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Southeast Sounds is a radio show, feature and podcast series that showcases Southeast Alaska singers and songwriters. It's a celebration of the rich musical heritage and diverse cultures that shape our unique part of the world. Southeast Sounds explores the heart of Southeast Alaska's music scene, featuring interviews with local musicians and live performances. As a Southeast Alaska artist, submit your songs to KINYRADIO.com for consideration.
Welcome to Southeast Sounds, where we dive into the heart of Southeast Alaska's music scene, bringing you interviews with local musicians, breaking down their music, and exploring what makes their sound unique. This is Southeast Sounds. Let's kick it off.
Speaker 2:And welcome to Southeast Sounds. I'm Jess Miller.
Speaker 3:And I'm Crystal Rose.
Speaker 2:And we have a very special guest in the studio today. We got Quentin Wohlman Morgan, which was the jam that we were introing starting the program. How are you doing today, Quentin?
Speaker 4:Doing pretty good.
Speaker 2:Well, thanks so much for joining us here in the studio and just trying to highlight you a little bit and kinda jump from the very beginning. What kinda spurred you to jump into music? What was, like, your early inspirations as far as what made you wanna become a performer and a musician, really?
Speaker 4:I grew up down in the Seattle area, so I would, I'd go down to Seattle and, like, watch lots of, live performances at a very young age. I'd take the bus down there from my hometown. Yeah, I don't know. It made me want to pursue music and going out there and watching all these great performers and all that.
Speaker 2:Well, Seattle definitely has a great music scene. Like, was living down there post COVID and whatnot. And I was similar thing, hitting Seattle, watch local towns, like, watch local bands, and it's definitely a really inspiring town as far as music goes. Anywhere you go in that state, you could find music, local music to go watch, which is really cool.
Speaker 4:Yeah.
Speaker 2:So what kinda when did you start performing yourself?
Speaker 4:Oh, I started performing well, I I started playing guitar at a really young age, like like 12 or 13, I think it was. And then I had a band in high school. We played psychedelic rock and stuff.
Speaker 2:Okay.
Speaker 4:But I didn't really start diving into writing my own music, like lyrics and stuff, until 2019. And so I was in my mid twenties.
Speaker 2:Okay. Yeah. So playing music most of your life and you didn't really start writing originals till
Speaker 4:Mhmm.
Speaker 2:I don't know. How many years would that be now that you've been writing originals for
Speaker 4:some time? I guess what is it? Twenty twenty five now? It's been about six years now. Okay.
Speaker 4:Yeah.
Speaker 2:What would you say your biggest inspiration is as far as music goes? It could be a favorite artist or someone close to you.
Speaker 4:I was, really influenced by, like, sixties music. So I was like Crosby, Stills, and Nash and, of course, like Neil Young and all all those great artists from back then.
Speaker 2:Okay.
Speaker 4:And, also was influenced by, like, like, the Seattle scene of, like, grunge music and all that type of stuff.
Speaker 3:So we know you can play the guitar and you picked it up when you were little. Now am I remembering correctly, do you play the harmonica too?
Speaker 4:Yeah. I play the harmonica as well.
Speaker 3:Okay. When did you pick that up? I'm always in awe of people that can play the freaking harmonica. Like, what? How?
Speaker 4:I've only, been playing harmonica for, like, four years now. It was just, like, something to, like, give me, like, a little bit of extra umph umph behind my music.
Speaker 3:Mhmm. So you're in a psychedelic rock. When did you more switch up to I wanna say you're more of a folksy style now. Yeah. When did you switch up to that?
Speaker 4:I switched to that probably, yeah, like in like, during COVID. You know, I listened to a lot of folky musicians, and I was like, oh. And I realized that I was really I was good at that and, like, writing that type of music.
Speaker 3:Yeah. And you were really into the style and everything. That's awesome. Love that.
Speaker 2:Yeah. Do you feel like you're taking music pretty seriously now? Or you think it's still kinda no. I hate to use hobby musician as a word, but, like, do you feel like you're taking it very seriously? Or is it kinda sporadic as far as seriousness and when
Speaker 4:It's kinda sporadic because I've taken it seriously and it takes a lot of energy out of me and it doesn't get me as far as I want to go. And there's moments where I'm doing crazy stuff. A couple weeks ago, flew down with Portugal, The Man and stuff and was hanging out with them. And I got paid to record with a friend down there, and we're working on a new album. But felt like I was like, oh my gosh.
