Is Anything Real? is the Reality-First Leadership podcast for builder-leaders who want outcomes, not optics. Each week, Adam W. Barney sits down with founders and operators to unpack positioning, marketing, community, energy management, and influence - plus the numbers behind what actually worked.
You’ll hear: a quick Reality Check, a practical Proof Stack (inputs → actions → outcomes), and one EnergyOS habit you can run this week. Specifics over slogans; humane systems over hustle cosplay.
New episodes every Wednesday at 12:00 PM ET.
👉 Book your 20-min Exploration Call: https://calendly.com/adamwbarney/explorationplugin-20min
Here's a myth
that keeps a lot of brilliant people
confusing their audience into silence.
Your story is what happened to you.
That's a clean assumption, but it's the wrong edit
because what happened is not automatically a story.
It's a pile of events, a resume in a costume,
or a documentary nobody asked to watch uncut.
The real story is the meaning you pull from the mess.
It's the moment someone hears you and thinks, "Oh, that's me,"
or "That's what I'm afraid of,"
or "That's the thing I haven't been able to name."
And of course, in a world drowning in content,
AI summaries, sales webinars, pitch decks,
and personal brands wearing matching linen sets on LinkedIn,
story may actually be the last trust engine
we still know how to feel.
Welcome back to Is Anything Real,
the reality-first leadership show
where we test advice,
publish the receipts,
and ship what actually works under pressure.
I'm Adam W. Barney,
transition leadership coach,
author of "Make Your Own Glass Half Full",
and builder of EnergyOS,
where I help leaders rebuild their operating system
when the tools that got them here stop working.
Today's guest is Kyle Gray,
founder of the Story Engine.
Kyle helps experienced experts,
coaches, consultants, and speakers
turn complex knowledge
into clear, sales-driving stories
for webinars, stages, and conversations
that actually move people.
And this one is a podswap in the truest sense.
I'm joining Kyle's show
where he's going to take my very nonlinear story:
corporate marketing,
$100 million plus in paid ad spend,
layoffs, ALS, Canavan disease,
my book, daughters, coaching
and all the chaos there
and distill it into
a three- to five-minute narrative.
Then Kyle is here today so we can ask the deeper question:
What makes a real story?
Kyle, welcome to Is Anything Real?
Adam, thank you so much.
There was such a unique essence of like a almost like an iHeartRadio
or like a non-live recorded podcast to your introduction.
I feel like I'm on a professional like NPR radio show,
so that's like a unique experience,
and I have to give you a hat tip to you.
Thank you.
For, yeah, the opening there.
Well, and I knew this would be fun Kyle,
when you described your process as basically
helping experts experience their own story
from outside themselves
and that's either
storytelling, maybe it's part therapy,
or it's actually legal witchcraft.
It could be all three at once,
but let's\start there.
Why do smart smart experts struggle so badly
to tell simple stories?
Well, I think you actually, in your brilliant introduction,
illustrated one of the biggest problems is,
you had a laundry list of:
I was in marketing.
I have these things.
I have kids.
Ups and downs.
There's so many things in my life.
And I get this very, very often.
And a lot of people there, first of all,
there's a lot of things to choose from,
and there's a lot of emotions
around a lot of things to choose from.
And those emotions we assigned to those things many years ago,
and they have mostly stayed the same.
Right.
And so when it comes to like
searching our own mind for things,
it's like there's so many like
this story is 92% good,
this story is 95% good,
this one's 97% good,
and it's like they all feel so important.
And so, I either have to, like, talk for so long
and just like share what I feel is important,
and sometimes it feels good for me.
But that usually means I go 20 minutes
over the amount of time that I was trying to talk,
and people will often,
in the middle of me telling a story,
say that they need to go to the bathroom
and not come back.
But I thought I was giving my best stuff away.
I felt great when I was talking, but they, yeah,
people end up having to pee for some reason.
We're humans.
Yeah, or so that's one one extreme of it,
and then the other extreme of this problem is like
I don't have any stories to tell.
I'm a really boring person.
And either way, the expression is actually,
I don't know how to tell stories
or I don't know what stories are available to tell.
And when we learn that there are different stories
that serve different purposes,
then when we can start to practice
in those frameworks,
it allows us to make decisions about things that
we've never really had a lens or a process
to make decisions about these before.
Because all stories are just stories,
and a story,
I don't even know what it's for.
It's like something funny to tell to entertain my friends,
or like where we know stories are important,
but we just kind of had this
natural understanding of their existence
and they impact us,
but we don't really,
we just know that they do without knowing how.
