ETC's On Headset

As time runs out the team finishes Act II!

Show Notes

In this episode: As time runs out the team finishes Act II!

We’re excited to introduce ETC's On Headset, a new audio series that enables listeners to program in real-time with a lighting designer as they construct the look of a major theatrical production.

Our goal with this project is to fill the gap between the traditional classroom or "e-training" methods of console training and actually sitting behind an Eos desk in a theater. Maybe you know where the buttons are and what they do but want to know more about how used in context. Or maybe you just want to work on your muscle memory. This is a console flight simulator to help with both. If you wish, you can type along with Ken's instruction, or, if you'd prefer a more passive experience, simply eavesdrop (you may want to begin listening to episode 12 when it gets really lively!).

This series features esteemed Broadway lighting designer Ken Billington and a lightly curated recording of the headset conversations during tech of the New York City Center Encores’ Me and My Girl in May of 2018. The recordings are broken into 13 episodes, which start as Ken begins putting cues into the console and end after the dress rehearsal—which for Encores, is about 90 percent of the lighting time allowed.

New York City Center generously allowed us to witness the perfect case study for lighting in theatre—a frenzied weeklong blitz to put on a full musical. The first 11 episodes are dry tech and tech rehearsals. We've provided a show file for each episode, if you’re starting at the beginning you only need the first, you’ll build from there.  If want to begin, further along, use the file to match your starting point. The last two episodes are recordings of the dress rehearsal (somewhat combined with tech). If you're typing along, this gets a bit more intense. It's also where we realized that the recordings are pretty entertaining in their own right—Nancy Pittelman and her stage management team and Ken and his lighting team are true masters in their kitchens!

While the process is always fast-paced, Encores is especially condensed (as Ken mentions in his introduction to the series). It is the musical theater equivalent of a competition cooking show... here are your ingredients, you have 8 hours…GO!

To find all of the supporting materials (show files, paperwork, and photos of the production) head to etcconnect.com/onheadset

We hope you find the series both entertaining and educational!

What is ETC's On Headset?

Our team worked with industry experts to create an audio learning exercise  to help  fine-tune your  live programming skills.

Practice your programming skills in real-time as you listen to award-winning Lighting Designer Ken  Billington direct his lighting team for the production of New York City Center  Encores’ Me and My Girl.

Speaker 1:

So, Cody, when you can, if you'll bring in that house curtain. Christian's coming up, and once he's up there, let's bring it in.

Speaker 2:

What queue do we want in?

Speaker 1:

As soon as we get Christian, I'll just Alright. Checking back in. Greg, are you back with me?

Speaker 2:

Yes. Standby.

Speaker 1:

Sir. And, Kurt, are you good? Alright. Perfect. Thank you.

Speaker 1:

And, Mike, do I have you back? Thank you. Thanks, Kurt. Alright. And, Cody, can you just confirm that you have Rob standing by in the wings, please?

Speaker 3:

He is on stage.

Speaker 1:

He's on stage. Alright. When we get close, let's just pull him off because he's gonna make an entrance from stage right. Let me know, gang, when you have places, please, and let me know when you have your curtain gentlemen in place.

Speaker 3:

They are standing by.

Speaker 1:

And, Cody, if it looks like you're close with places, it's fine because we have the on track so people can sort of wander in. So as soon as you're close, let me know.

Speaker 3:

Almost there. I just gotta get Rob off.

Speaker 1:

Thank you. Alright. So electrics 100 go. And let's stand by for the house curtain. There's your light.

Speaker 1:

Just let me know when you have Rob and you're ready.

Speaker 3:

We are almost there. We are let's do it.

Speaker 1:

Alright, ladies and gentlemen. Here we go. It's act 2. Electrics 101 and house to half. Go.

Speaker 1:

Electrics 102 and house out.

Speaker 2:

House is at house.

Speaker 1:

Go. Electric's 103.

Speaker 2:

House is out.

Speaker 4:

Go.

Speaker 1:

Electric's 104.

Speaker 4:

I wonder if we should have 342 in from the beginning when the curtain goes out. 342 on the house. And try color with r 30, 31 color 31. 131. Yeah.

Speaker 4:

And q100.

Speaker 1:

Electrics 105. Go.

