you're going to start treating this

like it's real. Do we have

to start So I do believe that that instinct, and then we'll move on, we'll

sort of close here. I do believe that that instinct exists inside

of leaders, inside of entrepreneurs. I almost repeat

myself there, athletes, but I also believe it exists

inside of creatives,

journalists, almost every sort

of area of life, modern life even, or postmodern

life. Where anyone can either make a buck

or gain status or increase their class, there's going

to be competition. Now, I think

that instinct comes out in a few different places. I think

the social smothering is huge, but I think it comes out in different places in

different ways because that's the human spirit that you can't

snuff out. How do we— this is a core question, and this is why I'm

a big fan of entrepreneurship in schools, entrepreneurship programs in

schools, because I don't— we got rid

of gym. Ambassador schools don't have

gym anymore. It's, it's nuts.

Sports is a whole other kind of thing. I mean, the NFL even is

leaning into flag football. I mean, come on, people.

Right? Sports is a whole other kind of thing. I mean, I coach

my, my, my kids' soccer team, right? Oh, assistant coach my

kids' soccer team right now. And one of the principles

of the organization that the team is under is that everybody

plays and everybody has a good time, but we don't keep score. And I literally

told the director of the program a couple of weeks ago, not literally, I told

the director of the program a couple of weeks ago, the kids all keep score.

They all know. Who

are we fooling? Yeah. You're not

fooling me. I'm keeping score. You're not fooling them. They're

keeping score. Okay, anyway, we, we have

a globalized society that flattens,

uh, the competitive spirit a little bit into like

this weird democratic globalized

mash of meaninglessness, right? Where the nail

that sticks up Sometimes by the algorithm gets

pounded down, but then weirdly enough, all the nails are trying to stick up and

try to be noticed because, you know, everybody wants to be

noticed, right? Um, and then of course we have the, the, the

areas where competition has always existed, which

is in, uh, reproduction, sexual competition, um, competition

between women over men, between men over women that has not gone away. And then

that will never go away in our lifetimes. So my question

here is, how do we, other than entrepreneurship

programs in schools, huh, or bringing back shop

and gym, how do we provide opportunities

for people at a younger and younger age to access that

killer instinct and really, for lack of a better idea,

start to separate themselves from other folks? Because right now athletics

is really the only place where that can actually occur. And athletics

is even gradually being winnowed down and

flattened out. I don't know. I think, I think there's something to be said

about like, like even like, so if you think about like, if you think of

the, or the stories of like Mark Cuban and guys like that

who like, listen, I was an entrepreneur at 12 years or 10 years old.

Like I went out and got a paper route and when I figured out I

could get like deliver more papers by talking my buddy

into doing one street for me and I'll give him back, you know what I

mean? Like, so like, but to your point, there's

no way to encourage that, right? Like there's no way, like,

and I, by the way, I still firmly, firmly, firmly believe

in a very old

statement that necessity is the mother of invention, right? Like,

so if you find, Again,

I think to your point about the globalization and the

socializing, we socialize our problems now too, right? So

poor people are universally poor. So

we're now like we're— and by

the way, I know this from experience because I grew up very poor.

So like, but like, but when I was a kid, nobody paid attention to

the poor neighborhoods. Nobody. Except

the police departments for all the wrong reasons, but that's— we won't get into that.

But like, but nobody, nobody cared. Like nobody, nobody took, nobody

took interest in ideas coming from those poor neighborhoods or

any. But now even the poor neighborhoods have social

media, so you could turn yourself into an influencer in your, in your

bedroom of a studio apartment that you're, that you're, you know, 6 people

are living in. Like, you know what I mean? Like

So, we're globalizing and socializing even that part of

our lives. So, it's very— I think it's very difficult to

find those needles in the haystack because to your point about not every entrepreneur is

going to be successful, not every idea is going to be

the next Facebook, not every— like you

have to nurture those types of ideas. So,

do we start looking at them through different lenses like meaning

like So, we're not going to look at that kid in school that just had

a science fair project that could actually be a product on the market if somebody