Speaker 4:Like, this is what I wanna do.
Speaker 3:I feel like as an outsider looking in, you've definitely been more active in the music scene within, I wanna say, the past year. Would that be accurate?
Speaker 4:Yeah. Yeah. Yeah. It kinda goes in, like, ebbs
Speaker 3:and Yeah.
Speaker 4:Yeah. Yeah. Like, there'll just be, like, you know, a lot of opportunities that just, like, present themselves out of nowhere. And, yeah. And then other times where it'd just be like, oh gosh.
Speaker 4:I feel like I haven't played in a couple months live.
Speaker 3:I remember I think I saw it on an Instagram post of yours that you were out of town, and then you flew in, and then you just went and hosted open mic in the same, like, day. I was like, okay. That's the energy I don't have in my life.
Speaker 4:Yeah. That was crazy. I, was coming back from Sitka A Couple Weeks ago. I jumped on the plane, and then I had to rush over to open mic and host.
Speaker 3:Yeah, I love that.
Speaker 4:After playing music all weekend and making new tunes in a studio, it was really cool. Felt like the rock and roll life.
Speaker 2:I think both me and Crystal could also agree with that. We both had those moments in our music life where we feel like we're that rock star. I always tell fellow musicians, music is like a roller coaster ride. Have your ups and your downs and it's like you have your really active moments and sometimes you're just in the studio crafting or writing and obviously that could be a lengthy period. I think you're in the right spot as far as Juno music goes and just keep going forward.
Speaker 2:You already have a good fan base behind you. I I've thought we I've been following you on social media for some time and just like you have quite the fan base and people that support you and back you up with all your music, and especially when you go out and pop up at an open mic or you're playing a show. And so, yeah, it's really cool to see, especially I know you haven't lived in Juno your whole life, but it's really cool to see those folks that jump into this community and there's like you're part of the scene. You're part of Juno music, which is How does that feel for you coming from out of state jumping into Juno?
Speaker 4:It feels awesome. This community is really supportive. Honestly, I wasn't sure how serious to take music, but this community has pushed me to keep on making albums and stuff like that and new music. So it's a very encouraging thing.
Speaker 2:And speaking of new music, do you got stuff in the works? You currently writing and stuff?
Speaker 4:Yeah. Well, I'm writing some new songs right now. And I was talking to Axel. He's like he does, like, sound town. I might start doing, like, a little recording with him and, might hop back down to Seattle too and do some recording in hopes of, like, releasing an EP maybe, like, in the early winter next year or fall.
Speaker 4:And then, also, I've been working with my friend, Rochelle, who's an artist here in town. Oh, nice. And we're she's putting together an album. And I'm not sure, like, when that's gonna be released, but there's, like, gonna be a lot of great Alaskan artists on that. Cool.
Speaker 4:And I have, like, three songs that I help write on there.
Speaker 3:Now you you have an do you have an album out or is just like a smaller album?
Speaker 4:I have two albums. I got like an EP and then like a full length album.
Speaker 3:Okay. And what your sis was your sister on your last album?
Speaker 4:Yeah.
Speaker 3:Yeah. You played with your sister. Right?
Speaker 4:Yeah. Yeah. Actually, she's, like, kinda the one that one of the people that helped me find my voice because she was, like, really confident singer. Yeah. And I was not very a confident person.
Speaker 4:And, she was like, you gotta you gotta play and write your own music and sing.
Speaker 3:So definitely some family influence there too. Do your parents sing or play music at all or no?
Speaker 4:My my dad, he, like, played dabbled in it a little bit. You know, they had, like, a huge CD collection. They you know? But they didn't really play music too much. No.
Speaker 4:But they helped encourage me and my sister.
Speaker 2:Good. Yeah. So kinda jumping, what's your next performance going to be?
Speaker 4:I got during Folk Fest, I got quite a bit of stuff coming up. I'm in a new band called Goin' Steady.
Speaker 2:Oh, nice.
Speaker 4:And it's like a bluegrass band. I'm just playing, like, lead guitar and, like, some background harmonies.
Speaker 3:That that your girlfriend's in that? Yeah?
Speaker 4:My girlfriend, she has a separate. Band.
Speaker 3:Oh, has a separate band. Okay. That's right.