Speaker 4:

Anticipate that one a little more.

Speaker 1:

Thank you.

Speaker 4:

Like on the 7, I guess.

Speaker 2:

Would you like, color in your band front lights? I

Speaker 4:

Yeah. I like there's no color in it. Well, I like color 51. Better. Because they're wearing black, so you can't do it more.

Speaker 1:

Electrics 106. Go.

Speaker 4:

107 time 3.

Speaker 3:

Nancy, may I get a second?

Speaker 1:

Kasky, was that you?

Speaker 3:

Cody, whenever you get a second.

Speaker 1:

Go ahead, Cody.

Speaker 3:

There's no, shelf on the rolling cart. Understood. So I'll come on and grab the book.

Speaker 1:

Okay. Great. Cody, is it possible to put the music stand back, or are we past that point?

Speaker 3:

Tempo. I don't think so.

Speaker 1:

I'll try. Copy that. Maybe if you can get to Christian, and the duchess, if you can just give them a heads up.

Speaker 2:

I'll let them know.

Speaker 1:

Thank you. Electrics 108. Go. Electric's 109. Go.

Speaker 4:

Put, 4 at full and take 5 out, and update queue only.

Speaker 1:

Electrics 110. Go. Electric's 112. Go. Electric's 113.

Speaker 1:

Go. Electric's 114. Go. Electric's 115. Go.

Speaker 2:

He just went up for a fitting, but I Okay.

Speaker 1:

Get him off.

Speaker 2:

Be able to close. I just paged

Speaker 1:

him. Electrics 116. Go. Electric's 117. Go.

Speaker 4:

That's a big old plunge. Make this time 20, please. Take 342 to color 131. But you do that with q whatever with 117.

Speaker 1:

Electrics, 118. Go. Electric's 119. Go.

Speaker 4:

Would you record this, please? 118.5. I'm sorry. Go back into 118. Sorry.

Speaker 4:

Going back into 118. Let's record this 118.5 times 3. Label with music. 118 point 5 is with music. Okay.

Speaker 4:

Then go back into 118. Which takes 161 through 172 out. And let's update queue only.

Speaker 1:

Cody, do we think this is a long fix?

Speaker 3:

No. We should be fixing this.

Speaker 1:

Okay. Great. Thank you.

Speaker 4:

Nancy? We're good.

Speaker 1:

Alright. We're back on track, Christian.

Speaker 4:

Like Hugo. Nancy, in your script, please Yes. There's a 118 point 5 Okay. With the music with the pickup for the transition. 118 will be on the button and where you called it.

Speaker 1:

Yes. And then 118 is with the downbeat. Understood. Thank you.

Speaker 4:

Take 84 and 88 out, please. Take the steps out, please. We probably need them, but let's update 119 q only. 119q only. Take, 84 out, please.

Speaker 2:

The stairs came back. What? The stairs came back.

Speaker 4:

Take them out, please. Well, I don't know if she goes up there. She's gonna exit the stairs. She's gonna walk up that way now. And let's update, please.

Speaker 4:

Take 106

Speaker 1:

like you're 23, those frames coming in.

Speaker 4:

Take 108 out. Take 112 of 116 out. An update.

Speaker 1:

Electrics 121. Go. Electrics 122. Go. Electrics 123.

Speaker 4:

Go.

Speaker 1:

Electric's 124. Go. Electrics 125, go.

Speaker 4:

Nancy.

Speaker 1:

Yes.

Speaker 4:

Look back on 122. Uh-huh. We neatly take it on the attack on the last note.

Speaker 1:

Thank you. Mhmm.

Speaker 4:

Thank you. Go on that.

Speaker 1:

Oh, electrics 126. Go.

Speaker 4:

We're in 126.

Speaker 1:

Electrics 128. Go. Winches carrying responsibility. Electrics 129. Go.

Speaker 1:

Electric's 130. Go. Electric's 131. Go. Electric's 132.

Speaker 1:

Go. Electric's 133. Go. Electric's 0.5. Go.

Speaker 1:

Electric's 134. Go. Warning on fly q 25. That's the frames going out. Electric's 135.

Speaker 1:

Go. Electrics 136. Go. Electric 137. Go.

