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Graffiti Park Radio! 🎨🎧 Where creativity knows no bounds.
Listen to Graffiti Park Radio were we’ll tap in with artists, our proud partners, and community stakeholders who believe in empowering the next generation of art visionaries and the valuable teaching moments that come from living, breathing art.
Wesley Knight 0:00
This is a KU NV studios original program. The content of this program does not reflect the views or opinions of 91.5 jazz and more the University of Nevada, Las Vegas, or the Board of Regents of the Nevada System of Higher Education.
Anika Jones 0:16
Let's get scratching. Ladies and gentlemen, welcome to the vibrant world of graffiti Park radio, where creativity knows no bound, we'll tap in with artists, educators, our proud partners and community stakeholders who believe in empowering the next generation of visionaries beyond the hidden alleyways abandoned warehouses and local city transits, where artists are known to leave their mark, graffiti Park Foundation has redefined and reimagined the persona of street Museum.
Dan Moloney 0:44
Hello, hello. We're back. I hope you missed us. We missed you. We got Dan and Dan and miss. Anika Jones here for another delightful episode of graffiti Park radio. How you buddy? What's going on? Excellent, excellent. So today we are joined by none other than Miss Luisa DeFalco, otherwise known as Lou. She is of jack of all trades. She's an artist, tattoo artist, clothing designer, and none other than graffiti Park's very own director of community engagement. How you doing today? Lou, I'm
Lu DeFalco 1:23
doing great guys. Thank you for having
Dan Moloney 1:25
me. It is our pleasure.
Dan Bulgatz 1:27
Thanks for being here. I'm
Lu DeFalco 1:28
stoked, super nervous.
Anika Jones 1:30
Yeah, it's good to have a family member in here. Occasion, right? Yeah, our first time
Dan Moloney 1:36
is actually the first time other than us three. So, you know,
Lu DeFalco 1:40
I'm honored. Honestly,
Dan Moloney 1:42
yeah, you beat Dom in here. It's important. He may not let you live that down, you know, or you well, you know, Lou is always our first choice, but he doesn't chapter these out anymore on YouTube. You may not ever hear that, but you know, we love you DOM. Anyways, today is about Lou, and thanks for joining us. I just want to before we get into who you are and your journey as an artist and kind of what we got going on here at graffiti Park, I want to set this up like Lou reached out to me via Instagram. We hadn't connected in many years. We went to the same high school. We'll get in on all that, and she basically just reached out and said, I love what you guys are doing at graffiti Park. I want to be a part of it some way, somehow, like would love to talk to you. Me, being me did not respond quick enough, and so she was persistent. Hit me up again. We exchanged emails, and the rest is history. And so she's been on the team since last April, so we're coming up in almost a year. So So Lou, what stood out to you about graffiti Park? What were you? Why did you send that message?
Lu DeFalco 2:50
So I just remember being online, and I would always see like Dan's posts. I would see like graffiti parks repost. I was like, Alright, cool, art. Love it. Didn't really know, yeah, exactly what it was. And then I was in the part like time in my life, I was just like, I wanted to transition. I was tattooing, I had my clothing brand and but I was kind of in a little like I was in a low place, and I wanted to do something different. So then I remember just seeing his stuff, and then I was like, You know what? Let me go on his profile. So I go on his profile and I see, you know, co founder of graffiti Park. I don't know graffiti park, but I would just see this. I'm looking it's graffiti, but it's like, beautiful stuff, beautiful murals in schools, all this. And I had just, I hit you up. This was the beginning of the 2025, before covid. I was working for Clark County Recreation Center at Paradise, and we would do a lot of things with kids, stuff like that. And then I saw that you guys did a lot of partnerships and stuff. So I was like, Yo, this is really cool. I'm like, you know, because I knew he was doing cool stuff, but I didn't really look into it. So I'm just like, scrolling is like, Graham and this, then I go to graffiti Park, and I'm like, This is awesome. So I literally write him, and I look back on the message, and I'm like, bro, how do I get involved in this? Just like that. And I was just like, I gotta, like, I gotta try, right? You just gotta try. So then, you know, took a minute, hit me back up, and then gave me a little spiel about it. And I was like, oh, yeah, I want to do this. Like, I'll do it. And he told me he's like, Would you be interested in more art, or are you interested in, like, business? And I was like, honestly, like, both, but I'd like to be on the business side of things. I wanted to switch it up. So yeah, he gave me a chance, and this is where we're at now. And I got to meet all you guys. And you guys are awesome. I've been saying this since day one, but like this team is solid, like you guys are awesome. I remember when I met Anika for the first time, like she walked in right away, just gave me a big hug. We in like besties since, but I didn't know bull got. Bull got is great. You. Guys are all cool, so tight. Yeah, it's great
Dan Moloney 5:03
not paying or say anything, not right now. This is organic table later. That's organic. Well, thank you for the kind words Lou and super stoked you reached out and stayed persistent. So backing up a little bit with these podcasts, as I'm sure I have hoped you've listened, actually, we like to kind of tell, or take a portion of it, to tell your a little bit of your story, your journey. So I'm curious. We grew up like a block away from each other, so I'm curious to hear, you know what Spark, when did the artist journey start for you? Was it something that you grew up with? Is it, you know, how did that journey start in your life?