Speaker 4:But this one is like a it'll be with, actually, I don't know if you guys know Stu from downtown. He's, like, kind of the lead in Lisa.
Speaker 3:I do know Stu.
Speaker 4:Lisa. Yeah. And then Anne from the Rain Dogs is playing Okay.
Speaker 3:Right on.
Speaker 4:Violin. And we got a bassist.
Speaker 2:I didn't know Anne played violin as well. I feel like we missed that part when we brought the Rain Dogs here.
Speaker 4:Yeah. Apparently, she's a classically trained Oh, wow. Yeah.
Speaker 2:Very cool. Kind of speaking about collaborations, what has been your favorite collaboration that you may have had in Juno so far?
Speaker 4:Well, really enjoyed working with my friend, Rochelle. We put together a play and went up to Anchorage and did that. We're working on that new album and stuff. And that's been a really fun process because it's taken us out of Juno and all that. Yeah.
Speaker 4:And then, also, like, I I really love playing with my, my good buddy, Dylan, when we had, like, a band for a while. That was really fun collaboration. He's a great guitarist.
Speaker 2:So I we do wanna hear some some of your music, and I you did bring your guitar with you. So do you have a song in mind that you might be wanting to play for us here in the studio?
Speaker 4:Yeah. Yeah. I can do that.
Speaker 2:Alright. We'll be back once we get Quinn all set up on his guitar.
Speaker 1:You're listening to Southeast Sounds. We're back with more music and more stories from some of Southeast Alaska's finest musicians. Let's dive right back in.
Speaker 2:And we're back with more Southeast sounds. We got Quentin Wollman Morgan here in the studio. And we're just jumping all over the place as far as what made Quentin Wollman Morgan who he is today. But we do just want him to play some tasty jams for us real quick. So I will let you take it away, Quinn, whenever you're ready.
Speaker 2:Alrighty.
Speaker 4:Tried so
Speaker 2:Very nice.
Speaker 3:That was pretty good. Shout out to Quentin's sister.
Speaker 4:Thank you.
Speaker 3:So can you break down the inspiration behind the song for us?
Speaker 4:Yeah. So the inspiration behind that song is, it's not what you think. Like, it sounds like a, a love story.
Speaker 3:It sounds like a breakup song.
Speaker 4:Yeah. It sounds like that, but it's really it's more of a, I guess, a thing about getting older and kinda like losing losing yourself and trying to catch up to who you once were, but you can't get get back to being like a child, you know, or you know?
Speaker 3:That's cool.
Speaker 2:That's very deep. I feel like a lot of folks could relate to that, especially me. Yeah.
Speaker 3:I like that as musicians, we can hide stories in our songs and just fake people out real big. Real, real. They think they know, but they
Speaker 4:don't know.
Speaker 2:Yeah. Or sometimes we write songs that has no meaning. We just
Speaker 4:have in the Yeah. And I always like to tell people it's kinda open to interpretation. So you can whatever makes you feel.
Speaker 2:Well, I'm very impressed with the harmonica skills. I'm I'm always like
Speaker 3:Me too.
Speaker 2:Like, do you get so much control out of a harmonica? Like, I've noodled with them before, but I've never really figured out how you could get as articulate as most people are like you are as on a harmonica. It's very articulate. So I was like, man, I appreciate that skill.
Speaker 4:Thank you. Yeah. With harmonica, I honestly don't really even know how I can play. It just it just happened to act.
Speaker 2:Oh, wow. It's really weird. Just unnatural.
Speaker 4:No no yeah. Didn't learn anything about it before I played it.
Speaker 3:I just picked it up, I sounded like an angel. That's all. That's fine.
Speaker 2:So did you already tell us the title of that song that you just played? I told you. Oh, that
Speaker 4:one's called, Catch Up To You. Catch Up To You.
Speaker 2:Yeah. Is that song available online?
Speaker 4:Yeah. Yeah. You can find it, pretty much anywhere, like Spotify, Tidal, Amazon, YouTube, all that stuff. But I usually push people to my Spotify account just because I get wrapped up in the numbers thing. And
Speaker 2:you had a little hiccup with Spotify, not that long ago.
Speaker 4:Yes. I did. Yeah. That was a really frustrating thing. They took all my music off for some reason, and they gave, like, no explanation and tried to reach out to them.
Speaker 4:I ended up just having to upload it all again.