Speaker 1:

So we have that moment towards the end of the scene where he needs to pick it up again.

Speaker 3:

Okay.

Speaker 1:

So it'd be better if we could keep it there.

Speaker 3:

I think your I don't think it's gonna fall. He just looks like a mint.

Speaker 4:

Take 84 out, please. Take 88 out. We can do that. Sure. Update 137 through 138.5q only.

Speaker 1:

Electric's 138. Go. So do we have to take the book off?

Speaker 4:

Update, please.

Speaker 1:

Electrics. 5. Go.

Speaker 4:

Oh, boy. Put the stage left stair aside. 138.5 q only.

Speaker 1:

Electric's 139. Go. Electric's 141. Go. Electric's 142.

Speaker 3:

Go.

Speaker 1:

Electric's 0.5. Go. Warning for the doors off, warning out for the pub in, FlyQ 27, FlyQ 28 on the blue. The scrim coming in. Electric's 143.

Speaker 1:

Go. Electric's 144. Go. Electric's 145.

Speaker 4:

Why is it not let sub up in in

Speaker 2:

It's up in the next queue.

Speaker 1:

Go.

Speaker 4:

Okay. Yeah.

Speaker 3:

But I did

Speaker 2:

that queue earlier.

Speaker 1:

Electric's 0.5.

Speaker 4:

Yeah. We need we need to get the lamp in a queue earlier. So, it's that lamps. It's on this page. So 2 290.

Speaker 4:

Through 292 needs to come up in one 43.

Speaker 1:

Thank you.

Speaker 4:

Pull the spots down a little bit. We're a little too bright, guys. Thanks.

Speaker 3:

I can anticipate that a little more as well.

Speaker 1:

Be great. Thank you.

Speaker 2:

The lamppost are all set.

Speaker 4:

What?

Speaker 2:

The lamppost is all set.

Speaker 4:

Okay. Thanks.

Speaker 1:

Electric's 146. Go. Warning on fly q 30. This is the new pub out. Electrics 147.

Speaker 1:

Go.

Speaker 4:

Come a little brighter when we change color. Thanks.

Speaker 1:

Electrics 148. Go. Electrics 149, go.

Speaker 4:

149 should be right now.

Speaker 1:

Copy that.

Speaker 4:

You find that point. Do you where you had another focus? Oh, there's Sally. Q149. Greg?

Speaker 1:

Electric's 150. Go.

Speaker 4:

Never mind.

Speaker 1:

Electric's 151. Go.

Speaker 4:

Comes up 151, sounds like. Put them in color ones color 66. Yeah.

Speaker 1:

Electrics 152. Go.

Speaker 4:

Go blind. Last. Last. Last. 130, 36 and 37 to full, please.

Speaker 1:

Electrics 153.

Speaker 4:

Next. Next. 36 and 37. Then enter. And then you can go.

Speaker 4:

Oh, boy. That didn't look good. 153.

Speaker 1:

Electric's 153. Never mind.

Speaker 4:

That should be 153 there and take the lamppost out, please. It's 153.

Speaker 1:

Warning for the pub back in. That's flight queue 30.5. Electrics 154. Go. Electrics.

Speaker 4:

Take that special out.

Speaker 1:

Take that special out.

Speaker 4:

I'll find it where it comes up. Turn it on.

Speaker 1:

Electrics 156. Go. Electrics 157. Go. Warning on the doors.

Speaker 1:

Warning on fly q 31, which is the scram warning on fly q 33, which is on the blue, the pub going out.

Speaker 4:

Make a separate queue. It'll be at 155.5.

Speaker 2:

Come with me.

Speaker 1:

Electrics 158. Go.

Speaker 4:

Irish down Here

Speaker 1:

comes the scram coming in. Electric's go. Sorry. That should be here. And just and then, Cody, I would queue your light right there.

Speaker 1:

So that's not an auto follow for them?

Speaker 3:

Yep.

Speaker 1:

Thank you.

Speaker 2:

Did you make a 155.5?

Speaker 4:

Yeah. I haven't made it. Yep. Yes. You can make it, please.

Speaker 4:

Q155.5 time

Speaker 3:

Got an answer to that one. 5.

Speaker 1:

Yep. Thanks. Electric's 160. Go.