Lu DeFalco 5:46
Yeah, I mean, I was always into art, even, like, as a little kid, and then I was actually thinking back. It was funny, because growing up, I wasn't allowed to have, like, masculine toys. My mom always just wanted me like since I was kid, I just never liked anything girly, so I only was allowed Barbies and Polly Pockets, whatever. And then I remember the only way I could have these toys, because I wanted, like, Wrestlemania, GI Joes kind of thing. So I would draw them to my the best of my ability. I draw them, color them in, and then just cut them out, and then play with the paper. And then, like, so my whole life, I just always was into art. And then, you know, in time in school, I would just doodle all the time things like that. But then I really like, and then I went to school. I went to school for, actually started college to be a nurse, and then, but I was just kind of doing that to, like, please the family. So fast forward, like, I ended up get my degree all this, but then that was in kinesiology, so really had nothing to do with art. But then I just started, like, drawing. I started getting into it. One day, I just was like, I'm gonna pick up my old notebook and just start drawing. And then I would do that every day at work when I had downtime, things like that. And then covid actually was when I really was like, got the time, because I got let go from both the jobs I had. And then, yeah, I just started drawing a lot. And then from there, I was just like, I started getting tattoos, actually, too. So then I was like, Okay, I kind of like, this. I'm already drawing. I'm already doing little flash sheets. Why not just actually fully get into it? So then, yeah, it just started from there with the tattooing. I did a little apprenticeship, and then on the times I wasn't doing that, I was just YouTubing things. And then just started from there, really, and then just been doing it since, and I love it. It's like a challenge, of course, you know, you're always learning, like, you start out, you know, whatever. But I started, like, obviously, pen and paper from there, just like, fake skin. Got my first machine off Amazon, like, and then from there, pig skin. And then finally, myself. I didn't, you guys know, but I have my leg done, and that was my practice leg. And then just started working from there, and then just trying to find out what I liked, and, you know, things like that. Wait, that's so rad.
Dan Bulgatz 8:11
So from, I guess, getting the tattoo gun on Amazon. How did you initially get in it? Was it just like the gun and YouTube University and some fake skin. Or what was your, what was your intro?
Lu DeFalco 8:23
So, like, the intro to start, like, completely, like, with, yeah, to start tattoo, yeah, yeah. I just, like, it was, like, I said I had covid, had so much time, and then I already was, like, it was a goal, like, a little before covid, and then once covid came, I actually started getting tattoos. So the person tattooed me, I'm just like, hey, like asking little tips, things like that. What do I do? He's like, You got to get an apprenticeship. Blah, blah, blah. And then from there, I just was like, okay, cool. And then I got the machine off Amazon, and just would practice, just for fun, like it was literally just for fun. And then from there, I'm like, Okay, I want to take this serious, and then just from there, just nice, went from there, you know. So that's cool.
Dan Moloney 9:06
And it's funny, because, like, you like, obviously, you know, we live in Vegas, so you wear shorts and stuff, so like, seeing your legs, so you're like, Oh, that's sweet. Like, who did that? And you're like, me, so that's pretty cool. That's pretty sweet that you're like, this was my practice leg. I'm like, those all look dope. So thank you.
Lu DeFalco 9:21
Yeah, you put in some hours before you go, oh yeah, yeah, the fate, I had, like, stacks of fake skin, and then I go get pig skin and that, like, on its own, it's like, you got 30 minutes, because it's like, kind of cold when you get it, and it's already a little slimy, but you got 30 minutes, you got to put down that, like, you know, and then it starts getting slimy, gross, like, and it's just like, You got to be quick with it. But I would always go get that every other day just do a quick like, as fast as I could. You know,
Dan Moloney 9:47
do you acquire pigskin like?