And so, by simply creating frameworks and structures
that allow us to start understanding the purpose of things,
first of all,
it allows us to take a new lens to our own life
and find stories and moments
that we might have previously found or labeled as
not a good story,
or a story that proves that I am not a valuable person,
or definitely not a story that I would want to share from stage.
I've had a lot of those before in my in my own life.
But when we can start to see, like,
oh, there's formulas and frameworks
for using this story to reach ideal clients
who aren't feeling seen, who need this,
then some of these moments we might actually
become excited to share things.
We might actually find that moments that
for a long time we thought were things we weren't proud of,
we can actually be proud of those things.
And so simple frameworks allow us to access our past
and also start to listen to people.
When you start to understand
different frameworks of stories.
Instead of constantly, like,
standing in front of somebody and being like,
what should I tell them next
to prove to them that I'm an expert?
Where's the personality, right?
Yeah, we start listening.
Like, what is this person's problems?
What are they saying?
Like, who do I know that's just
like them that I could tell them about?
What limiting beliefs are they bringing to me right now
that I could actually be of service to this person?
Well, and I've heard you say something
that I really love.
And it's when you ask someone directly,
"What story do you want to tell?"
But the brain often doesn't give you the best story.
It gives you polished, obvious, maybe overused ones.
But I love how your process, Kyle, goes a different way.
You ask about clients, you get them into the feeling,
and you ask when they felt something similar.
And that's fascinating because it gets people
out of performance and into recognition.
And that changes everything.
You know, does the body sometimes remember the real story?
Or why does the body sometimes remember the real story
before the brain does?
That's a great question, and yeah,
you're pointing out there's
two different kind of unique processes
happening at the same time,
and the first is experiential.
I like to ask people where they're
went through experiencing of words.
I like to ask people, like,
what's your ideal client's problems?
Okay, so then they'll tell us their problems
and they usually have good answers,
and then I'll ask a level deeper.
What would somebody with those problems say
over at a coffee table with their friend?
They don't know you, and they're not smart like you.
They don't know what Facebook ads are.
So how would they express their problem?
Or they don't know what peptides are, whatever.
And then we go a little bit further.
Like, what would somebody at three in the morning?
They're calling you.
They're in a panic.
They're admitting things they've never admitted to anybody else.
What are they saying about this problem
and not just the problem that you're solving,
but like the implications of what it all happens in their business.
And we get into it, and that's usually some intense stuff, right?
And so, if we, like, engage in this,
there's an energetics
and there's a physicality to these words.
And if we actually start to read them out loud,
we feel them in our bodies.
And so, I'll read them out loud,
or I'll read it out loud with my client,
or help them do it.
And I'll ask them, where in your body do you feel this?
And then you can say,
when else in my life have I felt like this?
Because the brain, I don't know if you've ever experienced this
but this is really easy to experience in a smell,
like if you experience a scented candle
that you haven't smelled since, you know,
your mom had this scented candle,
and it like awakens memories
that's the same thing,
emotions do that same thing;
they're just like a smell.
And we can't search our brain.
Like, we can't search our mind for stories and, like
just have a complete universal,
we remember everything perfectly.
It's unfortunate, but we can't.
And additionally, like, how we search our brain.
Usually, when somebody like wants to write a talk,
even if they don't admit they're searching this way,
they're searching,
what story do I tell
to make myself look like an authority?
And Google is not going to search for the thing
that comes up when we are having this feeling,
talking about this dark 3 a.m. moment.
But, like, usually the person's first response is,
well, I definitely don't want to tell
this story that's just come up.
But it gives us an opportunity to work within it.
Well, and love how you've also said that
in your process around, say, the 30-minute mark,
you actually take everything you've heard
and tell the person their own story back to them,
as if you are them,
and that's a wild mirror.
And I know the goal, obviously, Kyle,
is not just for it to sound accurate,
it's for them to feel what their audience should feel.
What do you think happens when
an expert hears their story from the outside?
Absolutely.
Well, again, one element that we went through,
we like talked about it being experiential.
And I think that's really important for
entrepreneurs and founders and leaders
who are super duper busy.
Their minds are super duper taxed.
They're distracted.
They have to run a growing business,
and now they also have to be
a part-time AI genius just to stay relevant.
So, like, that takes a lot of time.
Then it's difficult to, like, fill in more intellectual things.
And really, like, they come to me
because they're overtaxed intellectually.
So, moving through this experiential
and havingc something that you can feel
allows these ideas to hit you differently
and, like, infuse differently.
If I gave you the perfect script,
somebody wouldn't read it.