Speaker 4:

The transition didn't look very good. Go back into 159, please. Put, 373, 374, 393, 394 at 7. 375 and 395 at 7. K.

Speaker 4:

Would you update that, please? And then go on the next queue. 161 go. And 162 go.

Speaker 1:

You want 162 up at bedroom, top of

Speaker 4:

the roof? It's when they get off the ramp. So

Speaker 1:

Okay. Got it. Electric's 163. Go. Smith.

Speaker 1:

Electric's 160. Go.

Speaker 4:

With doors open. Let's put that in lavender.

Speaker 1:

That doesn't

Speaker 4:

look very pretty. I'll probably color go back, Hugh. Go back. Put it in color 150. Put it in color 52, 50 1, 53, 153, 154.

Speaker 4:

153 would be better. Okay. Great. Change that.

Speaker 1:

165. Go.

Speaker 4:

Okay. 164. Go. And 165. Go.

Speaker 4:

Do I need more light?

Speaker 2:

So I'm on 4 full.

Speaker 4:

That will solve him.

Speaker 3:

Yeah.

Speaker 4:

And put 22 full.

Speaker 2:

I can also stay on the duchess if you'd prefer. I have an open spot right now.

Speaker 4:

Okay. Because we can take care of I'll take care of Chuck with

Speaker 2:

That's helpful.

Speaker 3:

Yeah.

Speaker 2:

Thank you.

Speaker 4:

Let's update queue only, please.

Speaker 1:

Warning on flight queue 35, wedding hangar. Electric's 166, go. Electric's 167. Go.

Speaker 2:

Am I hitting back or queue?

Speaker 4:

Yeah. Go back. Go back. Do what you need. So when they kiss, let's go down nice, tight, half body.

Speaker 2:

Okay. Alright. Thank you.

Speaker 4:

Nancy. So 163 has to be with door open. Okay.

Speaker 1:

Got that changed. Thank you.

Speaker 4:

Okay.

Speaker 1:

Thanks.

Speaker 4:

Adding a queue on page of 95.

Speaker 1:

Okay.

Speaker 4:

We're adding a 155.5 on lady 5678123 comes. You see that? Yep. That is 155.5.

Speaker 1:

Thank you.

Speaker 4:

Thank you.

Speaker 1:

And, Ken, we're just building this for the first time. So don't know exactly what we're gonna see. Thank you.

Speaker 4:

Please. I'm so used to that. It's not it's fine. I cover an error when you put act 2 and act 1 and and saw it for the with a performance.

Speaker 1:

That's very exciting.

Speaker 4:

So

Speaker 1:

So this is that little tag where the bloody

Speaker 4:

hell 66 is there. That's 167.

Speaker 1:

Got

Speaker 4:

it. 167 go. 101 and 111 full. Put 3 and 23 of 5. Okay.

Speaker 4:

Let's update, please. Label this Gerald Singh. It's g e r a l d. Label 166 on kiss.

Speaker 2:

Ken, if you have a second. Yeah. Do we want a spot on each of these three couples? So with the kiss, we go to one spot.

Speaker 4:

And then

Speaker 2:

have 2.

Speaker 4:

Right. Cool.

Speaker 3:

Right.

Speaker 4:

Tell you what, we should light the stairs with this well, at least with, 341 and340 3, and then you'll follow with 350 and 351. Those, ramps.

Speaker 2:

In 167?

Speaker 4:

Yes. What we're in now. And I gotta come up with some prettier color. Are you because you're if you're

Speaker 2:

I'm this is just track from over here. So what would you like it

Speaker 4:

to do? Let's see what they're in. They're on 131, which is try color 35. 135. Actually, that's the better color.

Speaker 4:

So let's do that. And then you'll get the other ones in there in a second, which you'll just follow on. Do you

Speaker 2:

want them just auto follow?

Speaker 4:

Yeah. Because they just went out, so you have to follow them in. So 350351 following.

Speaker 1:

Kasky, if we need to give order up a heads up, we'll probably need the cloak for noon tomorrow. Alright. I'll let him know. Thank you.

Speaker 4:

Right. You gotta add the other 2 lights, 359351 because they just went out.