Dan Bulgatz 9:56
And why do you use Pig skin as opposed to like? The fake skin that you could get on the on the internet,
Lu DeFalco 10:03
I think, Well, to me, pig skin, and I was always told too, was like the closest thing to real skin before actually hit real skin. Okay, so the big skin, because it's skin, in a sense, it's kind of gross. Like I said, it's got little hairs. Sometimes you gotta pluck them out, and then it's slimy, so you're really cleaning it Well, yeah. But yeah, so I use that. That was, like, the closest thing to, like, real skin. And then from there, it's just, like, kind of just full send it, you know. And so what,
Dan Bulgatz 10:28
as as, like, time goes on, I take it like, it gets more and more slimy. Or what are you
Lu DeFalco 10:34
talking about, the pig skin? Yeah, it just gets like, warm, and then the oils, like, kind of come out. So you're just, like, trying to, you know, because when you tattoo, you got to be able to pull the skin a little bit. And at that point you're just like, and I'm wearing gloves, obviously, but it's just covered in, like, slime. Yeah, it's gross. It gets gross, but you got to do what you got to
Dan Moloney 10:53
make any like, you know, cut off a sliver, make some form. I was
Lu DeFalco 10:56
wondering, fry a little bit.
Dan Moloney 10:58
You just throw it away, yeah?
Lu DeFalco 10:59
I just threw it away. Yeah, at that point, I'm not trying to it
Anika Jones 11:02
sounds challenging. So you have the you have the slimy pig skin, you have your own leg. What would you say was your most challenging piece that you're like, I don't know how I'm gonna finish this, that you ended up doing. You're like, I love this. I'm so glad that I created this for this person.
Lu DeFalco 11:17
Um, I had a like at the time, a friend, but I actually met him because he won come get tattooed, but he just wanted a full length sleeve. And like he had a couple pieces, but then it was just like he wanted, you know, pieces, but then we were gonna just do, like the background, just be like black, in a sense. So that one was challenging, just because he had to come in for so many sessions, this and that, and then, like, him, like teetering back and forth and like, what's gonna look good, too. We can't just throw it in like, you know, but that one was a cool one that was fun to do, and it was a lot of work,
Dan Moloney 11:55
but getting into that psyche of that a little bit because, you know, we all tattoos, like, from a tattooist perspective, what is that like, pressure or thought process when you're going into like, hey, this person is trusting me to do something that's presumably, you know, permanent. Obviously, there's tattoo removal and cover ups and like that. But you know, you you don't go into it thinking, Oh, I can just get it covered up, right? So, like, what is as an artist, you know, obviously, we talk a lot about walls and traditional art and stuff like that, and a lot of it, you can either just paint over or whatever, right? So, like, what's the psyche as a tattooist? Like, how do you is it just reps? Like, how do you get yourself comfortable with doing full like, definitely full projects like that, but any tattoo, yeah,
Lu DeFalco 12:39
honestly, practice. Like, I really like, I said, I'll like, so depending what it was like, what it was, if it's something that I felt like, it was a little more intricate, and then that I would really need to, like, I wasn't in my comfort zone with, I would practice on the fake skin with the design I did on the iPad, you know, transferred on and then. But other than that, it's like you just kind of have to be confident with it, like I'm never gonna accept, like I'm not on portrait level. I don't think I'd ever want to do portraits in my own, like self. But yeah, you kind of just need to go in just with confidence and just like one practice and yeah, just you need that confidence in doing it. Luckily, you have that stencil to follow, in a sense, yeah, you have to, like, know, when it comes to shading things like that, like, you can't mess around, yeah, because it is permanent, and it's like, you don't ever want to mess up. That's the scariest. Like, yeah, it's a lot of anxiety too, because you're just like, before, for me, at least, I'm a little anxious. I'm like, oh man, oh man. You know when the times when I wasn't as confident when I first just started, but then once you start going, like, the minute I like, the first like line, I'm just like, All right, let's go like, let's just do this, you know. And you kind of just because of, like, all the practice, you know, like, how deep you should be going, how long of a line you should be doing, until you should take a break, you know, things like that. So it like, yeah, it worked out. It works out. It's just it is, like, in that, like, anxiety a little bit at first, but then after that, it just kind of flows, you know, and you go with it and, like, say, if you are, like, you feel like you're not doing as well, then, like, take a break, take a second. Kind of who saw, yeah. So do
Dan Bulgatz 14:23
you have any pieces of advice for people that are starting out that tattoo journey, or that are struggling
Lu DeFalco 14:28
with confidence? Honestly, you really just, you have to believe in yourself, you have to want it, and you have to not just do it for the money. Because I know a lot of people start tattooing because it's good money. Can't? You know it can be and now you definitely, you have to have a passion for it. You have to really want to, because in the end day, you're putting something that's permanent on someone's body, but it's really cool, because that's your art, that's your something that's going to be on them forever. So you have to really, like, understand that and want to do that. Yeah. Um, fully, and then yeah, it's just, yeah, it's just confidence and practice, just practice all the time. Like, just really got to practice on your downtime. That's why a lot of artists, they're always sketching, like, they're always making flash sheets of just whatever, just because, you know, you just want to be the best you can.