Speaker 2:Oh, boy. Yeah. So if you're listening to this episode right now, go bombard Quentin's Spotify and just every device they have, just play
Speaker 3:Get his numbers back up.
Speaker 4:Please. Yeah. Numbers.
Speaker 2:What what was kind of your streaming before your stuff got taken down? What what was your, like, kind of monthly listener rate?
Speaker 4:There was one point, I couldn't believe it, I had, like, over 3,000 monthly listeners Wow. From around the world. Because you you can have, like, the Spotify for artists thing, and you can, like, see, like, daily where people are listening. It was really cool. Cool.
Speaker 4:And I don't know how that reached out to those people, but I'm thankful for it.
Speaker 2:And I know as a musician, I feel like it's always a goal to get on a playlist. Have you gotten on any different playlist with similar artists? Yeah.
Speaker 4:I've gotten on to quite a few playlists actually, which has been awesome. Actually, there was one that I just got put on the other day. It's for Alaska artists. And they're like it's for folk and bluegrass musicians.
Speaker 2:Nice. I know the folks at the Alaska Music Summit folks, they also compiled a playlist of local Alaskan artists and junk.
Speaker 4:It was
Speaker 2:really, really cool that there's even organizations and stuff here in Alaska that are working to try to get Alaskan musicians on the map or at least get noticed. It's really cool that other folks all across the state are like, all right, we're making these Alaska playlists and everyone gets kind of thrown. Other than our typical big names that we get like Portugal demands, and then all those folks kind of get thrown in as far as known Alaskan artists. It's cool that just in the past year or so, I think more folks like yourself are getting more recognized as far as being Alaskan musicians, which is really awesome to see.
Speaker 4:Yeah. No, it's definitely awesome to see like smaller musicians get put on playlists. It helps. It really does.
Speaker 2:And I hope that we eventually get a playlist on our website where folks could just from our episodes or even just folks that submit music to us that will have eventually just a local playlist on our website. So that's one thing that we're looking forward to doing here in the community and try to just highlight other local musicians. So you're definitely gonna be the first few of one of the first couple folks that are gonna be featured on that.
Speaker 4:Oh, that'll be awesome. That'll be awesome. Yeah.
Speaker 3:Other than Spotify, we can find your music, your two albums, and your EP on other streaming platforms like like Apple for us Apple users
Speaker 2:Mhmm.
Speaker 3:Who don't have Spotify.
Speaker 4:Yep. It's on Apple.
Speaker 3:And and YouTube and all the things?
Speaker 2:Mhmm.
Speaker 3:Okay. Perfect. What are what's your biggest success? What do you think your biggest success in in Juno music has been? Like, did you have a really good paying show or, like, a good turnout?
Speaker 3:Like, for me, when I think of successes, I think if a lot if more than 10 people show up to one of my performances, I'm freaking jazzed. Yeah. You know?
Speaker 4:Gosh. I've had a few that I, you know, can think about, but the ones that really stick out to me were, like, Folk Fest over the last couple years. Like like, I remember, like, last year, it was, like, Monday night. I I had my band playing over at the Crystal, and, like, the place was packed. And they, like, came out to see us.
Speaker 4:It was really cool.
Speaker 3:Nice. I love that.
Speaker 4:Yeah. And there's, some other shows too that were like that was just, like, really encouraging.
Speaker 2:And Folk Fest is right around the corner. I believe it's kicking off April 7 or the fourth or something like Or
Speaker 4:or sixth or seventh, something like that.
Speaker 3:And you're doing Folk Fest again, correct?
Speaker 4:Yep. JASON:
Speaker 2:I think that's another venue in town that does a really good job as far as making musicians feel I'm using the word rockstar again, but it makes you feel like a rockstar because you show up, they have amazing volunteers that are on the stage directing you where to go and where to sit and they're like set up and then it just bam, you're going. It's almost too quick. Like me and Crystal have performed in Folk Fest and it's like, bam, you're on stage, you play your few songs and then you get kicked off and then the next So it is very fast paced with Folk Fest, which kind of gives you that rock star kind of switching bills really quick. It's a really cool experience.
Speaker 4:Yeah. It really is. And they do a great job of putting that together.
Speaker 2:Do you know where you're performing yet?