Speaker 2:

It's so it's that's I added a 167.1.

Speaker 4:

167.1 which brings up 350351. And they should be in the same color.

Speaker 2:

Do you know where I can take those out to preset for the band front light?

Speaker 4:

You know, we'll get them out. They're all gonna come down for a bow. These short staging this now. We'll we'll watch this, and then we'll see what happens.

Speaker 2:

Chad, what's your time on that new queue? 67.9 Right now it's 3 until 10 tells me otherwise. It's it's the same as what it

Speaker 4:

What was the follow time? Up 4.

Speaker 2:

K. Follow 4 times 3.

Speaker 4:

Would you put channels 3435 full?

Speaker 2:

Can this blind queue?

Speaker 4:

Live. Sorry. Go live. The 34 and 35 full. 229 full.

Speaker 4:

And update here, please. 167. K. Go back a queue, please. Go.

Speaker 2:

I like Okay.

Speaker 4:

Working on this queue, would you put 106 or 107 full? 116 and 117 full. And would you put 11 through 15 and 5 at 3. Okay. Let's, update q 167, please.

Speaker 4:

Mhmm. Okay. Go back into 166. Hit the go button. So we're gonna finish up there.

Speaker 4:

I don't have any light.

Speaker 2:

342 is available?

Speaker 4:

Oh, it is. Put it on. We gotta get it. Let's let's try color, 35. 135.

Speaker 4:

35. And take it to 7. Yeah. I'm gonna get a light up there. So this is gonna be like q 167.5 times 0.

Speaker 4:

And go back in go back to I q when you're ready. Standing by 167.5 on the cutoff. 167.5. Go.

Speaker 1:

Oh, but I can start closing

Speaker 4:

it. No. No. I have to do it as they run up the stairs. 167.5 run upstairs.

Speaker 1:

Thank you.

Speaker 4:

And make it, 2, 2 count. And then once and then 167 0.7 on the button. Take it out. Make it 167.7 times 0. That'll be on the cutoff.

Speaker 1:

Thank you. And you'll take

Speaker 4:

it out, Chad. Right? Okay.

Speaker 2:

Yes, sir.

Speaker 4:

Alright. Now would you put 285 full? Greg. And update 167.1, and go on the next slide, queue 168 go. Put 12 through 14 at 7.

Speaker 4:

Put 11 and 15 at 7.

Speaker 1:

Go.

Speaker 4:

And update. Clean it up. Go on the next queue.

Speaker 1:

Electrics 170. Go.

Speaker 4:

K. In this queue, would you take 11 through 15 at 5? And

Speaker 1:

Electric's 170.

Speaker 4:

Queue only.

Speaker 1:

Go.

Speaker 4:

And go. Take 11 through 15 out, please. An update, please. Electric's Put, 5 and 21 at 7. And update.

Speaker 1:

Electric's 173.

Speaker 4:

Go. 172 go. So 173, go.

Speaker 1:

Electric's 174. Go?

Speaker 4:

Go. 175

Speaker 1:

go. 5. Go. Electrics. 176.

Speaker 1:

Go.

Speaker 4:

Okay. Alright. No. No. No.

Speaker 4:

No. Hang on. Let me do these one at a time here. Go to back into 175. Put, 321 through 324 full.

Speaker 4:

Put, 521 full.

Speaker 1:

Yeah. Cody, can we bring out spoons for Chuck and Harry?

Speaker 4:

Spots on whose spots on? Let's see it, please, if we could just so I can see what I'm

Speaker 2:

Can I get spot 1 on Bill and Duchess and spot 3 on Sally and Gerald, please? And if we can if we can cover the 2 spots with the center 6 people, that'd be great.

Speaker 4:

An abrupt date, please, and then go on the next queue.

Speaker 1:

Electrix 177. Go. Electrix 178.

Speaker 4:

Hey, Mike. Could we try something? Could you take No. 1 which lamp do you have available? You have a lamp not on.

Speaker 4:

Right? We're using 2 lamps in the bow. Mike, if you could just take one of the lamps, put it in a hard edge, and clear

Speaker 1:

So we would be and follow

Speaker 4:

the line from stage right as far as

Speaker 1:

Standing by a pro

Speaker 4:

electric one. Follow it all the way to stage left. Would that be possible, please?