Dan Moloney 15:19
Oh, yeah. I think there's, like, a lot of parallels, like, we talk a lot on this podcast about the, like, kind of business or people aspect of art, and so, you know, in the mural world, obviously we talk about, like, working with clients and the back and forth there. So can you talk a little bit about and maybe it stems to other pieces, like the people management piece of it. Like, you have to, like, okay, this person wants this, but I have to tell them that's gonna look dumb. So like, was that a learning journey? Like the artist side, the actual craft aside, or, you know, I bet you have to be somewhat of a people person
Lu DeFalco 15:57
to figure it out Absolutely. And it's wild, because a lot of artists aren't, but they make it work. But like, for me, I definitely, I actually enjoy that. Like I do enjoy talking to people and, like getting to know them, and like, what they want, things like that, but on like that aspect, yeah, I just, I, like, once they hit me, like, you know, sometimes I get it literally, I'll get a message just like, hey, I want a tattoo. Okay, cool. What a bird, okay. What kind of bird just flying? All right. Do you have any idea, like, how big you know, it's a lot of communication back and forth, like, and that. Like, in that sense, you have to be kind to and, like, not get so annoyed, because it can be annoying because you're getting such, like, like, vague little comment, and I'm like, I need, I need, how big detail wise, like, I asked them, like, you have reference photos, things like this, to like, what are you like? What exactly do you see? What do you envision? And then a lot of times it's cool, because people are just like, hey, I want this bird. I want it, you know, black and white. Just kind of do what you want. And then that's when you get to be creative with it. And that makes it actually fun. And then it's like, you know, we tweak things if they like, No, I didn't want to like, like flying like this. I want a little bit more like this. And then you work together. So that's what I like to do, in a sense, like, I make the basically a render that I send to them, and then see what they say about it before, so, but it's cool. It's works out. It works itself out.
Anika Jones 17:27
I mean, it seems like that you were groomed to really work in the capacity that you work on the other side of graffiti park where you're, you know, helping other artists, where you're getting our word out, in the sense that you're, like, helping the craft in spaces that you maybe needed it when you're dealing with clients. So it's like you had the best of both worlds when you're reaching out to different possible people who want art or people who want to get connected with us in certain ways. What groups or networks are you feeling like you would like to connect with a little bit more that we haven't so so much so recently.
Lu DeFalco 18:01
Um, well, it's great because, I mean, we do work with the community a lot, and I love that aspect. That's, like, what really got me wanting to be here working with you guys, but I would love to just put art everywhere. Like, I know a lot of, like, we do a lot of schools, which is awesome, and I think that's the best, because it's I love that. I remember when I went to school I didn't get to see any of that, for sure. Yeah, they're very plain walls, things like that. So I love that kids get to see and like, like, oh, wow, and it's beautiful. Makes me want to go to school, things like that. But when it comes to like, outreach, honestly, I, I don't, I would love we did seven hills, like the mental health center. I would love to do more of that, yeah, just because I feel like those people need it the most, yeah, just to see it and like, it's nice, you know, when you're having a bad day, even though you, you know, you go outside and you're seeing this beautiful mural, and like, I don't know, kind of calms you, in a sense, but I would like to do like, things like, like, more hospitals, mental health centers, yeah, honestly, I'd love for us to honestly paint this whole city agreed. I don't even, yeah, I think art is beautiful in its own sense. Like everywhere we get to see, anytime I pass a mural, I'm just so intrigued. And this was even before working here. Now I just know the process, you know. But yeah, yeah.
