Lab Medicine Rounds

In this episode of “Lab Medicine Rounds,” Justin Kreuter, M.D., speaks with Laura Tafe, M.D., associate professor of pathology and laboratory medicine at Dartmouth-Hitchcock Medical Center and president of the Association of Molecular Pathology, to discuss practicing art and medicine.

Timestamps:
0:00 Intro
01:30 What is your artist origin story?
03:40 What does that relationship of your art practice and medical practice look like?
07:18 How do you navigate the challenge of not having enough time?
08:52 What advice do you have for healthcare professionals, new residents, who have interests in addition to medicine?
12:37 What are your thoughts? Where does your art practice go in the coming months and years? 
15:40 What is your interest in Graphic Medicine? (question from Dr. Tafe to Dr. Kreuter)
20:04 Outro

What is Lab Medicine Rounds?

A Mayo Clinic podcast for laboratory professionals, physicians, and students, hosted by Justin Kreuter, M.D., assistant professor of laboratory medicine and pathology at Mayo Clinic, featuring educational topics and insightful takeaways to apply in your practice.

(light music)

- This is Lab Medicine Rounds,

a curated podcast for physicians,

laboratory professionals and students.

I'm your host, Justin Kreuter,
the Bow Tie Bandit of Blood,

a transfusion medicine pathologist
and assistant professor

of laboratory medicine and
pathology at Mayo Clinic.

Today we're rounding with Dr. Laura Tafe,

who works as a surgical
and molecular pathologist,

and is an associate professor of pathology

and laboratory medicine

at Dartmouth Hitchcock Medical Center

in Lebanon, New Hampshire, my alma mater.

We're gonna be talking

about the practice of
art and medicine today.

And I think relevant to that also

is another plug is that Dr. Tafe

is also the current president

of the Association of
Molecular Pathology, so AMP.

So a nice testament that
being active in the arts

does not hinder other career pursuits.

So thanks for joining us today, Dr. Tafe.

- Thank you, Justin.

It's a pleasure to get a
chance to be on here with you

and to see you.

It's been a long time

since we've had a chance to
kind of talk and catch up.

- So yeah, Dr. Tafe was my chief resident

when I was starting off
in my pathology career,

honestly, back when I would
wear regular neck ties.

- Before you were
converted to the bow tie.

- Yes, yes, exactly.

So why don't we kick off for this episode

with kind of what is
your artist origin story?

- Oh, sure.

I think it really goes
back to when I was a child.

I think we are really all
born as creative people

and it really kind of depends

on how we're nourished from there.

So I grew up in a family of teachers

and my father was a music teacher,

and until he switched
careers kind of midlife,

and my mom was an English teacher

and she was also a writer and loved music.

And so I also have an aunt

who's always been very active in art.

So I think that was kind
of always the environment

I grew up with.

And I kind of had parallel
development of my interest

in art and science and medicine,

all really kind of
throughout my early life.

And I think probably around undergrad

is when they probably
started to verge a little bit

and I felt like I needed to
focus on one or the other.

And I clearly went down the
science pathway in medicine

and yeah, so I became a physician.

I didn't do too much art for a long time.

I would occasionally take a weekend class

or dabble in it here and there,

but I kind of put that part
of myself aside for a while.

And through training I
also had two children,

so I had a young family and as you know,

medical training takes a lot of our time

and our focus and energy.

So that part of myself

and my life kind of got
put aside for a while.

And then it's kind of had a revival

in the more recent years,

the last three or so years
I've been doing analog collage

which is cutting up paper
and gluing it together.

And so that's been a real pleasure

and some of what brought me
to coming back to my art,

my mom passed away in
2014 really unexpectedly.

And that kind of sent me into a spiral

of grief and depression for a while.

And around 2019,

I was just a little bit needing

to do something more
with my time and my life,

and my children were
getting a little bit older

and that's when I decided
to come back to the art.

So since then it's been
a high priority of mine

and really kind of integrated
more into my day-to-day life.

- What does that look like,

that relationship of your art practice

and medical practice?

You know, like many of us

kind of appreciate healthcare
is quite demanding,

especially just to keep
up with what's going on,

let alone be a leader like you in AMP,

but also you mentioned
that you really prioritize

your art practice.

