Daily(ish)

A spoiler free mini-review! This weekend we saw You Can See Everything, Nathan Fielder’s documentary about Elizabeth Holmes, and I highly recommend seeing it in a packed theater if you can. Even though it’s “just” a documentary and nearly three hours long, the communal experience really heightens the laughs, tension, and anger in a way that feels special.

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Topics:
00:00 Welcome to Dailyish
00:55 Why Theaters Matter
01:26 Release Timing and Spoilers
02:34 Length and Viewing Tips
02:53 Post Movie Processing
03:25 Final Thoughts and Caveats
03:45 Patreon Thanks and Sign Off

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Creators and Guests

Host
Chris
I edit podcasts so you don't have to. I live in Saskatchewan so you don't have to?

What is Daily(ish)?

Challenging myself to record a podcast episode a day for my 50th year on this planet.

Hello and welcome to Dailyish
for Monday, October 19th, 2026.

I'm recording an episode every day
for this, my 50th year on the planet.

I'm your host Chris, by the way.

Should I add that to the introduction
for folks who don't know who I am?

I'm making a lot of assumptions, but

This past weekend, we went, our oldest,
my wife and I went to see, You Can See

Everything, the documentary from Nathan
Fielder, I think is how you pronounce

his name, about Elizabeth Holmes.

And I just will say nothing else as far
as spoilers, but I would really recommend

going and seeing it in the theaters.

I feel like I've said
that multiple places.

I actually wrote about it in
my newsletter that's going out

tomorrow, buttondown.com/lemoncasting

is where you can get my weekly
newsletter that goes out every Tuesday.

But anyways, I've said this statement
basically like I would really suggest

going and seeing it in the theater.

I've seen other people
saying it and I would concur.

There's something about it, even
though it defies every reason why.

It's just a documentary.

It's not like some big summer
whatever blockbuster movie.

Doesn't have lots of big
explosions or anything like that.

But there's something about the communal
experience that I feel like it captures

better than a lot of other movies,
where the, the laughs, the angry, the

tension, all those kinds of moments
that happen in film are so present

in this movie and worth seeing in a
theater that's full or mostly full.

Unfortunately, because I
think it's distributed by A24,

it doesn't have a worldwide
distribution right out of the gate.

And so I know from replies I saw
on, on the internet, there's folks

across the pond in Europe I think
is where they're from, where it

doesn't come out for another month.

And so I would really suggest
trying to avoid spoilers if you can.

It's not that there's…

Obviously we kind of know it's a
real-world story so you kind of know

what has happened if you've paid
attention at all to, uh, the show

The Dropout or Elizabeth Holmes in
the news a- as it's come about and

stuff and Theranos and all the things.

But, uh, just as far as it relates
to the documentary itself, it's gonna

be so hard 'cause there's gonna be
memes and all sorts of commentary

and stuff coming out of the movie.

It just opened this weekend.

It's already just kind of like the
theaters were packed basically, uh,

here where we are, which I kind of
was, wasn't completely surprised given

the online conversation around it.

But it is also sometimes where you're
like it seems really popular online, then

you go into the real world and you don't
really see anybody, you know, watching

Widow's Bay, let's say, on Apple TV.

It felt very popular online,
but none of my friends in real

life here had heard of it.

go see You Can See Everything
if you can, if you like movies.

I don't know.

I don't know how to quan-
quantify it 'cause it's not…

Again, by every reasonable expectation,
it shouldn't be that exciting of

a-- It's almost three hours long.

You need to pee before you go
because, uh, there is no point where

it feels like a natural break to
get out and go pee if you had to.

Don't ask me how I know

And it's absolutely a movie that
I don't know if I wanna see it

with a bunch of folks I knew.

Like, I sort of was tempted to text
a bunch of friends or whatever and

say, "Hey, we're going to this.

Do you wanna come?"

And in some ways, like, I'm kinda
glad I didn't 'cause you kinda would

have to have a-- you almost have to
have, like, a reaction afterwards,

and I kinda wanted to sit with it.

It was a movie where I definitely wanted
to sit and process, sort of simmer a bit.

We came back home and kinda just
talked about it a bit here as a family.

But, yeah, now I'm, like, keen to
either maybe go see it again, I'm not

sure, but definitely to get together,
uh, and chat about the movie and

thoughts and just how it kinda…

What resonated, what stuck
with me longer, what I'm still

processing and thinking about.

And it's also, like, don't-- I hate that
we've built up everything to be like

this is the most amazing thing ever.

Everything has to kinda
be, like, so heightened.

And so it's also fine if
you don't ever go see this.

Like, life will go on.

I wouldn't say it's life-changing.

It's kinda just a really well-done
both documentary and that sort of

genre, but also just larger film.

it's just really well done

All right.

Normally on Mondays I do mailbag Monday.

I didn't have time to get it
all together between work and

stuff that has to happen today.

But I will take time to thank
the Patreon supporters, John and

Justin over at transistor.fm,

Abby Fisher, Eileen Smee, Three Guys With
Questions podcast, my mom, Lynn, and then

over on YouTube membership, Void and Cozy.

As always, feel free to reply to this
post on social media wherever you saw

it, or in the comments on YouTube, or
you can email me chris.enns@gmail.com.

If you're not already subscribed, you
can visit daily.chrisenns.com/subscribe

to see all the ways you can subscribe
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wherever you get your podcasts.

Again, I'm Chris.

Thanks for listening.

Hope you'll be back tomorrow.

Have a great day.

Bye.