Speaker 1:

We can go ahead and lose the wedding hanger.

Speaker 3:

Sure.

Speaker 4:

Thank you. Let's try it this next time when they start with the spoons. But a hard edge clear just slowly down the whole line like we're at Radio City. And when you get to the other end, just fade out. Working on this queue, please.

Speaker 4:

Would you take 321 through 324 out and update, please? So we're probably in q 165.

Speaker 1:

Alright. Cody, are you guys set back there?

Speaker 3:

I believe so. Yes.

Speaker 4:

Great.

Speaker 1:

And, Ken, are you guys good enough?

Speaker 4:

No. We're done. No. We did it.

Speaker 1:

Thank you. Electric's 163.

Speaker 4:

Go. Oh, we should be at 1663. 64. 163. 163.

Speaker 1:

Go. Yep. Electric's 165. Go. Mike, your next cue is gonna be 35 wedding hanger.

Speaker 4:

Put a 5 at full at 7. Update queue only, please.

Speaker 1:

Electrics 166. Go.

Speaker 4:

Time 5.

Speaker 1:

Electrics 167. Go. Electric's 0.7. Go. 168.

Speaker 1:

Go. Electric's 169. Go.

Speaker 4:

And just make a big down center there. It'd be fine.

Speaker 1:

Electrics 170. Go. If we can be in 169, please. Electric's 170. Go.

Speaker 4:

And pick them up as soon as you can on the sides.

Speaker 1:

Electrics, 171. Go. Electric's 172, go. Electric's 173. Go.

Speaker 1:

Electric's 174. Go. Electric's 175. Go. Electric's 176.

Speaker 1:

Go.

Speaker 4:

Standby with the spot. Go. Slow. And down. Yes.

Speaker 4:

Absolutely. Or it could happen here. Yeah. Do it here on the backs. That'd be better.

Speaker 4:

Oh.

Speaker 1:

So 177. Go. Electrics, 170.

Speaker 4:

Right on that last one if we can get it in the music.

Speaker 1:

Go.

Speaker 2:

Nancy, can I pull Tim for a fitting? He can't stay today, and I need him to get one. It's only I

Speaker 4:

have the house lights.

Speaker 2:

Gotta go once the day's over.

Speaker 4:

Call the house lights. 170 whatever. Hang on. Don't bring them down yet. Let's see.

Speaker 4:

We're

Speaker 2:

gonna stay up there for a second spots.

Speaker 4:

Oh, oh, let's well, then we should just do it. I'll write it right now.

Speaker 1:

167.7 is where I think

Speaker 4:

this is. Great. Go blind, please. Q 167.7. Okay.

Speaker 4:

Next, please. Block that, please. 168 is blocked. Okay. Now, last, 160 7.

Speaker 4:

We're gonna take everything out, Chad. 1 through 100 at 0. Put, 83 at 30, please. Okay. 101 through, 299 at 0.

Speaker 4:

300 at full. Great. And then next.

Speaker 1:

So Kasky and Cody were riding a blackout queue going into bows. So you're gonna have a lot of people coming off left and right. All the visible's come off. So just get flashlights ready.

Speaker 4:

Great. Blind last. Yeah. To clean that up, please, label blackout, please, also. And it should be an intensity block.

Speaker 4:

Sorry. My error. Good. Alright. Where are we going from?

Speaker 4:

Where are

Speaker 1:

you going from? From where they all join in on page 104. It's, it's right before we call electric 1

Speaker 4:

Go to 167 on stage, please. And So you have a so you know, we do a blackout with 167.7.

Speaker 2:

Yes. Okay. Pumping out with your 0 account.

Speaker 4:

I have you punched in. Sorry.

Speaker 1:

Put them on your page.

Speaker 4:

Do we wanna do it? Okay. Go on the next queue, please. Go in the next spot tile, please, and go. And I'll have to watch it go.

Speaker 1:

So we're gonna add just a hair of, like, hair

Speaker 4:

That's until everyone has got announce that it's going dark, please.

Speaker 1:

Folks going dark, going dark, everyone stay where you are.

Speaker 4:

Let me see. 201 through 205 at through 5. And take, 201 and 205 out. Update. Okay.

