Running the River

As the world around us churns with constant noise and unrest, it takes a tuneful escape to remind us of the quiet spaces within. That's precisely what John Butler offers in his latest ambient album, a creation that mirrors the tranquility and healing many of us are searching for. On today's episode of Running the River, we unravel John's personal narrative, a tale marked by goodbyes to old bandmates, the thrill of new collaborations, and a solo journey into music production that served as a lifeline through anxiety and testing family health crises. With his candid storytelling, John takes us behind the scenes of crafting an album that's as much about introspective solace as it is about the complex dance of change and growth in an artist's life.

In conversation with John Butler, we explore how the chaos of the pandemic has forced us all to pause, reassess, and sometimes, radically alter our courses. Music emerges as a beacon of healing, and John shares how this period of upheaval paved the way for his collaboration with James Ireland and the formation of a new band. These partnerships not only invigorated his creative spirit but also rooted his latest projects in the power of community. From the collective soul-searching ushered in by COVID-19 to the personal revolutions that reshape our paths, this episode is a tribute to the "great unveiling" of our times and the profound comfort we find in the shared human experiences of music, change, and regrowth.


What is Running the River?

Join old friends and acclaimed artists, John Butler and Dingo Spender, for an intimate conversation delving into the creative process and narrative behind John's captivating new musical venture, 'Running River.' Settle in as they share anecdotes, inspirations, and the transformative journey that led to this ambient masterpiece. From the inception of melodies to the ethereal landscapes evoked through sound, explore the depths of artistic collaboration and musical exploration. Whether you're a long-time fan or a newcomer to Johns's work, this episode offers a rare glimpse into the heart and soul of his journey through new sonic territories.

Speaker 1: Hello, dear friends, this is John Butler

Speaker 1: and you're about to listen to a podcast

Speaker 1: called Running the River.

Speaker 1: This is a new podcast that I have put

Speaker 1: together with my dear friend Dingo Spender.

Speaker 1: He, you may recall, helped me with the last

Speaker 1: podcast I made for my album Home.

Speaker 1: Here again we deconstruct and get under the

Speaker 1: skin and get our hands dirty in the

Speaker 1: substrate soil of what I was envisioning

Speaker 1: for this latest ambient album.

Speaker 1: This is an album I made for wellness

Speaker 1: practitioners and practicers alike to

Speaker 1: defrag and decompress in this very busy,

Speaker 1: fast and quick world, and we hope you enjoy

Speaker 1: as we take you up down and across the river.

Speaker 1: This is Running the River.

Speaker 2: So, yeah, I would love please tell us about

Speaker 2: the chronology, like what, what got you

Speaker 2: here?

Speaker 2: What led to this?

Speaker 2: What led us?

Speaker 1: here.

Speaker 1: Yeah, where do I start?

Speaker 1: Where do I start?

Speaker 1: Because it's all kind of it's all some kind

Speaker 1: of venn diagram that's all over lane and

Speaker 1: intersectional.

Speaker 1: So, yeah, having the idea for a long time,

Speaker 1: you know, sitting out there on the back

Speaker 1: burner at some point, I'll do it, I'll get

Speaker 1: around to it one day.

Speaker 1: I will, I would, I should, I could, and you

Speaker 1: know, got back four or five years.

Speaker 1: It was interesting, it was the beginning of

Speaker 1: an interesting time.

Speaker 1: Basically, I've been with some band members

Speaker 1: over 11 years, 12 years, more than I've

Speaker 1: ever been with any other band member Byron

Speaker 1: Luters, fantastic bassist, great individual,

Speaker 1: and Grant Goffey and drums.

Speaker 1: Then I added a couple of new players for

Speaker 1: home as well, and that went well.

Speaker 1: But at the same time, after 10 or 14 years

Speaker 1: in a row, people want to do other things.

Speaker 1: They have lives and they have their own

Speaker 1: journey and their own path and life leads

Speaker 1: them in different directions and getting to

Speaker 1: those points and including myself, you know,

Speaker 1: and sometimes get into those points are not

Speaker 1: always a straight line hmm, and they're not

Speaker 1: always clean either.

Speaker 1: And it's simple and for me, I have a

Speaker 1: propensity to over complicate in my mind

Speaker 1: and also situations and read and put

Speaker 1: narratives over the top of things and see

Speaker 1: the whole world.