So what does that relationship look like?

- I think it's an evolving one

because it's becoming different things

as I continue to do it.

So at first my art was
very, very personal to me

and was really kind of
an extension of myself

totally separate from my job,

totally separate from medicine.

And then slowly as I've
started to share my art,

they're kind of starting to
interdigitate a little bit,

which is pretty interesting.

I do prioritize it

in that I am conscious
about setting aside time

for myself on a weekly basis
to go and do something.

And collage is very nice

because it can be as short
or as long as you would like.

So I can spend 15 minutes in the evening

just cutting things up or
I can spend a few hours.

And I also carry my supplies with me

literally everywhere I go.

So I always have paper
and glue and scissors,

so even if I'm traveling for work,

I can take a few minutes in the evening

and cut up some paper and stuff like that,

that makes me happy and
kind of helps me unwind.

So we can talk a little
bit more as we go about

how it's kind of how the two

have kind of started to merge together

and some of my thoughts on that as well.

- Oh yeah, yeah, please
elaborate about that.

I'd be really kind of curious to see,

and I think it's a
wonderful testament, right,

this I appreciate your honesty about

this is in a state of evolution

and trying to understand,

I guess I kind of go back
to when I was first learning

how to drive a manual transmission

and working that clutch
and accelerator pedal.

I bet it's something like that.

- Yeah, certainly.

There's times when you have
more energy to devote to it

and other times where you have

to kind of lay off a little bit.

That's certainly true.

And as I've started to share my art more,

some other opportunities and connections

have started to come about,

I share online like on Twitter,

and also in my local community

and I've had some people reach out with me

for some projects.

And one recent thing is we
there's a book coming out

called "Artists Remaking Medicine"

that I was asked to do some collages for

and write a little piece about.

And there's other medical professionals

who are also artists in that as well.

And so that is something that's
kind of come about for that.

And I'm also connecting
at my own institution

with our medical school
has a literary journal

called "Lifelines."

Many medical schools actually
have things like this

that I think most of us
don't even recognize exist.

And there's also a arts
program and humanities program

in my hospital that I work at.

So I'm starting to connect
with those kind of people

and sources to think about
how what I do as an artist

can be more possibly integrated

with some of these other
projects that are going on.

And yes, it's developing.

- Yeah, I hear a lot,

lately it's people talking
about there's a shift from,

it's not this or that,
but how is it and right,

how are we working these
two things together?

And so I guess to ask the question

that probably many of the listers

have bubbled around their mind
is the time challenge, right?

Like, you know, that's often as faculty

whenever we're talking
about doing something new

and certainly an art pursuit
might be something new

or it's something on top.

How do you navigate that challenge

of not having enough time?

- That's a very important question

because I think we all
kind have to figure out

our ways to do that best.

One I think for me

it's been really kind
of making it a priority.

So I don't think of my art as a hobby,

I think of it as like a part of something

that's part of my everyday life.

So it's something I just do

rather than have an option of doing.

It's just something I wanna be doing.

So it has a higher priority,

which definitely has mean
that things have had to shift.

So I have honestly
shifted some of my focus

in terms of saying no to
a few more things at work

that are not as interesting to me

or do not feel as meaningful,

and passing those off to
other people, for instance.

So it has been a little bit of a juggling

to try to figure out how it is,

what the pathway forward
is going to look like,

but it's an important thing

and I'm getting a lot of nourishment

inside work and outside of
work from it and exploring it.

So it's something I'm
continuing to be curious about

how it will develop and evolve

and kind of follow that through.

But priority has helped, my
children bing older has helped,

so they don't need me quite as much,

I can disappear for a little
bit in the evening sometimes

and take some time for
myself to do that too.

- That resonates with me.

I've been in the same
boat with the children

and navigating the teenage years now.

- Right.

It's a different challenge, but-

- Exactly.

So what advice do you have
then for our listeners,

we have a diverse listening group,

some clinicians, some laboratory
medicine professionals,

students we also have
listening to this podcast,

I know you have a lot of
interest in education,

new residents out there.

What advice do you have

for those who have interests
in addition to medicine?