Dan Moloney 19:23
I definitely think the healthcare sector, industries, you know, from chiropractors to behavioral institutes to, you know, podiatrist to dentists to whatever it is, you know, I think that there is likely a stigma behind putting up like a mural in your space. But I think there's a tasteful way to put up artwork that's not from Home Goods in your waiting room. Yeah. And I think, and I think I love what you said about how, you know, think about how that can impact the consumer, or in this in this case, your patient or your client, right? I think, oh. Um, it's this podcast, and I love that question, because we talk a lot about, like, the artists impact, like, how it impacts their lives, and the point of this, and the mission, the arm of our mission, is to promote local artists, right, and give them the tools. But I think there's a something we don't touch on enough, is the impact of the viewer to receive that art, you know, in their lives, like you, like you said, going to school making it more exciting. And that's why, you know, that's how we got our start, was some principals took a chance on us during covid, and they're like, I want my students to feel welcome when they come back after this fiasco, you know. And I think it's refreshing to hear your perspective on that, and obviously why you're in the role you are. But I think that's a super under appreciated point of what we do is the end user value gets value out of it. It's not just like good for your business, or, you know, you're not just helping an artist. There's, you know, multiple externalities that are being affected, and your patients or clients or your staff, you know, they can all benefit
Lu DeFalco 21:01
from it exactly like even us, we have a bunch of little murals in our office. Yeah, I come in and I love it, like I have the big tones, little birdie on there, and, you know, like it's just, it just brings just a little light, even though you may see it all the time, like it's just something to look at, just makes you feel better. Like, I just love art. So yeah,
Dan Moloney 21:22
and, and kind of going a little bit of a different direction, talking about your art, a little bit, what, what? Where do you derive, like, your style, like, who are your influences? Like, what are you? How do you kind of conjure up what you want to work on?
Lu DeFalco 21:37
Honestly, with tattooing, at this point, I'm just taking what I can get. You know what I mean? But however, I like, I like American traditional, I like things like that. I mean, I always like, I loved Salvador Dali. Growing up, I was obsessed with Salvador Dali, and like, I remember I got and I didn't even know who he was. So the fifth grade, I don't know if you remember, since we went to the same school, but the fifth graders used to get to pick, like a famous figure in history. And I was like, the second to last, to pick of the class. And then I pick up the Salvador Dali. I'm like, Who is this man? I don't want this guy. And then end up, you know, having to research who he is, blah, blah, and we had to dress up as a person. And there was, like, a little button that the Living Museum. There we go. So I saw Salvador Dali, and then I made my mustache out of black duct tape, like the black the electrical tape, yeah, made it out of that. Somehow it stayed. But after that, like, I just like, he's always been, like, my go to ever in my studio, I actually have like, a portrait of him, like, I love it, and even though I it doesn't really relate. But I my art. When I do like actual paintings, I kind of like to channel him a little bit, little abstract, little kind of, you know, but, yeah, that's cool. That's a good one.
Dan Moloney 22:54
That's good. Good answer. He's, like, famous. There's like, a picture of him coming out of like a subway tunnel, and he's walking an anteater on a leash. Dude is wild dude as well.
Lu DeFalco 23:05
Was wild them. Spaniards.
Dan Moloney 23:08
What else here? Communication. Where do you want to talk about Lou? Yeah, let's spit fire for some Lou kind of we just, we
Lu DeFalco 23:14
know, loose, yeah, I know at this point I don't know. What do you what about you guys? What inspires you? What inspired you guys to start this, especially you two, like, what's inspired it, other than, like, the story we know, of course, but like,
Dan Moloney 23:29
how the turntables, well, it's public radio, so we're not gonna get fully into what inspired us. No, that sounds a little weird. I don't know. Man, we just, like, I was just always liked graffiti growing up, and I wouldn't be sitting here if it weren't for Dan, like, he's the guy that's like, No, we're gonna do this. I'm like, Oh, it's a cool idea. Is like, No, we're gonna do it. So what did we Why did we start this?