Speaker 1: That way I'm sure, I'm, not the only one.

Speaker 1: So, you know, without going into any of the

Speaker 1: details, because I think all participants

Speaker 1: and all players are all fantastic people,

Speaker 1: including myself, and we all do our best

Speaker 1: and did our best, and we all also added our

Speaker 1: ingredients to the mojo and the gumbo that

Speaker 1: that, uh, turned into.

Speaker 1: You know, those last months of the last

Speaker 1: incarnation of the trio, um, and I found

Speaker 1: that difficult, like I always do.

Speaker 1: I find those things kind of, you know,

Speaker 1: testing, traumatic, challenging.

Speaker 1: I, you know they stay with me a long time

Speaker 1: if you ask my partners, like it's, it's,

Speaker 1: it's a thing, and um, I put together

Speaker 1: another band in record time to finish my

Speaker 1: European and American commitments that I

Speaker 1: did want to finish with, like, some great

Speaker 1: players like Alana Stone on keys and vocals,

Speaker 1: oj Newcomb on keys and vocals, oj newcom on

Speaker 1: bass and keys, terry pie richmond on drums.

Speaker 1: I put this band together in two weeks and

Speaker 1: by the end of two months we were headlining

Speaker 1: red rocks again for the fifth time and you

Speaker 1: know it was like whoa, it was a lot that

Speaker 1: happened there and like afterwards I was

Speaker 1: just like, and after this, I'm gonna stop

Speaker 1: not make any commitments to any new members,

Speaker 1: new bands, I'm going to go solo for a few

Speaker 1: years and just whoa, whoa.

Speaker 1: Relationships seemed complex, difficult,

Speaker 1: scary.

Speaker 1: I was a bit tapped out.

Speaker 1: Being a band leader, an employer, a mate

Speaker 1: living on a submarine, been touring for 25

Speaker 1: years, I was dealing with anxiety

Speaker 1: throughout the whole thing.

Speaker 1: That would come and go pretty intensely and

Speaker 1: I was just a bit cooked.

Speaker 1: I was just cooked and so I said yes, I will

Speaker 1: go off the road and at the in around you

Speaker 1: know, the last few albums I've been working

Speaker 1: with garage band and trying to teach myself

Speaker 1: as an engineer, really gently.

Speaker 1: And then I was like I'm going to get logic.

Speaker 1: So I got logic and I was like, well, the

Speaker 1: first thing I should do is make this

Speaker 1: ambient album.

Speaker 1: It's really simple, you know, just like

Speaker 1: simple stuff, don't try really heavy.

Speaker 1: So I started making stuff and it was cool

Speaker 1: and exciting and I was like, oh, that's

Speaker 1: sick, and how about I just put a little

Speaker 1: beat to that little guitar beat to that?

Speaker 1: I was like, yeah, that's cool, like why

Speaker 1: don't I just back that little guitar beat

Speaker 1: up with a little midi kick?

Speaker 1: And I'm like, oh, why don't you just put a

Speaker 1: little synthesizer?

Speaker 1: You know, you know, long story short, you

Speaker 1: know, all of a sudden, I was in another

Speaker 1: studio that I'd built in our spare place on

Speaker 1: the land.

Speaker 1: It's like a little small upward studio

Speaker 1: space.

Speaker 1: That was already there and I was in

Speaker 1: full-fledged I'm making an album by myself,

Speaker 1: full production.

Speaker 1: Don't know what the fuck I'm doing Having a

Speaker 1: ball sitting up to four o'clock every

Speaker 1: morning making stuff and excited by the

Speaker 1: process Tracks everywhere, not knowing how

Speaker 1: to crossfade.

Speaker 1: Four o'clock every morning making stuff and

Speaker 1: excited by the process tracks everywhere,

Speaker 1: not knowing how to crossfade, just like

Speaker 1: just going for it and having fun and trying

Speaker 1: to, like you know, achieve some kevin

Speaker 1: parker thing.

Speaker 1: I'm like, yeah, I'll make it out by myself,

Speaker 1: why not?

Speaker 1: Never, never, never engineered.

Speaker 1: Don't know really what the hell I'm doing.

Speaker 1: Crossfading is something and you know, um,

Speaker 1: why not?