actually paid attention to it. No, we're going to wait until he becomes an

influencer and then see him creating some garbage online

that we go, oh, wait a minute, that kid's got a nice— like, I don't—

yeah, I agree with you that some of this is broken. I certainly don't know

the answer to it because if I did, I'd be the

next Facebook. I would have already turned on the spigot. Like, I would have already

turned on the spigot if I knew how to answer that question. But I do

agree with

you that there are some new— there's new

ways that we're trying to globalize this that

makes it very tough for people to get that competitiveness. And to

your point about— I

tried really hard with my kids to get that competitiveness because Just so

you know, I was not that guy. Like, I was not that dad to

like, okay, shoot the basketball, honey. Oh my God, look at— oh, you

won. No, no, no. If you're going to beat me, you're going to beat me

and it's going to be legit. Which is why, by the way, so when I

taught my daughter how to play chess, like, she— out of all I have, out

of my 5 kids, my daughter was the only one that enjoyed

playing chess. She has a competitiveness to her. That is— and

I hate this, I know that you and I are both competitive. I'm telling you,

you would take both of our competitiveness and just crush them. She would

crush them. She's way more competitive than any human being I've ever seen in my

entire life. She would sit and play hours, chess game

after chess game after chess game, because I would beat her and I wouldn't, I

wouldn't let her win ever. Yeah, I would beat her every time because I felt

like it was going to improve her chess game. So

she So the handful of times that she

beats me, it's like the world is like opening up

her— it's like the world is her oyster and she can— it's

like she accelerates that

joy. Not accelerates, sorry, exacerbates that joy.

Like it's like she just hit the lottery.

But I can't do that with a kid down the street that I don't know

that, like, that you're trying to encourage entrepreneurship to. Yeah, like, you

just can't do that, right? Like, you— now, I will say though, I remember when

I was a kid, strangers weren't dangerous. I could walk— if there

was a guy— and by the way, the way I learned how to play chess,

being in the neighborhood that I was in, being a very poor neighborhood, we used

to go down the street into a little bit wealthier neighborhood, and there

was always a guy there. They had these— they had these like park,

uh, park benches, park like tables, like that

had chessboards on them already. They were built in to the— oh, that's awesome. Yeah.

And this guy would sit there and play chess with anybody who wanted to play

chess with. So I would go and I would tell him I don't know how

to play chess, and he would— he taught— he taught me how to play chess.

Now, by the way, same thing, his rule— he was a— I found

out much later in life that guy was like a grandmaster, like

chess, like he won chess competitions around the world. Like, this guy

was really He could beat somebody in chess with

5 moves. 5. No doubt. Like, he would sit

there and he'd go, he'd ask, are you a chess

player novelty, or do you like, do you know? And if you said, no, no,

I'm a chess player, I enter chess competitions, he'd

go, okay, on. He would beat that person in 5

to 6, like, no doubt. I was like, I would watch this and go, what

just happened? What just happened? Like, so anyway, but if

you sat down with him and said, listen, I'm a beginner, I don't know chess

very well, different story. His competitive— like I talked about a few

minutes ago, his competitiveness went away because

his mentor, his mentor side came out. Came out. Yeah, he wanted to be

a mentor. Now, he again would not just quote unquote let

you win, but he would play as if he was

a novice so that you could play on equal playing ground so that you could

learn. He would ratchet it down. Yes. Yes. Yes. Yes. Yes. Yes. Yes.

And I think, I think that that's part of the key to all of this.

Right? So if you're a leader and you have that competitiveness and you've built

this business and you, you started from nothing. And, and by

the way, to Tom's point earlier, most entrepreneurs start

from nothing. It is the very rare entrepreneur that gets gifted you

know, $100 million by their daddy. That is not a normal

story. Most people start from, like I did, $500

and I'm into my last $500 and I guess I got to do something. So

like, let's go. You know, most people start like that

and then build something over the course of time. But

I think if you're a leader, it's— you

have to, you have to understand innately how to ratchet that down

and how to ratchet that up. You know, and I think that's, I think that's

at the core of what you're saying. I also think that, um, I

mean, the closest analogy I can have is to a martial arts

master, right? Like a person who's, and I'm not going to use

the term black belt, a person who is an advanced practitioner in any kind of

martial art, whether it's boxing all the way to

jiu-jitsu, uh, karate, all the way to tai chi. I don't care what

they're doing, right? A person comes in who's

a beginner, they're not going to— if they know

anything about how to handle their killer instinct, they're not going to manhandle

