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The freshest music to hit the airwaves on Impact 89FM is shared with you each week!
Hello. You're tuned into the New Music Dispatch. This is the weekly new music podcast. I am your host, Sydney, the music director.
Speaker 2:And I'm your host, Maggie's, the program director. We're gonna go over some awesome new tracks we have. We we got a couple songs from well, more than a couple. From Hatchie, Sorry, and more. So super excited to get into it.
Speaker 2:We're gonna start off with a new song called Leave It Why by Constance Smiles off their new album, Moonflowers. Off the bat, the cute the cute folksy vibe. I really like I I feel like this isn't completely in line with our sound, but I really loved it nonetheless. They're like great deep vocals. I really like the vocals that the that the leading guy had.
Speaker 2:Yeah. I just love everything sounded so like bassy and low and kind of darker. Like, the the instrumentals they chose really meshed well with his voice. And there was, like, great like, there's this awesome, like, kind of drone underlay. And I was trying to figure out if it was, like, a lower pedal steel or a guitar, and I think I think it was just a guitar.
Speaker 2:But Just a guitar. Just a guitar. But do you have anything?
Speaker 3:Yeah. You said moon flowers and I immediately went moonbeam.
Speaker 1:Oh my god. Don't get me
Speaker 3:freaking started. But let's digress from there. With this specific, like, song, I don't know. I didn't really have much to to think about it or that I could, like, you know, say about it. I mean, like, I know that the the song in general, I just I feel like you you said that it was a little left field.
Speaker 3:I feel like it kinda fits in with, like, our overall sound and stuff like that. I feel like it's something that could fit, like, right into everything. They have, you know, their regular instruments. They got the drums, guitar, bass, you know, I think rhythm guitar as well.
Speaker 2:Right? Probably.
Speaker 3:Yeah. And also keys. So it's just like, they're just a regular band. Yes. Band Which I think is still, you know It's good alternative folk.
Speaker 3:Yeah. There's still some gems that you can Yeah. There's still some gems that you can find within that genre. So Yeah.
Speaker 2:Yeah. Lovely. Up next, we have Only One Laughing by Hatchie of her new album Licorice. I was super excited. I really liked Hatchie's previous album.
Speaker 2:I play her on The Fuzz, which is like a dream pop show. So I was really excited to hear her new music. And Only One Laughing specifically reminded me so much of the Cocktail Twins just because she was utilizing that same, like, punchy synth under, like, all the the entire song, but it just sounded more produced, which made it seem more modern. So I really like it, and I love Hatchie's vocals. I just love how she updates, like, that older sound.
Speaker 2:So I really liked it.
Speaker 3:Yeah. I've never heard any of Hatchie's other stuff, I don't think, personally. So this was my introduction to this artist. And I would say that I was pleasantly surprised with this album just in general. I think that it's like I think that was dope.
Speaker 3:I think I I it has a lot of fun to it. And also the throughout the album, it changes up while still keeping, like, that core sound in there. So I was very pleased with the entire album, which is not something that I often Yeah.
Speaker 2:Get. A huge compliment.
Speaker 3:Yeah. No. I don't often get albums where I'm like, okay, this is like it it flows well, things are kind of like meshing well, but also like changing it up so that it keeps interest in there as well. So, yeah. Applause to Hatchie for for doing the doing the thing.
Speaker 2:Props to you, mama.
Speaker 3:Up next, have the artist Sari off of their new album cosplay will be playing Jet Plane. Jet Plane, this is my fave song, like, that I've listened to today. Well, mean, did that just give it away?
Speaker 2:Whatever. Maybe I might have. You can talk more about it though. Yeah.
Speaker 3:So yeah, it's just like I think it's a little spooky sounding with that like deep but like yet simple bass like, line that's in there. But also, like, the vocals and the drums go very well together and, like Yeah. It changes up throughout. That's one thing that I look through look for all the time when I'm, like, listening to music is, like, does it change at all? Is there anything that's interesting in it that's gonna like keep my interest?
Speaker 3:And I think that this this album and also this song very much like piqued my interest throughout and I was very much very much a fan. Yay. Yeah. What were your thoughts?