Speaker 1: I've only worked with, you know,

Speaker 1: professional engineers have dedicated their

Speaker 1: life to the craft of engineering, my whole

Speaker 1: career.

Speaker 1: Why can't I do that?

Speaker 1: And um, you know, um, met myself in it,

Speaker 1: yeah, and but in amongst that, uh, my

Speaker 1: partner's father and my father had both

Speaker 1: been dealing with long-term chronic illness

Speaker 1: that had come to a head and just shortly

Speaker 1: before I got logic and started doing that,

Speaker 1: you know, and something else, kind of

Speaker 1: majorly pivotal and massive precedent in

Speaker 1: our lives is COVID dropped.

Speaker 1: So COVID dropped, I'm at home, we're all at

Speaker 1: home, we're all not working and you know

Speaker 1: I'm recording a bit at home.

Speaker 1: I'll make this ambient album.

Speaker 1: And our dads fall very ill, like a long

Speaker 1: time coming and now we're doing palliative

Speaker 1: care In a short time, within a week, dan

Speaker 1: was gone in lockdown Victoria in the family

Speaker 1: home with all of her five siblings and was

Speaker 1: all oh, not five siblings, sorry, all of

Speaker 1: her four siblings and literally they'd gone

Speaker 1: back to the family unit looking after the

Speaker 1: patriarch of the family.

Speaker 1: One week later, my dad is finally told by a

Speaker 1: nurse you have to have care now and my dad

Speaker 1: had been kind of couch surfing and, like

Speaker 1: they call it, like furniture surfing where

Speaker 1: you can't walk properly and you're walking

Speaker 1: to the next object to lean yourself on.

Speaker 1: And I'd been saying, dad, I think it's time

Speaker 1: to come home.

Speaker 1: Let me look after you get some care.

Speaker 1: And he finally succumbed to that.

Speaker 1: And so in amongst that Dan's gone now in

Speaker 1: lockdown in a pretty intensive situation

Speaker 1: doing palliative care at home, and within a

Speaker 1: week of that I've emptied our whole room.

Speaker 1: I've put it wherever it would fit somewhere

Speaker 1: else.

Speaker 1: I emptied my whole dad's living room into a

Speaker 1: trailer and took it three hours down south

Speaker 1: to Margaret River wherever it would fit

Speaker 1: somewhere else.

Speaker 1: I emptied my whole dad's living room into a

Speaker 1: trailer and took it three hours down south

Speaker 1: to Margaret River and made his living room

Speaker 1: into my bedroom and then gave him care for

Speaker 1: the next month before he passed away.

Speaker 1: Danielle and my father, danielle's dad,

Speaker 1: nicholas, and my father passed within 40

Speaker 1: hours of each other, wild, both in lockdown.

Speaker 1: So that happened and then they passed.

Speaker 1: You know and you know the strain of that,

Speaker 1: the surrealness of that raising two teenage

Speaker 1: kids, 23 years of marriage and being on the

Speaker 1: road Band, kind of breaking up in a way

Speaker 1: that was very confusing and complex.

Speaker 1: You know and you know I'm kind of

Speaker 1: post-funeral.

Speaker 1: We're all a little bit shell-shocked and

Speaker 1: I'm sitting with this music trying to make

Speaker 1: it and it's getting more and more complex

Speaker 1: and the computer's struggling more to

Speaker 1: actually even do the right thing.

Speaker 1: I don't know where sounds are coming from

Speaker 1: anymore and I am just starting to swim in

Speaker 1: my attention deficit and whatever trauma or

Speaker 1: PTSD that lurks around and the anxiety were

Speaker 1: just starting to ping and I couldn't see

Speaker 1: the forest, the trees, and through that

Speaker 1: kind of year and a half, two year I was

Speaker 1: kind of um, oh well, I was very soberly

Speaker 1: humbled and um and kind of brought back to

Speaker 1: fair basics and um, and kind of like not

Speaker 1: knowing if I had it in me anymore to do

Speaker 1: what I do, to do what I wanted to do, even

Speaker 1: though the songs were still coming, even

Speaker 1: though they're like, hey, john, we're here,

Speaker 1: can you bring us to life so people can hear

Speaker 1: them, kind of thing.