that person. They're just not. Can I, can I tell you a very, very quick

story about that? Yeah, go ahead. So I, I— one of my favorite things,

I— so I, I don't know, I would not consider

myself an expert because of my definition of expert, but I

I can, I can spin chucks really, really well. Okay. And

the first— yourself in the face. First time somebody ever came to me and

was like, oh, I could do that. I was like, here you

go. And then just watched them beat the ever-loving crap out

of themselves. And I said nothing. Nothing. And I was like, that is not a

very

good mentor. Or is it? Like, you know, to your point, like because there are,

there are some lessons that I feel like you need to learn on your own.

And one of the lessons you need to learn on your own is that just

because you— to your point— just because you see somebody swing those things and do

it really, really well— so I think watching it and doing it

are two different things. And so I have to start at step one. You can't

just swing them. You have to learn how to, like, how they move, what they

do, how they— you have to learn how they hurt before you can learn how

to— well, really well. Okay, so this goes back to what you were saying earlier

in our conversation as we wrap up here about your kids, right? They want to

start with the master's degree and go directly to the $100,000 job. They don't want

to do the things like with the nunchucks. They don't want to get hit in

the face because getting hit in the face sucks, you know,

right? Except getting hit in the face, you know, maybe not physically. As the

comedian Marc Maron would say, it's all going to be thinky pain now. It's not

going to be pain in your body, right? Like you're— or pain in your mind.

Like you're done with the physical pain part. Now you're going to go into thinky

pain. Psychological pain, emotional pain, spiritual pain. Nobody wants to go

through that, right? They'd rather skip all the pain parts. And what a

good mentor does is— a good leader who's a

good mentor, they give good analysis at the beginning and

they see the difference between someone who can, who maybe

can come in and experience that thinky pain and maybe in

some cases physical pain, like the nunchucks. They see the difference

between that person who's willing to go on that path and the

person who, to your point, is just arrogantly coming in thinking they

can do something. Like, we've seen this with entrepreneurship. We've seen this with businesses.

You wanna know a really good experiment to figure this out? Take one

of the most complicated subject matters you can think of,

theoretical physics, space travel. I don't care. Whatever you think is difficult

to understand, put it in ChatGPT and then prompt it

to say, tell me this like I'm a 5-year-old, and

watch what ChatGPT spits back to you. Because to your point,

that's where you're starting, people. If you're

trying, if you're trying to be a mentor to somebody, you have to assume

they know nothing. They— you just, you have to give them the basics

and the foundation before you can start, you

know, throwing master classes at them. Well, and you also have to sort of, you

have to sort of Sometimes you have to, and I will

go specifically into jiu-jitsu, sometimes you have to humble the

arrogant. Of course, yes. Sometimes you do. We have people, it

happens in our tiny little school in my tiny little town that I live in,

in Texas, right? We will have people who walk into that school and

they'll go, they will say sometimes with their mouths, but most often with

their body language, oh, well, that crap doesn't work

on me. Or I love this one, I'll just see red, bro, and go in

a fight. And I'm thinking of a few months ago, someone came in for

a trial class. And I've been

doing this for a minute. And my instructor was like,

you go ahead, you go with the new, the new guy,

right? And I always ask new people, like, what's your background? Like, do you have

any experience doing this before I get into anything with them?

Right? Just to test and see, to your point about the nunchucks, who am I

dealing with? Am I dealing with someone who wants to just hit themselves in the

face all the time? Because I'll accommodate you. That's fine. Or

am I dealing with somebody who genuinely wants to learn? And

this person was not genuinely interested

in learning. And so when it came time to— so we did our drills

of our moves or whatever, it was fine. Move of

the night, and then we were going to actually put

it into practice. We're going to roll, we're going to wrestle, right?

"Poleada," which is Portuguese for fighting with

intent, right? So, fighting with intent is different than fighting without intent, right?