Speaker 4:I I do know where I'm performing, on Monday night playing over at Centennial Hall. And then Wednesday, I'll be playing over at the Crystal, and the plant shop is having our band play there too. And then Thursday night, I'm just doing like my own music over at the Alaskan.
Speaker 2:Awesome. So it's gonna be a full week of music
Speaker 4:for It's gonna be yeah.
Speaker 2:Have you ever played shows that consecutive where it's like bam, bam, bam, bam, bam was like nonstop?
Speaker 4:Yeah. Last year, I played all seven days of Folk Fest. Holy cow. It was crazy. And it would be like multiple times a day too.
Speaker 4:I ended up having like, I think it was like nine shows last year. But this one's gonna be a lot more mellow, which will be very nice.
Speaker 2:Speaking of shows, how many shows did you do in 2024?
Speaker 4:Oh, I probably did like, I would say like 30. Wow. Which was good.
Speaker 2:Yeah. I think that's a good number over like you're maybe two multiple handful of times a month maybe?
Speaker 4:Yeah, would say so. Yeah. And then I always have host open mic at the Crystal and the Alaskan, and that is also a nice balance in there.
Speaker 2:Well, I think we should play one of your recorded songs next. Do you have a song in mind that you might wanna highlight here on the program?
Speaker 4:Maybe maybe coming down the mountain. Okay. That'd be cool.
Speaker 2:Alright. We'll be right back when we jam out to that song here on Southeast Sounds.
Speaker 1:You're listening to Southeast Sounds. We're back with more music and more stories from some of Southeast Alaska's finest musicians. Let's dive right back in.
Speaker 2:And we're back with more Southeast Sounds. This is Quentin Woolman Morgan, and we are gonna be jamming out to his song, Coming Down the Mound, which you could check out anywhere you stream your favorite music, Spotify, Apple Music, even YouTube, so you could find them anywhere. So we're gonna jam out to the song here on Southeast Sounds. Now it's Coming Down the Mountain by Quentin Wollman Morgan. That's definitely a gem I might have to add to my skiing playlist for sure.
Speaker 2:And because because I feel I feel coming down the mountain when I'm listening to that. It's like just like if I'm cruising down the crest on a nice, smooth powder day, I could definitely feel just those smooth turns going into it. I know I believe you're a snowboarder as well or you're you're a winter enthusiast.
Speaker 4:So Yeah. Yeah.
Speaker 2:Have you jammed out to your own music at all?
Speaker 3:Oh. Don't say no because you would be lying.
Speaker 4:Yeah. You're right. I guess I have. I have done that. Nice.
Speaker 2:But is was that song inspired by
Speaker 4:Yeah. There's a couple things to that song. Yeah. Like, I guess I'm, like, really influenced by, like, nature and all that stuff. But and then also, like, it was kind of like another one of those, like, deeply rooted messages in there.
Speaker 4:Okay. Yeah.
Speaker 2:I like that. I like that.
Speaker 4:Yeah. I guess kind of dealing with depression and all that stuff. Okay.
Speaker 2:So definitely a deeper meaning there.
Speaker 4:Yeah. But it could also be taken for face value as well. I feel like I like to do that.
Speaker 2:Give folks that easier interpretation and then you have the more emotional interpretation. I'd like that.
Speaker 3:We hide secrets in our music, I'm telling you.
Speaker 2:Definitely. Secrets in music. So I always like to ask this question to our fellow musicians here in Juneau. How do you think our local music scene in Juneau can be uplifted?
Speaker 4:Oh, gosh. That's a good question. I think we just need to to find, like, more, like, public spaces that people can come together and play that aren't the bars.
Speaker 3:Agreed.
Speaker 4:And, yeah. Because I think a lot of people don't feel safe or they just don't wanna be at the bars. And I think it'd be really cool if we could find, like, spaces that, you know, people that aren't getting heard yet to play at and like more different community members can witness them. And I think that would help uplift this community a lot.
Speaker 2:I think a lot of musicians here in town can agree to that, me as well, and Crystal as well, because, yeah, we have youth in our community that either have has no place to perform or wanna go see you or some of our other bands here in town perform. Obviously, they can't go into a bar without an apparent parent guardian or or have to get the whole shebang. I remember growing up in Juno seeing bands, and I had to get cross x's on my wrist and double wristband just to show I was 21. But, honestly, it's not that like that anymore. So, yeah, I've I think eventually, we will get that venue where we could get all age venues.