Speaker 1: I talked to the songs, yeah, but I was like

Speaker 1: I don't know, I'm not thinking about like I

Speaker 1: got these songs, like they're not solo

Speaker 1: songs, it's like they're band songs, I hear

Speaker 1: them, not solo songs, it's like they're

Speaker 1: band songs, I hear them, I hear how they

Speaker 1: want to be and I'm like I don't know.

Speaker 1: I've been so stripped bare, cleaned off,

Speaker 1: lost confidence.

Speaker 1: I've been really humbled by all of it.

Speaker 1: You know, like 20 years of interesting and

Speaker 1: amazing and not amazing behavior in a

Speaker 1: marriage raising two amazing kids, going

Speaker 1: through big times in life, two fathers

Speaker 1: dying at the same time, adrenal fatigue,

Speaker 1: but all that kind of stuff just and then

Speaker 1: just like feeling lost in.

Speaker 1: The only thing that I thought.

Speaker 1: I kind of like that was giving me some kind

Speaker 1: of you know solace.

Speaker 1: I was just like okay, I don't know if I got

Speaker 1: what it takes to do much of it, of any of

Speaker 1: it, you know, solace.

Speaker 1: I was just like, okay, I don't, I don't

Speaker 1: know if I got what it takes to do much of

Speaker 1: it, of any of it, you know.

Speaker 1: And that was extremely humbling in a real

Speaker 1: like zeroing off calibration.

Speaker 1: That, of course, was necessary, but I was

Speaker 1: like how could I possibly ever lead a band

Speaker 1: again, how could I?

Speaker 1: Do I even have it anymore?

Speaker 1: I'm not as naive and cocksure and abrupt

Speaker 1: and kind of insensitive as I used to be.

Speaker 1: You know, I'm not insensitive, I'm highly

Speaker 1: sensitive in the sense that you need a

Speaker 1: certain kind of naivety.

Speaker 1: The more you know about human relations,

Speaker 1: the more nuanced you have to get.

Speaker 1: And I didn't think I had the skills to deal

Speaker 1: with the complexity with how sensitive I'm

Speaker 1: and how many stations seem to be on and

Speaker 1: blaring at once with my attention span.

Speaker 1: So I was like, how could I get, possibly

Speaker 1: get back?

Speaker 1: And I said, well, let's just work backwards

Speaker 1: a little bit, because these songs are not

Speaker 1: leaving you.

Speaker 1: Let's work backwards.

Speaker 1: How simply can we make the path back?

Speaker 1: yeah and the whole idea of smart.

Speaker 1: You know that smart acronym of you know I

Speaker 1: don't know what it's like set a goal,

Speaker 1: measurable, achievable rt.

Speaker 1: I don't know where they are.

Speaker 1: It was like what's the simplest thing I can

Speaker 1: do?

Speaker 1: I'm not listening to the things I've been

Speaker 1: working on for last two years.

Speaker 1: Yeah, I can't listen to it.

Speaker 1: It's making me anxious, fucking whoa.

Speaker 1: Um, I'll start with the ambient album.

Speaker 1: Beautiful, I can maybe just do that.

Speaker 1: And then I was like in amongst that.

Speaker 1: Now we're post covid and all that.

Speaker 1: I'd worked with james ireland uh, for just

Speaker 1: two days.

Speaker 1: It was like a meeting just to see if we

Speaker 1: might do something together.

Speaker 1: Uh, for songs and, um, it was a really easy

Speaker 1: of days not being on the tools and being

Speaker 1: just on the instruments.

Speaker 1: And I was like, oh, that's right, engineers

Speaker 1: are sick and he was also a producer.

Speaker 1: And so I was like in amongst this gumbo of

Speaker 1: thought, something started to crystallize

Speaker 1: and it was like, okay, there's this band

Speaker 1: that I want to have one day.

Speaker 1: I'm compelled to have it.

Speaker 1: I want to have it, I need to have it, but I

Speaker 1: can't go there now.

Speaker 1: Let's start at the beginning.

Speaker 1: Make this ambient.

Speaker 1: You need to heal.

Speaker 1: You actually need to heal.

Speaker 1: You're fucking fried, bro.

Speaker 1: Now's the time to make this music, not for

Speaker 1: necessarily I mean, yes, of course to share

Speaker 1: but first for yourself, as a tool of coming

Speaker 1: back to how simple the process can be of

Speaker 1: recording, how simple music can be without

Speaker 1: all the complexities and overlays.