- Well, I hope we all have those interests

in addition to medicine.

We just might not
necessarily talk about them.

And I think our work as meaningful

and as important as it might feel,

in healthcare it really is just a job.

And sometimes it's helpful
to have that perspective

that that's not everything that we are

and everything that we do.

And that also allows us to make some space

for other things in our lives, I think.

And so, you know, I recommend
people thinking about that,

their lives as kind of a bigger picture.

I just am not a healthcare
worker, I am a person,

I'm whatever, I like to do other things.

And that you can explore
those other options.

I do have the opportunity

to teach early on in our
med students first year

and they're just about six
weeks into their med school.

It's like in September.

And I do take the time
after one of my lectures

to show them some of my collages

and remind them about maintaining
these parts of ourselves

that help give us balance,

the connections to our families,

asking for help, supporting each other.

And the creativity can be
anything that feels good to you.

It doesn't have to be art,

it could be writing, it could be music,

it can be riding your bicycle,
it can be gardening, cooking.

You know, there's so many different ways

to kind of think about what this could be.

But I think creativity is
incredibly helpful for us

as healthcare workers.

I think it brings curiosity,

it brings flexibility of thought

and so much more into our work.

- You know, as I'm listening to you,

two things to highlight out
for our listeners, right,

is I hear this theme of like
new opportunities, right?

It's not just like you're a collage artist

and you're a physician,
but you're contributing,

you were saying about
this collection coming out

about kind of that blending of the two.

And so it's kind of a nice example

how it didn't really start
out with an intention

for kind of that cross.

But just by putting yourself out there,

by sharing your content,

you've found others and
found new opportunities,

which is really, I
think quite stimulating.

And then I hear a kindness
as well in that, right,

you're talking about saying
no to other opportunities

and I just wanna highlight
for our listeners,

for somebody like you in
these leadership roles,

probably I'm guessing saying
no to some opportunities

means that you're giving
more junior faculty

some opportunities-

- Hopefully yes.

- Which can help their careers as well.

- Yeah, definitely.

It's an opportunity to do
some of that mentoring as well

that it's so important
to us as professionals

and also in our career
and to support others

who are coming behind us
in their careers, yeah.

- Now I always,

I usually kind of close my questions

with where do you think this is going?

And I totally appreciate the fact

that this is an evolving
aspect of your life.

But what are your thoughts on

where does your art practice go

in the coming months to years?

- I think it's going to
probably continue to evolve

along this track of a lot
of it being for myself

and for my own self-expression,

and just that internal
need that I have to create.

And then kind of following my curiosity

through what are these other threads

that are starting to show up

like you mentioned the other connections,

other opportunities that are starting

to kind of catch my attention
and also connect to me.

And I would say in
other areas of medicine,

there is a little bit more
talk about art and humanities.

I think like narrative
medicine, for instance,

is becoming more discussed
and more developed

and more taught for other
subspecialties in medicine.

And you know, in pathology,

we don't have a lot of
discussion about that so far.

There are a few other pathologists

who are very creative and are starting,

and are sharing their art and their work.

But I think as a field of pathology,

I'm thinking about how
can we bring more of this

into our field too,

either for our residents, ourselves,

and for that interaction with patients

that many of us enjoy having

and what opportunities lay there.

And I wanna say too

that my experience of sharing my art

was not necessarily an
easy one to start with.

One of the reasons why I started to share

was that I had a few people

that were very supportive of me early on.

And that kind of gave me the courage

to start to be vulnerable
and put myself out there

and then it gets more comfortable.

And one of the reasons I
share is to show people

that it's okay

to put these other aspects
of yourself out there

and that people will be welcoming of it

and actually get excited to see

that you are more than just
a physician or a pathologist.

And that's been really important

to kind of be an example of how to do that

because a couple of people

were able to provide that
initial kind of support for me.

And then hopefully I can pass that on.

And also, I never had
someone earlier in my career

to kind of be an example of that,

that you could also be
a writer, an artist,

so on and so forth.

And that should,

that should also be an important part

of what we talk about in our
lives as healthcare workers.

- Yeah, that's brilliant.

That really resonates with me too.

