In this episode of Private Life, the poet and writer Eileen Myles reads Geoffrey O'Brien's essay on Frank O'Hara, ”
The Mayakovsky of MacDougal Street,” from
The New York Review of Books‘ December 2, 1993, issue. It is read by the poet and writer Eileen Myles. Their work includes the semi-autobiographical book
Chelsea Girls (1994), the novel
Inferno (2008), and the poetry collection
I Must Be Living Twice (2015).
Frank O’Hara was a writer, art critic, and a leading poet of the New York School who worked as a curator at the Museum of Modern Art. He is best known for his poetry collection Lunch Poems (1964) and “Personism: A Manifesto” (1959).
You can read “The Mayakovsky of MacDougal Street” by Geoffrey O’Brien and other essays with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.
Creators and Guests
Host
Jarrett Earnest
Jarrett Earnest has contributed essays to the New York Review of Books on artists ranging from Tom of Finland to Jack Whitten. He is the author of What it Means to Write About Art: Interviews with Art Critics (2018) and Valid Until Sunset (2023) and has edited several collections of criticism, including volumes of Dave Hickey and Peter Schjeldahl as well as artist's writings by Nayland Blake and Jesse Murry. His curatorial projects include the acclaimed 2019 exhibition "The Young and Evil" at David Zwirner gallery, New York.
What is Private Life: A New York Review Podcast?
Private Life is a podcast from The New York Review, hosted by contributor Jarrett Earnest. Each episode offers intimate, in-depth conversations with distinguished voices from across the literary landscape—about their lives, their work, and the ideas that shape both. Along the way, they revisit pieces from the The New York Review of Books's robust sixty-year archive (some episodes of the podcast will feature newly recorded readings of these classic essays) to situate arguments within contemporary culture. The show also includes discussions of titles from our book publishing arm, New York Review Books, featuring talks with translator Mark Polizzotti on Andre Breton's surrealist masterpiece Nadja and musician Richard Hell on the re-issue of his novel Godlike. Other early episodes find Joyce Carol Oates ruminating on true crime, while Darryl Pinckney opens up about the perils of memoir and his formative friendship with essayist Elizabeth Hardwick.
Private Life is a personable, expansive invitation for longtime subscribers and a new generation of readers alike to connect with the past, present and future of The New York Review.