Speaker 1: And once that happened, the next thing

Speaker 1: happened is well, I want to make this

Speaker 1: instrumental album.

Speaker 1: The instrumental album is something that's

Speaker 1: very much connected to the intros of the

Speaker 1: songs and to some of the journeys of the

Speaker 1: music of the trio.

Speaker 1: And I was like so it was like Heal Begin

Speaker 1: Again.

Speaker 1: First album was an instrumental album that

Speaker 1: I used to play on the street.

Speaker 1: I was like Heal, begin Again, yeah, start

Speaker 1: again.

Speaker 1: So instrumental album.

Speaker 1: Then I'll do this solo kind of guitar beat

Speaker 1: album that I wanted to do, and then I'll be

Speaker 1: through all that, slowly, baby steps, I'll

Speaker 1: be able to have a band again and what I saw

Speaker 1: was four seasons and the way my mind works.

Speaker 1: It needs story and narrative.

Speaker 1: You can tell me, dada, until the cows come

Speaker 1: home and I'll be like, yeah, I understand

Speaker 1: you and I, yes, I understand that.

Speaker 1: But to feel something, to really integrate

Speaker 1: it as a concept and an idea and I need it

Speaker 1: has to be conceptual.

Speaker 1: I have to have a story.

Speaker 1: You want to teach me something about math

Speaker 1: or anything, or scales?

Speaker 1: Give me a story, give me a shape, give me a

Speaker 1: color, give me a feeling, give me a story,

Speaker 1: give me a history and I'll build something

Speaker 1: around it.

Speaker 1: That's what I need.

Speaker 1: That's how my version of ADHD works and

Speaker 1: that's how I.

Speaker 1: And the minute I had those four seasons, I

Speaker 1: was like, oh, clear.

Speaker 1: And I also had this moment of clarity.

Speaker 1: I don't know if I had a good amount of

Speaker 1: serotonin or dopamine in my body at the

Speaker 1: time.

Speaker 1: Having worked with James, I was like I'm

Speaker 1: going to call two people right now and see

Speaker 1: if they're free to do the ambient album and

Speaker 1: the instrumental album.

Speaker 1: And on the same day, in the same hour, I

Speaker 1: texted Dave Mann, a fantastic musician,

Speaker 1: engineer, producer, songwriter, performer,

Speaker 1: who lives in Market River.

Speaker 1: He's like anybody who knows Dave Mann knows

Speaker 1: he's actually the man.

Speaker 1: He can literally do anything.

Speaker 2: He is the renaissance man.

Speaker 1: And he does it well and he's a humble

Speaker 1: gentleman.

Speaker 2: Forging steel tools.

Speaker 1: Making house trucks.

Speaker 2: Making.

Speaker 1: Sailing across, sailing, yeah, just you

Speaker 1: name it.

Speaker 1: Playing guitar like a.

Speaker 2: Singing like a Singing writing songs,

Speaker 2: engineering albums, Raising kids Just the

Speaker 2: whole lot.

Speaker 2: He's just the full package.

Speaker 1: He's just like stop it okay.

Speaker 2: I know Chill.

Speaker 1: Really like-.

Speaker 2: And he's a mountain of a man.

Speaker 2: He's six foot five.

Speaker 2: Yeah, you know, it's a lot.

Speaker 1: I mean it's surprising anybody likes him.

Speaker 2: Dave, if you're listening to this, just

Speaker 2: ignore that bit.

Speaker 2: If you're listening to this, just ignore

Speaker 2: that bit.

Speaker 1: So I sent him a thing going I'm free on

Speaker 1: these dates.

Speaker 1: I just had that clarity.

Speaker 1: You know that you have those clarity

Speaker 1: Especially for me.

Speaker 1: It's like I get these moments of clarity.

Speaker 1: I can see the whole matrix for a second.

Speaker 1: It's opened up and I'm like I'm going to

Speaker 1: pounce.

Speaker 1: And it opened up my diary.

Speaker 1: I'm like I'm free on these dates, I'm just

Speaker 1: going to try them.