Fighting without intent is what you see on 99% of the videos that you see

on Twitter of people

getting jacked or getting surprised or getting ambushed. It's what

Tom has experienced in his life, I've experienced in my life when you get into

a brawl, It's all of that, right? That's without intent. The people with the haymakers

flying and all that kind of good stuff, right? When you

roll with intent though, none of that factors

in, right? Now, if you don't have intent but I do

have intent, um, I'm going to beat you every single time. This is not pride

or arrogance. You have no intent. You're just out there

doing stuff. I know enough and I'm not, I'm not even close

to mastery. Not even close. I'm on a 10, talk about 10 years of being

an overnight success. It takes 10 years to get a jiu-jitsu black belt

at minimum. Most of the time in America, it takes people between 12 and 15

years at my age. Gonna be going a long time. I'm

all the way at the beginning of the journey. This is not a pride thing.

This is just a fact. If you are engaging with

me without intent, I'm going to

maul you. I'm just going to maul you and I'm not even going to really

sweat that hard. And so like the person came in and

he does, he starts, I was like, okay, I put a bully grip on him.

Like, like when you were a kid and they were like, give me my money.

Like they grabbed your collar or whatever. And I put a bully grip on him

and I watched his eyes shift and I went, oh, okay. He

has no intent now because he's panicking. And he did. He started

like lashing out and going around and I just moved around him and moved around

him and moved around him and did my thing. And all I was doing was

playing defense. And I looked over at my instructor and he was laughing.

Sit with me a while, um, or be with him a while. And

he started laughing and I was like, can I just go? And I did. I

looked at him, can I just go? I raised my eyebrow, can I just go?

And he goes, yeah, go ahead. And so like, I just, I wrapped him

up, wrapped the guy up. Guy's flailing around. I wrapped him up. I didn't even

submit him. I didn't even put like a choke on him. I didn't knock him

out or anything. I just put him on the ground. I was like, you gotta

calm down. Like you're flapping all over the place. You have to stop.

You have to stop. That's with intent. And by the way, this is not

a small dude either. This can

be applied to leadership. Are you leading with intent?

Are you doing it in an intentional kind of way? Are you doing your entrepreneurship

with intent? And when we talk about getting that killer instinct, are you using that

killer instinct with intent? Or is it just like a weapon you're just waving around

like your nunchucks? You got to get hit yourself Hit yourself in the face and

then a bunch of people are going to laugh

at you. It's been a good conversation. I didn't know what we were going to

pull out of Sinclair. I will say

to everybody who's listening, this is

a 575-page book. I have covered maybe the first 100, 120

pages of it. So we will be back with Sinclair. I will have a follow-up

to this episode. We'll talk a little bit more about it after I do a

little bit more of a deep dive into it. Go watch the movie There Will

Be Blood. It's a great example of entrepreneurship from the beginning to the end. By

the way, it's based on probably about the first 100 pages too,

right? Exactly. Yeah. Yeah. It's a very small chunk of it because there's so

many other dynamics. A very small chunk of the book that is a 2.5-hour movie.

It's a 2.5-hour movie. That should tell you something about Sinclair's

writing. Again, a guy who was also playing for keeps, by the way, on

the work. Tom, final thoughts. How can we integrate all

these lessons together for leaders? What's our final thoughts

here? Well, I think you pretty much summed

it up just a couple of seconds ago.

I think the difference between a leader, a

true leader, and somebody who just wants to, as you put it in

your jiu-jitsu example, of just going, a true leader wants to bring

people with them, right? A true, a true leader wants to

elevate everybody else around them. And the only way you do

that is, is to meet them where they are and help them get

better, not push them down and just suppress them. The

killer instinct is different in those cases, right? So you need the killer instinct

to get yourself there. But once you're there, you need to kind of suppress it

a little bit. And use the killer instinct to elevate everybody else

around you. Instill that killer instinct around the people that

you're around, in the people that are around you. So I think that's the other—

there's a phrase in the medical field, and I'm not in the medical field,

so I'm not going to get it 100% right, but I know it's something to

the effect of like, you

know, learn about it, watch it,

do it, teach it, right? Like, so you, you— what— taking

what you're learning in a book, seeing it

in practice, and then trying it in practice, and then teaching it

in practice— that's how you, that's how you elevate everybody around you.

And being humble enough to start at the beginning

multiple times, I think that's also important, because nobody knows everything, right?