Speaker 4:

Go back to queue.

Speaker 1:

If we can be 167, please.

Speaker 4:

Or we can be 167.

Speaker 1:

Great. Thank you. Alright, gang. So let's just try this. So if we can go around from

Speaker 4:

somewhere with the system with the system, we'll go over that and

Speaker 1:

we're gonna try that with that new like queue. There's a little blue glow for Bill and everybody else. Alright. When you're ready, take it away, please, Rob.

Speaker 2:

The 1.1, Greg.

Speaker 4:

Right. And 167.5 run ups up ramps.

Speaker 1:

I have 0.2. Is it 0.5? Sorry.

Speaker 4:

0.5.

Speaker 1:

Thank you very much. So this is the vocal where everybody joins in, so come on down. So everyone would already great. Perfect. Thank you.

Speaker 1:

Alright. When you're ready, Rob, some little church.

Speaker 2:

4 minutes, Nancy.

Speaker 1:

Electric's 0.5. Go. Electrics 0.7. Go. Electrics 167.

Speaker 1:

Go. Electric's 170. Go. Electric's 171. Go.

Speaker 1:

Electric's 172. Go. Electric's 173. Go. Electric's 174.

Speaker 1:

Go. Electric's 175. Go. Electrics 176. Go.

Speaker 2:

Nancy, we're at 1 minute.

Speaker 1:

Thanks. Electrics 177. Go. Electrics 178. Go.

Speaker 4:

After

Speaker 3:

the bell.

Speaker 1:

Folks. That is unfortunately the end of our day, but thank you for getting that far.

Speaker 4:

House lights, please. House lights.

Speaker 2:

And they would be with 178?

Speaker 4:

Yes.

Speaker 2:

Okay.

Speaker 4:

Or would you

Speaker 2:

I'll mark it for myself.

Speaker 4:

Yeah. Please do. Let me fix q 170 while we're sitting here. Would you go to q160 9, please, when you're ready? Okay.

Speaker 4:

So that's 169. Now go on 170. We just pulled down too far. I just, psych this. Take 2 sixties, 267 through 269, 5.

Speaker 4:

Take 274 through 276 out. And would you bring 268 at 7? Okay. It should take 106 through 108, 116 through 118 at 5, 103 and 113 at 7, And would you update queue only, please? Go back a queue.

Speaker 4:

Let me just see if I've done this right and go. I know. Alright. I see exactly what to do here. Take 267 and 269 out.

Speaker 4:

Put 274 and 276 full. Yep. Okay. Update queue only. Go back to queue and go.

Speaker 4:

And go. And go. Yeah. Okay. That'll work, I think.

Speaker 4:

Go back a queue. No. It won't work. Let me screw this up. Blind.

Speaker 4:

264 through 276 at queue only enter. Live. Okay. Go back to queue. And go.

Speaker 4:

And go. Okay. He can take it out. Thank you.

Speaker 1:

Alright, Mike. Thank you.

Speaker 4:

Go to queue, 138. Hit the go button. 251 through 279. Recall from q 130 139. And I need you to record this as 1 38.7x20.

Speaker 4:

Label with music. You can bring the spots down if you did. Right? Okay. Would you just go back to queue, please?

Speaker 4:

Let me run this, and go. Next like you go. Good. Fix that. Okay.

Speaker 4:

That's a stage manager note. Go to q 14. Let's fix that right now. Car is way too bright. That that that square is

Speaker 2:

like brought it down to 70%. It was at full.

Speaker 4:

Oh, okay. Maybe color problems. Put it back at full. K. Put it in color, 51.

Speaker 4:

151. I think that's better. K. Alright. And update that.

Speaker 4:

Awesome. Then go on the next queue, please. Are they spinning when the lights come up? Are they

Speaker 2:

Yes. They are spinning.

Speaker 4:

They're pre they're preset spinning.

Speaker 2:

Yes. They are.

Speaker 4:

Okay. That's good. Alright. Fix that. Good.

Speaker 4:

I think we did a good day. So thanks, guys. We can get work lights. Any stage managers on stage? No.

Speaker 2:

I need work lights.

Speaker 4:

I need work lights.

Speaker 3:

Okay.