Speaker 1: And I'm going to call somebody else, called

Speaker 1: a good friend of mine, katie Tunstall,

Speaker 1: who's a fantastic musician, engineer,

Speaker 1: songwriter, just badass woman, boss woman,

Speaker 1: and I knew I had this gig in Miami on

Speaker 1: Michael Frenti's Soul Shine Cruise solo and

Speaker 1: I was like I could maybe go to New Mexico

Speaker 1: where she lives and record this thing.

Speaker 1: So I said to them both at the same time you

Speaker 1: guys free, are you guys free?

Speaker 1: And they both wrote me back within an hour,

Speaker 1: going yeah and I was like okay, it's on,

Speaker 1: and you know that's kind of asking you,

Speaker 1: that was, that was the, that was the

Speaker 1: journey to get to that moment I had to go

Speaker 1: through so much breakdown and and literally

Speaker 1: you know, and and literally be 20 songs

Speaker 1: deep into multi, multi-tracked songs and

Speaker 1: walk away from it all, yeah and and then go.

Speaker 1: Yeah, right, I need to actually work with

Speaker 1: somebody else yeah yeah, damn it.

Speaker 1: Oh, I really wanted to do the kevin parker

Speaker 1: thing because I just wanted to stay the

Speaker 1: fuck away from people.

Speaker 1: Yeah, they were just too hard like complex,

Speaker 1: and I knew I was as well.

Speaker 1: It was this and it's like no, no, now we're

Speaker 1: starting to heal.

Speaker 2: Work with people, yeah, work with safe,

Speaker 2: kind, powerful, humble badasses and and and

Speaker 2: dave man was yeah first port of call can I

Speaker 2: just say as well, you at some point in this

Speaker 2: 20 track huge um, I actually came in for a

Speaker 2: couple of, was it maybe two days three?

Speaker 1: days, yeah, you did.

Speaker 2: We did some stuff in the world.

Speaker 2: You were like, you were like the, the

Speaker 2: wrestler on the ropes going reaching out to

Speaker 2: tag someone into the into the ring, you

Speaker 2: know, and I was just like on the side going

Speaker 2: come, man, just tag me and tag me.

Speaker 2: So I flew over, yeah, yeah and um.

Speaker 2: You know, from my perspective, like the

Speaker 2: work you've done there, like it's epic,

Speaker 2: it's big, it's huge and I can't wait till

Speaker 2: we get there to this cycle.

Speaker 2: This season has passed beautiful journey of

Speaker 2: like rebuilding yourself.

Speaker 2: To get to that level of complexity is is

Speaker 2: absolutely understandable because then you

Speaker 2: can serve it without it feeling like it's a

Speaker 2: burden to you.

Speaker 2: It's just a.

Speaker 1: You're gonna have the tools to deliver it

Speaker 1: to and to do it the service that you know

Speaker 1: yeah, the things that need to be

Speaker 1: prioritized first and I was jumping the gun,

Speaker 1: yeah I was jumping the gun and the music

Speaker 1: was like okay, it's big music you can, but

Speaker 1: let's see how you go yeah and it's like the

Speaker 1: music always knows.

Speaker 1: Yeah, it was just like, yeah, you have a

Speaker 1: shot.

Speaker 1: And I learned amazing things along the way

Speaker 1: and I think, failure is an amazing, amazing

Speaker 1: gift and tool and to meet yourself and also,

Speaker 1: you know, I like to think I'm pretty

Speaker 1: empathetic and like pretty, you know,

Speaker 1: self-conscious and aware, but it all it did

Speaker 1: definitely gave me, you know, just even

Speaker 1: another level, um, on just the appreciation

Speaker 1: of the skill of engineers.

Speaker 1: You know, um, you know and I knew that, but

Speaker 1: once again I got to feel that yeah, that's

Speaker 1: a very different lesson.

Speaker 2: Feel it in to really feel it.

Speaker 2: It's a different lesson, isn't it?

Speaker 1: Yeah and just going okay.

Speaker 1: Yeah, there's some things I'm better at and

Speaker 1: some things I'm not good at.

Speaker 1: And now we're talking about energy.

Speaker 1: Where am I going to be the most efficient?

Speaker 1: Where am I going to be the most potent?

Speaker 1: Yes, learn that thing, but is it?

Speaker 2: it's not gonna best serve you for now.

Speaker 1: Maybe that's maybe that self-produced,

Speaker 1: self-recorded things down the track.