Speaker 2:I really liked how fun the bass line was. I chose to look past past the British talk singing because that is so not my vibe and it's so Sydney's vibe. But I actually really liked the, like, effects they were using on the vocals that kind of saved it for me because they would have, like, in in the beginning, they had the vocals be more distant and then they brought them up to the front, like, during the chorus and more, like, impactful parts of the song. So Yeah. I really liked their use of that.
Speaker 2:So it's like rather than using melody, they were kind of using effects to balance out the song. So I like that a lot. Beautiful. Alright.
Speaker 3:And up next, we have Yindling with their new album, Time Time Time.
Speaker 2:Time. That's the best of us.
Speaker 3:Oh, and we have Granny here as a special guest.
Speaker 2:I'm Claire with me. Do you ever play that game?
Speaker 3:Oh my god. Do you know that one thing that she's like,
Speaker 2:Christmas. True granny fans right here.
Speaker 3:Anyways, so yeah, we have Yindling Time Time Time with their new song, You Know I Hate It. What are your thoughts on You Know I Hate It?
Speaker 2:I really liked the drums that they used, breakbeat type. That was really fun. And then the effects they were using that created that, like, darker sound was cool. Yeah. They had just great different, like, sonic sections that I thought blended very well into each other.
Speaker 2:And it was just like an awesome use of, like, layering throughout the song till, you know, layering till the end. I do wish she, like, sang. Yeah. Like, had a melody at some point because I could just tell, like, with her vocal quality, I could tell that she would have a really great singing voice. You just it was Where's the melody?
Speaker 2:Where's the melody? I just wish there was some of that, but the instrumental was gorgeous. So Yeah. Not that big of an issue.
Speaker 3:Mm-mm. No, I had I would have to agree that there was, like, definitely a darker tone to it, which I really did like. It definitely felt like dark fall to me. Like if you're ever walking in like a vacant city and there's like a little bit of a mist and it's cold
Speaker 2:so you have a
Speaker 3:long trench coat on and there's nobody else there and it's dark and there's one singular flickering light that's just like guiding your That's path, you kind of what it made me feel like. Oh my god, woah. But it was like an isolating feel but yet like I'm safe kind of feel,
Speaker 2:you know?
Speaker 3:Like a safety within isolation.
Speaker 2:Yeah. That was so beautiful. Wow. Your metaphors are so great.
Speaker 3:I love like Your references are sick, Your
Speaker 2:references are awesome. No. But I love like the way you emotionally interpret music. Poetry. That was that was cool.
Speaker 2:Thank you. All right. You kind of you totally already gave it away, but what was your dispatch decision of the week?
Speaker 3:My dispatch decision would probably be my dispatch decision today is probably probably Jet Plane by Sorry. Wow.
Speaker 2:I had no clue that was coming. I'm like, that's I'm freaking shocked. Really? Why?
Speaker 3:Yeah. I think it's just because not only are they British, I don't know why. They love the British. I don't know why. I don't often listen to, like, on, like, my own, like, I don't often listen to the Brits, but Pip Pip, I guess.
Speaker 3:Pip Pip. But I think that it just added something new. Like I was just like, I was like, when it first came on, I was like, woah. Oh my goodness. I love this.
Speaker 3:And I would, yeah, I love it. What about you? What is your dispatch decision?
Speaker 2:My dispatch decision was, you know, I really did like Yindling, but Hachi is gonna take the cake for me. I'm just such a sucker for that, like, bright sound that she uses. She just has it was just so beautiful. And I love DreamPop, so I'm always gonna go with that. Hatchie's, like, a really great I feel like it's really hard to find good modern well, that's not true.
Speaker 2:We Not good modern dream pop artists, but like
Speaker 3:you know what? I think it is
Speaker 2:kind of hard to find
Speaker 3:good It is.
Speaker 2:It is. And Hatchie's one of those, So I'm happy to be hearing her again.
Speaker 1:Anyway. Thank you for tuning in.
Speaker 3:Yes. Thank you all. See you. Bye.