But if you can feel it, and know it,
and experience it, and smell it,
like, we kind of described before,
then you can remember it more quickly.
So that's the gift of reading their story back, is
it's such a burden being yourself,
and you have so many judgments of yourself,
and you have so many editing,
and there's so many like voices shaking all of the time
and being able to relieve somebody
of their own perspectives on their story
and just drive through that,
allows somebody to be seen in a way
that they've never experienced before.
And so this is a really powerful process,
and it's kind of a dangerous process for me as a podcast host.
I want to show them this, and it's a great blessing,
and it feels really good.
But I also, like, want this to be
like, this is the, like, you can do this too.
You can't do this yet, but the idea of this show is to show you
that there's a repeatable process and a formula
that you can practice to create these kind of things,
and that's what I want to show people is like,
the people that work with me,
they're able to do this with their own stories
at any moment, at any time
and that's the promise and the offer
that I give for people.
And it's not just about telling a story to open up a talk;
it's about telling a story about your clients
that you've worked with before
to overcome your audience's biggest objections
before they happen.
About your clients being successful
in ways that you couldn't have imagined before
and, like, allowing the audience
to see their possibilities.
There's a great deal that goes into this,
but I think one of the biggest shifts is really, like,
infusing everything in your talk
from trying not to be,
how do I prove myself as an authority
to really, how do I serve this person
and all of the frameworks
really help make that shift.
And even we've seen it in, like,
we find the client's language
and then move into our own body
to find the right story.
But it's in service to them,
and when we reorient all of our talk
around that same idea,
magic results happen.
Well, and that weaves, I think,
into this idea of nonlinearity, right?
It's one of my favorite things in the world.
But you know, a great story doesn't need,
it doesn't need to include everything.
It just needs enough for the truth to land,
and for people to feel it, right?
You know my story, you know,
20 years in corporate marketing,
global agencies, VC-backed startups,
Fortune 500 clients,
$100 million plus in ad spend,
leaving corporate in 2021,
losing my mom to bullbar onset ALS,
getting involved in ALS research.
Close friends' child diagnosed with Canavan, you know,
my father's hydrocephalus,
building a coaching practice.
I could go on and on and on,
and that's not a
neat three-act structure from the inside.
It's a junk drawer with meaning inside of it, right?
And I love how that process helps to find that throughline
when life and business is nonlinear.
What do nonlinear stories reveal
that polished success stories hide?
I'll express that through nonlinear stories
or learning how to interface with your stories.
Like you said, there are so many things,
and so many important things.
And again, like we've assigned a lot of labels to those stories,
and those end up impacting us more than just
when we speak,
or what we stories we decide to tell,
but those labels have a consistent impact.
And I will tell you about one of my clients,
JR,
and the impact of, like,
these kind of stories can have.
He was going through my mastermind last year
and I can remember at our first retreat
he did an opening story
like the one we're about to create.
And he talks about coming home
and kneeling in front of his daughter
in a really tense moment.
He had just gotten in a fight with his wife about traveling,
being away so much for work,
working too hard,
having no availability for them.
And he goes, and he kneels in front of his daughter,
and he says,
"Livy, are you afraid of me?"
And she says, "Yes,
especially when you and mommy fight."
And he's like kneeling down
in front of a group of us,
telling us this story in this moment,
and we can, like, feel a pin drop in the room,
and this was like, he begins telling this story.
He's running a high-end biohacking clinic in Miami.
But his family lives in Minnesota,
so at this time
he's actually traveling three weeks out of out the month
to be in Miami and grow this biohacking clinic,
and he starts sharing this story.
He's moving some doctors to tears,
and they're coming to him,
and things are working.
But at the same time, it becomes increasingly obvious
that him working in this clinic is
living the same problem
that he was in the story, because he's overworking himself,
he's causing the same family problems,
and there's a great cognitive dissonance
that happens when you're telling a story about this
and then you're living it still.
And so, JR's life began to change.
Instead of, like, working double full-time at this clinic,
he started finding ways to being, like,
well, maybe I can work for the nonprofits here,
or maybe I can do this too.
I don't know if I'm going to fit here.
Maybe I can become a fractional, you know,
for several other companies.
And over the course of six months,
had to make a really difficult transition away from overperforming,
like he had been doing for many years and providing.
And I remember him telling me, like, not six months after this,
that he had three fractional things after leaving the clinic, you know,
three months later,
was making more than he was in the clinic,
but he was able to stay home
and coach his kids' hockey,
and gave the same talk and the same thing
that we had developed with the story
and made like $130,000 for one of his companies.
Wow.