Speaker 1: This is a journey and you're still reeling,

Speaker 1: bro.

Speaker 1: Yeah, you're still like trying to work out

Speaker 1: real simple, primordial shit, yeah.

Speaker 1: So, yeah, go back yeah you know, go back to,

Speaker 1: to the drawing board of your life

Speaker 1: schematics, yeah, and it's a circle, coming

Speaker 1: all the way around with a whole new

Speaker 1: understanding.

Speaker 2: It's not like you're starting from scratch.

Speaker 2: You're coming, but it's like the context is

Speaker 2: that you are.

Speaker 2: It's a renewal, you know, like the

Speaker 2: beginning is the end.

Speaker 2: The end is the beginning.

Speaker 2: It's that beautiful circle coming around,

Speaker 2: but this time you've got all this new

Speaker 2: understanding, this new capacity to begin

Speaker 2: again and be humble again yeah, and that'd

Speaker 2: be a lot of death.

Speaker 2: I think that'd be a lot of death, the death

Speaker 2: of a band?

Speaker 1: uh, death of confidence?

Speaker 1: Death of family members?

Speaker 1: Yeah, uh.

Speaker 1: Death of art recordings?

Speaker 1: Uh, a death within the marriage, I think,

Speaker 1: even, to be honest to say, a death of old

Speaker 1: ways in order to forge new ways.

Speaker 1: It was a real this, whatever you wanna call

Speaker 1: it, lifetime, the universe, it was like it

Speaker 1: was kind of nudging me in the directions.

Speaker 1: And then and I am a, at times, obstinate,

Speaker 1: stubborn and like stupidly, not

Speaker 1: stupendously, but stupidly loyal to an idea,

Speaker 1: a cause, to people, to myself, to a concept,

Speaker 1: and I just stuck with something that I knew

Speaker 1: had to change and that was wanting to

Speaker 1: change, and all the different organelles of

Speaker 1: it was wanting to change, not just me and

Speaker 1: finally it just said poop and just kind of

Speaker 1: pushed me out of the nest and yeah, it's a

Speaker 1: rough landing and you know, I just want to

Speaker 1: also, just, you know, give it that sense of

Speaker 1: like, the experience you've just explained

Speaker 1: and like what you've been through is such,

Speaker 1: a um, a broader experience for so many

Speaker 1: people about the kind of the gift of what

Speaker 1: covid kind of gave us.

Speaker 2: As well as it was, it was a death for so

Speaker 2: many people of old ways and having to deal

Speaker 2: with our own shadows and take

Speaker 2: responsibility for stuff, and we all did it

Speaker 2: in different ways.

Speaker 2: You know, um, people changed jobs, people

Speaker 2: left partners, people moved houses, people,

Speaker 2: you know it.

Speaker 2: Just it forced us to deal with our shit and,

Speaker 2: in your case, like it's you you, as as any

Speaker 2: true artist does, you you turn to your art

Speaker 2: as as the place to, to synthesize all that

Speaker 2: you were working through.

Speaker 1: Yeah, exactly and to discern and almost

Speaker 1: decode it all.

Speaker 1: Yeah, I mean, it's great unveiling.

Speaker 1: That's what I called covid yeah it was just

Speaker 1: a whole bunch of stuff we knew was behind

Speaker 1: the curtain yeah, and something just was

Speaker 1: like yo.

Speaker 1: Yeah, what's gonna happen with this shit?

Speaker 1: yeah, yeah, and it all came out it wasn't

Speaker 1: just covid at blm, you know, just like yeah

Speaker 1: the facts just everything just was came to

Speaker 1: the fore and rested with social media and I

Speaker 1: think, all in all, there was a great

Speaker 1: unveiling that happened.

Speaker 1: I can't speak for everybody else, but what

Speaker 1: I noticed and I do have my own take on

Speaker 1: pattern recognition is that it seemed to

Speaker 1: happen for a lot of other people and it

Speaker 1: definitely happened for myself.

Speaker 1: It was a great unveiling, a great zeroing

Speaker 1: off, a calibration, whether we all liked it

Speaker 1: or not, or whether I liked it or not, and

Speaker 1: that set the bed for it to begin the

Speaker 1: process in the hard times.

Speaker 1: I'm grateful for my people, all my family.

Speaker 1: I'm not worried about the world.