Dan Bulgatz 23:56
Well, I don't know. I think all of like, the answer to that kind of in lies the same answer that Lou is an artist, and especially a tattoo artist, in that aspect, where it's when you get a feeling strong enough in life that you feel like you have to chase after that, you have to learn more about or that kind of interest in your life, like that. That thing doesn't usually strike twice. That thing doesn't really and so it all started, literally on a single trip, a family trip, to go down and see my sister in Austin. They had the hope outdoor gallery, and we were out there for three days, and I was down there four times, like I was just obsessed. And so when I came back, I told Dan about it, and obviously we were like, well, we have some friends that are artistically inclined, that are about it, and we quickly learned that they were paid artists. They weren't passion project artists, I guess is the easiest way of saying that. And so Dan and I quickly had to dive into the deep end figure out, I guess, is from that end, how. How to ensure that they were being paid artists, and to anybody that was there for our start, you recognize that you've seen some of our CCAPs and kind of where we went from there. And so I think it's important to note like we are not the same people that we were six years ago now, like when we started this in April of 2020. Today is actually the six year anniversary of the day that they announced that covid was a national pandemic, which means in a month and nine days, Dan and I will hit six years official for graffiti Park, which I think all of that kind of coincides. It's we were trial by fire. We exclusively learned by making mistakes. And there are definitely a fair amount of artists here in Las Vegas that would love to tell you about those. And I think there's, there's, you know, at least 10 times that number of people that would be willing to tell you that even though some of the things we did fail on, that we failed forward, and that now we are in a position where we are knocking at not paying out artists over a quarter of a million dollars a year, just to pro just to procure murals and just to explore that artwork. And so I think, you know, Trial by Fire is, unfortunately, it seems, the norm for artists and getting involved into that scene. And so to anybody listening. You know, whether it's tattoos, whether it's murals, whether it's art, whether it's underwater basket weaving, I don't know. It all starts by failing early and just having that passion, that desire to to want to fail and want to learn something new, for sure. Yeah.
Lu DeFalco 26:37
And you mean, you guys, are you giving me a chance like I came in wanting to be on the business side, and then now, like, seeing how murals go and things like that. And I've obviously never done any large scale things like that. And started out just painting walls a couple projects. Then we just did the accent walls at Mac. And then now I'm gonna do, like, hopefully one in the end of the month, you know, just a little logo, but it's like that, you know, you guys are giving me that opportunity that when I started, I didn't even know I want to do them. And now it's like, and it's just like, you can keep leveling up. And it's just great, yeah, it's really cool that you get, you know, and I know all the artists that are listening and who've worked with us admire you guys very much. You know, you help them get these jobs, you know, and let them be creative. And, you know, it's really, it's, it's awesome. It's awesome because it's not easy as an artist, like, just going to find out, find your jobs. Like, it's a business, it's a business on its own, and you, you're that great middleman that, like, puts them on, you know, in the end day. So, yeah, no, for sure. Like, that's what I really sorry, no, but that's what made like, really attracted me to you guys like to graffiti Park. I was like, I love this. Like, I love that, the fact that they're helping artists, you know, get out there, get their work out there. Because it's just like, it's not easy, you you know. And it's just like, Yeah,
Dan Moloney 27:58
well, we appreciate that, Lou. We have a we've couple minutes left. So with our last two minutes, if people who are listening want to take a look and see you know where they can find your artwork, or they want to reach out, like, Where can people find you at? You can
Lu DeFalco 28:12
find me at graffiti park, but, yeah, I am actually there. But however, you can also hit me up on Instagram. It's Lou def underscore tattoos. Lou def underscore tattoos, underscore tattoos. We could work on something and then, if not, if you're interested in murals, you can email me at the Falco lou@gmail.com and I can hook you up with these boys.
Dan Moloney 28:42
Excellent. Well, Lou or it's been, it's a short lived podcast, but thank you so much for coming on short notice, hanging out, of course. God speed to the Audi,
Lu DeFalco 28:52
yeah, not great. You know, you guys know how I feel about public speaking. Perfect. You made it very, very comfortable
Anika Jones 29:01
artist conduit, friend graffiti Park family. Thank you
Dan Moloney 29:04
for being on Yes. Thank you. Thank you. You can find her at Lou def underscore tattoos, or you can find her at graffiti Park Monday through Thursday. You can find us at graffiti park.org. We are in graffiti Park, the graffiti Park Foundation team here with our director of community engagement, that's Miss Louisa DeFalco, that's her. And shout out to Sean's hair, keeping us shout out to Wesley night over here, and we'll talk to you guys next time. Now, you.
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