That's how I think about
my Instagram profile

is I kind of think of right now Twitter

and I guess maybe coming on Threads now

is a little bit more that
straight healthcare professional.

But a lot of times for people

that are interested in
kind of the full person,

Dr. Kreuter is my Instagram account

where I'm showing what
I'm doing as a father,

as an artist, as a physician.

- That's great.

- I know you wanna flip the script on me.

- I do, I do.

I do wanna ask you a question
that you kinda just led into

is that, I've noticed
that you've posted some

about graphic medicine
and I'm very curious

to hear a little bit
more about that from you

and also what your own
interests in art are

'cause it sounds like you have some

that I'm not necessarily aware of.

- Oh yeah, yeah, yeah, absolutely.

So the graphic medicine
started out back several years.

I don't know if that was like
2015-16, somewhere in there.

I went to one of those TEDx conferences

and they were kind of talking

about kind of like the 30-day challenge

of like doing something for 30 days.

And I was there with
another medical educator

that I work with in transfusion

and we were kind of thinking about comics

and wouldn't it be fun to do like comics

because some of those basic principles

of transfusion medicine.

Now certainly, you know,
this is my life's work,

so to say that I can cover it,

comic strip is a little bit
of an existential crisis,

but there's certainly
like bite-sized chunks

that fit well, right?
- Yeah, yeah.

- And so we started doing that.

We called it Transfusion Tunes on Twitter.

We would post and it came at a time

when I had already
started using social media

to like talk about transfusion medicine,

clinically important issues.

But then I noticed

when we put out like
these Transfusion Tunes,

like there was a lot more pickup, right?

So almost like I would
talk about something,

without a sketch or a comic and like,

that would only resonate with
the fellow converted, right?

- The die hard?
- Exactly.

But, you know, I threw
out a Transfusion Tune,

and all of a sudden, like
my colleagues and friends

in critical care medicine
and emergency medicine,

like other people would pick up the topic,

would share it, would comment about it,

sparked more conversation.

It was like, it was one of
these things where I felt

like I'd really stumbled into like, oh,

so this is how I can kind
of have that conversation,

how I can bridge the gap.

And so that's where I've kind
of have seen graphic medicine

really play for me.

But it's a really diverse feel

that we'll put it in the show notes,

but there's a website
of graphicmedicine.org

and they do an annual conference

and it's got attendees or
healthcare professionals.

There's artists, there's
also patients that go

because there's different facets.

There's people like me that are talking

about how do we work amongst each other

as healthcare professionals

to understand interprofessional
collaboration.

There are some people that are interested

in how do we communicate
with patients better, right?

So one of the folks have kind of worked

to create kind of a script and diagram

for talking with families
about end of life issues.

There's also work with
people looking at like, hey,

if we read the graphic novel

about a patient who has
Parkinson's disease,

does that help impact
medical students empathy

for patients with this disease?

As well as is this
something that can be given

to patients who are newly diagnosed?

So it's a diverse field

that might appeal to a
number of our listeners.

- Yeah, no, it's fantastic
and it's really exciting.

I've seen a little bit
of how that can work too.

I am part of a woman's
physician artist group as well

that kind of came about sharing my art.

But one of the artists in that

is a surgeon who works with the children

and has written some children's books

about different surgical procedures

that children might have.

And they're illustrated comic-like books

and they provide a lot of explanation

about what's gonna happen
and has really been,

she thinks has really alleviated
a lot of that anticipation

about what's gonna happen with surgery.

So it's a great tool to
communicate with patients

and part of consent and education as well.

I think that that's awesome.

That's great.

It'll be fun to see where it goes.

And I'm thinking about where can it work

in anatomic pathology a little bit better.

'Cause we're such a
visual field of pathology

that there's so much
there that could happen.

So maybe one of your
listeners will take that on.

- We've been routing with Dr. Tafe

talking about practicing art and medicine.

- Thank you for having me.

It's been a delight.

- And thank you, listeners,

for taking the time to join us.

Today we invite you to share
your thoughts and suggestions

via email to mcleducation@mayo.edu.

If you've enjoyed this podcast,

please subscribe and until
our next rounds together,

we encourage you to continue
to connect lab medicine

and the clinical practice through
educational conversations.

(light music)