Speaker 2:So I it's definitely a demand. So Mhmm. So if anyone out there is listening right now
Speaker 3:And has the power.
Speaker 4:Please. Please help us. Please.
Speaker 2:Do you have anyone you wanna shout out?
Speaker 4:Shout out? I'll definitely shout out my buddy Tim, who's down in Seattle. He was the guy that helped me, like, produce and record all my stuff. And without him, like, I couldn't even yeah. I don't know.
Speaker 4:He helped me really get a foot in the door with everything. People started taking me seriously when I had recorded music.
Speaker 2:Was he your first ever engineer you worked with?
Speaker 4:Yeah. And he recorded both of my albums. Nice.
Speaker 3:Okay. I was just going to ask if he's the one that recorded this. Mhmm. Okay.
Speaker 4:Yeah. And he's he's great. He and he we're on the same page with everything. So
Speaker 3:Shout out to Tim.
Speaker 4:Shout out to Tim.
Speaker 2:If I were listening to your music as as an audio engineer, I definitely I hear the warmth. I definitely like that coloration on your mixes. So that's a huge thing as far as some a songwriter like you, you wanna portray that emotion. And I feel like your engineer did a really good job with the mixes on those. And I I feel like yeah.
Speaker 2:I'm I'm I'm sure you've heard it. I've explained it to you many times, Crystal, about just the warmth and coloration of music, especially mixes. And the more you can uplift that, the the better. Not everything's be so clean and crisp, and you have to make sure everything's EQ'd and everything's notched out. There's a
Speaker 4:lot to it. It's crazy. And he he ended up flying up here too to, help me record, like like, sounds and stuff from the area, and we incorporated that into the album. So
Speaker 3:Oh, that's really neat. I love that.
Speaker 4:It was really cool.
Speaker 3:Shout out more to Tim for incorporating local sounds. Yeah. Local Juno sounds.
Speaker 2:Yeah. I know a few bands across time the Juno Timescape have has done similar stuff like that where they, whether it be ocean waves or something like that. But the more you could, like, capture the natural rather than taken from sound libraries, I think the better and more Yeah. Original you become.
Speaker 4:Yeah. Exactly.
Speaker 3:Yeah. I would like the sound of a raven eating a McDonald's french fry Yeah.
Speaker 2:In mine. Thank you. So before we let you go, Quinn, where can people find you, get in touch with you, and where to see you next?
Speaker 3:Not stalk you. Just listen to your name.
Speaker 2:Or stalk you.
Speaker 4:Oh, you can stalk me on my Instagram.
Speaker 3:I already do.
Speaker 4:It's just quintin wohlman underscore morgan on Instagram. And then, obviously, go check out my Spotify and YouTube and all that stuff and helped me get those numbers up there.
Speaker 3:But really the Spotify. Really the Spotify. Yeah. Even
Speaker 4:though they don't pay us.
Speaker 2:It's like a cent of, like, a thousand view or something like that. Yeah. Like
Speaker 4:that. Yeah.
Speaker 2:Oh, boy.
Speaker 4:And then, yeah, come out to Folk Fest. I'll be playing a lot there, and I'll also be playing at the the Maritime Festival as well. So
Speaker 2:Well, we hope to see you out there, and maybe me and Chris will pop out to Folk Fest to see you perform.
Speaker 4:That'd be awesome.
Speaker 2:Give a big old round of applause and shout your name from the rooftops.
Speaker 4:Yeah. Thank you guys for having me, by the way.
Speaker 3:Was Absolutely. Thanks for coming in.
Speaker 2:Yeah. Thanks
Speaker 4:for joining
Speaker 2:us. And we look forward to bringing you back on the program in the future, hopefully before the end of the year or before the end of the summer for that matter and get you on and see what's happened, how your summer went as far as music goes. And we hope to connect up with you again.
Speaker 4:That would be awesome.
Speaker 2:Quinden Woolman Morgan, you heard him here first on Southeast Sounds. So definitely give him a follow. Give jump on his music. Shoot those Spotify plays up, and we'll see him next time here on Southeast Sounds.
Speaker 1:That's it for Southeast Sounds. Thanks for listening and supporting local music. Be sure to catch more amazing interviews and live performances right here, and follow us on social media for updates. Plus, if you're an artist looking to share your music, reach out to us through kinyradio.com.