And so, the point of that is that, like,
learning and practicing and engaging in these stories,
like, is crafting your identity and your vision
and putting it into effect in ways,
and it will allow you to be in more alignment with your life.
That's a great example of how, Kyle, I would say,
clean stories impress,
but those honest stories truly deeply connect.
Kyle, at this point, you know,
I kind of want to move this into a move
that listeners could run this week,
and I want to call it
The Story Signal Reset.
And I view this, Kyle, as something for anyone
trying to explain what they do,
sell what they do,
or stop turning their expertise into a virtual fog machine.
And it's four just simple questions to start with.
I would ask first:
what does my audience feel before they need me?
The second is:
when have I felt something similar?
The third is:
what changed because of that experience?
Then the last one is:
what's the one sentence I want the listener
to believe after hearing it?
But Kyle,
I know that's a pretty maybe simplified way to look at it,
but what would you add to that to help, you know,
that story move from a performance to become a bridge?
I actually love that.
I think that's really, like, I'm impressed,
and I like the simplicity of that
and really endorse that.
The big thing that I would say,
there's a couple of different uses of stories.
So, like a story at the beginning,
like the one we're going to create on our podcast,
it's like what you were saying,
it's what is my client feeling?
And that leads me.
When I figure out what I want to teach somebody,
I ask myself,
what are the limiting beliefs that are
keeping my client from getting the result that I want?
And then I build my teaching around that.
Instead of whatever is the cool thing that I'm doing right now,
or you know, yeah, yeah.
And so we're always just,
if you can just always be taking it back
to it's even simpler, of like,
what does my client really need right now?
And your client does not need to know more.
They need a change in perspective.
And so I think really good coaching and really good, like, speaking
and selling from the stage is actually good coaching.
A great speaker will be able to know your objections
like a chess player, four moves ahead,
and through the stories,
that he's telling or they are telling
and how they're teaching,
they will open up new possibilities.
Most speakers just teach how to do something,
and they overwhelm people
and leave you feeling the exact opposite experience.
That's great.
That's a great point.
Well, you know, Kyle, you know how we end here:
after all of this,
and especially that myth that your story
is simply what happened.
I have to ask, is anything real?
No, it's all a story.
It is entirely, like, your choice.
I wish I, like, believed it more.
I wish I could, like, fully lean into it,
but it's so clear that this is just my brain,
and the story that I am telling.
That's great.
I mean, what feels real to me here is that recognition, right?
The moment when someone hears a story,
and their body knows
before their brain finishes the sentence,
that's me.
That's the signal.
I see that as what's real, but Kyle,
where can folks find you,
The Story Engine,
and your broader work?
Yeah,
thestoryengine.co
You can also check out The Story Engine Podcast,
which we'll be having you on in just a few minutes after this.
I'm interviewing experts and leaders
from all kinds of walks of life
and helping them create powerful stage-ready stories
every single week on the podcast.
So I highly recommend checking that out.
And if you are interested in building a talk
and making more money with your business with stories,
please reach out whether to be a guest or a client.
There's lots of ways that I work with people
to help them make a ton more money.
Other than that, yeah, I have a few books.
The biggest one is called The Story Engine,
and that's how people can read it.
Anyway, that's what I've got for today.
And we'll, of course, link to those in the show notes below.
You know, but for the listener, I would recommend, you know,
stop making your story carry every fact from your life.
Your story is not the archive.
It's actually the bridge.
It's not a resume.
Well, it's about asking what your audience feels, right?
You know, find the moment in your journey where you felt it too.
Extract that meaning.
Maybe it's say less even, and just land more.
And if this hits, send it to the expert in your life
who explains beautifully for 12 minutes
and somehow makes everyone less sure
what they're actually doing.
You know, we have to help them find this thread.
And if you're navigating a leadership transition,
there's also a 20-minute foundation call with me
linked in the show notes below.
But Kyle, thank you for the story mirror
and the reminder that simple is not necessarily small,
and it's your responsibility.
Even though you're smart
and you're really good at what you do,
if you're not able to communicate
to the people who need you,
then you're not actually as competent in your skills
as you need to be.
And it's up to you because I believe right now,
more than ever,
that we really do need experts like you,
listener, doing your best
and making your most impact.
And it's your ability
to communicate that vision and that impact
and enroll people.
We need people at their very best right now
to usher in this new future
that I think is going to be prosperous and abundant.
But that means you need to be telling your story
and selling more of your products and services.
There are people that need you out there,
so go get them.
That's beautiful.
Well, until next time, stay grounded,
stay human,
and keep questioning the noise.