Nobody knows it all. So again, so you and I have talked about

martial arts a lot in our in our friendship. I didn't take

Brazilian jiu-jitsu. I was a Jeet Kune Do guy. If I walked

onto a Brazilian jiu-jitsu mat right now, regardless of how much I

knew about Jeet Kune Do, I would feel humbled by the

art form. I would want to be

taught. So, even knowing what I know with Jeet Kune Do, I would not be

that guy that you experienced on the mat. Right. There's no way I

would be. My intent would be to learn. I'm new here. I'm the new guy.

I don't give a shit what I came to the— I don't care what I

come to the mat with. I don't know your art

form. I'm gonna— I want to learn it from a

perspective of teaching me, not what that guy experienced,

which was basically humility. Like, you had to teach him

humility. That you're, you're not going to teach me humility. I think that's the

difference between somebody who is I'll put it this

way. I feel like, I feel like if I wanted, if

I chose to go learn Brazilian jiu-jitsu right now, I would eventually be

a leader in that dojo. Yeah, because

I would— I know, I know myself. I know I would start at the bottom.

I know I would want to learn from the best. I know that, and I

know I would elevate myself eventually to being good at what that, what that

art form was. But ultimately My goal would be

to then teach people how to be that good

and to exactly what you would have did with that guy, teach them

the humility of it because I hate to say it, but no

matter how good the Western world and Western

philosophies are, well, I guess Brazilian jiu-jitsu is kind of

Western, but the martial arts art forms come from the East. All of

them, the foundations are all in the East. It doesn't matter

which one you're in. And you're practicing

right now. But they— it's, it's all, it's

all foundational, right? And it's no matter how many times you go back, you start

at the bottom and you work your way up. Like, and I, I think people

lose that. Like, I think

people— like, I, I can't even count how many times in my career somebody has

said to me— and by the way, I've been sales manager, I've been

a VP of sales, etc., etc., right? So I

was a sales manager at the time, and I went to interview for another sales

manager job, and they basically said to me, you don't know this industry well enough

to be a sales manager. We're going to start you back as a sales rep,

and then if you work out, then we'll put you as a sales manager. I

did that like 3 times until finally I was like, I'm not

doing that anymore. Like, I'm going to go do

my own thing because I'm not going to start at the bottom and work my

way up. In the same, the examples are different.

The martial arts example is exactly, that's a perfect example

of it's completely different, right? The art forms are completely different. To

me, sales is sales. Sales is sales. Yeah. Yeah. I'm selling,

I'm selling a phone or I'm selling this mouse, like my computer mouse or my

phone to be, it doesn't, I don't care what this

product is. Sales are sales and people are people. So I was, I was done

doing that. But But what I did learn throughout that process is exactly what

I'm talking about, taking that step back and then taking

that role. I learned that the people I wanted working

for me had to be people that were willing to learn. They had to be

people willing. I would hire guys that have been in sales, like not

management, but I've been a sales rep for 20 years. I just want to be

a sales rep. I never want to be anything more than a sales rep, but

I'm going to go from product to product to to better myself in finances

or whatever, right? And I would interview a guy that's been in sales for

20 years, and the only thing I cared about was, was

he teachable? Was he stuck in his own ways or her own ways? Were

they stuck? Were they stuck in a philosophy of sales that I

couldn't break? And if the answer was yes, I didn't hire them. I don't care

if you've been in sales for 5 years or 50 years. It didn't matter. What

mattered to me was are you open-minded enough to

listen and learn and be— and then, by the way,

if you do and I put a new sales rep with you, can you teach

them? Like, can I pair a new sales rep with you so you can teach

them? Those are the two things I cared about. Can you learn and can

you teach? That's it. And I think

that's a good— I think that's a good overall

kind of turn to what we're talking about. Today, even from entrepreneurs. You

have to have the killer instinct, yes, but you have to be willing to be

taught and you have to be willing to teach. If you're not willing to be

taught and willing to teach, then you're probably not going to be successful

at it. That's a good spot to stop. So I'd like to thank Tom Levy

for coming on the show today once again in

our Wild West ranging conversation

around Oil by Upton Sinclair. Go ahead and pick up that book. And with

that, well, We're out.